The Works of Director Edgar Wright
One of my Favorite Directors! It's a shame that he never got to do his version of Ant-Man (Thanks a bunch, Perlmutter!)!
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- DirectorEdgar WrightStarsAmy BowlesGregory CurtisMartin CurtisThis home movie features a cop named Barry Stern who has to hunt down a serial killer. In the style of Dirty Harry meets Airplane.
- DirectorEdgar WrightStarsGraham LowMartin CurtisOli van der VijverA comic western about a cowboy who seeks a wanted and evil man who caused for the death of his beloved horse Easy.
- StarsJulian BarrattAdam BloomNorman LovettSurreal black comedy about an assortment of odd characters trapped in an asylum in the quiet English countryside. It is run by staff whose sanity is decidedly suspect, as proved by their admission of the local pizza-delivery boy for trumped-up reasons. As the patients try bizarre escapes, is the whole thing is a massive experiment, or just a cruel hoax?
- StarsSimon PeggJessica HynesJulia DeakinFriends Tim and Daisy, 20-something North Londoners with uncertain futures, must pretend to be a couple to live in the only apartment they can afford.Season: 1
- StarsSimon PeggJessica HynesJulia DeakinFriends Tim and Daisy, 20-something North Londoners with uncertain futures, must pretend to be a couple to live in the only apartment they can afford.Season: 2
- DirectorEdgar WrightStarsSimon PeggNick FrostKate AshfieldThe uneventful, aimless lives of a London electronics salesman and his layabout roommate are disrupted by the zombie apocalypse.Writer: Edgar Wright
Producer: Nira Park
Writer: Simon Pegg
EPs: Tim Bevan, Eric Fellner, Natascha Wharton
Exec Producers: James Wilson, Alison Owen
Cinematographer/"A" Operator: David M. Dunlap
Cinematographer, Video Unit: Jon Wood
Cinematographer, Effects Unit: Tom Debenham
Production Designer: Marcus Rowland
Film Editor: Chris Dickens ACE
Hair & Make-Up Designer: Jane Walker
Costume Designer: Annie Hardinge
Line Producer: Ronaldo Vasconcellos
Composers & Performers, Original Score: Daniel Mudford, Pete Woodhead
Music Supervisor: Nick Angel
Casting Director: Jina Jay
Production Manager: Karen Beaver
First Assistant Director: Richard Hewitt
Production Accountant: Rachel Plose
Sound Recordist: Simon Hayes
Post Production Supervisor: Jeanette Haley
Chief Operating Officer, WT²: Angela Morrison
Exec in Charge of Prod, WT²: Michelle Wright
Production Executive, WT²: Sarah-Jane Wright
WT² Head of Development: Rachel Prior
Executive Co-Ordinator, WT²: Ann Lynch
Music Coordinator, WT²: Alexandra Hill
Production Co-Ordinator: James Biddle
Assist Production Co-Ordinator: Ken MacDonald
Second Assistant Director: Toby Hosking
Third Assistant Director: Jonny Benson
Production Floor Runner: Daniel Precious
Production Base Runner: Paul Melton
Location Manager: Sarah Lee
Unit Manager: Gary Pickering
Location Assistants: Nick Clark, Jim Rickard
Supervising Art Director: Karen Wakefield
Standby Art Director: Richard Field
Art Department Assistant: Kathy Heaser
Storyboard Artist: Oscar Wright
Prop Master: David Springer Horrill
SE UK Special Effects Supervisor: Paul Dunn
SE UK Special FX Techs: Cat Hart, Luke Marcel
AEI Prosthetic Effects Designer: Stuart Conran
AEI Prosthetic Make-Up Lead: Stuart Bray
AEI Prosthetic Effects Technician: Daniel Fyre
Supervising Armourer: Joss Skottowe
Assistant Costume Designer: Phil Lester
"A" First Assistant Camera: Chyna Thompson
"A" Second Assistant Camera: Pete Bateson
Video Asst Op & "B" Second Asst: Star Hart
"B" Camera Trainee: Chris Clark
First Steadicam Ops: David Carey, Paul Edwards
Steadicam / "B" Camera Operator: Tony Jackson
Fourth Steadicam Operator: Rupert Power
Fifth Steadicam Operator: Roger Tooley
Lighting Cameraman, AP/ "B" Op: Mark Moriarty
"B" Camera First Assistant: Tammo Van Horn
"B" Camera Video Assist Operator: Julia Curtin
Key Grip: Paul Hatchman
Gaffer: Paul Slatter
Rigging Gaffer: Pat Miller
First Assistant Editor: Catriona Richardson
FT2 Trainee Editor: Ian Cunningham
Trainee Film Editor: Lucinda Glover
Post Production Co-Ordinator: Lucie Graves
Production Choreographer: Litza Boxler
Senior Casting Assistant: Dixie Chassay
Junior Casting Assistant: Nock Forgacs
Stunt Co-Ordinator: Jeff Hewitt-Davis
Unit Publicist: Stacey Mann
Health & Safety Officer: Roger Kendall
Consultant Optician: Nilesh Rai
Transport Captain: Barrie Williams
Line Producer, Additional Photog: Mark Hudson
First AD, Additional Photography: Julian Hearne
Second AD, Additional Photog: Andrew McEwan
Production Co-Ordinator, AP: Charlotte Bloxam
Location Manager, Additional Photog: Nick Oliver
Production Buyer, Add'l Photog.: Sarah Lovett
"A" Camera Operator, AP: John Palmer SOC
"A" First Assistant Camera, AP: Craig Bloor
"B" First Assistant Camera, AP: Clive Prior
"A" Second Assistant Camera, AP: Jason Burman
"B" Second Assist. Camera, AP: Glenn Coulman
Loader, Additional Photography: Steve Evans
Military Advisor, Add'l. Photog.: Rhidian Bridge
Video Unit Art Dept. Assistant: Oli Van Der Vijver
Video Unit "A" Camera Assistant: Craig Loveridge
Main Title Design Supervisor: Oscar Wright
DNEG Visual Effects Supervisor: Jeremy Hattingh
DNEG Visual FX Prods: Alex Hope, Hal Couzens
DNEG Visual FX Co-Ordinator: Claudia Dehmel
DNEG Digital Composite Leads: Paul Riddle, Jody Johnson
DNEG 3D Animator: Pieter Warmington
DNEG 3D Matchmover: Alison Wortman
DNEG Visual FX Editorial: Andy Hague, Jen Wood
DNEG Studio Manager: Pete Hanson
MPC Head of Production: Michael Elson
MPC Producers: Begoña Lopez, Matt Bristowe
MPC Colourists: Giles Livesey, Max Horton
Dolby Sound Consultant: Alex Hudd
Executive in Charge of Music: Kathy Nelson
Original Score Mixer: Andy Richards
Music Consultant: Kristen Lane
Filming Dates: May 2003 - July 2003, 2004 (AP)
Cameras: Arricam LT, ST, Arriflex 235, 453 ES & 535B (35mm Kodak Vision2 500T 5218)
Lenses: Cooke S4 Primes
AR: 1.78:1 (3-Perf S35mm: Negative Ratio), 2.39:1 (Final Theatrical Ratio)
Budget: 6.1 Million USD
Budget AFI (2021): 8.6 Million USD
Printed on: Kodak Vision 2383
Produced in Association with: Inside Track 2 LLP
Originally Developed with the Assistance of: Film Four
Special Effects Provided by: Special Effects UK
Prosthetics by: Animated Extras International
Digital Visual Effects by: Double Negative
Digital Film Master by: Moving Picture Company
Original Score Mixed at: Out of Eden, London
Originated on Motion Picture Film Supplied by: Kodak Motion Picture Film
Attribute: Camera & Grip Equipment by Arri Media - DirectorEdgar WrightStarsSimon PeggNick FrostMartin FreemanAn overachieving London police sergeant is transferred to a village where the easygoing officers object to his fervor for regulations, all while a string of grisly murders strikes the town.Writer: Edgar Wright
Producers: Nira Park, Tim Bevan, Eric Fellner
Writer: Simon Pegg
Executive Producer: Natascha Wharton
Line Producer: Ronaldo Vasconcellos
Cinematographer: Jess Hall ASC BSC
Cinematographer, Add'l Filming: Ashley Rowe
Cinematographer, VFX - Additional Crew: Simon Margetts
Production Designer: Marcus Rowland
Film Editor: Chris Dickens ACE
Costume Designer: Annie Hardinge
Hair & Make-Up Designer: Jane Walker
Composer: David Arnold
Composer, Additional Music: Michael Price
Music Supervisor: Nick Angel
Casting Director: Nina Gold
Associate Producer: Karen Beever
Production Manager: James Biddle
Post Production Supervisor: Tania Blunden
First Assistant Director: Mike Elliott
Second Unit Director: Jeremy Lovering
Location Manager: Ben Gladstone
'A' Camera/Steadicam Operator: Peter Robertson
Second Unit Director of Photog.: Mark Moriarty
Sound Recordist: Richard Flynn
Art Director: Dick Lunn
Stunt Co-Ordinator: Paul Herbert
Production Accountant: Rachel Plose
Post Production Accountant: Tarn Harper
Lead Visual Effects Supervisor: Richard Briscoe
Supervising Sound Editor: Julian Slater
Re-Recording Mixer: Nigel Heath
First Assistant Editor: Catriona Richardson
Additional Film Editor: Jonathan Amos ACE
Chief Operating Officer, WTF: Angela Morrison
Exec in Charge of Prod, WTF: Michelle Wright
Production Executive, WTF: Sarah-Jane Robinson
Executive Co-Ordinator, WTF: Ann Lynch
Asst Production Co-Ordinator, WTF: Jessica Forte
Development Co-Ordinator, WTF: Hannah Farrell
Music Co-Ordinator, WTF: Vicki Williams
Development Executive, BTP: Jess Weetch
Production Co-Ordinator: Nicky Earnshaw
Assistant Production Co-Ordinator: Cuong Dang
Second Assistant Director: Anthony Wilcox
Third Assistant Director: Dan Channing-Williams
Key Set Runner: Zoe Liang
Production Base Runner: Laura Windebank
Assistant Location Manager: Tom Stourton
Unit Manager: John David Gunkle
Locations Assistant: Asha Sharma
"A" Camera Focus Puller: Carlos De Carvalho
"A" Camera Clapper Loader: Chris Dale
"B" Camera Focus Puller: Rawdon Hayne
"B" Camera Clapper Loader: Iain Mackay
FT2 Camera Trainee: Chris McAleese
Kodak Look Management Operator: Tom Balogh
Video Assist Operator: Nick Kenealy
Aerial Unit DoP/'A' Operator: Jeremy Braben BSC
"A" Camera Grip: Nick Ray
"B" Camera Grip: Andy Edridge
Stand By Art Director: Richard Field
Assistant Art Director: Michael Smale
Graphic Designer: Jenny Bowers
Storyboard Leads: Oscar Wright, Jonathan Maris
Set Decorator: Liz Griffiths
Propmaster: David Springer Horrill
Post Production Co-Ordinator: Aisha Bicknell
Production VFX Editor: Steve Mercer
Second AEs: Kathryn Morey, Ben Renton
Assistant Costume Designer: Phil Lester
Wardrobe Supervisor: Sheena Gunn
Action Vehicles Co-Ordinator: Martin Alderdice
Action Vehicles Assistant: Paul Hutchinson
Main Unit Gaffer: Andrew Duncan
Second Unit Gaffer: Steve Foster
Rigging Gaffer: Bernie Prentice
Production Choreographer: Eleanor Fazan
Unit Publicist: Diane Kelly
Behind the Scenes/Blogs: Dan Mudford
Second Unit DoP, Additional Crew: Peter Field
Additional Third Assistant Director: Samar Pollitt
Additional Camera Operator: Simon Baker
"C" Additional Focus Puller: John Gamble ACO
ARTEM Lead Supervisor: Mike Kelt
ARTEM Build Sup, Miniatures Crew: Peter Simons
DNEG Visual Effects Producer: Steve Garrad
DNEG Visual Effects Co-Ordinator: Sona Pak
DNEG Digital CG Supervisor: Pete Bebb
DNEG Digital Compositor: Scott Pritchard
DNEG Digital 2D Compositor: Ian Simpson
DNEG Digital Matte Painting Lead: Imery Watson
F CFC Senior Finishing Colourist: Asa Shoul
F CFC Additional Colourist: Brian Krijgsman
F CFC Senior Finishing Producer: Sarah Micallef
F CFC Senior Production Manager: Mike Morrison
F CFC Scan & Recording Manager: Andy Burrow
Framestore CFC Editorial Lead: Gavin Round
Executive in Charge of Music: Kathy Nelson
Score Orchestrator & Conductor: Nicholas Dodd
Production Music Editor: Dina Eaton
Score Recordist & Mixer: Geoff Foster
Music Consultants: Kristen Lane, Charles Lane
Prosthetic Consultant: Greg Nicotero
Filming Dates: 15 March 2006 - Sept. 2006, 2007 (Additional Filming)
Cameras: Arricam LT, ST, Arriflex 235 & 435 (35mm Kodak Vision2 500T 5218)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.35:1 (Super 35mm)
Budget: 12 Million USD
Budget AFI (2021): 15.4 Million USD
Produced in Association with: Ingenious Film Partners 2 LLP
Special Effects Provided by: ARTEM
Digital Visual Effects by: Double Negative
Digital Intermediate by: Framestore CFC
Score Recorded & Mixed at: Air Lyndhurst, London
Shot on: Kodak Motion Picture Film
Filmed on Location in: London & Wells, Somerset
Attribute: Camera & Grip Equipment by Arri Media - DirectorEdgar WrightStarsNick FrostRafe SpallLee InglebyParody of the British horrors movie trailers.
- DirectorEdgar WrightStarsMichael CeraMary Elizabeth WinsteadKieran CulkinIn a magically realistic version of Toronto, a young man must defeat his new girlfriend's seven evil exes one by one in order to win her heart.Producer & Screenwriter: Edgar Wright
Producers: Marc Platt, Eric Gitter, Nira Park
Casting: Allison Jones, Robin D. Cook CSA, Jen Euston CSA
Composer, Executive Music Producer, Score Performer, Recordist & Mixer: Nigel Godrich
Composer, Add'l Music/Music Editor: Steven Price
Music Supervisor: Kathy Nelson
Co-Prods: Joe Nozemack, Lisa Gitter, Steven V. Scavelli
Costume Designer: Laura Jean Shannon
Overall Visual Effects Supervisor: Frazer Churchill
Film Editors: Jon Amos ACE, Paul Machliss ACE
Production Designer: Marcus Rowland
Cinematographer: Bill Pope ASC
Co-Executive Producer: Ronaldo Vasconcellos
Executive Producer / Unit PM: J. Miles Dale
Executive Producers: Jared Leboff, Adam Siegel
Screenwriter: Michael Bacall
Unit Production Manager: Dennis Chapman
First Assistant Director: Walter Gasparovic
Second Assistant Director: Jack Boem
Narrator Voice: Bill Hader
Supervising Stunt Coordinator/2nd Unit Director: Bradley James Allan
Stunt Coordinator (Canada): Paul Rapovski
Fight Coordinator: Peng Zhang
Assistant Fight Coordinator: Guan-Hua Han
Key Stunt Rigger: Andrew Owen
Production Visual Effects Producer: Lucy Killick
Post Production Supervisor: Michael Solinger
Head Storyboard Artist / Conceptual Designer: Oscar Wright
Supervising Sound Editor: Julian Slater
Production Coordinator: Marie-Claude Harnois
Assistant Production Coordinator: Cheryl Francis
Clearance Supervisor: Karen Beever
Clearance Coordinator: Woody Bowen
Asset Manager: Erin Rowe
3rd ADs: Adam Bocknek, Jeff Muhsoldt, Patrick Murphy
Key Set PA: Divya D'Souza
Additional Key PA: Mathew Dale
LA Casting Associate: Benjamin Harris
Toronto Casting Associate: Millie Tom
Toronto Casting Assistant: Emerald Goldsmith
A Camera Operator: Angelo Colavecchia
A First Assistant Camera: Russel Bowie
A Second Assistant Camera: Jaclyn Young
First Assistant B Camera: Mark Cyre
Second Assistant B Camera: Michael Carr
Phantom Camera Operator: Ben Gervais
Central Loader: Sarah Mulholland
Chief LTs: Jean Courteau, Michael Galbraith
Chief Rigging Gaffer: Stephen Spurrell
Key Grip: Rico Emerson
Art Director: Nigel Churcher
Art Department Coordinator: Dawn Rivard
Additional Storyboard Artists: Dan Davenport, Rob McCallum
Graphic Designers: David Best, Lucy Newman
Graphic Coordinators: Dominic Sikking, Sona Pak
Graphic Coordinator/Animator: Alice Dupre
Art Dept. PAs: Carly Davenport, Eugenie Lau
Set Decorator: Odetta Stoddard
Supervising Prop Master: Deryck Blake
Assistant Prop Master: Toni Wong
Key Makeup Designer: Jordan Samuel
Supervising Location Manager: Vince Nyuli
Locations Support Coordinator: Dimas Freitas
Lead Special Effects Coordinator: Laird McMurray
Lead Special Effects Supervisor: Arthur Langevin
SFX On Set Key Supervisor: Marcus Rait
SFX 1st Assistant: Brad Larkin
SFX Rigging Key Coordinator: Jason Board
Senior Visual Effects Coordinator: Paul Ladd
Overall Visual Effects Coordinator: Claire Stewart
VFX Production Assistant: Jamie Tracey
Production VFX Editor: Richard Kettridge
First Assistant VFX Editor: Kathryn Morey
First AEs: Tom Harrison-Read, Douglas Caron, Brigitte Rabazo
Second Assistant Editor: Laurence Johnson
Post Production Coordinator: Juan C.A. Vasquez
First Apprentice Editor: Rob Duffield
Editorial PA: Gabrielle Nadeau
Supervising Dialogue/ADR Editor: Dan Morgan
Production Sound Designer: James Boyle
Musical Performance Supervisor: Chris Murphy
Music Coordinator: Andrea Higgins
Score Orchestral Arrangements Conductor: David Campbell
Unit Publicist: Lisa Shamata
Multimedia Consultant: Lee Thomas
Documentarian: Dan Mudford
Picture Car Captain: Michael Corazza
Title Sequence Designer: Richard Kenworthy
A142F/CO3 DI Colorist: Stephen Nakamura
A142F/CO3 DI On Line Editor: Emily Greenwood
A142 DI Prods: Rob Farris, Nick Monton, Annie Johnson
End Titles Designer: Richard Morrison
2nd Unit 1st Assistant Director: Penny Charter
2nd Unit DIT / Director of Photog: David Franco
2nd Unit A 1st Assistant Camera: Brad Crosbie
2nd Unit A 2nd Assistant Camera: David Orton
2nd Unit A Camera Loader: David McKane
2nd Unit Gaffer: Edward
2nd Unit Prop Master: Charles McGlynn
DNEG 3D Supervisor: Andrew Whitehurst
DNEG 2D Supervisor: Peter Jopling
DNEG VFX Producer: Rupert Porter
DNEG LPs: Antonella Ferrari, Rob Shears, Darryl Lee
DNEG Coords: Cosmas Lee, Maureen Yeo, Emily Pearce, Naomi Foakes
DNEG Matchmove Supervisor: Kevin Adams
DNEG Data Managers: Pete Hanson, Miles Drake
Mr. X VFX Sups: Dennis Berardi, Aaron Weintraub
Mr. X Visual Effects Producer: Sarah McMurdo
Mr. X Visual Effects Coordinator: Matt Glover
Mr. X On Set Coordinator: Leann Harvey
Mr. X Assistant VFX Producer: Wilson Cameron
Blur Studio Creative Supervisor: Tim Miller
Blur Studio CG Supervisor: Dan Rice
Blur Studio Animation Supervisor: Shaun Escayg
Blur Studio Animation Prod: Lindsay Zamplas
Blur Studio Executive Producer: Al Shier
Cinesite Film Scan Supervisor: Lorraine Johnson
Beaucam Camera Supplier: Greg Beaumont
Production VFX Consultants: Quentin Tarantino, Guillermo Del Toro, Sam Raimi
Dedicated to: Chris Howard
Filming Dates: July 2008 (Test Shoot), 30 March 2009 - 6 Aug. 2009, May 2010 (Ending Reshoot)
Shooting Formats: 35mm Anamorphic, 4-Perf Super 35mm & 8-Perf VistaVision
Cameras: Arriflex 435 ES, Beaucam VistaVision, Panaflex XL2, Platinum & Phantom HD (HD Video & 35mm Kodak Vision2 200T 5217/Vision3 500T 5219)
Lenses: Panavision Primo SL Primes (10mm to 150mm), SLZ 4:1 17.5-75mm Zoom, SLZ11 24-275mm Zoom, E135, E180, G-Series AL Primes, ATZ 70-200mm Bailey Zoom, AWZ2 40-80mm Bailey Zoom & Leica Spherical Primes
AR: 1.85:1 (Most Scenes), 2.39:1 (Some Scenes)
Budget: 60-90 Million USD
Budget AFI (2022): 81.6-122.5 Million USD
Printed on: Kodak Vision 2383
Score Recorded & Mixed at: The Hospital, Air Studios & Angel Studios (London)
Title Sequence Designed by: Shynola
Dailies Provided by: Deluxe Toronto
Digital Intermediate by: Ascent 142 Feature & CO3
Digital Visual Effects & Animation by: Double Negative, Mr. X & Cinesite
Ninja Ninja Revolution Game Content by: Blur Studio
Shot on Location in: Ontario, Canada
Attribute: Filmed in Panavision (as Cameras & Lenses) - DirectorEdgar WrightStarsSimon PeggNick FrostMartin FreemanFive friends who reunite in an attempt to top their epic pub crawl from twenty years earlier unwittingly become humanity's only hope for survival.Writer & Executive Producer: Edgar Wright
Producers: Nira Park, Tim Bevan, Eric Fellner
Writer & Executive Producer: Simon Pegg
Executive Producer / Unit PM: James Biddle
Executive Producers: Nick Frost, Liza Chasin
Co-Producer: Mairi Bett
Cinematographer: Bill Pope ASC
Production Designer: Marcus Rowland
Film Editor: Paul Machliss ACE
Sup Sound Edit/Design & Re-Record Mixer: Julian Slater
Lead Visual Effects Supervisor: Frazer Churchill
Costume Designer: Guy Speranza
Make-Up & Hair Designer: Jane Walker
Composer: Steven Price
Music Supervisor: Nick Angel
Casting Directors: Nina Gold, Robert Sterne
Supervising Stunt Coordinator, Fight Choreo & Second Unit Director: Bradley James Allan
Stunt Coordinator: Adam Kirley
Fight Coordinator: Damien Walters
Assistant Fight Coordinator: James Harris
Wire Stunt Rigger: Ben Mahoney
First Assistant Director: Jack Ravenscroft
Unit Production Manager: Sarah Harris
Financial Controller: Nathan Woods
Concept & Main Titles Designer: Oscar Wright
Production Choreographer: Litza Bixler
Post Production Supervisor: Michael Solinger
Sup. Location Manager: Camilla Stephenson
'A' / Steadicam Operator: Vince McGahon ACO
Production Sound Mixer: Colin Nicholson
Supervising Art Director: Nick Gottschalk
Post Production Accountant: Tarn Harper
Re-Recording Mixer: Mark Patterson
First Assistant Editor: Alex Fenn
Chief Operating Officer, WTF: Angela Morrison
Exec in Charge of Prod, WTF: Michelle Wright
Production Executive, WTF: Sarah-Jane Robinson
Finance Director, WT Films: Tim Easthill
Executive Vice President, Film UK: Amy Granger
Production Supervisor, WT Films: Kate Fasulo
Production Coordinator, WT Films: Jack Sidey
Story Editor, WT Films: Harriet Spencer
Chief Operating Officer, BTP: Matthew Justice
Head of Development, BTP: Rachael Prior
Production Executive, BTP: Christina Frost
Financial Controller, BTP: Sharon Martin
Development Assistant, BTP: Guy Thompson
Production Assistant, BTP: Jody Wiltshire
Production Coordinator: Denise Hanrahan
Assist Production Coordinator: Catherine Booton
Second Assistant Director: Mark Hopkins
Crowd Second Assistant Director: Tamara King
Third Assistant Director: Chris Foggin
Base Third Assistant Director: Tom Pook
Production Base Runner: Charlotte Vaughan
LM (Letchworth & Welwyn Garden City): Richard George
Location Manager (2nd Unit): Crispin Buxton
Assistant Location Manager: Cat Ho
Unit Manager: Bobby Prince
Assistant Unit Manager: Chris Hankey
Location Assistant: Ben Ryder
Location Scout: Josh Benedetti
Location Manager (London): Emma Woodcock
Location Manager (Gunnersbury): Andy Buckley
'B' Camera Operator: Xandy Sahia
'A' Camera First Assistant: Tim Battersby
'B' Camera First Assistant: Dermot Hickey
'A' Camera Second Assistant: Natasha Back
'B' Camera Second Assistant: Ryan King
Central Loader, Camera Dept.: Maiya Rose
'A' Camera Trainee: Phoebe Arnstein
'B' Camera Trainee: Jack Exton
Aerial Unit DoP: Jeremy Braben BSC
Aerial Unit Helicopter Pilot: Michael Jupp
Aerial Unit Technician: Oliver Ward
Key Grip: David Maund
Art Director: Peter Dorme
Standby Art Director: Matilda Wainwright
Assistant Art Director: James Collins
Graphic Designer: Georgina Millett
Art Department Assistant: Martha Parker
Art Department Runner: Oliver Benson
Storyboard Artist: Nick Pelham
Set Decorator: Sara Wan
Assistant Set Decorator: Jackie Yau
Prop Master: Chris Cull
Gaffer: John Colley
Rigging Gaffer: Vince Madden
Lighting Desk Operator: Andrew Mountain
Lead Special Effects Supervisor: Chris Reynolds
Special Effects Prop Maker: Liz Barron
Overall Special Effects Trainee: Alistair Reynolds
Prosthetics Designer: Waldo Mason
Animatronics Supervisor: Matt Denton
Prosthetics Coordinator: Claire Cameron
Animatronic Model Designers: Joshua Lee, Steve Wright, Gustav Hoegen
Production VFX Editor: Andy Hague
Second Assistant Editor: Rob Duffield
Post Production Coordinator: Rebecca Adams
Dialogue / ADR Supervisor: Dan Morgan
Sound Effects Designer: Ben Meechan
Assistant Dialogue Editor: Adam Horley
Physical Comedy Consultant: Cal McCrystal
Unit Publicist: Rachel Kennedy
Health & Safety Advisor: Mick Hurrell
Health & Safety Officer: Malcolm Pearce
Transport Captain: Barrie Williams
Second Unit DoP / 'A' Op.: Jake Polonsky BSC
Second Unit First Assist Director: Charlie Watson
Second Unit Production Coord: Polly Jefferies
Second Unit Production Assist: Jennifer Whiting
Second Unit 'B' Camera Operator: Dion M. Casey
Second Unit 'A' Camera First Asst: Robert Dibble
Second Unit 'A' Cam Second Asst: Mark Dempsey
Second Unit 'B' Cam Second Asst: Megan Oglivie
Second Unit 'A' Camera Trainee: Theo Clark
Second Unit 'B' Camera Trainee: Dan Wombwell
Second Unit Gaffers/CLTs: Michael Casserly, Colin Thwaites
Second Unit Floor Runner: Harry Greaves
Second Unit Location Runner: Rory Johnston
Production VFX Producer: Sona Pak
Production Data Wrangler, VFX: Jack Hughes
DNEG VFX Producers: Darcie Muangman, Fay McConkey
DNEG LPs: Tracey Leadbetter, Michelle Kuginis
DNEG VFX PCs: Genevieve Claire, Adrian Steel
DNEG 2D Sups: Graham Page, Steve Muangman
DNEG CG Supervisor: Joel Green
DNEG 2D Seq. Sups: Luke Letley, Trevor Young, Steven Tizzard
DNEG Animator: James Wilson
DNEG Technical Lead: Nick Van Diem
DNEG FX Lead: Mick Harper
DNEG Matchmove Supers: Abbie Smith, Simon Pynn
DNEG Roto Sups: Carlos Conceicao, Ol Atherton
DNEG Grading Lead: Colin P. Brown
Proof Compositors: John Hardwick, Pawl Fulker, Sam Miesels
Main Titles Producer: Matt Curtis
Deluxe 142 Dailies Colourist: Darren Rae
Deluxe 142 Dailies Prods: Jon Gray, Alex Parrett
CO3 Digital Colourists: Steve Nakamura, Adam Glasman
CO3 Digital On-Line Editor: Emily Greenwood
CO3 Digital Intermediate Producer: Rob Farris
CO3 DI Assistant Producer: Cheryl Goodbody
CO3 DI Assistants: Peter Collins, Aurora Shannon
CO3 Digital Film Technical Sup: Laurent Treherne
Company 3 Data Wrangler: Dan Helme
Company 3 Systems Administrator: Neil Harrison
Panavision Optical Engineer: Dan Sasaki ASC
Music Consultant: Kirsten Lane
Music Editor: Kristy Whalley
Score Orchestrator: David Butterworth
Score Conductor: Geoff Alexander
Score Mixer: Gareth Cousins
Special Thanks: Michael Bacall, Joe Cornish, Guillermo Del Toro
Stunt Consultant: Jackie Chan
Cameras: Arriflex 16 SR2, 235, 435 & Panaflex XL2 (16mm Kodak Vision3 500T 7219, 35mm Vision2 200T 5217 & Vision3 5219)
Anamorphic Lenses: Panavision Primo AL-CF Primes, B-, C-, E-, G-Series AL Primes, B-Series Macro 55mm & Panafocal 45-95mm AL Zoom
S35mm Lenses: Panavision Primo SL Primes, SLZ 4:1 17.5-75mm Zoom, Arri SS Distagon Primes & Optimo 12:1 24-290 Zoom
16mm Lenses: Arri SS Distagon Primes, Zeiss Vario-Sonnar 12-100mm Zoom & Canon 7-63mm Zoom
AR: 2.35:1 (4-Perf Anamorphic & 3-Perf S35mm)(16mm SL: Flashback Scenes)
Budget: 20 Million USD
Printed on: Kodak Vision 2383
Visual Effects by: Double Negative & Proof
HD Dailies Provided by: DeLuxe 142
Digital Intermediate Provided By: Company 3 London
Film Stock Provided by: Kodak
Music Score Recorded at: Air Studios, London
Attribute: Filmed in Panavision - DirectorEdgar WrightStarsAnsel ElgortJon BernthalJon HammAfter being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.Executive Producer / Writer: Edgar Wright
Casting Director: Francine Maisler CSA
Production Choreographer: Ryan Heffington
Costume Designer: Courtney Hoffman
Composer, Original Music Score: Steven Price
Film Editors: Jon Amos ACE, Paul Matchliss ACE
Production Designer: Marcus Rowland
Cinematographer: Bill Pope ASC
Cinematographer, Additional Unit - Second Unit: Ken Seng
Executive Producers: James Biddle, Rachael Prior
Executive Producer / Unit PM: Adam Merims
EPs: Liza Chazin, Michelle Wright
Producers: Nira Park, Tim Bevan, Eric Fellner
Unit Production Manager: Haley Sweet
First Assistant Director: Walter Gasparovic
Key Second Assistant Director: David E. Waters
Sup Stunt Coordinator / Second Unit Dir: Darrin Prescott
Joe ASL Translator: Walter Hill
Stunt Coordinators: Robert Nagle, Jeremy Fry
Sup Sound Edit/Design & Re-Record Mixer: Julian Slater
Associate Producer: Leo Thompson
Supervising Art Director: Nigel Churcher
Location Manager: Douglas Dresser
"A" / Steadicam Operator: Roberto De Angelis
Overall Visual Effects Supervisor: Stuart Lashley
First Assistant Editor: Jerry Ramsbottom
Music Supervisor: Kirsten Lane
Post Production Supervisor: Miranda Jones
"B" Camera Ops: Paul Krumper, Peter Hawkins
First Assistant "A" Camera: EJ Misisco Jr
First Assistant "B" Camera: Sean Moe
Second Assistant "A" Camera: Billy McConnell
Second Assistant "B" Camera: Dwight Campbell
"C" /Second Unit "D" Operator: Brown Cooper
"C" Camera Operator: Pierre O'Halloran
Film Loader, Camera Department: Lauren Gentry
Digital Imaging Technician: Chad Oliver
Chief Lighting Technician: Stephen Crowley
Assistant Chief Lighting Technician: Mike Davis
Dimmer Board Operator: Rob Russell
Rigging Gaffer: Steven Zigler
Supervising Location Manager: Kyle Hinshaw
Key Assistant Location Manager: Snappy Oliver
Production Location Coordinator: Valerie Martin
Production Coordinator: Jordan Gilbert
Production Art Director: Justin O'Neal Miller
Set Designer: E. Aaron Linker
Graphic Designer: Lisa Yeiser
Art Department Coordinator: Michelle Caruso
Media Asset Manager: Ashley Travis
Storyboards: Dan Davenport, David Krentz, Jim Bryant, Steve Markowski
Animatics Editor: Evan Schiff
Overall Visual Effects Coordinator: Chris Finley
Set Decorator: Lance Totten
Set Decoration Coordinator: Lauren Adams
Supervising Prop Master: Mike Sexton
Assistant Prop Master: Greg Gonzalez
Second Assistant Props Lead: Eliot Levin
Overall Special Effects Supervisor: Mark Byers
Special Effects Shop Foreman: Steven Austin
Picture Car Coordinator: Sean Ryan
Picture Car Captain: Darrell Scott
P.P.C./Assistant to Nira Park: Laura Richardson
Assistant Production Coordinator: Kelly Mokris
Development Executive: Pete Spencer
2nd Second Assistant Director: Alina Gatti
Additional Second Assistant Director: Kate Pulley
Assistant Choreographer: Ryan Spencer
Choreography Coordinator: Melanie Ferguson
Stunt Assistant: Marielle Woods
Unit Publicist: Rachael Roth
Casting Assoc. - LA: Kathy Driscoll-Mohler CSA
Casting Assistant - LA: Jordana Sapiurka
Casting-ATL: Meagan Lewis CSA, Brent Caballero CSA
Casting Associate - ATL: Theresa Hernandez
ASL Interpreter: Paul Kelly
Technical Consultant: Joe Loya
Second Unit Production Supervisor: Jeff Valeri
Second Unit First ADs: Marvin Williams, John Saunders
Second Unit Key Second ADs: Kristina Peterson, Jeremy Marks, Ben White
Second Unit Second AD: Michael Saunders
Second Unit DoP: Duane Charles Manwiller
Second Unit "C" Operator: J. Chris Campbell
Second Unit "C" First Assist Camera: Jim Apted
Second Unit "D" First Assist Camera: Jon Lindley
Second Unit "C" Second AC: Tonja Greenfield
Second Unit "D" Second AC: Johnny Quintana
Second Unit Camera Loader: Austin Blythe
Second Unit Aerial Coord / Pilot: Cliff Fleming
Second Unit Aerial DoPs: Austin Harris, Steve Koster
Second Unit Drone Pilot: Steven Blizzard
Second Unit Gaffer: Jaim O'Neil
Second Unit Production Coord.: Steve Cainas
Second Unit Assistant LM: Joseph Raines
Second Unit Propmaster: Stitch Crisp
Second Unit VFX Supervisor: Aharon Bourland
Second Unit Visual FX Wrangler: Bryce Colquitt
Second Unit Precision Driver Coords: Bill Young, Coleen Tracy, Sean Tracy
Second Unit Precision Driver: Kirk Riley
Second Unit Transport Captain: Billy Evans
"A"/Steadicam Operator, AP: Chris TJ McGuire
"B" Camera Operator, Re-Shoots: Terry Schroth
Post Production Re-Recording Mixer: Tim Cavigan
Post Production Visual Effects Editor: Jim Panting
Post Production Second AE: Madelaine Jereczek
Post Production Concept Designer: Oscar Wright
Graphics, Main & End Title Designer: Matt Curtis
Post Production Accountant: Lara Sargent
Supervising Dialogue / ADR Editor: Dan Morgan
Assistant Dialogue Editor: Buster Flaws
Production Music Editor: Bradley Farmer
Score Mixer: Gareth Cousins
Score Orchestrations Leader: David Butterworth
Score Conductor: Geoff Alexander
Molinare Senior DI Producer: Marie Fernandes
Molinare Senior Finishing Colorist: Asa Shoul
Molinare Additional Digital Colorist: Jateen Patel
Molinare Digital Inter. Manager: Matt James
Molinare Sup. Conform Editor: Steve Knight
Molinare Online Editor: Gareth Parry
Molinare Deliverables Producer: David Griffin
Molinare Visual FX Supervisor: Dolores McGinley
Molinare Visual Effects Producer: Mark Wellband
Molinare Visual Effects Prod Coord: Chiara Finello
DNEG Prods: Moriah Etherington-Sparks, Kenny Dailey
DNEG Visual Effects Prod Manager: Michael D'Sa
DNEG LPs: David Corden, Jatin Bhavsar, Nelson D'Souza
DNEG Coords: Akanksha Pillai, Vinay Karunakar, Liz Mann
DNEG Visual Effects Editor: Simon Williams
DNEG VFX CG Supervisor: Shailendra Swarnkar
DNEG 2D Supervisor: Adam Hammond
DNEG Lead Compositor: Mohsin Kazi
DNEG Pipeline Technical Director: Amit Desai
Technicolor VFX Visual Effects Sup: Gary Brown
Technicolor VFX Line Producer: Kate Warburton
E Film Company 3 Dailies Colorist: Matt Wallach
E Film CO3 VFX Project Manager: Wayne Adams
Stunt Consultant: Bradley James Allan
Music Consultant: Nick Angel
Action Consultants: Robert Rodriguez ASC, Chad Stahelski
Panavision® VP of Opt. Engineering: Dan Sasaki ASC
Filming Dates: 17 February 2016 - 13 May 2016
Cameras: Alexa Mini, XT Plus, Arricam LT, ST & Panaflex XL2 (35mm Kodak Vision3 250D 5207 & 2.8K ARRIRAW)
Lenses: Panavision® C-, G-, T-Series AL Primes, ATZ 70-200mm Zoom & AWZ2 40-80mm Zoom
AR: 2.39:1 (Anamorphic)(4-Perf S35mm: Some Shots)
Budget: 34 Million USD
Original Music Score Performed by: The London Philharmonia Orchestra
Original Music Score Recorded at: Abbey Road Studios, London
Digital Intermediate, Visual Effects, Color & Feature Dailies by: FotoKem®, Molinare, Double Negative, E Film Company 3 & Technicolor VFX London
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision® - DirectorEdgar WrightStarsRon MaelRussell MaelBeckA musical odyssey through five weird and wonderful decades with Ron and Russell Mael celebrating the inspiring legacy of Sparks.Cinematographer: Jake Polonsky BSC
Cinematographer (San Francisco Unit): Leonard Levy
Cinematographer (Japan Unit): Mark Swadel
Film Editor: Paul Trewartha
Archive Producer: Kate Griffiths
Archive Researcher: Tess McNally-Watson
Archive Consultant: Neil Storey
Senior Consultant: Emmi Joutsi
Senior Researchers: Holly Gorne, Mike Griffiths
London Unit 1st Ass't Camera/B-Camera Operator: Gareth Whyte
LA Unit Camera Operator/NY Unit B-Camera Operator/Mexico Unit Camera Operator: Gabe Elder
LA Unit Art Directors: Ves Phillippi, Eloise Ayala
NY Unit B-Camera Operator: Brendan Gilliam
Japan Unit 2nd Camera Operator/1st Ass't Camera: Mary Wing To
Brussels Unit Camera Operator: Violetta D'Agata
Add'l Film Editors: Nick J. Webb, Tobias Zaldua, Carol Caroline Richards
VFX Consultant: Jody Johnson
DI Colorist: Paul Ensby
DI Color/Workflow Supervisors: Sam Chynoweth, Alex Gascoigne, Grace Lan
Camera: Red Monstro Monochrome (8K Redcode RAW)
Lenses: Panavision Primo Artiste Primes
AR: 1.85:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorEdgar WrightStarsThomasin McKenzieAnya Taylor-JoyMatt SmithAspiring fashion designer Eloise is mysteriously able to return to 1960s London, where she encounters dazzling wannabe singer Sandie. But the glamour is not as it seems, and the dreams of the past crack and splinter into something darker.Writer/Producer: Edgar Wright
Casting Directors: Nina Gold, Martin Ware
Production Visual Effects Supervisor: Thomas Proctor
Composer/Score Producer: Steven Price
Makeup & Hair Designer: Lizzie Yianne-Georgiou
Costume Designer: Odile Dicks-Mireaux
Film Editor: Paul Machliss ACE
Production Designer: Marcus Rowland
Director of Photography: Chung-Hoon Chung ASC
Director of Photography, Second Unit & Additional Photography: Oliver Curtis BSC
Executive Producers: Daniel Battsek, Ollie Madden
Unit Production Manager: Jeremy Burnage
First Assistant Director: Richard Graysmark
Choreographer: Jennifer White
Rialto Dancers: Melissa Fox, Jodie Hassell, Stephanie Lamey, Amy Andera Murray, Alison Parsons, Ashley Shaw
Stunt Coordinator: David Forman
Associate Producer: Leo Thompson
Post Production Supervisor: Miranda Jones
Concept Designer: Oscar Wright
Second Unit Director: Jeremy Lovering
Supervising Location Manager: Camilla Stephenson
Set Decorator: Jude Farr
Financial Controller: Kerry Smith
Post Production Accountant: Tarn Harper
First Assistant Editor: Jerry Ratsbottom
Script Supervisor: Paula Casarin
Associate Producer: Laura Richardson
Production Sound Mixer: Colin Nicolson
Supervising Sound Editor: Julian Slater
Supervising Sound / Dialogue / ADR Editor: Dan Morgan
Music Supervisor: Kirsten Lane
A Camera / Steadicam Operator: Chris Bain
A Camera First Assistant: Lewis Hume
A Camera Second Assistant: Archie Muller
B Camera First Assistant: William Morris
Insert Unit A Camera/Steadicam Operator: Rupert Power
Production Special Effects Supervisor: Stephen Hutchinson
Special Effects Manager / Buyer: Ania Krawczyk
Special Effects Floor Technician: Andrew Duffy
Assistant Special Effects Technician: Chris Gibbs
Supervising Art Director: Tim Blake
Storyboard Artists: Soren Bendt, John Greaves, Tracey Wilson
Prop Master: Adam McCreight
Prosthetics Designer: Barrie Gower
Prosthetics Co-Department Head: Sarah Gower
Production Visual Effects Editor: Russell Pawson
Production Visual Effects Producer: Gavin Gregory
Transportation Captain: Barrie Williams
Picture Vehicle Supervisor: Mark Oliver
On Set Picture Vehicle Coordinator: Rob Holloway
Assistant Choreographer: Lisa Welham
Second Assistant Director, Additional Photography: Jo Tew
B Camera / Second Assistant Camera, Additional Photography: Daniel Glazebrook
Prop Master, Additional Photography: Scotty Rogers
SFX Floor Technician, Additional Photography: Colin Angus
DNEG VFX Producer: Danny Huerta
DNEG DFX Supervisors: Fabricio Baessa, Julian Gnass, Kedar Khot
DNEG 2D Supervisors: Wasim Ali, Astrid Busser-Casas
DNEG CG Supervisors: Felipe Borges, David Denley, Rohit Lad
DNEG VFX Show Production Managers: Heather Martini, Amit Ramesh Mishra, Monica Østbø Østgård
DNEG VFX Production Coordinators: Harsh Bagrodia, Issy Haylett, Mark Koval, Oliver Nacey, Chiranjeev Thakur
DNEG Department Supervisors: Yogesh Bhagame, Nitesh Bhalerao, Sunil Chatim, Paresh Dodia, Madhura Gangan, Rahul G. Khambre, Suman Kumar, Ramanathan Kandasamy, Sachin Pore, Gauri Thakur
DNEG On-Set Team: Joe Bannister, Ben Brown, Oliver Cordwell, Drew Johnson, Emily Roper
DNEG Digital Leads: Prasad Adkar, Shena Chavan, Manesh Desai, Anuran Dev, Vidhun Ghai, Ojaswi Jhalani, Akshay Raman Kumar, Vikram Kumar, Bhushan Lad, Anant Pandey, Prantar Saikia, Rahul Solse, Prahash Teli
DNEG Technical Support: Alexander Brueckner, Christian Ganea, Jordan Kaga
Technicolour VFX Visual Effects Supervisor: Gary Brown
Technicolour VFX Visual Effects Executive Producer: Kate Warburton
Technicolour VFX Visual Effects Producer: Karl Kuehn
Technicolour VFX Visual Effects Production Coordinator: Danielle Dunster
Technicolour VFX Visual Effects Editor: Conor O'Sullivan
Technicolour VFX Visual Effects Leads: Keagan Harris, Miguel Aghora, Mark Epstein, Andriy Toloshnyy
OST Colourists: Joshua Callis-Smith, Andy Dickinson
OST Lab Supervisor: Simon Chubbock
OST Lab Operator: Christy Kail
Cinelab London Head of Production: Roger Harlow
Cinelab London Scanning and Sound Operator: Jim Wren
WB. DLL Colourist: Asa Shoul
WB. DLL Online Editor: Gareth Parry
WB. DLL Colour Assistants: Stacey Cain, Tim Drewett, Katie McCulloch
WB. DLL Post Producer: Louise Stewart
Title Design Producer: Matt Curtis
Score Orchestrator: David Butterworth
Score Conductor: Geoff Alexander
Score Editor: Wes Hicks
Orchestra Contractor: Susie Gillis
Orchestra Leader: John Mills
Drum Kit: Ian Thomas
Piano / Hammond Organ: Dave Arch
Head of Music Preparation: Lillie Harris
Music Score Engineer: John Barrett
Assistant Engineer / Recordist: Daniel Hayden
Score Mixer: Gareth Cousins
Special Thanks: Joe Cornish, Alfonso Cuarón, Guy Garvey, Mark Gatins, Alfonso Gomez Rejon, Corin Hardy, Rian Johnson, Bong Joon Ho, Daniel Kaluuya, Shawn Levy, Riki Lindhome, Christopher McQuarrie, Sam Mendes, George Miller, Jake Polonsky BSC, Bill Pope ASC, Sue Prescott, Rachael Stirling, Quentin Tarantino
In Memory of: Margaret Nolan
Cameras: Alexa Mini, XT Plus, Arriflex 435 & Panaflex XL2 (3.4K ARRIRAW, 35mm Kodak Vision3 250D 5207 & 500T 5219)
Lenses: Panavision Primo SL Primes, B-, C-, G-, T-Series AL Primes, ATZ 70-200mm Zoom, AWZ2 40-80mm Zoom & Ang. 12:1 24-290mm Zoom
AR: 2.35:1 (Anamorphic, 3- & 4-Perf S35mm)
Budget: 43 Million USD
Music Supervision Provided by: Right Music
Visual Effects Provided by: DNEG & Technicolour VFX
Dailies Provided by: On Set Tech
Film Processing Provided by: Cinelab London
Picture Post Production by: Warner Bros. De Lane Lea
Orchestra Contracted by: Isobel Griffiths LTD
Recording Facility Service by: Abbey Road Studios, London
Filmed at: Ealing Studios, England and Warner Bros. Leavesden Studios, England
Filmed on Location in: Soho, London
Attribute: Filmed in Panavision