Thunderball 1965 premiere
Wednesday December 29th, London Pavilion 1 Piccadilly Circus, London, W1J 0DA
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- Actress
- Soundtrack
Claudine Auger, a former Miss France 1st Runner-up (1958), received her dramatic training at the Paris Drama Conservatory and is best known to US / UK audiences as the stunning brunette "Domino" opposite Sean Connery in the James Bond thriller Thunderball (1965), She has kept fairly busy since her Bond days, acting in a number of Italian, French and Spanish films including The Bermuda Triangle (1978), Credo (1983), and La bocca (1991).- Molly Peters was a gorgeous and voluptuous British blonde bombshell actress and model who alas only appeared in a handful of films and TV shows during her regrettably fleeting acting career in the mid 60s. Molly was born in 1942 in Walsham-le-Willows, Suffolk, England. Peters started out as a model; among the men's magazines she graced the covers of and/or posed in pictorials for are "Playboy," "Modern Man," "Calvalcade," "Beau," "Ace," "Parade," "Best for Men," "Dapper," and "Escapade." Molly achieved her greatest enduring cult cinema popularity with her memorably sensuous portrayal of Patricia Fearing, the fetching masseuse who gets seduced by James Bond at the Shrubland health club in "Thunderball." She was discovered by director Terence Young and has the distinction of being the first Bond girl to be seen taking her clothes off on screen. In the wake of her 007 stint Peters acted in two more movies and popped up on episodes of the TV shows "Armchair Theatre" and "Baker's Half-Dozen." Molly Peters had her acting career abruptly cut short after reportedly having a falling out with her agent.
- Actress
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Brunette bombshell and second-string goddess Jamaican actress Martine Beswick(e) was born on September 26, 1941, to a British father and Portuguese/Jamaican mother in Port Antonio, Jamaica. Some brief modeling and pageant entering came to be before seeking a career in films. She allegedly once won a "Miss Autoville" contest and won a car only to sell it in order to move to and study acting in London.
While finding roles on such British TV series as "Secret Agent," "Love Story" and "Court Martial," a minor break occurred for Martine in the James Bond "007" film series. Director Terence Young cast her twice -- as the gypsy girl Zora in From Russia with Love (1963) and then as the doomed spy Paula in Thunderball (1965). After playing in the well-tanned minority ranks for years, Martine finally got noticed after cat-fighting with Raquel Welch in the cult prehistoric saga One Million Years B.C. (1966), which also starred handsome caveman John Richardson. She also starred in her own back-in-time Neanderthal low-budget Prehistoric Women (1967).
Transporting herself to Hollywood in the late 1960's, Martine guested on such shows as "It Takes a Thief," "Mannix," "The Name of the Game" and "Longstreet." She then made an infamous mark as the distaff evil incarnate in the Hammer Studio horror cult hit Dr Jekyll & Sister Hyde (1971). Other films during that time usually had her in various stages of sexy undress, including Ultimo tango a Zagarol (1973), The Kiss of Death (1974) and Seizure (1974).
She later focused on TV with such mini-movie entries as Crime Club (1975), Strange New World (1975), Devil Dog: The Hound of Hell (1978), My Husband Is Missing (1978) and The Tenth Month (1979), plus the mini-series Aspen (1977) and episodes of "The Six Million Dollar Man," "Baretta," "Quincy," "The Fall Guy," "Fantasy Island," "Hart to Hart," "Buffalo Bill" and "Sledge Hammer." In the mid-1980's, Martine also found back-to-back daytime work on the soap operas Days of Our Lives (1965) and Santa Barbara (1984).
On film, she would quicken pulses as Xaviera Hollander as The Happy Hooker Goes Hollywood (1980), but not return until the early 1990's with the horror films Evil Spirits (1991) and Trancers II (1991), the comedy Life on the Edge (1992) and the drama Wide Sargasso Sea (1993). After filming Night of the Scarecrow (1995), Martine retired from films.
Since then, she has mainly participated in film documentaries, providing commentary and relating her experiences on the many films in which she has appeared. She owned a removals business in London and is semiretired except for guest appearances at James Bond conventions. She did, however, more recently return (after 25 years) to star with fellow Hammer actors Caroline Munro and Veronica Carlson in a horror "tribute" to Hammer entitled House of the Gorgon (2019).- Actress
- Producer
Luciana Paluzzi's an Italian actress, best known for playing SPECTRE assassin ,Fiona Volpe, in the fourth James Bond film, Thunderball.
In the film, Thunderball she had auditioned for the part of the lead Bond girl, Dominetta "Domino" Petacchi, but producers cast Claudine Auger, changing the Domino character from an Italian to a Frenchwoman and renaming her Dominique Derval.
Paluzzi's first film was an uncredited walk-on part in Three Coins in the Fountain (1954).- Actor
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Sicilian born actor/writer/director was very popular with European audiences, but largely unknown to the west apart from his portrayal of the villainous SPECTRE agent "Emilio Largo" in the spectacular James Bond film Thunderball (1965). However, due to his heavy accent, Celi's voice was dubbed by Robert Rietty. Two years later Celi popped up in the appalling James Bond spoof Operation Kid Brother (1967) starring Neil Connery brother of Sean Connery.
Additional to his many film appearances in Italian productions, Celi spent many years on stage in South America to very positive reviews, and directed three films made in South America, Caiçara (1950), Tico-Tico no fuba (1952)_ and L'Alibi (1969)_.
He passed away on February 19th 1986 from a heart attack.- Additional Crew
- Producer
- Actor
Brian Epstein was the original manager and the mastermind behind the success of The Beatles.
He was born Brian Samuel Epstein on September 19, 1934 into a Jewish-English family in Liverpool, UK. Epstein's family owned a store, where Paul McCartney's piano was bought. After three terms Epstein dropped out of the Royal Academy of Dramatic Art (RADA) in London, where he was a classmate of Peter O'Toole. Back in Liverpool he was put in charge of the record sales in his father's stores. He also wrote a regular column in Mersey Beat magazine, which promoted The Beatles.
Epstein's store was just down the street from the Cavern Club, where he went to see a Beatles' performance, after a few customers requested their single at his store. Epstein was treated to a VIP admission and was welcomed in the club's public announcement. He remembered, "I was immediately struck by their music, their beat, and their sense of humor on stage. And, after-wards, when I met them, I was struck again by their personal charm. And it was there that, really, it all started." He also recognized The Beatles' members as regular customers at his NEMS record store.
His diplomatic way of dealing with The Beatles and with their unofficial manager, Allan Williams, resulted in a December 10, 1961, meeting, where it was decided that Epstein would manage the band. A five-year management contract was signed by the four members at then-drummer Pete Best's home on January 24, 1962. Epstein did not put his signature on it, giving the musicians the freedom of choice. At that time McCartney and Harrison were under 21, so the paper wasn't technically legal. None of them realized this and it did not matter to them. What mattered was their genuine trust in Epstein.
Epstein was persistent in trying to sign a record deal for The Beatles, even after being rejected by every major record label in UK, like Columbia, Philips, Oriole, Decca, and Pye. Epstein transferred a demo tape to disc with HMV technician Jim Foy, who liked the song and referred it to Parlophone's George Martin. They passed Martin's audition with the exception of Pete Best. Being asked by John Lennon, Paul McCartney, and George Harrison; Epstein fired Best. Ringo Starr duly became the fourth Beatle.
Having no experience at artist management, Epstein made the right steps by bringing serious improvements to their image. They switched from blue jeans and leather jackets to suits and cleaned up their stage act. He advised them not to smoke or snack in public. Epstein directed the famous synchronized bow at the end of their shows. Overall improvements to The Beatles' image made by Epstein transformed their appearance enough to get them accepted by the mainstream media and public of that time.
Detail-oriented and highly focused on maintaining their clean-cut image, Epstein called them "The Boys" and managed every aspect of their career, their everyday life, concert gigs, and media appearances. His personal friendship with George Martin was also important. By leaving the recording production and the repertoire work mainly in the professional care of Martin, Epstein made himself available for other artist management contracts. He successfully managed Gerry and the Pacemakers, Billy J. Kramer & The Dakotas, Cilla Black as well as other artists. His NEMS Enterprises lineup grew to include The Bee Gees, Jimi Hendrix, and Cream.
He was a creative member of The Beatles, a multi-talented man with a good disposition, sharp memory, and an eye for details. A good character reference was given to Epstein by the British Army as "Sober, conscientious, and utterly trustworthy". Though he was dismissed from service for being "incurably civilian". The Army used a different set of criteria than the entertainment industry to judge a person's character. His homosexuality and prescription drug (barbiturate) dependency in those days, with pressures from both social and legal restrictions, caused him additional stress. He died of a drug overdose on August 27, 1967. The Beatles lost their uniting creative manager and soon walked their separate ways.- Actress
- Soundtrack
One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.
Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.
Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.
TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.
Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.
Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."
In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.
Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.
The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"
Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.- Maurice Kaufmann was born on 29 June 1927 in Gorleston, Norfolk, England, UK. He was an actor, known for Gorgo (1961), Die! Die! My Darling! (1965) and The Hero (1970). He was married to Honor Blackman. He died on 21 September 1997 in London, England, UK.
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Born in Shanghai and Cambridge-educated, Terence Young began in the industry as a scriptwriter. In the 1940s he worked on a variety of subjects, including the hugely popular wartime romance Suicide Squadron (1941), set to Richard Addinsell's rousing "Warsaw Concerto". His original story was devised while listening to a concert in an army training camp. As it turned out, Young was soon after involved in the war himself, as a member of the Guards.
By the end of the decade Young had graduated to directing. He made his debut with the psychological melodrama Corridor of Mirrors (1948), starring Eric Portman as a reclusive art collector obsessed with reincarnation and murder. During the following decade Young helmed a number of international co-productions, which featured imported stars from Hollywood (Alan Ladd in Paratrooper (1953); Olivia de Havilland in That Lady (1955); Victor Mature in Safari (1956), Zarak (1956) and Tank Force (1958)). These films were made by Warwick, an independent production company created jointly by Irwin Allen and future James Bond producer Albert R. Broccoli, and released through Columbia. Production values were often quite high, though scripts were of variable quality. "Safari", for instance, looked great, shot in Technicolor and CinemaScope on location in Africa, which partly compensated for the trite storyline.
Having acquired the rights to all available James Bond novels from Ian Fleming, producers Harry Saltzman and Albert Broccoli secured the necessary funding ($1,250,000) from United Artists and hired Young to direct the initial Bond entry, Dr. No (1962). That film's success got him re-hired to direct two subsequent Bond films, From Russia with Love (1963) (Young's own personal favorite) and Thunderball (1965). Young had acquired a solid reputation as a master of action subjects, and all three films move at a cracking pace. Exotic locales provide the background for a seamless mix of technical wizardry, sex, violence and tongue-in-cheek (sometimes campy) dialogue. Unfortunately, these films also marked the high point of Young's career, though he did direct another eerily effective psychological thriller, Wait Until Dark (1967), much in the vein of Alfred Hitchcock.
Among a brace of forgettable European co-productions, only two other films stand out: the bawdy, highly entertaining all-star period comedy The Amorous Adventures of Moll Flanders (1965) and an intriguing expose of the inner workings--and dark beginnings--of the Cosa Nostra (based on an actual informant's testimony), entitled The Valachi Papers (1972). After that, Young's output became more patchy and his later career suffered as a result of two disastrous projects: first, the Korean War epic Inchon (1981), with Laurence Olivier badly miscast as Gen. Douglas MacArthur. The enterprise was reputedly financed by the Rev. Sun Myung Moon's organization--aka the "Moonies"--to the tune of $40 million. Film critic Vincent Canby in the New York Times (September 17, 1982) referred to the picture as "hysterical" and "foolish", "the most expensive B-movie ever made". The second flop, a financially troubled production, was the predictably plotted spy thriller The Jigsaw Man (1983). Completed in 1982, the film was held back and not released until two years later. Young directed just one more film after that and left the industry in 1988. However, according to his daughter, he was working on a documentary in Cannes at the time of his death in September 1994. Though he went on record in 1966, asserting that he had grown rather tired of the Bond franchise, it is, nonetheless, that for which we will ultimately remember him.- Writer
- Actress
Dorothea Bennett was born on 28 January 1914 in Ireland. She was a writer and actress, known for Cold Sweat (1970) and The Jigsaw Man (1983). She was married to Terence Young, Erik Martin Ruzt-Nissen and Sir Francis Ferdinand Maurice Cook. She died on 6 May 1985 in Westminster, London, England, UK.- Actor
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The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actress
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Nikki van der Zyl was a German voice actress known for providing the voice of Honey Ryder in the movie Dr. No. She also revoiced all the other female voices in that same movie, except those of Miss Moneypenny and Miss Taro. Van der Zyl also worked as a dialogue coach who assisted Gert Fröbe, whose English was limited, for the movie Goldfinger. The last Bond film on which she worked was Moonraker (1979), revoicing Corinne Clery, Leila Shenna and various other characters.- Actor
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Born of Italian heritage Lucio Rietti was "discovered" at the tender age of 8 by his father Vittorio (Victor Rietti veteran actor of the stage and screen) who had noticed the boy had completely memorized a copy of a script he had given Lucio having wanted help from his son while rehearsing his lines for a play. Vittorio had Lucio join his own acting school (which turned out products such as Ida Lupino - then just a little girl), and taught the boy every thing he knew. Lucio was quickly recognized as a child prodigy and appeared alongside his father in scores of plays. He was handpicked by Alfred Hitchcock to play the boy in Secret Agent (1936), but being so young required schooling by law and had to turn down the part. The early Hollywood motion picture king David O. Selznick having seen the boy perform, tried to sign him to an extended contract with his Studio. Before having turned 11 years old he had been in over a dozen films the most notable having starred in the classic Emil and the Detectives (1935) as the leader of a gang of kids.
He was 15 years old and on tour in the UK when WW2 broke out and being of Italian origin was placed in a detention camp together with his father and brother Ronaldo (Ronald Rietti later a film director and producer). After 8 months he was released upon special request to organize an army unit made up of professional actors to entertain the troops. It was during this time that his stage name was altered to Robert Rietty in an attempt to make it sound less Italian and more Irish (who were neutral during the war). It was under the name Robert Rietty that he came to be known best by the public. After 5 ½ years of army service Robert returned to public attention picking up where he had left off.
Over the next several years he participated in every form of entertainment - in radio, on the stage, through motion pictures and the early days of Television. In radio Robert teamed up with Orson Welles twice for the complete radio crime drama series The Black Museum 1951 broadcast to the US armed forces and The Third Man 1951-1952 (aka Harry Lime) - based on the hit film. This proved to be the beginning of a lifelong friendship between the two and Orson made sure to use Robert in countless films of his. Robert was also a regular on the radio series Horatio Hornblower and Theater Royal with Sir Laurence Olivier as well as frequent guest appearances on scores of other radio shows of the time. In motion pictures, still only 25 years of age, he continued to work mostly in character parts with the exception of his performances in Call of the Blood (1948), Prelude to Fame (1950) and Stock Car (1955). Also during this time Robert was heavily involved in the Theater starring in dozens and dozens of plays, even writing quite a few and was editor of the drama quarterly Gambit.
He once found the script of the Italian play To Live in Peace which his father had translated to English but had no luck convincing anyone to produce it. Despite the fact the story was rejected countless times Robert rewrote the script and found a producer willing to back the project with his father in the lead role as Don Geronimo and himself as Maso. The play became an instant success winning many awards and toured in Europe eventually being made twice as films made for Television in 1951 and 1952. Together with his father Robert was knighted by the Italian Government for their contribution to the Italian entertainment industry in particular from translating a great many Italian plays into English. His knighthood was then upgraded. Early television took up much of Robert's time, guest-starring repeatedly in over 100 TV shows many of them being shot live in those days. In television he often got the chance to work together with his father again, most notably in The Jack Benny Program episode Jack Falls Into Canal in Venice (3/10/57) and in the pilot for the series Harry's Girls (1960). During the next 15 years most of his acting was confined to TV and films. His most memorable performances were in The Crooked Road (1965) with Robert Ryan and Stewart Granger, Hell Is Empty (1967) produced by his brother Ronald Rietti and co-starring French actress Martine Carol (who died before the end of shooting the film), The Italian Job (1969) and The Omen (1976) with Gregory Peck.
During this time he made the change from actor to director (although he continued acting) becoming heavily involved in post production work directing and re-voicing and became unquestionably the most sort after director of the kind known throughout Hollywood and Europe as the King Of Dubbers and Man Of A Thousand Voices. His direction was used for practically every film in the James Bond Series (even acting in several) and a never ending list of hundreds of pictures. Through this he came to instruct such stars as Henry Fonda, Jack Lemmon, Gregory Peck, Orson Welles, John Huston, Rod Steiger, Elizabeth Taylor, Sean Connery and Walter Matthau among others. Although over 85 Robert continues directing and acting today over 75 years after he started.- Actor
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Rick Van Nutter was born in Pomona, California and entered film work as a location manager/assistant director while living in the Hawaian Islands. Later he traveled to Africa as a production manager and stopped off in Rome on his way home and decided to stay for awhile. The following year while working as a location manager for a film company he was asked to take a part in the film and caught the acting bug and from then on spent the rest of his life in front of the cameras- Actor
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Best remembered as 'M' in the James Bond films, Bernard Lee was a popular character player in British films throughout the 1950s and 1960s. Born into a theatrical family, he made his stage debut at age six and later attended the Royal Academy of Dramatic Art. He first appeared on the West End stage in London in 1928, and continued to work in the theatre during the 1930s, taking only occasional film roles.
It was only after World War II that he concentrated his efforts on the cinema, and was much in demand in British films of the 1950s as friendly authority figures, including army sergeants, police detectives or navy officers. Detectives became a particular specialty, and he played this role in more than a dozen films, including The Blue Lamp (1950), Beat the Devil (1953) and The Detective (1954). In the early 1960s, he also made regular appearances as police detectives in the The Edgar Wallace Mystery Theatre (1959) second feature series, usually as "Inspector Meredith". He also made memorable appearances in The Third Man (1949), Operation Disaster (1950), Glory at Sea (1952), Pursuit of the Graf Spee (1956), Dunkirk (1958) and Whistle Down the Wind (1961).
He was effectively cast against type in only two films, as the union agitator in The Angry Silence (1960), and as a disgruntled civil servant who becomes a spy for the Russians in Ring of Treason (1964).
In 1962, he made his first appearance as the head of the British secret service in the first James Bond film, Dr. No (1962). He went on to be featured in the next ten films in the series, appearing with Sean Connery, George Lazenby and, later, Roger Moore as Bond, and will probably be considered the definitive "M" by more than one generation of Bond fans.- Actor
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Tough-looking New Zealander, with a long string of credits as an actor in Australian films and theatre. He was also prolific on radio as actor, announcer and compère. In August 1952, Doleman won a £300 prize for his performance in an Actor's Choice half-hourly play, entitled "The Coward". He used this as a travelling fund for a trip to Hollywood and was duly cast in a supporting role in the adventure film His Majesty O'Keefe (1954). That was followed by an uncredited bit in Alfred Hitchcock's Dial M for Murder (1954). More substantial roles, however, failed to materialise. Doleman consequently returned to Australia, where he found regular work on radio and on stage in Sydney, Melbourne and Adelaide, between 1957 and 1960.
Doleman had his best spell in Britain in the 1960's: fondly remembered as SPECTRE operative Count Lippe in the James Bond movie Thunderball (1965), and as the hard-edged spook Colonel Ross in the Harry Palmer trilogy, beginning with The Ipcress File (1965). In a similar vein, he also made a worthy antagonist for Patrick McGoohan as the first 'Number 2' in The Prisoner (1967). Doleman eventually settled in Los Angeles, where he died of lung cancer in January 1996.- Distinguished Devon-born British actress, acclaimed for her commanding performances on the classical stage. Jefford did her initial training at the Hartly-Hodder School of Speech and Drama and graduated from RADA in 1949. Following her professional acting debut that same year, she spent a year on the repertory stage before joining the Royal Shakespeare Company in Stratford-upon-Avon where her roles included Calpurnia in "Julius Caesar", Desdemona in "Othello" (both opposite Anthony Quayle) and Kate in "The Taming of the Shrew" (opposite Keith Michell as Petruchio). In 1956, Jefford moved to the Old Vic and put her extensive repertoire to good use, headlining in a one-woman show entitled "Heroines of Shakespeare". In the course of her lengthy theatrical career, the charismatic actress relished every opportunity to tackle diverse and complex characters, from Cleopatra and Joan of Arc to Hedda Gabler and Gwendolen Fairfax. In 1965, she reputedly became the youngest recipient of an OBE for services to the theatre at the age of 35. As late as 2002, she appeared as Queen Margaret opposite Kenneth Branagh in Richard III at the Crucible in Sheffield, eliciting an appreciative review from The Guardian which described Jefford as "one of the greatest of Shakespearean actors" who played her part with "Grecian grandeur ".
Despite some early TV work, Jefford's film career did not rise to the same lofty heights and only began when she was already in her mid-thirties (then playing Molly Bloom in James Joyce's Ulysses (1967)). Her rather infrequent later big screen appearances tended to be in off-beat roles: a vampiric countess in Hammer's Lust for a Vampire (1971), Magda Goebbels in Hitler: The Last Ten Days (1973), the coldly self-righteous Mrs. Herriton in Where Angels Fear to Tread (1991) and an eccentric, wheelchair-bound German baroness in Roman Polanski's thriller The Ninth Gate (1999). For the small screen, Jefford guested in episodes of The House of Eliott (1991), Ruth Rendell Mysteries (1987) and Midsomer Murders (1997). Between 1950 and 2003, she also lent her voice to many BBC radio adaptations of classic plays. - Desmond Llewelyn was born in South Wales in 1914, the son of a coal mining engineer. In high school, he worked as a stagehand in the school's productions and then picked up sporadic small parts. His family would not give up their effort to prevent him from a life on stage, so an uncle who was a high-ranking police officer arranged for Llewelyn to take the department's physical exam.
"Thank God, I flunked the eye test, and they wouldn't take me. I suspect the inspector had a hangover because he also failed this other chap I knew, who went out the same day and passed the physical for the Royal Navy, which had a lot tougher test."
After failing the police exam, Llewelyn thought about becoming a minister, realizing after a week-long retreat of quiet and meditation that the ministry "was definitely not for me." Llewelyn persevered in his acting quest, and was accepted to the Royal Academy for the Dramatic Arts in the mid 1930s.
The outbreak of World War II in September 1939, halted his acting career, and Llewelyn was commissioned as a second lieutenant in the British army. He was assigned to the Royal Welsh Fusiliers and was sent to France in early 1940.
In a short time, his regiment was fighting the Germans, and Llewelyn's company was holding off a division of German tanks. Llewelyn explained that "eventually, the tanks broke through and many of us jumped into this canal and started swimming down it to the other side, figuring that our chaps were still over there. But the Germans were the only ones there," and Llewelyn was captured, and held as a prisoner of war for five years.
At one prison camp, the prisoners had dug a tunnel and were planning to escape the next morning. Llewelyn was down in the tunnel doing some maintenance work in preparation of the escape when the Germans found out about the tunnel and caught him down in it, a crime that earned Llewelyn 10 days in solitary, which Llewelyn called "a blessing of sorts. After spending every day of several years sleeping in a room with 50 other people, the quiet and privacy was rather nice."
After the war, Llewelyn returned to London and revived his career, eventually being cast as his trademark Q in From Russia with Love (1963). Since 1963, Llewelyn has appeared as Q in every Eon Productions Bond film, except Live and Let Die (1973).
Llewelyn was omitted from Live and Let Die (1973) because producers Harry Saltzman and Albert R. Broccoli felt that too much was being made of the gadgets and they would play it down. Llewelyn said he "was quite disappointed" at being left out of Live and Let Die (1973).
Fans, however, missed Q, and Llewelyn got a call shortly after the release of Live and Let Die (1973) telling him that he would be in the next Bond film, The Man with the Golden Gun (1974).
Llewelyn, who admits that his mechanical abilities in real life are virtually nil, is geared up for the next Bond movie. "I'd love to be in the next one," Llewelyn said. "Of course, if you consider my age, they should have put me out to grass a long time ago." - Everyone knows (or should know) Lois Maxwell as the one and only "Miss Moneypenny," but there's much more to her acting career than that. She started out against her parents' will, and without their knowledge, in a Canadian children's radio program, credited as "Robin Wells." Before the age of 15 she left for England with the Canadian army's Entertainment Corps and managed (after her age had been discovered) to get herself enrolled in The Royal Academy of Dramatic Art, where she met and became friends with Roger Moore. Her movie career started with a Michael Powell and Emeric Pressburger production, A Matter of Life and Death (1946). After having won The Most Promising Newcomer Golden Globe Award in 1947, she went to Hollywood and made six films before she decided to try her luck in Italy. She had to leave Italy to go to England when her husband became ill, and since then she has had roles in a number of movies besides the first 14 Bond movies. In 1989 she retired.
- Roland Culver was born on 21 August 1900 in Crouch End, Middlesex, England, UK. He was an actor, known for Thunderball (1965), Dead of Night (1945) and To Each His Own (1946). He was married to Nan Hopkins and Daphne Rye. He died on 1 March 1984 in Henley-on-Thames, Oxfordshire, England, UK.
- Earl Cameron did not set out to be an actor. Bermudian by birth, Cameron joined the British Merchant Navy in the 1930s for the travel opportunities that it afforded. By the early 1940s, with World War II in full swing, Cameron found himself in London working menial jobs to survive. After seeing a West End revival of the musical comedy Chu Chin Chow, he got the acting bug. When an actor didn't show up for a performance, Cameron replaced the actor in the production. This was followed by a series of roles on the London stage.
In 1951, he received a big break when he was cast in Pool of London (1951). The film directed by Basil Dearden in which Cameron played a dockworker who falls in love with a local woman, was significant in that it was one of the first British films to feature a Black man in a non-stereotypical role. He was essentially the UK counterpart to Sidney Poitier, who made his film debut around the same time, although equally talented, he never became a star. Toward the end of the decade, he would work with Dearden again in Sapphire (1959), where he would play a physician who is the brother of the title character, who was murdered while passing for White.
Other significant film film roles in Cameron's career include Thunderball (1965) where he played opposite Sean Connery as Pinder, Bond's Bahamian assistant. Cameron played an ambassador in A Warm December (1973), a film starring and directed by Poitier. In The Interpreter (2005), a film directed by Sydney Pollack , in which he played Edmond Zuwanie, a dictator loosely based on Robert Mugabe.
Cameron continued to work steadily in film and television into his nineties. One of his last appearances was in They've Gotta Have Us (2018), a documentary on Black actors in Hollywood produced by BBC Two.
He died in 2020 at the age of 102. - Actor
- Writer
Phaedros Stassinos was a Greek-Cypriot actor whose international stage name was Paul Stassino. He was born in Cyprus but at age 17 left for the U.K. to study at the Royal Academy of Dramatic Art in London. Spent most of his acting career in Britain. He appeared in British TV dramas such as Danger Man (1960) and The Saint (1962). Best known performance was in the James Bond film Thunderball (1965) when he played two parts, Major François Derval and Angelo Palazzi. Other roles include "Le Pirate" in That Riviera Touch (1966), and the first officer of the Colombian ship Paloma in Tiger Bay (1959). Left the U.K in the seventies to manage a casino in Athens, Greece. In the 1980s returned to his homeland of Cyprus. He had three children from two marriages: two from his British first wife, who live in the U.K. and one, from his Greek second wife, who lives in Greece.- Rose Alba was born on 5 February 1918 in Cairo, Egypt. She was an actress, known for Thunderball (1965), BBC Sunday-Night Theatre (1950) and Lord Tramp (1977). She died in December 2005 in Covent Garden, London, England, UK.
- Actor
- Soundtrack
Philip Locke was born on 29 March 1928 in St. Marylebone, London, England, UK. He was an actor, known for Thunderball (1965), Doing Time (1979) and Oliver Twist (1982). He died on 19 April 2004 in Dedham, Essex, England, UK.- George Pravda was born on 19 June 1916 in Prague, Bohemia, Austria-Hungary [now Prague, Czech Republic]. He was an actor, known for Thunderball (1965), Firefox (1982) and The Man in the Mirror (1966). He was married to Hana Maria Pravda. He died on 30 April 1985 in London, England, UK.
- Actor
- Stunts
Michael Brennan was born on 25 September 1912 in London, England, UK. He was an actor, known for Thunderball (1965), The Onedin Line (1971) and Johnny Nobody (1961). He was married to Mary Hignett. He died on 29 June 1982 in Chichester, West Sussex, England, UK.- Actor
- Director
- Producer
Leonard Sachs was born on 26 September 1909 in Roodeport, Transvaal, South Africa. He was an actor and director, known for Thunderball (1965), The Men of Sherwood Forest (1954) and John Wesley (1954). He was married to Eleanor Summerfield. He died on 15 June 1990 in Westminster, London, England, UK.- A London-born stage and film veteran, actor Edward Underdown was educated at Eton College and began in theatre roles in 1932 with "Words and Music". A former jockey and steeplechase rider, he quickly forged ahead in films making his debut in The Warren Case (1934) and appearing in secondary roles. A tall, officious and good looking gent, he came into his own in post-war film leads and supports with prominent roles in The October Man (1947), Her Panelled Door (1950), The Dark Man (1951), Murder Will Out (1952), The Shadow Man (1953), and John Huston's cult overseas hit Beat the Devil (1953) starring Humphrey Bogart and Jennifer Jones in which he played Jones' prim dullard of a husband. Most of his work was in dismissible "B" level fare as dour, damp, stuffy types. He started moving down the credits list in 1960s horrors and action drama until he was reduced to bit parts. Over the course of his career, he played everything from British lords to archaeologists, but never branched out into a successful international career.
Things might have turned out differently had a little more luck come his way. It seems writer Ian Fleming's first choice for the role of James "007" Bond was the handsome but still relatively undistinguished Underdown, but the actor was never even considered by producer Albert R. Broccoli. Of course, Sean Connery soared to stardom in the part and, ironically, Underdown wound up with a very small part in one of the more popular of the film series Thunderball (1965). Underdown died in his native England on December 15, 1989 at age 81. - Actor
- Writer
Reginald Beckwith was born on 2 November 1908 in York, England, UK. He was an actor and writer, known for Thunderball (1965), Curse of the Demon (1957) and Sword of Lancelot (1963). He died on 26 June 1965 in Bourne End, Buckinghamshire, England, UK.- Actor
- Stunts
Harold Sanderson was born in Middlesbrough, North Yorkshire in Q1 of 1917. His father was a steel smelter, John Thomas Sanderson, b 1871 in Hinderwell, N Yorkshire, and his mother Mary Ann née Lawrence b 1893 in Motherwell, Lanarkshire. He had a half-brother, Percy, b 1891, from John Thomas's previous marriage.- Mitsouko was born on 3 September 1941 in Tianjin, China. She was an actress, known for Z7 Operation Rembrandt (1966), License to Kill (1964) and Les femmes d'abord (1963). She died on 28 March 1995 in Paris, France.
- Actor
- Writer
Long-faced, emaciated-looking character actor with a thin mustache and an impeccable English accent, Anthony Dawson was typecast in a variety of villainous roles in the 1950s and 1960s.
He was born Anthony Douglas Gillon Dawson in Edinburgh, Scotland, to Ida Violet (Kittel) and Eric Francis Dawson. His father was Scottish and his mother was of German and English descent. Dawson made his greatest impact in the Alfred Hitchcock classic Dial M for Murder (1954). He was excellent as Lesgate, seedy ex-Cambridge classmate of would-be wife murderer Wendice (Ray Milland). In the scene where Wendice blackmails him to commit the killing ("There were times I felt you belonged to me"), he is nervous and visibly torn between fear and avarice. Dawson gave similarly sinister performances in the thriller Midnight Lace (1960), where he menaced hapless Doris Day, and the Terence Fisher-directed Hammer horror The Curse of the Werewolf (1961) as Count Siniestro. In a film by Terence Young, the James Bond classic Dr. No (1962), Dawson played the geologist Prof. R.J.Dent, a henchman of the title character who attempts to assassinate the hero, then finds out to his cost what Bond's "license to kill" really means.
Dawson was also the first screen incarnation of Bond villain Ernst Stavro Blofeld (in From Russia with Love (1963) and Thunderball (1965)), though the viewer only sees his hands stroking a white cat and hears the voice of Austrian actor Eric Pohlmann. A highly capable, immediately recognizable actor, Dawson deserved better roles than came his way after the mid-1960s. He eventually ended up playing small parts in minor Italian films and European co-productions, but should not be confused with the Italian horror director Antonio Margheriti who sometimes used the pseudonym 'Anthomy M. Dawson'.
An interesting footnote to Dawson's career are his unpublished memoirs, "Rambling Recollections", in which he vividly recalls meeting Hitchcock after first arriving in Hollywood. This took place at a dinner party given by the director at Perino's Restaurant in Los Angeles. Also present were 'Dial M' co-stars Grace Kelly and English actor John Williams. Dawson later escorted Kelly to her residence at Chateau Marmont, an apartment bloc on Sunset Strip. Dawson then intimated that an affair took place, which, however lasted just until Ray Milland arrived on the scene.- Born in Vienna. Studied at Max Reinhardt School. Early years as entertainer at Reiss Bar in Vienna. Often appeared at still-existing Raimund-Theater. Met wife, Liselotte, on stage in Brno (now Czech Republic). She escaped to London in 1938, he in 1939, where they married that year. Frequent appearances on German BBC during the war. Appeared often on British stage, including "Point of Departure" (with Dirk Bogarde, Mai Zetterling and Brenda de Banzie), "Settled out of Court" (with Nigel Patrick) and "The Threepenny Opera" (with Bill Owen, Georgia Brown, George A. Cooper, Lisa Lee), playing the part of Peachum. Frequent TV appearances, including episodes of The Saint (1962) and The Avengers (1961). Resumed German-speaking career in 1965, starring in "Das Feuerwerk" in Munich (from which the song "Oh My Papa" comes). Among other stage appearances in Germany: "Der Talisman" and "Der Entertainer". Was back in Vienna on the stage, appearing at the Theater an der Wien in musicals, including: "Das Apartment" ("Promises, Promises"), in which he played the doctor (a version of "Raindrops Keep Falling on my Head" was inserted for him to sing), "Billy" (a version of "Billy Liar"), and "Die Graefin von Naschmarkt", in which he starred alongside Marika Rökk. Tales from the Vienna Woods (1979) was his last film. It was directed by Maximilian Schell, and was included in the 1979 London Film Festival. He died durng final rehearsals for his second appearance at the Salzburg Festival, playing together with Schell as the Dicke Fetter (the fat cousin) in the traditional "Jederman" ("Everyman").
- Actor
- Stunts
- Director
Bill Cummings was born on 15 October 1920 in England, UK. He was an actor and director, known for The Pink Panther Strikes Again (1976), The Avengers (1961) and The Cockleshell Heroes (1955). He died on 6 February 2002 in Weybridge, Surrey, England, UK.- Actor
- Writer
Murray Kash was born on 16 September 1923 in Toronto, Canada. He was an actor and writer, known for Time Lock (1957), Planet Patrol (1963) and Dark of the Sun (1968). He was married to Libby Morris. He died on 30 March 2009 in London, England, UK.- Beleaguered-looking French-British character actor, born André Gaston Maillol in Toulouse. Active in the United Kingdom (where he would take out citizenship by naturalisation in 1967) and billed as André Maranne from 1956, he provided a cultivated presence as stereotypical French gendarmes, customs officers, and waiters. His best-known role was that of Herbert Lom's bespectacled and hapless aide, Sergeant François Chevalier, in six Pink Panther movies. He also appeared in an episode of Fawlty Towers (1975) as a culinary aide to Basil. Maranne was genuinely myopic but disliked wearing his glasses on screen.
While TV appearances were undoubtedly his forte, on occasion Maranne graced the big screen. Aside from the Pink Panther films, notable appearances included a deft comic turn in Darling Lili (1970) (alongside the equally hilarious Jacques Marin) and as Admiral Pierre-Charles de Villeneuve, the ill-fated commander of the Franco-Spanish fleet at Trafalgar in The Nelson Affair (1973). For BBC radio, Maranne worked as presenter of Bonjour Francoise (1968), a French language course for beginners. He also acted in La Chasse au Trésor (1968), a BBC drama series for young children, designed to teach the basics of French. It was set in France and featured an all-French cast.
Maranne retired in 1991 to Brighton, England, where he died in 2021, aged 94. - Actor
- Additional Crew
Clive Cazes was born on 6 September 1929 in Gibraltar. He was an actor, known for Christ Recrucified (1969), The Tingaree Affair (1969) and Garry Halliday (1959). He was married to Anna Sharkey. He died on 24 December 1989 in Santa Barbara, California, USA.- Cecil Cheng was born on 6 July 1925. He was an actor, known for The Fifth Element (1997), The Bed Sitting Room (1969) and Department S (1969). He died on 8 December 2002 in Nottinghamshire, England UK.
- Philip Stone was an English character actor, born in Leeds, West Yorkshire, in 1924. His first job was for an engineering company in Leeds and he served in the Royal Air Force during the Second World War. He was on stage at the West End in London from 1947. He also contracted tuberculosis that year and was forced to give up acting for several years to undergo treatment.
Stanley Kubrick noticed him during 1969 while acting in "The Contractor" at the Royal Court Theatre. Stone was the only actor to appear in three consecutive Kubrick films. He played the central character Alex's "P" (as in "M" and "P" for "Ma" and "Pa") in A Clockwork Orange (1971), and then subsequently played Graham, the Lyndon family lawyer, in Barry Lyndon (1975), and Delbert Grady, the original caretaker who murdered his family in The Shining (1980). The only other actor to be credited in three Kubrick films is Joe Turkel. Other film roles included Thunderball (1965), Where Eagles Dare (1968), Quest for Love (1971), Flash Gordon (1980) and Indiana Jones and the Temple of Doom (1984). In the animated version of The Lord of the Rings (1978), he voiced the role of Theoden.
Stone was also a prolific stage and television actor, appearing in many popular TV series, including the very first episode of The Avengers (1961), as well as Dalziel and Pascoe (1996), A Touch of Frost (1992), Heartbeat (1992), Yes Minister (1980) and Coronation Street (1960). At one time he fronted his own production company, Philip Stone Productions. He died of a heart attack in London in 2003, aged 79. - Actor
- Additional Crew
Victor Beaumont was born on 7 November 1912 in Berlin, Germany. He was an actor, known for Where Eagles Dare (1968), A Shot in the Dark (1964) and Moonbase 3 (1973). He died on 21 March 1977.- Producer
- Additional Crew
- Sound Department
Kevin McClory was born on 8 June 1924 in Dún Laoghaire, County Dublin, Ireland. He was a producer, known for Thunderball (1965), Never Say Never Again (1983) and The Boy and the Bridge (1959). He was married to Fredericka (Bo) Sigrist and Elizabeth O'Brien. He died on 20 November 2006 in Loughlinstown, County Dublin, Ireland.- Writer
- Producer
- Second Unit Director or Assistant Director
The name is "Maibaum, Richard Maibaum".....the brilliant screenwriter who adapted the Ian Fleming 007 novels into the highly entertaining screenplays of nearly every James Bond film from Dr. No (1962) through to Licence to Kill (1989). Maibaum attended New York University, then studied acting at the University of Iowa. By the time he was in his late twenties, Maibaum was a well established Broadway actor and playwright. He entered films as a screenwriter in 1937, spending the war years with the army's Combat Film Division. In 1946, he joined Paramount as both screenwriter and producer, contributing to such films as The Big Clock (1948) & The Great Gatsby (1949). From advice that making films abroad was an excellent tax shelter, Maibaum formed a partnership in the 1950s with producers Irving Allen and Albert R. Broccoli This led to his involvement in the phenomenally successful James Bond series of the 1960s and 1970s and, after Ian Fleming, Maibaum has arguably been the person most responsible for shaping the image of the screen's most famous spy!- Writer
- Script and Continuity Department
- Director
John Hopkins was born on 27 January 1931 in London, England, UK. He was a writer and director, known for Thunderball (1965), Z Cars (1962) and Murder by Decree (1979). He was married to Shirley Knight and Prudence Hopkins. He died on 23 July 1998 in Woodland Hills, Los Angeles, California, USA.- Writer
- Producer
Jack Whittingham was born on 2 August 1910 in Scarborough, North Yorkshire, England, UK. He was a writer and producer, known for Thunderball (1965), Never Say Never Again (1983) and The Birthday Present (1957). He was married to Margot Isobel Gough. He died on 3 July 1972 in Valletta, Malta.- Music Department
- Composer
- Actor
John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.
A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.
Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).
He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).
In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.
After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).
After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').
In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.
He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.
In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.
He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.- Cinematographer
- Camera and Electrical Department
Ted Moore was born on 7 August 1914 in Western Cape, South Africa. He was a cinematographer, known for From Russia with Love (1963), A Man for All Seasons (1966) and Dr. No (1962). He died in 1987 in Surrey, England, UK.- Editor
- Director
- Editorial Department
Having started out in the film industry as a clapper boy, by the 40's he was working in the editing department and by the 50's he was an assistant editor then a fully fledged editor. In 1962 as editor on the first James Bond film, Dr No, he helped to create a new fast style which put it's mark on action editing. From then on he was associated with all the early Bond films working his way up to second unit director then his directorial debut with 'On Her Majesty's Secret Service' in 1969.- Editor
- Sound Department
- Editorial Department
Ernest Hosler was born on 25 June 1932 in Slough, Berkshire, England, UK. He was an editor, known for Thunderball (1965), Some Girls Do (1969) and The High Commissioner (1968). He died in 1992 in Devon, England, UK.- Music Artist
- Music Department
- Actor
Tom Jones was born Thomas Jones Woodward in Pontypridd, South Wales, to a traditional coal-mining family, the son of Freda (Jones) and Thomas Woodward. His father was of English descent and his mother was of Welsh and English ancestry. He began singing at an early age in church and in the school choir. Left school at 16 and was married, having a son a year later. He brought in money for his family from an assortment of jobs, singing in pubs at night. By 1963, he was playing regularly with his own group in the demanding atmosphere of working mens clubs. Gordon Mills, a performer who had branched out into songwriting and management went to see him. He became his manager and landed him a record contract in 1964. They made a great team and had huge international success with their second single, a song penned by Mr Mills -- "It's Not Unusual." An avalanche of gold singles and albums followed. Mr Jones, a vocal powerhouse, has sustained his popularity for over three decades, and his recordings have spanned the spectrum of musical styles.