The Works of Director Steven Spielberg ACE
Not including The Twilight Zone: The Movie (1983) & Amazing Stories (1986) for now.
Note: Active member of the ACE (American Cinema Editors).
Note: Active member of the ACE (American Cinema Editors).
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- DirectorSteven SpielbergStarsDennis WeaverJacqueline ScottEddie FirestoneA business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.Cinematographer: Jack A. Marta ASC
Camera Operator: Sherman Kunkel
Camera Car Operator: Pat Eustis
Assistant Director: James Fargo
Composer: Billy Greenberg
Film Editor: Frank Morriss
Unit Production Manager: Wallace Worsley Jr
Cameras: Arriflex 35-IIA & Panavision R-200 (35mm)
Lenses: Panavision Super Speed MKII SL Primes
AR: 1.33:1 (4-Perf 35mm SL: TV Ratio), 1.85:1 (Theatrical & Blu-Ray Ratio)
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsGoldie HawnBen JohnsonMichael SacksA woman attempts to reunite her family by helping her husband escape prison and together kidnapping their son. But things don't go as planned when they are forced to take a police hostage on the road.Cinematographer: Vilmos Zsigmond ASC
Art Director: Joe Alves
Camera Operators: Jack L. Richards, Sven Walnum
1st Assistant Director: James Fargo
Composer: John Williams
Film Editors: Verna Fields ACE, Edward M. Abroms
Assistant Film Editor: Jeff Gourson
Unit Production Manager: William S. Gilmore
Cameras: Arriflex 35-IIC, Panaflex & PSR R-200 (35mm Eastman 100T 5254)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsRoy ScheiderRobert ShawRichard DreyfussWhen a killer shark unleashes chaos on a beach community off Cape Cod, it's up to a local sheriff, a marine biologist, and an old seafarer to hunt the beast down.Stereo Supervisor: Steven Spielberg ACE
Producers: Richard Zanuck, David Brown
Composer: John Williams
Film Editor/Second Unit Director: Verna Fields ACE
First Assistant Editor: Jeff Gourson
First Apprentice Editor: Rick Fields
Cinematographer: Bill Butler ASC
Cinematographer, Underwater Photog: Rex L. Metz ASC
Cinematographers (Live Shark Footage): Ronald Taylor, Valerie Taylor
Co-Writer: Peter Benchley
Screenwriter: Carl Gottlieb
Production Designer/Second Unit Director: Joe Alves
Production Special Effects Supervisor: Robert A. Mattey
Production Executive: William Gilmore Jr
A Camera Operator: Michael Chapman ASC
Underwater Unit A Camera Operator: Ronald Vidor
Unit Production Manager: James Fargo
First Assistant Director: Tom Joyner
Second Assistant Director: Barbara Bass
Set Dec Supervisor: John M. Dwyer
Technical Advisor: Manfred Zendar
Lead Stereographer, 2022 3D Version: Jeremy Carroll
VFX/Augmentation Sup, 2022 3D Version: Alex Heffner
SDFX Stereo Producer, 3D Version: Steve Stransman
SDFX Creative Supervisor, 3D Version: Mark Simone
SDFX Exec Vice President/CCO, 3D Version: Aaron Parry
SDFX SVP - Business Dev, 3D Version: Vincent DeFebo
SDFX Managing Director, 2022 3D Version: Prafull Gade
SDFX VP of Prod Operations, 3D Version: Chris Treichel
SDFX HOP Ops, 3D Version: Franklin Mascarenhas
SDFX Visual FX Supervisor, 2022 3D Version: Alex Guri
Filming Dates: 2 May 1972 - 8 October 1974
Cameras: Arriflex 35-III & Panaflex (35mm Eastman 100T 5254)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 7-9 Million USD
Budget AFI (2022): 36.9-47.4 Million USD
2022 3D Conversion Provided by: Stereo D FX Studios
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsRichard DreyfussFrançois TruffautTeri GarrRoy Neary, an Indiana electric lineman, finds his quiet and ordinary daily life turned upside down after a close encounter with a UFO, spurring him to an obsessed cross-country quest for answers as a momentous event approaches.Cinematographer: Vilmos Zsigmond ASC
Production Designer: Joe Alves
Stunt Coordinator: Buddy Joe Hooker
2nd Unit Director (Additional Scenes for 1980 Special Edition): Matthew Robbins
2nd Unit DPs: Rexford L. Metz ASC, Steven Poster ASC
Additional DPs: John A. Alonzo ASC, William A. Fraker ASC, Laszlo Kovacs ASC, Dennis Muren ASC, Douglas Slocombe BSC, Frank Stanley ASC, Richard E. Cunha, Jim Dickson David K. Stewart, Chris Strong, Joseph Freyer Westheimer
Additional DPs (1980 Special Edition): Allen Daviau ASC, Michael C. Butler
Additional Effects DP (1980 Special Edition): Don Baker
Animation DP (1980 Special Edition): Christopher S. Ross
Matte DP: Don Jarel
Model Unit DP: Peter Anderson
Optical DP: Robert Hall
Photographic FX DP: Richard Yuricich ASC
Camera Operator: Nick McLean
VFX Camera Operators: David Berry, Maxwell Morgan, Ron Peterson
Focus Puller: Robin Vidgeon BSC
Conceptual Artwork: Ralph McQuarrie
Matte Artist: Matthew Yuricich
Project Assistant: Hoyt Yeatman
Composer: John Williams
Film Editor: Michael Kahn ACE
Camera(s): Panaflex, PSR R-200 & 65 HR (35mm/65mm Eastman 100T 5247/5254)
Lenses: Panavision C-Series Anamorphic Primes & Super High Speed Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(Super Panavision 70: Special Effects)
Anecdote: Filmed in Panavision - DirectorSteven SpielbergStarsJohn BelushiDan AykroydTreat WilliamsHysterical Californians prepare for a Japanese invasion in the days after Pearl Harbor.Cinematographer: William A. Fraker ASC
Production Designer: Dean Edward Mitzner
2nd Unit DP: Rexford L. Metz ASC
Additional DP: Frank Stanley ASC
2nd Unit Camera Operator: Donald M. Morgan ASC
VFX Supervisor: Larry Robinson
Composer: John Williams
Film Editor: Michael Kahn ACE
Costume Designer: Deborah Nadoolman
Executive in Charge of Production: John G. Wilson
Camera: Panaflex (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorSteven SpielbergStarsHarrison FordKaren AllenPaul FreemanIn 1936, archaeologist and adventurer Indiana Jones is hired by the U.S. government to find the Ark of the Covenant before the Nazis can obtain its awesome powers.Production Designer: Norman Reynolds
Cinematographer: Douglas Slocombe ASC BSC
Cinematographer-Add'l Photog: Paul Beeson BSC
Cinematographer-ILM Effects: Jim Veilleux
Cinematographer-ILM Matte Photog: Neil Krepela ASC
Cinematographer-UHS Photography: Bruce Hill
Associate Producer & PM: Robert Watts
Supervising Film Editor: Michael Kahn ACE
Composer: John Williams
Film Editor, EP & Story Writer: George Lucas ACE
Executive Producer: Howard Kazanjian
Screenwriter: Lawrence Kasdan
Story Writer: Philip Kaufman
Producer & 2nd Unit Director: Frank Marshall
Casting: Michael Fenton, Jane Feinberg, Mary Selway
2nd Unit Director: Michael D. Moore
Supervising Stunt Co-Ordinator: Glenn Randall Jr
Costume Design Supervisor: Debora Nadoolman
Production VFX Supervisor: Richard Edlund ASC
Production Mechanical FX Supervisor: Kit West
1st Assistant Director: David Tomblin
Production Supervisor: Douglas Twiddy
Assistant Production Manager: Patricia Carr
2nd Asst. Directors: Roy Button, Patrick Cadell
Supervising Location Manager: Bryan Coates
Production Continuity Supervisor: Pamela Mann
1st Operating Cameraman: Chic Waterson
1st Assistant Cameraman: Robin Vidgeon BSC
2nd Assistant Cameraman: Danny Shelmerdine
Dolly Grip: Colin Manning
Gaffer: Martin Evans
Head Rigger: Red Lawrence
Supervising Art Director: Leslie Dilley
Set Decorator: Michael Ford
Supervising Construction Manager: Bill Welch
Supervising Property Master: Frank Burton
Assistant Construction Manager: George Cunning
1st Assistant Art Directors: Fred Hole, Ken Court
2nd Assistant Art Director: Michael Lamont
3rd Assistant Art Director: John Fenner
Production Illustrator: Ed Verreaux
Production Artists: Michael Lloyd, Ron Cobb
Sketch Artists: Roy Carnon, David Negron
Property Master (Tunisia): Peter Hancock
Production Property Supervisor: Charles Torbett
Stunt Arranger: Peter Diamond
Senior Effects Technician: Peter Dawson
Effects Engineering Lead: Terry Glass
Special FX Equipment Supervisor: Bill Warrington
Production Special FX Electrician: Chris Condon
Production Special FX Carpenter: Roy Coombes
Production Special Effects Welder: Yves De Bono
Sound Design Supervisor: Ben Burtt
Supervising Sound FX Editor: Richard Anderson
Supervising Dialogue Editor: Curt Schulkey
Production Dialogue Editor: Andy Patterson
1st Assistant Dialogue Editor: Eric Whitfield
Re-Record Supervisors: Steve Maslow, Gregg Landaker
Supervising Music Editor: Kenneth Wannberg
1st Assistant Film Editor: Phil Sanderson
2nd Assistant Film Editor: Bruce Green ACE
3rd Assistant Film Editor: Colin Wilson
1st Apprentice Film Editor: Julie Kahn Zunder
Sound FX Recording Lead: Gary Summers
Research Supervisor: Deborah Fine
Sr Production Assistants: Gill Case, Daniel Parker
Production Assistant: Arthur Carroll
Location Accountant: Stefano Priori
2nd Unit 1st Operating Cameraman: Wally Byatt
2nd Unit 2nd Operating Camera: Gerry Dunkley
2nd Unit 3rd Operating Camera: David Worley
2nd Unit 1st Assistant Cameraman: Chris Tanner
2nd Unit 2nd Asst. Cameraman: Eamonn O'Keefe
2nd Unit Dolly Grip: Jim Kane
2nd Unit 1st Assistant Director: Carlos Gill
2nd Unit 2nd Assistant Director: Michael Hook
2nd Unit Continuity Supervisor: Maggie Jones
ILM Optical Photog Supervisor: Bruce Nicholson
ILM Production Supervisor: Thomas Smith
ILM Art Director-Visual Effects: Joe Johnston
ILM Matte Painting Supervisor: Alan Maley
ILM VFX Editorial Supervisor: Conrad Buff IV ACE
ILM Senior Production Co-Ordinator: Patricia Blau
ILM Production Associate: Miki Herman
ILM Animation Supervisors: Samuel Comstock, Dietrich Friesen
A Camera Operator (ILM): Bill Neil
B Camera Operator (ILM): Don Dow
1st Assistant Cameraman (ILM): Clint Palmer
ILM Opt. Printer Ops: David Berry, Kenny Smith, John Ellis
ILM Opt. Lineup Ops: Mark Vargo ASC, Warren Franklin, Tom Rosseter
ILM 1st Assistant Art Director: Nilo Rodis-Jamero
ILM Illustrator: Ralph McQuarrie
ILM Matte Artist: Michael Pangrazio
ILM Matte Photography Assist: Craig Barron ASC
ILM Model Shop Foreman: Lorne Peterson
ILM Model Makers: Steve Gawley, Paul Huston, Charlie Bailey
ILM 1st Assistant Effects Editor: Peter Amundson
ILM 2nd Assistant Effects Editor: Howard Stein
ILM 1st Assistant Film Editor: Duwayne Dunham
ILM Production Co-Ordinator: Laurie Vermont
ILM Cloud Effects Lead: Gary Platek
ILM Still Photographer: Terry Chostner
ILM Administration Assistant: Chrissie England
ILM Electronic Systems Designer: Jerry Jeffress
ILM Design Engineer: Mike Bolles
ILM Equip. Engineering Sup: Gene Whiteman
ILM Machinist: Udo Pampel
ILM Supervising Stage Technician: TE Moehnke
ILM Stage Technician: Edward Hirsh
ILM Production Intern: Michael Bay
Production Color Timer: Robert McMillan
Tunisian Unit Prod Co-Ordinator: Tarak B. Ammar
Tunisian Unit Prod Supervisor: Mohamed Cherif
Tunisian Unit Prod Manager: Hassine Soufi
Tunisian Unit 1st Assistant Director: Naceur Ktari
Tunisian Unit LMs: Habib Chaari, Abdel Baccar
Tunisian Unit Asst. Art Director: Hassen Soufi
Tunisian Unit Accountant: Ridna Turki
French Unit Prod Manager: Dorothy Marchini
French Unit 1st Assistant Director: Vincent Joliet
French Unit Production Assistant: Junior Charles
French Unit Accountant: Stella Quef
Peruvian-Hawaiian Unit PCO: Dan Nichols
Peruvian-Hawaiian Unit 2nd AD: Louis Friedman
Peruvian-Hawaiian Unit LM: Maile Semitokol
Peruvian-Hawaiian Unit Gaffer: Alan Brady
Stunt Doubles-Mr. Ford: Victor Armstrong, Terry Leonard
Filming Dates: 23 June 1980 - 4 September 1980
Cameras: Panaflex-X & VistaVision (35mm Eastman 100T 5247)
Lenses: Panavision® C-Series AL Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VV: SPFX)
Budget: 18 Million USD
Budget AFI (2020): 51.3 Million USD
Printed on: Eastman Color SP Print Film, Type 5383
Special Visual & Optical Effects Produced at: Industrial Light & Magic + Modern Film Effects
Color Provided by: Rank Film Laboratories
Score Performed by: The London Symphony Orchestra
Photographed at: EMI Elstree Studios, Borehamwood, England
Distributed by: Walt Disney Studios Motion Pictures & Paramount Pictures
3D Conversion Provided by: Stereo D
Attribute: Filmed in Panavision® - DirectorSteven SpielbergStarsHenry ThomasDrew BarrymorePeter CoyoteA troubled child summons the courage to help a friendly alien escape from Earth and return to his home planet.Producer/Story Writer: Steven Spielberg ACE
Composer: John Williams
Film Editor: Carol Littleton ACE
Production Designer: Jim Bissell
Cinematographer: Allen Daviau ASC
Cinematographer, ILM Effects: Mike McAlister
Cinematographer, ILM Matte Photog: Neil Krepela ASC
Cinematographer (20th AE) & A Camera Assistant, ILM: Pat Sweeney
Cinematographer, ILM - 20th AE: Martin Rosenberg
Writer/Associate Producer: Melissa Mathison
Executive in Charge of Production: Martin Cohen
Production Supervisor: Frank Marshall
Production Manager: Wallace Worsley Jr
First Assistant Director: Katy Emde
Second Assistant Director: Daniel Attias
E.T. Creator: Carlo Rambaldi
Overall Visual Effects Supervisor: Dennis Muren ASC
Casting: Mike Fenton, Jane Feinberg, Marci Liroff
Production Set Decorator: Jackie Carr
Stunts Coordinator & 2nd Unit Director: Glenn Randall Jr
DGA Trainee: John Flynn
Production Coordinator: Sue Dwiggins
Location Services Manager: Dick Vane
A Camera Operator: John Fleckenstein
B Camera Operator: John J. Connor
First Assistant A Camera: Steven Shaw
First Assistant B Camera: Tony Rivetti
Second Assistant A Camera: Richard Fee
Gaffer: Jim Plannette
Production Set Designer: William Teegarden
Production Illustrator: Ed Verreaux
Supervising Prop Master: Russell Goble
Supervising Costumer: Deborah Lynn Scott
First Assistant Editor: Kathleen Korth
Second Assistant Editor: Bruce Cannon
Supervising Sound Editor: Charles L. Campbell
E.T.'s Voice Design Supervisor: Ben Burtt
Production Music Editor: Kenneth Hall
Production Color Timer: Roberts Raring
E.T. Technical Supervisor: Steve Townsend
Production Optical Effects Coordinator: Mitchell Suskin
Additional E.T. Effects Supervisor: Robert Short
Special Artistic Consultant: Craig Reardon
Communicator Design Supervisor: Henry Feinberg
E.T. Eyes Design Supervisor: Beverly Hoffman
Med Unit Consultants: David Carlberg, Robert Scholler
Production Special Effects Coordinator: Dale Martin
E.T. Movement Coordinator: Caprice Rothe
A Camera Operator, ILM: Robert Elswit ASC
B Camera Operator, ILM: Don Dow
B Camera Assistant, ILM: Karl Herrmann
C Camera Assistant, ILM: Selwyn Eddy III
D Camera Assistant, ILM: Michael Owens
ILM Optical Photography Supervisor: Ken Smith
ILM Optical Printer Operator: David Berry
ILM Optical Lineup Supervisor: Ralph Gordon
ILM Optical Technician: Duncan Myers
ILM Go-Motion™ Figures Lead: Tom St. Amand
ILM Model Shop Supervisor: Lorne Peterson
ILM Space Ship Design Supervisor: Ralph McQuarrie
ILM Matte Painting Supervisor: Michael Pangrazio
ILM Matte Photography Assistant: Craig Barron ASC
ILM Effects Editorial Supervisor: Conrad Buff IV ACE
ILM Effects Editor: Howard Stein
General Manager, ILM: Tom Smith
ILM Prod Coordinators: Warren Franklin, Laurie Vermont
ILM Animation Supervisor: Samuel Comstock
ILM Still Photographer: Terry Chostner
ILM Supervising Stage Technician: T.E. Moehnke
ILM Stage Technician: Ed Hirsh
ILM Production Accountant: Laura Kaysen
Exec. in Charge of P.P., 20th Anniversary: Martin Cohen
Visual Effects Supervisor, 20th Anniversary: Bill George
Animation Supervisor, 20th Anniversary: Colin Brady
Research Consult., 20th Anniversary: Laurent Bouzereau
Music Editor, 20th Anniversary Edition: Ken Wannberg
ILM Sr Visual Effects Producer, 20th AE: Sandra L. Scott
ILM CG Supervisor, 20th Anniversary: Patrick T. Myers
ILM Compositing Supervisor, 20th AE: Jeff Doran
ILM Digital Color Timing Supervisor, 20th AE: Ken Smith
ILM Add'l. VFX Supervision, 20th AE: Tim Alexander
ILM Sequence Producer, 20th Anniversary: Jeff Olson
ILM Dev CG Leads, 20th AE: Jeroen Lapre, Ryan Cook
ILM Lead Digital Compositor, 20th AE: Barbara Brennan
ILM DCs, 20th AE: Jay Cooper, Sean Mackenzie, Greg Maloney, Patrick Tubach
ILM Digital Modeler, 20th Anniversary: Stephen Aplin
ILM Viewpaint Lead, 20th Anniversary: Jean Bolte
ILM Viewpaint Senior, 20th AE: Derek Gillingham
ILM Creature Developer, 20th Anniversary: Lenny Lee
ILM Sabre CG Lead, 20th Anniversary: Caitlin Content
ILM Sabre CG Srs, 20th AE: Mark Casey, Catherine Tate
ILM Rebel Unit Lead, 20th Anniversary: Billy Brooks
ILM Digital Matte Lead, 20th Anniversary: Ronn Brown
ILM 3D Matchmove Lead, 20th AE: Dani Morrow
ILM Digital Paint Lead, 20th Anniversary: Mike Van Eps
A 1st Assistant Camera, ILM - 20th AE: Richard McKay
B 1st Assistant Camera, ILM - 20th AE: Robert Hill
ILM VFX Prod. Coords, 20th AE: Camille Eden, Lisa Todd
ILM VFX PAs, 20th AE: Mei-Ming Casino, Kingston Cole
ILM VFX Editors, 20th AE: David Tanaka, Greg Hyman
ILM VFX First Assistant Editor, 20th AE: Lars Jensvold
ILM Scanning Operator, 20th Anniversary: Mike Ellis
Visual Effects Coordinator, 20th AE: Mark Russell
Filming Dates: 8 September 1981 - December 1981, January 1982 - February 1982 (Additional Photography)
Camera: Panaflex Gold (35mm Eastman 100T 5247)
Lenses: PANAVISION® Super Speed MKII SL Primes
AR: 1.66:1 (SL: Negative Ratio), 1.85:1 (Intended Ratio)
Budget: 10.5 Million USD
Budget AFI (2022): 30.8 Million USD
Special Visual Effects & Animation Produced at/by: Industrial Light & Magic
Color Processing Provided by: DELUXE®
Color Prints & 20 Anniversary Color by: TECHNICOLOR®
Shot on: Kodak Motion Picture Film
Attribute: Filmed in PANAVISION® - DirectorSteven SpielbergStarsHarrison FordKate CapshawKe Huy QuanIn 1935, Indiana Jones is tasked by Indian villagers with reclaiming a rock stolen from them by a secret cult beneath the catacombs of an ancient palace.Associate Producer: Steven Spielberg
Costume Designer: Anthony Powell
Production Designer: Elliot Scott
Cinematographer: Douglas Slocombe ASC BSC
Cinematographer (Add'l Photog): Hiro Narita ASC
Film Editor: Michael Kahn ACE
Film Editor, EP & Story Writer: George Lucas ACE
Composer: John Williams
Executive Producer: Frank Marshall
Screenwriters: Willard Hyuck, Gloria Katz
Producer: Robert Watts
==============================
Art Director: Roger Cain
Chief Art Director: Alan Cassie
Stunt Arranger/Stunt Player/Stunt Double for Harrison Ford: Vic Armstrong
2nd Unit Director: Michael D. Moore
Stunt Arranger/Stunt Player/2nd Unit Director: Glenn Randall Jr
Aerial 2nd Unit Director: Kevin Donnelly
2nd Unit DP: Reed Smoot
Additional DPs: Paul Beeson BSC, Allen Daviau ASC, Garrett Brown, Rick Fichter, Alexander Xavier
Aerial Unit DP: Jack Cooperman
ILM Matte DP: David Fincher
DWI Motion Control DP: Hoyt Yeatman
Assistant Cameraman: Robin Vidgeon BSC
Operating Cameraman: John M. Stephens
ILM Assistant Cameraman: Pat Sweeney
ILM VFX Cameraman: Michael Owens
2nd Assistant Directors: Ian Bryce, Frank Marshall, Roy Button
Mechanical Effects Supervisor: George Gibbs
VFX Supervisor: Dennis Muren ASC
Assistant Film Editor: Steven Kemper ACE
Production Manager: Patricia Carr
Camera(s): Arriflex 35-III, Nikon F3, Panaflex Gold & VistaVision (35mm Eastman 100T 5247/250T 5293/400T 5294)
Lenses: Panavision C-Series Anamorphic Primes & Nikkor Zooms
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(VistaVision: Special Effects)
Budget: 28 Million USD
Budget AFI (2020): 69.8 Million USD
Shot on: Eastman Kodak Motion Picture Film
Printed on: 35mm & 70mm (Blow-Up) Eastman 5384
Distributed by: Walt Disney Studios Motion Pictures/Paramount Pictures
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed in Panavision - DirectorSteven SpielbergStarsDanny GloverWhoopi GoldbergOprah WinfreyA tale spanning forty years in the life of Celie, an African-American woman living in the South who survives incredible abuse and bigotry.Cinematographer: Allen Daviau ASC
Production Designer: J. Michael Riva
Art Director: Bo Welch
Assistant Art Director: Joseph C. Nemec III
Illustrator: Ed Verreaux
Set Decorator: Linda DeScenna
2nd Unit Director: Frank Marshall
Focus Puller: Martin Kenzie BSC
Composer: Quincy Jones
Film Editor: Michael Kahn ACE
Assistant Film Editor: Martin Cohen
Costume Designer: Aggie Rodgers
Camera(s): Arriflex 35-III & Panaflex Gold (35mm Eastman 125T 5247/400T 5294)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsChristian BaleJohn MalkovichMiranda RichardsonA young English boy struggles to survive under Japanese occupation of China during World War II.Cinematographer: Allen Daviau ASC
Production Designer: Norman Reynolds
Supervising Art Director: Charles Bishop
Art Director: Fred Cole, Rick Carter
Production Illustrator: Ed Verreaux
Stunt Coordinator/Player: Vic Armstrong
2nd Unit Director: Frank Marshall
2nd Unit DP: James Devis
2nd Unit Camera Operator: Michael Frift
Optical Effects: Dennis Muren ASC
Composer: John Williams
Film Editor: Michael Kahn ACE
Assistant Film Editors: Dan Farrell, Nick Moore
Associate Film Editor: Martin Cohen
Costume Designer: Bob Ringwood
Camera(s): Arriflex 35-III & Panaflex Gold (35mm Eastman 125T 5247/400T 5294/250D 5297)
Lenses: Panavision Primo Spherical Primes (Prototype), Ultra Speed MKII Spherical Primes & Panavision/Cooke Zooms
AR: 1.66:1 (Negative Ratio), 1.85:1 (Spherical: Theatrical Ratio)
Visual Effects Provided by: Industrial Light & Magic
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsHarrison FordSean ConneryAlison DoodyIn 1938, after his father goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against the Nazis again to stop them from obtaining its powers.Cinematographer: Douglas Slocombe BSC
Production Designer: Elliot Scott
Production Illustrator: Ed Verreaux
Stunt Coordinator/Stunt Double for Harrison Ford: Vic Armstrong
2nd Unit Directors: Frank Marshall, Michael D. Moore
2nd Unit DP: Rexford L. Metz ASC
Aerial Unit DP: Peter Allwork
Additional DP: Paul Beeson BSC
ILM Matte DP: Wade Childress
2nd Unit Camera Operator: Derek V. Browne
ILM Camera Operator: Pat Sweeney
Underwater Camera Operator: Mike Valentine BSC
Panaglide Operator: Raymond Stella SOC
Assistant Cameraman: Martin Kenzie BSC
Mechanical Effects Supervisor: George Gibbs
VFX Supervisor: Michael J. McAlister
Composer: John Williams
Film Editors: Michael Kahn ACE, George Lucas (Uncredited)
Assistant Film Editors: Andrew MacRitchie, Nick Moore
Costume Designers: Joanna Johnston, Anthony Powell
Production Managers: Ian Bryce, Patricia Carr, Roy Button
Camera(s): Panaflex GII, Platinum & VistaVision (35mm Eastman 125T 5247/400T 5295)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(VistaVision: Special Effects)
Budget: 48 Million USD
Budget AFI (2020): 100.3 Million USD
Shot on: Eastman Kodak Motion Picture Film
Printed on: 35mm & 70mm (Blow-Up) Eastman 5384
Distributed by: Walt Disney Studios Motion Pictures/Paramount Pictures
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed in Panavision (as Cameras and Lenses) - DirectorSteven SpielbergStarsRichard DreyfussHolly HunterBrad JohnsonThe spirit of a recently deceased expert pilot mentors a newer pilot while watching him fall in love with the girlfriend that he left behind.Cinematographer: Mikael Saloman ASC
Production Designer: Jim Bissell
2nd Unit Director: Frank Marshall
Aerial Unit Director: James W. Gavin
Aerial Unit DPs: Alexander Witt ASC, Frank M. Holgate
Additional DPs: John Toll ASC, Gary Graver
Miniature Underwater DP: Pete Romano ASC
VFX DP: Hiro Narita ASC
VFX Cameraman: Martin Rosenberg
VFX Producer: Jim Morris
VFX Supervisor: Bruce Nicholson
Composer: John Williams
Film Editor: Michael Kahn ACE
Costume Designer: Ellen Mirojnick
Post-Production Supervisor: Martin Cohen
Unit Production Manager: Gary Daigler
Camera(s): Arriflex 35-III, Panaflex GII & Platinum (35mm)
Lenses: Panavision Ultra Speed MKII Spherical Primes & Cooke
AR: 1.85:1 (Spherical)
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsDustin HoffmanRobin WilliamsJulia RobertsWhen Captain James Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.Executive Producer/Co-Writer: James V. Hart
Associate Producer/Screenwriter: Malia Scotch Marmo
Screen Story Writer: Nick Castle
Producer: Frank Marshall
Producer/Unit Production Manager: Gerald R. Molen
Co-Producers: Gary Adelson, Craig Baumgarten
Cinematographer: Dean Cundey ASC
Cinematographer (2nd Unit): Jack Anderson
Production Designer: Norman Garwood
Film Editor: Michael Kahn ACE
Composer: John Williams
Costume Designer: Anthony Powell
Executive Producer: Dodi Fayed
Associate Producer/1st Ass't Director: Bruce Cohen
2nd Assistant Director: Carla McCloskey
Visual Consultant: John Napier
Production VFX Supervisor: Eric Brevig
Choreographer: Vince Paterson
Art Directors: Thomas E. Sanders, Andrew Precht
Set Decorator: Garrett Lewis
Production SFX Supervisor: Michael Lantieri
Production FX Producer: Colin Wilson
Stunt Coordinator/Action Choreographer: Gary Hymes
A-Camera Operator: Raymond Stella SOC
1st Assistant A-Camera: Clyde E. Bryan
1st Assistant B-Camera: Larry Davis
2nd Assistant A-Camera: Jolanda Wipfli
2nd Assistant B-Camera: Patricia J. Kean
Ass't Art Director: Daniel T. Dorrance
Junior Set Designer: Nathan Crowley
Location Manager: Stuart E. Neumann
Ass't Production Coordinator: James L. Wiggins
2nd 2nd Ass't Director: Ronnie Chong
Add'l 2nd Ass't Director: Kate Davey
Prop Master: Mark R. Wade
Ass't Prop Master: Randy Gunter
Julia Roberts Makeup Designer: Ve Neill
Chief Lighting Technician: Mark Walthour
Ass't Chief Lighting Techs: Tony Wong, Bruce Prochal
Rigging Gaffer: Patrick H. Marshall
Production SFX Foremen: Donald R. Elliott, Brian Tipton
SFX Shop Supervisor: Thomas Pahk
SFX Ship Rigging Consultant: Allan Johnson
Add'l Film Editor: William Goldenberg ACE
1st Assistant Editor: Patrick Crane
2nd Assistant Editor: Alan Cody
3rd Assistant Editor: Debbie Goldsmith
Music Editor: Kenneth Wannberg
Score Mixer: Shawn Murphy
Orchestrators: John Neufeld, Alexander Courage
Orchestra Manager: Sandy DeCrescent
Post-Production Supervisor: Martin Cohen
Post-Production Coordinator: Michelle Fandetti
Animatronics & Puppets Creator: Rick Lazzarini
Dolby Stereo Consultant: Steve FB Smith
ILM VFX Producer: Kimberly Nelson
ILM Art Director: Matt Jessup
ILM Supervising Matte Artist: Mark Sullivan
ILM Optical Photography Supervisor: John Ellis
ILM DFX Supervisor: Bruno George
ILM Plate Photography Sup: Michael Owens
ILM Post Photography Supervisor: John Knoll
ILM Key FX Photographer: Kim Marks
ILM Bluescreen Unit Manager: Ed Hirsh
ILM VFX Editor: Michael Gleeson
ILM FX Camera Supervisor: Bruce Walters
ILM Motion/Wing Supervisors: Patrick T. Myers, Charlie Clavadetscher
ILM Senior CG Supervisor: Stefen Fangmeier
ILM CG Supervisor: John Andrew Berton Jr
ILM CG Fire Removal Supervisor: Sandra Ford
ILM Digital Scanning Supervisor: Joshua Pines
ILM Animation Supervisor: Wes Takahashi
ILM Model Shop Supervisor: Lorne Peterson
ILM Rotoscope Supervisor: Jack Mongovan
ILM Exec in Charge of Post-Prod: Ed L. Jones
ILM Exec in Charge of Production: Jim Morris
ILM FX Unit Optical A-Cam Op: Selwyn Eddy III
ILM Add'l DFX Supervisor: James E. Price
ILM Matte Artist: Yusei Uesegi
ILM FX Unit DoPs: Terry Chostner, Pat Sweeney
ILM FX Unit A-Camera Operator: Ray Gilberti
ILM FX Unit 1st Ass't A-Camera: John Gazdik
ILM Storyboard Artist: Iain McCaig
Add'l Cinematographers (Bluescreen Unit; LA): Charles Schuman, Thomas Marshall
Gyrosphere Tech (Bluescreen Unit; LA): Richard Brooks Burton
Utility Stunts: M. James Arnett
Special Thanks: Elliott Scott
Filming Dates: 19 February 1991 - 1 August 1991
Cameras: Panaflex Gold, GII, Platinum & ILM VistaFlex (35mm Eastman EXR 100T 5248/500T 5296)
Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Special Effects)
Budget: 70 Million USD
Budget AFI (2020): 133.16 Million USD
Shot on: Eastman Film
Printed on: Eastman 5384
Special Visual Effects Provided By: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsSam NeillLaura DernJeff GoldblumA pragmatic paleontologist touring an almost complete theme park on an island in Central America is tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose.Screenwriters: Michael Crichton, David Koepp
Producer: Gerald R. Molen
Cinematographer: Dean Cundey ASC
Cinematographer (Add'l Photog): Lloyd Ahern II ASC
Cinematographer (ILM Add'l Plate Photog): Scott Farrar ASC
Production Designer: Rick Carter
Film Editor: Michael Kahn ACE
Composer/Conductor: John Williams
Orchestrator: Alexander Courage
Associate Producers: Lata Ryan, Colin Wilson
Unit Production Manager: Paul Deason
1st Assistant Director: John T. Kretchmer
2nd Assistant Director: Michele Panelli-Venetis
Full-Motion Dinosaurs Supervisor: Dennis Muren ASC
Live-Action Dinosaurs Supervisor: Stan Winston
Dinosaur Supervisor: Phil Tippett
Special Dinosaur Effects Supervisor: Michael Lantieri
Art Directors: Jim Teegarden, John Bell
Set Decorator: Jackie Carr
Stunt Coordinator/2nd Unit Director: Gary Hymes
A-Camera Operator: Raymond Stella SOC
Sound Mixer: Ron Judkins
Paleontology Consultant: Jack Horner
1st Assistant A-Camera: Cal Roberts
Prop Master: Jerry Moss
Ass't Prop Masters: Ken Peterson, Craig Raiche
2nd 2nd Ass't Director: Kenneth J. Silverstein
Chief Lighting Technician: Mark Walthour
Ass't Chief Lighting Technicians: Steve Chandler, O'Shana Walker
Rigging Gaffer: Pat Marshall
Production SFX Foreman: Don Elliot
SFX Shop Supervisor: Thomas Pahk
Production SFX Engineer: Joss Geiduchek
SFX Rigging Foreman: Tim Moran
Ass't Art Directors: Marty Kline, Paul Sonski
Set Designers: John Berger, Lauren Polizzi
2nd Unit 1st Ass't Director: Carla McCloskey
2nd Unit Gaffer: Jack Schlosser
Hawaii Unit Location Manager: Ken Levine
Hawaii Unit Ass't Location Manager: Sam Lee
Aerial Unit Director: David B. Nowell ASC
Aerial Unit Coordinator: Bobby Zajonc
Aerial Unit Ass't Camera: John Connell
Aerial Unit Picture Pilot: David Chevalier
VFX Unit VistaVision Camera Operator: Mark Gutterud
K&F "Mr. DNA" Animation Movement Designer: Bob Kurtz
K&F "Mr. DNA" Animation Layout Designer: Robert Peluce
ILM Co-VFX Supervisor: Mark AZ Dippé
ILM Senior VFX Producer: Janet Healy
ILM Lead CG Supervisor: Stefen Fangmeier
ILM CG Supervisors: Alex Seiden, George Murphy
ILM General Manager: Jim Morris
ILM CG Animators: Eric Armstrong, Steven "Spaz" Williams, Geoff Campbell, Don Waller
ILM Add'l CG Supervisor: Stephen Rosenbaum
ILM CG Technical Director: Joe Letteri
ILM Executive in Charge of Production: Patricia Blau
ILM Supervisor of Software & Development Technology: Thomas A. Williams
ILM VFX Coordinator: Judith Weaver
ILM VFX Art Director: Ty Ruben Ellingson
ILM VFX Editor: Michael Gleason
ILM Scanning Supervisor: Joshua Pines
ILM Optical Supervisor: John Ellis
ILM Plate Photography Ass't Camera: Patrick McArdle
ILM Plate Producer: Mark Miller
ILM CG Camera Matchmover: Patrick T. Myers
ILM CG Technical Assistants: Michael Conte, Joel Aron
ILM Scanning Operator: Mike Ellis
ILM CG Coordinators: Ginger Thiesen, Nancy Jill Luckhoff
ILM CG Department Production Manager: Gail Currey
ILM CG Department Operations manager: John Andrew Berton Jr
ILM Senior CG Department Manager: Douglas Scott Kay
ILM VFX Unit A-Camera Operator: Pat Turner
ILM VFX Unit B-Camera Operator: Terry Chostner
ILM Matte Artist: Yusei Uesegi
ILM FX Unit Ass't A-Camera: Robert Hill
ILM FX Unit Ass't B-Camera: Jeff Greeley
ILM Ass't Editor: Roberto McGrath
ILM Editorial Coordinator: David Tanaka
ILM Chief Model Makers: Lorne Peterson, Steve Gawley
ILM FX Unit Optical A-Cam Op: Keith Johnson
ILM FX Unit Optical B-Cam Op: James Lim
ILM Optical/Scanning Coordinator: Lisa Vaughn
ILM Production Accountant: Pamela Kaye
ILM Courier Coordinator: Jerry Simonsen
ILM Production Assistant: Tina Matthies
SWS Art Department Coordinator: Shane Patrick Mahan, John Rosengrant
SWS Concept Artist: Mark "Crash" McCreery
SWS Art Department Artist: Lindsay MacGowan
Tippett Studio Production Supervisor: Jules Tippett
Tippett Studio Computer Interface Engineer: Craig Hayes
Tippett Studio Senior Animator: Randal M. Dutra
Tippett Studio Animator: Tom St. Amand
Tippett Studio Computer Systems Artist: Adam Valdez
Tippett Studio Production Coordinator: Sheila Duignan
Tippett Studio Engineer: Stuart Ziff
Tippett Studio Animatics Artist: Eric Swenson
Tippett Studio Computer Technicians: Steve Reding, Douglas Epps
Re-Recording Mixers: Gary Summers, Shawn Murphy
Re-Recording Mixer/Sound Designer: Gary Rydstrom
Supervising Sound Editor: Richard Hymns
Sound FX Editors: Ken Fischer, Teresa Eckton
Music Editor: Kenneth Wannberg
Music Contractor: Sandy DeCrescent
Score Mixer: Shawn Murphy
Music Librarian: Mark Graham
Dolby Sound Consultant: Douglas Greenfield
Stunts: Brian Smrz, RA Rondell
Special Thanks: George Lucas
DCI VFX Supervisor (2013 3D Version): Jason Richardson
DCI VFX Producer (2013 3D Version): Aurelio Vera Jr
Stereo D Stereoscopic Supervisor (2013 3D Version): Sherin Varghese
Stereo D Stereoscopic Editorial Supervisor (2013 3D Version): Derek N. Prusak
Stereo D Production Coordinators (2013 3D Conversion): Nikita Agrawal, Mayumi Boruah
Stereo D Senior Pipeline Developer (2013 3D Version): Jonathan Angelo
Stereo D Production Assistant (2013 3D Version): Matthew E. Gill
Stereo D Stereoscopic TD (2013 3D Version): Brian Hawkins
Stereo D VP of Technology (2013 3D Version): David Krause
Stereo D VFX Assistant (2013 3D Version): Paul Ingegneri
Filming Dates: 24 August 1992 - 30 November 1992
Cameras: Panaflex Gold & Platinum (35mm Eastman EXR 50D 5245/100T 5248/500T 5296)
Lenses: Panavision Primo Spherical Primes & Slant Focus Primes
AR: 1.37:1 (4-Perf: Negative Ratio), 1.85:1 (Spherical: Final Theatrical Ratio)(8-Perf VistaVision: Visual Effects)
Budget: 63 Million USD
Budget AFI (2021): 116.4 Million USD
Printed on: Eastman 5384 & Kodak Vision 2383
Full Motion Dinosaurs, Special Visual Effects & "Mr. DNA" Animation Provided by: Industrial Light & Magic, Kurtz & Friends, Tippett Studio + Stan Winston Studio
Post-Production Sound Services Provided by: Skywalker Sound
2013 3D Conversion Provided by: Stereo D
Attribute: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsLiam NeesonRalph FiennesBen KingsleyIn German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.Cinematographer: Janusz Kaminski ASC
Production Designer: Allan Starski
Camera Operator: Raymond Stella SOC
Gaffer: Mauro Fiore ASC
Composer: John Williams
Film Editor: Michael Kahn ACE
DI Colorist (2018 Remaster): Michael Hatzer
Costume Designer: Anna B. Sheppard
Post-Production Supervisor: Martin Cohen
Camera(s): Arriflex 35-III, 535A & 535B (35mm Eastman Double-X 5222/Plus-X 5231/125T 5247/EXR 500T 5296)
Lenses: Zeiss Standard & Super Speed Primes
AR: 1.37:1 (Negative Ratio), 1.85:1 (Spherical: Theatrical Ratio)
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed with Arriflex Cameras and Lenses - DirectorSteven SpielbergStarsJeff GoldblumJulianne MoorePete PostlethwaiteA research team is sent to the Jurassic Park Site B island to study the dinosaurs there, while an InGen team approaches with another agenda.Screenwriter/2nd Unit Director: David Koepp
Producers: Gerald R. Molen, Colin Wilson
Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
Film Editor: Michael Kahn ACE
Composer/Conductor: John Williams
Associate Producer: Bonnie Curtis
Unit Production Manager: D. Scott Easton
1st Assistant Director: Sergio Mimica-Gazzen
2nd Assistant Director: Sean Hobin
Full-Motion Dinosaurs Supervisor: Dennis Muren ASC
Live-Action Dinosaurs Supervisor: Stan Winston
Special Dinosaur Effects Supervisor: Michael Lantieri
Dinosaur Motion Supervisor: Randal M. Dutra
Production VFX Producer: Ned Gorman
Production Supervisor: Peter Tobyansen
Sound Designer/Re-Recording Mixer: Gary Rydstrom
Supervising Sound Editor: Richard Hymns
Supervising Art Director: Jim Teegarden
Set Decorator: Gary Fettis
Prop Master: Jerry Moss
Art Directors: Lauren Polizzi, Paul Sonski
Ass't Art Directors: John Berger, Sean Hargreaves
Illustrator: Stefan Dechant
Set Designers: Pamela Klamer, Linda King
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operator: Chris Haarhoff SOC
A-Camera Focus Puller: Steven Meizler
VistaVision Camera Assistant: Mark Gutterud
2nd Unit DoP: Mauro Fiore ASC
Stint Coordinators: M. James Arnett, Gary Hymes
Ass't Stunt Coordinator: Pat Romano
Marine Coordinator: C. Ransom Walrod
Ass't Prop Master: Drew Petrotta
2nd 2nd Ass't Director: Lars P. Winther
Add'l 2nd Ass't Director/Eureka: Amy Hughes
Supervising Key Makeup Artist: Christina Smith
Chief Lighting Director/Technician: David Devlin
Ass't Chief Lighting Technician: Jarek Gorczycki
Rigging Gaffer: Brian Lukas
Production SFX Foreman: Don Elliott
SFX Shop Foreman: Thomas Pahk
SFX Car Shop Foreman: Thomas R. Homsher
Production VFX Liaison: Michael Fallavollita
Conceptual Artist: John Bell
Location Manager: Mike Haro
Display Graphics Supervisor: Todd Aron Marks
Production CG Designer: Alex Mann
1st Assistant Editor: Patrick Crane
2nd Assistant Editor: Richard Byard
3rd Assistant Editor: Ken Blackwell
Picture Car Coordinator: Bill Ballard
Aerial Unit Coordinator: Robert Zajonc
Ass't Aerial Unit Coordinator: Christine Baer
Aerial Unit Director: David B. Nowell ASC
Aerial Unit Camera Assistant: Richard Brooks Burton
Aerial Unit Twin Star Helicopter: Alan Purwin
Miniature Unit DoP: Eric Swenson
ILM CG Supervisor: Kevin Rafferty
ILM CG Sequence Supervisors: Ben Snow, Erik Mattson
ILM CG Development Supervisor: Euan MacDonald
ILM Lead Digital Character Animators: Danny Gordon Taylor, Doug E. Smith, Miguel A. Fuertes, Daniel Jeanette
ILM Associate FX Supervisor: Rick Schulze
ILM Digital Character Animators: Bruce Dahl, Peter Daulton, Hal Hickel, Paul Kavanagh
ILM DFX Sequence Supervisors: Kevin Barnhill, Christopher Townsend, Ed Kramer, Doug Sutton
ILM DFX CG Supervisors: Michael Bauer, Michael Di Como
ILM DFX Technical Director: Samir Hoon
ILM Digital Model Supervisor: Paul Giacoppo
ILM Compositing Supervisors: Pablo Helman, Jon Alexander
ILM VFX Art Director: George Hull
ILM Lead Viewpainter: Susan Ross
ILM Lead Matchmover: Terry Chostner
ILM Lead Roto Artist: Jack Monogovan
ILM Location Matchmover: Jack Haye
ILM Digital Compositors: Tim Alexander, Jeff Doran, Mary McCulloch
ILM VFX Editor: Michael Gleason
ILM Senior FX Coordinator: Vicki L. Engel
ILM VFX Coordinators: Christine M. Owens, Megan I. Carlson
ILM Stage Manager: Ed Hirsh
ILM Ass't Stage Manager: David Dranitzke
ILM FX Unit DoP: Pat Turner
ILM Model Shop Project Supervisor: Lorne Peterson
ILM 3D Camera Matchmove Artist: Selwyn Eddy III
ILM Digital Timing Supervisor: Kenneth Smith
ILM Digital Matte Artist: Paul Huston
ILM Senior Scanning Supervisor: Randall K. Bean
ILM Scanning Operator: Michael Ellis
ILM CG Resource Assistant: Kimberly Lashbrook
ILM Digital Plate Restorationist: Melissa Monterrosa
ILM Ass't VFX Editor: Greg Hyman
ILM Software Development Supervisor: Christian Rouet
ILM Mechanical FX Supervisor: Geoffrey Heron
ILM Stage Technician: Bob Finley III
ILM VFX Unit Camera Assistant: Vance Piper
ILM Executive in Charge of Production: Patricia Blau
ILM VFX Producer: Chrissie England
ILM General Manager: Jim Morris
SWS FX Supervisors: Shane Patrick Mahan, John Rosengrant, J. Alan Scott
SWS FX Supervisor, Concept Art Director & Designer: Mark 'Crash' McCreery
SWS Add'l Concept Designers: Joey Orosco, Rion Vernon
SWS Hydraulic Designer & Supervisor: Tim Nordella
SWS Art Department Puppeteer: Lindsay MacGowan
SWS Art Department Key Artist: Richard Alonzo
SWS Electronics Dept. Supervisor: Emery Brown
SWS Fabrication Dept. Supervisor: Karen Mason
SWS Production Coordinator: Stiles White
HDR Color Consultant (2018 4K Remaster)/Post-Production Executive: Martin Cohen
Post-Production Supervisor: Erica Frauman
Re-Recording Mixer: Gary Summers
Re-Recording Mixer/Score Mixer: Shawn Murphy
Music Editor: Kenneth Wannberg
Music Contractor: Sandy DeCrescent
Orchestrator: Conrad Pope
Consultant (Museum of the Rockies): Jack Horner
Hunter Consultant: Ross Seyfried
Consultant (University of Wisconsin): Tim Ehlinger
Filming Dates: 5 September 1996 - 11 December 1996
Cameras: Panaflex Platinum & Panastar (35mm Eastman EXR 200T 5293/Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 1.37:1 (4-Perf: Negative Ratio), 1.85:1 (Spherical: Final Theatrical Ratio)(8-Perf VistaVision: Visual Effects)
Budget: 73 Million USD
Budget AFI (2021): 121.4 Million USD
Full Motion Dinosaurs & Special Visual Effects Provided by: Industrial Light & Magic
Live-Action Dinosaurs Designed & Created at: Stan Winston Studio
Attribute: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsDjimon HounsouMatthew McConaugheyAnthony HopkinsIn 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
Stunt Coordinator: M. James Arnett
2nd Unit DPs: Mauro Fiore ASC, Bill Trautvetter
Camera Operator: Mitch Dubin SOC
Camera/SpaceCam Operator: Ron Goodman
Underwater Camera Operator: Pete Romano ASC
1st Assistant Director: Denis L. Stewart
ILM VFX Supervisor: Scott Farrar ASC
Composer: John Williams
Film Editor: Michael Kahn ACE
Costume Designer: Ruth E. Carter
Post-Production Executive: Martin Cohen
Unit Production Manager: Paul Deason
Camera: Panaflex Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279/EXR 200T 5293)
Lenses: Panavision Super Speed Z-Series MKII Spherical Primes
AR: 1.85:1 (Spherical)
Visual Effects Provided By: Industrial Light & Magic
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsTom HanksMatt DamonTom SizemoreFollowing the Normandy Landings, a group of U.S. soldiers go behind enemy lines to retrieve a paratrooper whose brothers have been killed in action.Producers: Steven Spielberg ACE, Mark Gordon, Ian Bryce
Writers: Robert Rodat, Scott Frank, Frank Darabont
Cinematographer: Janusz Kaminski ASC
Production Designer: Thomas E. Sanders
Film Editor: Michael Kahn ACE
Composer: John Williams
Costume Designer: Joanna Johnston
Co-Producers: Bonnie Curtis, Allison Lyon Segan
Casting: Denise Chamian CSA
Associate Producer/Production Manager: Mark Huffam
Key 1st Ass't Director: Sergio Mimica-Gezzan
2nd Assistant Director: Adam Goodman
Ass't Production Designer: Phill Zagajewski
Associate Producer: Kevin De La Noy
Sound Designer/Re-Recording Mixer: Gary Rydstrom
Production SFX Supervisor: Neil Corbould
SFX Plate Supervisor: Clive Beard
Supervising Stunt Coordinator & 2nd Unit Director: Simon Crane
Supervising Art Director: Daniel T. Dorrance
Supervising Set Decorator: Lisa Dean Kavanaugh
Senior Military Advisor: Dale Dye
Casting (UK): Priscilla John CDG
Art Directors: Ricky Eyres, Tom Brown, Chris Seagers, Alan Tomkins
Standby Art Director: Gary Freeman
Ass't Art Director: Kevin Kavanaugh
A-Camera Operator: Mitch Dubin SOC ACO
B-Camera Operator: Chris Haarhoff SOC
C-Camera Operator: Seamus Corcoran
Add'l Cinematographer: Dan Moore
1st Assistant A-Camera: Steven Meizler
1st Assistant B-Camera: Kenny Groom
1st Assistant C-Camera: Mark Milsome
2nd Assistant A-Camera: Tom Jordan
2nd Assistant B-Camera: Robert Palmer
A-Camera Trainee: Alan Hall
B-Camera Trainee: Angus Mitchell
1st Assistant Editors: Patrick Crane, Richard Byard
2nd Assistant Editor: Michael Trent
3rd Assistant Editor: Alex Garcia
4th Assistant Editor: Simon Cozens
5th Assistant Editor: Bradley Souber
1st Apprentice Editor: Julie Zunder
Supervising Sound Editor: Richard Hymns
Re-Recording Mixers: Gary Summers, Andy Nelson
Chief Lighting Tech & 2nd Unit DoP: David Devlin
Rigging Chief Lighting Tech: Ossa Mills
B-Camera Key Grip: John Flemming
"B" Camera Dolly Grip: David Rist
Armourer: Simon Atherton
Supervising Prop Master: Maxie McDonald
Supervising Standby Props Master: Mickey Pugh
Standby Props Master: Micky Woolfson
Webbing Supervisor: Andrew Fletcher
SFX Workshop Supervisor: Trevor Wood
Lead Sr SFX Techs: Paul Corbould, David Brighton, Dave Hunter, John Evans, Kevin Herd
Senior SFX Technicians: Ian Corbould, Jeffrey Clifford, Mark Meddings
Production SFX Technician: Cliff Corbould
SFX Test Technician: Malcolm Crash Corbould
Production SFX Buyer: Krissi Williamson
Production SFX Coord: Carol McAulay
SFX Ass't Buyer: Katie Gabriel
Production Supervisor: Conor O'Sullivan
Prosthetics Designer: Stuart Sewell
Corpse & Animal FX Designers: Steve Painter, Neill Gorton
Corpse & Animal FX Coord: Lindy Diamond
Moldmaking Supervisor: John Schoonraad
Military Costumer: David Crossman
Production Controller: Jim Turner
Supervising Production Accountant: Carolyn Hall
Production Accountant: George Marshall
Production Coordinator: Lil Heyman
2nd 2nd Ass't Director: Karen Richards
3rd Assistantt Directors: Martin Krauka, Andrew Ward
Supervising Location Managers: Alex Gladstone, Robin Higgs
Production Associate: Jason Roberts
Military Advisor: John Barnett
Picture Vehicle Coordinator: Steve Lamonby
Irish Unit Production Manager: Seamus McInerney
Irish Unit A-Camera Operator: Cian De Butlear
Irish Unit 1st Ass't A-Camera: Ciaran Barry
Irish Unit 1st Ass't B-Camera: Donal Gilligan
Irish Unit 2nd Ass't A-Camera: Declan King
Irish Unit 2nd Ass't B-Camera: Dochy Lowe
Irish Unit Chief Lighting Technician: Terry Mulligan
Irish Unit Senior SFX Tech: Gerry Johnston
Irish Unit 2nd Ass't Director: Catherine Dunne
Irish Unit 3rd Ass't Directors: Barbara Mulcahy, Hannah Quinn, Daisy Cummins
Irish Unit Location Manager: Melanie Gore Grimes
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Erica Frauman
Post-Production Coordinator: Sven E. Fahlgren
Sound FX Editor: Ethan Van Der Ryn
Ass't Sound Designer: Shannon Mills
Music Editor: Ken Wannberg
Post-Production Associate: Mike Cuevas
Score Orchestrations Supervisor: John Neufeld
Score Recordist & Mixer: Shawn Murphy
Scoring Consultant: Sandy DeCrescent
ILM Senior VFX Supervisor: Stefen Fangmeier
ILM VFX Co-Supervisor: Roger Guyett
ILM Senior VFX Producer: Kim Bromley
ILM Associate VFX Producer: Heather Smith
ILM VFX Art Director: Alexander Laurant
ILM Color Timing Supervisor: Ken Smith
ILM CG Sequence Supervisor: Gregor Lakner
ILM Sabre Supervisor: Pablo Helman
ILM VFX Prod Coordinator: Lori Arnold
ILM VFX Editor: Bill Kimberlin
ILM Scanning Supervisor: Joshua Pines
ILM VFX Unit A-Camera Operator: Martin Rosenberg
ILM VFX Unit A-Cam Ass't: Robert Hill
ILM Lead FX Technician: Geoffrey Heron
ILM FX Technician: Dan Nelson
ILM Film Scanning Operator: George Gambetta
ILM Negative Lineup Supervisor: Tim Geideman
ILM Plate Restoration Supervisor: Trang Bach
ILM VFX Production Assistant: Amanda Montgomery
Panavision Flare Lens Designer: Dan Sasaki ASC
Filming Dates: 27 June 1997 - 27 August 1997
Cameras: Aaton 35-III, Moviecam SL, Panaflex Platinum & Panastar (35mm Eastman EXR 200T 5293)
Lenses: Panavision Super Speed MKII SL Primes, Ultra Speed MKII SL Primes & Flare Primes
AR: 1.85:1 (Spherical)
Budget: 70 Million USD
Budget AFI (2022): 121.8 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Special Visual Effects Provided By: Industrial Light & Magic
Edited on: Moviola
Produced & Distributed on: Eastman Kodak Film
Attribute: Filmed with Panavision Cameras And Lenses - DirectorSteven SpielbergStarsHaley Joel OsmentJude LawFrances O'ConnorA highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
2nd Unit DP: Irek Hartowicz
Aerial DP: Adam Dale
Blue Screen Unit DP: David Drzewiecki
ILM VFX DPs: Martin Rosenberg, Pat Sweeney
Underwater DP: Pete Romano ASC
Camera/Steadicam Operator: Chris Haarhoff SOC
A-Camera Operator: Mitch Dubin SOC
B-Camera Operator: Christopher Duskin
SpaceCam Operator: Ron Goodman
Animatronic/Robot Character Designer: Stan Winston
Key Technician (Stan Winston Studio): Shane Patrick Mahan
VFX Supervisors: Dennis Muren ASC, Scott Farrar ASC
ILM Senior Staff: Jim Morris
Composer: John Williams
Film Editor: Michael Kahn ACE
Costume Designer: Bob Ringwood
Post-Production Executive: Martin Cohen
Camera(s): Moviecam Compact & Panaflex Millennium (35mm Kodak Vision 500T 5279/Eastman EXR 200T 5293)
Lenses: Panavision/Zeiss Super Speed Primes
AR: 1.78:1 (Blu-Ray Release), 1.85:1 (Spherical)
Visual Effects Provided By: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsTom CruiseColin FarrellSamantha MortonJohn works with the PreCrime police which stop crimes before they take place, with the help of three 'PreCogs' who can foresee crimes. Events ensue when John finds himself framed for a future murder.Screenwriter/2nd Unit Director: Scott Frank
Screenwriter: Jon Cohen
Producer/Unit Prod Manager: Gerald R. Molen
Producers: Walter F. Parkes, Jan De Bont ASC
Executive Producer: Gary Goldman
Cinematographer: Janusz Kaminski ASC
Cinematographer (ILM VFX): Vance Piper
Cinematographer (3RC): Andrew Turman
Cinematographer (Blue Screen/Aerial Units & Aerial Photography): Larry Blanford ASC
Cinematographer (Aerial Photography; Blue Screen/Aerial Units): David B. Nowell ASC
Production Designer: Alex McDowell
Film Editor: Michael Kahn ACE
Costume Designer: Deborah Lynn Scott
Production VFX Supervisor: Scott Farrar ASC
Composer: John Williams
Assoc. Prod/Key 1st AD: Sergio Mimica-Gezzan
Associate Producer: Michael Doven
Casting: Denise Chamian CSA
Co-Producer: Tom Cruise
Production Manager: Sharon Mann
2nd Assistant Director: David J. Venghaus Jr
Sound Designer/Re-Recording Mixer/Supervising Sound Editor: Gary Rydstrom
Supervising Art Director: Chris Gorak
Art Directors: Leslie McDonald, Ramsey Avery, Seth Reed
Supervising Location Manager: Gregory H. Alpert
Key Ass't Location Manager: Timothy D. Spurry
A-Camera Operator: Mitch Dubin SOC ACO
B-Camera/Steadicam Operator: Greg Lundsgaard
1st A-Camera Assistant: Steven Meizler
1st B-Camera Assistant: Mark T. Spath
2nd A-Camera Assistant: Tom Jordan
2nd B-Camera Assistant: David O'Brien
Preview Technician: Antony Diamond
Camera Loader: Paul Toomey
Camera Set Assistant: Jorge Pallares
Re-Recording Mixer: Andy Nelson
1st Ass't Editors: Patrick Crane, Richard Byard
2nd Assistant Editor: Michael Trent
1st Apprentice Editor: Michael Cuevas
2nd Apprentice Editor: Julie Zunder
Post-Production Assistant: Mark George Dillard
Supervising Stunt Coordinator/2nd Unit Director: Brian Smrz
Production VFX Producer: Mark Russell
Production Supervisor: Peter Tobyansen
Production Coordinator: Lisbeth Wynn-Owen
Ass't Prod Coordinators: John Burton West, Tina Bennett
2nd 2nd Ass't Director: Brian F. Relyea
Assistant to Steven Spielberg: Kristie Macosko Krieger
Supervising Prop Master: Jerry Moss
Ass't Prop Master: Drew Petrotta
Prop Office Coordinator: Hannah Hinkel
Production SFX Supervisor: Michael Lantieri
SFX Shop Supervisor: Thomas Pahk
SFX Set Foreman: Scott Fisher
Production SFX Foreman: Cory Faucher
SFX Shop Foreman: William Shourt
SFX Mechanical Foreman: Steven Scott Wheatley
SFX Rigging Foreman: Donald R. Elliott
SFX Office Coordinator: Melisa A. Frick
Production SFX Technician: Joel Mitchell
Set Decorator: Anne Kuljian
Vehicle Designer: Harald Becker
Key Concept Artist/Hovership Design Supervisor: James Clyne
Key Set Designers: Luis G. Hoyos, Theo Sharps
Digital Set Designers: David Chow, Richard Mays
Set Designers: Hugh Holland, A. Todd Holland, Maya Shimoguchi, Easton Michael Smith
Storyboard Artists: Dave Lowery, Robert Consing, Peter Ramsey
Graphic Designers: Dianne Chadwick, Martin T. Charles
Gaffer: David Devlin
Rigging Gaffer: Brian R. Lukas
Set Lighting Consultant: Marc Brickman
Video Engineer: Dan Moore
C/V Playback Supervisor: Matthew Morrissey
Police Technical Advisor: Randy Walker
Police Coordinator: Don Stanley
Science & Tech Advisor: John Underkoffler
ILM Senior VFX Producer: Dana Friedman
ILM CG Supervisor: Barry Armour
ILM Comp Supervisor: Scott Frankel
ILM Art Director: Alexander Laurant
ILM Sequence Supervisors: Steve Braggs, Lindy DeQuattro, Thomas Martinek
ILM Digital Model Supervisor: Simon Cheung
ILM Viewpaint Supervisor: Elbert Yen
ILM Lead Digital R&P Artist: Patrick Jarvis
ILM VFX Editor: Michael Gleason
ILM Color Timing Supervisor: Kenneth Smith
ILM 3D Camera Matchmove Lead: Selwyn Eddy III
ILM Compositors: Jon Alexander, Siobhan Lo
ILM Technical Director: Ricardo Ramos
ILM VFX Coordinators: Lori Arnold, David Gray
ILM Lead Animator: Janice Lew
ILM Animator: Marie-Laure Nguyen
ILM Digital Matte Artist: Wei Zhang
ILM Location Unit Matchmove Technician: John Whisnant
ILM P&R Artist: Lance Baetkey
ILM Lead Concept Artist: Aaron McBride
ILM Previz Artist: Lawrence Chandler
ILM VFX Unit 1st Ass't A-Camera: Phil Bowen
ILM VFX Unit 1st Ass't B-Camera: John Gazdik
ILM Key Pyro Technicians: Joe Fulmer, Geoffrey Heron
ILM VFX 1st Ass't Editor: Lorelei David
ILM VFX Prod Assistants: Johanna D'Amato, Danielle Hazan
ILM Editorial Technical Sup: Michael Morgan
ILM VFX Exec Producers: Roni McKinley, Mark S. Miller
Asylum VFX Sr VFX Supervisor: Nate McGuinness
Asylum VFX Supervisor: Mark Varisco
Asylum VFX Exec Producers: Emma McGuinness, Blondel Aidoo
Asylum VFX Producer: Darcie Tang
Asylum VFX CG Producer: Jeff Werner
Asylum VFX Inferno Artists: Travis Baumann, Mitchell S. Drain, Phil Brennan
Asylum VFX Editor: Kris Kasper
PDI Senior VFX Supervisor: Henry LaBounta
PDI VFX Producer: Les Hunter
PDI CG Supervisor: Eric Bruneau
PDI Animation Supervisor: Ryan Roberts
PDI Lighting Supervisor: David Blizard
PDI Digital Color Timer: Begonia Colomar
PDI VFX Coordinator: Genevieve King
PDI VFX Editor: Jennifer Leo
PDI Technical Supervisor: Mark Kauffman
PDI Technical Assistant: Steven Kirchner
PDI Studio Technical Supervisor: Michael Chang
BBD Creative Supervisor: Kent De Maine
BBD FX Supervisor: William Robbins
BBD Lead Designer: Jorge Almeida
BBD Lead Compositor: Ricardo Torres
BBD Technical Manager: Eric Berger
BBD Project Coordinator: Brooke Biagi
Image Force Previsions Creators: Kurt Mattila, Matt Checkowski
Image Force VFX Producer: Alexander Dervin
Image Force Prod Coordinator: Christina Hwang
Image Force 1st Ass't Editor: Justine Gerenstein
Image Force VFX Exec Producers: Pete Frankfurt, Chip Houghton
3RC Creative Lead: Jeff Boortz
3RC VFX Exec Producer: Anne White
3RC Producers: Toby Keil, Miles Dinsmoor
3RC Designers: Elaine Cantwell, Alan Douglas, Ron Romero, Jim Kealy, Matthew Hall
3RC Art Director: Trae King
3RC Costume Designer: Dana Wright
3RC Unit Prod Managers: Cliff Schumacher, Ted Robbins
3RC Editor: Jeremy Quayhackx
MVF Digital VFX Supervisor: David Carriker
MVF Lead Video Technician: Dan Williams
MVF Digital Artist: John Cummins
MVF Digital VFX Producer: Ken Quain
PLF Supervisor: Ron Frankel
PLF Designers: Rich Lee, Paul Westacott
DFI DMP Supervisor: Charles Darby
DFI 2D/3D Matte Painter: Jamie Baxter
DFI Producer: Kim Lavery
DFI Executive Producer: Melissa Darby
DFW S&R Supervisor: Cosmas Paul Bolger
Unit Manager (DC & VA Crew): Raymond Quinlan
2nd Unit 1st AD (DC & VA Crew): Robert Rooy
2nd Unit 2nd ADs (DC & VA Crew): Joseph Incaprera, Kurt Uebersax
2nd Unit 2nd 2nd AD (DC & VA Crew): Kathleen Bobak
Location Manager (DC): Peggy Pridemore
Location Manager (VA): Charlie Armstrong
Ass't Prop Master (DC & VA Crew): Mike Sabo
Aerial Unit Rigger & FX Supervisor (Blue Screen & Aerial Units): Earl Wiggins
Aerial Unit FX Coordinator (Blue Screen/Aerial Units): Tim Drnec
Aerial Unit FX Ass't (Blue Screen/Aerial Units): Dena Berdge
Underwater Unit DoP: Pete Romano ASC
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Erica Frauman
Post-Production Coordinator: Sven EM Fahlgren
Post FX Guy: Rob Yamamoto
Supervising Sound Editor: Richard Hymns
Supervising Ass't Sound Editor: Andre Fenley
Add'l Re-Recording Mixer: Christopher Boyes
Mix Technician: Juan Peralta
Supervising Music Editor: Ken Wannberg
Music Score Mixer: Shawn Murphy
Music Contractor: Sandy DeCrescent
Stunts: Brett Smrz, Kelly Smrz, Shirley Smrz, Andy Gill
Aerial Unit Helicopter Pilot: David Paris
2nd Unit Stunt Coordinator: Gregg Smrz
Filming Dates: 22 March 2001 - 18 July 2001
Cameras: Panaflex Millennium & Platinum (35mm Kodak Vision 500T 5279, 800T 5289, Eastman EXR 200T 5293 & Fuji Super F-500T 8572)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 102 Million USD
Budget AFI (2022): 160.8 Million USD
Printed on: Kodak Vision Premier 2393
Special Visual Effects & Animation Provided By: Industrial Light & Magic, Asylum VFX + Pacific Data Images
Computer Animation & Additional Effects Provided by: Black Box Digital
Prevision Sequences Designed by: Imaginary Forces
Commercials & Interactive Billboards Designed by: 3 Ring Circus
Post-Production Services Provided by: Modern Video Film
Pre-Visualization Provided by: Pixel Liberation Front
Post-Production Sound Services Provided by: Skywalker Sound
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsLeonardo DiCaprioTom HanksChristopher WalkenBarely 17 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl becomes obsessed with tracking down the con man, who only revels in the pursuit.Producers: Steven Spielberg ACE, Walter Parkes
Casting Debra Zane CSA
Senior Casting Associate: Terri Taylor
Co-Producer: Devorah Moos-Hankin
Consultant: Frank William Abagnale Jr
Titles Designer: Kuntzel Deggas
Composer: John Williams
Costume Designer: Mary Zophres
Film Editor: Michael Kahn ACE
Production Designer: Jeannine Oppewall
Cinematographer: Janusz Kaminski ASC
Co-Executive Producer: Daniel Lupi
Executive Producer: Laurie MacDonald
Screenwriter: Jeff Nathanson
Assoc. Prod/Key 1st AD: Sergio Mimica-Gezzen
Unit Production Manager: Cristen Carr Strubbe
2nd Assistant Director: David J. Venghaus Jr
Supervising Stunt Coordinator: Webster Whinery
Stunt Coordinator (Canada): Marc Desourdy
Supervising Art Director: Sarah Knowles
Ass't Art Director: John Warnke
Supervising Set Decorator: Leslie Ann Pope
A-Camera Operator: Mitch Dubin SOC
1st Assistant A-Camera: Steven Meizler
2nd Assistant A-Camera: Tom Jordan
B/Steadicam Operator: David Emmerichs SOC
"B" 1st Assistant Camera: Mark Spath
Camera Loader: Paul Toomey
Camera Intern: Szymon Kaczmarek
Video Assist Operator; Daniel Moore
Supervising Sound Editors: Charles L. Campbell, John A. Larsen
Re-Recording Mixers: Andy Nelson, Anna Behlmar
1st Ass't Editors: Patrick Crane, Richard Byard
2nd Assistant Editor: Michael Trent
1st Apprentice Editor: Mike Cuevas
2nd Apprentice Editor: Julie Zunder
3rd Apprentice Editor: Mark Gillard
Chief Lighting Technician: David Devlin
Ass't Chief Lighting Tech: Larry J. Richardson
Rigging Gaffer: Brian R. Lukas
Supervising Prop Master: Steven B. Melton
Production SFX Coordinator: John Hartigan
Production SFX Foreman: MA Thompson
Production SFX Assistant: Ron Rosegard
Production Supervisor: Will Weiske
Production Coordinator: Nellie Adami
Ass't Prod Coordinator: Demelza Cronin
Supervisor (Canada): Lila Yacoub
Unit Supervisor: Dan Collins
Production Associate: Jennifer Barrons
Production VFX Consultant: Joseph Grossberg
Assist to Mr. Spielberg: Kristie Macosko Krieger
Supervising Location Manager: Mike Fantasia
2nd 2nd Ass't Director: Jeffrey Schwartz
Graphics Designer: Martin T. Charles
Set Decorator: Claudette Mann
Picture Vehicle Coordinator: Cyril O'Neil
FBI Technical Advisor: William J. Rehder
Airplane Coordinator: Bill Casale
Dance Consultants: Adam Shankman, Anne Fletcher
Music Editor: Ken Wannberg
Score Orchestrator: John Neufeld
Music Score Mixer: Shawn Murphy
Orchestra Contractor: Sandy DeCrescent
Head of Feature Production: Michael Grillo
Production Executive: Steven R. Molen
Exec Prod Coordinator: Jennifer Sanger
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Erica Frauman
Post-Production Coordinator: Sven EM Fahlgren
Unit Prod Manager (NY Crew): Mari-Jo Winkler
2nd Ass't Director (NY Crew): Christo Moore
Art Director (NY Crew): Peter Rogness
Ass't Art Director (NY Crew): Miguel Lopez Castillo
Set Decorator (NY Crew): Elaine O'Donnell
Ass't Set Decorator (NY Crew): Kate Yatsko
"B" 1st Ass't Camera (NY Crew): Andy Priestley
Chief Lighting Tech (NY Crew): Jim Richards
Rigging Gaffer (NY Crew): Greg Addison
Prop Master (NY Crew): Tom McDermott
SFX Coordinator (NY Crew): Conrad Brink
Ass't Costume Designer (NY Crew): Lynn P. Hoffman
Prod Coordinator (NY Crew): John De Simone
Ass't Prod Coord (NY Crew): Rae Umsted
Location Manager (NY Crew): Andrew D. Cooke
Ass't Loc Manager (NY Crew): David Ray Martin
Location Scout (NY Crew): Lyn Pinezich
Picture Car Coordinator (NY): Peter Devlin
Prod Supervisor (CAN Crew): Irene Litinsky
Unit Prod Manager (CAN Crew): Ric Nish
2nd Ass't Director (CAN Crew): Bethan Mowat
Art Director (CAN Crew): Michele Laliberte
1st Ass't A-Camera (CAN Crew): Chris Raucamp
Gaffer (CAN Crew): John Lewin
Key Rigging Gaffer (CAN Crew): Eames Gagnon
Prop Master (CAN Crew): Real Baril
SFX Supervisor (CAN Crew): Louis Craig
Prod Coordinator (CAN Crew): Danielle Lavoie
Unit Manager (CAN Crew): Jean-Yves Dolbec
Ass't Unit Manager (CAN Crew): Pierre Lapointe
Prod Accountant (Canada): Bruce Miller
Loc Manager (CAN Crew): Michele St-Arnaud
Casting Consultant (Montreal): Lucie Robitaille
Set Designer (CAN Crew): Russell D. Moore
Picture Vehicle Coord (CAN Crew): Luc Poirier
Nexus Producers: Charlotte Bavusso, Christopher O'Reilly
Nexus 2D Animation Supervisor: Agnes Fauve
Nexus Layout & Typography Supervisor: Olivier Marquezy
Nexus Editing Supervisor: Florent Porte
Nexus 3D Supervisor: Robin Kobrynski
Nexus VFX Supervisor: Patrice Mugnier
Nexus 3D & Comp Leads: Peregrine McCafferty, Pierre Savel
Nexus 2D Comp Lead: Pierre Yves Joseph
Nexus Prod Coordinator: Julia Parfitt
Asylum VFX Sr VFX Supervisor: Nate McGuinness
Asylum VFX Supervisor: Mark Varisco
Asylum VFX Exec Producers: Emma McGuinness, Blondel Aidoo
Asylum VFX Producer: Lindsay Burnett
Asylum VFX CG Producer: Jeff Werner
Asylum VFX Inferno Artists: Travis Baumann, Phil Brennan, Mitchell S. Drain
Asylum VFX Matte Paintings Sup: Rob Stromberg
Asylum VFX 2D Artists: Joe Ken, Pat Kavanaugh, Brandon Criswell
Asylum VFX Editor: Kristopher Kasper
Asylum VFX 1st Ass't VFX Editor: Zach Justman
Asylum VFX Head of Technology: Tommy Hooper
Dedicated to: Bruce Paltrow
Filming Dates: 7 February 2002 - 12 May 2002
Cameras: Panaflex XL & Millennium (35mm Kodak Vision 320T 5277)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 52 Million USD
Budget AFI (2022): 82 Million USD
Printed on: Kodak Vision 2383
Main Titles Designed by Nexus Productions
Visual Effects Provided by: Asylum VFX
Shot on: Kodak Motion Picture Film
Edited on: Moviola
Attribute: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsTom HanksCatherine Zeta-JonesChi McBrideAn Eastern European tourist unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there.Cinematographer: Janusz Kaminski ASC
Production Designer: Alex McDowell
Chief Lighting Technician/Lighting Director/Additional DP: David Devlin
Camera/Steadicam Operator: George Billinger III
A-Camera Operator: Mitch Dubin SOC
VFX Supervisor: Charles Gibson
Additional VFX Supervisor: Robert Stromberg
Composer: John Williams
Film Editor: Michael Kahn ACE
Post-Production Executive: Martin Cohen
DI Colorist: Stephen Nakamura
Costume Designer: Mary Zophres
Unit Production Manager: Patricia Whitcher
Camera: Panaflex Millennium (35mm Eastman EXR 200T 5293)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Printed on: Kodak Vision 2383
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsTom CruiseDakota FanningTim RobbinsAn alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.Screenwriter: Josh Friedman, David Koepp
Producers: Colin Wilson
Cinematographer: Janusz Kaminski ASC
Cinematographer (ILM VFX): Martin Rosenberg, Kim Marks ASC SOC
Production Designer: Rick Carter
Film Editor: Michael Kahn ACE
Costume Designer: Joanna Johnston
Composer: John Williams
Senior VFX Supervisor: Dennis Muren ASC
Production VFX Supervisor: Pablo Helman
Co-Producer: Tom Cruise
Key Unit Production Manager: David Witz
Unit Production Manager: Jonathan Filley
1st Assistant Director: Adam Somner
Key 2nd Ass't Director: Ian Stone
2nd Assistant Director: Jennifer Truelove
ILM Sr Animation Supervisor: Randy M. Dutra
ILM Senior VFX Producer: Sandra Scott
Narrator: Morgan Freeman
Supervising Stunt Coordinator/2nd Unit Director: Vic Armstrong
Ass't Stunt Coordinator: Joey Box
Stuntman for Tom Cruise: Casey O'Neill
Aerial Unit Helicopter Pilot: Al Cerullo
Supervising Sound Editor & Sound Designer: Richard King
Re-Recording Mixers: Andy Nelson, Anna Behlmar
Production Supervisor: Jason McGatlin
Supervising Art Director: Tony Fanning
Art Directors: Doug Meerdink, Andrew Menzies, Norman Newberry
Set Decorator: Anne Kuljian
A-Camera Operator: Mitch Dubin SOC
B-Camera Operator: George Billinger III
B-Cam Operator (Connecticut): Gábor Kövér HSC
DoggiCam Operator: Frank Buono
"A" 1st Ass't Photographer: Steven Meizler
"A" 2nd Ass't Photographer: Tom Jordan
"B" 1st Ass't Photographer: Mark Spath
"B" 2nd Ass't Photographer: David O'Brien
Film Loader: Paul Toomey
Libra Mount Operator: Jon Philion
Louma Crane Camera Operator: Brooks P. Guyer
Video Assist Operator: Dan Moore
Chief Lighting Tech & 2nd Unit DoP: David Devlin
Ass't Chief Lighting Tech: Larry Richardson
Chief Rigging Electrician: Brian Lukas
Ass't Chief Rigging Electrician: Mark Mele
"A" Dolly Grip Operator: Johnny Mang
"B" Dolly Grip Operator: Ralph Scherer
Technocrane Operator: Carlos Gonzalez
Supervising Prop Master: Doug Harlocker
Ass't Prop Master: Scott Getzinger
Production SFX Coordinator: Daniel Sudick
Production SFX Supervisors: David Blitstein, Gintar Repecka
Production SFX Forepersons: Robert J. Olmstead, Todd Jensen
Production SFX Buyer: Sara R. Morris
SFX Model Maker Foreperson: Damacio Cortez Jr
Supervising Loc Manager: Colleen Hilary Gibbons
Ass't Location Manager: LeAnn E. Emmert
1st Assistant Editor: Patrick Crane
2nd Assistant Editor: Sam Seig
3rd Assistant Editor: Mike Cuevas
4th Assistant Editor: Mike Wilson
5th Assistant Editor: Mark Gillard
6th Assistant Editor: Craig Hayes
1st Apprentice Editor: Silja Tonisson
Post-Production Assistant: Michael Pedraza
Concept Illustrators: James Clyne, Christopher Baker
Storyboard Artist: Dave Lowery
Production Previz Supervisor: Dan Gregoire
Art Dept. Coordinator: Cedar McClure
Senior Researcher: Jessica Biggins
Researcher: Stephen Christensen
Military Technical Advisor: Joseph Breasseale
Associate to Steven Spielberg: Kristie Macosko Krieger
Production Coordinator: Candice Campos
2nd 2nd Ass't Director: Timothy R. Price
HDR Color Consultant (2020 Remaster) & Post-Production Executive: Martin Cohen
Post-Production Supervisor: Stephanie Ito
Associate Post-Prod Coordinator: Rob Yamamoto
Post-Production Coordinator: Samantha Becker
Add'l Sound Design Supervisor: Randy Thom
Sound Editor: Richard Hymns
Sound FX Editor: Addison Teague
Score Orchestrations Supervisors: Conrad Pope, Eddie Karam
Music Editor: Peter Myles
Score Mixer: Shawn Murphy
Music Contractor: Sandy DeCrescent
Vocal Contractor: Sally Stevens
Set Designers: Kevin Cross, Billy Hunter, Aric Chang, Scott Herbertson, Roy Barnes
NY Unit Production Supervisor: Gregory H. Alpert
NY Unit Art Directors: Tom Warren, Ed Pisoni
NY Unit Ass't Set Decorators: Paul Cheponis, Regina Graves
NY Unit B-Camera Operator: Michael Green
NY Unit "B" 2nd Ass't Photographer: Jamieson K. Fitzpatrick
NY Unit Film Loader: Christian Hollyer
NY Unit Chief Lighting Technician: Jim Richards
NY Unit Ass't Chief Lighting Tech: Will Almeida
NY Unit Chief Rigging Electrician: Clay Liversidge
NY Unit Prop Master: Peter Gelfman
NY Unit Ass't Prop Master: James V. Kent
NY Unit SFX Supervisor: Connie Brink
NY Unit Location Manager: Lyn Pinezich
NY Unit Ass't Location Manager: Michael Kriaris
NY Unit Graphic Designers: Mark Bachman, Joan Winters
NY Unit Art Dept. Coordinator: Glenn Lloyd
NY Unit Production Coordinator: Greg Outcalt
NY Unit Ass't Prod Coordinator: Philip A. Ramos
NY Unit 2nd 2nd Ass't Dir: Eric Lasko
NY Unit Scenic Artist: Robert Topol
VA Unit Art Director: David Crank
VA Unit Ass't Chief Rigging Electrician: Don Aros
VA Unit Chief SFX Technician: Gary Pilkington
VA Unit Ass't Location Manager: Laura Berning
VA Unit Production Coordinator: Ellen Gannon
VA Unit Add'l 2nd Ass't Dir: Jane Ferguson
2nd Unit 1st Ass't Director: Darin Rivetti
2nd Unit A-Camera Operator: Simon Jayes ACO
Underwater Unit DoP: Pete Romano ASC
Production VFX Producer: Cari Thomas
Production VFX Coordinator: Connie Kennedy
VFX Plate Coordinator: Steve Riera
ILM Senior VFX Supervisor: Ricardo Ramos
ILM Digital Production Supervisor: Curt Miyashiro
ILM Technical Direction Sup: Michael Di Como
ILM Comp Supervisor: Marshall Richard Krasser
ILM Assoc. Animation Supervisors: Jenn Emberly, Tim Harrington
ILM Seq. Supervisors: Robert Marinic, Raul Essig, Jay Cooper, Pat Brennan, Erik Krumrey, Nigel Sumner, Jeff Sutherland
ILM VFX Art Director: Christian Alzmann
ILM Creature Dev Supervisor: Tim McLaughlin
ILM Digital Model Supervisors: Russell Paul, Mike Koperwas
ILM VFX Editor: Mike Gleason
ILM Lead Inferno Artist: Chad Taylor
ILM Lead Digital P&R Artist: Amy Shepard
ILM Add'l VFX Supervisors: Ed Hirsh, Kim Libreri
ILM Lead Digital Matte Artist: Joshua Ong
ILM Model/Miniature Supervisor: Steve Gawley
ILM VFX Associate Producer: Lori Arnold
ILM Lead CG Layout Artist: Terry Chostner
ILM Senior Animators: C. Michael Easton, Dave Sidley
ILM Sr Creature Design Artists: Sanghun Lee, Carlos Huante, Ryan Church
ILM Lead Location Data Capture Tech: Duncan Blackman
ILM Matchmove Technician: Selwyn Eddy III
ILM Location Data Capture Technician: John Whisnant
ILM Layout Technical Lead: Jeff Saltzmann
ILM Production Manager: Monique Di Como
ILM VFX Coordinators: Dale Taylor, Kris Wright, Gordon Whitmann
ILM VFX Unit 1st Ass't A-Cam Op: Robert Hill
ILM VFX Unit 1st Ass't B-Cam Op: Vance Piper
ILM 1st Ass't Editor: James Milton
ILM Lead Model/Miniature Painter: Peggy Hrastar
ILM Senior Model Maker: Lorne Peterson
ILM Practical FX Supervisors: Geoffrey Heron, Robbie Clot
ILM Practical FX Techs: Roger Dodd, Phil Heron, Will Moore
ILM Model Shop Coordinator: Kevin Wallace
ILM VFX Executive Producer: Judith Weaver
IBS Concept Designer: Doug Chiang
SWS Consulting FX Designer: Stan Winston
SWS FX Supervisors: Lindsay MacGowan, J. Alan Scott
SWS SFX Coordinator: Shane Patrick Mahan
Fake Bodies Designer: Steve Johnson
Dolby Sound Consultant: Jim Wright
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 35mm Film Digital Scanner Colorist: Claude Neal
CO3 Add'l Finishing Colorist: Mark Todd Osborne
CO3 Ass't Finishing Colorist: Salvatore Catanzaro
CO3 Sr Finishing Producer: Missy Papageorge
CO3 DI Finishing Assistant: Christopher Reichel
CO3 Sr On-Line Finishing Editor: Rob Doolittle
CO3 Film Scanner Operator: Ian Turpen
CO3 Video Post-Production TD: Michael Chiado
2020 HDR Remaster DI Finishing Producer: Nick Zimmerman
Camera: Panaflex XL (35mm Kodak Vision 500T 5279, Fuji Super F-250T 8552, F-250D 8562 & Reala 500D 8592)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Printed on: Kodak Vision 2383
Additional Sound Design Services Provided by: Skywalker Sound
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Concept Design Provided by: Ice Blink Studios
Hero Weed & Live Action Crashed Tripod Effects Provided by: Stan Winston Studio
Main & End Title Design Provided by: Picture Mill
Custom Digital Finishing Provided by: Company 3
Shot on: Kodak Motion Picture Film & Fujifilm
Attribute: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsEric BanaDaniel CraigMarie-Josée CrozeAfter the Black September capture and massacre of Israeli athletes at the 1972 Olympics, five men are chosen to eliminate the people responsible for that fateful day.Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
Stunt Coordinator: Paul Jennings
Additional DP: Jarred Land
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operator: Daniele Massaccesi
VFX Supervisor: Pablo Helman
Associate VFX Supervisor: Grady Cofer
Composer: John Williams
Film Editor: Michael Kahn ACE
Post-Production Executive: Martin Cohen
Costume Designer: Joanna Johnston
Camera(s): Arricam LT, ST, Arriflex 235 & 435 (35mm Kodak Vision 500T 5279/Eastman EXR 200T 5293/Fuji Super F-125T 8532/Super F-250T 8552/Super F-250D 8562)
Lenses: Cooke Spherical Primes
AR: 2.39:1 (Super 35mm)
Printed on: Kodak Vision 2383
Visual Effects Provided by: Industrial Light & Magic
Anecdote: Cameras and Lenses by Arri Rental - DirectorSteven SpielbergStarsHarrison FordCate BlanchettShia LaBeoufIndiana Jones becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.Screenwriter: David Koepp
Exec Producer/Story Writer: George Lucas ACE
Story Writer: Jeff Nathanson
Producer: Frank Marshall
Co-Producer/Unit Production Manager: Denis L. Stewart
Associate Producer: Kristie Macosko Krieger
Aerial Unit Producer (Brazil): Flavio Tambellini
Cinematographer: Janusz Kaminski ASC
Production Designer: Guy Hendrix Dyas
Film Editor: Michael Kahn ACE
Production VFX Supervisor/Aerial Unit Director: Pablo Helman
Composer: John Williams
Costume Designer: Mary Zophres
Casting: Debra Zane CSA
Unit Production Manager: Paul Moen
Unit Production Manager (Connecticut): Richard Baratta
Unit Production Manager (Hawaii): Margaret Hilliard
Unit Prod Manager (Aerial Unit; Brazil): Angelo Gastal
1st Assistant Director: Adam Somner
Key 2nd Ass't Director: Ian Stone
2nd Assistant Director: Chris Corrado
2nd 2nd Ass't Directors: Matt Neapolitan, Eric Richard Lasko
Add'l 2nd Ass't Directors: Justin Ritson, Matthew Gordon
Add'l 2nd 2nd Ass't Dir: Kenyon Noble
2nd 2nd Ass't Dir (Connecticut): Ian Calip
2nd Unit 1st Ass't Director: Lisa C. Satriano
2nd Unit 2nd Ass't Director: Lisa M. Rowe
2nd Unit 2nd 2nd ADs: Peter Waterman, Nicholas Fitzgerald
2nd 2nd AD (2nd Unit LA): David Mendoza
Aerial Unit 1st Ass't Director: Michael Salven
Aerial Unit 2nd Ass't Director: Malu Miranda
2nd Unit Director: Dan Bradley
Production Supervisor: Noelle Green
Production Supervisor (Hawaii): Renee Confair
2nd Unit Production Supervisor: Ellen Wolf
Aerial Unit Production Supervisor: Mike Fantasia
Supervising Art Director: Mark W. Mansbridge
Art Directors: Luke Freeborn, Lawrence Hubbs, Lauren Polizzi, Troy Sizemore, Mario Ventenilla
Set Decorator: Larry Dias
Makeup Dept. Head: Felicity Bowring
Hair Dept. Head: Kelvin R. Trahan
2nd Unit DoPs: Flávio Martinez Labiano AEC, Irek Hartowicz
Chief Lighting Technician/2nd Unit DoP: David Devlin
Additional Unit DoP: Michael FitzMaurice
Aerial Unit DoP: Reed Smoot ASC
A-Camera Operator: Mitch Dubin SOC
Steadicam Operator: George Billinger III
2nd Unit Camera Operator: Simon Jayes SOC ACO
2nd Unit Camera/B-Camera Operator: Daniel C. Gold
2nd Unit C-Camera Operators: Richard J. Brock, Kim Guthrie, John Skotchdopole
Key Artist (Stan Winston Studio): Shane Patrick Mahan
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Stephanie Ito
DI Colorist: Yvan Lucas
Cameras: Arriflex 235, 435 & Panaflex XL2 (35mm Kodak Vision2 250D 5205/500T 5218)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 185 Million USD
Budget AFI (2020): 222.6 Million USD
Printed on: Kodak Vision Premier 2393
Special Visual Effects & Animation Provided By: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsJamie BellAndy SerkisDaniel CraigIntrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.Producer/Virtual B Cam Op/Lighting Consultant: Steven Spielberg ACE
Composer: John Williams
Lead Senior Visual Effects Supervisor: Joe Letteri
Overall Visual Effects Supervisor: Scott Anderson
Production Animation Supervisor: Jamie Beard
Co-Prods: Carolynne Cunningham, Jay McGatlin
Film Editor: Michael Kahn ACE
Cinematography Consultant: Janusz Kaminski
EPs: Ken Kamins, Nick Rodwell, Stephane Sperry
Producer/Second Unit Director: Peter Jackson
Screenwriters: Steven Moffat, Edgar Wright, Joe Cornish
Unit Production Manager: Georgia Kacandes
Key First Assistant Director/AP: Adam Somner
First & Second Assistant Director: Ian Stone
Key Second Assistant Director: Jenny Nolan
Supervising Stunt Coordinator: Garrett Warren
Assistant Stunt Coordinator: Mark Ginther
Stunt Coord/Movement Coach: Terry Notary
Crew Supervising Art Director: Andrew L. Jones
Production Art Director: Jeff Wisniewski
Crew Production Supervisor: Candice Campos
Post Production Supervisor: Pippa Anderson
Virtual A Camera Operator: Steven Meizler
Video Assist Op/Engineering Super: Dan Moore
Camera PA: Gigi Lemaster
Technical Consultant: Glenn Derry
Supervising Prop Master: Brad Elliott
Assistant Prop Master: Greg Finnin
Add'l Film Editors: Jabez Olssen, Chris Plummer
First Assistant Editors: Patrick Crane, Dan Best
Second Assistant Editor: Sarah Broshar
Production Visual Effects Editor: Brett McManus
Assistant Visual Effects Editor: Mark Hawthorne
Post Dub Coordinator: Rob Yamamoto
Casting Associate (US): Toby Guirdy
Production Coordinator: Mark Swenson
Asst Production Coordinator: Sally Jean Potters
Post Production Coordinator: Barry Prescott
Volume Coordinator: Kevin J. Walsh
Sound Consultant: Gary Rydstrom
Music Scoring Mixer: Shawn Murphy
Junior Set Designer: Martha Mitchell
Production VAD Supervisor: Robert Powers
Second Unit First Assistant Director: Liz Tan
Second Unit Production Manager: Brigitte Yorke
Second Unit Art Director: Simon Bright
Second Unit Stunt Coordinator: Tim Wong
Second Unit Virtual Camera Op: Richard Bluck
Second Unit Second Assist Director: Emma Cross
Second Unit Second Second AD: Byron Darling
Additional Unit Stunt Coordinator: Augie Davis
Additional Unit Virtual Camera Op: David Paul
GGS Motion Capture Producer: Candice Alger
GGS Production Supervisor: Matt Madden
GGS Motion Capture Supervisor: Kevin Cushing
GGS Mo Cap Technical Producer: Sarah Mattes
Giant Studios Project Manager: John Vitale
Giant Studios Pipeline Supervisor: Vaughn Cato
Giant Studios Motion Capture TD: Addison Bath
GGS Color Calibration Specialist: Anthony Davis
PRPP Head of Production: Dean Watkins
Park Road Post Producer: Tracey Brown
PRPP Head of Picture & Senior Colourist: David Hollingsworth
PRPP Colour Assistant: Matthew Wear
PRPP Senior DI Editor: Rob Gordon
PRPP DI Editor: Francisco Cubas
PRPP Stereoscopic Artist: Meetal Gokul
PRPP Deliverables Producer: Nina Kurtzman
Dolby Sound Consultant: Bruce Emery
WW/S Lead Conceptual Designer: Chris Giuse
WW/S Conceptual Design Super: Richard Taylor
WW/Shop Commercial Manager: Andrew Smith
Weta Workshop Manager: Tania Rodger
Weta VFX Supers.: Matt Aitken, Keith F. Miller, Wayne Stables, Matthias Menz
Weta Executive Producer: Eileen Moran
Weta VFX Producer: Meredith Meyer-Nichols
Weta Co-VFX Producer: Hannah Bianchini
Weta Motion Capture Sup: Dejan Momcilovic
Weta Animation Supervisor: Paul Story
Weta VFX Art Director: Kim Sinclair
Weta Models Supervisor: Marco Revelant
Weta VFX Costume Designers: Lesley Harding, Amanda Neale
Weta Digital Colourist: Joerg W. Bungert
Weta Digi VFX Supers: Eric Saindon, Kevin Andy Smith, Guy Williams
Weta VFX Production Manager: Anette Wullems
Weta Digital Imaging Supervisor: Nick Booth
Weta Digital Imaging Technician: Daniel Ashton
Weta Data Resource Manager: Adrian Samuels
Weta Data Resource Coordinator: Phillip Reed
Special Thanks: Fran Walsh, Phillipa Boyens
Filming Dates: 26 January 2009 - March 2009
Camera: Canon 5D H4.1 (Digital)
AR: 2.39:1 (Digital 3-D)
Budget: 135 Million USD
Budget AFI (2022): 177.8 Million USD
Printed on: Kodak Vision 2383
Motion Capture Technology & Production By: Giant Studios
Opening Title Sequence, Visual Effects & Animation Created by: Weta Digital
Conceptual Designs by: Weta Workshop - DirectorSteven SpielbergStarsJeremy IrvineEmily WatsonDavid ThewlisA young farm boy enlists to serve in World War I after his beloved horse is sold to the cavalry. His hopeful journey takes him out of England and onto the front lines as the war rages on.Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
2nd Unit Cinematography Consultant: Chris Chapman
C-Camera Operator/2nd Unit DP: Simon Baker
Gaffer/2nd Unit DP: David Devlin
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operator: George Richmond BSC
2nd Unit Camera Operator: Hamish Doyne-Ditmas
1st Assistant Camera: Jonathan Richmond
Composer: John Williams
Film Editor: Michael Kahn ACE
1st Assistant Editor: Sarah Broshar
DI Colorist: Yvan Lucas
Costume Designer: Joanna Johnston
Camera(s): Arricam LT, ST, Arriflex 235 & 435 (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Zeiss Master Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Super 35mm: 4-Perf)
Printed on: Kodak Vision 2383
Distributed by: Walt Disney Studios Motion Pictures
Anecdote: Camera & Grip Equipment Provided by Arri Media - DirectorSteven SpielbergStarsDaniel Day-LewisSally FieldDavid StrathairnAs the Civil War rages on, U.S President Abraham Lincoln struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on his decision to emancipate the slaves.Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
Stunt Coordinator: Garrett Warren
A-Camera Operator: Mitch Dubin SOC
B-Camera Operator: George Billinger III
Chief Lighting Technician: David Devlin
1st Assistant Director: Adam Somner
2nd Assistant Director: Ian Stone
Composer: John Williams
Film Editor: Michael Kahn ACE
1st Assistant Editor: Sarah Broshar
Costume Designer: Joanna Johnston
Filming Dates: 17 October 2011 - 19 December 2011
Camera(s): Panaflex XL2 & Platinum (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Panavision Primo Spherical Primes & Super Speed Z-Series MKII Spherical Primes
AR: 2.39:1 (Super 35mm: 3-Perf)
Printed on: Kodak Vision 2383
Budget: 65 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsTom HanksMark RylanceAlan AldaDuring the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.Cinematographer: Janusz Kaminski ASC
Production Designer: Adam Stockhausen
Documentary DP: John J. Moers
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operators: Maceo Bishop, Marcus Polhus, David Emmerichs
1st Assistant Director: Adam Somner
Composer: Thomas Newman
Film Editor: Michael Kahn ACE
Additional Film Editor: Sarah Broshar
Costume Designer: Kasia Walicka Maimone
Unit Production Manager: Daniel Lupi
Filming Dates: September 8, 2014 - December 4, 2014
Camera(s): Arricam LT, ST, Arriflex 235 & 435 Advanced (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Hawk V-Lite Anamorphic Primes, Vintage '74 Anamorphic Primes, V-Plus Anamorphic Primes, C- & V-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 40 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Anecdote: Camera Equipment Provided By Vantage Film & Keslow Camera - DirectorSteven SpielbergStarsMark RylanceRuby BarnhillPenelope WiltonAn orphan little girl befriends a benevolent giant who takes her to Giant Country, where they attempt to stop the man-eating giants that are invading the human world.Producer: Steven Spielberg ACE
Screenwriter, Dedicatee & Associate Producer: Melissa Matheson
Producer: Frank Marshall
Producer/Unit PM: Sam L. Mercer
Executive Producers: John Madden, Kristie Macosko Krieger, Michael Siegel
Cinematographer: Janusz Kaminski ASC
Cinematographer, Weta Workshop Models Photography: Steve Unwin
Cinematographer, Additional Unit: Steven Hall
Production Designers: Robert Stromberg, Rick Carter
Film Editor: Michael Kahn ACE
Costume Designer: Joanna Johnston
Senior Visual Effects Supervisor: Joe Letteri
Overall Visual Effects Supervisor: Guy Williams
Senior Animation Supervisor: Jamie Beard
Composer: John Williams
Composer, Flute Solos: Heather Clark
Co-Producer/First Assist Director: Adam Somner
Casting Director: Nina Gold CDG
Unit Production Manager: Brendan Ferguson
Second Assistant Director: Ian Stone
Prod. Visual Effects Producer: Jennifer Meislohn
Aerial Unit Helicopter Pilot: Randy Rafuse
Supervising Stunt Coordinator: Marny Eng
Stunt Coordinator (Rigging): Corbin Fox
Stunts: Clint Carleton, Chris Webb, Trevor Addie, Brent Connolly, Matt Phillips
SAE Driver, Stunts: Ryan Handley
Stunt Riggers: Perry Beckham, Andre Jette, Grant Smith
Associate Producer: Samantha Becker
Supervising Art Directors: Grant Van Der Slagt, Todd Cherniawsky
Set Decorator: Elizabeth Wilcox
Assistant Set Decorator: Sandy Walker
A Camera Operator: Mitch Dubin SOC
B Camera/Steadicam Operator: Junichi Hosoi
Still Photographer: Doane Gregory
Supervising Sound Designer/Re-Recording Mixer: Gary Rydstrom
Supervising Sound Editor: Richard Hymns
Re-Recording Mixer: Andy Nelson
Music Editor: Ramiro Belgardt
Additional Film Editor: Sarah Broshar
Associate Film Editor: Patrick Crane
Script Supervisor: Luca Kouimelis
Supervising Property Master: Jimmy Chou
Overall Special Effects Coordinator: Joel Whist
Costume Supervisor: David Davenport
Plate Unit Supervisor: Ryan Cook
Art Directors: Chris Beach, Stefan Dechant, Margot Ready
Key Assistant Art Director: Doug Higgins
Assistant Art Directors: Jennifer Bash, Sevo Bedford, Harrison Yurkiw
Illustrators: Brian Cunningham, Kirsten Franson, Michele Moen
Graphic Artist: Erin Sinclair
Weta Visual Effects Supervisors: Wayne Stables, Mark Gee, Simon Clutterbuck, Ken McGaugh, Kevin Andrew Smith
Weta Visual Effects Producer: Kevin L. Sherwood
Weta CG Supervisors: Pavani Bodapatti, Daniel Macarin, Luke Millar, Alessandro Saponi, Glen Sharah
Weta Executive Producer: David Conley
Weta Creatures Supervisor: Gio Johnston
Weta Senior Compositing Supervisor: Darren Christie
Weta Compositing Supervisor: Robin Hollander
Weta Internal Production Supervisor: Steven McKendry
Weta Animation Sequence Supervisors: Alexander Burt, Daniel Zettl
Weta Show Production Producers & Managers: Clare Burgess, Jenny Vial
Weta Show Production Sequence Managers: Kelly Chow, La-Ra Hinckeldeyn, Romy Webster
T3F Previz Creative Supervisor: Josh Wassung
T3F Previz Supervisor: Mark Nelson
T3F Storyboard Artist: Doug Lefler
T3F Previz Producer: Kerry Shea
T3F Previz Editor: Trevin Matcek
T3F Previz Assoc. Production Manager: Claver Knovick
T3F Previz Coordinators: Liz Montes, Emily Devitt
Weta Workshop Design & Manufacturing Supervisor: Richard Taylor
Weta Workshop Head of Design: Rik Athorne
Weta Workshop Supervisor: Rob Gillies
Weta Workshop Models Supervisor: Steven Saunders
Stereo D Executive Producers: William Sherak, Aaron Parry, Mike Gunter
Stereo D Stereographer: Yoichiro Aoki
Stereo D Lead Producer: Timmy Broderick
Stereo D Stereo Supervisors: Jeremy Carroll, Bhanu Prakash
Stereo D Production Supervisor: Vincent DeFebo
Stereo D Finaling Supervisors: Russell McCoy, Prasanna Kodapadi, Brian Schultz
Stereo D Depth Supervisor: Roy Mann
Stereo D Roto Supervisor: Daniel Schrepf
Stereo D Head of Stereography: Graham Clark
Stereo D VP of 3D Technology: Nizar Thabet
Stereo D VP of International Production Services: Prafull Gade
Stereo D VP of Production, Animation: John Fisk
Stereo D Stereoscopic Post Executive: Milton Adamou
Stereo D Global Production Mgr.: Evan Jackson
Stereo D Senior Producer: Adam Schardein
Stereo D Asset Producer: Michael Anders
Stereo D Line Producers: Shamitha Surendran, Chris Treichel
Stereo D Senior Stereo Editors: Dave Watro, Meetal Gokul
Stereo D Post Production Manager: Derek Prusak
Stereo D Finaling Manager: Rebecca Kramp
Stereo D Depth Manager: Jessica Sharp
Stereo D Roto Manager: Matthew Gill
Stereo D Ingest/Delivery Manager: Tim Johnson
Stereo D Creative Services Mgr.: Lindsey Kaiser
Stereo D Exec Assistant to Aaron Parry: Jeremy Landers
Stereo D Executive Assistant to Mike Gunter: Rebecca Seamans
Stereo D Production Coordinators: Stephanie Phira Siddique, Zayn Jinah, Karen Therese Connolly, Noelle Cyr, Steve Stransman, Lukas Stabile, Brenda Grajales
Stereo D Depth Leads: Anjel Alcaraz, Alexander Heffner, Kyle Hardin, Elizabeth Miller, Holly Gunn, James Clowater, Jason Bomstein, Jeremiah Finn
Stereo D Sr. Depth Artists: Anastasia Watson, Joseph Gonzales, Phets Phonasa, Dane Wylie, Aleks Justesen, Eric Timm
Stereo D Roto Leads: Maggie Balaco, Raphael Oseguera, George Church
Stereo D Finaling Leads: Victor Fernandez, Yael Majors, Peter Machuca, Dana Passarella, Tyler Halle, Varuna Darensbourg
Stereo D Sr. Finaling Artists: Corey Allen, Steve Kaelin, Harsimmer Singh Bobal, Andrew Tinkler, Cindy Liu, Parker Smith
Stereo D International Production: Krishna Prasad, Anilraj Jashua, Yogesh Khedhkar, R. Parthasarathy, Deo Ashish, Sourabh Dharmpurikar
Stereo D International Artists: Shaikh Shoab, Mohammed Ayazuddin
Stereo D 3D Technology Managers: Val Dela Rosa, Mike Knox
Stereo D Pipeline Supervisor: Chris Montesano
Stereo D Pipeline TD: Rustin Devendorf
Stereo D Finaling QC Lead: Chris Myerchin
Stereo D Element QC Supervisor: Les Foor
Stereo D Ingest/Delivery Coordinators: RRebecca Andersen, Vachagan Sukiasyan, Leila Tilghman, Jake Dee-McKoy
Stereo D Element QC Coordinator: Cara Hindley
Stereo D Element QC Artist: Joshua Gengler
Stereo D Data I/O Lead: Niki Patterson
Stereo D Software Development Mgr.: Jill Isner
Stereo D Software Development: Cameron Smith, Ron Choi, Sharnav Banik, MMichael McCartney, Deepak Tewatia
Scoring Mixer: Shawn Murphy
Scoring Crew: Robert Wolff, Adam Michalak, David Marquette, Greg Dennen, Greg Loskorn
Music Contractor: Sandy DeCrescent
Music Librarian: Mark Graham
Additional Sound Design & Re-Recording Mixer: Christopher Scarabosio
Sound Effects Editors: Addison Teague, Kyrsten Mate
Skywalker Dialogue/ADR Supervisor: Rich Quinn
Dialogue Editors: Brad Semenoff, Brian Chumney
Skywalker Sound Foley Supervisor: Kevin Sellers
Foley Editors: Larry Oatfield, Dee Selby
Asst Supervising Sound Editor: Dug Winningham
Assistant Dialogue Editor: Qianbaihui Yang
Skywalker Apprentice Editor: Ameron Barker
Foley Artists: Jana Vance, Dennie Thorpe
Skywalker Sound Foley Mixer: Chris Manning
Assistant Re-Recording Mixer: Tony Sereno
Skywalker Engineering Services: Scott Levine
Skywalker Digital Editorial Support: Noah Katz
Post-Production Sound Accountant: Cathy Shirk
Skywalker Head of Client Services: Eva Porter
Skywalker Head of Scheduling: Carrie Perry
Skywalker Sound General Manager: Josh Lowden
Skywalker Sound Head of Production: Jon Null
Skywalker Head of Engineering: Steve Morris
21st Recordist: Ryan Cole
21st Re-Recording Engineer: Tom Lalley
ADR Voice Casting Director: Barbara Harris
WDS Burbank ADR Mixer: Doc Kane
WDS ADR Recordist: Jeannette Browning
SSS Vancouver ADR Mixers: Matthew Dawson, Emily Halberstadt
80 Hertz Studios ADR Mixer: George Atkins
80 Hertz ADR Coordinator: Sophie Atkins
80 Hertz ADR Assistant: Sarah De Lisle Wells
HPC ADR Mixer: Bobby Johansen
HPC ADR Recordist: Michael Rivera
HPC ADR Coordinator: Tricia Schultz
Tom-Tom Studio ADR Mixer: Gergo Doroszmai
Deluxe ADR Recordist: Devin Doucette
Deluxe Project Manager: Jamie Gould
Deluxe Project Coordinator: Natalie Segreti
SPS ADR Mixer: Howard London CAS
Supervising Digital Colorist: Michael Hatzer ASC
Technicolor Second Colorist: Chris Jensen
Digital Intermediate Producer: Bob Peishel
Digital Intermediate Lead Editor: J-Bob Webber
Sr. Digital Intermediate Editor: Mark Sahagun
Technicolor Project Manager: Ladd Lanford
Technicolor Roto Artist: Gray Marshall ASC
Theatrical Dailies Colorist: John Vladic
Technicolor Dailies Color Assist: Cory Pennington
Theatrical Dailies Producer: Denise Woodgerd
On Location Services Engineer: Kenny Vicent
Data Technicians: Derek Schneider, Rebecca Maurer, Pavel Dvorak, Chris McGregor, Cameron Weaver, Josh McKiernan
CBA Head of Production Clearances: Ash Kravitz
SMS Brand Manager: Heather Rovegno
Unit Production Manager/Supervising Location Manager, United Kingdom Unit: David Broder
UK Unit Production Manager: Samantha Waite
Key Second Assistant Director, UK: Emma Horton
United Kingdom Unit Art Director: Rebecca Milton
UK Unit Assist Art Director: Lauren Briggs-Miller
UK Unit B Camera Operator: Oliver Loncraine
UK Unit B First Assistant: Sebastian Barraclough
UK Unit A Second Assistant: Chris McAleese
UK Unit B Second Assistant: Archie Muller
UK Unit A & B Camera Assistant: Sam Irwin
UK Unit DIT Assistant: Iain Thomson
UK Unit Production Sound Mixer: Tim Fraser
UK Unit Boom Operator: Jason Bennett
UK Unit Video Playback Operator: Nick Kenealey
UK Unit Lighting Gaffer: Patrick Sweeney
UK Unit Lighting Best Boy: Martin Conway
UK Unit Electricians: Greg Whitbrook, Jonny Franklin, Callum Collins, John Malaney, Genki McClure
UK Unit Rigging Chief Lighting Tech: Dave Ridout
United Kingdom Unit Key Grip: Gary Hutchings
UK Unit Best Boy Grip: Simon Thorpe
United Kingdom Unit Prop Master: Nick Thomas
UK Unit Standby Props: Phillip Bull, Charlie Malik
United Kingdom Unit Props Driver: Butch Scott
UK Unit Special Effects Supervisors: Mike Kelt, Stephen Hutchinson
UK Unit Special Effects Lead Technicians: Ian Corbould, Chris Reynolds
UK Unit Special Effects Senior Technicians: Bruce Mayhew, Mike Crowley
UK Unit Special Effects Technicians: Jaro Kolenic, Phil McLaren, Will Wyatt, Adam Sawatzki
UK Unit Special Effects Assistant Technicians: Mike Hunter, Alister Reynolds
UK Unit Military Standby: Andrew Fletcher
UK Unit Key Costume Standby: Cristy Watson
UK Unit Costume Standby: Ben Allard
UK Unit Costume Buyer: Fiona McCann
UK Unit On-Set Costume PA: Gemma Bates
UK Unit On-Set Costume Runner: Tom Duthie
UK Unit Office Costume Runner: Tom Twiston-Davies
UK Unit Crowd Makeup Supervisor: Julia Wilson
UK Unit Crowd Hair Supervisor: Catherine Heys
UK Unit Production Coordinator: Alice Syed
UK Unit Assistant Production Coordinator: Mariana Marsh
UK Unit Travel Coordinator: Megan Huitema
UK Unit Production Secretary: Katie Organ
UK Unit Skye Production Coordinator: Kathleen Lambie
Additional Plate Unit First Assistant Director, UK Unit: Phil Booth
UK Unit Second Assist Director: Mike Stevenson
UK Unit Third Assistant Director: Richard Oxford
UK Unit LMs: Richard George, Paul Tomlinson
Stills Unit Location Manager, United Kingdom Unit: Damon Crane
UK Unit Assistant Location Managers: Chris Brewer, Eleri Coulten, Lex Donovan
UN Unit Location Assistants: Tom Marshall, Samuel Turner
Stills Unit Location Assistants, UK Unit: Freddie Tyson-Brown, Anne Mouli Castillo
UK Unit Visual Effects Assistant Coordinator: Matthew Badham
UK Unit Visual Effects Assistant Data Wrangler: Christina Manlises
UK Unit Visual Effects On-Set Photographers: Rory Bryan, James Kelly
UK Unit Prod Accountant: Mary Ellis Gonzalez
UK Unit Assistant Accountant: Rachel Limb
UK Unit PGGB Trainee Assistant Production Accountant: Nathan Orme
UK Unit Set Dressers: Stuart Rankmore, Glen Young
UK Unit Transportation Captain: Simon Jones
UK Unit Transport Coordinator: Natalie Gothelf
Unit Drivers, UK Unit: Phil Allison, Marco Parkin, Ayub Mughal, John Coleman, Martin Ford, GLenn Dyer, Tom Smith, Richard Beke
UK Unit Minibus Transport Coord.: John Ayers
UK Unit Facilities Team: Gary Haze, Lee Smith
UK Unit HOD Technical Truck Driver: Phil Taylor
Action Vehicles Coordinator MICHAEL GEARY
Health & Safety Advisor, UK: David Miligan
UK Unit Aerial Coordinator: Marc Wolff
United Kingdom Unit Aerial DoP: Adam Dale
Aerial Unit Eclipse Technician, UK Unit: David Arms
Aerial Unit Assistant Technician, UK Unit: David Francis
Aerial Unit Safety Coordinator, UK Unit: Phil Pickford
UK Unit Production Assistant: Ennis Alhashimi
UK Unit Skye Production Assistant: Kirsty Yoxon
UK Unit Rushes Runner: Elliott Cobley
UK Unit Set Production Assistants: Matt Lloyd Hodgkin, David Orpheus
Unit PM, Denmark Unit: Mouns Overgaard
Denmark Unit Prod Coordinator: Jon Hammer
Denmark Unit Grip: Bo Craner
Denmark Unit Location Mgr.: Anders Jacobson
Denmark Unit Location Asst: Camilla Rasmussen
Unit Drivers, Denmark Unit: Kasper Hjorth, Alex Nyholm
Filming Dates: March 23, 2015 - June 12, 2015
Camera: Alexa XT (3.4K ARRIRAW)
Lenses: Panavision® Primo Spherical Primes
AR: 1.78:1 (TV Version), 2.39:1 (Open-Gate Super 35mm)
Budget: 140 Million USD
Visual Effects & Animation Created by: Weta Digital
Previsualization Provided by: THE THIRD FLOOR
Design and Model Making by: WETA WORKSHOP
3D Conversion Provided by: Stereo D
Music Preparation by: Jo Ann Kane Music Service
Score Recorded at: SONY PICTURES STUDIOS, Culver City, CA
Post-Production Sound Services by: SKYWALKER SOUND
Post Production Facilities Provided by: 21st CENTURY FOX STUDIOS
ADR Services Provided by: Harbor Picture Company, The Walt Disney Studios Burbank, Sharpe Sound Studios Vancouver, 80 Hertz Studios Manchester, Tom-Tom Studio Budapest, Deluxe Toronto & Sony Pictures Studios
Digital Intermediate by: TECHNICOLOR
Production Clearances by: CLEARED BY ASHLEY
Music Clearances by: SESSING MUSIC SERVICES
UK Unit Action Vehicles by: MOTORHOUSE HIRE
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorSteven SpielbergStarsMeryl StreepTom HanksSarah PaulsonA cover-up spanning four U.S. Presidents pushes the country's first female newspaper publisher and her editor to join an unprecedented battle between press and government.Cinematographer: Janusz Kaminski ASC
Production Designer: Rick Carter
2nd Unit DP: Bartosz Nalazek
Additional Unit DP: Stuart Dryburgh BSC
Documentary DP: John S. Moers
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operator: John J. Moyer
1st Assistant Director: Adam Somner
Composer: John Williams
Film Editors: Michael Kahn ACE, Sarah Broshar
Supervising DI Colorist: Michael Hatzer ASC
HDR/SDR Mastering Colorist: Nicholas Hasson
Costume Designer: Ann Roth
Filming Dates: May 30, 2017 - 26 July 2017
Camera: Panaflex XL2 (35mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision Primo Spherical Primes, PVintage Spherical Primes & Primo Compact Zoom
AR: 1.85:1 (Super 35mm: 3-Perf)
Budget: 50 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SpielbergStarsTye SheridanOlivia CookeBen MendelsohnWhen the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of his world.Producer: Steven Spielberg ACE
Co-Writer / Co-Producer: Ernest Cline
Screenwriter: Zak Penn
Producers: Donald De Line, Kristie Macosko Krieger, Dan Farah
Executive Producer / First AD: Adam Somner
Executive Producer / Unit PM: Daniel Lupi
Exec. Producers: Chris DeFaria, Bruce Berman
Director of Photography: Janusz Kaminski ASC
Director of Photography, Second Unit Dailies: Alan Stewart BSC
Director of Photography, Chase Unit: Fraser Taggart
Production Designer: Adam Stockhausen
Film Editors: Michael Kahn ACE, Sarah Broshar
Composer, Score Producer & Conductor: Alan Silvestri
Costume Designer: Kasia Walicka Maimone
Casting Directors: Ellen Lewis, Lucy Bevan
Production Visual Effects Supervisors: Roger Guyett, Grady Cofer, Matthew Butler
Production Animation Supervisor: David Shirk
Co-Producer/Production Visual Effects Producer: Jennifer Meislohn
Unit Production Manager: Steve Harding
Second Assistant Director: Emma Horton
Stunt Coordinator & Second Unit Director: Gary Powell
Stunt Department Coordinator: Sarah Lawrence
Fight Trainer/Stacks Safety: Nikki Berwick
Stacks Safety: Tom Rodgers, Karanja Yorke
Stunts/Stacks Safety: Guiomar Alonso, Jonathan Cohen, Jamie Dos, Claire Lawrence, Venice Smith
Stunt Riggers: Rob Houillion, Andy Thompstone, Danny Webster
Wire Rigger, Stunts: Kevin Matthews
Stunt Double Cast 1: Adam Brashaw
Stunt Double Cast 2: Helen Bailey
Stunt Doubles: James Harris, Robert Hladik, Tien Hoang, Lauren Okadigbo, Nick Roeten
Supervising Art Director: Mark Scruton
Senior Art Director: Stuart Rose
Virtual Production Concept Design Supervisor: Alex Jaeger
Key Concept Artist: Stephen Tappin
Art Directors: Guy Bradley, Gavin Finch
Art Director, Vehicles: Remo Tozzi
Art Director, Mocap: Claire Fleming
Standby Art Director: Jim McCallum
Assistant Art Directors: Jake Hall, Shira Hockman
Draughtspersons: Kevin Hill, Tara Ilsley
Junior Draughtspersons: Stephanie Clerkin, Albert McCausland
Art Department Coordinator: Jodie Jackman
Special Project Supervisor: Deidre Backs
Graphic Designer: Neil Floyd
Assistant Graphics Designer: Alexandra Miklds
Art Department Assistants: Andy Young, Emily Cannon, Oliver Herrick
Avatar Artists: Henry Abrams, Mikaela Spielberg
Illustrators: Hugh Sicotte, Ryan Church, Aaron McBride, Adam Baines, Dan Baker, Francesco Corvino, Kristen Franson, Jama Jurabaev, Paul Threadgold, Dominic Lavery, Lee Oliver, Sam Rowan, Tom Wingrove, Ulrich Zeidler
Co-Art Director: Martin MacRae
Art Department Producer: Brandon Norris
Art Department Coordinators: Danny Akif, Fern Hogdson
A Camera Operator: Mitch Dubin SOC ACO
B / Steadicam Operator: Vince McGahon ACO
A Camera First Assistant: Mark Spath
B Camera First Assistant: Nathan Mann
A Camera Second Assistant: Alex Bender
B Camera Second Assistant: Ryan King
A Camera/Steadicam Operator: Peter Cavaciuti
Aerial Unit Director of Photog.: Jeremy Braben BSC
Central Loader: Alex Teale
Camera Trainee: Clare Seymour
Associate Producer: Rick Carter
Unit Publicist: Stacy Mann
Stills Photographer: Jaap Buitendjk
Dialect Coach: Thom Jones
Mocap/Dance Choreographer: Adam Murray
Video Assist Operator: Viktor Lonek
Production Sound Mixer: Chris Munro AMPS CAS
First Assistants Sound: Steve Finn, Will Towers
Script Supervisor: Zoe Morgan
Mocap/Additional Script Supervisor: Alan Warr
Production Supervisor: Demelza Cronin
Production Coordinator: Glenn Diot
Assistant Production Coordinator: Rachel Linehan
Travel Coordinator: Paul McAnearney
Production Secretaries: Steph Hamilton-Jordan, Joanne Fox
Office Production Assistants: Jacopo Miceli, Simone Khoury
Supervising Sound Designer/Re-Recording Mixer: Gary Rydstrom
Supervising Sound Editor: Richard Hymns
Re-Recording Mixer: Andy Nelson
Executive in Charge of Post: Mark Graziano
Post Managers: Gunnar McGrew, Justin Wagman
Post Production Supervisor: Fady Hadid
Overall Visual Effects Editor: Thomas J. Cabela
First Assistant Editor: Chris Patterson
Second Assistant Editor: Simon Davis
Third Assistant Editor: Kevin Birou
Fourth Assistant Editor: Andrey Ragozin
Fifth Assistant Editor: George Mitchell
Sixth Assistant Editor: James Durante
Editorial PA - California: Will Spaulding
Editorial Production Assist - UK: Sarah Bowden
Editorial PAs - New York: Jake Lemmen, Robert Pigott
Supervising Music Editor: Kenneth Karman
Visual Effects Co-Producer: Viet Luu
Motion Cap Production Supervisor: Clint Spillers
Visual Effects Prod Supervisor: Jakris Smittant
Visual Effects Assistant Coordinator: Greg Weiler
Overall Visual Effects Assistants: Jade Hamdan, Brandon Uloho
Witness Camera Wrangler, Visual Effects: Grant Babbitt
Stereo Production Supervisor: Kelly Matthews
Visual Effects Production Supervisor, Visual Effects Production (UK): Barry St. John
Visual Effects Production Coordinator, Visual Effects Production (UK): Matthew Badham
Visual Effects Data Wrangler, Visual Effects Production (UK): Jack George
Visual Effects Assistant Production Coordinator, Visual Effects Production (UK): Georgia Benjamin
Visual Effects Production Assists, Visual Effects Production (UK): Lydia Bland, Lisa Rustage
Motion Cap Operator, Motion Capture Unit (UK): Connor Ling
Specialty Costume Consultant: Pierre Bohanna
Set Decorator: Anna Pinnock
Crowd Second Assist Director: Frazer Fennell-Ball
Supervising Location Manager: Ali James
Studio Unit Manager: Carrick Welsh
Production Consultant: Masi Oka
Chief Lighting Technician: Perry Evans
Prod. Special Effects Supervisor: Neil Corbould
Special Effects Co-Supervisor: Keith Dawson
Special Effects Workshop Supervisor: David Eves
Special Effects Floor Supervisor: Caimin Bourne
Special Effects Moco Supervisor: Glen Winchester
Production Special Effects Designer: Matt Veale
Prod. Special Effects Coordinator: Lila Schwarz
Picture Vehicles Supervisor: Graham Kelly
Pic Vehicles Workshop Supervisor: Ian Richard Marshall
Picture Vehicles Coordinator: Joanne Marshall
Catering Manager: Alan Springfield
Catering Supervisor: Kevin Chamberlin
BGI Show Supervisor: Stuart Heath
Music Production Coordinator: Dave Bifano
Music Production Assistant: James Findlay
Score Orchestrators: Mark Graham, William Ross
Music Recordist & Mixer: Dennis S. Sands
Music Digital Recordist: Adam Olmsted
Skywalker Sound Designer: Kyrsten Mate
Skywalker Sound Additional Sound Design (NZ): Brent Burge, Justin Webster
Skywalker Sound Effects Editors: E.J. Holowicki, Addison Teague
Skywalker Sound Dialogue Editor: Brian Chumney
Skywalker Sound ADR Editor: Lisa J. Levine
Skywalker Sound Assistant Supervising Sound Editor: Dug Winningham
Skywalker Sound Assistant Sound Editor: Cameron Barker
Skywalker Sound Foley Artists: Dennie Thorpe, Jana Vance, Geoff Vaughan
Skywalker Sound Foley Mixer: Blake Collins
Skywalker Sound Assistant Re-Recording Mixer: Danielle Dupre
Skywalker Sound Digital Editorial Support: Danny Caccavo
Skywalker Sound VP, Engineering Services: Scott Levine
Skywalker Sound Post Sound Accountant: Cathy Shirk
Skywalker Sound VP, Scheduling: Carrie Perry
General Manager, Skywalker Sound Executive Staff: Josh Lowden
Head of Production, Skywalker Sound Executive Staff: Jon Null
Head of Engineering, Skywalker Sound Executive Staff: Steve Morris
20th ADR Mixer: David Betancourt
20th ADR Engineer: Derek Casari
20th Recordist: Luke Schwarzweller
20th Re-Recording Engineer: Tom Lalley
20th ADR Voice Casting Director: Barbara Harris
TWDS, Burbank ADR Mixer: Doc Kane
TWDS ADR Recordist: Jeannette Browning
Goldcrest ADR Mixers: Mark Appleby, Peter Gleaves
Goldcrest ADR Assistant: Mike Therani
SPS ADR Mixer: Howard London
Digital Domain ADR Mixer: Chris Erlon
HPC ADR Mixer: Bobby Johanson
HPC ADR Recordist: Mike Rivera
Clean Cuts ADR Mixer: Adam Rooner
Dailies Colorist: John Vladic
Dailies Operator: Stuart Bryce
Dailies Production Manager: Stephan McGowan
Technicolor Supervising Digital Colorist: Michael Hatzer ASC
Technicolor Second Digital Intermediate Colorist: Chris Jensen
Technicolor Assist Digital Intermediate Colorist: Jason Myers
Technicolor Senior Digital Intermediate Producer: Bob Peishel
Associate Digital Intermediate Producer: Travis Avitabile
Technicolor Digital Intermediate Visual Effects Producer: Denise Woodgerd
Digital Intermediate Editor: Everette Webber
Technicolor Project Manager: Ladd Lanford
Technicolor On Location Services HODs: Chris Van Duyn, JD Vandenberg
Second Unit Director of Photog.: Robert Binnall
Second Unit Key First AD: Thomas Edmondson
Insert Unit B Cam Operator: David Emmerichs SOC
Insert Unit Production Supervisor: Corey Sklov
Insert Unit Key Second Assist Director: Ian Stone
Insert Unit Second AD: Jenny Nolan Bailey
Insert Unit Second Second AD: Kasia Trojak
Insert Unit Gaffer: Brian Bartolini
Insert Unit Special FX Supervisor: Brendan O'Dell
Insert Unit Set Decorator: Amy Wells
Insert Unit Key Makeup Artist: Kenny Myers
Insert Unit Makeup Artist: Leslie Devlin
Insert Unit Hair Department Head: Karen Myers
Insert Unit Hair Stylist: Barbara Cantu
LA Unit Production Advisor: Geno Hart
LA Unit Second Assistant Director: Rafael Sanz
LA Unit A Camera First Assistant: Dan Ming
ILM Visual Effects Supervising Producer: Luke O'Byrne
ILM Senior Visual Effects Producer: Ann Podlozny
ILM Lead Visual Effects Producer: Abigail Keller
ILM Senior Visual Effects Supervisors: Dave Dally, Daniele Bigi
ILM Visual Effects Art Director: Christian Alzmann
ILM Animation Supervisors: Cedric Lo, Kim Ooi, Delio Tramontozzi, Mathieu Vig
ILM CG Supervisors: Michael Bauer, Jordi Cardus Civit, Rhys Claringbull, Laurent Hugueniot, Jo Plaete, Victor Schutz IV, Kevin Sprout
ILM Visual Effects Supervisor: Nigel Sumner
ILM Visual Effects Producers: Ben Lock, Kacy McDonald, Edward Randolph
ILM Facial Capture Supervisor: Brian Cantwell
ILM Environment Supervisor: Barry Williams
ILM Lead Visual Effects Editor: Jenni O'Byrne
ILM Lighting Supervisors: Yann Dupont, Nihal Friedel, Edmund Kolloen
ILM Compositing Supervisors: Ryan B. Clarke, Sam Bassett, Brad Floyd, Jan Maroske, Marian Mavrovic, Carlo Monaghan, Alex Prichard
ILM Visual Effects Associate Producers: Brian Barlettani, Lauren Carara, Daniel Cavey, Andrew Poole
ILM Digital Supervisors: Stuart Adcock, Colin Benoit, Gregory Bossert, Geoff Campbell, Marco Carboni, Nicolas Delbecq, John Doublestein, Mauro Giacomazzo, Aaron Grey, Jung-Seung Hong, Suzanne Jandu, Steve Jubinville, Justin Kosnikowski, Michal Kriukow, Yeow Kuang Lai, Zhen Yang Lee, Scott Pritchard, Tom Raynor, Kevin Reuter, Andrew Ritchie, Damian Steel, Adam Walker, John Walker, Dan Wheaton, Elbert Yen, Takashi "Tak" Yoshida
ILM Associate Visual Effects Supervisor: Julian Foddy
ILM Asset & Environment Leads: Thomas Døhlen, Maxim Fleury, William Gallyot, Pedro Santos, John Seru
ILM Digital Leads: Pontus Albrecht, Samir Ansari, Aymeric Aute, Waldemar Bartkowiak, Nicolas Caillier, Gene Chee, Matthew Cioffi, Steven Denyer, Julien Ducenne, Marc Estrada, Lucio Farina, Patrick Gagne, Thibault Gauriau, Ahmed Gharraph, John Hansen, Jamie Haydock, Chris Hurtt, Christopher Johnston, Marchand Jooste, Mirang Kim, Goran Kocov, Jean Le Koh, Daniel Kole, Martin Viktor Kulig, Eric Leong, Daniel Letarte, Michael Lum, Sean Mackenzie, Mark Medrano, Ciaran Moloney, Will Muto, Tristan North, Richard Oey, Vishal Patel, Anthony Peck, Simon "Duck" Rafin, Ashwin Ram, Ben Tillmann, Oleg Troy, Jeff Vacanti, Paige Warner, Tzuen Wu, Anton Yri, Edward Zhou, Sarah De Schot
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ILM VFX Production Supervisors: Alé Melendez, Duncan Ramsay, Donna Smith, Adrian Steel, Pearlyn Yeo
ILM VFX Coordinator: Brendan Byrd
ILM VFX Co-Producers: Lori Arnold, Jeff Atherton, Hannah Bianchini
ILM VFX Editor: Simon Scott
ILM SVP & CCO of Visual Effects: Rob Bredow
ILM Executive VFX Producer: Nina Fallon
ILM Add'l VFX Producers: Luke Hetherington, Amber Wong
ILM Add'l VFX Supervisors: John Knoll, Ben Morris, David Vickery, Jeff White
ILM VFX Executive Producer: Gretchen Libby
ILM Creative Consultant: Dennis Muren ASC
ILM Heads of Production: Sue Lyster, Randal Shore
ILM VP of Operations: Jessica Teach
Digital Domain VFX Producer: Daniel Brimer
Digital Domain DFX Supervisor: Joel Behrens
Digital Domain DFX Producer: Christopher Ilke
Digital Domain CG Supervisors: Brian Gazdik, Shahar Levavi, Daisuke Nagae
Digital Domain VFX Pipeline Supervisor: Claude Martins
Digital Domain VFX On-Set Supervisor: Jesse James Chisholm
Digital Domain DFX Production Supervisor: Lauren Weidel
Digital Domain On-Set Lead Data Wrangler: Viki Chan
Digital Domain Previz Supervisor: Scott Meadows
Digital Domain Virtual Production Supervisor & Producer: Gary Roberts
Digital Domain Virtual Production Pipeline & On-Set Supervisor: Ryan Beagan
Digital Domain Virtual Production LAB Supervisor: Joe Henderson
Digital Domain Virtual Art Department Supervisor: Ryan Magid
Digital Domain Mocap Prod Supervisor: Gaby Rios
Stereo D Stereographer: Yoichiko Aoki
Stereo D Stereo Producer: Tim Broderick
Stereo D Stereo Supervisors: Ryan Hirsh, Bhanu Prakash, Vishal Tyagi, Chandrashekhar Gunjai, Aditi Joshi
Filming Dates: June 2016 - September 27, 2016
Cameras: Alexa Plus, Arriflex 435 ES & Panaflex XL2 (2.8K ARRIRAW & 35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Panavision Primo Anamorphic Primes, C-, E-, T-Series Anamorphic Primes, Anamorphic Telephoto Zoom, Anamorphic Wide-Angle 2:1 Zoom & PVintage Spherical Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(4-Perf Super 35mm: Some Scenes)
Budget: 175 Million USD
Printed on: Kodak Vision 2383
Music Preparation by: Joann Kane Music Service
Music Recorded at: The Barbara Streisand Scoring Stage, Eastwood Scoring Stage
Music Clearances by: Sessing Music Services
Post-Production Sound Services by: Skywalker Sound
Post Production Facilities Provided by: 20th Century Fox Studios
ADR Services Provided by: The Walt Disney Studios (Burbank), Goldcrest, Digital Domain, Sony Pictures Studios, Soundtrack New York, Harbor Picture Company & Clean Cuts
Digital Intermediate Provided by: Technicolor
3D Conversion Provided by: Stereo D
Special Visual Effects, Digital Animation, Previsualization & Virtual Production By: Industrial Light & Magic + Digital Domain
Attribute: Filmed in Panavision - DirectorSteven SpielbergStarsAnsel ElgortRachel ZeglerAriana DeBoseAn adaptation of the 1957 musical, West Side Story explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.Producer & End Title Designer: Steven Spielberg ACE
Producer: Kristie Macosko Krieger
Screenwriter/Executive Producer: Tony Kushner
Composer: Leonard Bernstein
Lyricist: Stephen Sondheim
Choreographer: Justin Peck
Executive Producer: Rita Moreno
Exec Producer/Unit Production Manager: Daniel Lupi
Exec Producer/1st Ass't Director: Adam Somner
Cinematographer: Janusz Kaminski ASC Cinematographer (Time-Lapse Photog): Andrew Geraci
Cinematographer (Add'l Photography): Stuart Dryburgh ASC NZCS
Production & End Title Designer: Adam Stockhausen
Film Editors: Michael Kahn ACE, Sarah Broshar
Score Arranger & Song Producer: David Newman
Supervising Vocal & Song Producer/Development Music Consultant: Jeanine Tesori
Executive Music & Song Producer + Music Supervisor: Matt Sullivan
Score Conductor: Gustavo Dudamel
Costume Designer: Paul Tazewell
Dedicated to: Arnold Spielberg Co-Producer/Unit Production Manager: Carla Raij
2nd Assistant Director: Jeremy Marks
Associate Producer: David Saint
Production VFX Producer: Jennifer Meislohn
Stunt Coordinator: Mark Fichera
Assoc. Choreographers: Patricia Delgado, Craig Salstein
Prod Supervisors: Leah Winkler, Corey Sklov
Production Coordinator: Michael Hall
Ass't UPM/Supervising Location Manager: Robert Streim
Supervising Art Director: Deborah Jensen Set Decorator: Rena Deangelo
A-Camera Operator: Mitch Dubin SOC ACO
1st Assistant A-Camera: Mark Spath
1st Ass't A-Cam (Add'l Photography)/2nd Ass't A-Cam: Connie Huang
B-Cam/Steadicam Op: John "Buzz" Moyer SOC
1st Assistant B-Camera: Tim Metivier
2nd Assistant B-Camera: Conny Klapper
Loader: Dave Ross
Libra Head Technician: Pierson Silver
Re-Recording Mixer: Andy Nelson
Re-Recording Mixer/Supervising Sound Editor & Sound Designer: Gary Rydstrom
Supervising Sound Editor: Brian Chumney
Associate Film Editor: Patrick Crane
Music Consultant: John Williams
Score Mixer & Recordist: Shawn Murphy
Supervising Music Copyist: Mark Graham
Score Reader: Krystina Newman
2nd 2nd Ass't Director: Josh Muzaffer
Add'l 2nd Ass't Director: Billy Brennan
Gaffer: Steve Ramsey
Rigging Gaffers: Jason Landi, Steven Edick
Key Grip: Mitch Lillian
Location Manager (NJ): Katherine Delaney
Location Scout: Aaron Hurwitz
Supervising Prop Master: Diana Burton
Ass't Prop Master: Tom Allen
Prop Master Prod Ass't: Destry Allyn Spielberg
Picture Car Coordinator: Bobby Griffon
Production SFX Coordinator: Mark Bero
Camera Scenic Artist: Elizabeth Schurra
Assistants to Janusz Kaminski: Truman Hanks, Lukasz Dziedzic
Historical Consultant: Virginia Sanchez Korrol
Executive in Charge of Post-Prod: Mark Graziano
Post-Production Executive: Justin Ostenson
Post-Production Coordinator: Josh Woolf VFX Prod Supervisors: Monica Celis Barraza, Jennifer Mizener
Production VFX Coordinator: Tennyson Sebastian III
VFX Production Assistant: Liam O'Connor Production VFX Data Wrangler: Suzanne Hillner
Lola VFX Supervisor: Edson Williams
Lola VFX Exec Producer: Thomas Nittmann Lola VFX Comp Supervisors: Russell Mack, David Moreno Hernandez, Chris Haney
Lola VFX Senior Producer: Allison Glennon
Lola VFX CG Supervisor: David Michaels
Lola VFX Producer: Aileen Mu
Lola VFX Coordinator: Jack Dorst
Lola VFX On-Set Photographer: Patrick Flannery
Lola VFX Editor: John Polyson
MPC Senior VFX Supervisors: Richard Stammers, Nick Davis, Jeremy Robert
MPC VFX Producer: Clement Zvequintzoff
MPC Supervisors: Brian Gossart, Andy Cheng, Anthony Durand, Lucie Bories
Mr. X Senior VFX Supervisor: Aaron Weintraub
Mr. X Senior VFX Producer: Wendy Lanning Digital Domain LA Visualization Supervisor: Scott Meadows
Digital Domain LA Previz Supervisors: Chris Staehler, Matt McClurg
Digital Domain 3D VFX Artist: Todd Thornley
Digital Domain VFX Coordinator: Gretchen Bangs
Supervising Digital Finishing Colorist: Michael Hatzer ASC
2nd Finishing Colorist: Chris Jensen
Ass't Finishing Colorist: Kevin Schneider
DI Finishing Editor: Everette Webber
Senior DI Finishing Producers: Julian McDougald, Bob Peishel
Technicolor Project Finishing Manager: Ladd Lanford
Dailies Colorist: John Vladic
Dailies Producer: Michelle Morris
Dailies Color Assistant: Sara Cintron Schultz
Technicolor Technical Operations Manager: Carlos Monfort
Technicolor SVP of Theatrical Services: Clark Henderson
Technicolor Head of Operations: Ralph Costanza
Kodak Lab Consultant: Domenic Rom
Aerial Unit A-Camera Operator: Josh Hill 1st Ass't A-Camera (Add'l Photography): Alex Wooster
Loader (Add'l Photography): Jakob Friedman Panavision VP of Optical Engineering: Dan Sasaki ASC
Filming Dates: July 2019 September 27, 2019
Cameras: Panaflex XL2, Millennium, Platinum & Red Monstro 8K VV (35mm Kodak Vision3 50D 5203, 250D 5207, 200T 5213 & 500T 5219)
Lenses: Panavision C-, T-Series AL Primes & PVintage Spherical Primes
AR: 2.39:1 (Anamorphic)(4-Perf S35mm: Some Shots)(8K Redcode RAW: Drone Footage)
Budget: 100 Million USD
Visual Effects by: Moving Picture Company, Lola VFX & Mr. X
Pre-Visualization Provided by: Digital Domain
Post-Production Sound Services Provided by: Skywalker Sound
Negative Processing Provided by: Kodak Film Lab NY
Shot on: Kodak 35mm Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision (as Cameras & Lenses) - DirectorSteven SpielbergStarsMichelle WilliamsGabriel LaBellePaul DanoGrowing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.Writer / Producer: Steven Spielberg ACE
Writer / Producer: Tony Kushner
Producer: Kristie Macosko Krieger
Executive Producer / Line Producer / UPM: Carla Raij
EP / First Assistant Director: Josh McLaglen
Cinematographer: Janusz Kaminski ASC
Cinematographer - Aerial Unit: Phil Pastuhov
Cinematographer - Splinter & Second Units: Magdalena Górka ASC PSC
Production Designer: Rick Carter
Film Editors: Michael Kahn ACE, Sarah Broshar
Costume Designer: Mark Bridges
Composer/Music Score Conductor: John Williams
Casting Director: Cindy Tolan
Second Assist Director: Heather Wagner-Wang
Assoc. Producers: Brittani Lindman, Emma Molz
Kelley Karsten Photo Double: Harper Dustin
First Stunt Coordinator: Keith Campbell
Second Stunt Coordinator: Shauna Duggins
Third Stunt Coordinator: Justin Ellings
Fourth Stunt Coordinator: Kurt Lott
Fifth Stunt Coordinator: Garrett Warren
Production Supervisor: Demelza Cronin
Supervising Art Director: Andrew Max Cahn
Supervising Set Decorator: Karen O'Hara
Art Directors: Desma Murphy, Lauren E. Polizzi
Art Director / Set Designer: Andy Broomell
First Assistant Art Director: Gordon Stotz
2nd Assistant Art Director: Katelynn Wheelock
Lead Graphic Designer: Andrew Campbell
Graphic Designer: Clint Schultz
Art Department Coordinator: Stephanie Frey
Junior Set Designer: Dylan Reed
Set Designer / Model Maker: Darcy Prevost
Assistant Set Decorator: Andrea Mae Fenton
Set Decorating Coordinator: Darlene Salinas
On-Set Dresser: Scott Betty
Supervising Prop Master: Andrew M. Siegel
First Assistant Prop Master: Melissa Harrison
A Camera Operator: Mitch Dubin SOC
B / Steadicam Operator: Colin Anderson SOC
C Camera / Edge Operator: Michael Nelson
First Assistant A Camera: Mark Spath
First Assistant B Camera: Jeff Porter
First Assistant C Camera: Andrew Degnan
Second Assistant A Camera: David O'Brien
Second Assistant B Camera: Dan Urbain
Second Assistant C Camera: Henry Nguyen
Libra Head Technician: Jon Philion
Arriflex & Panaflex Camera Loader: Benny Bailey
Production Sound Mixer: Ronald Judkins CAS
Boom Operator: Michael Primmer
Sound Playback Technician: Jeffrey Zimmerman
Re-Recording Mixer: Andy Nelson
Re-Recording Mixer / Supervising Sound Editor / Sound Designer: Gary Rydstrom
Supervising Sound Editor: Brian Chumney
Production Music Editor: Ramiro Belgardt
Associate Film Editor: Patrick Crane
First Assistant Editor: Andrey Ragozin
Second Assistant Editor: Mathias Hilger
Gaffer: Christopher M. Culliton
Best Boy Set Lighting: Jarek Gorczycki
Second Unit Chief Set Lighting Technician: Dustin Gardner
Chief Rigging Set Lighting Technic: Dana Arnold
Assistant Chief Rigging Set Lighting Technician: David H. Neale
Lead Fixtures Technician: Paul Sartain
Key Grip: Ray Garcia
Best Boy Grip: Donis Rhoden
Key Rigging Grip: Matt Floyd
Best Boy Rigging Grip: Michael Gonzalez
Overall Special Effects Supervisor: Mark Hawker
Special Effects / Pyro Coordinator: Lou Carlucci
Special Effects On-Set Coordinator: Zac Swanson
Special Effects Rigging Coordinator / Foreman: Roy Cancino
Special Effects Pyro Foreman: John C. Carlucci
Overall Special Effects Technician: Damian Lund
Special Effects Technicians: Lou Lindwall, Phillip Wheatley
Snow Effects Technician: Arthur G. Schlosser
Special Effects Purchaser: Leslie Coogan Hawker
Overall Visual Effects Coordinator: Laura Kutchen
ILM Senior On-Set Visual Effects Data Wrangler: Joseph Oberle
Production Visual Effects Supervisor / In-House Compositor: Jeffrey Kalmus
Assistant Costume Designer: Kristen Kopp
Costume Supervisor: Tammy Williamson
Key Costumer: Christine Orth
Costume Coordinator: Christy L. Mele
Script Supervisor: Jillian Giacomini
Supervising Location Manager: Leann Emmert
Production Location Coordinator: Alyssa DiMare
Production Location Scout: Scott Trimble LMGI
Post Production Accountant: Kathy Hooge
Production Coordinator: Sally Jean Potters
Travel Coordinator: Aaron Hammersley
Second Second Assistant Director: David Stickler
Additional Second Assistant Director: Chris Cook
DGA Trainee: Lannie Barcelon
Production Secretary: Greg Giebel
Casting Associate: Nicholas Petrovich
Casting Assistant: Ari Rudess
Unit Publicist: Rachel Aberly
Still Photographer: Marie W. Wallace SMPSP
Production Choreographer: Travis Wall
Paint Supervisor: Adrian Valdez
Snake Wrangler: Marissa K.S.B. Schwierjorn
Film Projectionist: Charles Massa
SFV Super 8 Film Consultant: Michael Danescu
Unit PM, Add'l Photog - New York: Frank Covino
First AD, Add'l Photog - New York: Peter Thorell
Second AD, AP - New York: Melissa Morphet
Executive in Charge of Post Prod: Mark Graziano
Post Production Executive: Justin Ostensen
Post Production Manager: Gunnar McGrew
ILM StageCraft Virtual Production Supervisors: Rod Fransham, Justin Talley
ILM StageCraft Producer: Andrew Watkins
ILM StageCraft Capture Supervisor: Chris Jones
ILM StageCraft Brain Bar Supervisor: Brad Isdrab
ILM StageCraft Virtual Production TDs: Michael Bauer, Sean Mackenzie
ILM Sr. Visual Effects Supervisor: Pablo Helman
ILM Visual Effects Supervisor: Aleks Chernogord
ILM Sr. Visual Effects Producer: Brian Barlettani
ILM Visual Effects Producer: Marissa Gomes
ILM Executive Visual Effects Producer: Jill Brooks
ILM Senior CG Supervisor: Nihal Friedel
ILM CG Supervisor: Georg Kaltenbrunner
ILM Compositing Supervisor: Sam Bassett
ILM Animation Supervisor: Eric Leong
ILM Digital Supervisors: Poh Siang Kee, Goran Kocov, Panya Souvanna, Ben Tillman, Daniel Wheaton
ILM Digital Lead Supervisor: Gunther Schatz
ILM Digital Lead: Vic Fernandez
ILM Production Manager: Celine Zoleta
ILM Assoc. Production Manager: Eric Rosengard
ILM Visual Effects Editor: Muhammad Mustapha
ILM First Assistant Visual Effects Editor: Rowen Rinaldi
ILM Add'l On-Set Visual FX Data Wrangler: Adam Blank
ILM Senior Compositor: Juan Valenzuela Alcaraz
ILM Digital Compositor: Perry Yap
ILM PCs: Sneha Jain, Chrissy Kavanagh-Cole
ILM Chief Creative Officer: Rob Bredow
ILM General Manager: Janet Lewin
CO3 / SDFX Visual Effects Supervisor: Alex Guri
CO3 / SDFX Senior VFX Producer: Mark Simone
CO3/SDFX Assistant VFX Supervisor: Yael Majors
Company 3/SDFX Visual Effects Lead: Ajit Singh
Company 3 / SDFX Compositor: Shiv Sairam
Skywalker Sound Foley Editor: Dee Selby
Assistant Supervising Sound Editor: Anthony De Francesco
Skywalker Sound Foley Mixer: Richard Duarte
Assistant Re-Recording Mixer: Robert Cooper
Skywalker Sound Head of Engineering: Steve Morris
Skywalker Sound Head of Production: Jon Null
Skywalker Sound General Manager: Josh Lowden
Supervising Digital Colorist: Michael Hatzer ASC
Picture Shop Digital Colorist: Chris Jensen
Picture Shop Assistant Colorist: Kevin Schneider
Picture Shop DI Editor: Everette "J-Bob" Webber
Digital Intermediate Producer: Julian McDougald
Picture Shop Project Manager: Ladd Lanford
Picture Shop Lead Imaging Tech: Todd Mitchell
Picture Shop Imaging Technician: Eric Chilpa
Picture Shop Color Science Leads: Joshua Pines, Chris Kutcka
Picture Shop Digital Restoration Artists: Goran Tecic, Grant Beaudette, Zachary Smothers
PS OLS Dailies Colorist: John Vladic
PS OLS Dailies Assist: Jordan Fox
Supervising Dailies Engineer: Chris Armstrong
PS OLS Dailies Producer: Denise Woodgerd
PS OLS Dailies Operations Lead: Chris Van Duyn
Score Recordist & Mixer: Shawn Murphy
Music Contractor: Sandy DeCrescent
Associate Music Contractor: Timothy Loo
Michelle Williams Piano Double: Alin Adamyan
Librarian & Head of Music Prep: Mark Graham
Scoring Editor: Robert Wolff
Producer & Executive in Charge of Visual Effects: Jennifer Silver
Prod. Visual Effects Executive: Jennifer Mizener
Special Thanks: Anne Spielberg, Sue Spielberg, Nancy Spielberg
Panavision® SVP, Opt. Engineering: Dan Sasaki ASC
Dedicated to: Leah Spielberg, Arnold Spielberg
Filming Dates: July 2021 - August 2021
Cameras: Arriflex 16 ST, 416, Panaflex XL2, Millennium & Platinum (16mm & 35mm Kodak Vision3 500T 5219)
Lenses: Panavision® Primo SL Primes & PVintage SL Primes
AR: 1.85:1 (3-Perf Super 35mm & Super 16mm)
Budget: 40 Million USD
Super 8 Film Consulting by: Spectra Film & Video
Virtual Production Technology, Visual Effects & Animation Provided by: Industrial Light & Magic, ILM StageCraft, Company 3 / SDFX Studios + Amblin Partners
Post Production Sound Services by: Skywalker Sound
Digital Intermediate & Dailies by: Picture Shop
Negative Processing by: FotoKem
Shot on: 35mm | 16mm | Super 8 Kodak Film
Attribute: Filmed in Panavision®