The Golden Raspberry Awards (Worst Director)
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- Producer
- Director
- Executive
Robert Greenwald is president of Brave New Films, a nonprofit film company that he founded after a career in commercial television and film to motivate and educate viewers on the most pressing issues of the day.
Brave New Films distributes its work for free through social media and in concert with nonprofit partners and movements. The group's movies and videos have been screened around the world and viewed over tens of millions of times and counting.
At Brave New Films, Greenwald has directed and produced gripping full-length documentaries and exposés, as well as shorter documentary films and videos. His latest documentary, Suppressed: The Fight to Vote, tells the story of rampant voter suppression in Georgia's 2018 midterm elections.
Greenwald's investigative documentary shorts include Healing Trauma: Beyond Gangs and Prisons on Los Angeles' Homeboy Industries, 16 Women and Donald Trump on President Trump's serial abuse of women, and Immigrant Prisons on America's system of privately-run immigrant detention centers.
Previous feature-length investigative documentaries include Making a Killing: Guns, Greed, and the NRA, Unmanned: America's Drone Wars, War on Whistleblowers, Koch Brothers Exposed, Rethink Afghanistan, Iraq for Sale: The War Profiteers, Wal-Mart: The High Cost of Low Price, Outfoxed: Rupert Murdoch's War on Journalism and Uncovered: The War on Iraq.
Greenwald and Brave New Films' work has been featured widely in the media, including the New York Times, Washington Post, Los Angeles Times, Variety, Hollywood Reporter and many more.
Before launching Brave Films in 2005, Greenwald produced and/or directed more than 65 TV movies, miniseries and films as well as major theatrical releases. His early body of work includes Steal This Movie!, Breaking Up, A Woman of Independent Means and The Burning Bed.
Greenwald has earned 25 Emmy Award nominations, two Golden Globe nominations, the Peabody Award and the Robert Wood Johnson Award. He was awarded the 2002 Producer of the Year Award by the American Film Institute.
Xanadu- Director
- Writer
- Producer
Michael Cimino studied architecture and dramatic arts; later he filmed advertisements and documentaries and also wrote scripts until the actor, producer and director Clint Eastwood gave him the opportunity to direct the thriller Thunderbolt and Lightfoot (1974). But his biggest success was The Deer Hunter (1978) which won the Oscar for Best Picture. For another successful film, The Sicilian (1987), he got into trouble with critics when they accused him of portraying as a hero the Italian criminal Salvatore Giuliano.
Heaven's Gate- Director
- Writer
- Producer
A former salesman and journalist, Ken Annakin got into the film industry making documentary shorts. His feature debut, Holiday Camp (1947), was a comedy about a Cockney family on vacation. It was made for the Rank Organization and was a modest success, spawning three sequels, all of which he directed. He worked steadily thereafter, mainly in light comedies. One of his more atypical films was the dark thriller Across the Bridge (1957), based on a Graham Greene story about a wealthy businessman who embezzles a million dollars from his company, kills a man who resembles him and steals his identity so he can escape to Mexico. It boasted an acclaimed performance by Rod Steiger as the villain and a distinct "noir" feel to it, unlike anything Annakin had done before (or, for that matter, since).
In the 1960s he was one of several British directors--e.g., Guy Green, John Guillermin--who specialized in turning out all-star, splashy, big-budget European/American co-productions, shot on the Continent. He was one of the directors of the epic World War II spectacle The Longest Day (1962) and went solo on Battle of the Bulge (1965), both of which were financial--if not exactly critical--successes. He also directed Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965), which was less successful. His final film was Genghis Khan: The Story of a Lifetime, a film that was started in 1992 under Annakin's direction but never completed. In 2009 it was restarted again and Annakin was hired to assemble the existing footage for release, but died before completing the job. Italian director Antonio Margheriti finished up and the film was released in 2010.
(Tie at the 1982 Razzies)
The Pirate Movie- Director
- Writer
- Additional Crew
Born in Shanghai and Cambridge-educated, Terence Young began in the industry as a scriptwriter. In the 1940s he worked on a variety of subjects, including the hugely popular wartime romance Suicide Squadron (1941), set to Richard Addinsell's rousing "Warsaw Concerto". His original story was devised while listening to a concert in an army training camp. As it turned out, Young was soon after involved in the war himself, as a member of the Guards.
By the end of the decade Young had graduated to directing. He made his debut with the psychological melodrama Corridor of Mirrors (1948), starring Eric Portman as a reclusive art collector obsessed with reincarnation and murder. During the following decade Young helmed a number of international co-productions, which featured imported stars from Hollywood (Alan Ladd in Paratrooper (1953); Olivia de Havilland in That Lady (1955); Victor Mature in Safari (1956), Zarak (1956) and Tank Force (1958)). These films were made by Warwick, an independent production company created jointly by Irwin Allen and future James Bond producer Albert R. Broccoli, and released through Columbia. Production values were often quite high, though scripts were of variable quality. "Safari", for instance, looked great, shot in Technicolor and CinemaScope on location in Africa, which partly compensated for the trite storyline.
Having acquired the rights to all available James Bond novels from Ian Fleming, producers Harry Saltzman and Albert Broccoli secured the necessary funding ($1,250,000) from United Artists and hired Young to direct the initial Bond entry, Dr. No (1962). That film's success got him re-hired to direct two subsequent Bond films, From Russia with Love (1963) (Young's own personal favorite) and Thunderball (1965). Young had acquired a solid reputation as a master of action subjects, and all three films move at a cracking pace. Exotic locales provide the background for a seamless mix of technical wizardry, sex, violence and tongue-in-cheek (sometimes campy) dialogue. Unfortunately, these films also marked the high point of Young's career, though he did direct another eerily effective psychological thriller, Wait Until Dark (1967), much in the vein of Alfred Hitchcock.
Among a brace of forgettable European co-productions, only two other films stand out: the bawdy, highly entertaining all-star period comedy The Amorous Adventures of Moll Flanders (1965) and an intriguing expose of the inner workings--and dark beginnings--of the Cosa Nostra (based on an actual informant's testimony), entitled The Valachi Papers (1972). After that, Young's output became more patchy and his later career suffered as a result of two disastrous projects: first, the Korean War epic Inchon (1981), with Laurence Olivier badly miscast as Gen. Douglas MacArthur. The enterprise was reputedly financed by the Rev. Sun Myung Moon's organization--aka the "Moonies"--to the tune of $40 million. Film critic Vincent Canby in the New York Times (September 17, 1982) referred to the picture as "hysterical" and "foolish", "the most expensive B-movie ever made". The second flop, a financially troubled production, was the predictably plotted spy thriller The Jigsaw Man (1983). Completed in 1982, the film was held back and not released until two years later. Young directed just one more film after that and left the industry in 1988. However, according to his daughter, he was working on a documentary in Cannes at the time of his death in September 1994. Though he went on record in 1966, asserting that he had grown rather tired of the Bond franchise, it is, nonetheless, that for which we will ultimately remember him.
(Tie at the 1982 Razzies)
Inchon- Director
- Producer
- Writer
Peter Sasdy was born on 27 May 1935 in Budapest, Hungary. He is a director and producer, known for The Lonely Lady (1983), Welcome to Blood City (1977) and Journey to the Unknown (1968). He has been married to Myrtill Nádasi since 24 July 1965. They have two children.
The Lonely Lady- Actor
- Director
- Cinematographer
John Derek was born on 12 August 1926 in Hollywood, Los Angeles, California, USA. He was an actor and director, known for The Ten Commandments (1956), Ghosts Can't Do It (1989) and Bolero (1984). He was married to Bo Derek, Linda Evans, Ursula Andress and Pati Behrs. He died on 22 May 1998 in Santa Maria, California, USA.
Bolero- Actor
- Writer
- Producer
Sylvester Stallone is an athletically built, dark-haired American actor/screenwriter/director/producer, the movie fans worldwide have been flocking to see Stallone's films for over 40 years, making "Sly" one of Hollywood's biggest-ever box office draws.
Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and The University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie series in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star.
Stallone followed Rocky (1976) with F.I.S.T. (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky", however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another series was about to commence for the busy actor.
The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plot line about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express".
Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell.
Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3: Game Over (2003). Showing that age had not wearied his two most popular series, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand.
Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood, plus, he has considerably influenced modern popular culture through several of his iconic film characters.
Rocky IV- Music Artist
- Composer
- Actor
Prince Rogers Nelson was born in Minneapolis, Minnesota, to Mattie Shaw, a jazz singer and social worker, and John L. Nelson, a lyricist and pianist. His father's stage name was "Prince Rogers". His parents were both from African-American families from Louisiana. They separated during his youth, which lead him to move back and forth. Prince had a troubled relationship with his step-father which lead him to run away from home. Prince was adopted by a family called the Andersons. Prince soon after became friends with the Anderson's son, Andre Anderson (Cymone) together along with Charles Smith they joined a band called Grand Central. The band later renamed themselves Champagne and were a fairly successful live band, however soon diminished.
Prince at the age of eighteen started working on high-quality demo tracks with Chris Moon. With these demo tracks Prince eventually ended up signing a recording contract with Warner Brothers Records and was the youngest producer associated with the label. Prince made his debut on the record label with his 1978 album, For You. It wasn't a strong successful album, however it was fair for a beginning artist and ranked 163 on the U.S. Pop Charts. Prince's next releases would tend to do much better on the charts with his singles, "Why You Wanna Treat Me So Bad?" and I Wanna Be Your Lover in 1979. This would start to introduce Prince as a person who presented sexually explicit material into the music industry. However Prince didn't begin to attract mainstream artists until he release his single, 1999. This single began to be noticed by M.T.V. viewers and this would make him a part of the main-stream music media. Prince released two more singles called Little Red Corvette and Delirious. The album featured Prince's new band, The Revolution. In 1984 Prince would release what would be seen as an admired and profound masterpiece the feature film/sound-track album, Purple Rain in 1984. Prince's father contributed to this album, by cowriting the chord sequence for a couple of his songs. Prince continued to give cowriting credit to his father on several other albums, as his famous chord sequence would be used in several of Prince's singles and albums.
A lot of Prince's songs did not agree with listeners and one of his songs, Darling Nikki prompted a group of people to start a censorship organization called, Parents Music Resource Center (P.M.R.C.) as the track implemented grinding ludicrous acts such as masturbating, which stunned listeners. Prince however continued to release various other singles with the same platform his memorable releases being, Around The World In A Day, Parade, Love Sexy, and Batman.
Prince released a sequel to Purple Rain in 1990 called Graffiti Bridge, a soundtrack album accompanied this movie entitled, Graffiti Bridge. The film did terrible in box-office and was nominated for several Razzie awards. Many people saw the sound-track album, as the high point of the film.
In 1991, Prince assembled a new band called, The New Power Generation with this band he would release singles such as Diamond And Pearls, Cream, and Gett Off. Prince eventually changed his stage name from Prince to a symbol, which lead people to call him, "The Artist Formerly Known As Prince". Prince soon took back his old stage name.
In the 1990s, Prince continued to release singles such as Came, The Gold Experience, Chaos And Disorder, and Emancipation. With the rise of the new millennium, Prince released material such as a religious album called The Rainbow Children,One Nite Alone,The Chocolate Invasion,The Slaughter House, and had a collaboration with Stevie Wonder on Stevie's single called, What The Fuss in 2005.
Prince died on April 21, 2016 in Chanhassen, Minnesota, at his Paisley Park recording studio complex. He was 57.
Prince will be remembered as a musician and artist who inspired millions through his music, and set an inspirational platform which others still abide by.
Under the Cherry Moon- Writer
- Actor
- Director
Norman Mailer, the Brooklyn-born and -bred writer who fought for what he characterized as the "heavyweight championship" of American letters after the 1961 death of Ernest Hemingway, never came close to his dream of writing the Great American novel, but he was a colossus of American culture and literature in the 1960s, '70s and '80s. When he died in 2007 at the age of 84, Mailer towered above all other American writers of his and subsequent generations,according to his "New York Times" obituary. A primal life force whose writing elucidated the human condition among America and Americans better than any of his contemporaries for better than three decades, Mailer likely will rank with Herman Melville and Hemingway as among the greatest writers produced by the United States. Although denied the Nobel Prize that he had long coveted (winner of two Pulitzer Prizes, Mailer believed that the near-fatal stabbing of his second-wife Adele Morales by himself in 1960 attributed to his failure to win the big prize), Mailer will be the writer that future generations go to to understand the America of the late 1940s through at least the early '80s. "Advertisements for Myself" (1959), "An American Dream (1966)" (1965), "The Armies of the Night" (1969) and "Executioners Song, The (1980) (TV)_" -- one compendium of odds and ends interlaced with Mailer's musings, one novel, and two books of "journalism" that he classified as novels -- will be mandatory on the reading lists of universities 100 years in the future.
Norman Mailer was born in January 1923 in Long Branch, New Jersey, to Fanny (Schneider), who ran a nursing/housekeeping agency, and Isaac Barnett Mailer, an accountant. His family was Jewish. Mailer entered Harvard College in 1939 at the age of 16 to study engineering at a time when there was still a quota on Jews at the Ivy League universities, to keep them the province of the WASPs that still controlled the control up to and through World War II. (Mailer would be a commentator on WASPs and their loosening grip on America and American culture in the post-World War II period. He saw the space project and the landing of a man on the moon as the apotheosis of WASP culture.) He fell in love with literature at Harvard, and began his first attempts at creative writing. Mailer took his degree in 1943, was drafted into the Army the following year and served briefly with a rifle company in the Philippines. His experiences as an infantryman would be the genesis of his 1948 novel "The Naked and The Dead", one of the first of the World War II novels written by the men who had fought it.
Mailer would never have termed the generation that went to war in 1941-45 "The Greatest Generation", a concept alien to such post-war writers as Mailer's erstwhile friend James Jones (author of "From Here to Eternity", "Catch-22" author Joseph Heller, or populist American historian Howard Zinn, all of whom served in the War. The officers and enlisted men of Mailer's novel "The Naked and the Dead" are not saints, nor are they on noble missions, let alone quests for something as abstract as "democracy". Democracy is not a staple of Norman Mailer's Army. The officers, as a class, represent an insidious form of fascism -- in kind, if not degree -- in this war against fascism. Published in 1948, "The Naked and The Dead" was a bestseller and made its 25 year old author famous and relatively well-off, financially. Mailer would never have to toil at any craft other than writing for the rest of the nearly 60 years allotted to him. His next two novels, "Barbary Shore" (1951) and "The Deer Park" (1954) were artistic and commercial failures. For 10 years after the publication of "The Deer Park" until "An American Dream" (serialized in "Esquire Magazine" in 1964, rewritten and published as a novel in 1965), Mailer eschewed tackling another novel. Instead, he turned to journalism and revolutionized what had been one of the ghettos of American letters. If there had been no Norman Mailer, perhaps there would have been a "New Journalism", but it would have been poorer as he was its greatest exponent. "New Journalism" was a moniker hung on a particularly personal type of reflection added to the pedantic Who, What, Where & How? of traditional reporting. Rather than exile himself from the story in the interest of an impossible-to-obtain "neutrality" that is so dear to the mainstream American newspaper and magazine culture currying favor with advertisers beyond the truss & body building equipment slums of the old "Men's magazines", Mailer injected himself into the story and wrote about how he was effected by events. His seminal article about the 1960 Democratic National Convention in Los Angeles, "Superman Comes to the Supermarket" (Superman being John F. Kennedy and the Supermarket the Los Angeles where the DNC was held, as well as the new post-War America at large") might very well be considered as the starting point of the New Journalism. The article was published in the November 1960 issue of "Esquire Magazine." Tom Wolfe and other masters of the "New Journalism," which stressed a kind of irreverence towards the subject, soon followed.
In an American society that is still enthralled to Victorian-era concepts of class (Virginia Woolf denounced authors who wrote for money, a reflection of the aristocratic disdain for anyone who made rather than inherited money as vulgarians whose seed was tainted by contact with the till), Mailer's achievement was looked down upon. Rather than being hailed for revolutionizing American letters, Mailer was treated patronizingly by the Literary Establishment. Yet, the serious literary novel now is as nearly dead as all the Cassandras of the 1960s and '70s prognosticated, replaced by "non-fiction" memoirs, in which writers no longer hide behind fictive personas to tell stories, but take full-credit for living lives as full of foul incidents as any novel ever published. (That many of these "true tales" are fiction is beside the point.) Ironically, Norman Mailer, who longed to write the Great American novel, likely must bear the lion's share of responsibility for the death of the novel and the rise of the confessional "non-fiction" book, as he elevated "mere journalism" into an art form. Reporting became and art when Mailer married his beautiful writing with naked confession that made him a world-class celebrity in the 1960s and '70s, featured as a regular staple on television talk shows. Simply put, without Norman Mailer, there would not be American literature as we know it.
As concerns Hollywood, Mailer wrote a novel about Hollywood ("The Deer Park") and the first "serious" biography of Marilyn Monroe, which got him (and Monroe) the cover of the July 16 1973 edition of "Time Magazine." He made three improvisational films in the late 1960s: Wild 90 (1968), Beyond the Law (1968) and Maidstone (1970) and directed the 1987 adaptation of his own neo-noir novel Tough Guys Don't Dance (1987). He despised the 1958 movie made from The Naked and the Dead (1958), but had better luck with The Executioner's Song (1982) (1979), for which he wrote the screenplay for the 1982 telefilm. In 1983, Mailer was nominated for an Emmy for Outstanding Writing in a Limited Series or a Special for his work, three years after his 1979 "novel" (Mailer had characterized his "The Armies of the Night" as "The novel as history, history as a novel") had won him his second Pulitzer Prize, for Fiction. ("Armies" had conquered him his first, for General Non-Fictionm in 1969.)
Norman Mailer died of acute renal failure at New York City's Sinai Hospital on November 10, 2007. He was 84 years old.
(Tie at the 1987 Razzies)
Tough Guys Don't Dance- Actress
- Writer
- Director
Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.
(Tie at the 1987 Razzies)
Ishtar- Writer
- Producer
- Director
Blake Edwards' stepfather's father J. Gordon Edwards was a silent screen director, and his stepfather Jack McEdward was a stage director and movie production manager. Blake acted in a number films, beginning with Ten Gentlemen from West Point (1942) and wrote a number of others, beginning with Panhandle (1948) and including six for director Richard Quine. He created the popular TV series Peter Gunn (1958), Mr. Lucky (1959) and Dante (1960). He directed a diverse body of films, from comedies to dramas to war films to westerns, including such pictures as Operation Petticoat (1959), Breakfast at Tiffany's (1961), Experiment in Terror (1962), Days of Wine and Roses (1962), The Pink Panther (1963) and A Shot in the Dark (1964). After The Great Race (1965) he began fighting with studios. In England he surfaced again with The Return of the Pink Panther (1975), then went back to Hollywood and a real hit, 10 (1979). Victor/Victoria (1982) won him French and Italian awards for Best Foreign Film.
(Tie at the 1988 Razzies)
Sunset- Director
- Additional Crew
- Writer
Stewart Raffill's career includes 57 film and TV credits and 11 industry awards. As a writer/director he has worked with Academy Award and Emmy Award-winning talent. His films have been distributed by MGM/UA, 20th Century Fox, Warner Brothers, Disney ABC, New World Pictures, Orion, Netflix, Showtime, and Amazon. He wrote the original story for the action film Passenger 57 which opened number one at the box office. According to Variety Magazine, Raffill had four films on the All-Time Rental Champs List. His New Swiss Family Robinson film was the highest-rated Wonderful World of Disney Sunday night feature of the year.
Films written and directed by Stewart Raffill have starred: Michael Douglas, Richard Harris, Jodie Foster, Bryan Brown, James Brolin, Rod Steiger, Anthony Quinn, Anjelica Huston, James Coburn, Billy Zane, Jane Seymour, Juan Pablo Di Pace, and Paul Walker. He has directed episodic TV in the US and Europe. Raffill has filmed in multiple locations around the world including Europe, Canada, Mexico, Africa, Asia, South America, the Caribbean, and the Middle East.
He qualifies for European productions and tax incentives. He is the co-founder of Code 7 Films with offices in the US and the UK.
Stewart supports the conservation of wildlife and has filmed grizzly bears, lions, tigers, orangutans, wolves, jaguars, and snakes in many of his action films. Harry Percy, the 11th Duke of Northumberland and Godson of the Queen of England, commissioned Stewart to write and direct the action-adventure film Lost in Africa to raise awareness of the conservation needs in Africa.
(Tie at the 1988 Razzies)
Mac and Me- Actor
- Producer
- Writer
William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.
Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.
Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".
After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).
He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).
Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.
Star Trek V: The Final Frontier- Actor
- Director
- Cinematographer
John Derek was born on 12 August 1926 in Hollywood, Los Angeles, California, USA. He was an actor and director, known for The Ten Commandments (1956), Ghosts Can't Do It (1989) and Bolero (1984). He was married to Bo Derek, Linda Evans, Ursula Andress and Pati Behrs. He died on 22 May 1998 in Santa Maria, California, USA.
Ghosts Can't Do It- Director
- Producer
- Additional Crew
Michael Lehmann was born on 30 March 1957 in San Francisco, California, USA. He is a director and producer, known for Heathers (1988), Hudson Hawk (1991) and American Horror Story (2011). He is married to Holland Sutton.
Hudson Hawk- Writer
- Additional Crew
- Producer
David Seltzer was born on 12 February 1940 in Highland Park, Illinois, USA. He is a writer and producer, known for Shining Through (1992), The Omen (1976) and The Omen (2006). He has been married to Carrie Hauman since 17 January 2010. He was previously married to Eugenia Zukerman.
Shining Through- Director
- Writer
- Producer
Jennifer Lynch was born on 7 April 1968 in Philadelphia, Pennsylvania, USA. She is a director and writer, known for Chained (2012), Boxing Helena (1993) and Surveillance (2008).
Boxing Helena- Actor
- Producer
- Writer
Steven Frederic Seagal was born in Lansing, Michigan, to Patricia Anne (Fisher), a medical technician, and Samuel Seagal, a high school math teacher. His paternal grandparents were Russian Jewish immigrants, and his mother had English, German, and distant Irish and Dutch, ancestry. The enigmatic Seagal commenced his martial arts training at the age of seven under the tutelage of well-known karate instructor and author Fumio Demura, and in the 1960s commenced his aikido training in Orange County, CA, under the instruction of Harry Ishisaka. Seagal received his first dan accreditation in 1974, after he had moved to Japan to further his martial arts training. After spending many years there honing his skills, he achieved the ranking of a 7th dan in the Japanese martial art "aikido" and was instructing wealthy clients in Los Angeles when he came to the attention of Hollywood power broker Michael Ovitz.
Ovitz saw star value in the imposing-looking Seagal. The high-octane action movie genre was in full swing in the late 1980s, and Seagal's debut movie, "Above the Law", was wildly received by action fans and actually received some complimentary critical reviews. He followed up "Above the Law" with another slam-bang thriller, Hard to Kill (1990), as a cop shot in an ambush by the mob who revives from a coma to take his revenge. The movie also starred Seagal's wife at the time, leggy Kelly LeBrock, who was married to him from 1987 to 1996 and is the mother of three of his children. His next outing was battling voodoo-using Jamaican drug "posses" in the hyper-violent Marked for Death (1990), before returning to fight psychotic mob gangster William Forsythe in the even more punishing Out for Justice (1991). Seagal was by now enormously popular, and his next movie, the big-budgeted Under Siege (1992), set aboard the battleship USS Missouri and also starring Tommy Lee Jones and Gary Busey, was arguably his best film to date, impressing both fans and critics alike.
Seagal's fighting style was rather different from that of other on-screen martial arts dynamos such as Bruce Lee, Chuck Norris and Jean-Claude Van Damme, who were predominantly fighters from striking arts background such as karate or tang soo do. However, aikido is built around using an opponent's inertia and body weight to employ various locks, chokes and holds that incapacitate him. Seagal carries himself differently, too, and often appears wearing Italian designer clothes and usually favors an all-black outfit, generally with a three-quarter-length coat with an elaborate trim. Additionally, Seagal's on-screen characters were often seemingly benign or timid individuals; however, when the going gets rough they reveal themselves to be deadly ex-CIA operatives, or retired Special Forces soldiers capable of enormous destruction!
As his box-office drawing power grew, Seagal began to infuse his film projects with his personal and spiritual beliefs, especially concerning the abuse of the environment. He appeared as an oil fire expert who turns against his corrupt CEO (played by Michael Caine) in On Deadly Ground (1994) to save the Eskimo population from an oil disaster; in Fire Down Below (1997) he plays an environmental agency troubleshooter investigating the dumping of toxic waste in Kentucky coal mines, and in the slow-moving The Patriot (1998) he plays a medical specialist trying to stop a lethal virus unleashed by an extremist group.
Action fans struggled to come to terms with social messaging being built into bone-crunching fight films; however, Seagal's box-office clout remained fairly strong, and more traditional chopsocky projects followed with the "buddy cop" film The Glimmer Man (1996), then almost a cameo role as a Navy SEAL alongside CIA analyst Kurt Russell before Seagal is sucked out of a jet at 35,000 feet in Executive Decision (1996).
In 1999 Seagal took a different turn in his film projects with the surprising genteel Prince of Central Park (2000), about a child living inside NYC's most famous park. He returned to more familiar territory with further high-voltage, guns-blazing action in Exit Wounds (2001), Half Past Dead (2002), Out for a Kill (2003) and Belly of the Beast (2003).
Unbeknownst to many, in 1997 Seagal publicly announced that one of his Buddhist teachers, His Holiness Penor Rinpoche, had accorded Seagal as a tulku, the reincarnation of a Buddhist Lama. This initial announcement was met with some disbelief until Penor Rinpoche himself gave a confirmation statement on Seagal's new title. Seagal has repeatedly discussed his involvement in Buddhism and how he devotes many hours studying and meditating this ancient Eastern religion.
While his box-office appeal has somewhat declined from his halcyon blockbusters of the mid-'90s, Seagal still has a very loyal fan base in the action movie genre and continues to remain a highly bankable star.
On Deadly Ground- Director
- Producer
- Writer
Paul Verhoeven graduated from the University of Leiden, with a degree in math and physics. He entered the Royal Netherlands Navy, where he began his film career by making documentaries for the Navy and later for TV. In 1969, he directed the popular Dutch TV series, Floris (1969), about a medieval knight. This featured actor Rutger Hauer, who has appeared in many of Verhoeven's later films. Verhoeven's first feature, Wat zien ik (1971) (trans. "What do I See?"), was released in 1971. However, it was his second, Turkish Delight (1973), with its combination of raw sexuality and a poignant story-line, that gained him great popularity in the Netherlands, especially with male audiences. When his films, especially Soldier of Orange (1977) and The 4th Man (1983), received international recognition, Verhoeven moved to the US. His first US film was Flesh+Blood (1985) in 1985, but it was RoboCop (1987) and, especially, Total Recall (1990) that made him a big box office success. Sometimes accused of portraying excessive violence in his films, Verhoeven replies that he is only recording the violence of society. Verhoeven has co-scripted two of his films: Soldier of Orange (1977) and Flesh+Blood (1985). He also directed an episode of the HBO The Hitchhiker (1983) TV series. Several of his films have been photographed by Jost Vacano, including the hit cult film, Starship Troopers (1997), starring Casper Van Dien.
Showgirls- Writer
- Director
- Producer
Andrew Bergman was born on 20 February 1945 in Queens, New York City, New York, USA. He is a writer and director, known for Striptease (1996), Blazing Saddles (1974) and Fletch (1985). He has been married to Louise Fay since 1973. They have two children.
Striptease- Actor
- Producer
- Director
Kevin Michael Costner was born on January 18, 1955 in Lynwood, California, the third child of Bill Costner, a ditch digger and ultimately an electric line servicer for Southern California Edison, and Sharon Costner (née Tedrick), a welfare worker. His older brother, Dan, was born in 1950. A middle brother died at birth in 1953. His father's job required him to move regularly, which caused Kevin to feel like an Army kid, always the new kid at school, which led to him being a daydreamer. As a teen, he sang in the Baptist church choir, wrote poetry, and took writing classes. At 18, he built his own canoe and paddled his way down the rivers that Lewis & Clark followed to the Pacific. Despite his present height, he was only 5'2" when he graduated high school. Nonetheless, he still managed to be a basketball, football and baseball star. In 1973, he enrolled at California State University at Fullerton, where he majored in business. During that period, Kevin decided to take acting lessons five nights a week. He graduated with a business degree in 1978 and married his college sweetheart, Cindy Costner. He initially took a marketing job in Orange County. Everything changed when he accidentally met Richard Burton on a flight from Mexico. Burton advised him to go completely after acting if that is what he wanted. He quit his job and moved to Hollywood soon after. He drove a truck, worked on a deep sea fishing boat, and gave bus tours to stars' homes before finally making his own way into the films. After making one soft core sex film, he vowed to not work again if that was the only work he could do. He didn't work for nearly six years, while he waited for a proper break. That break came with The Big Chill (1983), even though his scenes ended up on the cutting room floor -- he was remembered by director Lawrence Kasdan when he decided to make Silverado (1985). Costner's career took off after that.
The Postman- Director
- Producer
- Actor
Gus Green Van Sant Jr. is an American filmmaker, painter, screenwriter, photographer and musician from Louisville, Kentucky who is known for directing films such as Good Will Hunting, the 1998 remake of Psycho, Gerry, Elephant, My Own Private Idaho, To Die For, Milk, Last Days, Finding Forrester, Promised Land, Drugstore Cowboy and Mala Noche.
Psycho- Producer
- Director
- Cinematographer
Barry Sonnenfeld was born and raised in New York City. He graduated from New York University Film School in 1978. He started work as director of photography on the Oscar-nominated In Our Water (1982). Then Joel Coen and Ethan Coen hired him for Blood Simple (1984). This film began his collaboration with the Coen Bros., who used him for their next two pictures, Raising Arizona (1987) and Miller's Crossing (1990). He also worked with Danny DeVito on his Throw Momma from the Train (1987) and Rob Reiner on When Harry Met Sally... (1989) and Misery (1990). Sonnenfeld got his first work as a director from Orion Pictures on The Addams Family (1991), a box-office success released in November 1991 followed by its sequel, Addams Family Values (1993). He received critical acclaim for his fourth directorial effort, Get Shorty (1995). Produced by Jersey Films and based on a novel by Elmore Leonard, the film won a Golden Globe for best male performance. In 1996 Steven Spielberg asked him to direct Men in Black (1997). Starring Tommy Lee Jones and Will Smith, the movie was a critical and financial smash. Producer Jon Peters then asked Sonnenfeld to direct Wild Wild West (1999), an adaptation of an old TV series. He also directed the comedy Big Trouble (2002), after which he made his most successful film sequel, Men in Black II (2002).
Wild Wild West- Art Department
- Director
- Writer
Academy Award winner Roger Christian has had an extensive film career. He won an Academy Award for set decoration on director George Lucas's Star Wars: Episode IV - A New Hope (1977), which began a long collaboration between the filmmakers. Christian subsequently worked with Lucas on Star Wars: Episode VI - Return of the Jedi (1983) and was hand-picked by Lucas to direct the second unit on the recent Star Wars: Episode I - The Phantom Menace (1999). It was through Lucas that Christian got his first opportunity to direct a film, the short feature entitled Ángel Negro (2000), which accompanied the UK release of Star Wars: Episode V - The Empire Strikes Back (1980). Christian followed "Black Angel" with another short, The Dollar Bottom (1981), which won the 1981 Academy Award for Best Live Action Short Film. He followed that success with the thriller The Sender (1998), which received much critical acclaim and a nomination for Best Film by the Academy of Science Fiction, Fantasy and Horror Films.
His directing credits include the 1994 Orion Pictures release _Nostradamus (1994/I)_, starring Julia Ormond and F. Murray Abraham, the HBO premiere movie The Final Cut (1995), Underworld (1996) starring Annabella Sciorra and Masterminds (1997) starring Patrick Stewart. Christian has also directed numerous high profile commercials, including worldwide campaigns for SEGA, Taco Bell, Jeep, Lancia, Fiat and Chrysler/Dodge, among others. Christian's work as an art director and production designer was highly regarded. He was nominated for an Academy Award for his art direction on Ridley Scott's Alien (1979). His other art direction credits include Life of Brian (1979), Ken Russell's Mahler (1974) and Peter Hall's Akenfield (1974). Roger also directed Battlefield Earth (2000), with John Travolta and Forest Whitaker.
Roger Christian recently wrapped production on Bandido (2004), starring Angie Everhart, for Fries Film Group. Written by Carlos Gallardo, who also wrote El Mariachi, Bandidos continues the saga of the stylish Mexican thief who remains nameless. The same character was also portrayed by Antonio Banderas in Desperado (a remake of El Mariachi). In Bandidos, Carlos Gallardo reprises the starring role as the most infamous thief in Mexico.
Battlefield Earth- Producer
- Actor
- Writer
Tom Green was born on 30 July 1971 in Pembroke, Ontario, Canada. He is a producer and actor, known for Freddy Got Fingered (2001), Charlie's Angels (2000) and Road Trip (2000). He was previously married to Drew Barrymore.
Freddy Got Fingered- Writer
- Director
- Producer
Guy Ritchie was born in Hatfield, Hertfordshire, UK on September 10, 1968. After watching Butch Cassidy and the Sundance Kid (1969) as a child, Guy realized that what he wanted to do was make films. He never attended film school, saying that the work of film school graduates was boring and unwatchable. At 15 years old, he dropped out of school and in 1995, got a job as a runner, ultimately starting his film career. He quickly progressed and was directing music promos for bands and commercials by 1995.
The profits that he made from directing these promos was invested into writing and making the film The Hard Case (1995), a 20-minute short film that is also the prequel to his debut feature Lock, Stock and Two Smoking Barrels (1998). Sting's wife, Trudie Styler, saw The Hard Case (1995) and invested in the feature film. Once completed, 10 British distributors turned the film down before it eventually was released in the UK in 1998 and in the US in 1999; the film put Ritchie on the map as one of the hottest rising filmmakers of the time, and launched the careers of actors Jason Statham, Jason Flemyng, and Vinnie Jones, among others.
Lock, Stock and Two Smoking Barrels (1998) was followed by Snatch (2000), this time with a bigger budget and a few more familiar faces such as Brad Pitt, Dennis Farina, Benicio Del Toro alongside returning actors Jason Statham, Vinnie Jones and Jason Flemyng. At the end of 2000, Ritchie married the pop superstar Madonna in Scotland, and proceeded to work with his famous wife on a variety of film and video projects, including the short Star (2001), made for BMW and co-starring Clive Owen, and the controversial video "What It Feels Like for a Girl," which was called out for its violence. In 2002, the couple embarked on a remake of the 1974 Lina Wertmüller film Swept Away (2002); the new film was a critical and commercial flop, winning five Razzie Awards. Ritchie followed up with the Vegas heist film Revolver (2005), which was panned, but won favor with the crime thriller RocknRolla (2008), which featured a game, energetic cast and brought American attention to rising stars Gerard Butler and Tom Hardy.
The next year saw the release of Sherlock Holmes (2009), starring Robert Downey Jr. in the title role and Jude Law as his cohort Dr. Watson. The film received mostly good reviews but, more important for Ritchie's career, was a solid blockbuster hit that grossed more than $520 million dollars worldwide and spawned a sequel, Sherlock Holmes: A Game of Shadows (2011). Ritchie is tentatively scheduled to direct an adaptation of Robert Louis Stevenson's Treasure Island.
Ritchie has two sons with Madonna: Rocco, born in 2000, and an adopted son, David, born in 2005. In late 2008, the couple confirmed reports that they were splitting up, and agreed to a divorce settlement that was finalized in December of that year. In September 2011, Ritchie's girlfriend, model Jacqui Ainsley, gave birth to a son, Rafael, and in July 2012 the couple announced they were expecting their second child.
Swept Away- Director
- Writer
- Producer
Martin Brest was born on 8 August 1951 in The Bronx, New York City, New York, USA. He is a director and writer, known for Scent of a Woman (1992), Midnight Run (1988) and Beverly Hills Cop (1984).
Gigli- Visual Effects
- Producer
- Director
Pitof started his career in 1976 as photographer, assistant director and editor for films and commercials. He then branched out into musical scoring, software design and graphic design for televisions, music videos and commercials.
A pioneer of digital imaging in France, Pitof made his debut in visual effect in 1986. Co-founder of Duran Duboi the digital postproduction company leader in France, Pitof worked on commercials, videos and feature films for recognized directors such as Jean-Pierre Jeunet, Lars Von Trier, Wim Wenders, Bertrant Travernier, Jean-Baptiste Mondino, Jean-Paul Goude, Alain Chabat , Luc Besson...
Pitof then achieved the first French software for digital visual effects used in feature films.
In 1994, Pitof won the Technical Grand Prize for visual effects at the Cannes Film Festival for his work in "Dead Tired".
In 1995, the Minister of Culture in France honored him with the Medal of Arts and Letters.
Pitof went on to direct commercials and short films, most notably " A Tribute to Jessie Owens and Carl Lewis", for which he won the Gold Podium medal at MIFED in 1996 and the Gold Teapot medal at Imagina in 1996.
In 1997, Pitof took on the role of second unit director for Jean-Pierre Jeunet's "Alien: Resurrection", and consequently won second prize for visual effects at Imagina that year. It was Pitof's third collaboration with Jeunet after working together on the Jeunet-Caro films "Delicatessen" and "City of Lost Children".
In the meantime the immense success of Duran Duboi brought the company on the stock market in Paris.
In September 2001, "Vidocq", starring Gerard Depardieu and Guillaume Canet, premiered in France. It was Pitof's feature film directorial debut.
"Vidocq" was the first feature film ever made in High Definition. The film was an international commercial success and garnered many awards including five honors: The Citizen Kane Award, Best Film, Best Director, Best Visual Effects, Best Music, and Best Makeup from the Catalonian International Film Festival in Sitges, Spain.
Pitof makes his Hollywood debut in 2003, directing "Catwoman" for Warner Brothers, starring Halle Berry and Sharon Stone.
While developing and shooting projects with major producers in Hollywood, in 2008 Pitof is called in Beijing, China to help the development and the pre-production of an epic effect driven feature film.
Back in Hollywood Pitof has been developing various film projects and producing cutting edge commercials and music videos as well as developing Virtual Reality content.
Recently he co-produced 3 feature films in Los Angeles and produced a 10' by 10 episodes Mobile-Ready Series for Studio Plus, a French studio pioneer in the mobile content for Vivendi.
Decorations
Chevalier des Arts et des Lettres 1995 One of the French highest cultural honors Awarded by the Minister of Culture
Awards
Kid's Choice Award (nominated) USA 2005 "Catwoman" dir. Pitof
CNOMA Award Best Make-Up Canada 2005 "Catwoman" dir. Pitof
World Stunt Award (nominated) USA 2005 "Catwoman" dir. Pitof
Grand Prize of European Fantasy Film in Silver Porto 2001 "Vidocq" dir. Pitof
International Fantasy Film Award Best Special Effects Porto 2001 "Vidocq" dir. Pitof
International Fantasy Film Award Best Film (nominated) Porto 2001 "Vidocq" dir. Pitof
Best Film Sitges 2001 "Vidocq" dir. Pitof
Citizen Kane Award to the Director Revelation Sitges 2001 "Vidocq" dir. Pitof
Best Visuals Effects Sitges 2001 "Vidocq" dir. Pitof
Best Make Up Effects Sitges 2001 "Vidocq" dir. Pitof
Best Banda Original Soundtrack Sitges 2001 "Vidocq" dir. Pitof
Achievement in Post Production Solutions Productions 1999 "Asterix & Obelix vs Ceasar " dir. Claude Zidi
Saturn Award (nominated) USA 1998 « Alien Resurrection » dir. Jean Pierre Jeunet
Best Visual Effects 2nd prize in Imagina 1997 « Alien Resurrection » dir. Jean Pierre Jeunet
Golden Teapot in Imagina 1996 « Homage to Jesse and Carl » dir. Pitof
Golden Prize in MIFED 1996 « Homage to Jesse and Carl » dir. Pitof
Master Of Visual Effects in Paris 1996 « Orangina the flipper » dir. Alain Chabat
Best Use Of Visual Effects - Spotitalia 1995 « Mulino Bianco » dir. Jean Paul Seaulieu
Technical Grand Prize in Cannes Festival 1994 « Dead tired » dir. Michel Blanc
Catwoman- Director
- Writer
- Actor
John Asher is an award-winning writer/director whose passion for storytelling through the lens was ignited in his early years. As a child, he inadvertently honed his craft by breaking his father's video cameras while attempting to capture epic shots. Dyslexia posed a unique challenge for John, pushing him to express himself visually, ultimately steering him toward his dream of becoming a director.
His journey into the world of entertainment began as an actor, seizing every opportunity to observe directors at work. The pivotal four years spent on "Weird Science" served as John's informal film school, laying the foundation for his future success.
At the young age of 24, John directed his first film, "Kounterfeit" (1996), featuring Oscar winner Hillary Swank. This was followed by "Chick Flick" (1998) and the Miramax production "Diamonds" (1999), starring Kirk Douglas and Dan Aykroyd-all accomplished before turning 30. His 2005 Sundance premiere, "Dirty Love," marked another milestone in his directing career.
Venturing into television, John helmed episodes of the Showtime series "Going to California" (2001) and the CW hit show "One Tree Hill" (2006). He also showcased his versatility directing LIVE comedy specials, including "Margaret Cho: PsyCHO" (Showtime), "Sebastian Maniscalco: Aren't You Embarrassed" (Showtime), and "Ralphie May: Unruly" (Netflix).
In 2013, John returned to filmmaking with "Somebody Marry Me," an innovative romantic comedy shot in one continuous take-a testament to his commitment to pushing creative boundaries. This was followed by "A Boy Called Po" (2016), a deeply personal exploration of autism inspired by John's son, Evan, who has been a profound influence on both his personal and professional life.
In 2017, John showcased his comedic flair with "TOOKEN," a spoof that hilariously lampoons the Taken franchise, starring Margaret Cho. His directorial journey continued with the family comedy "I Hate Kids" in 2019.
In 2024, John Asher continues his trajectory of captivating storytelling with his latest cinematic endeavor, "A Love Like This." A poignant dramatic romance feature with a stellar cast, staring Emmanuelle Chriqui and Hayes McArthur, who help bring John's vision to life.
John Asher's career is a testament to his unwavering dedication to storytelling, visual innovation, and the power of film to captivate and connect audiences. who knows what's next. One thing we know for sure, is you can't put Asher in a box!
Dirty Love- Producer
- Director
- Writer
Born in Puducherry, India, and raised in the posh suburban Penn Valley area of Philadelphia, Pennsylvania, M. Night Shyamalan is a film director, screenwriter, producer, and occasional actor, known for making movies with contemporary supernatural plots.
He is the son of Jayalakshmi, a Tamil obstetrician and gynecologist, and Nelliate C. Shyamalan, a Malayali doctor. His passion for filmmaking began when he was given a Super-8 camera at age eight, and even at that young age began to model his career on that of his idol, Steven Spielberg. His first film, Praying with Anger (1992), was based somewhat on his own trip back to visit the India of his birth. He raised all the funds for this project, in addition to directing, producing and starring in it. Wide Awake (1998), his second film, he wrote and directed, and shot it in the Philadelphia-area Catholic school he once attended--even though his family was of a different religion, they sent him to that school because of its strict discipline.
Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense (1999), which was a commercial success and later nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Shyamalan team up again with Bruce Willis in the film Unbreakable (2000), released in 2000, which he also wrote and directed.
His major films include the science fiction thriller Signs (2002), the psychological thriller The Village (2004), the fantasy thriller Lady in the Water (2006), The Happening (2008), The Last Airbender (2010), After Earth (2013), and the horror films The Visit (2015) and Split (2016).
Lady in the Water- Writer
- Director
- Producer
Chris Sivertson is known for I Know Who Killed Me (2007), Brawler (2011) and Escape Plan 2: Hades (2018).
I Know Who Killed Me- Producer
- Director
- Writer
As a youth, he produced a number of short films on Super 8 and video. After short stints as guest auditor at Filmacademy Vienna and Filmhochschule Munich, Boll studied literature and economics in Cologne and Siegen. He graduated from university in 1995 with a doctorate in literature. From 1995-2000, he was a producer and director with Taunus Film-Produktions GmbH. Boll was Chief Executive Officer of Bolu Filmproduction and Distribution GmbH which he founded in 1992. He continued to direct, write and produce feature films until 2016. His main companies are Event Films in Vancouver and Bolu Film in Germany. A longtime resident of Canada, Boll owned the restaurant "Bauhaus" in Vancouver from 2015 to 2020. Returned to Germany and resumed filming in 2020.
In the Name of the King
Postal
Tunnel Rats- Producer
- Director
- Actor
A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.
Transformers: Revenge of the Fallen- Producer
- Director
- Writer
Born in Puducherry, India, and raised in the posh suburban Penn Valley area of Philadelphia, Pennsylvania, M. Night Shyamalan is a film director, screenwriter, producer, and occasional actor, known for making movies with contemporary supernatural plots.
He is the son of Jayalakshmi, a Tamil obstetrician and gynecologist, and Nelliate C. Shyamalan, a Malayali doctor. His passion for filmmaking began when he was given a Super-8 camera at age eight, and even at that young age began to model his career on that of his idol, Steven Spielberg. His first film, Praying with Anger (1992), was based somewhat on his own trip back to visit the India of his birth. He raised all the funds for this project, in addition to directing, producing and starring in it. Wide Awake (1998), his second film, he wrote and directed, and shot it in the Philadelphia-area Catholic school he once attended--even though his family was of a different religion, they sent him to that school because of its strict discipline.
Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense (1999), which was a commercial success and later nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Shyamalan team up again with Bruce Willis in the film Unbreakable (2000), released in 2000, which he also wrote and directed.
His major films include the science fiction thriller Signs (2002), the psychological thriller The Village (2004), the fantasy thriller Lady in the Water (2006), The Happening (2008), The Last Airbender (2010), After Earth (2013), and the horror films The Visit (2015) and Split (2016).
The Last Airbender- Actor
- Director
- Writer
Dennis Barton Dugan is an American film director, actor, comedian and screenwriter from Wheaton, Illinois who directed several films featuring Adam Sandler including Happy Gilmore, Big Daddy, Jack & Jill, Grown Ups, I Now Pronounce You Chuck & Larry and You Don't Mess With the Zohan. He also directed Beverly Hills Ninja and The Benchwarmers.
Jack and Jill
Just Go With It- Director
- Writer
- Producer
Bill Condon was born on 22 October 1955 in New York City, New York, USA. He is a director and writer, known for Dreamgirls (2006), Gods and Monsters (1998) and Kinsey (2004).
The Twilight Saga: Breaking Dawn - Part 2- Actress
- Producer
- Director
Elizabeth Banks was born Elizabeth Mitchell in Pittsfield, a small city in the Berkshires in western Massachusetts near the New York border, on February 10, 1974. She is the daughter of Anne Marie (Wallace), who worked in a bank, and Mark Phineas Mitchell, a factory worker. Elizabeth describes herself as having been seen as a "goody two-shoes" in her youth who was nominated for the local Harvest Queen.
Banks left home to attend college at the University of Pennsylvania--from which she graduated Magna cum Laude--and went on to attend the Advanced Training Program at the prestigious American Conservatory Theater in San Francisco, graduating in 1996. She then moved to New York and worked in the theater, and began getting small roles in films and on television. Seeking more screen work, she moved to Los Angeles and was soon cast in supporting roles. She also had to change her last name, to Banks, in order to avoid confusion with actress Elizabeth Mitchell.
Her breakthrough role was as Betty Brant, the secretary of the cantankerous newspaper tycoon in Sam Raimi's Spider-Man (2002). She followed up this performance with small roles in other movies: Swept Away (2002), Steven Spielberg's Catch Me If You Can (2002), Seabiscuit (2003) and The 40-Year-Old Virgin (2005). In 2003 she won the Exciting New Face Award at the Young Hollywood Awards. The winsome, beautiful Banks projected an exceptionally charming screen presence that drew comparisons to Audrey Hepburn, and Hollywood eventually began to take notice, Banks being cast in the lead in such films as Kevin Smith's Zack and Miri Make a Porno (2008) and in Oliver Stone's biopic of George W. Bush, W. (2008), as Laura Bush.
In television, Banks was a recurring guest star on Scrubs (2001) as Dr. Kim Briggs, the love interest of Zach Braff's J.D. In 2010 she was cast as Alec Baldwin's love interest in season four of 30 Rock (2006). Originally scheduled to appear in only four episodes, she was brought back as a recurring character for two more seasons, and earned Emmy nominations for Outstanding Guest Actress in a Comedy Series for two consecutive years. Elizabeth has also appeared in such films as Our Idiot Brother (2011), Man on a Ledge (2012), What to Expect When You're Expecting (2012), People Like Us (2012), and Pitch Perfect (2012). She also won the coveted role as Effie Trinket in The Hunger Games (2012) and The Hunger Games: Catching Fire (2013).
After an eleven-year courtship, Banks married Max Handelman, a sports writer and producer, in 2003. They have two sons, Felix, who was born in March 2011, and Magnus, born in Nov. 2012, both by gestational surrogacy.
and 14 other directors:
Steve Baker
Steven Brill
Steve Carr
Rusty Cundieff
James Duffy
Griffin Dunne
Damon Escott
Peter Farrelly
Patrik Forsberg
Will Graham
James Gunn
Bob Odenkirk
Brett Ratner
Jonathan van Tulleken
Movie 43- Producer
- Director
- Actor
A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.
Transformers: Age of Extinction- Writer
- Director
- Editor
Joshua Trank is an American filmmaker and screenwriter. He got his big break by directing the found footage superhero film Chronicle for 20th Century Fox in 2012. He was later hired to direct Fant4stic, an ill-fated reboot to the Tim Story Fantastic Four film series of the 2000s starring Miles Teller, Michael B. Jordan, Jamie Bell and Kate Mara. Trank's film resulted in a reevaluation of the Jessica Alba Fantastic Four films for keeping the lighthearted tone and chemistry of the Marvel franchise compared to the 2015 failure. The failure of Fant4stic resulted in Josh Trank doing small-scale projects such as Capone starring Tom Hardy.
Fantastic Four- Writer
- Director
- Producer
Dinesh D'Souza was born on 25 April 1961 in Bombay, Maharashtra, India. He is a writer and director, known for Hillary's America: The Secret History of the Democratic Party (2016), America: Imagine the World Without Her (2014) and Death of a Nation (2018). He has been married to Debbie D'Souza since 19 March 2016. He was previously married to Dixie Rachel Brubaker.
(2016 Razzies)
Hillary's America: The Secret History of the Democratic Party- Writer
- Director
- Producer
Bruce Schooley is known for Hillary's America: The Secret History of the Democratic Party (2016), Death of a Nation (2018) and Trump Card (2020).
(2016 Razzies)
Hillary's America: The Secret History of the Democratic Party- Writer
- Director
- Actor
Tony Leondis was born in New York City, New York, USA. He is a writer and director, known for The Emoji Movie (2017), Igor (2008) and The Prince of Egypt (1998).
The Emoji Movie- Writer
- Producer
- Additional Crew
Etan Cohen was born on 14 March 1974 in Israel. He is a writer and producer, known for Holmes & Watson (2018), Idiocracy (2006) and Men in Black³ (2012). He has been married to Emily Bowen-Cohen since 14 June 1998. They have three children.
Holmes & Watson