Annie 1982 premiere
Wednesday May 19th, TCL Chinese Theatre 6925 Hollywood Blvd, Hollywood, CA 90028
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The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.
Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.
Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).
Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).
Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.
Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).
During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.
Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".- Actress
- Soundtrack
Throughout her illustrious career, Bernadette Peters has dazzled audiences and critics with her performances on stage and television, in concert, and on recordings. She is one of the most critically-acclaimed Broadway performers, having received nominations for seven Tony Awards, winning two, and eight Drama Desk Awards, winning three. Four of the Broadway cast albums on which she has starred have won Grammy Awards. Recently, she has been starring on Broadway as Dolly Gallagher Levi in the hit musical, Hello, Dolly!
Bernadette was born Bernadette Lazzara on February 28, 1948 in Queens, New York City, to Marguerite (Maltese) and Peter Lazzara, a bread delivery truck driver. She is of Sicilian descent.
Bernadette first performed on the stage as a child and then a teenage actor in the 1960s, and in film and television in the 1970s. She was praised for this early work and for appearances on The Muppet Show (1976), The Carol Burnett Show (1991) and in other television work, and for her roles in films like Silent Movie (1976), The Jerk (1979), Pennies from Heaven (1981) and Annie (1982). In the 1980s, she returned to the theatre, where she became one of the best-known Broadway stars over the next three decades. She also has recorded six solo albums and several singles, as well as many cast albums, and performs regularly in her own solo concert act. Peters is particularly noted for her starring roles in stage musicals, including "Song and Dance", "Sunday in the Park with George", "Into the Woods", "Annie Get Your Gun" and "Gypsy", becoming closely associated with composer Stephen Sondheim.
Peters continues to act in films and on television, where she has been nominated for three Emmy Awards and three Golden Globe Awards, winning once. Her career boasts an impressive list of television credits, which includes Amazon Prime's highly popular, Mozart in the Jungle, which won the 2016 Golden Globe for Best TV Comedy or Musical series. She also co-stars in the new CBS All Access series, The Good Fight, a spin-off of the network's popular series, The Good Wife. One of Broadway's most critically acclaimed performers, Peters has won numerous accolades including being the recipient of three Tony Awards, a Golden Globe, three Grammy nominations, three Emmy nominations and has a star on the Hollywood Walk of Fame.
Peters' albums include the Grammy nominated I'll Be Your Baby Tonight, Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall, and Bernadette Peters Loves Rodgers & Hammerstein, in addition to numerous Grammy Award winning Broadway Cast recordings. Peters devotes her time and talents to numerous events that benefit Broadway Cares/Equity Fights AIDS. Her "pet project" Broadway Barks, co-founded with Mary Tyler Moore, is an annual, star-studded dog and cat adoption event that benefits shelter animals throughout the New York City area. She is a New York Times bestselling author who has penned three children's books, Broadway Barks, Stella Is a Star and Stella and Charlie: Friends Forever. All of her proceeds from the sale of these books benefit Broadway Barks.
She had a four-year romantic relationship with comedian Steve Martin and was married to investment adviser Michael Wittenberg for over nine years until he was killed in a helicopter crash on September 26, 2005. Peters is known for her charitable work, including as a founder of the Broadway Barks animal charity. Peters resides in New York with her rescue dogs, Charlie and Rosalia.- Actor
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The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).
By 1965, Finney had branched out into production, setting up Memorial Enterprises in conjunction with Michael Medwin. In 1968, he directed himself in Charlie Bubbles (1968) and three years later produced the Chandleresque homage Gumshoe (1971), in which he also starred as Eddie Ginley, a bingo-caller with delusions of becoming a private eye. From 1972 to 1975, Finney served as artistic director of the Royal Court Theatre. His intermittent forays to the screen confirmed him as a versatile international actor of note, though not what one might describe as a mainstream star. His roles have ranged from Ebenezer Scrooge in the musical version of Scrooge (1970) to Daddy Warbucks in Annie (1982) and (in flamboyant over-the-top make-up) Hercule Poirot in Murder on the Orient Express (1974). He appeared as Minister of Police Joseph Fouché in Ridley Scott's superb period drama The Duellists (1977) and as a grandiloquent Shakespearean actor in The Dresser (1983) for which he received an Oscar nomination. For the small screen Finney essayed Pope John Paul II (1984) and was a totally believable Winston Churchill in the acclaimed The Gathering Storm (2002). His final movie credit was in the James Bond thriller Skyfall (2012).
Finney was five-times nominated for Academy Awards in 1964, 1975, 1984, 1985 and 2001. He won two BAFTA Awards in 1961 and 2004. True to his working-class roots, he spurned a CBE in 1980 and a knighthood in 2000, later explaining his decision by stating that the 'Sir thing' "slightly perpetuates one of our diseases in England, which is snobbery". Albert Finney was diagnosed with kidney cancer in 2011. He died on February 7 2019 at a London hospital from a chest infection at the age of 82. Upon his death, John Cleese described him as "the best" and "our greatest actor".- Actress
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Aileen was introduced to show business by her mother, Helenann, who was doing theatre when Aileen was growing up. Aileen begged to audition too, and she began to get parts near her home of Yardley, Pennsylvania. Her first show being, ironically "Annie Get Your Gun."
Aileen's first movie part was one line in Paternity (1981), starring Burt Reynolds. At the time Aileen was picked for the movie, she was in the Broadway show, "Annie" as the "swing orphan." The Swing essentially understudied various Orphan roles in the show and knew all their parts and had to go on stage at a moment's notice if one of the actors was sick and couldn't perform, averaging 2 or 3 times a week.
A year later, she was chosen to be Annie in the film version from over 8,000 girls throughout the world. The announcement was made in January 1981 by director John Huston, who introduced Aileen as his Annie to the world on nationwide TV. Annie (1982) was filmed from April to September 1981. Aileen was under contract for 6 years to make "Annie 2," and possibly "Annie 3," but those projects never materialized. When the contract expired, Aileen was then approached to star in a new film version of - The Frog Prince (1986) - which they aired on The Disney Channel often. While Aileen was under contract, she continued to perform and went back to her theatre roots. She starred in a variety of productions in Fort Bragg, North Carolina including Dorothy in 'The Wizard Of Oz', Kim in "Bye Bye Birdie," Jenny in "Shenandoah," and Annie in "Annie," opposite Harve Presnell as Daddy Warbucks. She also starred in "A Day In Hollywood, A Night In The Ukraine" in Bristol, Pennsylvania as Harpo Marx.
Aileen decided to take a break from show business and attended Drew University in Madison, New Jersey. She received a B.A. with honors in Spanish and minored in Political Science. She spent 6 months living with a family in Chile as part of an exchange program at La Universidad Católica with all of her classes in Spanish. She considers it one of her life's most rewarding experiences.
After graduation from Drew, Aileen once again took to the stage playing Bette in "Oliver!" at the famous Paper Mill Playhouse in Millburn, New Jersey. She then begin a 5 year stint doing Broadway National Tours including "Fiddler On The Roof," "Peter Pan," and "Saturday Night Fever." In between touring, Aileen starred in two off-Broadway shows, "Dreamstuff," and "Yiddle With a Fiddle."
Starting in 2007, Aileen returned to film getting roles in various projects, including independent and studio backed. So, she decided to leave her East Coast roots, and moved to Los Angeles in the Fall of 2011, where she resides, but keeps a home in New York. The following year she formed a Rockabilly, Swing, Blues Band appropriately named "Aileen Quinn and the Leapin' Lizards." The band released their debut album in 2015, "Spin Me," which includes 10 tracks of all original material. Aileen has gone back into the recording studio as she did when she was 9 years old, recording the double platinum "Annie" soundtrack as well as her solo album, "Bobby's Girl," and is enjoying it as much now, as she did then. Her current band performs all over California in hopes to tour throughout the US and the world.
In addition to performing, Aileen teaches Master Classes all over the US in drama and musical theatre, and has directed and co-directed various children's theatre productions.- Actress
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Tatum Beatrice O'Neal is an American actress and author. She is the youngest person ever to win a competitive Academy Award, winning at age 10 for her performance as Addie Loggins in Paper Moon (1973) opposite her father, Ryan O'Neal. She also starred as Amanda Wurlitzer in The Bad News Bears (1976), followed by Nickelodeon (1976), and Little Darlings (1980). O'Neal later appeared in guest roles in Sex and the City, 8 Simple Rules and Law & Order: Criminal Intent. From 2006 to 2007, she portrayed Blythe Hunter in the My Network TV drama series Wicked Wicked Games.- Actor
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Timothy Hutton was born in Malibu, California, one of three children born to Maryline (Poole), a teacher, and actor Jim Hutton (Dana James Hutton). He burst onto the acting scene in the late 1970s. After only a few significant roles in TV movies, he bagged the part of Conrad in the Robert Redford-directed Ordinary People (1980).
His performance as a troubled teenager trying to deal with the death of his older brother, won him the 1980 Academy Award for Best Supporting Actor, making him the youngest actor to date to win that award. With over 70 film, TV, and stage appearances (including an impressive 15 features films between 2006-08), Hutton headlines the television series Leverage (2008) as insurance investigator Nate Ford. He starred in the acclaimed Roman Polanski film The Ghost Writer (2010). Hutton made his Broadway debut in 1989 in "Love Letters".- Actress
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Jaclyn Smith was born Jacquelyn Ellen Smith on October 26, 1945 in Houston, Texas. She graduated from high school and originally aspired to be a famous ballerina. In 1973, she landed a job as a Breck shampoo model. In 1976, she was offered a chance to star in a new pilot for a planned television series, entitled Charlie's Angels (1976). The pilot was slick and the show was an instant hit when it debuted on September 22, 1976 on ABC.
Smith is the only original "Angel" to stay with the show through its entire five-season run (1976-81). She is also the only "Angel" from the television series to make an appearance in either of the movie adaptations. (She had an uncredited cameo in Charlie's Angels: Full Throttle (2003) as "Kelly Garrett", offering advice to the new generation of angels.)
After Charlie's Angels (1976), she went the TV-movie route and starred in such TV films as Jacqueline Bouvier Kennedy (1981) for which she received a Golden Globe nomination, and such miniseries as The Bourne Identity (1988), Rage of Angels (1983) and Windmills of the Gods (1988). She has had her own extremely successful clothing line at Kmart since 1985, and is often a spokesperson.
Her first two marriages to actors Roger Davis and Dennis Cole ended in divorce. She has two children from her third marriage to cinematographer Anthony B. Richmond (they divorced in 1989). Her fourth marriage is to physician Dr. Brad Allen. She married him in 1997; the two created the skincare line which Smith promotes.- Actor
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Actor Robert Hays was an Air Force Brat and attended Izmir American School in Izmir, Turkey during the Seventh Grade. He graduated in 1965 from Bellevue High School, Bellevue, Nebraska where his father was stationed at Offutt AFB. He began his career in theatre, performing in plays like Richard III and The Glass Menagerie at the famous Old Globe Theatre in San Diego. After spending several years in the theatre, he moved to Hollywood to pursue his career in film and television.
He first appeared on television in series such as Marcus Welby, M.D. (1969), Wonder Woman (1975), Laverne & Shirley (1976) and Angie (1979). He made his feature-film debut in the landmark comedy Airplane! (1980), starring as Ted Striker, the traumatized former pilot who must land the plane when the flight crew gets struck by food poisoning. He later reprised his role as Ted Striker in Airplane II: The Sequel (1982).
After the massive success of Airplane!, Hays went on to star in many feature films including Take This Job and Shove It (1981), Trenchcoat (1983), Cat's Eye (1985), Fifty/Fifty (1992), Homeward Bound: The Incredible Journey (1993), Homeward Bound II: Lost in San Francisco (1996), Robert Altman's Dr. T & the Women (2000) and Alex in Wonder (2001), which he also produced. He starred in over 20 made-for-TV movies like NBC's Mister Roberts (1984), CBS' Murder by the Book (1987), and Lifetime's The Abduction (1996). He also had a surprise appearance in Sharknado 2: The Second One (2014). Hays also had numerous guest appearances on various television shows including Touched by an Angel (1994), Promised Land (1996) and That '70s Show (1998), and he starred in the series Starman (1986), FM (1989), Cutters (1993) and Kelly Kelly (1998).- Actor
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It's hardly surprising that the son of renowned Russian-born concert violinist Efrem Zimbalist Sr. (1889-1985) and Romanian-born opera singer Alma Gluck (1884-1938) would desire a performing career of some kind. Born in New York City on November 30, 1918, surrounded by people of wealth and privilege throughout his childhood, Efrem Zimbalist Jr. received a boarding school education. Acting in school plays, he later trained briefly at the Yale School of Drama but didn't apply himself enough and quit. As an NBC network radio page, he auditioned when he could and found minor TV and stock theatre parts while joining up with the Neighborhood Playhouse.
Following WWII war service with the Army infantry in which he was awarded the Purple Heart after being wounded, a director and friend of the family, Garson Kanin, gave the aspiring actor his first professional role in his Broadway production of "The Rugged Path" (1945) which starred Spencer Tracy. With his dark, friendly, clean-scrubbed good looks and a deep, rich voice that could cut butter, Zimbalist found little trouble finding work. He continued with the American Repertory Theatre performing in such classics as "Henry VIII" and "Androcles and the Lion" while appearing opposite the legendary Eva Le Gallienne in "Hedda Gabler".
Zimbalist then tried his hand as a stage producer, successfully bringing opera to Broadway audiences for the first time with memorable presentations of "The Medium" and "The Telephone". As producer of Gian Carlo Menotti's "The Consul", he won the New York Drama Critic's Award and the Pulitzer Prize for best musical in 1950. An auspicious film debut opposite Edward G. Robinson in House of Strangers (1949) brought little career momentum due to the untimely death of his wife Emily (a onetime actress who appeared with him in "Hedda Gabler" and bore him two children, Nancy and Efrem III) to cancer in 1950. Making an abrupt decision to abandon acting, he served as assistant director/researcher at the Curtis School of Music for his father and buried himself with studies and music composition.
In 1954, Efrem returned to acting and copped a daytime television soap lead (Concerning Miss Marlowe (1954)). It was famed director Joshua Logan who proved instrumental in helping Zimbalist secure a Warner Bros. contract. Despite forthright second leads in decent films such as Band of Angels (1957) with Clark Gable and Yvonne De Carlo; Too Much, Too Soon (1958) starring Dorothy Malone and Errol Flynn; Home Before Dark (1958) with Jean Simmons and Rhonda Fleming; The Crowded Sky (1960) with Dana Andrews, Rhonda Fleming, Troy Donahue and Anne Francis; A Fever in the Blood (1961) opposite Angie Dickinson and (his best) Wait Until Dark (1967) with Audrey Hepburn, it was television that made the better use of his refined, unshowy acting style. His roles as smooth private investigator Stu Bailey on 77 Sunset Strip (1958) and dogged inspector Lewis Erskine on The F.B.I. (1965) would be his ultimate claims to fame.
A perfect gentleman on and off camera, Zimbalist's severest critics tend to deem his performances bland and undernourished. Managing to override such criticisms, he maintained a sturdy career for nearly six decades. In 1991, he made fun of his all-serious reputation and pulled off a Leslie Nielsen-like role in the comedy parody Hot Shots! (1991). In addition to theater projects over the years, he has made fine use of his mellifluous baritone performing narrations and cartoon voiceovers, including that of Alfred the butler on a "Batman" animated series.
In 2003, he completed his memoirs, entitled "My Dinner of Herbs". The father of three, grandfather of four and great-grandfather of three, he settled in Santa Barbara and later in Solvang, California with longtime second wife Stephanie until her death in 2007 of cancer. Their daughter, also named Stephanie (Stephanie Zimbalist), is the well-known actress who appeared with Pierce Brosnan in the Remington Steele (1982) television series, in which Zimbalist had a recurring role. He and his daughter also appeared on stage together in his later years, their first being "The Night of the Iguana". His eldest daughter Nancy died in 2012.
Zimbalist died peacefully at his Solvang home of natural causes at the age of 95 on May 2, 2014; he had been outside watering his lawn at his Solvang, Calif., ranch when a handyman found him lying dead in the grass. "He was healthy, playing golf three days a week, and always in his garden," Zimbalist's son said.- Actress
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Cheryl Ladd is an American actress, singer, and author best known for her role as Kris Munroe in the ABC television series Charlie's Angels, whose cast she joined in its second season in 1977 to replace Farrah Fawcett-Majors. Ladd remained on the show until its cancellation in 1981. Her film roles include Purple Hearts (1984), Millennium (1989), Poison Ivy (1992), Permanent Midnight (1998), and Unforgettable (2017).- Music Artist
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Linda Ronstadt was born on 15 July 1946 in Tucson, Arizona, USA. She is a music artist and actress, known for The Pirates of Penzance (1983), An American Tail (1986) and The Abyss (1989).- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actress
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Anjelica Huston was born on July 8, 1951 to director and actor John Huston and Russian prima ballerina Enrica 'Ricki' Soma. Huston spent most of her childhood overseas, in Ireland and England, and in 1968 first dipped her toe into the world of show business, taking on the lead role of her father's movie A Walk with Love and Death (1969). However, before it was released, her mother died in a car accident, at 39, and Huston relocated to the United States, where the very tall, exotically-beautiful young woman modeled for several years.
While modeling, Huston made sporadic cameo appearances in a couple films, but decided to pursue it as a career in the early '80s. She prepared herself by reaching out to acting coach Peggy Feury and began to get roles. The first notable part was in Bob Rafelson's remake of the classic noir movie The Postman Always Rings Twice (1981) (in which Jack Nicholson, with whom Huston had been living since 1973, was the star). After a few more years of on-again, off-again supporting work, her father perfectly cast her as calculating, imperious Maerose, the daughter of a Mafia don whose love is scorned by a hit man (Nicholson again) in his film adaptation of Richard Condon's Mafia-satire novel Prizzi's Honor (1985). Huston won the Best Supporting Actress Oscar for her performance, making her the first person in Academy Award history to win an Oscar when a parent and a grandparent (her father and grandfather Walter Huston) had also won one.
Huston thereafter worked prolifically, including notable roles in Francis Ford Coppola's Gardens of Stone (1987), Barry Sonnenfeld's film versions of the Charles Addams cartoons The Addams Family (1991) and Addams Family Values (1993), in which she portrayed Addams matriarch Morticia, Wes Anderson's The Royal Tenenbaums (2001) and The Life Aquatic with Steve Zissou (2004). Probably her finest performance on-screen, however, was as Lilly, the veteran, iron-willed con artist in Stephen Frears' The Grifters (1990), for which she received another Oscar nomination, this time for Best Actress. A sentimental favorite is her performance as the lead in her father's final film, an adaptation of James Joyce's The Dead (1987) -- with her many years of residence in Ireland, Huston's Irish accent in the film is authentic.
Endowed with her father's great height and personal boldness, and her mother's beauty and aristocratic nose, Huston certainly cuts an imposing figure, and brings great confidence and authority to her performances. She clearly takes her craft seriously and has come into her own as a strong actress, emerging from under the shadow of her father, who passed away in 1987. Huston married the sculptor Robert Graham in 1992. The couple lived in Venice Beach until Graham's death in 2008.- Actor
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An eccentric rebel of epic proportions, this Hollywood titan reigned supreme as director, screenwriter and character actor in a career that endured over five decades. The ten-time Oscar-nominated legend was born John Marcellus Huston in Nevada, Missouri, on August 5, 1906. His ancestry was English, Scottish, Scots-Irish, distant German and very remote Portuguese. The age-old story goes that the small town of his birth was won by John's grandfather in a poker game. John's father was the equally magnanimous character actor Walter Huston, and his mother, Rhea Gore, was a newspaperwoman who traveled around the country looking for stories. The only child of the couple, John began performing on stage with his vaudevillian father at age 3. Upon his parents' divorce at age 7, the young boy would take turns traveling around the vaudeville circuit with his father and the country with his mother on reporting excursions. A frail and sickly child, he was once placed in a sanitarium due to both an enlarged heart and kidney ailment. Making a miraculous recovery, he quit school at age 14 to become a full-fledged boxer and eventually won the Amateur Lightweight Boxing Championship of California, winning 22 of 25 bouts. His trademark broken nose was the result of that robust activity.
John married his high school sweetheart, Dorothy Harvey, and also took his first professional stage bow with a leading role off-Broadway entitled "The Triumph of the Egg." He made his Broadway debut that same year with "Ruint" on April 7, 1925, and followed that with another Broadway show "Adam Solitaire" the following November. John soon grew restless with the confines of both his marriage and acting and abandoned both, taking a sojourn to Mexico where he became an officer in the cavalry and expert horseman while writing plays on the sly. Trying to control his wanderlust urges, he subsequently returned to America and attempted newspaper and magazine reporting work in New York by submitting short stories. He was even hired at one point by mogul Samuel Goldwyn Jr. as a screenwriter, but again he grew restless. During this time he also appeared unbilled in a few obligatory films. By 1932 John was on the move again and left for London and Paris where he studied painting and sketching. The promising artist became a homeless beggar during one harrowing point.
Returning again to America in 1933, he played the title role in a production of "Abraham Lincoln," only a few years after father Walter portrayed the part on film for D.W. Griffith. John made a new resolve to hone in on his obvious writing skills and began collaborating on a few scripts for Warner Brothers. He also married again. Warners was so impressed with his talents that he was signed on as both screenwriter and director for the Dashiell Hammett mystery yarn The Maltese Falcon (1941). The movie classic made a superstar out of Humphrey Bogart and is considered by critics and audiences alike--- 65 years after the fact--- to be the greatest detective film ever made. In the meantime John wrote/staged a couple of Broadway plays, and in the aftermath of his mammoth screen success directed bad-girl 'Bette Davis (I)' and good girl Olivia de Havilland in the film melodrama In This Our Life (1942), and three of his "Falcon" stars (Bogart, Mary Astor and Sydney Greenstreet) in the romantic war picture Across the Pacific (1942). During WWII John served as a Signal Corps lieutenant and went on to helm a number of film documentaries for the U.S. government including the controversial Let There Be Light (1980), which father Walter narrated. The end of WWII also saw the end of his second marriage. He married third wife Evelyn Keyes, of "Gone With the Wind" fame, in 1946 but it too lasted a relatively short time. That same year the impulsive and always unpredictable Huston directed Jean-Paul Sartre's experimental play "No Exit" on Broadway. The show was a box-office bust (running less than a month) but nevertheless earned the New York Drama Critics Award as "best foreign play."
Hollywood glory came to him again in association with Bogart and Warner Brothers'. The Treasure of the Sierra Madre (1948), a classic tale of gold, greed and man's inhumanity to man set in Mexico, won John Oscars for both director and screenplay and his father nabbed the "Best Supporting Actor" trophy. John can be glimpsed at the beginning of the movie in a cameo playing a tourist, but he wouldn't act again on film for a decade and a half. With the momentum in his favor, John hung around in Hollywood this time to write and/or direct some of the finest American cinema made including Key Largo (1948) and The African Queen (1951) (both with Bogart), The Asphalt Jungle (1950), The Red Badge of Courage (1951) and Moulin Rouge (1952). Later films, including Moby Dick (1956), The Unforgiven (1960), The Misfits (1961), Freud (1962), The Night of the Iguana (1964) and The Bible in the Beginning... (1966) were, for the most part, well-regarded but certainly not close to the level of his earlier revered work. He also experimented behind-the-camera with color effects and approached topics that most others would not even broach, including homosexuality and psychoanalysis.
An ardent supporter of human rights, he, along with director William Wyler and others, dared to form the Committee for the First Amendment in 1947, which strove to undermine the House Un-American Activities Committee. Disgusted by the Hollywood blacklisting that was killing the careers of many talented folk, he moved to St. Clerans in Ireland and became a citizen there along with his fourth wife, ballet dancer Enrica (Ricki) Soma. The couple had two children, including daughter Anjelica Huston who went on to have an enviable Hollywood career of her own. Huston and wife Ricki split after a son (director Danny Huston) was born to another actress in 1962. They did not divorce, however, and remained estranged until her sudden death in 1969 in a car accident. John subsequently adopted his late wife's child from another union. The ever-impulsive Huston would move yet again to Mexico where he married (1972) and divorced (1977) his fifth and final wife, Celeste Shane.
Huston returned to acting auspiciously with a major role in Otto Preminger's epic film The Cardinal (1963) for which Huston received an Oscar nomination at age 57. From that time forward, he would be glimpsed here and there in a number of colorful, baggy-eyed character roles in both good and bad (some positively abysmal) films that, at the very least, helped finance his passion projects. The former list included outstanding roles in Chinatown (1974) and The Wind and the Lion (1975), while the latter comprised of hammy parts in such awful drek as Candy (1968) and Myra Breckinridge (1970).
Directing daughter Angelica in her inauspicious movie debut, the thoroughly mediocre A Walk with Love and Death (1969), John made up for it 15 years later by directing her to Oscar glory in the mob tale Prizzi's Honor (1985). In the 1970s Huston resurged as a director of quality films with Fat City (1972), The Man Who Would Be King (1975) and Wise Blood (1979). He ended his career on a high note with Under the Volcano (1984), the afore-mentioned Prizzi's Honor (1985) and The Dead (1987). His only certifiable misfire during that era was the elephantine musical version of Annie (1982), though it later became somewhat of a cult favorite among children.
Huston lived the macho, outdoors life, unencumbered by convention or restrictions, and is often compared in style or flamboyancy to an Ernest Hemingway or Orson Welles. He was, in fact, the source of inspiration for Clint Eastwood in the helming of the film White Hunter Black Heart (1990) which chronicled the making of "The African Queen." Illness robbed Huston of a good portion of his twilight years with chronic emphysema the main culprit. As always, however, he continued to work tirelessly while hooked up to an oxygen machine if need be. At the end, the living legend was shooting an acting cameo in the film Mr. North (1988) for his son Danny, making his directorial bow at the time. John became seriously ill with pneumonia and died while on location at the age of 81. This maverick of a man's man who was once called "the eccentric's eccentric" by Paul Newman, left an incredibly rich legacy of work to be enjoyed by film lovers for centuries to come.- Producer
- Additional Crew
Soon after World War II he started selling Red Ryder radio scripts written by his Shakespeare professor at Rutgers university. He was soon handling literary talent such as Raymond Chandler and Ben Hecht. He later joined Famous Artists Agency representing Lana Turner, Kirk Douglas, Richard Burton and many others. He resigned in '57 to form Seven Arts Productions with Elliot Hyman and supervised over 50 films including 'Night of the Iguana'and 'Reflections in a Golden Eye'.In 1966 he formed Rastar Productions to produce film versions of Broadway plays such as 'Funny Girl', winning an Oscar nomination for Best Picture, 'The Way We Were', 'Sunshine Boys', 'California Suite' and 'Robin and Marion'.- Producer
- Writer
- Actress
Barbara Walters was born on 25 September 1929 in Boston, Massachusetts, USA. She was a producer and writer, known for The Barbara Walters Summer Special (1976), The View (1997) and 20/20 (1978). She was married to Merv Adelson, Lee Guber and Robert Henry Katz. She died on 30 December 2022 in Manhattan, New York City, New York, USA.- Producer
- Actor
- Executive
- Suzanne Marx is known for Jeux de plage (1995).
- Walter Mirisch and brothers Marvin Mirisch and Harold Mirisch were one of the most successful producing teams in Hollywood history. Their Mirisch Company produced such diverse hits as Some Like It Hot (1959), The Magnificent Seven (1960), West Side Story (1961), The Great Escape (1963), The Pink Panther (1963) and many others. Most of their films were financed and released by United Artists, and through a stock swap in 1963 the brothers acquired the company. They stayed on with UA and their production relationships with producer/directors like Billy Wilder, Blake Edwards and John Sturges became the model by which Hollywood makes movies today.
Starting out as a producer on such low-budget "B" fare at Monogram Pictures as Bomba: The Jungle Boy (1949), Mirisch rose to become one of Hollywood's leading industry statesman. He was a visionary who, in the declining years of the Hollywood studio system, could see that the future lay with the independent producers. Operating out of rented office space at the old Samuel Goldwyn lot in Hollywood, the Mirisches kept their overhead low by such tactics as renting studio stages and facilities only when needed. Whereas the major studios were still burdened by high overhead and salaries, the brothers were in a position to attract top talent and offer high fees and flexible control to up-and-coming directors like Norman Jewison, who responded with three hits in a row for them - The Russians Are Coming the Russians Are Coming (1966), In the Heat of the Night (1967) and The Thomas Crown Affair (1968). - Producer
- Director
- Second Unit Director or Assistant Director
Getting his start in the movie business in Universal's contract and playdate department in New York City, Howard W. Koch moved on to 20th Century-Fox as a film librarian and then entered production as second assistant director on The Keys of the Kingdom (1944). After many films as assistant director, Koch joined forces with his professional benefactor Aubrey Schenck and Edwin F. Zabel to strike a three-picture production deal with United Artists that was to start with the western War Paint (1953). The success of these pictures opened up the deal for more UA films by Koch, Schenck and Zabel (Bel-Air Productions). With Schenck, Koch produced TV's Miami Undercover (1961) and also worked as a director on such series as Maverick (1957), Hawaiian Eye (1959), Cheyenne (1955) and The Untouchables (1959). From 1961 to 1964 Koch was vice-president in charge of production for Sinatra Enterprises; among his many executive-producer credits during this period was the chilling The Manchurian Candidate (1962). He became the production head at Paramount in 1964 and then shifted gears two years later to form his own production unit, which supplied major features to Paramount for years. By all accounts one of the best-loved men in Hollywood, Koch was a recipient of the Jean Hersholt Humanitarian Award at the 1990 Oscarcast.