The Works of Director Terrence Malick
List activity
53 views
• 1 this weekCreate a new list
List your movie, TV & celebrity picks.
17 titles
- DirectorTerrence MalickStarsHarry Dean StantonTerrence MalickWarren OatesTilman and Lanton Mills, two cowboys who set off on horseback to rob a bank. On the way, they stop to see their boss, the "Old Man", only to discover he has been murdered by another cowboy, John Sparks.Writer & Composer: Terrence Malick
Producer: John Roper
Cinematographer: Caleb Deschanel ASC
Film Editor: John Palmer
AR: 1.37:1
Printed on: 35mm - DirectorTerrence MalickStarsMartin SheenSissy SpacekWarren OatesAn impressionable teenage girl from a dead-end town, and her older greaser boyfriend, embark on a killing spree in the South Dakota Badlands.Cinematographers: Tak Fujimoto ASC, Stevan Larner, Brian Probyn
Composer: George A. Tipton
Film Editors: Robert Estrin ACE, Billy Weber ACE
Costume Designer: Rosanna Norton
Art Director: Jack Fisk
Production Manager: William 'Bill' Scott
Filming Dates: July 1972 - October 1972
Camera: Mitchell BNCR (35mm)
AR: 1.85:1 (Spherical)
Budget: 300 Thousand USD
Budget AFI (2021): 1.8 Million USD - DirectorTerrence MalickStarsRichard GereBrooke AdamsSam ShepardA hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.Cinematographer: Nestor Almendros ASC
Cinematographer (Add'l Photography): Haskell Wexler ASC
Cinematographer (Time-Laspe): Ken Middleham
Composer: Ennio Morricone
Film Editor: Billy Weber ACE
Costume Designer: Patricia Norris
Art Director: Jack Fisk
Camera Operators: John Bailey ASC, Rod Parkhurst
Panaglide Operator: Eric Norman
SFX Supervisors: Mel Merrells, John Thomas
2nd Unit Manager: Coulter Adams
2nd Unit Director: Jacob Brackman
2nd Unit DP: Paul Ryan ASC
Cameras: Panaflex-X & Gold (35mm)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 3 Million USD
Budget AFI (2021): 12.5 Million USD
Attribute: Filmed in Panavision - DirectorTerrence MalickStarsJim CaviezelSean PennNick NolteAdaptation of James Jones' autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.Telecine Supervisor (2010 Criterion Release) & Screenwriter: Terrence Malick
Executive Producer: George Stevens Jr
Producer & Unit Prod Manager: Grant Hill
Telecine Supervisor (2010 Criterion Release) & Cinematographer: John Toll ASC
Production Designer: Jack Fisk
Film Editors: Leslie Jones ACE, Saar Klein ACE, Billy Weber ACE
Composer: Hans Zimmer
Composer (Add'l Music): John Powell
Composer (Add'l Music Arrangements): Klaus Badelt
Costume Designer: Margot Wilson
Associate Producer: Michael Stevens
1st Assistant Director: Skip Cosper
Key 2nd Assist Director: Simon Warnock
2nd 2nd Assist Director: Jennifer Leacey
Production Manager: Vicki Popplewell
Supervising Art Director: Ian Gracie
Supervising Loc. Manager: Murray Boyd
A Cam & Steady Op: Brad Shield ASC ACS
A 1st AC & Focus Puller: Darrin Keough
Steadicam 1st AC & FP: Brett Matthews
B 1st AC & Focus Puller: Frank Hruby
A 2nd AC-Clapper Loader: Louise Williams
Steadicam 2nd AC & CL: Michi Marosszeky
B 2nd AC-Clapper Loader: Dugal Campbell
C 2nd AC-Clapper Loader: Rachel Fairfax
Gaffer: Mick Morris
Libra Head Technician: Tim Cousins
1st Assistant Art Director: Jeff Thorp
Art Department Coord.: Jenny O'Connell
Supervising Prop Master: Richie Dehne
Set Decorator: Richard Hunt
Lead Prop Maker: Richard Weight
Art Dept. Runner (Sydney): Andy Robillard
3rd Assistant Director: Andrew Power
Production & Music Sup (US): Rosanna Sun
Co-Associate Producer: Sheila D. Lawrence
Production SPFX Coordinator: Brian Cox
Senior Special FX Technician: David Hardie
Sup. Stunt Coordinator: Glenn Boswell
Stunt Coordinator: Raleigh Wilson
Ass't to G. Boswell: Zelie Thompson Bullen
Unit Manager: Dick Beckett
Sr Action Vehicle Coordinator: Tim Parry
On-Set Vehicle Coordinator: Paul Naylor
UM (SI•G Unit)-1st Unit AUM Simon Lucas
Post Production Supervisor: Jessica Alan
2nd Film Editor: Clarinda Wong
Re-Recording Mixer: Andy Nelson, Anna Behlmar
Supervising Sound Editor: Paul Huntsman
Co-Sound Supervisor: Robb Wilson
ADR Supervisor: Hugh Waddell
Music Scoring Mixer: Alan Meyerson
Score Conductor: Gavin Greenaway
Score Orchestrators: Bruce Fowler, Yvonne Moriarty
Music Contractor: Sandy DeCrescent
Technical Score Advisor: Marc Streitenfeld
Scoring Recordist: John Rodd
An Log Visual FX Supervisor: Chris Godfrey
An Log Visual FX Producer: Fiona Chilton
An Log Visual FX Designer: Simon Whiteley
An Log Digital Compositor: Robin Cave
An Log Pre-Vis Compositor: Grant Everett
An Log 3D Animator: Ian Brown
An Log System Administrator: Glen Sharah
2nd Unit Director & DoP: Gary Capo ASC
1st Assist Dir (2nd Unit Crew): Toby Pease
2nd Unit Coordinator: Julie Sims
2nd Assist Dir (2nd Unit Crew): Keri Buono
3rd Assist Dir (2nd Unit Crew): Tom Read
A Camera Operator (2nd Unit Crew): Leigh MacKenzie
"A" FP (2nd Unit Crew): Adam Hammond
B Cam FP (2nd Unit Crew): John Wareham
A 2nd AC & CL (2nd Unit Crew): Matt Toll
Gaffer (2nd Unit Crew): Brett Jarman
Stand-By Prop Master (2nd Unit Crew): Jim Cox
LM (2nd Unit Crew): Todd Fellman
Unit Manager (2nd Unit Crew): Paul Messer
SI•G Unit PM: Amanda Crittenden
SI•G Unit Location Manager: Robin Clifton
SI•2nd Unit DoP: Reuben Aaronson
SI•2nd Unit A Cam Ass't: Rich Confalone
SI•2nd Unit B Cam Ass't: Maury Gutierrez
1st ADs (LA PP Units): L. Dean Jones, Sean Hobin
Loc. Manager (LA PP Units): Ken Haber
A Cam Op (LA PP Units): Steve Campanelli SOC
B Camera Op (LA PP Units): Mike Thomas BSC
A 1st Asst. Cam (LA PP Units): Tony Rivetti
B 1st Asst. Cam (LA PP Units): Chad Rivetti
"C" 1st AC (LA PP Units): Patty Van Over
"A" 2nd AC (LA PP Units): Megan Forste
B 2nd AC (LA PP Units): Frank Parrish
C 2nd Asst. Cam (LA PP Units): Chris Toll
Loader (LA PP Units): Sal Alvarez
Gaffers (LA PP Units): Randy Woodside, Jim Boyle
Libra Head Technician (LA PP Units): Nick Phillips
Set Decorator (LA PP Units): Rosemary Brandenburg
2nd 2nd AD (LA PP Units): Lisa Brookes
Additional Stunt Performer: Gregg Smrz
Special Thanks: Lukas Haas, Randall Duk Kim, Viggo Mortenson, Bill Pullman, Mickey Rourke, Billy Bob Thornton, Martin Sheen
Casting Consultant: Francine Maisler CSA
Production Color Timer: David Orr
Titles & Opticals Cons.: Robert Yamamoto
Cinesite Visual FX Designer: Charles Darby
Cinesite DFX Producers: Carole Cowley, Scott Dougherty
Telecine Supervisor (2010 Criterion Release): Lee Kline
PFLA Telecine Colorist (2010 Criterion Release): Bryan McMahan
Filming Dates: 23 June 1997 - November 1997
Cameras: Arriflex 35-III, Panaflex Gold, Platinum & Panastar (35mm Eastman EXR 100T 5248 & Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 52 Million USD
Budget AFI (2021): 87 Million USD
Printed on: Kodak Vision 2383
Music Production Services Provided by: Media Ventures, Santa Monica
Visual Effects Provided by: Animal Logic
Color Provided by: Atlab
Dailies Telecine Provided by: Video 8
Digital Film Services Provided by: Cinesite
2010 Criterion Remaster Provided by: Prime Focus LA
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorTerrence MalickStarsColin FarrellQ'orianka KilcherChristopher PlummerThe story of the English exploration of Virginia, and of the changing world and loves of Pocahontas.Cinematographer: Emmanuel 'Chivo' Lubezki ASC AMC
Production Designer: Jack Fisk
Composer: James Horner
Film Editors: Richard Chew ACE, Hank Corwin ACE, Saar Klein ACE, Mark Yoshikawa
Costume Designer: Jacqueline West
Stunt Coordinator/2nd Unit Director: Andy Cheng
Stunt Performer: Damon Caro
Camera/Steadicam Operator: Jim McConkey
Camera/Steadicam Operator/2nd Unit DP: Jorg Widmer ASC
B-Camera Operator: Max Fischer
2nd Unit Camera Operator: Andrew Dominik
Underwater Unit DP: Pete Romano ASC
CIS Senior VFX Supervisor: Thomas J. Smith
CIS Senior VFX Producer: Lisa Maher
On-Set VFX Supervisor: Raymond Gieringer
Senior SFX Coordinator: Bob Shelley
UK Unit SFX Supervisor: Steve Lucas
Additional DP: Bunt Young
Color Timer: Steven J. Scott ASC
Filming Dates: 26 July 2004 - 6 November 2004
Camera(s): Arriflex 35-III, Panaflex XL, Platinum & 65 HR (35mm/65mm Kodak Vision2 200T 5217/500T 5218)
Lenses: Panavision C-, E-Series Anamorphic Primes & System 65 Primes
AR: 2.35:1 (Anamorphic)(Panavision Super 70: some scenes)
Budget: 30 Million USD
Budget AFI (2021): 41.9 Million USD
Printed on: Fuji Eterna-CP 3513DI
Visual Effects Provided by: CIS Hollywood
Atribute: Filmed in Panavision - DirectorTerrence MalickStarsBrad PittSean PennJessica ChastainThe story of a family in Waco, Texas in 1956. The eldest son witnesses the loss of innocence and struggles with his parents' conflicting teachings.Writer: Terrence Malick
Producer & Key UPM: Sarah Green
Producers: Brad Pitt, Dede Gardner
Producer & UPM: Grant Hill
Executive Producer: Donald Rosenfeld
Co-Producer: Nicolas Gonda
Cinematographer: Emmanuel "Chivo" Lubezki ASC AMC
Cinematographer (Italy Unit), A Camera & Steadicam Operator: Jorg Widmer ASC
Cinematographers (2nd Unit Photog): Paul Atkins ASC, Peter Simonite ASC CSC
Cinematographer-Underwater Unit Photog: Pete Romano ASC
Cinematographer (Aerial Photog): Vance Holmes
Cinematographer (NY Photog): Ellen Kuras ASC
Cinematographer-Versailles Photog: Benoit Delhomme AFC
Cinematographer (VFX; OOU): Tom Debenham
Production Designer: Jack Fisk
Film Editors: Hank Corwin ACE, Billy Weber ACE, Jay Rabinowitz ACE, Daniel Rezende, Mark Yoshikawa ACE
Costume Designer: Jacqueline West
Composer & Score Conductor: Alexandre Desplat
Senior Visual FX Supervisor: Dan Glass
Casting: Francine Maisler CSA, Vicky Boone
Key UPM & Line Producer: Susan Kirr
1st Assistant Director: Bobby Bastarache
Key 2nd Assistant Director: Kathleen Tull
Stunt Coordinator: Jeff P. Schwan
Key Artistic Consultant: AJ Edwards
Artistic Consultant: Keith Fraase
Assoc. FE & 1st AE: Christopher Rodlan
Exec in Charge of Prod: Frank Hildebrand
Production Consultant: John McNess
Production Visual FX Consultant: Douglas Trumbull
Sup. Sound Editor & Designer: Craig Berkey
Post Production Consultant: Shane Hasen
Natural History Consultant: Keenan Smart
1st Assistant A Camera: Erik L. Brown
1st Assistant B Camera: PK Munson
2nd Assistant A Camera: Jeremy Rodgers
A Camera Loader: Patrick B. Conte
Add'l A Camera Operator-2nd Unit Photog: Nathanael Vorce
Add'l Steadicam Operator: George Niedson
Assistant to Chivo Lubezki: Carey Russell
RED Camera Technic.: Dean Georgopoulos
Art Director: David Crank
Set Decorator: Jeanette Scott
Associate Film Editor: Julia Bloch
2nd Assistant Editor: Rachel McPherson
Gaffer: Mark Manthey
Sup. Prop Master: Byron Scott Thomas
Production SFX Coordinator: Don Hastings
Production SPFX Foreman: Ryan Roundy
Production SPFX Technician: Brian Cross
Sup. Location Manager: John K. Patterson
Key Ass't Location Manager: Mark Jarrett
Picture Car Coordinator: Russell Scott
Italy Unit LP & 2nd Unit Director: Carlo Hintermann
Production DFX Supervisor: Brad Friedman
Plate Supervisor (VFX): Adrian De Wet
Plate Set Surveyors (VFX): Jesse James Chisholm, Blaine Lougheed
PF VFX Sr VFX Supervisor: Michael Fink
PF VFX Supervisors: Bryan Hirota, Mike Shand
PF VFX Animation Supervisor: Lyn Barrois
PF VFX Producer: Brigitte Nance Krupke
PF VFX Digital Supervisor: Michael Spaw
DNEG Visual FX Supervisor: Paul Riddle
DNEG Visual FX Producer: Karen Clarke
DNEG 2D Supervisor: Gruff Owen
Music Supervisor: Roanna Gillespie
Deluxe Color Timer: Jim Passon
EFilm DI Sr Colorist: Steven J. Scott ASC
Dolby Sound Consultant: Bryan Arenas
Special Thanks: Alexandra Malick
Cameras: Arricam LT, ST, Arriflex 235, 435, Dalsa Evolution, IMAX, Panavision 65 HR, Phantom HD Gold & Red One (35mm & 65mm Kodak Vision2 200T 5217 + 500T 5218)
Lenses: Panavision System 65 Primes, Arri Master Primes & Zeiss Ultra Primes
AR: 1.85:1 (4-Perf 35mm Spherical)(PS70 & IMAX: Some Scenes)(4K Dalsa & Redcode RAW: Some Shots)
Budget: 35 Million USD
Budget AFI (2021): 42.4 Million USD
Printed on: Fuji Eterna-CP 3523XD
Natural & Astrophysical Realm Visual Effects Provided by: Prime Focus VFX & Double Negative
Score Recorded & Mixed at: Abbey Road Studios
Color & Prints Provided by: Deluxe
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision, Arri-CSC NY & IMAX Cameras + Lenses - DirectorTerrence MalickStarsBen AffleckOlga KurylenkoJavier BardemAfter falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church's Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.Cinematographer: Emmanuel 'Chivo' Lubezki ASC AMC
Cinematographer (Versailles Unit): Benoit Delhomme AFC
Cinematographer (Paris Unit)/Camera/Steadicam Operator: Jorg Widmer ASC
Production Designer: Jack Fisk
Composer: Hanan Townsend
Film Editor: Mark Yoshikawa
Costume Designer: Jacqueline West
Assistant to Chivo Lubezki: Benoit Delhomme AFC
2nd Unit DP: Paul Atkins ASC
Additional DPs: Peter Simonite ASC CSC, Shane Brown
Camera/Steadicam Operator (Reshoots): Will Arnot
Filming Dates: September 2010 - November 2010, March 2011 - May 2011 (Add'l Photography)
Cameras: Arricam LT, Arriflex 235, Panaflex System 65 Studio & Red One MX (35mm/65mm Kodak Vision2 200T 5217/500T 5218/Vision3 500T 5219)
Lenses: Panavision System 65 Primes & Arri Master Primes
AR: 2.35:1 (Super 35mm)(Panavision Super 70: Some Scenes)(4.5K Redcode RAW: One Scene)
Attribute: Filmed in Panavision/Arri - DirectorTerrence MalickStarsChristian BaleCate BlanchettNatalie PortmanA writer indulging in all that Los Angeles and Las Vegas have to offer, undertakes a search for love and self via a series of adventures with six different women.Cinematographer: Emmanuel 'Chivo' Lubezki ASC AMC
Production Designer: Jack Fisk
Composer: Hanan Townsend
Film Editor: Mark Yoshikawa
Costume Designer: Jacqueline West
Camera Operator: Jorg Widmer ASC
Assistant to Chivo Lubezki: Huay-Bing Law
2nd Unit DP: Paul Atkins ASC
Additional DP: Tom Lowe
Senior VFX Supervisor: Jamison Scott Goei
Production Consultant: John K. Patterson
Filming Dates: 31 May 2012 - July 2012
Capture Format: Super 35mm/Panavision Super 70 Hybrid
Negative Format: 35mm/65mm Kodak Vision3 500T 5219, 2.8K ARRIRAW & 4K Redcode RAW
Cameras: Alexa M, Arricam LT, Panavision 65 HR & Red Epic
Lenses: Panavision System 65 Primes & Arri Master Primes
AR: 2.35:1
Attribute: Filmed in Panavision/Arri - DirectorTerrence MalickStarsCate BlanchettJamal CavilMaisha DiattaAn exploration into our planetary past and a search for humanity's place in the future. With narration by Cate Blanchett.Cinematographer: Paul Atkins ASC
Cinematographer (Underwater Seq.): Cristian Dimitrius
Cinematographer (Effects Units): Tom Debenham
Production Designer: Jack Fisk
Film Editors: Rehman Nizar Ali, Keith Fraase
Composers: Simon Franglen, Hanan Townshend
Film Loader: Trey Edward Shultz
Production VFX Consultant: Douglas Trumball
Senior Visual Effects Supervisor: Dan Glass
Additional DP: Tom Löwe
Capture Format: 4-Perf S35mm, PS70, 15-Perf IMAX & 4K Redcode RAW
Cameras: Arricam LT, Dalsa Evolution, IMAX MSM 9802, Panavision 65 HR, Phantom HD Gold & Red One (35mm & 65mm Kodak Vision2 200T 5217 + 500T 5218)
Lenses: Panavision System 65 Primes, Arri Master Primes & Zeiss Ultra Primes
AR: 1.33:1 (Standard Definition Sequences), 1.85:1
Budget: 12 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Double Negative & Method Studios
Attribute: Filmed in Panavision/Arri/IMAX - DirectorTerrence MalickStarsBrad PittJamal CavilMaisha DiattaThis documentary examines the origins of the universe, including the beginning of life on Earth.
- DirectorTerrence MalickStarsAngelina JolieMon Guerlain, the house's new fragrance, is a tribute to today's femininity - a strong, free and sensual femininity, inspired by Angelina Jolie. Mon Guerlain is characterized by the freshness of Lavender Carla, an exceptional variety cultivated in Provence, which contrasts with the voluptuousness of the Sambac jasmine from India and the Australian Album Sandalwood, associated with the sensual Vanilla Tahitensis of Papua New Guinea.Cinematographer: Christian Berger AAC BVK AIP
Film Editors: Rehman Nizar Ali, Xavier Box
First Assistant Director: Marc A. Wilson
A Camera Operator: Alessandro Brambilla
Filming Dates: August 2016 - September 2016
Lenses: Arri Master Primes
AR: 1.78:1 (Super 35mm) - DirectorTerrence MalickStarsRyan GoslingRooney MaraMichael FassbenderTwo intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.Cinematographer: Emmanuel 'Chivo' Lubezki ASC AMC
Production Designer: Jack Fisk
Film Editor: Hank Corwin ACE
Costume Designer: Jacqueline West
Camera Operator: Jorg Widmer ASC
Camera PA/Film Loader: Trey Edward Shults
Assistant to Chivo Lubezki: Huay-Bing Law
Additional DPs: Peter Simonite ASC CSC, Tom Lowe
Senior SFX Coordinator: Steve Wolf
Cameras: Arri Alexa, Alexa M, Arricam LT, Arriflex 235, 435 & Red Epic (35mm & 2.8K ARRIRAW)
Lenses: Arri Master Primes
AR: 2.35:1 (Super 35mm)(5K Redcode RAW: Some Shots)
Attribute: Camera Equipment Provided By Arri Rental - DirectorTerrence MalickTogether is a VR experience about the power of human connection. The piece fuses dance and technology, putting the viewer in the middle of an emotional narrative about breaking down barriers and bringing people closer.
- DirectorTerrence MalickStarsMichelle SerjeIn collaboration with director Terrence Malick and his coworkers, this film shows the power of Pixel 3's advanced camera. It is a celebration of humanity's innate sense of curiosity and wonder.
- DirectorTerrence MalickStarsAugust DiehlValerie PachnerMaria SimonThe Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II.Cinematographer: Jorg Widmer ASC
Production Designer: Sebastian Krawinkel
Film Editors: Sebastian Jones, Rehman Nizar Ali, Joe Gleason
Composer: James Newton Howard
Costume Designer: Lisy Christl
Unit Production Manager: Miki Emmerich
1st Assistant Director: Scott Kirby
2nd Assistant Director: Dennis Beckner
1st Assistant Camera: Alex Sachariew
2nd Assistant Camera: Laura Naschlenas
Digital Imaging Technician/Senior Colorist: Christian Kuss
Add'l Film Editors: Stephen Gamache, Cole Slinker
Gaffer/Chief Lighting Technician: Janosch Voss
Supervising Art Director: Steve Summersgill
Graphic Designer: Annika Kiel
Senior VFX Supervisors: Antoine Durr, Frank Kaminski
Senior VFX Producer: Eva Wendler
VFX Artists (US): Brett Harding, Marwin Manek
Monochrome Colorist: Jerome Thelia
Picture Vehicle Coordinator: Roman Pusch
Filming Dates: June 2016 - September 2016
Cameras: Red Epic Dragon & Epic-W Helium (6K/7K Redcode RAW)
Lenses: Arri Master Primes & Zeiss Ultra Prime 8R
AR: 1.33:1 (Archive Footage), 2.35:1 (Super 35mm)
Budget: 7-9 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Post-Production Sound Services Provided by: Skywalker Sound
Score Recorded at: Abbey Road Studios, London, UK
Score Mixed at: Air Lyndhurst Studios, London, UK
Attribute: Camera Equipment Provided By Keslow Camera - DirectorTerrence MalickStarsDon CheadleJoe GleasonMartina GriffinFord announced plans to bring electric vehicles at scale to American customers with two new massive, environmentally and technologically advanced campuses in Tennessee and Kentucky that will produce the next generation of electric F-Series trucks and the batteries to power future electric Ford and Lincoln vehicles. Ford, together with its partner, SK Innovation, plans to invest $11.4 billion and create nearly 11,000 new jobs at the Tennessee and Kentucky mega-sites, strengthening local communities and building on Ford's position as America's leading employer of hourly autoworkers.
- DirectorTerrence MalickStarsJoseph MawleJohn Rhys-DaviesAidan TurnerA retelling of several episodes in the life of Jesus.Cinematographer: Jorg Widmer ASC
Production Designer: Stefano Maria Ortolani
Composer: Eleni Karaindrou
Costume Designer: Carlo Poggiolo
Supervising Art Director: Marco Trentini
Art Director: Abdellah Baadil
1st Assistant Cameramen: Tobias M. Bartl, Alexander Sachariew
2nd Assistant Camera: Laura Nathalie Naschenlas
Gaffer/Chief Lighting Technician: Axel Scholz
Junior Film Editor: Christian Oliveira
Senior SFX Supervisor: Mohamed Ali Aqermim
SFX Supervisor (Cruxifiction Rigging): Stefano Corridori
Iceland Unit VFX Supervisor: Jörundur Rafn Arnarson
Italy Unit Stunt Coordinator: Marco Pancrazi
Italy Unit Stunt Supervisor: Emiliano Novelli
Italy Unit Set Decorator: Letizia Santucci
Malta Unit Stunt Coordinator: Morgan Chetcuti
Malta Unit SFX Supervisor: Kenneth Cassar
Turkey Unit Stunt Coordinator: Serkan Doner
Turkey Unit Art Director: Cagri Aydin