The Snows of Kilimanjaro (1952) Premiere
Thursday, October 23, 1952
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Ava Lavina Gardner was born on December 24, 1922 in Grabtown, North Carolina, to Mary Elizabeth (née Baker) and Jonas Bailey Gardner. Born on a tobacco farm, where she got her lifelong love of earthy language and going barefoot, Ava grew up in the rural South. At age 18, her picture in the window of her brother-in- law's New York photo studio brought her to the attention of MGM, leading quickly to Hollywood and a film contract based strictly on her beauty. With zero acting experience, her first 17 film roles, 1942-1945, were one-line bits or little better. After her first starring role in B-grade Whistle Stop (1946), MGM loaned her to Universal for her first outstanding film The Killers (1946). Few of her best films were made at MGM which, keeping her under contract for 17 years, used her popularity to sell many mediocre films. Perhaps as a result, she never believed in her own acting ability, but her latent talent shone brightly when brought out by a superior director, as with John Ford in Mogambo (1953) and George Cukor in Bhowani Junction (1956).
After three failed marriages, dissatisfaction with Hollywood life prompted Ava to move to Spain in 1955; most of her subsequent films were made abroad. By this time, stardom had made the country girl a cosmopolitan, but she never overcame a deep insecurity about acting and life in the spotlight. Her last quality starring film role was in The Night of the Iguana (1964), her later work being (as she said) strictly "for the loot". In 1968, tax trouble in Spain prompted a move to London, where she spent her last 22 years in reasonable comfort. Her film career did not bring her great fulfillment, but her looks may have made it inevitable; many fans still consider her the most beautiful actress in Hollywood history. Ava Gardner died at age 67 of bronchial pneumonia on January 25, 1990 in Westminister, London, England.- Actress
- Soundtrack
Susan Hayward was born Edythe Marrener in Brooklyn, New York, on June 30, 1917. Her father was a transportation worker, and Susan lived a fairly comfortable life as a child, but the precocious little redhead had no idea of the life that awaited her. She attended public school in Brooklyn, where she graduated from a commercial high school that was intended to give students a marketable skill. She had planned on becoming a secretary, but her plans changed. She started doing some modeling work for photographers in the NYC area. By 1937, her beauty in full bloom, she went to Hollywood when the nationwide search was on for someone to play the role of Scarlett O'Hara in Margaret Mitchell's Gone with the Wind (1939). Although she--along with several hundred other aspiring Scarletts--lost out to Vivien Leigh, Susan was to carve her own signature in Hollywood circles. In 1937 she got a bit part in Hollywood Hotel (1937). The bit parts continued all through 1938, with Susan playing, among other things, a coed, a telephone operator and an aspiring actress. She wasn't happy with these bit parts, but she also realized she had to "pay her dues". In 1939 she finally landed a part with substance, playing Isobel Rivers in the hit action film Beau Geste (1939). In 1941 she played Millie Perkins in the offbeat thriller Among the Living (1941). This quirky little film showed Hollywood Susan's considerable dramatic qualities for the first time. She then played a Southern belle in Cecil B. DeMille's Reap the Wild Wind (1942), one of the director's bigger successes, and once again showed her mettle as an actress. Following that movie she starred with Paulette Goddard and Fred MacMurray in The Forest Rangers (1942), playing tough gal Tana Mason. Although such films as Jack London (1943), And Now Tomorrow (1944) and Deadline at Dawn (1946) continued to showcase her talent, she still hadn't gotten the meaty role she craved. In 1947, however, she did, and received the first of five Academy Award nominations, this one for her portrayal of Angelica Evans in Smash-Up: The Story of a Woman (1947). She played the part to the hilt and many thought she would take home the Oscar, but she lost out to Loretta Young for The Farmer's Daughter (1947). In 1949 Susan was nominated again for My Foolish Heart (1949) and again was up against stiff competition, but once more her hopes were dashed when Olivia de Havilland won for The Heiress (1949). Now, however, with two Oscar nominations under her belt, Susan was a force to be reckoned with. Good scripts finally started to come her way and she chose carefully because she wanted to appear in good quality productions. Her caution paid off, as she garnered yet a third nomination in 1953 for With a Song in My Heart (1952). Later that year she starred as Rachel Donaldson Robards Jackson in The President's Lady (1953). She was superb as Andrew Jackson's embittered wife, who dies before he was able to take office as President of the United States. After her fourth Academy Award nomination for I'll Cry Tomorrow (1955), Susan began to wonder if she would ever take home the coveted gold statue. She didn't have much longer to wait, though. In 1958 she gave the performance of her lifetime as real-life California killer Barbara Graham in I Want to Live! (1958), who was convicted of murder and sentenced to death in the gas chamber. Susan was absolutely riveting in her portrayal of the doomed woman. Many film buffs consider it to be one of the finest performances of all time, and this time she was not only nominated for Best Actress, but won. After that role she appeared in about one movie a year. In 1972 she made her last theatrical film, The Revengers (1972). She had been diagnosed with cancer, and the disease finally claimed her life on March 14, 1975, in Hollywood. She was 57.- Producer
- Writer
- Production Manager
One of the kingpins of Hollywood's studio system, Zanuck was the offspring of the ill-fated marriage of the alcoholic night clerk in Wahoo, Nebraska's only hotel and the hotel owner's daughter. Both parents had abandoned him by the time he was 13. At 15, he joined the U.S. Army, and he fought in Belgium in World War I. Mustered out, he kept himself alive with a series of desultory jobs -- steelworker, foreman in a garment factory, professional boxer -- while pursuing a career as a writer. He turned his first published story (for "Physical Culture, " a pulp magazine) into a film scenario for William Russell; his next important sale was to Irving Thalberg. Although often described as barely literate, Zanuck turned out to have a knack for movie plots. After a well-paid apprenticeship with Mack Sennett, Syd Chaplin and Carl Laemmle, Zanuck hit his stride by devising (with Malcolm St. Clair) the Rin Tin Tin series of police-dog movies for Warner Brothers. For Warner, under his own name and three pseudonyms, he ground out as many as 19 scripts a year and became head of production at age 23. He helped forge that studio's style with such films as The Jazz Singer (1927), The Public Enemy (1931) and I Am a Fugitive from a Chain Gang (1932). In 1933, after the Warners made it clear that Zanuck would never be more than an employee, he quit to form Twentieth Century Films (with backing from Louis B. Mayer and Joseph M. Schenck). In 1935, Twentieth absorbed a bankrupt giant, Fox. Zanuck ruled the combined studio for decades. He became known as the most "hands-on" of the major studio bosses, taking particular pride in his talent for remaking movies in the cutting room. His signature productions were such sentimental, content-laden dramas as How Green Was My Valley (1941), The Grapes of Wrath (1940), and Twelve O'Clock High (1949). In the late fifties, Zanuck relinquished day-to-day control of the studio, left his wife, and moved to Europe to concentrate on producing. Many of his later films were designed in part to promote the careers of his successive girlfriends, Bella Darvi, Juliette Gréco, Irina Demick and Geneviève Gilles -- none of whom found much favor with directors or audiences. After the success of The Longest Day (1962), Zanuck returned to run 20th Century-Fox; he promoted his son, Richard D. Zanuck, to head of production, then engineered his firing in a messy boardroom brawl. Within a few months, in May 1971, Zanuck himself was deposed. He was the last studio boss of his era to go down.- Actress
- Soundtrack
Dawn Addams was born in Felixstowe, East Suffolk, England, the daughter of Captain James Ramage Addams, an R.A.F. officer. Much of her childhood was spent in Calcutta, India, where her father was stationed, and she later attended schools in England and California. Though Dawn took her first screen test at the age of thirteen, she did not start acting until after her graduation from the Royal Academy of Dramatic Art in London. Her career commenced on the repertory stage, with tours of both Britain and continental Europe. Signed to a contract by MGM in 1950, Dawn appeared in her first feature film, Night Into Morning (1951). She acted in several other well-received A-grade productions, including Plymouth Adventure (1952), Young Bess (1953) and The Robe (1953). For Otto Preminger's vaguely controversial The Moon Is Blue (1953), Dawn's services were rented out by MGM to United Artists. In January 1953, she joined other MGM contract stars on a USO tour of Korea. In Charles Chaplin's A King in New York (1957) she had another starring opportunity as an advertising woman who gets involved with royalty. That seemed to mirror her personal life, since Dawn became an actress-princess (prior to Grace Kelly getting that gig) by marrying the Italian nobleman Don Vittorio Massimo in 1954. The marriage ended after just four years in separation and was finally dissolved in 1971.
By the early 1960s, offers of glamorous roles had diminished, and Dawn was down to playing hapless heroines in European co-productions, second string horrors like The Two Faces of Dr. Jekyll (1960) (as Jekyll's wife Kitty who ends up being raped and driven to suicide by his evil alter-ego, Mr. Hyde) and potboilers like Fritz Lang's final directorial effort The 1,000 Eyes of Dr. Mabuse (1960). She spent the remainder of her career alternating between stage and television work in England, eventually remarrying and settling down in Malta. In April 1985, Dawn was treated for cancer in Florida but died soon after at a London hospital at the age of 54.- Actor
- Additional Crew
- Soundtrack
Richard Mann Allan was born in Jacksonville, Illinois on June 22, 1923 to a farmer father Robert and a dietitian mother Edna. He grew up with two brothers, Edward and Robert Jr. and a sister Catherine. He began taking dance classes when he was seven years old, and he also loved going to see Fred Astaire and Ginger Rogers musicals. He partnered up with a little girl from his dancing class to do their own version of Fred and Ginger dances and became popular locally. He grew up to become a well-known dancer-singer-actor in Jacksonville. He then earned a scholarship to the University of Illinois, where he joined the Theatre Arts Department. However, he was soon drafted to the army unit in Italy where he was assigned the officers' laundry detail. Immediately upon his discharge from service, he went to New York City to audition professionally for the first time in the Broadway musical "The Red Mill" (1945). He landed a speaking part and stayed for its entire Broadway and national tour. Once that ended, he immediately landed another job, in the 1948 Los Angeles production of "Naughty Marietta" where he danced. He stayed behind in Los Angeles, determined to get into the movies. His tall, dark and handsome looks landed him a job as a double for Montgomery Clift in A Place in the Sun (1951), where Clift complimented him by saying that he should have been the star. However, Allan would spend his entire film career being overshadowed by his more famous leading ladies. He danced with Esther Williams in Neptune's Daughter (1949) and Duchess of Idaho (1950) and with Betty Grable in Wabash Avenue (1950), My Blue Heaven (1950), and Call Me Mister (1951), with Ava Gardner in The Snows of Kilimanjaro (1952), with Academy Award winner Susan Hayward in With a Song in My Heart (1952), and with Mitzi Gaynor in Bloodhounds of Broadway (1952). He had signed a contract with Twentieth Century Fox (hereinafter Fox), and they cast him as Marilyn Monroe's passionate lover who tries to kill her husband for her in Niagara (1953). The film became a hit and he was on the movie's poster with Monroe, and he won a Photoplay citation as "One of America's Most Promising Newcomers" in 1953. "Niagara" remains his best known role. Nevertheless, he spent the next few years at Fox testing for many leads, but only securing small uncredited roles, such as when he was turned down for the lead role in The Egyptian (1954) which went to Edmund Purdom only to end up with a uncredited bit role. His career never went further at Fox, and he blamed "lousy, lousy management". The disappointing years at Fox took its toll on him. He was doing a hat dance with a star for a film, but the star found it too difficult to perform, so Fox had wanted to photograph Allan from a distance to accommodate the star. He refused, and the studio retaliated by dropping his contract. When it seemed like Tony Curtis might not be available to do The Defiant Ones (1958), the producers approached him wanting a Curtis lookalike, but Allan retorted "Tell them to call me when they want someone who looks like Richard Allan". (Curtis later did become available to take the role, for which he earned his sole Academy Award nomination.) Since Hollywood had nothing to offer him, Allan felt he had no choice but to take German star Caterina Valente's offer to come to Germany and act with her in several films. She had first seem him dance in The Snows of Kilimanjaro (1952) and thought he had potential. He remained there long enough to make a few more films with other actors. Eventually, he returned to Hollywood where he teamed with Diane Hartman in a popular nightclub act called "Hartman & Allan", where they performed at Ciro's nightclub in Los Angeles. However, when Ciro's closed its doors as a nitery for the last time in 1961, it also took down its prominent marquee that had "Hartman & Allan", thus ending Allan's career as an entertainer. In 1964, a middle-aged Allan began earning a living as a masseur, and Kim Novak had initially recommended his masseur services to people in the entertainment industry. Over time, he had developed a clientele that had no connections to show business. He also stopped having any contact with show business people, including former friends Jeffrey Hunter and his then-wife Barbara Rush, explaining that "When you aren't successful, people just aren't comfortable with having you around". In the late 1980s, he moved to Prospect, Kentucky to be closer to his brother Robert Jr. He remained there until his death of of lung cancer on September 6, 1999 at the age of 76. After his death, his body was sent over to be buried in his family plot in Gillham Cemetery in Illinois.- Actor
- Producer
Richard Anderson appeared in high school plays, served a hitch in the Army and, upon his discharge, began doing summer stock, radio work, a movie bit part (a wounded soldier in Twelve O'Clock High (1949)) and all the other minor jobs required of your basic struggling actor. He did comedy scenes on a "screen test"-like TV series called Lights, Camera, Action! (1950) and impressed the right people at MGM, who offered him a contract. After leaving MGM he continued to dabble in movies while at the same time becoming a huge presence on TV. He was a regular (Police Lt. Drum) during the last season of TV's Perry Mason (1957); in the series' last episode, he interrogates witnesses to a murder in a TV studio--the witnesses being played by the "Perry Mason" crew. In the high-rated last episode of The Fugitive (1963) he plays Richard Kimble's (David Janssen) brother-in-law, and is briefly suspected of being the real killer of Kimble's wife. A regular on The Six Million Dollar Man (1974), Anderson has more recently produced the TV-movie reprises of that series.- Actress
- Director
- Writer
Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.- Actress
- Soundtrack
Anne Baxter was born in Michigan City, Indiana, on May 7, 1923. She was the daughter of a salesman, Kenneth Stuart Baxter, and his wife, Catherine Dorothy (Wright), who herself was the daughter of Frank Lloyd Wright, the world-renowned architect. Anne was a young girl of 11 when her parents moved to New York City, which at that time was still the hub of the entertainment industry even though the film colony was moving west. The move there encouraged her to consider acting as a vocation. By the time she was 13 she had already appeared in a stage production of 'Seen but Not Heard'", and had garnered rave reviews from the tough Broadway critics. The play helped her gain entrance to an exclusive acting school.
In 1937, Anne made her first foray into Hollywood to test the waters there in the film industry. As she was thought to be too young for a film career, she packed her bags and returned to the New York stage with her mother, where she continued to act on Broadway and summer stock up and down the East Coast. Undaunted by the failure of her previous effort to crack Hollywood, Anne returned to California two years later to try again. This time her luck was somewhat better. She took a screen test which was ultimately seen by the moguls of Twentieth Century-Fox, and she was signed to a seven-year contract. However, before she could make a movie with Fox, Anne was loaned out to MGM to make 20 Mule Team (1940). At only 17 years of age, she was already in the kind of pictures that other starlets would have had to slave for years as an extra before landing a meaty role. Back at Fox, that same year, Anne played Mary Maxwell in The Great Profile (1940), which was a box-office dud. The following year she played Amy Spettigue in the remake of Charley's Aunt (1941). It still wasn't a great role, but it was better than a bit part. The only other film job Anne appeared in that year was in Swamp Water (1941). It was the first role that was really worth anything, but critics weren't that impressed with Anne, her role nor the movie. In 1942 Anne played Joseph Cotten's daughter, Lucy Morgan, in The Magnificent Ambersons (1942). The following year she appeared in The North Star (1943), the first film where she received top billing. The film was a critical and financial success and Anne came in for her share of critical plaudits. Guest in the House (1944) the next year was a dismal failure, but Sunday Dinner for a Soldier (1944) was received much better by the public, though it was ripped apart by the critics. Anne starred with John Hodiak, who would become her first husband in 1947 (Anne was to divorce Hodiak in 1954. Her other two husbands were Randolph Galt and David Klee).
In 1946 Anne portrayed Sophie MacDonald in The Razor's Edge (1946), a film that would land her an Academy Award for Best Supporting Actress. She had come a long way in so short a time, but for her next two films she was just the narrator: Mother Wore Tights (1947) and Blaze of Noon (1947). It would be 1950 before she landed another decent role--the part of Eve Harrington in All About Eve (1950). This film garnered Anne her second nomination, but she lost the Oscar to Judy Holliday for Born Yesterday (1950). After several films through the 1950s, Anne landed what many considered a plum role--Queen Nefretiri in Cecil B. DeMille's The Ten Commandments (1956). Never in her Hollywood career did Anne look as beautiful as she did as the Egyptian queen, opposite Charlton Heston and Yul Brynner. After that epic, job offers got fewer because she wasn't tied to a studio, instead opting to freelance her talents. After no appearances in 1958, she made one film in 1959 Season of Passion (1959) and one in 1960 Cimarron (1960).
After Walk on the Wild Side (1962), she took a hiatus from filming for the next four years. She was hardly idle, though. She appeared often on stage and on television. She wasn't particularly concerned with being a celebrity or a personality; she was more concerned with being just an actress and trying hard to produce the best performance she was capable of. After several notable TV appearances, Anne became a staple of two television series, East of Eden (1981) and Hotel (1983). Her final moment before the public eye was as Irene Adler in the TV film Sherlock Holmes and the Masks of Death (1984). On December 12, 1985, Anne died of a stroke in New York. She was 62.- Actor
- Soundtrack
He had the manly good looks and rugged appeal to make it to top stardom in Hollywood and succeeded quite well as a sturdy leading man of standard action on film and TV. Born in Brooklyn on September 13, 1924, Irish-American Scott Brady was christened Gerard Kenneth Tierney (called Jerry) by parents Lawrence and Maria Tierney. His father, chief of New York's aqueduct police force, had always had show business intentions and later did print work after retiring from the force. Both Scott's older and younger brothers, Lawrence Tierney and Edward Tierney went on to become actors as well. Lawrence's promising film noir "bad guy" career was sabotaged by a severe drinking disorder that led to numerous skirmishes with the law. Scott himself faced a narcotics charge in 1957 (charges were dropped, Scott maintained that he was framed) and later (1963) was involved in illegal bookmaking activities. Fortunately, Scott was more cool-headed and wound up avoiding the pitfalls that befell his older brother, making a very lucrative living for himself in Hollywood throughout the 1950s and early 1960s.
Scott grew up in Westchester County and attended Roosevelt and St. Michael's High Schools. Like his older brother Lawrence, Scott he was an all-round athlete in school and earned letters for basketball, football and track and expressed early designs on becoming a football coach or radio announcer. Instead he enlisted before graduating from high school and served as a naval aviation mechanic overseas. During his term of duty he earned a light heavyweight boxing medal. He was discharged in 1946 and decided to head for Los Angeles where his older brother Lawrence was making encouraging strides as an actor. Toiling in menial jobs as a cabbie and day-time laborer, the handsome, blue-eyed looker was noticed having lunch in a café by producer Hal B. Wallis and offered a screen test. The test did not fare well but, not giving up, he enrolled in the Bliss-Hayden drama school under his G.I. Bill, studied acting, and managed to rid himself of his thick Brooklyn accent.
He signed with a minor league studio, Eagle-Lion, and made his debut of sorts in the poverty-row programmer In This Corner (1948) utilizing his boxing skills from his early days in the service. He showed more promise with his second and third films Canon City (1948) and He Walked by Night (1948), the latter as a detective who aids in nabbing psychotic killer Richard Basehart. Scott switched over to higher-grade action stories for Fox and Universal over time. Westerns and crime stories would be his bread-winning genres with The Gal Who Took the West (1949) opposite Yvonne De Carlo and John Russell and Undertow (1949), with Russell again, being prime examples. He frequently switched from hero to heavy during his peak years. In one film he would romance a Jeanne Crain in The Model and the Marriage Broker (1951) or a Mitzi Gaynor in Bloodhounds of Broadway (1952), while in the next beat Shelley Winters to a pulp in Untamed Frontier (1952). A favorite pin-up hunk in his early years, he hit minor cult status as a bad hombre, The Dancin' Kid, in the offbeat western Johnny Guitar (1954). He and the other manly men, however, were somewhat overshadowed in the movie by the Freudian-tinged gunplay between Joan Crawford and Mercedes McCambridge. Other roles had him sturdily handling the action scenes while giving the glance over to such diverting female costars as Barbara Stanwyck, Mala Powers and Anne Bancroft.
Scott would mark the same territory in TV -- westerns and crimers -- finding steadier work on the smaller screen into the 1960s. He starred as the title hero in the western series Shotgun Slade (1959). Stage too was a sporadic source of income with such productions as "The Moon Is Blue", "Detective Story" and "Picnic" under his belt before making his Broadway bow as a slick card sharp opposite Andy Griffith in the short-lived musical "Destry Rides Again" in 1959. He later did the national company of the heavyweight political drama "The Best Man" with his portrayal of a senator.
The seemingly one-time confirmed bachelor decided to settle down after meeting and marrying Mary Tirony in 1967 at age 43. Prior to this he had been linked with such luminous beauties as Gwen Verdon and Dorothy Malone. The couple had two sons. Parts dwindled down in size in later years and he gained considerable weight as he grew older and balder, but he still appeared here-and-there as an occasional character heavy or hard-ass cop in less-important movies such as Doctors' Wives (1971), $ (1971), The Loners (1972) and Wicked, Wicked (1973). Minor TV roles in mini-movies also came his way at a fair pace. Towards the end he was seen in such high-profile big-screen movies as The China Syndrome (1979) and Gremlins (1984). Scott had a collapse in 1981 and was diagnosed with pulmonary fibrosis, a progressive respiratory disease. He later relied on an oxygen tank. He died of the disease four years later and was interred at the Holy Cross Cemetery in Culver City, California.- Actor
- Producer
- Writer
Rory Calhoun was born Francis Timothy McCown in Los Angeles, the son of Elizabeth Cuthbert and Floyd McCown. Rory starred in over 80 films and 1,000 television episodes. Before becoming an actor he worked as a boxer, a lumberjack, a truck driver and a cowpuncher. Tall and handsome, he benefited from a screen test at 20th Century-Fox, arranged for him by Sue Carol, a Hollywood agent and the wife of actor Alan Ladd, who is said to have spotted Calhoun while he was riding a horse in a Los Angeles park. He debuted on screen in Something for the Boys (1944), with Carmen Miranda, billed as "Frank McCown". David O. Selznick changed his name to Rory Calhoun, and after playing small parts for a while, he graduated to starring in western films, including River of No Return (1954) with Marilyn Monroe and Robert Mitchum. Calhoun's better-known pictures include How to Marry a Millionaire (1953) with Lauren Bacall, Monroe and Betty Grable, and With a Song in My Heart (1952) with Susan Hayward.
From 1959 to 1960 he starred in the CBS television series The Texan (1958). More than two decades later he returned to CBS for five years as Judge Judson Tyler on the daytime serial Capitol (1982). His final appearance, 70 years old but handsome as ever, was as Ernest Tucker in Pure Country (1992). Calhoun has two stars on Hollywood's Walk of Fame: one for motion pictures, and one for television.- Actress
- Soundtrack
Petite, seductive French leading lady who underwent several early career changes before settling on the acting profession. Corinne Calvet first studied criminal law at France's renowned Sorbonne, but then turned her attention to interior decoration specializing in fine arts and antiques. After studying at the L'Ecole du Cinema in Paris, she made her debut on the stage and also worked as a radio hostess. Small film roles followed. From the time Corinne was 'discovered' by famous producer Hal B. Wallis, brought to America, and signed to a contract with Paramount in 1947, her life developed into a decade-long roller-coaster of feuds, lawsuits, publicity stunts and even an attempted suicide by sleeping pills.
Corinne's Hollywood career got off to a turbulent start, the fiery actress heatedly challenging Wallis over the size of her salary. In spite of growing animosity between her and the producer, she was eventually cast in her first Paramount picture, Rope of Sand (1949) , a film noir set in South Africa and co-starring Burt Lancaster and Paul Henreid. The film emphasized Corinne's sultry appeal and her sexy, somewhat husky voice. She played a nightclub singer, which worked well since she could actually sing (and did so at the famed Manhattan night club Le Cupidon in 1952). The New York Times review (August 4th, 1949) remarked that the cast, though playing somewhat shady characters, were "all products of good acting, and therefore are strangely interesting".
"Rope of Sand" garnered mostly good reviews and was certainly one of the better roles Corinne was to find in Hollywood. Though she featured opposite a number of big-name stars, such as Danny Kaye and James Cagney, she was largely consigned to be the ornamental French dessert. Of her part in On the Riviera (1951), Bosley Crowther commented that she was "pretty, but neglected" (NY Times May 24th, 1951). Corinne (Miss Golden Globe 1952), later gave vent to her frustration at having never been given a proper chance to display her acting range in her 1983 memoir 'Has Corinne Been a Good Girl?'.
The headlines made in her private life often overshadowed her screen career. One highly publicized (and apparently staged) incident had her suing actress Zsa Zsa Gabor over a statement made to, among others, a newspaper columnist, claiming that Corinne's French background was a studio invention. In another, more bizarre, instance in 1967, her then-boyfriend claimed in court that she had 'used voodoo on him' in order to gain control of his finances. There were also two acrimonious and very public divorces from actors John Bromfield and Jeffrey Stone.
From the mid 1950's, Corinne began to appear in international co-productions, dividing her time between Los Angeles and her lavishly furnished top floor apartment at the Avenue MacMahon, near the Arc de Triomphe, in Paris. After the publication of her memoir in 1983, Corinne retired from acting and re-invented herself as a therapist, specializing in hypnosis. She settled down in Santa Monica, California, where she died in June 2001.- Actress
- Soundtrack
Jeanne Crain was born in Barstow, California, on May 25, 1925. The daughter of a high school English teacher and his wife, Jeanne was moved to Los Angeles not long after her birth after her father got another teaching position in that city. While in junior high school, Jeanne played the lead in a school production which set her on the path to acting. When she was in high school Jeanne was asked to take a screen test to appear in a film by Orson Welles. Unfortunately, she didn't get the part, but it did set her sights on being a movie actress.
After high school, Jeanne enrolled at UCLA to study drama. At the age of 18, Jeanne won a bit part in Fox Studio's film entitled The Gang's All Here (1943) and a small contract. Her next film saw Jeanne elevated to a more substantial part in Home in Indiana (1944) the following year, which was filmed in neighboring Kentucky. The movie was an unquestionable hit. On the strength of that box-office success, Jeanne was given a raise and star billing, as Maggie Preston, in the next film of 1944, In the Meantime, Darling (1944). Unfortunately, the critics not only roasted the film, but singled out Jeanne's performance in particular. She rebounded nicely in her last film of the year, Winged Victory (1944). The audiences loved it and the film was profitable.
In 1945, Jeanne was cast in State Fair (1945) as Margie Frake who travels to the fair and falls in love with a reporter played by Dana Andrews. Now, Jeanne got a bigger contract and more recognition. Later that year, Jeanne married Paul Brooks on New Year's Eve. Although her mother wasn't supportive of the marriage, the union lasted until her husband's death and produced seven children. The year 1947 was an off year for Jeanne, as she took time off to bear the Brooks' first child.
In 1949, Jeanne appeared in three films, A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). It was this latter film which garnered her an Oscar nomination as Best Actress for her role as Pinky Johnson, a nurse who sets up a clinic in the Deep South. She lost to Olivia de Havilland for The Heiress (1949). Jeanne left Fox after filming Vicki (1953) in 1953, with Jean Peters. She had made 23 films for the studio that started her career, but she needed a well-deserved change. As with any good artist, Jeanne wanted to expand her range instead of playing the girl-next-door types.
She went briefly to Warner Brothers for the filming of Duel in the Jungle (1954) in 1954. The film was lukewarm at best. Jeanne, then, signed a contract, that same year, with Universal Studios with promises of better, high profile roles. She went into production in the film Man Without a Star (1955) which was a hit with audiences and critics. After The Joker Is Wild (1957) in 1957, Jeanne took time off for her family and to appear in a few television programs. She returned, briefly, to film in Guns of the Timberland (1960) in 1960. The films were sporadic after that. In 1967, she appeared in a low-budget suspense yarn called Hot Rods to Hell (1966). Her final film was as Clara Shaw in 1972's Skyjacked (1972).
Jeanne died of a heart attack in Santa Barbara, California, on December 14, 2003. Her husband Paul Brooks had died two months earlier.- Actress
- Writer
- Producer
Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).
Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")
Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.- Actor
- Producer
- Soundtrack
Tony Curtis was born Bernard Schwartz, the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself.
In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that a formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later, when he enlisted in the navy in 1942. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Curtis was honorably discharged from the navy, and when he realized that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop, and after being accepted on the strength of his audition piece (a scene from "Dr. Jekyll and Mr. Hyde" in pantomime), Curtis enrolled in early 1947. He then began to pay his dues by appearing in a slew of stage productions, including "Twelfth Night" and "Golden Boy". He then connected with a small theatrical agent named Joyce Selznick, who was the niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where Curtis was offered a seven-year contract. After changing his name to what he saw as an elegant, mysterious moniker--"Tony Curtis" (named after the novel Anthony Adverse (1936) by Hervey Allen and a cousin of his named Janush Kertiz)--Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role in Criss Cross (1949), with Burt Lancaster, in which he makes Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (1949).
Curtis continued to build up a show reel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair, when he was cast in an important role in an action western, Sierra (1950). On the strength of his performance in that movie, Curtis was finally cast in a big-budget movie, Winchester '73 (1950). While he appears in that movie only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
As his career developed, Curtis wanted to act in movies that had social relevance, ones that would challenge audiences, so he began to appear in such movies as Spartacus (1960) and The Defiant Ones (1958). He was advised against appearing as the subordinate sidekick in Spartacus (1960), playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (1958).- Actor
- Director
- Additional Crew
Born in New York City, Dan Dailey started his career in vaudeville, later making his Broadway debut in the stage version of "Babes in Arms".
When signed to MGM, the studio initially casted him as a Nazi in The Mortal Storm (1940). The studio realized their mistake and cast him in musical films, thereafter. Then, after serving in World War II, Dailey later returned to acting to make more musicals.- Actress
- Music Department
- Soundtrack
Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actor
- Soundtrack
A rare breed this guy. Paul Douglas became an unlikely middle-aged cinema star by simply capitalizing on his big, burly, brash and boorish appeal to the nth degree. The 5'11", 200 lb. actor was a bold, unabashed risk taker. He forsook an extremely successful career as one of the country's top radio/sports announcers to prove his value as an actor. The risk paid off when he found immediate award-winning success on the Broadway comedy stage.
Later, despite being a raw new talent in Tinseltown, he had the audacity to turn down the Hollywood powers-that-be to revive his Broadway success to film because he felt they had "reduced" his role too much. Somehow again, the risk paid off. He defied the odds once again and became an unlikely overnight smash with his very first film(!) Moreover, he went on to prove he was no one trick pony, cementing his stardom in a number of prime vehicles in both broad comedy and melodrama. And, on top of that, the homely actor managed to have many of the top Hollywood dolls falling for his big lug appeal on screen -- Linda Darnell, Judy Holliday, Celeste Holm, Joan Bennett, Jean Peters, Janet Leigh and Ruth Roman among them. It, in fact, would take an early and sudden death to end all this wildly successful risk-taking.
The bombastic, blue-collar persona Douglas exhibited naturally on stage and screen was actually quite a contrast to his own family background. He was born in an upper-class section of Philadelphia to a well-to-do doctor on April 11, 1907, and was christened Paul Douglas Fleischer. An interest in acting sparked while he was a student at West Philadelphia High School. Following graduation, his thoughts turned to college. He went on to take entrance examinations at Yale but never attended the college. Instead Paul made a minor dent as a professional football player with Philly's Frankford Yellow Jackets team.
In 1928, he parlayed his passion for athletics into a highly successful sportscasting and commentating career and grew in respect as one of the country's top sports announcers and master of ceremonies. He started at the CBS radio station WCAU in Philly and relocated to the CBS headquarters in New York in 1934 where Douglas co-hosted its popular swing music program "The Saturday Night Swing Club" from 1936-39. But it wasn't enough. The acting bug bit again. After appearing in a few stock and small theatre plays, he made his Broadway acting debut in November of 1936 as a radio announcer in the comedy satire "Double Dummy" at the John Golden Theatre, but it closed the next month and he returned to radio, eventually landing a cozy niche as an announcer and straight man opposite the likes of Jack Benny (he was Benny's first announcer), Fred Allen and the team of George Burns and Gracie Allen in their respective series. He also found work narrating a host of pre-WWII documentary shorts.
Douglas became a highly recognized personality by this radio success ($2,500/week), but brashly decided to give it all up and accept a paltry weekly salary ($250 per week) when writer Garson Kanin offered him the lead role as chauvinistic moneybags Harry Brock in his Broadway play "Born Yesterday" in 1946. Co-starring Judy Holliday and Gary Merrill, the show was a huge comedy smash and Douglas the toast of New York in a highly unappealing role. He nabbed both the Theatre World and Clarence Derwent acting prizes for his hot-tempered junkman. The relatively inexperienced actor wisely remained with the show through all 1,024 performances before leaving to seek out Hollywood roles. He exploded onto the Hollywood scene with his very first film, the classic Joseph L. Mankiewicz drama A Letter to Three Wives (1949). There was pure electricity in his scenes with the equally earthy scene-stealing Linda Darnell. The new film star was immediately tapped to host the 22nd annual Academy Awards in March 1950.
In a surprise move, Douglas had the nerve to rebuff a Hollywood offer to recreate his Harry Brock role when Born Yesterday (1950) was turned into a film, starring his Broadway co-star Judy Holliday. After reading the film script, he was put off that his part had been minimalized to the point of favoring his leading lady and to meet the demands of the other male superstar in the picture, William Holden. Columbia used their own manic human dynamo, Broderick Crawford, to take over the film role. As brilliant as Crawford was, and as Douglas himself predicted, it was Holliday who received the lion's share of the attention with an Academy Award-winning tour de force.
Douglas instead concentrated on his own star vehicles. His chemistry was so good with Linda Darnell in his first film that the pair was signed to co-star in two more film showcases within a short span of time, Everybody Does It (1949) and The Guy Who Came Back (1951). He also found a way to pay tribute to his former roots in sports starring in two worthy baseball comedy films, It Happens Every Spring (1949), and Angels in the Outfield (1951). His string of hits continued with the cop thriller Panic in the Streets (1950) in which he partnered with Richard Widmark and Fourteen Hours (1951). He gave a sympathetic performance as the naive fisherman husband of adulterous Barbara Stanwyck in Clash by Night (1952); and re-teamed with "Born Yesterday (1950)" co-star Judy Holliday successfully in a different vehicle, the comedy The Solid Gold Cadillac (1956) in which he again plays a gruff, self-made businessman.
In other media, Douglas gave himself the chance to recreate his Harry Brock to video with a Hallmark Hall of Fame episode of Born Yesterday (1956) opposite Mary Martin and Arthur Hill. Douglas also made a return to Broadway with the moderate 1957 hit play, "A Hole in the Head", co-starring David Burns, Lee Grant and Kay Medford and again directed by his playwright/friend Garson Kanin. In between he continued to find work here and there as a radio announcer (for Ed Wynn)) and was the first host of NBC Radio's "Horn & Hardart Children's Hour".
Divorced from non-actors Sussie Welles, Elizabeth Farnesworth and Geraldine Higgins, Douglas's final two marriages were to actresses, with each one producing a child. In early 1942 he married fourth wife/actress Virginia Field. Separated in December 1945, they divorced the following year. He later met actress Jan Sterling and married her on June 22, 1950. This marriage proved happy and lasted until his death.
Douglas's final movie was another in a career of comedy highlights as the fun-loving bucolic in The Mating Game (1959), co-starring with Debbie Reynolds and Tony Randall. In April 1959, Douglas enjoyed a special guest star turn on the highly-popular The Lucy-Desi Comedy Hour (1957), as the dingy redhead's TV morning show boss, in a Connecticut episode entitled Lucy Wants a Career (1959).
Paul had just completed filming The Twilight Zone (1959) episode, The Mighty Casey (1960), in a baseball manager role, specifically written for him by Rod Serling, based on Douglas's memorable Angels in the Outfield (1951) role, when the 52-year-old Douglas collapsed and died of a massive heart attack as he got out of bed on the morning of September 11, 1959. With Serling unable to reshoot parts in which Douglas looked especially drawn and haggard, the entire episode had to be re-filmed (at Serling's own expense) with Jack Warden taking over the lead part. In addition, Billy Wilder had recently cast Douglas as Jack Lemmon's philandering boss Sheldrake in the hit film, The Apartment (1960). The film, which was about set to film, recast Fred MacMurray in the role.- Actress
- Soundtrack
A native-born Californian, Rhonda Fleming attended Beverly Hills public and private schools. Her father was Harold Cheverton Louis (1896-1951). Her mother, Effie Olivia Graham (1891-1985), was a famous model and actress in New York. She has a son (Kent Lane), two granddaughters (Kimberly and Kelly) and four great-grandchildren (Wagner, Page, Lane and Cole). She has appeared in over 40 films, including David O. Selznick's Spellbound (1945), directed by Alfred Hitchcock; Jacques Tourneur's Out of the Past (1947); and Robert Siodmak's The Spiral Staircase (1946). She later got starring roles in such classics as A Connecticut Yankee in King Arthur's Court (1949), Gunfight at the O.K. Corral (1957), Home Before Dark (1958), Pony Express (1953), Slightly Scarlet (1956), While the City Sleeps (1956) and The Big Circus (1959). While she was always a competent actress, she was more renowned for her exquisite beauty, and the camera absolutely adored her. One time a cameraman on one of her films remarked on how he was so struck by her beauty that, as a gag, he intentionally tried to photograph her badly; he was astonished to discover that no matter how deliberately he botched it, she still came out looking ravishing.
Among her co-stars over the years were Gregory Peck, Robert Mitchum, Kirk Douglas, Charlton Heston, Glenn Ford, Burt Lancaster, Bob Hope, Bing Crosby, Rock Hudson and Ronald Reagan (with whom she made four films). In addition to motion pictures, Fleming made her Broadway debut in Clare Boothe Luce's "The Women", essayed the role of "Lalume" in "Kismet" at the Los Angeles Music Center and toured as "Madame Dubonnet" in "The Boyfriend". She made her stage musical debut in Las Vegas at the opening of the Tropicana Hotel's showroom. Later she appeared at the Hollywood Bowl in a one-woman concert of Cole Porter and Irving Berlin compositions. She also starred in a national ten-week concert tour with Skitch Henderson, featuring the music of George Gershwin. She has guest-starred on numerous television series, including Wagon Train (1957), Police Woman (1974), The Love Boat (1977), Last Hours Before Morning (1975) and a two-hour special of McMillan & Wife (1971). Waiting for the Wind (1991) reunited her with former co-star Robert Mitchum.
In private life she resides in Century City, California, and was married for 23 years to Ted Mann, a producer and chairman of Mann Theatres, until his death in January 2001. She is a member and supporter of Childhelp USA, ARCS (Achievement Rewards For College Scientists); a Life Associate of Pepperdine University; a Lifetime Member of the Freedoms Foundation at Valley Forge; a Founding Member of the French Foundation For Alzheimer Research; a Benefactor of the Los Angeles Music Center: and a Member of the Center's Blue Ribbon Board of Directors. She is a Member of the Advisory Board of Olive Crest Treatment Centers for Abused Children and serves as a Board of Directors Trustee of World Opportunities International. Along with her husband she helped build the Jerusalem Film Institute in Israel. She also is a member of the Board of Trustees of The UCLA Foundation and a member of the Board of Advisors of the Revlon/UCLA Women's Health Research Program. In addition, she created at the City of Hope Hospital The Rhonda Fleming Mann Research Fellowship to further advance research and treatment associated with women's cancer.
In 1991, she and her husband established the Rhonda Fleming Mann Clinic for Women's Comprehensive Care at UCLA Medical Center. This clinic provides a full range of expert gynecologic and obstetric care to women. Since 1992, she has devoted her time to a second facility at UCLA - the Rhonda Fleming Mann Resource Center for Women with Cancer, which opened in early 1994. This Center is the fulfillment of her vision to create a safe, warm place where women cancer patients and their families might receive the highest quality psychosocial and emotional care as well as assistance with the complex practical problems that arise with cancer. In August 1997, the Center opened "Reflections", a unique retail store and consultation suite that carries wigs, head coverings, breast prostheses and other items to help men, women and children deal with the physical appearance changes brought on by cancer and its treatments. The staffs of the clinic, center and store are guided by her belief that caring, compassion, communication and commitment are essential components of the healing process.- Actress
- Soundtrack
Eva Gabor was born on February 11, 1919 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), a soldier. Her older siblings were Magda Gabor, an actress, and Zsa Zsa Gabor, an actress and socialite. Her parents were both from Jewish families. She went to Hollywood, California, to act in the 1930s. Her mother escaped from Nazi-occupied Budapest in the 1940s, also settling in the U.S.
Eva appeared both in films and on Broadway in the 1950s, as well as in several "A"-movies, including The Last Time I Saw Paris (1954), starring Elizabeth Taylor, and Artists and Models (1955), which featured Dean Martin and Jerry Lewis.
In 1953, she was given her own television talk show, The Eva Gabor Show (1953). Throughout the rest of the 1950s and early 1960s, she appeared on television and in movies. She appeared on one episode of the mystery series Justice (1954), and was on the game show What's My Line? (1950) as the "mystery challenger". Her film appearances during this period include a remake of My Man Godfrey (1957), Gigi (1958) and It Started with a Kiss (1959).
However, she is best remembered as Lisa Douglas, the socialite turned farm wife on Green Acres (1965) with co-star Eddie Albert playing her attorney husband Oliver Wendell Douglas. Eva Gabor died at age 76 from respiratory failure and pneumonia on July 4, 1995 in Los Angeles, California.- Actress
- Soundtrack
Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.- Actress
- Soundtrack
June Haver was born on June 10, 1926, in Rock Island, Illinois, with the birth name of Beverly June Stovenour. Her parents divorced at an early age and she was adopted by Bert Haver, her stepfather. Her mother and new father moved to Cincinnati, where she appeared on the stage for the first time at the age of six in a local theater production of "Midnight in a Toyshop". Very soon after, June was winning musical contests around the Queen City. By 1936, little June and her mother had returned to the city of her birth, after a film screen test the year before. It was here that she blossomed even further with her singing, appearing on local radio. Later, while touring with various musical bands, June and her mother found their way to sunny California, in the entertainment mecca of Los Angeles. While in high school, she played in various secondary productions.
In 1942, at the age of 16, June joined Fox Studios as a fringe actress. Dropped because the studio thought she was too young, they signed her the following year to appear in The Gang's All Here (1943). It was an uncredited part, but a start in the film world, nonetheless. Unless one looked hard, she would have been easy to miss in the film. Her next one with Fox was in 1944's Home in Indiana (1944). But it was her next film where she was able to showcase her acting talent in Irish Eyes Are Smiling (1944). In 1945, she appeared in Where Do We Go from Here? (1945) with her future husband, Fred MacMurray, who she wed in 1954.
It was the only film the two of them would be in together. In 1946, at the age of 20, June got top billing for the first time in Three Little Girls in Blue (1946). Her only other film that year was Wake Up and Dream (1946). After only one film in 1947, June resurfaced the next year in the utterly forgettable Scudda Hoo! Scudda Hay! (1948). This was one of the starting vehicle's for a rising talent named Marilyn Monroe. In 1949, June was in two productions. They were Look for the Silver Lining (1949) and Oh, You Beautiful Doll (1949). By now, it was obvious that she was being groomed to take over the Fox throne held by Betty Grable. It was not to be, because June was about to leave films, altogether. The filming of 1953's The Girl Next Door (1953) proved to be her last silver screen appearance. She had announced, the year before, that she would become a nun after her contract ran out. True to her word, she entered the convent but only stayed a few months.
It was after she left the convent that she was seen with Fred MacMurray. After they were wed, the couple adopted twin girls. June's last foray into the glare of the camera lights was when she played herself in the television production of The Lucy-Desi Comedy Hour (1957). She died of respiratory failure in Brentwood, California on July 6, 2005.- Actor
- Director
- Writer
With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.- Actor
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Pittsburgh-born John Hodiak was one of several up-and-coming male talents who managed to take advantage of the dearth of WWII-era superstars (MGM's Clark Gable, Van Johnson, Robert Taylor and James Stewart, among others) who were off serving their country. John's early death at age 41, however, robbed Hollywood of a strong player and promising character star.
Born on April 16, 1914, the eldest of four (one daughter was adopted), John was eight years old when his middle-class family moved to a thriving Polish community in a suburb of Detroit, Michigan. His father, Walter, was born in the Ukraine and his mother, Anna, was Polish. Expressing interest in music and drama at an early age, he was encouraged by his father who had appeared in amateur shows. He found roles in school plays (done in Hungarian or Polish), sang in the Ukrainian church choir, played the clarinet, and even took diction lessons. Not to be outdone, his athletic skills were also put on display. At one point, he was considered by the St. Louis Cardinals for their farm league but he declined the offer in favor of pursuing an acting career.
Following high school, John found work as a golf caddy and stockroom clerk (at a Chevrolet company) before breaking into radio (WXYZ) in Detroit and (later) Chicago. His more notable roles was as the title figure in "L'il Abner" (a role created on radio) and in the serials "Ma Perkins" and "Wings of Destiny". While in Chicago he was noticed by MGM talent agent Marvin Schenck and signed. Proud of his heritage, he refused to change his name to a more marquee-friendly moniker despite mogul Louis B. Mayer's concerns. Hodiak made his debut as a walk-on in A Stranger in Town (1943), and had a bit part in one of Ann Sothern's "Maisie" series Swing Shift Maisie (1943) before becoming her leading man in a subsequent entry (Maisie Goes to Reno (1944)) the following year.
His inability to sign up for military duty due to his high blood pressure ended up giving him a starring career. Attention started being paid after he played Lana Turner's soldier husband in Marriage Is a Private Affair (1944). An interested Alfred Hitchcock then borrowed John for the role of Kovac, the torpedoed ship's crew member, in one of his classic war dramas Lifeboat (1944) starring the irrepressible Tallulah Bankhead at 20th Century-Fox. The studio was so impressed with John's work in this that it cast him in two other quality films: Sunday Dinner for a Soldier (1944) and A Bell for Adano (1945), both of which showed off his quiet but rugged charm.
In the former he played the patriotic title role and co-starred with Anne Baxter. No sparks as of yet between these two, but a year or so later they reconnected at a party and started dating. They married on July 6, 1946. The second film, the exquisitely sensitive and moving war picture A Bell for Adano (1945) made him a star by Hollywood standards. Co-starring a rather miscast Gene Tierney (as a blonde Italian village girl) and William Bendix, John was more than up to the challenge of playing the role of U.S. Major Joppolo, originally created on Broadway by Fredric March. The irony of it all is that the actor never found better roles (at MGM) than the ones he filmed while lent out to Fox.
Back at MGM, John went through the usual paces. He was overlooked in the rousing Judy Garland vehicle The Harvey Girls (1946), but seemed much more at home in the film noir Somewhere in the Night (1946) and in the WWII drama Homecoming (1948) that starred Clark Gable and Lana Turner, with John and wife Anne Baxter serving as second leads.
With MGM's male roster of talent back home now from the war, John was unceremoniously relegated to second leads that supported the top-tier actors, including Gable, Spencer Tracy, Robert Walker, James Stewart and Robert Taylor. While several of his subsequent post-war films drew desultory reviews, notably the Greer Garson "Miniver" sequel The Miniver Story (1950), Hedy Lamarr's so-called tale of intrigue A Lady Without Passport (1950), and the Clark Gable western Across the Wide Missouri (1951), John did manage to co-star in two of MGM's more stirring war pictures -- Command Decision (1948) and Battleground (1949). Occasionally deemed "glum" and "wooden" by his harsher critics, John's MGM contract expired in 1951 and he began to freelance. Most of the work that followed were starring roles in low-budget entries. Battle Zone (1952) had John and Stephen McNally as two Korean war photographers distracted by the lovely Linda Christian, and Conquest of Cochise (1953) featured a miscast John as the famed Indian warrior.
John reaped better rewards on the stage during this time. Receiving excellent reviews following his 1952 Broadway debut as the sheriff in "The Chase" (he received the Donaldson Award), the actor returned to Broadway as Lieutenant Maryk in "The Caine Mutiny Court Martial (1954) co-starring Henry Fonda. He was extremely disappointed when former fellow MGM player Van Johnson was cast as the lieutenant in the acclaimed film version starring Humphrey Bogart as Captain Queeg.
The father of daughter Katrina Baxter Hodiak, who was born in 1951, John and Anne's varied backgrounds (he was middle class and she more high society -- her grandfather being the renowned Frank Lloyd Wright) and their busy film careers created significant problems. They divorced on January 27, 1953. John later built a home for his parents and younger brother in Tarzana, California and eventually lived there with them. His later years grew difficult and were plagued by self-doubt, a diminishing career and an equally diminishing social life.
John's key Broadway success in "Mutiny" led to a fine comeback role on screen as a prosecuting attorney in Trial (1955), finding "guest artist" work on dramatic TV as well. What might have led to a strong resurgence, however, was sadly cut short. On the morning of October 19, 1955, 41-year-old John suffered a coronary thrombosis and died instantly while shaving in the bathroom of his home. He was on his way to the 20th Century-Fox lot to complete final work on his last film, On the Threshold of Space (1956), when he was stricken.
The movie was released posthumously with John's role left intact. While no previous record of a heart ailment, per se, was ever uncovered, the hypertension that kept him out of the service, at a relatively young age, no doubt contributed to his death. It was an extreme shock to lose someone so relatively young, and even sadder for those he loved and left behind, including his 4-year-old daughter. Katrina Hodiak later became a composer, an actress and a theater director). John was interred at the Calvary Cemetery in Los Angeles.- Actor
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Rock Hudson was born Roy Harold Scherer, Jr. in Winnetka, Illinois, to Katherine (Wood), a telephone operator, and Roy Harold Scherer, an auto mechanic. He was of German, Swiss-German, English, and Irish descent. His parents divorced when he was eight years old. He failed to obtain parts in school plays because he couldn't remember lines. After high school he was a postal employee and during WW II served as a Navy airplane mechanic. After the war he was a truck driver. His size and good looks got him into movies. His name was changed to Rock Hudson, his teeth were capped, he took lessons in acting, singing, fencing and riding. One line in his first picture, Fighter Squadron (1948), needed 38 takes. In 1956 he received an Oscar nomination for Giant (1956) and two years later Look magazine named him Star of the Year. He starred in a number of bedroom comedies, many with Doris Day, and had his own popular TV series McMillan & Wife (1971). He had a recurring role in TV's Dynasty (1981) (1984-5). He was the first major public figure to announce he had AIDS, and his worldwide search for a cure drew international attention. After his death his long-time lover Marc Christian successfully sued his estate, again calling attention to the homosexuality Rock had hidden from most throughout his career.- Actress
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Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.- Actor
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James Mason was born in Huddersfield and had a film career spanning over 50 years during which he appeared in over 100 films in England and America but never won an Oscar. Whatever role he played, from the wounded Belfast gunman in Odd Man Out to Rommel in The Desert Fox, his creamy velvet voice gave him away. Like Charlie Chaplin James left the screen to spend his later life living in Switzerland. His first marriage had been to Pamela Kellino, a Yorkshire mill owner's daughter and his second to Australian actress Clarissa Kaye.- Actress
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She was a child prodigy and pianist at age 10. Her first movie was There's Magic in Music (1941) aka The Hard-Boiled Canary (1941), under the name Dolly (a short version of her real name, Dolores) Loehr. She signed a long-term contract with Paramount in 1942 and had her name changed to Diana Lynn. She had good parts in The Major and the Minor (1942), The Miracle of Morgan's Creek (1943), and Our Hearts Were Young and Gay (1944). She got fewer roles as she matured; she did do My Friend Irma (1949) and My Friend Irma Goes West (1950), based on the popular radio sitcom, and Bedtime for Bonzo (1951), and had a nice career on TV. Her first marriage was from 1948 to 1954 to architect John C. Lindsay (no children); then, on December 6, 1956, she married Mortimer C. Hall, president of L.A. radio station KLAC. His mother was Dorothy Schiff, then publisher of the New York Post. She had four children with him between 1958 and 1964. They moved to New York City so he could assume a post on his mother's paper. Diana Lynn passed away on December 17, 1971, of a stroke/brain hemorrhage in Los Angeles.- Actress
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Virginia Clara Jones was born on November 30, 1920 in St. Louis, Missouri, the daughter of a newspaper reporter and his wife. The family had a rich heritage in the St. Louis area: her great-great-great-grandfather served in the American Revolution and later founded the city of East Saint Louis, Illinois, located right across the Mississippi River from its namesake. Virginia was interested in show business from an early age. Her aunt operated a dance studio and Virginia began taking lessons at the age of six. After graduating from high school in 1937, she became a member of the St. Louis Municipal Opera before she was signed to a contract by Samuel Goldwyn after being spotted by an MGM talent scout during a Broadway revue. David O. Selznick gave her a screen test, but decided she wouldn't fit into films. Goldwyn, however, believed that her talent as an actress was there and cast her in a small role in 1943's Jack London (1943). She later had a walk-on part in Follies Girl (1943) that same year. Believing there was more to her than her obvious ravishing beauty, producers thought it was time to give her bigger and better roles. In 1944 she was cast as Princess Margaret in The Princess and the Pirate (1944), with Bob Hope and a year later appeared as Ellen Shavley in Wonder Man (1945). Her popularity increasing with every appearance, Virginia was cast in two more films in 1946, The Kid from Brooklyn (1946), with Danny Kaye, and The Best Years of Our Lives (1946), with Dana Andrews, and received good notices as Andrews' avaricious, unfaithful wife. Her roles may have been coming in slow, but with each one her popularity with audiences rose. She finally struck paydirt in 1947 with a plum assignment in the well-received The Secret Life of Walter Mitty (1947) as Rosalind van Hoorn. That same year she married Michael O'Shea and would remain with him until his death in 1973 (the union produced a daughter, Mary Catherine, in 1953). She got some of the best reviews of her career in James Cagney's return to the gangster genre, White Heat (1949), as Verna, the scheming, cheating wife of homicidal killer Cody Jarrett (Cagney). The striking beauty had still more plum roles in the 1950s. Parts in Backfire (1950), She's Working Her Way Through College (1952) and South Sea Woman (1953) all showed she was still a force to be reckoned with. As the decade ended, Virginia's career began to slow down. She had four roles in the 1960s and four more in the following decade. Her last role was as Lucia in 1997's The Man Next Door. She died on January 17, 2005.- Actor
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.- Actress
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Born in the Astoria section of Queens, New York City, Ethel Merman surely is the pre-eminent star of 'Broadway' musical comedy. Though untrained in singing, she could belt out a song like quite no one else, and was sought after by major songwriters such as Irving Berlin and Cole Porter. Having debuted in 1930 in "Girl Crazy, " she is yet remembered for her marvelous starring appearances in so many great musicals that were later adapted to the silver screen. Among the film versions, Merman herself starred in Anything Goes (1936) and Call Me Madam (1953). That wonderfully boisterous blonde, Betty Hutton, had the Merman lead in both Red, Hot and Blue (1949) and Annie Get Your Gun (1950). Besides Betty Hutton, other Merman screen stand-in roles include Lucille Ball, (in Du Barry Was a Lady (1943)), Ann Sothern, (in Panama Hattie (1942)), Vivian Blaine (in Something for the Boys (1944)) and Rosalind Russell (in Gypsy (1962)). (Russell could never render Stephen Sondheim and Jule Styne's "Everything's Coming Up Roses" the way the immortal Merman did, over and over again.) Ethel Merman's lifetime facts: her dare of birth, was on Thursday, January 16th, 1908 & her life expired on Wednesday, February 15th, 1984. Thursday, January 16th, 1908 & Wednesday, February 15th, 1984, differ 27,789 days, equaling 3,969 weeks & 6 days.- His five brothers all became policemen, encouraged on by their father, but Hartford-born Irish-American Michael O'Shea defied family tradition and turned to acting. Born on March 17, 1906, Michael dropped out of school at age 12 and went the vaudeville route, touring with his boxing idol Jack Johnson's show. He tried everything. During the Prohibition years, he became a comedian and emcee at speakeasies. He put together his own dance band, "Michael O'Shea and His Stationary Gypsies", and later broke into radio.
His career advanced with the legit stage, where he was billed for a time as "Eddie O'Shea". His noticeable performance in "The Eve of St. Mark" in 1942 led to a string of '40s films, notably as Barbara Stanwyck's boyfriend comic in Lady of Burlesque (1943). He also managed great reviews repeating his stage role in the film The Eve of St. Mark (1944). Other WWII-era films included the leading role opposite Anne Shirley in the romantic drama Man from Frisco (1944); a military man lead in the musical Something for the Boys (1944) in which he managed to show off a little of his Irish tenor in the song "Wouldn't It Be Nice?" with Vivian Blaine, Phil Silvers and Carmen Miranda; the male co-star in the Sonja Henie skating vehicle It's a Pleasure (1945); and lead and support roles in a string of crime dramas including Circumstantial Evidence (1945), Mr. District Attorney (1947), Violence (1947), Parole, Inc. (1948) and The Underworld Story (1950).
The father of two, Michael met his second wife, the beautiful actress Virginia Mayo, during the time he was filming the title role of Jack London (1943). They married four years later and had one daughter. The couple subsequently appeared on the stock stage together in such productions as "George Washington Slept Here", "Tunnel of Love" and Fiorello! One of those fine talents who did not make a big name for himself, Michael was out of films by 1952, but revitalized on TV and starred in the mild TV sitcom It's a Great Life (1954) also starring James Dunn, William Bishop, Frances Bavier and Barbara Bates playing a former GI trying to find a civilian job.
Interestingly, Michael became a plainclothes operative for the CIA after retiring from show business in the 1960s. He died suddenly of a heart attack in 1973. - Actress
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An acting career was always in the cards for Debra Paget (nee Debralee Griffin) and her siblings, coming from a show biz family and being the offspring of a "stage mother" anxious to get her kids into the movies. Paget's sister Teala Loring got her movie breaks in the 1940s, Lisa Gaye was a film and TV star in the 50s and 60s, and even brother Frank Griffin (acting as 'Ruell Shayne') landed some film jobs. Paget got a 20th Century-Fox contract at age 14 and her first role in the film noir Cry of the City (1948), her first of nearly 20 movies at the studio, mostly Westerns, swashbucklers and period musicals. Every inch (all five-foot-two of her) the Hollywood star, Paget retired from the screen after marrying a Chinese millionaire in 1962.- Actress
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Eleanor Jean Parker was born on June 26, 1922, in Cedarville, Ohio, the last of three children born to a mathematics teacher and his wife. Eleanor caught the acting bug early and began performing in school plays. She was was so serious about becoming an actor, that she attended the Rice Summer Theatre on Martha's Vineyard in Massachusetts, beginning when she was 15 years old. She was offered her first screen test by a 20th Century-Fox talent scout while attending Rice, but turned the opportunity down to gain professional stage experience in Cleveland after graduating from high school.
She moved on to California to continue her acting studies at the Pasadena Playhouse. It was there, while sitting in the audience of a play being put on at the Playhouse, that she was again offered a screen test - this time from a Warner Brothers' scout - and again declined, wanting to finish her first year at the Playhouse. When the year was up, Eleanor contacted Warner Brothers to take them up on their offer of a screen test and was signed as a contract player two days after it was shot.
She was cast in Raoul Walsh's They Died with Their Boots On (1941), but her performance was left on the cutting room floor.
She was then cast in short subjects and given other assignments typical of novice film actors, to enable them to learn their craft, such as voice-acting and appearances in other actors' screen tests. Finally, she was promoted to the B-picture unit, making her feature debut in Busses Roar (1942).
Her beauty meant she was not forgotten, and she was cast in one of Warner Brothers' biggest productions for the 1943 season, the pro-Soviet Mission to Moscow (1943), directed by Michael Curtiz and starring Walter Huston as the U.S. ambassador to the USSR. Eleanor played his daughter in the film, which became notorious in the McCarthy era for its glorification of "Uncle Joe" Stalin. The film proved significant to Eleanor, as she met a future husband on the set, Navy Lieutenant. Fred L. Losse, Navy dentist. The marriage was a brief wartime affair, lasting from March 21, 1943, to December 5, 1944.
She went back to the B's with The Mysterious Doctor (1943), then bounced back to the A-list for Between Two Worlds (1944), a remake of the Leslie Howard vehicle Outward Bound (1930) in which she played Paul Henreid's fiancee (both die from suicide, but in Hollywood logic that didn't mean they couldn't frolic together on the silver screen). Eleanor then made two more B-quickies in 1944, Crime by Night (1944) and The Last Ride (1944), before graduating to the A-list for good with Pride of the Marines (1945) with John Garfield.
In the 1946 Warner Bros. remake of Of Human Bondage (1946), she took the role that Bette Davis had made good in 1934 (ironically, at rival RKO). Though Parker would be gaining kudos and Oscar nominations by the beginning of the next decade, her portrait of Mildred was weak in comparison with Davis's dynamic performance.
Parker received the first of her three Best Actress Oscar nominations for playing a prisoner in Caged (1950), and won the best actress award at the Venice Film Festival. She was also nominated the next year for playing the cop's wife who shared a secret with the neighborhood abortionist in William Wyler's Detective Story (1951). Her third and last Oscar nod came for Interrupted Melody (1955), wherein she played an opera singer struck down by polio. She could easily have been nominated that same year for her portrayal of Frank Sinatra's faux crippled wife in Otto Preminger's brooding masterpiece The Man with the Golden Arm (1955), adapted from the novel by Nelson Algren.
Parker proved herself to be a supremely talented and very versatile lead actress. The versatility was likely one of the reasons she never quite became a major star. Audiences attending a movie starring Parker never knew quite what to expect of her; if they even remembered she was the same actress they had seen before in a different type of role in another picture. Her turns in Detective Story (1951) and The Man with the Golden Arm (1955) could not have been more different. Parker's stardom and subsequent fame (and remembrance) suffered from her focusing on being a serious actress and creating a character who fit the motion picture she was in, rather than playing a character over and over, as most actors do. She probably best remembered for the relatively tame part as the Baroness in The Sound of Music (1965).
She received an Outstanding Lead Actress Emmy nomination in 1963 for her appearance in The Eleventh Hour (1962) episode Why Am I Grown So Cold? Despite the success of The Sound of Music (1965) being completely attributed to #1 box office sensation Julie Andrews, it's probably Parker's best-remembered role.
Her appearances in such fare as The Oscar (1966) (the cast of which the Playboy Magazine reviewer derided as "has-beens and never-will-bes") and the movie adaptation of Norman Mailer's indescribable existential potboiler An American Dream (1966) with fellow Oscar-nominee Stuart Whitman signaled that Miss Parker was now inscribed on the list of the has-beens.
She had one last hurrah, winning a Golden Globe nomination in 1970 as best lead actress for her role in the TV series Bracken's World (1969), but unfortunately times had changed during the tumultuous 1960s. Her last film role was in a Farrah Fawcett bomb, Sunburn (1979). Subsequently, she appeared very infrequently on TV, most recently in Dead on the Money (1991).
Eleanor Parker retired far too soon for those who were her fans, and those who appreciated a superb actress.- Actress
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Green-eyed beauty Jean Elizabeth Peters flashed across the screen as a bright star during her relatively brief tenure in Hollywood. After just seven years under contract to 20th Century-Fox (1947-54), she joined in the reclusive lifestyle of her eccentric billionaire husband, Howard Hughes, and all but vanished from public view.
Jean was born in Canton, Ohio, in October of 1926. Her father died when she was ten years old. Her mother owned a tourist camp on the outskirts of town and there was enough money around to send Jean to college. She received the latter part of her tertiary education at Ohio State University and graduated with a diploma qualifying her as an English teacher. A campus popularity contest she won ended her plans as an English teacher because it came with a trip to Hollywood and a screen test. In short order, "Miss Ohio State University" was offered a seven-year contract at 20th Century-Fox with a starting salary of $150 a week.
After being picked by Darryl F. Zanuck to co-star opposite Tyrone Power in the studio's splashy big-budget swashbuckler Captain from Castile (1947), Jean came to the attention of Howard Hughes. She discreetly dated him for the remainder of the decade and continued to live an unpretentious lifestyle, rarely seen in public and eschewing the Hollywood nightlife and parties. A self-confessed tomboy, she rarely wore make-up in private and preferred to dress in jeans rather than glamorous gowns. She and her mother lived in a smallish bungalow in Bel-Air, paid for by Hughes. After relative success in her second feature, Deep Waters (1948), she became increasingly dissatisfied with the prissy roles she was assigned in her subsequent efforts. She was no shrinking violet when it came to defending her interests: she refused outright to appear in Yellow Sky (1948) (a part she thought as "too sexy") and Sand (1949), and her contract was consequently terminated. She returned to farm life in Ohio, but was back in New York in 1951 to be screen-tested by Elia Kazan for the epic biopic of Mexican revolutionary hero Emiliano Zapata in Viva Zapata! (1952), shot on location in Mexico with Marlon Brando in the lead.
Fox wisely used Jean during the next few years for similarly unglamorous outdoor roles, notably as the titular heroine of Anne of the Indies (1951), a tempestuous girl living in the Georgia swamps in Lure of the Wilderness (1952), a gum-chewing dame innocently involved in espionage in Samuel Fuller's Pickup on South Street (1953) and as Burt Lancaster's Indian squaw in the hard-hitting western Apache (1954). She got good notices in all of these films and was now recognized as a major star. As a result, she was cast in the prestigious film noir Niagara (1953), opposite Joseph Cotten and Marilyn Monroe (both of whom she befriended) and the Spencer Tracy western Broken Lance (1954). Under a new contract with Fox, Jean was now no longer in a position to refuse an assignment and, though basically unhappy with her part in Three Coins in the Fountain (1954), the picture proved to be one of her most popular pictures to date. Her next film, A Man Called Peter (1955), was to be her swan song. Following a 33-day marriage to a Texan oilman which ended in a whirlwind divorce, Jean finally married Howard Hughes in a secret ceremony and left public life for the next 13 years. She never gave interviews and retreated to an isolated hilltop mansion above the Santa Monica Mountains. In 1969 she resurfaced, studying for a degree in sociology at UCLA under an assumed name.
When Jean's marriage to Hughes ended in June 1971, the actress settled for the relatively modest sum of $70,000 a year and happily waived any further claims on the estate. That same year she got married for the third time, to 20th Century-Fox vice-president Stan Hough. Her screen career was briefly resuscitated when she was cast in the miniseries Arthur Hailey's the Moneychangers (1976) and she was last seen in an episode of Murder, She Wrote (1984). She devoted her final years to charitable causes and never spoke in public about her years with Howard Hughes.- Actor
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Ezio Pinza was born on May 18, 1892 in Rome, Lazio, Italy as Fortunato Pinza. He was an actor, known for the Broadway play, South Pacific, movies, Mr. Imperium (1951) and Tonight We Sing (1953). He was married to Doris Leak and Augusta Casinelli. He died on May 9, 1957 in Stamford, Connecticut, USA.- Actress
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Jane Powell was singing and dancing at an early age. She sang on the radio and performed in theaters before her screen debut in 1944. Through the 1940s and 1950s, she had a successful career in movie musicals. However, in 1957, Jane's career in films ended, as she had outgrown her innocent girl-next-door image. She made brief returns to acting in front of the camera -- on television, in commercials, and in a workout video. She also had a variety of roles on stage after the end of her movie career, including the musicals "South Pacific," "The Sound of Music," "Oklahoma!," "My Fair Lady," "Carousel," and a one-woman show "The Girl Next Door and How She Grew," from which she took the title of her 1988 autobiography.- Actor
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Dale Robertson, the actor who made his name in television Westerns in the 1950s and '60s, was born on July 14, 1923, in Harrah, Oklahoma. After serving in a tank crew and in the combat engineers in North Africa and Europe during World War II, the twice-wounded Robertson started his acting career while still on active duty in the U.S. Army. While stationed at San Luis Obispo, California, had a photograph taken for his mother. A copy of the photo displayed in the photo shop window attracted movie scouts, and the six foot tall, 180-lb. Robertson soon was on his way to Hollywood. Will Rogers Jr., whose father is the most famous son of Oklahoma, told him to avoid formal training and keep his own persona. Robertson took his advice and avoided acting classes.
Robertson was typecast in Western movies and TV shows when the genre was still America's favorite. He headlined two TV series, Tales of Wells Fargo (1957), in which he played the roving trouble-shooter Jim Hardie, and Iron Horse (1966), in which he won a railway in a poker game. He also served as one of the hosts, along with Ronald Reagan, of the syndicated series Death Valley Days (1952) during the 1960s. Robertson later appeared in the inaugural season of Dynasty (1981).
Robertson is a recipient of the Golden Boot Award in 1985, and was inducted into the Hall of Great Western Performers and the Cowboy Hall of Fame in Oklahoma City. He is retired on a ranch near Oklahoma City, not far from his birthplace of Harrah.- Actor
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George Sanders was born of English parents in St. Petersburg, Russia. He worked in a Birmingham textile mill, in the tobacco business and as a writer in advertising. He entered show business in London as a chorus boy, going from there to cabaret, radio and theatrical understudy. His film debut, in 1936, was as Curly Randall in Find the Lady (1936). His U.S. debut, the same year, with Twentieth Century-Fox, was as Lord Everett Stacy in Lloyd's of London (1936). During the late 1930s and early 1940s he made a number of movies as Simon Templar--the Saint--and as Gay Lawrence, the Falcon. He played Nazis (Maj. Quive-Smith in Fritz Lang's Man Hunt (1941)), royalty (Charles II in Otto Preminger's Forever Amber (1947)), and biblical roles (Saran of Gaza in Cecil B. DeMille's Samson and Delilah (1949)). He won the 1950 Academy Award for Best Supporting Actor as theatre critic Addison De Witt in Joseph L. Mankiewicz's All About Eve (1950). In 1957 he hosted a TV series, The George Sanders Mystery Theater (1957). He continued to play mostly villains and charming heels until his suicide in 1972.- Actress
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Ernestine Jane Geraldine Russell was born on June 21, 1921, in Bemidji, Minnesota. Her father was a United States Army lieutenant and her mother had been a student of drama and an actress with a traveling troupe. Once Mr. Russell was mustered out of the service, the family took up residence in Canada but moved to California when he found employment there. The family was well-to-do and although Jane was the only girl among four brothers, her mother saw to it that she took piano lessons. In addition to music, Jane was interested in drama much as her mother had been and participated in high school stage productions. Upon graduation, Jane took a job as a receptionist for a doctor who specialized in foot disorders. Although she had originally planned on being a designer, her father died, and she had to go to work to help the family. Jane modeled on the side and was very much sought-after especially because of her figure.
She managed to save enough money to go to drama school, with the urging of her mother. She was signed by Howard Hughes for his production of The Outlaw (1943) in 1941, the film that was to make Jane famous. The film was not a classic by any means but was geared through its marketing to show off Jane's ample physical assets rather than acting abilities. Although the film was made in 1941, it was not released until two years later and then only on a limited basis due to the way the film portrayed Jane's assets. It was hard for the flick to pass the censorship board. Finally, the film gained general release in 1946. The film was a smash at the box office.
Jane did not make another film until 1945 when she played Joan Kenwood in Young Widow (1946). She had signed a seven-year contract with Hughes, and it seemed the only films he would put her in were those that displayed Jane in a very flattering light due to her body. Films such as His Kind of Woman (1951) and The Las Vegas Story (1952) did nothing to highlight her true acting abilities. The pinnacle of her career was in Gentlemen Prefer Blondes (1953) as Dorothy Shaw, with Marilyn Monroe. This film showed Jane's comedic side very well. Jane did continue to make films throughout the 1950s, but the films were at times not up to par, particularly with Jane's talents being wasted in forgettable movies to show off her sexy side. Films such as Gentlemen Marry Brunettes (1955) and The Revolt of Mamie Stover (1956) did do Jane's justice and were able to show exactly the fine actress she was.
After The Fuzzy Pink Nightgown (1957) (a flop), Jane took a hiatus from films, to dabble a little in television, returning in 1964 to film Fate Is the Hunter (1964). Unfortunately, the roles were not there anymore as Jane appeared in only four pictures during the entire decade of the 1960s. Her last film of the decade was The Born Losers (1967). After three more years away from the big screen, she returned to make one last film called Darker Than Amber (1970). Her last play before the public was in the 1970s when Jane was a spokesperson for Playtex bras. Had Jane not been wasted during the Hughes years, she could have been a bigger actress than what she was allowed to show. Jane Russell died at age 89 of respiratory failure on February 28, 2011, in Santa Maria, California.- Music Artist
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Frank Sinatra was born in Hoboken, New Jersey, to Italian immigrants Natalina Della (Garaventa), from Northern Italy, and Saverio Antonino Martino Sinatra, a Sicilian boxer, fireman, and bar owner. Growing up on the gritty streets of Hoboken made Sinatra determined to work hard to get ahead. Starting out as a saloon singer in musty little dives (he carried his own P.A. system), he eventually got work as a band singer, first with The Hoboken Four, then with Harry James and then Tommy Dorsey. With the help of George Evans (Sinatra's genius press agent), his image was shaped into that of a street thug and punk who was saved by his first wife, Nancy Barbato Sinatra. In 1942 he started his solo career, instantly finding fame as the king of the bobbysoxers--the young women and girls who were his fans--and becoming the most popular singer of the era among teenage music fans. About that time his film career was also starting in earnest, and after appearances in a few small films, he struck box-office gold with a lead role in Anchors Aweigh (1945) with Gene Kelly, a Best Picture nominee at the 1946 Academy Awards. Sinatra was awarded a special Oscar for his part in a short film that spoke out against intolerance, The House I Live In (1945). His career on a high, Sinatra went from strength to strength on record, stage and screen, peaking in 1949, once again with Gene Kelly, in the MGM musical On the Town (1949) and Take Me Out to the Ball Game (1949). A controversial public affair with screen siren Ava Gardner broke up his marriage to Nancy Barbato Sinatra and did his career little good, and his record sales dwindled. He continued to act, although in lesser films such as Meet Danny Wilson (1952), and a vocal cord hemorrhage all but ended his career. He fought back, though, finally securing a role he desperately wanted--Maggio in From Here to Eternity (1953). He won an Oscar for best supporting actor and followed this with a scintillating performance as a cold-blooded assassin hired to kill the US President in Suddenly (1954). Arguably a career-best performance--garnering him an Academy Award nomination for Best Actor--was his role as a pathetic heroin addict in the powerful drama The Man with the Golden Arm (1955).
Known as "One-Take Charlie" for his approach to acting that strove for spontaneity and energy, rather than perfection, Sinatra was an instinctive actor who was best at playing parts that mirrored his own personality. He continued to give strong and memorable performances in such films as Guys and Dolls (1955), The Joker Is Wild (1957) and Some Came Running (1958). In the late 1950s and 1960s Sinatra became somewhat prolific as a producer, turning out such films as A Hole in the Head (1959), Sergeants 3 (1962) and the very successful Robin and the 7 Hoods (1964). Lighter roles alongside "Rat Pack" buddies Dean Martin and Sammy Davis Jr. were lucrative, especially the famed Ocean's Eleven (1960). On the other hand, he alternated such projects with much more serious offerings, such as The Manchurian Candidate (1962), regarded by many critics as Sinatra's finest picture. He made his directorial debut with the World War II picture None But the Brave (1965), which was the first Japanese/American co-production. That same year Von Ryan's Express (1965) was a box office sensation. In 1967 Sinatra returned to familiar territory in Sidney J. Furie's The Naked Runner (1967), once again playing as assassin in his only film to be shot in the U.K. and Germany. That same year he starred as a private investigator in Tony Rome (1967), a role he reprised in the sequel, Lady in Cement (1968). He also starred with Lee Remick in The Detective (1968), a film daring for its time with its theme of murders involving rich and powerful homosexual men, and it was a major box-office success.
After appearing in the poorly received comic western Dirty Dingus Magee (1970), Sinatra didn't act again for seven years, returning with a made-for-TV cops-and-mob-guys thriller Contract on Cherry Street (1977), which he also produced. Based on the novel by William Rosenberg, this fable of fed-up cops turning vigilante against the mob boasted a stellar cast and was a ratings success. Sinatra returned to the big screen in The First Deadly Sin (1980), once again playing a New York detective, in a moving and understated performance that was a fitting coda to his career as a leading man. He made one more appearance on the big screen with a cameo in Cannonball Run II (1984) and a final acting performance in Magnum, P.I. (1980), in 1987, as a retired police detective seeking vengeance on the killers of his granddaughter, in an episode entitled Laura (1987).- Actress
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Strikingly attractive, but troubled Irish leading lady of the 1950's, born to a struggling family in Limerick. Constance's is, perhaps, one of the more lurid and tragic tales of a promising career ending up on the skids. It began with her winning a 1946 look-alike competition in a Dublin movie magazine, touting her as a dead ringer for Hedy Lamarr. A successful screen test with the Rank Organisation followed. In the process of being groomed by the Rank 'charm school', Constance first demonstrated her fiery temperament and unwillingness to tow the line. This quickly got her fired. Moving to London, she made ends meet by appearing in supporting roles in several British films. A small part as a maid in The Mudlark (1950) got her noticed in Hollywood and she was signed, with much fanfare and publicity, under contract to 20th Century Fox. Again, Constance clashed with producers and executives, starting with her refusal to change her surname from 'Smith' to something, presumably more memorable to movie-going audiences. She later claimed to have been the victim of casting couch politics -- an assertion, which, given her looks, and the fact that Darryl F. Zanuck was Fox's head of production at the time, is not entirely implausible.
Briefly in the limelight as a presenter at the 1952 Academy Awards, she was featured in a string of B-movies, including Red Skies of Montana (1952), Treasure of the Golden Condor (1953) and the thriller Man in the Attic (1953). Whether too emotionally frail to mount the pressures of stardom, or simply not talented enough to be thought of as star material, Constance never made it beyond leading lady status. By the time her contract expired in 1953, she had undergone an abortion forced upon her by the studio, and the first of her three marriages was on the ropes. As the years went on and she failed to get the parts she felt were commensurate to her abilities, she began an embittered descent into a life of drugs and alcohol. Constance last acted in a brace of minor films made in Italy between 1955 and 1959, including a role as Lucretia Borgia in Conspiracy of the Borgias (1959). None of these did anything to resuscitate her failing career. During her time in Rome, she first attempted suicide by overdosing on barbiturates.
Worse was to come: in 1962 and 1968, she was twice sentenced to brief prison terms for attempting to stab her partner, documentary filmmaker and film historian Paul Rotha. She also tried several more times to kill herself. Her last decades were spent, dissipated, in and out of hospitals. When able to get herself together for brief periods, she worked as a cleaner. Constance died, in obscurity, as an alcoholic on a street in Islington, London. As Irish author and blogger Sharon Slater wrote of Smith, 'a sadder end is hard to imagine.'- Actress
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One of Hollywood's more talented and watchable stars on screen was sullen and thin 50s actress Jan Sterling who didn't quite reach the top echelon of stardom but certainly ensured audiences of a real good time with her sexy pout and flashy style in soaps, film noir and saucy comedy.
Jan was born Jane Sterling Adriance in Manhattan in 1921 to a well-to-do family. Her father was a prominent advertising executive who divorced her mother when the girl was only eight years old. Her mother remarried (to an oilman) when Jan was still a youngster and the family relocated abroad where Jan was schooled by private tutors in Brazil, then later in London and Paris.
Although both sets of parents disapproved, Jan, who by this time possessed a strong British accent, set her sites on acting and was eventually enrolled in Fay Compton's dramatic school in London. A strong-minded young lady with a heartfelt passion for the arts, she returned to Manhattan to conquer Broadway and by the age of 17 had found her first ingénue role in "Bachelor Born," playing (naturally) a young British lady. Over the next 11 years, Jan dominated Broadway as proper British ladies while billing herself as "Jane Adrian."
One of her highlights was working with the legendary Ruth Gordon in 1942 in Gordon's first play entitled "Over 21." As Billie Dawn in the Chicago company of "Born Yesterday," Jan bowled over the critics and seemed almost a shoo-in to do the 1950 film version but she lost out in the end to Judy Holliday. The ash-blonde broke quickly into films supporting Oscar-winning Jane Wyman in Johnny Belinda (1948) in a key, emotional role.
To her absolute delight, she left the docile, ladylike image behind her and was allowed to dig her nails into a florid array of cheap floozies, hard-bitten dames, and lethal schemers and stood out well with 'bad girl' parts in the films Caged (1950), Ace in the Hole (1951), Flesh and Fury (1952), The Human Jungle (1954), and Female on the Beach (1955). In between she occasionally made a nicer, or at least a more sympathetic, impression in the movies Sky Full of Moon (1952) and The High and the Mighty (1954), the latter earning her an Oscar nomination.
Married to and divorced from actor John Merivale in the 1940s, Jan later married gruff film star Paul Douglas in 1950. The couple moved away from the Hollywood scene in Burlington, Vermont. The couple appeared together professionally on occasional TV shows and Douglas revived his "Born Yesterday" Harry Brock role with a stage tour starring Jan in the Billie Dawn part. It and they were a solid hit.
Jan's career slowed down considerably after the sudden death of her 52-year-old second husband in 1959. He suffered a massive heart attack at their Hollywood home. She refocused on stage and TV but at a slower step. Incidental filming occurred on occasion, including support roles in Love in a Goldfish Bowl (1961) and The Incident (1967). She also involved herself in humanitarian causes. In the late 1960s she moved to London, England and in the 1970s, she entered into a strong personal relationship with actor Sam Wanamaker. An isolated film role came her way with a small part in First Monday in October (1981). They never married but stayed together until his death in 1993.
Inactive for nearly two decades, Jan made an appearance at the Cinecon Film Festival in Los Angeles in the fall of 2001, still charming audiences at the age of 80. On 26 March 2004, she passed away at the Motion Picture and Television Hospital in Woodland Hills, California. She was 82.- Actor
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R.J. Wagner was born 1930 in Detroit, the son of a steel executive. His family moved to L.A. when he was six. Always wanting to be an actor, he held a variety of jobs (including one as a golf caddy for Clark Gable) while pursuing his goal, but it was while dining with his parents at a Beverly Hills restaurant that he was discovered by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). In the mid-'60s, however, his film career skidded to a stop after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979 through 1984 and has since been sporadically revived in TV-movie form (another series, Lime Street (1985), was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith). Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in Austin Powers: International Man of Mystery (1997) and its sequels, and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003). Wagner is married to Jill St. John and lives in Aspen.- Actress
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Vera-Ellen began dancing at the age of 10, and a few years later became one of the youngest Rockettes. She appeared in several Broadway musicals until she was spotted by film producer Samuel Goldwyn in 1945. She was only 24 years old when Goldwyn cast her opposite Danny Kaye in Wonder Man (1945). She danced with Fred Astaire in Three Little Words (1950) and with Gene Kelly in On the Town (1949). Blonde, slim of build, and a dancing sensation, she appeared in a string of light-hearted but successful films. Vera-Ellen retired from acting in the late 1950s.- Actor
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His father was an insurance executive; his mother died when he was four. He attended Western Michigan University then worked as a statistician in Cleveland where he joined a Shakespeare repertory company. Two years later he had a minor role in "The American Way" in New York. He was rejected by the army in World War II but volunteered as an ambulance driver in North Africa. He returned to critical acclaim on Broadway (Arthur Miller, Eugene O'Neill). He was the earned a Tony award for acting ("Finian's Rainbow", 1947) for Best Featured Actor in a Musical. He moved to Los Angeles in 1977 though his movie credits go back to Portrait of Jennie (1948) and Adam's Rib (1949). Among his many television roles were a bank official in his own comedy series, Norby (1955), James Merrick, a heart patient in the episode Heartbeat (1957), the part of Inspector Queen in the Manfred Lee's Ellery Queen (1975) series and of "Digger" Barnes in Dallas (1978). In his last feature film, he played an inquisitive but slightly senile train conductor in the irreverent comedy, " Finders Keepers"(1985).- Actor
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Already trained in dance and theater, he quit school at age 13 to study music and painting. By 19 he was a professional ballroom dancer in New York, and by his mid-twenties he was performing in musicals, dramas on Broadway and in London, and in silent movies. His first real success in film came in middle age as the classy villain Waldo Lydecker in Laura (1944), followed by the part of Elliott Templeton in The Razor's Edge (1946) - both of which won him Oscar nominations. His priggish Mr. Belvedere in a series of films was supposedly not far removed from his fastidious, finicky, fussy, abrasive and condescending real-life persona. He was inseparable from his overbearing mother Maybelle, with whom he lived until her death at 91, six years before his own death. The recent success of Titanic (1997) created brief interest due his having appeared with Barbara Stanwyck in the 1953 version of the story. He is interred at Abbey of the Psalms, Hollywood Memorial Cemetery (now known as Hollywood Forever).