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Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Writer
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Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Producer
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Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, "Supermarket Sweep", starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn't make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren's script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010). Most recently, he completed the films Noah (2014) and Mother! (2017).- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Writer
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Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Director
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Giuseppe Tornatore was born on 27 May 1956 in Bagheria, Sicily, Italy. He is a director and writer, known for The Best Offer (2013), Cinema Paradiso (1988) and The Legend of 1900 (1998). He is married to Roberta Pacetti.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Director
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Joachim Trier is a Norwegian writer and director. He is known for Reprise (2006), Oslo, August 31st (2011), Louder Than Bombs (2015) and Thelma (2017).
Trier also directed three short films, Pietà (2000), Still (2001) and Procter (2002).
His father, Jacob Trier, was the sound technician of The Pinchcliffe Grand Prix, a notable film produced in Norway in 1975.
Louder Than Bombs was his first English-language film.
Thelma was selected as the Norwegian entry for the Best Foreign Language Film at the 90th Academy Awards.- Producer
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Damien Sayre Chazelle is an American director and screenwriter. He was born in Providence, Rhode Island. His mother, Celia Sayre (Martin) Chazelle, is an American-Canadian writer and professor of history at The College of New Jersey. His father, Bernard Chazelle, is a French-American Eugene Higgins Professor of computer science at Princeton University, originally from Clamart, France. Chazelle has a sister, Anna, who is an actress and circus performer.- Writer
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Best known for his cerebral, often nonlinear, storytelling, acclaimed Academy Award winner writer/director/producer Sir Christopher Nolan CBE was born in London, England. Over the course of more than 25 years of filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made and became one of the most celebrated filmmakers of modern cinema.
At 7 years old, Nolan began making short films with his father's Super-8 camera. While studying English Literature at University College London, he shot 16-millimeter films at U.C.L.'s film society, where he learned the guerrilla techniques he would later use to make his first feature, Following (1998), on a budget of around $6,000. The noir thriller was recognized at a number of international film festivals prior to its theatrical release and gained Nolan enough credibility that he was able to gather substantial financing for his next film.
Nolan's second film was Memento (2000), which he directed from his own screenplay based on a short story by his brother Jonathan Nolan. Starring Guy Pearce, the film brought Nolan numerous honors, including Academy Award and Golden Globe Award nominations for Best Original Screenplay. Nolan went on to direct the critically acclaimed psychological thriller, Insomnia (2002), starring Al Pacino, Robin Williams and Hilary Swank.
The turning point in Nolan's career occurred when he was awarded the chance to revive the Batman franchise in 2005. In Batman Begins (2005), Nolan brought a level of gravitas back to the iconic hero, and his gritty, modern interpretation was greeted with praise from fans and critics alike. Before moving on to a Batman sequel, Nolan directed, co-wrote, and produced the mystery thriller The Prestige (2006), starring Christian Bale and Hugh Jackman as magicians whose obsessive rivalry leads to tragedy and murder.
In 2008, Nolan directed, co-wrote, and produced The Dark Knight (2008). Co-written with by his brother Jonathan, the film went on to gross more than a billion dollars at the worldwide box office. Nolan was nominated for a Directors Guild of America (D.G.A.) Award, Writers Guild of America (W.G.A.) Award and Producers Guild of America (P.G.A.) Award, and the film also received eight Academy Award nominations. The film is widely considered one of the best comic book adaptations of all times, with Heath Ledger's performance as the Joker receiving an extremely high acclaim. Ledger posthumously became the first Academy Award winning performance in a Nolan film.
In 2010, Nolan captivated audiences with the Sci-Fi thriller Inception (2010), starring Leonardo DiCaprio in the lead role, which he directed and produced from his own original screenplay that he worked on for almost a decade. The thought-provoking drama was a worldwide blockbuster, earning more than $800,000,000 and becoming one of the most discussed and debated films of the year, and of all times. Among its many honors, Inception received four Academy Awards and eight nominations, including Best Picture and Best Screenplay. Nolan was recognized by his peers with a W.G.A. Award accolade, as well as D.G.A. and P.G.A. Awards nominations for his work on the film.
As one of the best-reviewed and highest-grossing movies of 2012, The Dark Knight Rises (2012) concluded Nolan's Batman trilogy. Due to his success rebooting the Batman character, Warner Bros. enlisted Nolan to produce their revamped Superman movie Man of Steel (2013), which opened in the summer of 2013. In 2014, Nolan directed, wrote, and produced the Science-Fiction epic Interstellar (2014), starring Matthew McConaughey, Anne Hathaway and Jessica Chastain. Paramount Pictures and Warner Bros. released the film on November 5, 2014, to positive reviews and strong box-office results, grossing over $670 million dollars worldwide.
In July 2017, Nolan released his acclaimed War epic Dunkirk (2017), that earned him his first Best Director nomination at the Academy Awards, as well as winning an additional 3 Oscars. In 2020 he released his mind-bending Sci-Fi espionage thriller Tenet (2020) starring John David Washington in the lead role. Released during the COVID-19 pandemic, the movie grossed relatively less than Nolan's previous blockbusters, though it did do good numbers compared to other movies in that period of time. Hailed as Nolan's most complex film yet, the film was one of Nolan's less-acclaimed films at the time, yet slowly built a fan-base following in later years.
In July 2023, Nolan released his highly acclaimed biographic drama Oppenheimer (2023) starring Nolan's frequent collaborator Cillian Murphy- in the lead role for the first time in a Nolan film. The movie was a cultural phenomenon that on top of grossing almost 1 billion dollars at the Worldwide Box office, also swept the 2023/2024 award-season and gave Nolan his first Oscars, BAFTAs, Golden Globes, D.G.A. and P.G.A. Awards, as well as a handful of regional critics-circles awards and a W.G.A. nomination. Cillian's performance as quantum physicist J. Robert Oppenheimer was highly acclaimed as well, and became the first lead performance in a Nolan film to win the Academy Award.
During 2023, Nolan also received a fellowship from the British Film Institute (BFI). In March 2024, it was announced that Nolan is to be knighted by King Charles III and from now on will go by the title 'Sir Christopher Nolan'.
Nolan resides in Los Angeles, California with his wife, Academy Award winner producer Dame Emma Thomas, and their children. Sir Nolan and Dame Thomas also have their own production company, Syncopy.- Director
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Gaspar Noé is an Argentinian filmmaker and screenwriter who lives in France. He is the son of Luis Felipe Noé, an Argentinian artist. He directed I Stand Alone, Irréversible, Enter the Void, Love, Climax, Carne, Lux Æterna, Sodomites and Vortex. His films are known for having a sensory overload style, most notably in Enter the Void. He is married to Lucile Hadzihalilovic.- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Producer
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Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.- Writer
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Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history.
All of Bong's films have been South Korean productions, although both Snowpiercer and Okja (2017) are mostly in the English language. Two of his films have screened in competition at the Cannes Film Festival-Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, which was a first for a South Korean film. Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50.- Writer
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Alejandro Jodorowsky was born in Tocopilla, Chile on February 17, 1929. In 1939 he moved to Santiago where he attended university, was a circus clown and a puppeteer. In 1953 he went to Paris and studied mime with Marcel Marceau. He worked with Maurice Chevalier there and made a short film, La cravate (1957). He also befriended the surrealists Roland Topor and Fernando Arrabal, and in 1962 these three created the "Panic Movement" in homage to the mythical god Pan. As part of this group Jodorowsky wrote several books and theatrical pieces. In the later 1960s he directed avant-garde theater in Paris and Mexico City, created the comic strip "Fabulas Panicas", and made his first "real" film, the surrealist love story Fando and Lis (1968), based on a play by Arrabal. In 1971, El Topo (1970) was released and became a cult classic, as did The Holy Mountain (1973). In 1975 he returned to France to begin work on a film that was never made: a colossal adaptation of Frank Herbert's "Dune", which was to star Orson Welles, Salvador Dalí and others, was to be scored by Pink Floyd, and which brought together the visionary talents of H.R. Giger, Dan O'Bannon, and 'Jean "Moebius' Giraud' (Giger and O'Bannon later collaborated on Alien (1979).) The project's financiers backed out, and "Dune" was eventually filmed by David Lynch. Jodorowsky's next film was 1979's Tusk (1980), a story of a young girl's friendship with an elephant, which quickly faded into obscurity. In the early 1980s he began working with Moebius and other artists on various comic strips, graphic novels and cartoons, and wrote several more books. He returned to film with 1989's Santa Sangre (1989), which was critically acclaimed and widely distributed. In 1990 he directed Omar Sharif and Peter O'Toole in the fantasy film The Rainbow Thief (1990). Throughout the 1990s he continued to produce cartoons with a variety of graphic artists and is reportedly to begin work on another film, the long-awaited "Sons Of El Topo", sometime in 2002 or 2003. Jodorowsky's wife Valerie and sons Brontis, Axel and Adan have all at times appeared in his films.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Writer
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Guy Ritchie was born in Hatfield, Hertfordshire, UK on September 10, 1968. After watching Butch Cassidy and the Sundance Kid (1969) as a child, Guy realized that what he wanted to do was make films. He never attended film school, saying that the work of film school graduates was boring and unwatchable. At 15 years old, he dropped out of school and in 1995, got a job as a runner, ultimately starting his film career. He quickly progressed and was directing music promos for bands and commercials by 1995.
The profits that he made from directing these promos was invested into writing and making the film The Hard Case (1995), a 20-minute short film that is also the prequel to his debut feature Lock, Stock and Two Smoking Barrels (1998). Sting's wife, Trudie Styler, saw The Hard Case (1995) and invested in the feature film. Once completed, 10 British distributors turned the film down before it eventually was released in the UK in 1998 and in the US in 1999; the film put Ritchie on the map as one of the hottest rising filmmakers of the time, and launched the careers of actors Jason Statham, Jason Flemyng, and Vinnie Jones, among others.
Lock, Stock and Two Smoking Barrels (1998) was followed by Snatch (2000), this time with a bigger budget and a few more familiar faces such as Brad Pitt, Dennis Farina, Benicio Del Toro alongside returning actors Jason Statham, Vinnie Jones and Jason Flemyng. At the end of 2000, Ritchie married the pop superstar Madonna in Scotland, and proceeded to work with his famous wife on a variety of film and video projects, including the short Star (2001), made for BMW and co-starring Clive Owen, and the controversial video "What It Feels Like for a Girl," which was called out for its violence. In 2002, the couple embarked on a remake of the 1974 Lina Wertmüller film Swept Away (2002); the new film was a critical and commercial flop, winning five Razzie Awards. Ritchie followed up with the Vegas heist film Revolver (2005), which was panned, but won favor with the crime thriller RocknRolla (2008), which featured a game, energetic cast and brought American attention to rising stars Gerard Butler and Tom Hardy.
The next year saw the release of Sherlock Holmes (2009), starring Robert Downey Jr. in the title role and Jude Law as his cohort Dr. Watson. The film received mostly good reviews but, more important for Ritchie's career, was a solid blockbuster hit that grossed more than $520 million dollars worldwide and spawned a sequel, Sherlock Holmes: A Game of Shadows (2011). Ritchie is tentatively scheduled to direct an adaptation of Robert Louis Stevenson's Treasure Island.
Ritchie has two sons with Madonna: Rocco, born in 2000, and an adopted son, David, born in 2005. In late 2008, the couple confirmed reports that they were splitting up, and agreed to a divorce settlement that was finalized in December of that year. In September 2011, Ritchie's girlfriend, model Jacqui Ainsley, gave birth to a son, Rafael, and in July 2012 the couple announced they were expecting their second child.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Producer
- Director
- Production Designer
Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."- Director
- Producer
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Alejandro González Iñárritu (ih-nyar-ee-too), born August 15th, 1963, is a Mexican film director.
González Iñárritu is the first Mexican director to be nominated for the Academy Award for Best Director and by the Directors Guild of America for Best Director. He is also the first Mexican-born director to have won the Prix de la mise en scene or best director award at Cannes (2006), the second one being Carlos Reygadas in 2012. His six feature films, 'Amores Perros' (2000), '21 Grams' (2003), 'Babel' (2006), 'Biutiful' (2010), 'Birdman' (2014) and 'The Revenant' (2015), have gained critical acclaim world-wide including two Academy Award nominations.
Alejandro González Iñárritu was born in Mexico City.
Crossing the Atlantic Ocean on a cargo ship at the ages of seventeen and nineteen years, González Iñárritu worked his way across Europe and Africa. He himself has noted that these early travels as a young man have had a great influence on him as a film-maker. The setting of his films have often been in the places he visited during this period.
After his travels, González Iñárritu returned to Mexico City and majored in communications at Universidad Iberoamericana. In 1984, he started his career as a radio host at the Mexican radio station WFM, a rock and eclectic music station. In 1988, he became the director of the station. Over the next five years, González Iñárritu spent his time interviewing rock stars, transmitting live concerts, and making WFM the number one radio station in Mexico. From 1987 to 1989, he composed music for six Mexican feature films. He has stated that he believes music has had a bigger influence on him as an artist than film itself.
In the nineties, González Iñárritu created Z films with Raul Olvera in Mexico. Under Z Films, he started writing, producing and directing short films and advertisements. Making the final transition into T.V Film directing, he studied under well-known Polish theatre director Ludwik Margules, as well as Judith Weston in Los Angeles.
In 1995, González Iñárritu wrote and directed his first T.V pilot for Z Films, called Detras del dinero, -"Behind the Money", starring Miguel Bosé. Z Films went on to be one of the biggest and strongest film production companies in Mexico, launching seven young directors in the feature film arena. In 1999, González Iñárritu directed his first feature film Amores perros, written by Guillermo Arriaga. Amores perros explored Mexican society in Mexico City told via three intertwining stories. In 2000, Amores perros premiered at the Cannes Film Festival and won the Critics Weeks Grand Prize. It also introduced audiences for the first time to Gael García Bernal. Amores perros went on to be nominated for Best Foreign Film at the Academy Awards.
After the success of Amores Perros, González Iñárritu and Guillermo Arriaga revisited the intersecting story structure of Amores perros in González Iñárritu's second film, 21 Grams. The film starred Benicio del Toro, Naomi Watts and Sean Penn, and was presented at the Venice Film Festival, winning the Volpi Cup for actor Sean Penn. At the 2004 Academy Awards, Del Toro and Watts received nominations for their performances.
In 2005 González Iñárritu embarked on his third film, Babel, set in 4 countries on 3 continents, and in 4 different languages. Babel consists of four stories set in Morocco, Mexico, the United States, and Japan. The film stars Brad Pitt, Cate Blanchett and Adriana Barraza. The majority of the rest of the cast, however, was made up of non-professional actors and some new actors, such as Rinko Kikuchi. It was presented at Cannes 2006, where González Iñárritu earned the Best Director Prize (Prix de la mise en scène). Babel was released in November 2006 and received seven nominations at the 79th Annual Academy Awards, including Best Picture and Best Director. González Iñárritu is the first Mexican director nominated for a DGA award and for an Academy Award. Babel went on to win Best Motion Picture in the drama category at the Golden Globe Awards on January 15, 2007. Gustavo Santaolalla won the Academy Award that year for Best Original Score. After Babel, Alejandro and his writing partner Guillermo Arriaga professionally parted ways, following González Iñárritu barring Arriaga from the set during filming (Arriaga told the LA Times in 2009 "It had to come to an end, but I still respect González Iñárritu").
In 2008 and 2009, González Iñárritu directed and produced Biutiful, starring Javier Bardem, written by González Iñárritu, Armando Bo, and Nicolas Giacobone. The film premiered at the Cannes Film Festial on May 17, 2010. Bardem went on to win Best Actor (shared with Elio Germano for La nostra vita) at Cannes. Biutiful is González Iñárritu's first film in his native Spanish since his debut feature Amores perros. For the second time in his career his film was nominated for Best Foreign Language Film at the 83rd Academy Awards. It was also nominated for the 2011 Golden Globes in the category of Best Foreign Film, for the 2011 BAFTA awards in the category of Best Film Not in the English Language and Best Actor. Javier Bardem's performance was also nominated for Academy Award for Best Actor.
In 2014, González Iñárritu directed Birdman, starring Michael Keaton, Naomi Watts, Edward Norton, Emma Stone, Zach Galifianakis, and Andrea Riseborough. The film is Iñárritu's first comedy. Birdman is about an actor who played an iconic superhero, and who tries to revive his career by doing a play based on the Raymond Carver short story What We Talk About When We Talk About Love. The film was released on October 17, 2014.
In April 2014, it was announced that González Iñárritu's next film as a director will be The Revenant, which he co-wrote with Mark L. Smith. It is based on the novel of same name by Michael Punke. The film stars Leonardo DiCaprio, Tom Hardy and Will Poulter with shooting began in September 2014, for a December 25, 2015 release.The Revenant is being filmed in Alberta and B.C. with production scheduled to wrap in February 2015. The film will be a 19th Century period piece, and is described as a "gritty thriller" about a fur trapper who seeks revenge against a group of men who robbed and abandoned him after he was mauled by a grizzly bear.
From 2001 to 2011, González Iñárritu directed several short films.
In 2001, he directed an 11 minute film segment for 11.09.01- which is composed of several short films that explore the effects of the 9/11 terrorist attacks from different points of view around the world.
In 2007, he made ANNA which screened at the 2007 Cannes Film Festival inside Chacun son cinéma. It was part of the 60th anniversary of the film festival and it was a series of shorts by 33 world-renown film directors.
In 2012, he made the experimental short film Naran Ja: One Act Orange Dance - inspired by L.A Dance Project's premiere performance. The short features excerpts of the new choreography Benjamin Millepied crafted for Moving Parts. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten.
In 2001/2002, González Iñárritu directed "Powder Keg", an episode for the BMW film series The Hire, starring Clive Owen as the driver.
In 2010, González Iñárritu directed Write the Future, a football-themed commercial for Nike ahead of the 2010 FIFA World Cup, which went on to win Grand Prix at the Cannes Lions advertising festival.
In 2012, he directed Procter and Gamble's "Best Job" commercial spot for the 2012 Olympic Ceremonies. It went on to win the Best Primetime Commercial Emmy at Creative Arts Emmy Awards.- Producer
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- Director
The younger brother of Joel, Ethan Coen is an Academy Award and Golden Globe winning writer, producer and director coming from small independent films to big profile Hollywood films. He was born on September 21, 1957 in Minneapolis, Minnesota. In some films of the brothers- Ethan & Joel wrote, Joel directed and Ethan produced - with both editing under the name of Roderick Jaynes; but in 2004 they started to share the three main duties plus editing. Each film bring its own quality, creativity, art and with one project more daring the other.
His film debut was in 1984 dark humored thriller Blood Simple (1984) starring Frances McDormand (Joel's wife) and M. Emmet Walsh in a deep story revolving a couple of romantic lovers followed by an insisting private eye. The film received critical acclaim, some award nominations to Ethan (best writing at the Film Independent Spirit Awards) and became a cult following over the years. Their second work was the comedy Raising Arizona (1987) starring Nicolas Cage and Holly Hunter as a unusual couple trying to create their family by kidnapping babies from a rich family.
Miller's Crossing (1990) was the third film of the brothers, a mob drama with heavy influences from several criminal dramas and with a stellar cast that included Gabriel Byrne, Marcia Gay Harden, Albert Finney, Steve Buscemi, John Turturro and Jon Polito (the latter three would become regular actors in the Coen's films).
Their views on the Hollywood era of the 1930's was the central theme is the great Barton Fink (1991), created from a writers block both brothers suffered during the making of their previous film. John Turturro stars as a writer who suffers from a breakdown when he's commissioned to a big budget Hollywood project. The film was a breakthrough for the Coens marking their first win at the Cannes Film Festival (Joel got the Palme d'Or) and the first time a film of their received Oscar nominations. The underrated comedy The Hudsucker Proxy (1994) was what followed; but no one could predict their next big and boldest move that would definitely put Ethan and Joel on the spotlight once and for all.
The comedy of errors Fargo (1996) was a huge critical and commercial success. With its crazed story of a man who hires two loonies to kidnap his own wife and a pregnant policewoman tracking the leads to the crime, Ethan and Joel came at their greatest moment that couldn't be missed. The film received several awards during award season and the Coen's got their first Oscar in the Best Original Screenplay category. What came next was the underrated yet hilariously good The Big Lebowski (1998) starring Jeff Bridges, John Goodman, John Turturro and Steve Buscemi. Those masterpieces made their career in the late 1990's cementing the duo as one of the greatest writers and directors of their generation, if not, from all time.
The Odyssey retold for the 1930's in O Brother, Where Art Thou? (2000); the intelligent noir The Man Who Wasn't There (2001); the comedy Intolerable Cruelty (2003) and a remake The Ladykillers (2004) marked their way into the early 2000's. Certaintly of period of minor hits and some downer moments.
The big return was with the highly acclaimed No Country for Old Men (2007), where the brothers swooped at the Oscars with three wins: Best Picture, Screenplay and Writing, an adaptation from the Cormac McCarthy's novel.
A Serious Man (2009), Burn After Reading (2008), True Grit (2010), Inside Llewyn Davis (2013), Hail, Caesar! (2016) and The Ballad of Buster Scruggs (2018) were the subsequent films, all well received by audiences or got awards recognition, mostly nominations.
A shift from tone and career move was writing with other writers and for another directors: for Angelina Jolie's Unbroken (2014), for Spielberg in Bridge of Spies (2015) and George Clooney in Suburbicon (2017).
As for personal life, Ethan has been married to Tricia Cooke since 1990. Tricia works as an assistant editor in several of the Coen brothers films.- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Producer
- Actor
- Writer
Academy Award-winning filmmaker Ron Howard is one of this generation's most popular directors. From the critically acclaimed dramas A Beautiful Mind (2001) and Apollo 13 (1995) to the hit comedies Parenthood (1989) and Splash (1983), he has created some of Hollywood's most memorable films.
Howard made his directorial debut in 1978 with the comedy Grand Theft Auto (1977). He began his career in film as an actor. He first appeared in The Journey (1959) and The Music Man (1962), then as Opie on the long-running television series The Andy Griffith Show (1960). Howard later starred in the popular series Happy Days (1974) and drew favorable reviews for his performances in American Graffiti (1973) and The Shootist (1976).
Howard and long-time producing partner Brian Grazer first collaborated on the hit comedies "Night Shift" and "Splash." The pair co-founded Imagine Entertainment in 1986 to create independently produced feature films.
Howard's portfolio includes some of the most popular films of the past 20 years. In 1991, Howard created the acclaimed drama "Backdraft", starring Robert De Niro, Kurt Russell and William Baldwin. He followed it with the historical epic Far and Away (1992), starring Tom Cruise and Nicole Kidman. Howard directed Mel Gibson, Rene Russo, Gary Sinise and Delroy Lindo in the 1996 suspense thriller Ransom (1996). Howard worked with Tom Hanks, Kevin Bacon, Ed Harris, Bill Paxton, Gary Sinise and Kathleen Quinlan on "Apollo 13," which was re-released recently in the IMAX format.
Howard's skill as a director has long been recognized. In 1995, he received his first Best Director of the Year award from the DGA for "Apollo 13." The true-life drama also garnered nine Academy Award nominations, winning Oscars for Best Film Editing and Best Sound. It also received Best Ensemble Cast and Best Supporting Actor awards from the Screen Actor's Guild. Many of Howard's past films have received nods from the Academy, including the popular hits Backdraft (1991), "Parenthood" and Cocoon (1985), the last of which took home two Oscars.
Howard directed and produced Cinderella Man (2005) starring Oscar winner Russell Crowe, with whom he previously collaborated on "A Beautiful Mind," for which Howard earned an Oscar for Best Director and which also won awards for Best Picture, Best Screenplay and Best Supporting Actress. The film garnered four Golden Globes as well, including the award for Best Motion Picture Drama. Additionally, Howard won Best Director of the Year from the Directors Guild of America. Howard and producer Brian Grazer received the first annual Awareness Award from the National Mental Health Awareness Campaign for their work on the film.
Howard was honored by the Museum of Moving Images in December 2005, and by the American Cinema Editors in February 2006. Howard and his creative partner Brian Grazer, were honored by the Producers Guild of America with the Milestone Award in January 2009, NYU's Tisch School of Cinematic Arts with the Big Apple Award in November 2009 and by the Simon Wiesenthal Center with their Humanitarian Award in May 2010. In June 2010, Howard was honored by the Chicago Film Festival with their Gold Hugo - Career Achievement Award. In March 2013, Howard was inducted into the Television Hall of Fame. In December 2015, Howard was honored with a star in the Motion Pictures category, making him one of the very few to have been recognized with two stars on the Hollywood Walk of Fame.
Howard also produced and directed the film adaptation of Peter Morgan's critically acclaimed play Frost/Nixon (2008). The film was nominated for five Academy Awards including Best Picture, and was also nominated for The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures by the PGA.
Howard has also served as an executive producer on a number of award-winning films and television shows, such as the HBO miniseries From the Earth to the Moon (1998), Fox's Emmy Award winner for Best Comedy, Arrested Development (2003), a series which he also narrated, Netflix's release of new episodes of "Arrested Development," and NBC's "Parenthood."
Howard's recent films include the critically acclaimed drama Rush (2013), staring Chris Hemsworth and Daniel Brühl, written by Peter Morgan; and Made in America (2013), a music documentary he directed staring Jay-Z for Showtime.
Howard's other films include In the Heart of the Sea (2015), based on the true story that inspired Moby Dick; his adaptation of Dan Brown's best-selling novels Angels & Demons (2009), and The Da Vinci Code (2006) staring Oscar winner Tom Hanks; the blockbuster holiday favorite "Dr. Seuss' How the Grinch Stole Christmas (2000)" starring Jim Carrey; "Parenthood" starring Steve Martin; the fantasy epic Willow (1988); Night Shift (1982) starring Henry Winkler, Michael Keaton and Shelley Long; and the suspenseful western, The Missing (2003), staring Oscar winners Cate Blanchett and Tommy Lee Jones.
Recently, Howard directed Inferno (2016), the third installment of Dan Brown 's Robert Langdon franchise and The Beatles: Eight Days a Week - The Touring Years (2016), a documentary about the rock legends The Beatles. He also produced the second season of Breakthrough (2015), Mars (2016), and directed the first episode of Genius (2017), based on the life of Albert Einstein, all for NatGeo.- Director
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- Music Department
Julian Schnabel was born on 26 October 1951 in Brooklyn, New York, USA. He is a director and writer, known for Before Night Falls (2000), The Diving Bell and the Butterfly (2007) and At Eternity's Gate (2018). He was previously married to Olatz López Garmendia and Jacqueline Schnabel.- Writer
- Director
- Actor
A true master of his craft, Michael Haneke is one of the greatest film artists working today and one who challenges his viewers each year and work goes by, with films that reflect real portions of life in realistic, disturbing and unforgettable ways. One of the most genuine filmmakers of the world cinema, Haneke wrote and directed films in several languages: French, German and English, working with a great variety of actors, such as Juliette Binoche, Isabelle Huppert, Jean-Louis Trintignant, Toby Jones, Ülrich Muhe, Arno Frisch and the list goes on.
This grand figure from Austrian cinema was born in Germany on 23 March 1942, from a German father and an Austrian mother, with both parents being from the artistic world working as actors, a career that Michael also tried but without much success. At the University of Vienna he studied drama, philosophy and psychology, and after graduation he went on to become a film critic and TV editor. His career behind camera started with After Liverpool (1974), which he wrote and directed. He went on to direct five more TV films and two episodes from the miniseries "Lemminge" (1979)_.
The years spent on television works prompted him to finally direct his first cinema feature, during his early 40's, which is somewhat unusual for film directors. But it was worth waiting. In The Seventh Continent (1989), Haneke establishes the foundation of what his future cinema would be about: a cinema that doesn't provides answers but one that dares to throw more and more questions, a cinema that reflects and analyses the human condition in its darkest and unexpected ways outside of any Hollywood formula. Films that exist to confront audiences and not comfort them. In it, Haneke deals with the duality of social values vs. internal values while exposing an apparent perfect family that runs into physical and material disintegration for reasons unknown. It was the first time a film of his was sent to the Cannes Film Festival (out of competition lineup) but he managed to cause some commotion in the audience with polemic scenes that were meant to extract all possible reactions from the crowd.
His next ventures at the decade's turn was in dealing with disturbed youth and the alienation they have in separating reality from fiction, trying to intersect both to drastic results. In Benny's Video (1992), it's the disturbing story of a teen boy who experiences killing for the first time capturing the murder on tape, impressed by the power of detachment that films and videos can cause to people; and later on the highly controversial Funny Games (1997), where two teens hold a family hostage to play sadistic games just for their own sick amusement. The film cemented Haneke's name as one of the greatest authors of his generation but sparkled a great debate with its themes of violence, sadism and the influence those things have in audiences. At the 1997's Cannes Film Festival, it was the film that had the most walk-out's by the audience. In between both films, he released 71 Fragments of a Chronology of Chance (1994) and Kafka's The Castle (1997), the latter being one of the rare times when Haneke developed an adapted work.
In the 2000's, he strongly continued in producing more outstanding works prone to debate and reflection in what would become his most prolific decade with the following films: Code Unknown (2000), The Piano Teacher (2001), Time of the Wolf (2003), Caché (2005), an American remake shot-by shot of Funny Games (2007) and The White Ribbon (2009). His study about romance versus masochism in The Piano Teacher (2001) was an intense work, with powerful performances by Isabelle Huppert and Benoit Magimel, that the Cannes jury in the year were so impressed that Haneke managed to actually reverse their award rules where it was decided that film entries at the festival couldn't win more than one main award (the two lead actors won awards and Haneke got the Grand Prize of the Jury, just lost the Palme d'Or). With The White Ribbon (2009), an enigmatic black-and-white masterpiece following the inception of Nazism in this pre WWI and WWII story focusing on repressed children living in this small village where strange events happen all the time and without any possible reasoning, Haneke conquered the world and audiences with an artistic and daring work that won his first Palme d'Or a Golden Globe as Best Foreign Language Film and received an Oscar nomination for the same category plus the cinematography work of Christian Berger.
2012 was the year that marked his supremacy in the film world with the release of the bold and beautiful Amour (2012), a love story with powerful real drama and one where Haneke removed most of his usual dark characteristics to present more quiet and calm elements without losing input in creating controversy. The touching story of George and Anne provided one the greatest moments of that year and earned Haneke his second and consecutive Palme d'Or at Cannes and his first Oscar nominations for Best Direction and Best Original Screenplay - and it was one of the several nominees for Best Picture Oscar, winning as Best Foreign Language Film.
After abandoning a flash-mob film project, he returned to the screen with Happy End (2017), a film dealing with the refugee crisis in Europe and again he debuted his film at Cannes, receiving mildly positive reviews.
Besides his film work, Haneke also directs theatre productions, from drama to opera, from Così fan tutte to Don Giovanni.- Producer
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Samuel Alexander Mendes was born on August 1, 1965 in Reading, England, UK to parents James Peter Mendes, a retired university lecturer, and Valerie Helene Mendes, an author who writes children's books. Their marriage didn't last long, James divorced Sam's mother in 1970 when Sam was just 5-years-old. Sam was educated at Cambridge University and joined the Chichester Festival Theatre following his graduation in 1987. Afterwards, he directed Judi Dench in "The Cherry Orchard", for which he won a Critics Circle Award for Best Newcomer. He then joined the Royal Shakespeare Company, where he directed such productions as "Troilus and Cressida" with Ralph Fiennes and "Richard III". In 1992, he became artistic director of the reopened Donmar Warehouse in London, where he directed such productions as "The Glass Menagerie" and the revival of the musical "Cabaret", which earned four Tony Awards including one for Best Revival of a Musical. He also directed "The Blue Room" starring Nicole Kidman. In 1999, he got the chance to direct his first feature film, American Beauty (1999). The movie earned 5 Academy Awards including Best Picture and Best Director for Mendes, which is a rare feat for a first-time film director.- Director
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Jean-Pierre Jeunet is a self-taught director who was very quickly interested by cinema, with a predilection for a fantastic cinema where form is as important as the subject. Thus he started directing TV commercials and video clips (such as Julien Clerc in 1984). At the same time he met designer/drawer Marc Caro with whom he made two short animation movies: L'évasion (1978) and Le manège (1979), the latter winning a César for the best short movie. After these two successful movies Jeunet and Caro spent more than one year together by making every detail (scenario, costumes, production design) of their third short movie: The Bunker of the Last Gunshots (1981). This movie combined sci-fi and heroic-fantasy in a visually delirious story of the rising paranoia among soldiers trapped underground. With that movie they garnered several festival prizes in France. (This movie also marked their first collaboration with Gilles Adrien who later wrote the story of their two feature movies with them). After that Jeunet directed two other short movies without the help of Caro: Pas de repos pour Billy Brakko (1983), then Foutaises (1989) with Dominique Pinon who became another regular collaborator of Jeunet. All Jeunet's short movies won a lot of awards in France but also overseas and he won a second César with Foutaises (1989).
In 1991, Jeunet and Caro took their first steps in a feature movie: Delicatessen (1991). It was such a success that it won 4 Césars including the awards for the best new director(s) and the best scenario. For this movie Jeunet and Caro divided responsibilities with the former guiding the actors and the latter coordinating the artistic elements. And Jeunet showed again his liking to have Dominique Pinon, of course, but also Rufus, Jean-Claude Dreyfus and Ticky Holgado who appeared again in Jeunet's next movies, or Maurice Lamy who already had a little role in Foutaises (1989). The success of Delicatessen (1991) even surprised Jeunet and Caro themselves but they took advantage of that in order to finally make their almost 10 year-old project! This project took more than 4 more years to be carried out but the movie turned out enormous: The City of Lost Children (1995) was a black tale and was so innovative at this period that they needed to create new software for the special effects (mostly made by Pitof). Jeunet and Caro kept the same responsibilities as in Delicatessen (1991) and the movie also combined different international skills: US actor Ron Perlman, Chilean-born actor Daniel Emilfork, Iranian cinematographer Darius Khondji (who was already in the crew of Delicatessen (1991)), Americo-Italian composer Angelo Badalamenti and French fashion-designer Jean-Paul Gaultier for the costumes. While the film was supposed to be suitable for children, some considered it "dark", to which Jeunet and Caro replied that it was no more "dark" than Pinocchio (1940) or Bambi (1942).
But these critics didn't stop the movie from being successful and when the movie gained them further attention, it was only a matter of time before Hollywood called them. Thus in 1997, Jeunet left France to make a temporary career in the USA for the fourth installment of the 'Alien' series: Alien: Resurrection (1997). Marc Caro followed him just as a design supervisor but Jeunet brought with him a little army' of his usual collaborators (mostly French): actors Dominique Pinon and Ron Perlman, but also Pitof, Darius Khondji or editor Hervé Schneid, and for the first time Alain Carsoux who was responsible of the special effects of Jeunet's next film. In 2000, after two collaborations with Caro and one in the US, Jeunet came back to France in order to make a more personal movie, even if Guillaume Laurant wrote the story with him. Thus he used a lot of different details he wrote everywhere during his life (and also recycled things he'd already done, e.g. in Foutaises (1989)) and shot his story mostly in the Parisian suburb of Montmartre where he lives. Then the result was Amélie (2001) starring Audrey Tautou and Mathieu Kassovitz. With this movie Jeunet made the biggest worldwide success of French cinema history. A real magical potion, which won innumerable awards in the whole world including 4 Césars (therefore Jeunet won his fifth and sixth Césars!).
Jeunet eventually decided to adapt Sébastien Japrisot's book A Very Long Engagement (2004) for which he called Audrey Tautou and Dominique Pinon again, but also many other famous French actors and Jodie Foster. It had one of the most important budgets in French film history and eventually had a good international success and many nominations and awards.- Writer
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Probably the most ambitious and visually distinctive filmmaker to emerge from Denmark since Carl Theodor Dreyer over 60 years earlier, Lars von Trier studied film at the Danish Film School and attracted international attention with his very first feature, The Element of Crime (1984). A highly distinctive blend of film noir and German Expressionism with stylistic nods to Dreyer, Andrei Tarkovsky and Orson Welles, its combination of yellow-tinted monochrome cinematography (pierced by shafts of blue light) and doom-haunted atmosphere made it an unforgettable visual experience. His subsequent features Epidemic (1987) and Europa (1991) have been equally ambitious both thematically and visually, though his international fame is most likely to be based on The Kingdom (1994), a TV soap opera blending hospital drama, ghost story and Twin Peaks (1990)-style surrealism that was so successful in Denmark that it was released internationally as a 280-minute theatrical feature.- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Producer
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Todd Phillips is an American film director, producer, and screenwriter.
Growing up on Long Island, New York, Todd Phillips fell in love with feature film teen comedies made in the 1980s, and claims they were his biggest influence in becoming a filmmaker. While studying film at New York University, he made a documentary called Hated (1994), using his credit cards to finance the filmâEUR(TM)s $13,000 budget. About an excessive punk rocker, GG Allen, the student film won an award at the New Orleans Film Festival and went on to be released both theatrically and on DVD. Phillips' next project was a documentary called Frat House (1998), which followed the trials of young men trying to get accepted into a fraternity. The film won the Grand Jury Prize at the Sundance Film Festival, but soon became banned from public viewing when the young men involved objected, and lawyers for their families stepped in.
While working on a commercial for Pepsi, Phillips met comedian Tom Green. He was writing the screenplay for his new film, Road Trip, and asked Green if he would be in it. Green agreed on the spot, and Phillips went on to make his first fictional movie, an homage to the types of films he grew up with. Road Trip was made on a budget of $15.6 million, and nearly made the money back in its opening weekend despite mixed reviews, most of which agreed it was in bad taste, with some finding that funny while others found it offensive.
Phillips continued on in the same genre with Old School (2003), about three grown men who try to return to their frat boy days. Phillips says, "Things go in cycles and right now people use the term gross out of comedy a lot and I find it very dismissive. I think it's very easy to be gross and very hard to be funny. The ones that work are actually very funny at their root. I, as a director, want to stick with comedies for a little while. It's the movies I grew up on and the stuff I like to see."
Phillips' next project was action comedy Starsky & Hutch, based on the hit television series that ran from 1975 to 1979. The film, starring Owen Wilson and Ben Stiller, is also set in the '70s. He's hoping to turn another '70s TV show, The Six Million Dollar Man, into a feature film starring Jim Carrey, but in the meantime, filmed the comedy School for Scoundrels (2006), starring Jon Heder and Billy Bob Thornton. His next film, The Hangover 2009, was an enormous success, spawning a 2011 sequel that he also directed. In between those two movies he directed Robert Downey Jr. and Hangover star Zach Galifianakis in the comedy Due Date 2010.
More recent films include The Hangover Part II (2011), The Hangover Part III (2013), and War Dogs (2016).
Move away from his favorite genre, he next took on the film Joker (2019), starring Joaquin Phoenix in the title role. The film debuted to much acclaim, and both Joaquin and Phillips received numerous award nominations, including Best Director nods for Phillips from the Academy Awards, Golden Globes and the BAFTAs.- Producer
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Nuri Bilge Ceylan was born in Istanbul on January 26th, 1959. In 1976, he began studying chemical engineering at Istanbul Technical University, in a context of strong student unrest, boycotts and political polarization. In 1978, he switched courses to Electrical Engineering at Bogazici University. There, he developed a strong interest in image, entering the photography club at the university. This is also where he fed his taste for visual arts and classical music, by means of the vast resources of the faculty librarians. He also began to take film classes and attend screenings at the Film Society, which reinforced his love of cinema, born years earlier in the dark rooms of the Istanbul Cinematheque. After his 1985 Graduation, he traveled to London and Kathmandu, which allowed him to take the opportunity to reflect upon his future. He returned to Turkey for his 18 months military service and at that moment decided to dedicate his life to cinema. Thereafter, he studied film at the University Mimar Sinan, and worked as a professional photographer to make a living. After 2 years, he decided to abandon his studies to practice. He started with acting, in a short film directed by his friend Mehmet Eryilmaz, while helping with the technical production process. In late 1993, he began shooting his first short film, Koza. The film was screened at Cannes in May 1995 and became the first Turkish short film to be selected for competition. Three full-length feature films followed -the "provincial trilogy": Kasaba (1997), Mayis Sikintisi (1999) and Uzak (2002). In all of these films, Ceylan took on just about every technical role himself: the cinematography, sound design, production, editing, writing and direction. Uzak won the Grand Prix and Best Actor (for the two main actors) in Cannes in 2003, making Ceylan an internationally recognized director. Continuing his tour of festivals after Cannes, Uzak won no less than 47 awards, including 23 international prizes, and thus became the most awarded film in the history of Turkish cinema. His subsequent films were all awarded at Cannes : Iklimler won the FIPRESCI Prize in 2006, Üç Maymun won Best Director in 2008 and Bir Zamanlar Anadolu'da won the Grand Prix in 2011. In 2014, his seventh feature film Kis Uykusu won the Palme d'Or as well as the FIPRESCI prize.- Writer
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Bahram Beizai started skipping school from around the age of 17 in order to go to movies which were becoming popular in Iran at a rapid pace. This only fed his hunger to learn more about cinema and the visual arts. By 1961 he had already spent a lot of time studying-and researching- ancient persian and pre-Islamic culture and literature. This led him to studying Eastern Theatre and traditional Iranian theatre & arts which would help him formulate a new non-western identity for Iranian theatre. By 1961 he had already published numerous articles in various Arts and Literary Journals. In 1962 he made his first short film (4 minutes) in 8mm format. In the next two years he wrote several plays and published "Theatre in Japan". In 1971 he made his first feature film Ragbar ( Downpour ) which to this day remains one of the best Iranian films ever made.- Director
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Bahman Ghobadi was born in 1969 in Baneh, in the province of Iranian Kurdistan, near the Iran-Iraq border. Shortly after graduating from the National Audiovisual School, he made his first short, immediately acclaimed by the local critics. One of these short films, "Life in Fog" (1999) is even considered as the most famous short ever made in Iran. This success allowed Bahman Ghobadi to make several feature films, the best known being his first, "A Time for Drunken Horses" (2000), the first Kurd film in the history of Iran. This film and all the the others made by Ghobadi were hits in the festival circuit, garnered dozens of awards but were little seen or not seen at all in his native country. His last movie to date, filmed without official permit, rapidly and feverishly, "No One Knows About Persian Cats" (2009) is a remarkable semi-documentary about underground indie music in Tehran.- Director
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Ali Abbasi was born in 1981 in Tehran, Iran. He is a director and writer, known for Border (2018), Holy Spider (2022) and The Last of Us (2023).- Director
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Abbas Ali Hatami was born in Tehran, Iran in 1944. He graduated from the College of Dramatic Arts and began his professional career as a writer of short TV screenplays and also as a playwright. Among his plays are: The Demon and the Bald Hassan, Adam and Eve, The Fisherman's Story, City of Oranges, Talisman and Silk. He began his professional film career in 1970 by writing and directing Hassan, the Bald (1970). In the following years, he developed a personal style that was characterized by melodious dialogue, traditional Iranian ambiance created through architecture and set design. His last film, World Champion Takhti, remained unfinished because of his death in 1996 due to cancer.- Producer
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Mohammad Rasoulof was born in Shiraz, Iran in 1972. He is an independent director, writer and producer. He studied sociology. Rasoulof started his filmmaking with documentaries and short films. For his first film 'Gagooman'(The Twilight, 2002) Rasoulof won the prize for the best film at the Fajr Film Festival in Iran. After his second film 'Jazireh Ahani' (Iron Island, 2005) he began to have problems with the censorship system in Iran and his possibilities for the further production and screening of films were strongly limited or prohibited. To this date Mohammad Rasoulof has produced five feature films which none of have been shown in Iran due to the censorship, while his films are enjoyed by a broad audience in cinemas and festivals outside of Iran. Until 2010 Rasoulof mostly used metaphoric forms of storytelling as his means of expression in his films. Since then he has shifted to using more direct forms of expression. In March 2010 Rasoulof was arrested on set at a filming location together with Jafar Panahi while they were directing a film together. In the following trial, he was sentenced to six years in jail. This sentence was later reduced to one year. He was then released on bail and is still waiting for the sentence to be executed. Mohammad Rasoulof has won many prizes for his films. In 2011, he won the prize for best director in Un Certain Regard for his film 'Bé Omid é Didar'(Goodbye, 2011) at the Cannes Film Festival. In 2013 he won the FIPRESCI Prize in Cannes for the film 'Dast-Neveshteha-Nemisoozand'(Manuscripts Don't Burn, 2013) from the International Federation of Film Critics in Un Certain Regard.- Director
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Yorgos Lanthimos was born in Athens, Greece. He studied directing for Film and Television at the Stavrakos Film School in Athens. He has directed a number of dance videos in collaboration with Greek choreographers, in addition to TV commercials, music videos, short films and theater plays. Kinetta, his first feature film, played at Toronto and Berlin film festivals to critical acclaim. His second feature Dogtooth, won the "Un Certain Regard prize" at the 2009 Cannes film festival, followed by numerous awards at festivals worldwide. It was nominated for a Best Foreign Language Film Academy Award (Oscar) in 2011. Alps won the "Osella for best screenplay" at the 2011 Venice film festival and Best Film at the Sydney film festival in 2012. His first English language film The Lobster was presented in Competition at the 68th Cannes Film Festival. Moreover, "The Lobster" was nominated for the (Oscar about the) Best Original Screenplay by the Academy and won Best Screenplay and Best Costume Design at the European Film Awards of 2015. His fifth project "The Killing of a Sacred Deer" was also presented in Competition at the 70th Cannes Film Festival where it won the award for the best Screenplay. Lanthimos's last film "The Favorite" is a historical Drama about the British Queen Anne.