Firefox 1982 premiere
Monday June 14th, Cinemas 1, 2 & 3 1001 3rd Ave, New York, NY 10065
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- Actor
- Producer
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- William Paley was born on 27 September 1901 in Chicago, Illinois, USA. He was married to Babe Paley and Dorothy Jones Hart . He died on 26 October 1990 in New York City, New York, USA.
- Actress
- Soundtrack
Kitty Carlisle Hart wore a cloak of many professional and elegant colors. Actress, opera singer, Broadway performer, TV celebrity, game show panelist, patron of the arts, and, at age 95, this vital woman continued her six-decade musical odyssey with songs and reminisces in her one-woman show: "Kitty Carlisle Hart: An American Icon," which toured from her beloved New York to Los Angeles. She developed pneumonia soon after her tour folded toward the end of 2006 and passed away of congestive heart failure in April of 2007.
Kitty Carlisle Hart was born Catherine Conn (pronounced "Cohen") on September 3, 1910 in New Orleans, Louisiana, to a family of German Jewish ancestry. Her father, Dr. Joseph Conn, was a gynecologist who died when she was only ten. Her very ambitious mother, Hortense (Holzman), escorted Kitty to Europe in 1921 with the intentions of marrying her off, Grace Kelly-style, into European royalty. When that plan didn't pan out, they stayed in Europe where Kitty received her adult education in Switzerland, London, Paris and Rome. She finally zeroed in on her acting career after being accepted into London's Royal Academy of Dramatic Art, and also went on to train at the Theatre de l'Atelier in Paris.
She and her mother eventually returned to New York in 1932 wherein she first apprenticed with the Bucks County Playhouse in New Hope, Pennsylvania. She attracted notice quite early in her career. Billed as Kitty Carlisle, she found radio work and made her first appearance on the musical stage in the title role of "Rio Rita." The legitimately-trained singer went on to appear in a number of operettas, including 1933's "Champagne Sec" (as Prince Orlofsky), as well as the musical comedies "White Horse Inn" (1936) and "Three Waltzes" (1937).
Her early ingénue movie career included warbling in the musical mystery Murder at the Vanities (1934), and alongside Allan Jones amidst the zany goings-on of the Marx Brothers in the classic farce A Night at the Opera (1935). She also played a love interest to Bing Crosby's in two of his lesser known musical outings Here Is My Heart (1934) and She Loves Me Not (1934).
Films were not her strong suit, however, and she returned to her theatre roots. Appearing in her first dramatic productions "French Without Tears" and "The Night of January 16th" in 1938, she went on to grace a number of chic and stylish plays and musicals throughout the 40s, including "Walk with Music (1940), "The Merry Widow" (1943, "Design for Living (1943) and "There's Always Juliet" (1944). She subsequently performed in Benjamin Britten's 1948 American premiere of "The Rape of Lucretia." In 1946, she married Pulitzer Prize-winning playwright Moss Hart and appeared in a number of his works including his classic "The Man Who Came to Dinner" (1949) and the witty Broadway comedy "Anniversary Waltz" (1954). The couple had two children. He died in 1961 and she never remarried, spending much of her existing time keeping his name alive to future generations.
It was the small screen that would make Kitty a welcome household commodity. The steadfast panelist of several quiz shows in the 1950s, it was the popular game show To Tell the Truth (1956) that anointed her game show doyenne and icon. A regular panelist for some 20 years, she appeared on each and every revamped format from its 1956 inception to its 2002 syndicated version. Known for her stately presence, infectious laugh, pouffy dark Prince Valiant hairstyle, and sweeping couture gowns on the show, audiences reveled at her effortless class to these simple parlor games. She also was a substitute panelist for other popular game shows such as "What's My Line?" and "I've Got a Secret."
In later years, she became an important society maven of New York City, an avid patron and zealous supporter of the performing arts. Appointed to various state-wide councils, she was chairman of the New York State Council of the Arts in 1976 and served in that capacity for 20 years, also serving on the boards of various New York City cultural institutions. A noted lecturer, the civic-minded Carlisle Hart was active in administrative capacities as well, notably as Chairman of Governor Rockefeller's Conference on Woman (1966) and as special consultant to the Governor on women's opportunities. At one time she wrote the column "Kitty's Calendar" for Women's Unit News.
Kitty never stopped entertaining. Making her Metropolitan debut on New Year's Eve 1966 as Prince Orlovsky in "Die Fledermaus," she joined the touring production the following year. She appeared in concert with the Philadelphia Orchestra and appeared with the Boston Opera Company at one point. She added stature to a number of summer stock plays including "Kiss Me Kate," "The Marriage-Go-Round" and her husband's "Light Up the Sky." Returning to Broadway as a replacement for Dina Merrill in the 1983 revival of "On Your Toes," she was later spotted in Woody Allen's Radio Days (1987) and Six Degrees of Separation (1993).
Carlisle penned her autobiography, Kitty, in 1988. In the millennium, she appeared in a number of documentary films and TV movies. She died on April 17, 2007, at age 96, in Manhattan.- Producer
- Actor
- Writer
Donald John Trump was born on June 14, 1946 at the Jamaica Hospital Medical Center in Queens, New York City, New York. He is the son of Mary Trump (née Macleod) and Fred Trump, a real estate millionaire. His mother was a Scottish immigrant who initially worked as a maid. His father was born in New York, to German parents.
From kindergarten through seventh grade, he attended the Kew-Forest School. At age 13, he enrolled in the New York Military Academy.
In 1964, he began his higher education at Fordham University. After two years, he transferred to the Wharton School of the University of Pennsylvania, graduating in 1968 with a Bachelor of Science degree in Economics.
From 1971 to 2017, he was chairman and president of his family real estate company, Elizabeth Trump & Son (now called The Trump Organization), which was founded in 1923 by his grandmother and father. His business career primarily focused on building or renovating office towers, hotels, casinos, and golf courses.
He has five children, Donald Trump Jr., Ivanka Trump and Eric Trump with his first wife, Ivana Trump (m. 1977- d.1990), Tiffany Trump with his second wife, Marla Maples (m. 1993- d.1999) and Barron Trump with his third wife, Melania Trump (m. 2005).
He has hosted and produced the reality television series, The Apprentice (2004), which has been nominated for nine Primetime Emmy awards.
He was the 45th President of the United States from January 20, 2017 - January 20, 2021.- Steven J. Ross was born on 17 September 1927 in Brooklyn, New York, USA. He died on 20 November 1992 in Los Angeles, California, USA.
- Producer
- Writer
- Actress
Barbara Walters was born on 25 September 1929 in Boston, Massachusetts, USA. She was a producer and writer, known for The Barbara Walters Summer Special (1976), The View (1997) and 20/20 (1978). She was married to Merv Adelson, Lee Guber and Robert Henry Katz. She died on 30 December 2022 in Manhattan, New York City, New York, USA.- Costume and Wardrobe Department
Bill Blass was born on 22 June 1922 in Fort Wayne, Indiana, USA. He is known for Advise & Consent (1962), Irreconcilable Differences (1984) and The DuPont Show with June Allyson (1959). He died on 12 June 2002 in New Preston, Connecticut, USA.- Actress
- Director
- Producer
Sondra Locke was born May 28, 1944 as Sandra Louise Smith, in Shelbyville, Tennessee, a quiet little town about 60 miles southeast of Nashville. She was the daughter of Raymond Smith, a military man stationed at nearby Tullahoma, and Pauline Bayne. Smith departed the scene before Sondra's birth. In 1945, her mother wed William B. Elkins, and together they had a son, Donald, on April 26, 1946. The short union ended in divorce. In 1948, Bayne remarried. Alfred Locke bestowed his surname on Pauline's children and raised them as his own. Sondra's stepfather was a carpenter; her mother worked in a pencil factory. For the smart, fanciful Locke, "My childhood felt as if I had been dropped off at an extended summer camp from which I was waiting to be picked up." The bright girl loved to read, which puzzled her simple mother, who was always pushing her to spend more time outside. Sondra's happiest moments occurred on weekend visits to the local movie theater.
Locke was a cheerleader in junior high and graduated valedictorian of Shelbyville Mills' 1957-1958 eighth grade class. At Shelbyville Central High School, the "classroom was the one place where I felt like I had a chance to prove myself and I continued to excel. I felt safe there and I liked it." Her best friend was classmate Gordon Anderson, the son of a teacher, whose family had relocated to the area from Arkansas around 1953. He was a fey young man, who shared many of Sondra's fanciful hopes about the future and was her collaborator in devising harmless ways to make their lives in Shelbyville more magical. One of the duo's frequent activities was making home movies with Gordon's Super 8 camera.
When Gordon attended Middle Tennessee State University (in Murfreesboro, about 30 miles from Nashville) in 1962, Sondra enrolled there too. Upon completing freshman year, Sondra had a blowup with her mother, left home, and did not return to college. Instead, she worked in Nashville as a promotions assistant for WSM-TV, with occasional modeling and voiceover work. While in Nashville, Locke began acting in community theater as a member of Circle Players Inc. Along the way she dated George Crook, a cameraman from WSM, and Brad Crandall, head of the station's public relations department. She also enjoyed a romance with law student Gary Gober, whom she had been in plays with. Meanwhile, Gordon revealed to her that he was homosexual. He went off to Manhattan to study acting and, for a while, had a lover there. Anderson was talented but unfocused about his theater craft and eventually returned to Tennessee. Because of Locke's spiritual kinship with Anderson, she and Gordon decided to wed. The mixed-orientation couple were married at First Presbyterian Church in Nashville on September 25, 1967. (Reputedly, the marriage was never consummated.)
If Gordon was unable to launch his own acting career, he had no such problems igniting Sondra's. Months before their wedding, he learned that Warner Bros. was holding a nationwide search for a young actress to play a key role in the screen adaptation of Carson McCullers' novel The Heart Is a Lonely Hunter (1968). Anderson helped Locke research the part of Mick, a teenage waif in a southern town who befriends a suicidal deaf-mute (Alan Arkin) boarding at the house where she lives. For the audition, in Birmingham, Alabama, Gordon bleached her eyebrows, bound her bosom and carefully fixed her hair, makeup and outfit so that she would instantly impress casting agents. The ploy succeeded, and, after several callbacks, Locke -- who lied about her age to seem younger -- was hired. The movie was released in the summer of 1968 and earned respectful reviews from critics, although many filmgoers found the picture too arty. Sondra was Oscar-nominated for her sensitive portrayal.
Next, Sondra moved to Los Angeles, with Gordon in tow. She hoped to parlay her Academy Award nomination into further movie assignments. The big-eyed, wiry bottle blonde found it difficult to win choice roles, making her accept lesser projects, the most famous of which was Willard (1971), a film about marauding rats. Cover Me Babe (1970), A Reflection of Fear (1972) and The Second Coming of Suzanne (1974) faded into cinematic obscurity. In the lattermost, Locke played a Christ figure and had torrid love scenes with Paul Sand. Episodic television provided steadier acting opportunities: the anthology program Night Gallery (1969) and dramatic series including The F.B.I. (1965), Cannon (1971), Kung Fu (1972) and Barnaby Jones (1973). Thanks in part to the limited media of the time, she was able to maintain the ruse of younger age, which no doubt extended her shelf-life amid professional lulls. It was in 1972 that she first met rising kingpin Clint Eastwood when he was preparing to direct his second feature film, Breezy (1973). For the title role, Locke was passed over in favor of nine-years-younger Kay Lenz.
For half of the 1970s, the Andersons resided at West Hollywood's Andalusia condominium complex whilst seeing other people. For a time, Sondra was involved with Bruce Davison, her co-star from Willard (1971). While working on the teleplay Gondola (1974), she gained a new boyfriend, sandy-haired actor Bo Hopkins. He was once divorced and shared her penchant for falsifying birthdates. In the spring of 1974, she visited the set of Hopkins' current project, The Killer Elite (1975), and networked with composer Jerry Fielding, who was about to score a new Western showcase for Clint Eastwood. The Outlaw Josey Wales (1976) had a role that Locke thought could revitalize her career. This time, Eastwood was responsive and hired the 31-year-old to play his romantic interest. In early October 1975, the complementary pair fell hard for each other on location in Page, Arizona. "We were almost living together from the very first days of the film," Locke remembered. Besotted Clint confided he'd never been in love before and wrote a poem for his new mate: "She made me monogamous." This serially philandering megastar was 14 years her senior and a foot taller than she.
The Outlaw Josey Wales (1976) was indeed a hit, with Sondra sparking a flurry of interest among male viewers as virtually nonspeaking eye candy. Yet she stopped pursuing film roles on her own initiative to assume wifely duties, appearing on the big screen exclusively in Eastwood-controlled projects thereon. The sole exception to this was The Shadow of Chikara (1977), an Arkansas-lensed Western with burly Joe Don Baker. (The home invasion thriller Death Game (1977), though released after Locke and Eastwood became an item, was actually shot in 1974.) "Clint wanted me to work only with him," she said. "He didn't like the idea of me being away from him."
Over the next few years, Locke had two abortions from her relationship with Eastwood. In 1979, she underwent a tubal ligation at UCLA to prevent further pregnancies. She and Clint settled into a $1.12 million, seven-bedroom Spanish-style Bel-Air mansion originally built in 1931, which she spent months renovating and decorating, and which she believed would be hers for life. She continued to spend platonic time with Gordon, whom she never divorced, nurtured by their spiritual relationship. Gordon moved in and out of gay relationships, and sometimes he and a boyfriend would socialize with Clint and Sondra. As for the professional side of things, Locke and Eastwood reteamed for his action opus The Gauntlet (1977), slapstick adventure-comedy Every Which Way But Loose (1978), its sequel Any Which Way You Can (1980), the quirky satire Bronco Billy (1980) and the fourth, darkest, most ambitious "Dirty Harry" vehicle, Sudden Impact (1983). All were stellar box office performers and cemented the twosome as filmdom's most visible couple.
During this period, Sondra took a few TV roles when Clint was starring in a movie that had no part for her to play (such as Escape from Alcatraz (1979) or Firefox (1982)). The first time she worked apart from him for any length of time since The Shadow of Chikara (1977) in 1976 was Rosie: The Rosemary Clooney Story (1982). (Rosemary Clooney personally asked Locke to star in the CBS biopic on the strength of her performance in Bronco Billy (1980).) She later made an appearance on Britain's Tales of the Unexpected (1979) series. For the most part, however, she found herself sitting on the sidelines waiting for Eastwood to cast her in something.
By the mid-1980s, Sondra, over 40 but still refusing to admit it, was acutely aware that in Hollywood terms her leading lady days were just about finished. She had long been interested in film directing and had observed carefully how Eastwood and others directed the pictures she was in. With his blessing, she found a property that intrigued her and that his Malpaso production company would package, and developed it into a project for Warner Bros. She made Ratboy (1986), but despite good reviews, the film received scant distribution. In retrospect, Locke concluded that her exertion of authority over the project caused her longtime paramour to turn away from her, to find someone who was more compliant. (In an unpublicized affair with stewardess Jacelyn Reeves, Eastwood sired two legally fatherless children born in 1986 and 1988, in Monterey -- an "evil betrayal" Locke was unaware of.)
The showdown between Sondra and Clint occurred on December 29, 1988 at their mountain hideaway in Sun Valley, Idaho. After an unpleasant screaming match, Eastwood suggested Locke go back to Los Angeles. She sensed their relationship had passed a point of reconciliation, a fact confirmed when she scarcely saw Eastwood in subsequent months and when industry friends they knew in common shunned her. As she admitted later, "In my head I guess I knew it was over, but in my heart Clint and I were still not severed." On April 10, 1989, while she was directing a demanding sequence in a new police procedural, Impulse (1990), Eastwood had the locks changed on their house in Bel-Air. He also ordered her possessions to be boxed and put in storage. A letter addressed to "Mrs. Gordon Anderson," imperatively telling her not to come home, was delivered to her lawful husband's doorstep. When Gordon telephoned Sondra on the set and read her the letter, she fainted dead away in front of the cast and crew.
On April 26, 1989, Sondra filed a palimony lawsuit against her domestic partner of 14 years. Her "brazenness" in taking on the powerful Eastwood amazed and shocked Tinseltown and titillated the public. Her action sought unspecified damages and an equal division of the property she and Eastwood had acquired during their relationship. Locke asked for title to the Bel-Air home they had shared and to the Crescent Heights (West Hollywood) place Eastwood had purchased in 1982 (in which Gordon lived). The closed hearing was held on May 31, 1989, before a private judge. Before any court decision could be made, a private settlement was reached between the parties. Locke received $450,000, the Crescent Heights property, and a $1.5 million multiyear development-directing pact at Warner Bros. In return, she dropped her suit. By then, the fall of 1990, she was happy to end the hassle. (In the past months she had been diagnosed with cancer, undergone a double mastectomy, and endured chemotherapy.)
For the next three years Locke submitted over 30 projects to Warner Bros., but none received a green light to move ahead. Moreover, the studio refused to assign her to direct any of their in-house projects. In the mid-1990s, Sondra discovered evidence that Eastwood had arranged to reimburse Warner Bros. for her three-year studio contract -- a matter that he had never mentioned to her. It became obvious that the studio's negative professional attitude toward her had little or nothing to do with her directing or project-finding abilities. On June 5, 1995, Locke sued Eastwood again, alleging fraud and breach of fiduciary duty. She claimed that Clint's behind-the-scene actions had sent a message "to the film industry and the world at large ... that Locke was not to be taken seriously." (According to Sondra's lawyer, the situation was Clint's "way of terminating the earlier palimony suit.")
While Locke's case was revving up at the Burbank Courthouse, Eastwood begged her to settle. On September 24, 1996 -- the morning jurors were set to begin a second day of deliberation -- Sondra announced her decision to drop her suit against Clint for an undisclosed monetary reward. One contingency was laid down: she would not reveal the settlement amount. The jubilant plaintiff said, "This was never about money. It was about my fighting for my professional rights." According to the victor, "I didn't enjoy it. But sometimes you have to do things you don't enjoy." Locke added, "In this business, people get so accustomed to being abused, they just accept the abuse and say, 'Well, that's just the way it is.' Well, it isn't."
But Locke was not finished. She had a pending action against Warner Bros. for allegedly harming her career by agreeing to the sham movie-directing deal that Eastwood had purportedly engineered. On May 24, 1999, just as jury selection was beginning (and four days before Locke turned 55), the studio reached an out-of-court settlement with Sondra.
In the decade following her courtroom saga, Sondra did not direct another movie. She did make a brief return to acting with cameo roles in back-to-back low-budget independent features, The Prophet's Game (2000) and Clean and Narrow (2000), both of which failed to secure a theatrical release. In 2001, she sold her home in the Hollywood Hills and moved to another part of L.A. After interim flings with producer Hawk Koch and John F. Kennedy's nephew Robert Shriver, she had a live-in relationship with one of the physicians who had treated her during her cancer siege. Dr. Scott Cunneen, described by Locke as "Herculean," was 17 years her junior, his mother only three years older than Sondra. She eventually split up with him.
In 2016, preceded by a protracted absence from the public eye, trade press reported that Locke would come out of retirement to co-star in Alan Rudolph's Ray Meets Helen (2017) opposite Keith Carradine. The film was booked for a limited run in spring 2018. No longer able to hide her true year of birth in the post-internet era, Sondra was playing a romantic lead at the unheard of age of 74.
Locke died on November 3, 2018, of cardiac arrest stemming from metastatic breast cancer. It was not publicized until mid-December. The mysterious six-week delay raised a lot of eyebrows, especially since the belated news leaked opening day of the latest Eastwood blockbuster, The Mule (2018). According to a death certificate obtained by the media, her cancer had returned in 2015 and spread to her bones. Locke's remains were cremated at Westwood (Village) Mortuary and the ashes entrusted to her husband of 51 years. Rosanna Arquette, Frances Fisher and Evan Rachel Wood were among the celebrities who paid tribute. Despite the acrimony that followed the collapse of her famous relationship, Locke will be long remembered for her prominent roles in some of Eastwood's most popular works -- and perhaps dichotomously, as a pioneer for the rights of independent working women.- Actress
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Lillian Diana Gish was born on October 14, 1893, in Springfield, Ohio. Her father, James Lee Gish, was an alcoholic who caroused, was rarely at home, and left the family to, more or less, fend for themselves. To help make ends meet, Lillian, her sister Dorothy Gish, and their mother, Mary Gish, a.k.a. Mary Robinson McConnell, tried their hand at acting in local productions. Lillian was six years old when she first appeared in front of an audience. For the next 13 years, she and Dorothy appeared before stage audiences with great success. Had she not made her way into films, Lillian quite possibly could have been one of the great stage actresses of all time; however, she found her way onto the big screen when, in 1912, she met famed director D.W. Griffith. Impressed with what he saw, he immediately cast her in her first film, An Unseen Enemy (1912), followed by The One She Loved (1912) and My Baby (1912). She would make 12 films for Griffith in 1912. With 25 films in the next two years, Lillian's exposure to the public was so great that she fast became one of the top stars in the industry, right alongside Mary Pickford, "America's Sweetheart".
In 1915, Lillian starred as Elsie Stoneman in Griffith's most ambitious project to date, The Birth of a Nation (1915). She was not making the large number of films that she had been in the beginning because she was successful and popular enough to be able to pick and choose the right films to appear in. The following year, she appeared in another Griffith classic, Intolerance (1916). By the early 1920s, her career was on its way down. As with anything else, be it sports or politics, new faces appeared on the scene to replace the "old", and Lillian was no different. In fact, she did not appear at all on the screen in 1922, 1925 or 1929. However, 1926 was her busiest year of the decade with roles in La Bohème (1926) and The Scarlet Letter (1926). As the decade wound to a close, "talkies" were replacing silent films. However, Lillian was not idle during her time away from the screen. She appeared in stage productions, to the acclaim of the public and critics alike. In 1933, she filmed His Double Life (1933), but did not make another film for nine years.
When she returned in 1943, she appeared in two big-budget pictures, Commandos Strike at Dawn (1942) and Top Man (1943). Although these roles did not bring her the attention she had had in her early career, Lillian still proved she could hold her own with the best of them. She earned an Oscar nomination as Best Supporting Actress for her role of Laura Belle McCanles in Duel in the Sun (1946), but lost to Anne Baxter in The Razor's Edge (1946).
One of the most critically acclaimed roles of her career came in the thriller The Night of the Hunter (1955), also notable as the only film directed by actor Charles Laughton. In 1969, she published her autobiography, "The Movies, Mr. Griffith, and Me". In 1987, she made what was to be her last motion picture, The Whales of August (1987), a box-office success that exposed her to a new generation of fans. Her 75-year career is almost unbeatable in any field, let alone the film industry. On February 27, 1993, at age 99, Lillian Gish died peacefully in her sleep at her Manhattan apartment in New York City. She never married.- Marietta Tree was born on 17 April 1917 in Lawrence, Massachusetts, USA. She was an actress, known for Mr. North (1988) and John Huston: The Man, the Movies, the Maverick (1988). She died on 15 August 1991 in New York City, New York, USA.
- Ted Ashley was born on 3 August 1922 in Brooklyn, New York, USA. He was married to Marian Page Cuddy, Joyce Easton, Linda Palmer and Constance Marsha Sitomer. He died on 24 August 2002 in New York City, New York, USA.
- Script and Continuity Department
Annette Reed is known for Darlings of the Gods (1989).- Ray Kassar was born on 2 January 1928 in San Francisco, California, USA. He died on 10 December 2017 in Vero Beach, Florida, USA.
- Actress
- Writer
- Soundtrack
Margaret Truman was born on 17 February 1924 in Independence, Missouri, USA. She was an actress and writer, known for Margaret Truman's Capital Crimes, Matinee Theatre (1955) and Modern Romances (1954). She was married to Clifton Daniel. She died on 29 January 2008 in Chicago, Illinois, USA.- Clifton Daniel was born on 19 September 1912 in the USA. He was an actor, known for Burning Vengeance (1989), Matlock (1986) and Bubblegum Crisis (1987). He was married to Margaret Truman. He died on 20 February 2000 in New York City, New York, USA.
- Courtney Sale Ross is known for Listen Up: The Lives of Quincy Jones (1990) and Strokes of Genius (1984). Courtney Sale was previously married to Steve Ross.
- Actor
- Soundtrack
British character actor Freddie Jones came to the acting profession after ten years of working as a laboratory assistant and acting in amateur theater on the side. To kick off his mid-life career change, Jones attended Rose Bruford College of Speech and Drama in Kent, England, on a scholarship. He then worked in repertory theater, later joining up with the Royal Shakespeare Company and gaining recognition as an actor of exceptional cleverness, intelligence and perception.
His theatrical film debut came in 1967 in Peter Brook's critically acclaimed, Marat/Sade (1967). Two years later, Jones made his mark on the acting world playing "Claudius" in the six-part television miniseries, The Caesars (1968). Based on this performance, he was named "The World's Best Television Actor of the Year" at the Monte-Carlo TV Festival in 1969. Also, around this time, Jones gave one of his most touching film performances, that of the "monster" in Frankenstein Must Be Destroyed (1969), in which he displayed pathos reminiscent of Boris Karloff's monster.
Critical acclaim led him into more prominent roles in television, e.g., The Ghosts of Motley Hall (1976), Children of the Stones (1977), and Pennies from Heaven (1978), as well as in film, e.g., The Man Who Haunted Himself (1970), Antony and Cleopatra (1972), All Creatures Great and Small (1975) and Zulu Dawn (1979). He achieved international recognition as a film actor after appearing in such Hollywood films as Clint Eastwood's Firefox (1982) and David Lynch's The Elephant Man (1980), Dune (1984) and Wild at Heart (1990).
Arguably one of his most endearing roles was the frequently drunk reporter "Orlando" in Federico Fellini's The Ship Sails On (1983). His theatrical acting also went well as he was well suited for literary dramas, e.g., Far from the Madding Crowd (1967), Nicholas Nickleby (1977), Silas Marner (1985), Adam Bede (1992), David Copperfield (2000) and The Count of Monte Cristo (2002).- Actor
- Producer
Talented American leading and supporting actor, though often underrated, David Huffman was a familiar face in films and on television in the 1970s and 80s. The great success he had achieved, was cut short after he was tragically murdered in 1985.
He had been appearing on Broadway for a number of years and often seen in supporting parts in television films and shows. He became known after taking the title role in the 1979 made for TV historical film "Tom Edison: The Boy Who Lit Up the World". Huffman's performance led to a short, but successful career of leading and supporting roles in films such as "Ice Castles", "F.I.S.T.", "Blood Beach", "St. Helens" and "Firefox". He was married to Phyllis Huffman and had two children.
In 1985, he was murdered by a thief in San Diego, California. After bringing cookies to say farewell to his "Of Mice and Men" cast-mates at the Old Globe Theater, he spotted and chased the thief (who had broken into a Canadian couple's motor-home) into a Balboa Park canyon. He was subsequently stabbed twice with a screwdriver. The murderer was sentenced to 26 years in prison in 1986. David was to begin the TV miniseries "North and South" the following week. He was 39 years old.- Actor
- Producer
- Director
Lancashire-born Warren Clarke was an actor of immense presence and considerable versatility who turned his wide-shouldered, robust appearance and lived-in, hangdog facial features into an asset. For more than two and a half decades he had toiled in a wide variety of supporting roles before finding international success as the often crude, irascible, heavy-drinking Superintendant Andy Dalziel in TV's Dalziel and Pascoe (1996). When the series began, Clarke had summed up Dalziel as 'a beer-swilling chauvinist pig', but the character evolved and became more complex and endearing (in a curmudgeonly sort of way) over the show's eleven-year duration. There were also commonalities between the actor and his creation: impatience, a reputation for not tolerating fools gladly; a humorous, irreverent nature and a shared dislike for political correctness. In private life, Clarke was passionate about football (a lifelong Manchester City supporter) and golf.
The son of a hard-working stained glass maker, Clarke developed his love for the performing arts while in his teens. A frequent visitor to the cinema for Saturday morning and matinée screenings ("Flash Gordon" seemed to have been a particular favourite), he was actively encouraged by his parents to follow his chosen vocation. He performed in amateur theatrics, meanwhile earning his money as a copy boy, running errands for the Manchester Evening News, then working in a fruit and vegetable market before securing his first acting gig with Huddersfield Rep at the age of eighteen. Clarke once recalled his first performance, as an elderly German academic, which was marred by a make-up malfunction when the self-raising flour he had put in his hair to make it appear white mixed with perspiration, turned to dough and ran down his face. He would eventually master the stage (enacting, among other parts, Caligula in John Mortimer's 1972 adaptation of "I, Claudius" and Winston Churchill in "Three Days in May" at the West End, a performance the reviewer of The Guardian described as "utterly persuasive").
From the late 1960's, Clarke found more or less regular television work, at first with Granada in series like The Avengers (1961) and Callan (1967). For years he remained a struggling actor, earning barely enough to make ends meet. He performed on stage at the Royal Court in London, and, to improve his situation, earned a second income as a van driver. He finally attracted attention on the big screen as a violent, bowler-hatted thug in Stanley Kubrick's A Clockwork Orange (1971). The turning point in Clarke's career was his role as a pig-headed manager of an engineering firm involved in a chalk-and-cheese relationship with a liberal-minded academic in Nice Work (1989). In the years between, his expressive features graced a succession of diverse leading and supporting parts in both comedy and drama: Churchill in ITV's Jennie: Lady Randolph Churchill (1974); Quasimodo in the 1976 television version of "The Hunchback of Notre Dame"; a mutinous Roman soldier in the epic miniseries Masada (1981); a surly East German STASI officer in the uproarious parody Top Secret! (1984); a pig-fixated Regency period industrialist in Blackadder the Third (1987); stalwart, bewhiskered Lawrence Boythorne in BBC's outstanding production of Bleak House (2005); "pathetically nice" market gardener Brian Addis in the first two seasons of Down to Earth (2000). Clarke's guest appearances were prolific: from Elsie Tanner's nephew in Coronation Street (1960) to a querulous diabetic patient in Call the Midwife (2012).
Always a welcome presence in period drama, he had been cast in Poldark (2015), a remake of the popular 1975 miniseries, based on the novels by Winston Graham. Filming had already begun in Bristol and Cornwall when Clarke died in his sleep at the age of 67.- Actor
- Additional Crew
A prolific character actor on British television for three decades, Ronald Lacey was born on June 18, 1935 in the suburbs of London. He began his career in 1961 after compulsory National Service. He attended The London Academy of Music and Dramatic Art. His first notable performance was delivered on stage in 1962 at The Royal Court Theatre in "Chips With Everything". Lacey had an unusual pug look with beady eyes and cherub's cheeks which landed him repeatedly in bizarre roles on both stage and screen. However it was his unforgettable demonic smile and peculiar Peter Lorre mannerisms that would bring Lacey a short period of fame in Hollywood.
After performing on British television throughout the 1960's and 1970's, Lacey finally landed the role for which these characteristics could be used to full advantage. In 1981 he was cast as the villainous Nazi henchman in 'Steven Spielberg' 's widescreen blockbuster Raiders of the Lost Ark (1981) He followed this with a series of various villainous roles for the next five to six years: Firefox (1982) with 'Clint Eastwood', Sahara (1983) with Brooke Shields, and Red Sonja (1985) with Arnold Schwarzenegger. Lacey turned in two hilarious cinematic performances in full drag (Disney's Trenchcoat (1983) with Margot Kidder from 1982 and Invitation to the Wedding (1983) from 1985 - in which he played a husband/wife couple!).
Lacey died in London of liver failure on May 15, 1991. A tremendous talent with great depth and many facets, Ronald Lacey will probably be remembered best for his small but significant role as the dapper yet psychotic Nazi in Raiders of the Lost Ark (1981).- Actor
- Director
- Writer
Kenneth Colley was born on 7 December 1937 in Manchester, England, UK. He is an actor and director, known for Star Wars: Episode V - The Empire Strikes Back (1980), Firefox (1982) and Star Wars: Episode VI - Return of the Jedi (1983). He has been married to Mary Dunne since 1962.- Actor
- Additional Crew
- Writer
Klaus Löwitsch was born on 8 April 1936 in Berlin, Germany. He was an actor and writer, known for World on a Wire (1973), Firefox (1982) and Cross of Iron (1977). He was married to Helga Heinrich. He died on 3 December 2002 in Munich, Bavaria, Germany.- Actor
- Producer
Widely regarded as one of the greatest stage and screen actors both in his native UK and internationally, the unparalleled Nigel Hawthorne was born in Coventry, England on 5 April 1929, raised in South Africa and returned to the UK in the 1950s with his extensive work as a great gentleman of acting following during the decade as well as in the 1960s, 1970s and 1980s. His portrayal of 'Sir Humphrey Appleby' in the BBC comedy Yes Minister (1980) won him international acclaim in the 1980s. In 1992, he was awarded the Laurence Olivier Theatre Award for his sublime interpretation of 'George III' in Alan Bennett's hit stage play, "The Madness of King George III" and he was also nominated for an Academy Award of Best Actor in a Leading Role in its brilliant film adaptation The Madness of King George (1994), both of them exquisitely directed by Nicholas Hytner.- Stefan Schnabel was born on 2 February 1912 in Berlin, Germany. He was an actor, known for Firefox (1982), The Iron Curtain (1948) and The Counterfeit Traitor (1962). He was married to Kohler, Marion and Pittman, Joan. He died on 11 March 1999 in Rogaro, Tremezzo, Lombardy, Italy.
- Thomas Hill was born on 2 June 1927 in Landour, Mussoorie, India. He was an actor, known for The NeverEnding Story (1984), The NeverEnding Story II: The Next Chapter (1990) and Firefox (1982). He died on 20 April 2009 in Bloomington, Indiana, USA.
- Clive Merrison was born on 15 September 1945 in Tenby, Pembrokeshire, Wales, UK. He is an actor, known for The History Boys (2006), Firefox (1982) and Heavenly Creatures (1994). He was previously married to Gillian Barge.
- Actor
- Additional Crew
Kai Wulff was born on 18 December 1949. He is an actor, known for Firefox (1982), Twilight Zone: The Movie (1983) and X-Men: Apocalypse (2016). He is married to Carolyn Wulff. They have one child.- Actress
- Sound Department
Dimitra Arliss' acting career began at the Goodman Theatre in Chicago, she first caught audience's eyes appearing in Arthur Kopit's Broadway play "Indians", she played a Native American character who spoke with an Italian accent. While she continued acting on stage, she began to appear in several television and film productions, such as The Sting (1973), Xanadu (1980), Firefox (1982) and It's My Party (1996). To horror film aficionados, Dimitra is best remembered as Dahnya in Bless the Child (2000); it would be her last film before dying from complications of a stroke, she died at the Motion Picture and Television Fund Hospital in Woodland Hills, California. She was 79.- Austin Willis was born on 30 September 1917 in Halifax, Nova Scotia, Canada. He was an actor, known for Goldfinger (1964), Firefox (1982) and The Boston Strangler (1968). He was married to Gwen Laforty and Kate Reid. He died on 4 April 2004 in Dartmouth, Nova Scotia, Canada.
- Character actor Michael Currie was born Herman Christian Schwenk Jr. on July 24, 1928 in Kingston, New York. His parents were Herman C. Schwenk and Mabel Lockwood. Currie was the youngest of three children. He attended Kingston High School, where he sang in the a cappella choir and played football. Michael worked in his family business Schwenk's Bakery during the summer and on weekends. He graduated from St. Lawrence University with a degree in psychology and was an apprentice at the Woodstock Playhouse. Currie did graduate work at both Cornell University and the University of Ohio. Michael served two years in Okinawa during the Korean War. Following his tour of duty, Currie taught theater at SUNY New Paltz. He met his future wife Ann Dods on a blind date in 1960 and married her later that same year.
Michael acted in four movies with Clint Eastwood; he was especially memorable as Captain Donnelly in "Sudden Impact" and "The Dead Pool." He was likewise impressive as jolly hotel owner Rafferty in "Halloween III: Season of the Witch." Currie had a recurring role as Sheriff Jonas Carter in the popular daytime horror soap opera "Dark Shadows." Among the other TV shows he made guest appearances on are "M.A.S.H.," "Family," "Soap," "Cheers," "Dallas," and "Newhart." Michael's stage credits include a Broadway production of "Love and Kisses" as well as Off-Broadway productions of such plays as "The Premise" and "What Price Glory." He was the father of son John and daughter Catherine. Currie died at age 81 on December 22, 2009 in Freeport, Maine. - Actor
- Director
- Soundtrack
Alan Tilvern was born on 5 November 1918 in London, England, UK. He was an actor and director, known for Who Framed Roger Rabbit (1988), Love and Death (1975) and Firefox (1982). He was married to Diane Elliott. He died on 17 December 2003 in London, England, UK.- Actor
- Soundtrack
Hugh Fraser was born on 23 October 1945 in England, UK. He is an actor, known for Poirot (1989), 101 Dalmatians (1996) and Jack the Ripper (1988). He has been married to Belinda Lang since 15 October 1988. They have one child.- Actor
- Additional Crew
- Soundtrack
Wolf Kahler is a German born character actor who, thanks to his height (6'2") and blue eyes was often cast as a Nazi or unsympathetic German characters in his career. He has appeared in several successful franchises (Indiana Jones, The Dirty Dozen), both playing a Nazi officer named Dietrich, and most recently was cast as Dr. Hoffmanstahl in Sherlock Holmes: A Game of Shadows.- Writer
- Producer
- Actor
- Writer
- Producer
Mr. Wellman was born and raised in the Midwest. He began as a musician, but developed a love for the theatre while pursuing graduate studies at UCLA. He studied with Lee Strasberg, and Peggy Feury at the Strasberg Institute, and at The Loft Theater for an additional ten years. He was cast as Lee Marvin's son in the Paramount film, The Klansman, starring Lee Marvin and Richard Burton, his first major break. He began to work in episodic television, the theatre, and motion pictures, including prominent roles in the films, Sudden Impact, Sommersby, Street of Dreams, and Curfew. As a writer, Mr. Wellman teamed up with UCLA friend, Alex Lasker to adapt the book Firefox for the screen for director Clint Eastwood. Mr. Wellman worked with Clint Eastwood on three projects. In addition to co-writing Firefox, Mr. Wellman did on set revisions on Clint's "Dirty Harry" hit, Sudden Impact, while also playing the role of Tyrone in the movie. Mr. Wellman took no credit for his work. But, Clint Eastwood rewarded Wellman handsomely by persuading Warner Bros (Marc Rosenberg, Studio Chief) to offer Mr. Wellman a two picture writing deal the following spring. Ultimately Mr. Eastwood hired Mr. Wellman once again to develop a final Dirty Harry project, which Mr. Eastwood has kept under lock and key to this day.
As part of the package, Warner Bros hired Wellman to adapt a novel "Fair Game" for the screen, in hopes of hiring Sylvester Stallone to star. Mr. Wellman adapted the book, Stallone signed on to star (Cobra). Stallone did his own on set revisions during the shoot. Mr. Wellman lost his screen credit in a close WGA arbitration by one percentage point.
In addition to his work at Warner Bros, Mr. Wellman did paid studio writing assignments at Paramount, Universal, Fox, and Embassy Pictures. Mr. Wellman has also lectured and taught screenwriting courses at UCLA, Santa Fe Screenwriting Festival, "Artists and Residents" in Lewisburg, West Virginia, and at StoryBoard at Fox Studios, Los Angeles: currently- Composer
- Music Department
- Soundtrack
Unlike many musicians who started to learn music while still in their childhood, Maurice Jarre was already late in his teens when he discovered music and decided to make a career in that field. Against his father's will, he enrolled at Conservatoire de Paris where he studied percussions, composition and harmonies. He also met and studied under Joseph Martenot, inventor of the Martenot Waves, an electronic keyboard that prefigured the modern synthesizer.
After leaving the Conservatoire, Jarre played percussion and Martenot Waves for a while at Jean-Louis Barrault's theater. In 1950, another actor-director, Jean Vilar , asked Jarre to score his production of Kleist's 'The Princess of Homburg', the first score Jarre wrote. Shortly after, Vilar created the 'Théâtre National Populaire' and hired Jarre as permanent composer, an association that lasted 12 years.
In 1951, filmmaker Georges Franju asked him to write the music of his 23 minutes documentary Hôtel des Invalides (1952), Jarre's first composition for the movie screen. His first full-length feature, again directed by Georges Franju, was Head Against the Wall (1959) followed by Franju's best known film, Eyes Without a Face (1960).
Jarre's career took a spectacular turn in 1961 when producer Sam Spiegel asked him to work on David Lean's Lawrence of Arabia (1962). Initially, three composers were supposed to write the score, but for various reasons, Jarre ended up writing all the music himself and won his first Oscar. His second collaboration with David Lean on Doctor Zhivago (1965) earned him another Oscar and obtained a level of success rarely achieved by a film score. He collaborated with Lean again on Ryan's Daughter (1970) and A Passage to India (1984) for which he received a third Academy Award. He was set to score Lean's next movie, 'Nostromo', but the director became ill and died before the film could ever get made.
He also worked for directors as diverse as William Wyler (The Collector (1965)); John Huston (three films); Franco Zeffirelli (Jesus of Nazareth (1977)); Volker Schlöndorff (The Tin Drum (1979) [The Tin Drum] and Circle of Deceit (1981) [Circle of Deceit]); Peter Weir (four films); Michael Apted (Gorillas in the Mist (1988)) and Alfonso Arau (A Walk in the Clouds (1995)).
Mainly perceived as a symphonist and known for his prominent use of percussions, Jarre often integrated ethnic instruments in his orchestrations like cithara on 'Lawrence of Arabia' or fujara (an old Slovak flute) on 'The Tin Drum'. During the eighties, he incorporated synthetic sounds in his music, writing his first entirely electronic score for The Year of Living Dangerously (1982). His son Jean-Michel Jarre is a well-known popular musician.- Cinematographer
- Camera and Electrical Department
Bruce Surtees was born on 3 August 1937 in Los Angeles, California, USA. He was a cinematographer, known for Beverly Hills Cop (1984), Dirty Harry (1971) and Escape from Alcatraz (1979). He was married to Carol Buby and Judy Rucker. He died on 23 February 2012 in Carmel, California, USA.- Editor
- Editorial Department
- Editor
- Editorial Department
- Actor
Ferris Webster was born on 29 April 1912 in Seattle, Washington, USA. He was an editor and actor, known for The Great Escape (1963), The Manchurian Candidate (1962) and The Magnificent Seven (1960). He died on 4 February 1989 in San Luis Obispo, California, USA.