Two for the Seesaw 1962 premiere
Thursday December 20th, Beverly Theater
206 N. Beverly Drive, Beverly Hills, CA 90210
206 N. Beverly Drive, Beverly Hills, CA 90210
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Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.- Actress
- Producer
- Writer
The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.
Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.
Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).
Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).
Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.
Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).
During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.
Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".- Actor
- Writer
- Soundtrack
Jim Backus was born James Gilmore Backus on February 25, 1913 in Cleveland, Ohio. He was one of the few actors to do it all: radio, Broadway, movies, television and cartoons. After attending preparatory school in his hometown Cleveland, Backus enrolled at the American Academy of Dramatic Art, to ply his trade. While waiting for parts, he did radio and became friends with such future notables as Garson Kanin and Keenan Wynn. Backus stuck it out and soon was doing motion pictures in addition to radio. He was typecast in roles as "rich types" but broke the mold when he portrayed James Dean's father in the classic Rebel Without a Cause (1955). With his career in full swing, Backus also tackled two roles that he would be best known for, Mr. Magoo in cartoons and Thurston Howell III in Gilligan's Island (1964). After the series' run ended, he continued doing guest spots on television and movies, before passing away on July 3, 1989.- Actor
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- Soundtrack
William Bendix was not a son of Brooklyn, New York, although because of his stereotypical "Brooklyn accent" it has been widely supposed that he was. Bendix was actually born in the Borough of Manhattan (New York City proper), in a midtown flat hard by the tracks of the long-since defunct Third-Avenue Elevated Railway. (Manhattan sections of the "El," as New Yorkers called it, were demolished circa 1956.)
Jut-jawed, broken-nosed and burly, Bendix began his acting career after the ravages of the Great Depression had killed his erstwhile grocery business. Having performed in nightclubs even while grocer, and having portrayed taxicab drivers in a series of Broadway flops, he enjoyed his first notable performance on the Broadway stage in 1939, portraying the cop Krupp in William Saroyan's "The Time of Your Life." His Hollywood feature debut came about in one of his few starring roles, in Hal Roach's Brooklyn Orchid (1942). But more often than not, in his movies Bendix received less than top billing, inasmuch as so many of his film assignments involved supporting roles. Despite (or perhaps on account of) his looks he was often called upon to supply comedic support, as in A Connecticut Yankee in King Arthur's Court (1949), when, portraying Sir Sagramore of King Arthur's Round Table in full suit of armor and pageboy wig, he waxeth eloquent, in his Brooklyn accent but in the most incongruent of Middle English dialects! On the other hand, that same craggy appearance had him in such roles as that of the thug Jeff in The Glass Key (1942), in which he repeatedly and gleefully uses his fists to beat star Alan Ladd's face to a pulp and then sadistically challenges Ladd, once he is healed, to come back and receive further "treatment"! Although he will always be fondly remembered for his light-comedy portrayals (in *three* of the mass media!) of Chester A. Riley in The Life of Riley (1949) and The Life of Riley (1953), perhaps William Bendix's finest and most memorable dramatic performance came in Lifeboat (1944), when he touchingly interprets the role of Gus, the shipwreck survivor whose gangrenous limb has to be removed, the absence of anesthesia notwithstanding.- Actress
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- Writer
In a six-decade-plus career (she started out as a radio performer at age 14), there are very few facets of entertainment that lovely singer/actress Polly Bergen has not conquered or, at the very least, touched upon. A nightclub and Columbia recording artist of the 50s and 60s, she is just as well known for her film and Emmy-winning dramatic performances as she is for her wry comedic gifts. In the leaner times, she has maintained quite well with her various businesses. Truly one for the ages, Polly has, at age 70+, nabbed a Tony nomination for her gutsy "I'm Still Here" entertainer Carlotta in Stephen Sondheim's "Follies", and was still dishing out the barbs as she recently demonstrated as Felicity Huffman's earthy mom on Desperate Housewives (2004).
Born in Knoxville, Tennessee as Nellie Burgin on July 14, 1930, her family, which included father William, mother Lucy and sister Barbra, eventually moved to Los Angeles. By the time she was 14, Polly was singing professionally on radio and managed to scrape up singing gigs with smaller bands around and about the Southern California area. She attended Compton Junior College before Paramount mogul Hal B. Wallis caught sight of her and signed her up with his studio. Having made an isolated film debut (as Polly Burgin) a year earlier in the Monogram western Across the Rio Grande (1949), Wallis showcased her as a decorative love interest in the slapstick vehicles of Dean Martin and Jerry Lewis, the (then) hottest comedy team in Hollywood. But At War with the Army (1950), That's My Boy (1951) and The Stooge (1951) did little for Polly although she presented herself well. MGM and Universal had the idea to cast her in a more serious vein with co-starring roles in their dramas Escape from Fort Bravo (1953), Arena (1953) and Cry of the Hunted (1953), but again she was overlooked. Disasppointed, she decided to abandon her lucrative film contract and seek work elsewhere.
That "elsewhere" came in the form of 1950s TV. Focusing on her singing, she promoted her many albums for Columbia by guest-starring on all the top variety shows of the times. This culminated in her own variety program, The Polly Bergen Show (1957). The song "The Party's Over" became her traditional show-closer and signature tune. Polly also showed some marquee mettle on the cabaret and nightclub circuits, performing at many of the top hotels and showrooms throughout the country. She made her Broadway debut along with Harry Belafonte in "John Murray Anderson's Almanac" in 1953, and went on to appear in such stage shows as "Top Man" and "Champagne Complex". A delightfully engaging game show panelist to boot, she took a regular seat on the To Tell the Truth (1956) panel for five seasons.
Polly tended to display a looser, down-to-earth personality to induce laughs but she was also was formidable dramatic player and fashion plate quite capable of radiating great charm, poise and elegance. For her role as alcoholic torch singer Helen Morgan in the special TV showcase The Helen Morgan Story (1957) , she took home the Emmy award. Unfortunately for Polly, Ann Blyth took on the role of the tragic singer in the film version (with Gogi Grant providing the vocals), in what could have been a significant return to films for her.
Instead, Polly had to wait another five years for that to happen. As the wife of Gregory Peck and designated victim of revengeful psychopath Robert Mitchum in the taut movie thriller Cape Fear (1962), her film career reignited. Other opportunities came in the form of her distraught mental patient in The Caretakers (1963), which found her at odds with nurse Joan Crawford and doctor Robert Stack; the sparkling comedy Move Over, Darling (1963), which placed her in a comedy triangle with "other wife" Doris Day and husband James Garner; and as the first woman Chief Executive of the White House in the frothy comedy tidbit Kisses for My President (1964) opposite bemused "First Gentleman" Fred MacMurray. In what was to be a tinge of deja vu, Polly again saw her movie career dissipate after only a couple of vehicles. True to form, the indomitable Polly rebounded on TV.
A mild string of TV-movies came her way as she matured into the 1970s and 1980s, most notably the acclaimed miniseries The Winds of War (1983), which reunited her with Robert Mitchum, this time as his unhappy, alcoholic wife. This, along with her participation in the sequel, War and Remembrance (1988), earned Polly supporting Emmy nominations. In the years to come, she would find herself still in demand displaying her trademark comic grit in such shows as The Sopranos (1999), Commander in Chief (2005) and Desperate Housewives (2004).
Polly returned to singing in 1999 after nearly a three-decade absence (due to health and vocal issues). Quite huskier in tone, she went on to delight the New York musical stage with stand-out performances in "Follies" (2001), "Cabaret" (2002) and "Camille Claudel" (2007). Polly still made nightly appearances and had even put together singing concert tours on occasion.
Polly has authored three best-selling beauty books outside the acting arena and has demonstrated a marked level of acumen in the business world. Founding a mail-order cosmetics business in 1965, she sold it to Faberge eight years later. She also developed her own shoe and jewelry lines.
Married (1950-1955) to MGM actor Jerome Courtland during her first movie career peak, she later wed topflight agent/producer Freddie Fields in 1957, a union that lasted 18 years and produced two adopted children, Pamela and Peter. A third marriage in the 1980s also ended in divorce. An assertive voice when it comes to women's rights and issues, her memoir "Polly's Principles" came out in 1974.
Polly played a grandmother in her last film, the dramedy Struck by Lightning (2012), and died two years later on September 20, 2013, at the age of 84.- Actor
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The star of many land and underwater adventures, Lloyd Vernet Bridges, Jr. was born on January 15, 1913 in San Leandro, California, to Harriet Evelyn (Brown) and Lloyd Vernet Bridges, Sr., who owned a movie theater and also worked in the hotel business. He grew up in various Northern California towns. His father wanted him to become a lawyer, but young Lloyd's interests turned to acting while at the University of California at Los Angeles. (Dorothy Dean Bridges, Bridges' wife of more than 50 years, was one of his UCLA classmates, and appeared opposite him in a romantic play called "March Hares.") He later worked on the Broadway stage, helped to found an off-Broadway theater, and acted, produced and directed at Green Mans ions, a theater in the Catskills. Bridges made his first films in 1936, and went under contract to Columbia in 1941. Allegations that Bridges had been involved with the Communist Party threatened to derail his career in the early 1950s, but he resumed work after testifying as a cooperative witness before the House Un-American Activities, admitting his past party membership and recanting. Making the transition to television, Bridges became a small screen star of giant proportions by starring in Sea Hunt (1958), the country's most successful syndicated series. Trouper Bridges worked right to the end, winning even more new fans with his spoofy portrayals in the movies Airplane! (1980) and Hot Shots! (1991), and their respective sequels. Lloyd Bridges died at age 85 of natural causes on March 10, 1998.- Actor
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Rory Calhoun was born Francis Timothy McCown in Los Angeles, the son of Elizabeth Cuthbert and Floyd McCown. Rory starred in over 80 films and 1,000 television episodes. Before becoming an actor he worked as a boxer, a lumberjack, a truck driver and a cowpuncher. Tall and handsome, he benefited from a screen test at 20th Century-Fox, arranged for him by Sue Carol, a Hollywood agent and the wife of actor Alan Ladd, who is said to have spotted Calhoun while he was riding a horse in a Los Angeles park. He debuted on screen in Something for the Boys (1944), with Carmen Miranda, billed as "Frank McCown". David O. Selznick changed his name to Rory Calhoun, and after playing small parts for a while, he graduated to starring in western films, including River of No Return (1954) with Marilyn Monroe and Robert Mitchum. Calhoun's better-known pictures include How to Marry a Millionaire (1953) with Lauren Bacall, Monroe and Betty Grable, and With a Song in My Heart (1952) with Susan Hayward.
From 1959 to 1960 he starred in the CBS television series The Texan (1958). More than two decades later he returned to CBS for five years as Judge Judson Tyler on the daytime serial Capitol (1982). His final appearance, 70 years old but handsome as ever, was as Ernest Tucker in Pure Country (1992). Calhoun has two stars on Hollywood's Walk of Fame: one for motion pictures, and one for television.- Actress
- Costume and Wardrobe Department
- Costume Designer
Elegance and femininity are fitting descriptions for Arlene Dahl. She is considered to be one of the most beautiful actresses to have graced the screen during the postwar period. Audiences were captivated by her breathtaking beauty and the way she used to it to her advantage, progressing from claimer to character roles.
Of Norwegian extraction, Miss Dahl was born in Minneapolis. Following high school she joined a local drama group, supporting herself with a variety of jobs, including modeling for a number of department stores. Arriving in Hollywood in 1946, she signed a brief contract with Warner Brothers, but she is best remembered for her work at MGM. The Bride Goes Wild (1948) was her first work at Metro. It was an odd but rather humorous love story, which starred Van Johnson and June Allyson.
Although her beauty captivated audiences, it ultimately limited her to smaller roles, and the mark she made at MGM was small. Some of her best films were Reign of Terror (1949), which actually required some acting and she acquitted herself quite well, Three Little Words (1950), Woman's World (1954), Slightly Scarlet (1956) and Journey to the Center of the Earth (1959).
Leaving films behind her in 1959, her typecasting would pay off financially as she became a beauty columnist and writer. She later established herself as a businesswoman, founding Arlene Dahl Enterprises which marketed lingerie and cosmetics.
She was married six times, two of whom were actors, Lex Barker and Fernando Lamas. She is the mother of actor / action star Lorenzo Lamas, and actually made a guest appearance in his film Night of the Warrior (1991).- Actor
- Producer
- Director
Sammy Davis Jr. was often billed as the "greatest living entertainer in the world".
He was born in Harlem, Manhattan, the son of dancer Elvera Davis (née Sanchez) and vaudeville star Sammy Davis Sr.. His father was African-American and his mother was of Cuban and African-American ancestry. Davis Jr. was known as someone who could do it all, sing, dance, play instruments, act, do stand-up and he was known for his self-deprecating humor; he once heard someone complaining about discrimination, and he said, "You got it easy. I'm a short, ugly, one-eyed, black Jew. What do you think it's like for me?" (he had converted to Judaism).
A short stint in the army opened his eyes to the evils of racism. A slight man, he was often beaten up by bigger white soldiers and given the dirtiest and most dangerous assignments by white officers simply because he was black. He helped break down racial barriers in show business in the 1950s and 1960s, especially in Las Vegas, where he often performed; when he started there in the early 1950s, he was not allowed to stay in the hotels he played in, as they refused to take blacks as customers. He also stirred up a large amount of controversy in the 1960s by openly dating, and ultimately marrying, blonde, blue-eyed, Swedish-born actress May Britt.
He starred in the Broadway musical "Golden Boy" in the 1960s. Initially a success, internal tensions, production problems and bad reviews--many of them directed at Davis for playing a role originally written for a white man resulted in its closing fairly quickly. His film and nightclub career were in full swing, however, and he became even more famous as one of the "Rat Pack", a group of free-wheeling entertainers that included Dean Martin, Frank Sinatra, Joey Bishop and Peter Lawford.
A chain smoker, Davis died from throat cancer at the age of 64. When he died, he was in debt. To pay for Davis' funeral, most of his memorabilia was sold off.- Actor
- Producer
American supporting player specializing in tough guys. Of Serbian extraction, he was born in Nevada in 1917. As a young man, he boxed in amateur bouts and had early training in theatre at the Pasadena Playhouse. He joined the Air Corps during World War II and was assigned to the troupe performing the Moss Hart Broadway tribute to the Corps, Winged Victory, acting under his first chosen stage name, Barry Mitchell. He appeared in the film version of the show, and after the war became active in radio drama as well as theatre. John Huston spotted him in a play and cast him as a bad guy in The Asphalt Jungle (1950), under the new sobriquet of Brad Dexter. Throughout the Fifties, he continued to play hard cases of a usually villainous stripe, in both crime dramas and Westerns. His most famous role came as one of title characters in The Magnificent Seven (1960), albeit his fame was considerably eclipsed by most of the other members of that band: Yul Brynner, Steve McQueen, Horst Buchholz, Charles Bronson, Robert Vaughn, and James Coburn. He continued acting into the 1970s, then made a shift into producing.- Actress
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Diana Dors was born Diana Mary Fluck on October 23, 1931 in Swindon, Wiltshire, England. She and her mother both nearly died from the traumatic birth. Because of the trauma, her mother lavished on Diana anything and everything she wanted--clothes, toys and dance lessons were the order of the day. Diana's love of films began when her mother took her to the local movies theaters. The actresses on the screen caught Diana's attention and she said, herself, that from the age of three she wanted to be an actress. She was educated in the finest private schools, much to the chagrin of her father (apparently he thought private education was a waste of money). Physically, Diana grew up fast. At age 12, she looked and acted much older than what she was. Much of this was due to the actresses she studied on the silver screen and Diana trying to emulate them. She wanted nothing more than to go to the United States and Hollywood to have a chance to make her place in film history. After placing well in a local beauty contest, Diana was offered a role in a thespian group (she was 13).
The following year, Diana enrolled at the London Academy of Music and Dramatic Art (LAMDA) to hone her acting skills. She was the youngest in her class. Her first fling at the camera was in The Shop at Sly Corner (1947). She did not care that it was a small, uncredited role; she was on film and at age 16, that's all that mattered. That was quickly followed by Dancing with Crime (1947), which consisted of nothing more than a walk-on role. Up until this time, Diana had pretended to be 17 years old (if producers had known her true age, they probably would not have let her test for the role). However, since she looked and acted older, this was no problem. Diana's future dawned bright in 1948, and she appeared in no less than six films. Some were uncredited, but some had some meat to the roles. The best of the lot was the role of Charlotte in the classic Oliver Twist (1948). Throughout the 1950s, she appeared in more films and became more popular in Britain. Diana was a pleasant version of Marilyn Monroe, who had taken the United States by storm. Britain now had its own version.
Diana continued to play sexy sirens and kept seats in British theaters filled. She really came into her own as an actress. She was more than a woman who exuded her sexy side, she was a very fine actress as her films showed. As the 1960s turned into the 1970s, she began to play more mature roles with an effectiveness that was hard to match. Films such as Craze (1974), Swedish Wildcats (1972), The Amorous Milkman (1975) and Three for All (1975) helped fill out her resume. After filming Steaming (1985), Diana was diagnosed with cancer, which was too much for her to overcome. The British were saddened when word came of her death at age 52 on May 4, 1984 in Windsor, Berkshire, England.- Actor
- Producer
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Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.- Actor
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First wife Jeanne died in 1943. Wed second wife, Marjorie Little after 16 year courtship when she was 39 and he 67 Marjorie Little had been the hatcheck girl at the Copacabana. Durante and his second wife adopted a baby girl, Cecelia Alicia on Christmas day 1961. Durante doted on "CeCe" until his death.- Franciosa was born Anthony Papaleo on October 25, 1928, in New York City. The son of a construction worker and seamstress who divorced when he was a year old, he seldom saw his father after this and never man really got to know the other. After graduating high school, during a visit to a YMCA to take a free dance lesson, Franciosa came across an audition for a play. Intrigued, he auditioned and was offered a part.
Franciosa began acting professionally, taking his mother's maiden name as his stage name, and had his breakthrough in Calder Willingham's play "End as a Man" (1955), which opened off-Broadway at the Theatre de Lys on September 15, 1953 and transferred to Broadway on October 14 after 32 performances. It was directed by Jack Garfein and co-starred Ben Gazzara (who won a Theatre World Award and would appear in the movie version), both of whom were associated with the Actors Studio, as was Franciosa. His first wife, Beatrice Bakalyar, was a writer.
In 1955, he first appeared in the role that would make him famous: "Polo Pope", the brother of a heroin addict, in an Actors Studio workshop production of Michael V. Gazzo's A Hatful of Rain (1957). The production later moved to Broadway, where Franciosa earned an Outer Critics Circle Award and a Tony Award nomination. Hollywood beckoned, and he made his film debut in Robert Wise's This Could Be the Night (1957) with Paul Douglas and Jean Simmons.
He appeared in Actors Studio co-founder Elia Kazan's A Face in the Crowd (1957) before reprising the role of "Polo Pope" in Fred Zinnemann's A Hatful of Rain (1957). Franciosa won an Academy Award nomination for Best Actor in 1958 for "Hatful" and, with his good looks, was a very hot commodity in Hollywood. He followed up his strong debut by starring in a variety of top A-list films, including George Cukor's Wild Is the Wind (1957), Martin Ritt's The Long, Hot Summer (1958) and The Naked Maja (1958), in which he played painter Francisco Jose de Goya, opposite Ava Gardner.
Franciosa's career began to run out of momentum almost as quickly as it had started, as he rapidly developed a reputation as a combative personality, earning him a reputation as "difficult". Although he starred in George Roy Hill's adaptation of Tennessee Williams' Period of Adjustment (1962), by 1964 he was reduced to appearing in a TV series, Valentine's Day (1964), which lasted a single season. In 1968 he was cast as one of three alternating leads in the television series The Name of the Game (1968), a spin-off from the 1966 TV movie Fame Is the Name of the Game (1966) (the first TV-movie ever made as a pilot for a TV series that was subsequently picked up as a series). Although the show was popular with audiences, Franciosa was fired after appearing in the first two seasons; NBC justified giving him the sack because the actor's mercurial temper was causing too many problems on the set. Looking back at his career in a 1996 interview, Franciosa acknowledged that he was too inexperienced to handle sudden stardom. "It was an incredible amount of attention, and I wasn't quite mature enough psychologically and emotionally for it".
He starred in the series Matt Helm (1975), which only lasted one season, but his talent and charm meant he was in demand throughout the five decades of his career, though not in the kinds of roles that characterized the first two decades of his star period. He continued to act in supporting roles in movies and starring roles in TV movies and series until he retired in 1996. He appeared in one last project, "Manifest Mysteries: Coronation" (2006), shortly before his death on January 19, 2006 in Los Angeles, at the age of 77, five days after that of his ex-wife, actress Shelley Winters. - Actor
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Andy Griffith is best known for his starring roles in two very popular television series, The Andy Griffith Show (1960) and Matlock (1986). Griffith earned a degree in music from the University of North Carolina at Chapel Hill. In the 1950s, he became a regular on The Ed Sullivan Show (1948) and The Steve Allen Plymouth Show (1956). He was featured in the Broadway play "No Time for Sergeants" (1955) for which he received a Tony nomination, and he later appeared in the film version. His film debut was in the provocative and prophetic A Face in the Crowd (1957), in which Griffith gave a performance that has been described as stunning.
On The Andy Griffith Show (1960), Griffith portrayed a folksy small-town sheriff who shared simple heartfelt wisdom. The series was one of the most popular television series in history. It generated some successful spin-offs, and the original is still seen in reruns to this day. Griffith created his own production company in 1972, which produced several movies and television series. In 1981, he was nominated for an Emmy for his portrayal in Murder in Texas (1981). In 1983, Griffith was stricken with Guillain-Barre syndrome, but he recovered after rehabilitation. In 1986, he produced and starred in the very successful television series Matlock (1986). The series spawned numerous television movies as well. When he accepted the People's Choice Award for this series, he said this was his favorite role. Andy Griffith died at age 86 of a heart attack in his home in Dare County, North Carolina on July 3, 2012.- Director
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Paul Henreid was born Paul Georg Julius Freiherr von Hernreid Ritter von Wasel-Waldingau in Trieste, in the Austro-Hungarian Empire. He was the son of Marie Luise Heilig (Lendecke) and Baron Karl Alphons Hernreid. His father was an aristocratic banker, who was born to a Jewish family whose surname was changed from Hirsch to Hernreid.
Paul grew up in Vienna and studied at the prestigious Maria Theresa Academy (graduating in 1927) and the Institute of Graphic Arts. For four years, he worked as translator and book designer for a publishing outfit run by Otto Preminger, while training to be an actor at night. Preminger was also a protégé (and managing director) of Max Reinhardt. After attending one of Henreid's acting school performances, Preminger introduced him to the famous stage director and this led to a contract. In 1933, Paul made his debut at the Reinhardt Theatre in "Faust". He subsequently had several leading roles on the stage and appeared in a couple of Austrian films. Paul, like his character Victor Laszlo in Casablanca (1942), was avidly anti-fascist. He accordingly left continental Europe and went to London in 1935, first appearing on stage as Prince Albert in "Victoria the Great" two years later.
Henreid made his English-speaking motion picture debut in the popular drama Goodbye, Mr. Chips (1939), as the sympathetic German master Max Staefel, who proves to be Chipping's truest friend and ally. After that, however, he became incongruously typecast as Nazi henchmen in Mad Men of Europe (1940) and Night Train to Munich (1940). That year, he moved to the United States (becoming a citizen the following year) and quickly established himself on Broadway with "Flight to the West", as a Ribbentrop-type Nazi consul. His powerful performance led to radio work in the serial "Joyce Jordan-Girl Interne" and a film contract with RKO in 1941.
This marked a turning point in Paul Henreid's career. He finally escaped the stereotypical Teutonic image and began to play heroic or romantic leads, his first being Joan of Paris (1942), opposite Michèle Morgan, as French RAF pilot Paul Lavallier. Significantly, his next film, Now, Voyager (1942), defined his new screen persona: debonnaire, cultured and genteel, lighting two cigarettes simultaneously, then passing one to Bette Davis. According to Henreid, this legendary (and later often lampooned) scene was almost cut from the film because the director, Irving Rapper, had concerns about it. Next came "Casablanca", where Henreid played the idealistic, sensitive patriot Victor Laszlo; the poorly received Bronte sisters biopic Devotion (1946), as an Irish priest; and a stalwart performance as a Polish count and Ida Lupino's love interest, In Our Time (1944).
After several dull romantic leads, Henreid reinvented himself yet again. He played a memorably athletic and lively Dutch pirate, the 'Barracuda', in RKO's colourful swashbuckler The Spanish Main (1945). Another of his best later performances was as a sadistic South African commandant in the underrated film noir Rope of Sand (1949), which re-united him with his former "Casablanca" co-stars Peter Lorre and Claude Rains. After the Arabian Technicolor adventure, Thief of Damascus (1952), Henreid's star began to fade. His last noteworthy appearance during the fifties was as an itinerant magician in the oriental extravaganza Siren of Bagdad (1953) . The most memorable of several in-jokes, had Henreid lighting two hookahs (water pipes) for one of his harem girls, spoofing his famous scene from "Now, Voyager".
Outspoken in his opposition to McCarthyism and adhering to his rights under the First Amendment, he was subsequently blacklisted as a "communist sympathizer" by the House Committee on Un- American Activities. In spite of the damage this did to his career, he re-emerged as a director of second features and television episodes for Screen Gems, Desilu and other companies. In 1957, Alfred Hitchcock (in defiance of the blacklist) hired him to direct several episodes of Alfred Hitchcock Presents (1955). Towards the end of his career, Paul Henreid directed his former "Now, Voyager" co-star Bette Davis in the camp melodrama Dead Ringer (1963) and toured with Agnes Moorehead on stage in a short-lived revival of "Don Juan in Hell"(1972- 73). Henreid died of pneumonia in a Santa Monica hospital in April 1992, after having suffered a stroke. He has the distinction of having not just one but two stars on the Hollywood Walk of Fame, one for his films, and one for his television work.- Actor
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George Jessel gained fame in vaudeville, where it was not uncommon for him--and other performers, such as Al Jolson, Eddie Cantor--to perform in blackface, and in fact at age 11 Jessel was Cantor's vaudeville partner. Jessel acted in several movies in the '30s and became a respected film producer. He was also a prolific songwriter, and was noted for his renditions of "Sonny Boy" and "My Yiddishe Mama". In his later years he made many guest appearances (always as himself) on radio, in occasional movies and on TV. He was nicknamed "The Toastmaster General" due to his appearances at many testimonial functions and dinners for various celebrities.- Actress
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Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).
In 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, Danny Kaye and Spike Jones and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.
She gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as an understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and given a screen test, which went well. She made her first appearance in The Turning Point (1952). She did some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, "They let me and 16 secretaries go!"
She started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named Aaron Spelling, and they became a couple. She made a breakthrough in the 3-D movie House of Wax (1953) and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.
Columbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in From Here to Eternity (1953), but she got extremely sick with pneumonia and the part went to Donna Reed, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic Invasion of the Body Snatchers (1956), a subtle allegory of the times (McCarthyism). And the famous filmmaker Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) opposite James Stewart and Doris Day. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening to leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by Dick Powell. Carolyn, meanwhile, was successful once more in The Bachelor Party (1957) (famous line, "Just say you love me--you don't have to mean it!"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for Marjorie Morningstar (1958). She followed this with an impressive appearance in King Creole (1958), generally regarded as Elvis Presley's best film. She then gave arguably her best performance ever in Career (1959), but the film was not commercially successful. She played a serious role in this, leaving the kooky role she might have played to Shirley MacLaine.
As Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of Burke's Law (1963) for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in The Addams Family (1964). She spent two years in this role. Her costume was designed to copy the cartoon drawings and no doubt inspired such imitators as Cassandra Peterson (Elvira, Mistress of the Dark). The show went head-to-head with The Munsters (1964) and Bewitched (1964).
The show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success, after only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and roles few. While acting on the road, she married her voice coach, Herbert Greene, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him and returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including Wonder Woman (1975), where she played Hippolyta, the mother of Wonder Woman (Lynda Carter) and Wonder Girl (Debra Winger). She also appeared in the landmark miniseries Roots (1977). She appeared in four episodes of Fantasy Island (1977) and one episode of The Love Boat (1977), two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap Capitol (1982) from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.
She played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, Peter Bailey-Britton, in September 1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be "She gave joy to the world." She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances.- Actor
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Howard Keel was the Errol Flynn and Clark Gable of "golden age" movie musicals back in the 1950s. With a barrel-chested swagger and cocky, confident air, the 6'4" brawny baritone Keel had MGM's loveliest songbirds swooning helplessly for over a decade in what were some of the finest musical films ever produced.
Born Harry (or Harold) Clifford Keel in Gillespie, Illinois, in 1919 to Homer Charles Keel and Grace (Osterkamp) Keel, and the brother of Frederick William Keel, his childhood was unhappy, his father being a hard-drinking coal miner and his mother a stern, repressed Methodist homemaker. When Keel was 11 his father died, and the family moved to California. He later earned his living as a car mechanic, then found work during WWII at Douglas Aircraft in Los Angeles. His naturally untrained voice was discovered by the staff of his aircraft company and soon he was performing at various entertainments for the company's clients. He was inspired to sing professionally one day while attending a Hollywood Bowl concert, and quickly advanced through the musical ranks from singing waiter to music festival contest winner to guest recitalist.
Oscar Hammerstein II discovered Keel in 1946 during John Raitt's understudy auditions for the role of Billy Bigelow in Broadway's popular musical "Carousel." He was cast on sight and the die was cast. Keel managed to understudy Alfred Drake as Curly in "Oklahoma!" as well, and in 1947 took over the rustic lead in the London production, earning great success. British audiences took to the charismatic singer and he remained there as a concert singer while making a non-singing film debut in the British crime drama The Hideout (1948) (aka "The Small Voice"). MGM was looking for an answer to Warner Bros.' Gordon MacRae when they came upon Keel in England. They made a great pitch for him and he returned to the US, changing his stage moniker to Howard Keel. He became a star with his very first musical, playing sharpshooter Frank Butler opposite brassy Betty Hutton's Annie Oakley in the film version of the Broadway musical Annie Get Your Gun (1950). From then on Keel was showcased in several of MGM's biggest extravaganzas, with Show Boat (1951), Calamity Jane (1953), Kiss Me Kate (1953) and (reportedly his favorite) Seven Brides for Seven Brothers (1954) at the top of the list. Kismet (1955) opposite Ann Blyth would be his last, as the passion for movie musicals ran its course.
Keel managed to move into rugged (if routine) action fare, appearing in such 1960s films as Armored Command (1961), Waco (1966), Red Tomahawk (1967) and The War Wagon (1967), the last one starring John Wayne and featuring Keel as a wisecracking Indian, of all things. In the 1970s Keel kept his singing voice alive by returning full force to his musical roots. Some of his summer stock and touring productions, which included "Camelot," "South Pacific", "Seven Brides for Seven Brothers", "Man of La Mancha", and "Show Boat", often reunited him with his former MGM leading ladies, including Kathryn Grayson and Jane Powell. He also worked up a Las Vegas nightclub act with Grayson in the 1970s.
Keel became an unexpected TV household name when he replaced Jim Davis as the upstanding family patriarch of the nighttime soap drama Dallas (1978) after Davis' untimely death. As Clayton Farlow, Miss Ellie's second husband, he enjoyed a decade of steady work. In later years he continued to appear in concerts. As a result of this renewed fame on TV, Keel landed his first solo recording contract with "And I Love You So" in 1983. Married three times, he died in 2004 of colon cancer, survived immediately by his third wife, three daughters and one son.- Actress
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Blonde and blue-eyed with an attractively feline appeal, Carol Lynley began her professional career as Carolyn Lee. She learned ballet at age seven, became a successful child model at age 10 (eventually working for the Sears & Roebuck department store in New York), and got her face nationally recognized as "the Coca-Cola Girl."
Carole Ann Jones was born in New York City to Frances Fuller (Felch) from New England and Irish immigrant Cyril Roland Jones. Trying to branch out into acting early on, in New York City, to Frances Fuller (Felch), from New England, and Cyril Roland Jones, who was an Irish immigrant. Trying to branch out into acting early on, Carol discovered that another individual by that name, born seven years earlier, was already on the books of Actors' Equity, so Carolyn fused "lyn" and "lee" to create 'Lynley'. From age 15 she appeared on Broadway, played juvenile roles in early anthology television, and was featured on the cover of Life Magazine in April 1957. Her first important film roles came in decidedly wholesome fare, beginning with The Light in the Forest (1958) for Walt Disney Productions, in which she played indentured servant Shenandoe. It was a promising start. A New York Times reviewer praised her performance (alongside that of fellow screen newbie James MacArthur), describing both as "real charmers with more than their share of talent." Thrust once more into the limelight, Lynley reprised her earlier Broadway role in the film version of Blue Denim (1959) as a naive girl who becomes pregnant and ponders having an illegal abortion. This performance got her nominated for a Golden Globe Award as Most Promising Newcomer in 1959. That same year, she graduated with a diploma from New York's School for Young Professionals. Lynley went on to play other ingénues and troubled teens before shedding her wholesome image by the early 1960s.
Return to Peyton Place (1961) headlined the actress as a best-selling novelist who controversially reveals the town's darkest secrets and scandals. This was followed by the bawdy (and mostly irritating) sex farce Under the Yum Yum Tree (1963), with Lynley as a virginal college student in a New York apartment block pursued by a lecherous landlord/playboy (played by Jack Lemmon). Luckily, better opportunities to prove her acting mettle turned up with a double role in The Cardinal (1963) (opposite Tom Tryon), and as the tormented mother of a kidnapped child in the superior psychological thriller Bunny Lake Is Missing (1965), directed by Otto Preminger and co-starring Laurence Olivier. Cinema magazine commented "With a face like that of a fallen angel, Carol Lynley has beauty that is often awe inspiring".
In March 1965, the former teen queen posed nude for an issue of Playboy magazine; later that year she played the title role in a turgid biopic of 1930s Hollywood sex symbol Jean Harlow. While the quality of her films tended to decline after the mid-'60s, there were still entertaining moments in B-pictures like The Shuttered Room (1967) and Once You Kiss a Stranger... (1969) (in this lurid thriller, Lynley rose above her material and was memorable in the role of a psychotic murderess). In Irwin Allen's The Poseidon Adventure (1972), she was merely one of the ill-fated passengers who ended up in Davy Jones' Locker. Still, Variety called her performance "especially effective". After 1967, television provided most of her work, including guest spots in seminal shows like Mannix (1967), The Invaders (1967), Hawaii Five-O (1968) and as co-star of the TV pilot for The Night Stalker (1972) (as Carl Kolchak's girlfriend). In her penultimate role, Lynley played a grandmother in a film titled uncannily similar to the one which had launched her career: A Light in the Forest (2003).
Carol Lynley retired from the screen in 2006. A highly capable actress who should have made a bigger splash in Hollywood, she passed away on September 3, 2019 in Pacific Palisades, California from a heart attack. She was 77.- Actor
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The bushy-browed, cigar-smoking wise-cracker with the painted-on moustache and stooped walk was the leader of The Marx Brothers. With one-liners that were often double entendres, Groucho never cursed in any of his performances and said he never wanted to be known as a dirty comic. With a great love of music and singing (The Marx Brothers started as a singing group), one of the things Groucho was best known for was his rendition of the song "Lydia the Tattooed Lady."- Actor
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Ray Milland became one of Paramount's most bankable and durable stars, under contract from 1934 to 1948, yet little in his early life suggested a career as a motion picture actor.
Milland was born Alfred Reginald Jones in the Welsh town of Neath, Glamorgan, to Elizabeth Annie (Truscott) and Alfred Jones. He spent his youth in the pursuit of sports. He became an expert rider early on, working at his uncle's horse-breeding estate while studying at the King's College in Cardiff. At 21, he went to London as a member of the elite Household Cavalry (Guard for the Royal Family), undergoing a rigorous 19-months training, further honing his equestrian skills, as well as becoming adept at fencing, boxing and shooting. He won trophies, including the Bisley Match, with his unit's crack rifle team. However, after four years, he suddenly lost his means of financial support (independent income being a requirement as a Guardsman) when his stepfather discontinued his allowance. Broke, he tried his hand at acting in small parts on the London stage.
There are several stories as to how he derived his stage name. It is known, that during his teens he called himself "Mullane", using his stepfather's surname. He may later have suffused "Mullane" with "mill-lands", an area near his hometown. When he first appeared on screen in British films, he was billed first as Spike Milland, then Raymond Milland.
In 1929, Ray befriended the popular actress Estelle Brody at a party and, later that year, visited her on the set of her latest film, The Plaything (1929). While having lunch, they were joined by a producer who persuaded the handsome Welshman to appear in a motion picture bit part. Ray rose to the challenge and bigger roles followed, including the male lead in The Lady from the Sea (1929). The following year, he was signed by MGM and went to Hollywood, but was given little to work with, except for the role of Charles Laughton's ill-fated nephew in Payment Deferred (1932). After a year, Ray was out of his contract and returned to England.
His big break did not come until 1934 when he joined Paramount, where he was to remain for the better part of his Hollywood career. During the first few years, he served an apprenticeship playing second leads, usually as the debonair man-about-town, in light romantic comedies. He appeared with Burns and Allen in Many Happy Returns (1934), enjoyed third-billing as a British aristocrat in the Claudette Colbert farce The Gilded Lily (1935) and was described as "excellent" by reviewers for his role in the sentimental drama Alias Mary Dow (1935). By 1936, he had graduated to starring roles, first as the injured British hunter rescued on a tropical island by The Jungle Princess (1936), the film which launched Dorothy Lamour's sarong-clad career. After that, he was the titular hero of Bulldog Drummond Escapes (1937) and, finally, won the girl (rather than being the "other man") in Mitchell Leisen's screwball comedy Easy Living (1937). He also re-visited the tropics in Ebb Tide (1937), Her Jungle Love (1938) and Tropic Holiday (1938), as well as being one of the three valiant brothers of Beau Geste (1939).
In 1940, Ray was sent back to England to star in the screen adaptation of Terence Rattigan's French Without Tears (1940), for which he received his best critical reviews to date. He was top-billed (above John Wayne) running a ship salvage operation in Cecil B. DeMille's lavish Technicolor adventure drama Reap the Wild Wind (1942), besting Wayne in a fight - much to the "Duke's" personal chagrin - and later wrestling with a giant octopus. Also that year, he was directed by Billy Wilder in a charming comedy, The Major and the Minor (1942) (co-starred with Ginger Rogers), for which he garnered good notices from Bosley Crowther of the New York Times. Ray then played a ghost hunter in The Uninvited (1944), and the suave hero caught in a web of espionage in Fritz Lang's thriller Ministry of Fear (1944).
On the strength of his previous role as "Major Kirby", Billy Wilder chose to cast Ray against type in the ground-breaking drama The Lost Weekend (1945) as dipsomaniac writer "Don Birnam". Ray gave the defining performance of his career, his intensity catching critics, used to him as a lightweight leading man, by surprise. Crowther commented "Mr. Milland, in a splendid performance, catches all the ugly nature of a 'drunk', yet reveals the inner torment and degradation of a respectable man who knows his weakness and his shame" (New York Times, December 3, 1945). Arrived at the high point of his career, Ray Milland won the Oscar for Best Actor, as well as the New York Critic's Award. Rarely given such good material again, he nonetheless featured memorably in many more splendid films, often exploiting the newly discovered "darker side" of his personality: as the reporter framed for murder by Charles Laughton's heinous publishing magnate in The Big Clock (1948); as the sophisticated, manipulating art thief "Mark Bellis" in the Victorian melodrama So Evil My Love (1948) (for which producer Hal B. Wallis sent him back to England); as a Fedora-wearing, Armani-suited "Lucifer", trawling for the soul of an honest District Attorney in Alias Nick Beal (1949); and as a traitorous scientist in The Thief (1952), giving what critics described as a "sensitive" and "towering" performance. In 1954, Ray played calculating ex-tennis champ "Tony Wendice", who blackmails a former Cambridge chump into murdering his wife, in Alfred Hitchcock's Dial M for Murder (1954). He played the part with urbane sophistication and cold detachment throughout, even in the scene of denouement, calmly offering a drink to the arresting officers.
With Lisbon (1956), Ray Milland moved into another direction, turning out several off-beat, low-budget films with himself as the lead, notably High Flight (1957), The Safecracker (1958) and Panic in Year Zero! (1962). At the same time, he cheerfully made the transition to character parts, often in horror and sci-fi outings. In accordance with his own dictum of appearing in anything that had "any originality", he worked on two notable pictures with Roger Corman: first, as a man obsessed with catalepsy in The Premature Burial (1962); secondly, as obsessed self-destructive surgeon "Dr. Xavier" in X: The Man with the X-Ray Eyes (1963)-the Man with X-Ray Eyes, a film which, despite its low budget, won the 1963 Golden Asteroid in the Trieste Festival for Science Fiction.
As the years went on, Ray gradually disposed of his long-standing toupee, lending dignity through his presence to many run-of-the-mill television films, such as Cave in! (1983) and maudlin melodramas like Love Story (1970). He guest-starred in many anthology series on television and had notable roles in Rod Serling's Night Gallery (1969) and the original Battlestar Galactica (1978) (as Quorum member Sire Uri). He also enjoyed a brief run on Broadway, starring as "Simon Crawford" in "Hostile Witness" (1966), at the Music Box Theatre.
In his private life, Ray was an enthusiastic yachtsman, who loved fishing and collecting information by reading the Encyclopedia Brittanica. In later years, he became very popular with interviewers because of his candid spontaneity and humour. In the same self-deprecating vein he wrote an anecdotal biography, "Wide-Eyed in Babylon", in 1976. A film star, as well as an outstanding actor, Ray Milland died of cancer at the age of 79 in March 1986.- Music Department
- Composer
- Actor
German-American pianist, composer, arranger and conductor André George Previn (born Andreas Ludwig Priwin, in Berlin) was for eight decades a hugely influential and prolific figure in jazz, as well as classical and film music. Being Jewish, Previn's family was forced to leave Hitler's Germany in 1939. Hollywood naturally beckoned, since André's grand uncle (Charles Previn) was already well established as musical director at Universal (1936-42). Child prodigy André recorded his first piano jazz album at the age of sixteen while continuing studies at Beverly Hills High School.
He joined MGM at age 17 in 1946 (initially as an uncredited music supervisor/arranger), later as orchestra conductor and still later as a composer of film scores. He remained under contract at the studio until 1960. During his tenure in Hollywood, he was nominated for eleven Academy Awards, winning four (all for Best Adapted Score: Gigi (1958), Porgy and Bess (1959), Irma la Douce (1963), and My Fair Lady (1964)). In the 1950s, he recorded several acclaimed jazz albums with drummer Shelly Manne and pianist Russ Freeman, featuring excellent tracks like "Who's on First" and "Strike Out the Band". He began conducting with the St. Louis Symphony in 1961 while still working primarily as a jazz and studio musician. Much of his recorded work consisted of show tunes adapted for jazz. Gradually, his interest in classical music won out.
By the late 1960s, Previn had settled in England and in 1968 was made principal conductor of the London Symphony Orchestra, a position he occupied for eleven years. His popularity led to cameo TV appearances (including a famous sketch for the 1971 Christmas special of the The Morecambe & Wise Show (1968), in which he appeared as "Mr. Andrew Preview") and television advertising (Vauxhall, Ferguson TX portable television etc.). From 1985 to 1989, he was musical director of the Los Angeles Philharmonic as well as with the Royal Philharmonic (1985-88, subsequently also principal conductor, from 1988-91).
In 1993, he was appointed conductor laureate of the London Symphony and three years later was made an Honorary Knight Commander of the Order of the British Empire for services to music. He won 10 Grammy Awards (including two for jazz and two for film music) and was nominated for six Emmys. Previn latterly returned to recording jazz albums with, among others, Ella Fitzgerald (1983), Joe Pass & Ray Brown (1989), and Kiri Te Kanawa (1992). Two excellent tribute albums released, respectively in 1998 and 2000 for Deutsche Grammophon, were 'We Got Rhythm: A Gershwin Songbook' and 'We Got it Good: An Ellington Songbook'.
Married (and divorced) five times, his ex-wives included Dory Previn and Mia Farrow. Previn died in New York on February 28, 2019, aged 89.- Actress
- Soundtrack
Donna Reed was born in the midwestern town of Denison, Iowa, on January 27, 1921, as Donna Belle Mullenger. A small town - a population of less than 3,000 people - Denison was located by the Boyer River, and was the county seat of Crawford County. Donna grew up as a farm girl, much like many young girls in western Iowa, except for one thing - Donna was very beautiful. That wasn't to say that others weren't as pretty, it's just that Donna's beauty stood out from all the other local girls, so much so that she won a beauty contest in Denison. Upon graduation from high school Donna left for college in Los Angeles, in the hopes of eventually entering movies. While at Los Angeles City College, she pursued her dream by participating in several college stage productions. In addition to the plays, she also won the title of Campus Queen. At one of those stage plays Donna was spotted by an MGM talent scout and was signed to a contract. Her first film was a minor role in MGM's The Getaway (1941). That was followed by a small part in Babes on Broadway (1941), with Mickey Rooney and Judy Garland as a secretary. She then won her breakthrough role in Shadow of the Thin Man (1941). Afterwards, MGM began giving her better parts, in films such as The Bugle Sounds (1942), The Courtship of Andy Hardy (1942) and The Man from Down Under (1943). In 1944 she received second billing playing Carol Halliday in See Here, Private Hargrove (1944), a comedy about a reporter drafted into the army who eventually meets up with Donna's character as a worker in the canteen. The following year Donna starred in The Picture of Dorian Gray (1945), her best role to date. It was a love story set in London in 1890. It got mixed critical reviews but did well at the box-office. Donna was now one of the leading ladies of Hollywood. In 1946 she starred in what is probably her best-known role, as the wife of James Stewart in the classic It's a Wonderful Life (1946). This timeless story is a holiday staple to this day. The film also starred Lionel Barrymore and Thomas Mitchell. The next year Donna starred as Ann Daniels in Paramount's Beyond Glory (1948) with Alan Ladd, which did well at the box-office. Her next role was the strongest she had had yet--Chicago Deadline (1949), again with Ladd. It was one of the best mystery dramas to come out of Hollywood in a long time, and did very well at the box office. As the 1940s faded out and the 1950s stormed in, Donna's roles got bigger but were mainly of the wholesome, girl-next-door type. In 1953, however, she starred as the hostess Alma in the widely acclaimed From Here to Eternity (1953). She was so good in that film she was nominated for and won the Academy Award for Best Supporting Actress, beating out such veterans as Thelma Ritter and Marjorie Rambeau. The film itself won for Best Picture and remains a classic to this day. Later that year Donna starred in The Caddy (1953), a comedy with Jerry Lewis and Dean Martin. Three years later she landed the role of Sacajawea in The Far Horizons (1955), the story of the Lewis and Clark Expedition, starring Charlton Heston and Fred MacMurray. After finishing The Whole Truth (1958), Donna began her own TV series (produced by her husband), The Donna Reed Show (1958), a hit that ran for eight years. She was so effective in the show that she was nominated for TV's prestigious Emmy Award as Best Actress every year from 1959-1962. She was far more popular in TV than on the screen. After the run of the program, Donna took some time away from show business before coming back in a couple of made-for-TV movies (in 1974, she had made a feature called Welcome to Arrow Beach (1973), but it was never released). She did get the role of Ellie Ewing Farlow in the hit TV series Dallas (1978) during the 1984-85 season. It was to be her final public performance. On January 14, 1986, less than two weeks before her 65th birthday, she died of pancreatic cancer in Beverly Hills, California. Grover Asmus, her husband, created the Donna Reed Foundation for the Performing Arts in her hometown of Denison. The foundation helps others who desire a career in the arts. Donna never forgot her roots. She was still a farm girl at heart.- Actor
- Writer
- Soundtrack
Emanuel Goldenberg arrived in the United States from Romania at age ten, and his family moved into New York's Lower East Side. He took up acting while attending City College, abandoning plans to become a rabbi or lawyer. The American Academy of Dramatic Arts awarded him a scholarship, and he began work in stock, with his new name, Edward G. Robinson (the "G" stood for his birth surname), in 1913. Broadway was two years later; he worked steadily there for 15 years. His work included "The Kibitzer", a comedy he co-wrote with Jo Swerling. His film debut was a small supporting part in the silent The Bright Shawl (1923), but it was with the coming of sound that he hit his stride. His stellar performance as snarling, murderous thug Rico Bandello in Little Caesar (1931)--all the more impressive since in real life Robinson was a sophisticated, cultured man with a passion for fine art--set the standard for movie gangsters, both for himself in many later films and for the industry. He portrayed the title character in several biographical works, such as Dr. Ehrlich's Magic Bullet (1940) and A Dispatch from Reuters (1940). Psychological dramas included Flesh and Fantasy (1943), Double Indemnity (1944), The Woman in the Window (1944)and Scarlet Street (1945). Another notable gangster role was in Key Largo (1948). He was "absolved" of allegations of Communist affiliation after testifying as a friendly witness for the House Un-American Activities Committee during the McCarthy hysteria of the early 1950s. In 1956 he had to sell off his extensive art collection in a divorce settlement and also had to deal with a psychologically troubled son. In 1956 he returned to Broadway in "Middle of the Night". In 1973 he was awarded a special, posthumous Oscar for lifetime achievement.- Actor
- Producer
- Director
Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.- Actor
- Writer
- Soundtrack
Soupy Sales was born on 8 January 1926 in Franklinton, North Carolina, USA. He was an actor and writer, known for Black Scorpion (2001), The Making of '...and God Spoke' (1993) and A Dirty Shame (2004). He was married to Trudy Carson and Barbara Fox. He died on 22 October 2009 in The Bronx, New York City, New York, USA.- Actress
- Music Department
- Soundtrack
Her real name was Frances "Fanny" Rose Shore, and she was born in Winchester, Tennessee. Stricken with polio at 18 months of age, she recovered after receiving the Sister Kenny treatment. She became a cheerleader at Hume-Fogg High School in Nashville and went on to graduate from Vanderbilt University in 1938, where she majored in sociology. She took voice and acting lessons on the side and sang on radio station WSM in Nashville. In 1938 she left Tennessee for New York City and began singing on radio station WNCW in New York. Her first recordings were with bandleader Xavier Cugat, and she later changed her named to Dinah after her success with the song of the same name. She received numerous Emmy awards for television specials and productions and appeared in many films. She was married to actor George Montgomery, with whom she had one daughter and adopted a son.- Actor
- Music Department
- Soundtrack
Phil Silvers was a comedic actor of Russian-Jewish descent, nicknamed as "The King of Chutzpah." He was best known for his starring role as United States Army Master Sergeant Ernest "Ernie" Bilko in the very popular hit sitcom "The Phil Silvers Show" (1955-1959). He later had important roles in the comedy films "It's a Mad, Mad, Mad, Mad World" (1963), and "A Funny Thing Happened on the Way to the Forum" (1967), playing respectively the characters Otto Meyer and Marcus Lycus.
Silvers was a compulsive gambler, and suffered from chronic depression.
He was the 8th and youngest child to Russian-Jewish immigrants Saul Silver (alias Saul Silversmith) and Sarah Handler. Saul was a sheet metal worker who was employed in the building industry. He had helped build a number of New York City's major skyscrapers.
Silver started his career as an entertainer in 1922, at the age of 11.
A frequent accident at New York City's movie theaters was for their film projector to break down. Someone had to keep the audience entertained during repairs, so Silver was hired to sing to them. Part of his reward was to attend the movie theater free of charge.
By 1924, Silvers performed as a professional singer in the Gus Edwards Revue. His employer was theater company owner Gus Edwards (1878-1945). He then took to working in vaudeville and as a burlesque comic.
In the 1930s, Silvers started appearing in Vitaphone short films. In 1939, Silvers made his Broadway debut in "Yokel Boy." The show was considered mediocre by critics, but Silvers gained acclaim in the press. He made his feature film debut in "Hit Parade of 1941." Silvers worked primarily as a character actor over the following decades, appearing in films produced by 20th Century Fox, Columbia Pictures, and Metro-Goldwyn-Mayer. When the studio system declined, Silvers initially returned to the theater.
He had a hit as a songwriter when he composed the lyrics of "Nancy (with the Laughing Face)" (1942) for singer Frank Sinatra (1915-1998). The song was apparently named after Frank's young daughter Nancy Sinatra (1940-).
Silvers did not become a household name until his starring role in the sitcom "The Phil Silvers Show" (1955-1959). It was a military comedy, starring Ernest "Ernie" Bilko as a United States Army Master Sergeant. The character of Bilko was depicted as a con-artist and inveterate gambler who could fast-talk people into complying with his schemes. The show lasted for 4 seasons, and 144 episodes. It found further success in syndication to this very day, and often ranks high in lists of popular sitcoms.
Silvers returned to television stardom with "The New Phil Silvers Show" (1963-1964), where he played factory foreman Harry Grafton. Like Bilko, Grafton was depicted as a con-artist who owned his own company and ran many and various schemes on the side. Not as successful as its predecessor, the series lasted for a single season and 30 episodes.
Silvers enjoyed film stardom in the 1960s, though mostly playing supporting roles. He appeared mainly in American productions, although guest-starred in the British comedy film "On Follow That Came." (1967). It was the 14th film in the popular long-running "Carry On" film series (1958-1992). The film was a parody depicting life in the French Foreign Legion, and Silvers played the Bilko-like character of Sergeant Ernie Nocker. He earned a salary of 30,000 pounds, making him the highest-paid actor of the "Carry On" film series up to that point.
Silvers appeared frequently as a guest-star in then-popular sitcoms, such as "The Beverly Hillbillies" and "Gilligan's Island." In 1972, Silvers survived a stroke, although was left with permanently slurred speech. This effectively ended his theatrical career, although did not prevent him from appearing in further film and television roles.
Silvers made his last television appearance in an 1983 episode of the crime drama "CHiPs." He then went into retirement.
He died in his sleep in 1985, while in Century City, California. His family attributed the death to unspecified natural causes. He was interred at Mount Sinai Memorial Park Cemetery in Los Angeles.
Silvers is still well-remembered as a great comic actor.
In 1996, TV Guide ranked him number 31 on its 50 Greatest TV Stars of All Time list.
The Hanna-Barbera characters Hokey Wolf and Top Cat were loosely based on his screen persona.- Actor
- Producer
- Soundtrack
"Straight Shooting" -- whether skeet shooting, or portraying Eliot Ness -- Robert Stack always told it like it was, and shot straight. Born in Los Angeles, California, the younger son of James Langford Stack (1860-1928), the owner of an advertising agency, and Mary Elizabeth Modini Wood (1891-1975), he was originally named Charles Langford Modini Stack at birth by his mother but his father soon changed the name to Robert Langford Stack. (The name Robert reportedly referred to no one in particular.) His elder brother and only sibling was James Langford Stack (1916-2006).
His parents had divorced when he was one-year-old, and his mother took him to Europe when he was three. He did not learn to speak English until he was six years old. His brother, James Langford Stack Jr., stayed in the United States with their father. Young Robert spoke fluent Italian and French, but had to learn English when they returned to Los Angeles. His mother and father remarried in 1928. Robert took drama courses at USC. He was not interested in team sports, so he took up skeet shooting. In 1935, he came in second in the National Skeet Shooting Championship (held in Cleveland) and, in 1936, his 5-man team broke the standing record at the National Skeet Championships (held in St. Louis).
Stack arrived at Universal City Studios in 1939, when the movie studio (once riding high on the successes of movies such as Dracula (1931) and Frankenstein (1931)) was in financial trouble, and looking for a superstar. That superstar was Deanna Durbin (acquired from MGM), and Stack made his screen debut as her lover in First Love (1939). At first, he did not want to listen to the makeup man who had told him, "no blond has ever made it as a leading man", and insisted on dyeing his hair black and uncurling it. That makeup man was genius and Oscar winner, Jack P. Pierce (who had done all the monsters for Universal), and Stack became a matinee idol, overnight. After two more movies, he was teamed with Durbin again, in Nice Girl? (1941). he was now a bona-fide star, but Universal was still only paying him $150 a week. For the next 10 years, Stack did Westerns, war movies and romantic comedies.
Stack had fond memories for Bullfighter and the Lady (1951), a movie produced by his friend, John Wayne, which meant 12 weeks filming in sunny Mexico. The movie had a great script; unfortunately, two bullfighters were gored while filming. There were several weeks of delays, they could not get a crew or a sound stage, until they realized that, in Mexico, it is necessary to bribe the local union; some money was passed and filming started, immediately. There were wild times, and lots of tequila. Robert became a local legend; when some Mexicans asked him what he did in the War, Robert said: "I taught machine gun." The rumor spread: "Roberto teaches chingas!" (that's Spanish for "hookers"). In 1952, he made movie history (much like Al Jolson had done in 1927, being in the first "talkie") -- he starred in Bwana Devil (1952), the first 3-D movie. This gave startling effects to the story, which was based on real-life lion attacks in Africa.
Stack attended the premiere, and recalled people's reactions to the 3-D lion scenes: "People in the audience jumped out of their seats, some even fainted." The movie broke box office records, and immediately started the demand to film more movies in 3-D (such as House of Wax (1953)). Around 1955, Robert (Hollywood's most eligible bachelor) was introduced to Rosemarie Bowe, by mutual agent Bill Shiffrin. Rosemarie had been under contract to MGM and Columbia, making such movies as Million Dollar Mermaid (1952) and The Golden Mistress (1954). The couple wed two years later and had two children: Elizabeth Stack and Charles Stack. The former perennial bachelor found out he liked being married and being a father. His onscreen fame had grown and, for Written on the Wind (1956), he received an Academy Award nomination. Unfortunately, this did not sit well with 20th-Century Fox, which had him under contract, and had lent him to Universal for this picture. His contract with Fox came to an end. Stack made the transition to the new medium that was sweeping the country: television. He delivered breakout performances in his signature role as T-man (Treasury agent) Eliot Ness on The Untouchables (1959) which, after the pilot, ran for four seasons (118 episodes). And there was also the television movie, The Scarface Mob (1959).
There were some funny behind-the-scenes anecdotes, such as this one: there is no scene which stood out more as the most potentially evil, and risky in terms of audience acceptance, as the "bacio di morte" ("kiss of death"), the Sicilian gesture whenever a Capo (Neville Brand) kissed a Mafia soldier (Frank DeKova) to send him out as an executioner. The two actors were nervous enough about this scene (two guys had never kissed on television before), but then some crewman decided to be a prankster and told each star, in private, just before filming, "look out -- your co-star likes kissing guys" (a complete deception, of course). There were some unfortunate anecdotes: Joseph Wiseman was a fine actor, but trained to work on the New York stage with props; he was not accustomed to real Hollywood sets. In a 1960 episode of "The Untouchables", Stack was supposed to take an axe and smash up a brewery. He hit a real pipe, the axe ricocheted off the metal, and cut through his Achilles tendon. "I never felt so sorry for anyone in my life", Stack commented. They wrote a role for Wiseman as a crippled, renegade chemist a few weeks later in "The Antidote", which Stack noted, "was one of our half-dozen top shows". Stack went on to do television series, such as The Name of the Game (1968) alternating lead with Gene Barry and Anthony Franciosa, then later Most Wanted (1976), and he pleasantly surprised everyone with his flair for comedies in movies like 1941 (1979) and Airplane! (1980).
Stack hosted Unsolved Mysteries (1987) and did more zany humor in Caddyshack II (1988), Beavis and Butt-Head Do America (1996) and BASEketball (1998). He also provided the voice of the character Ultra Magnus in The Transformers: The Movie (1986). He portrayed the no-nonsense G-man Ness again in The Return of Eliot Ness (1991). Stack was being treated for prostate cancer when he died at age 84 on May 14, 2003 at his home in Bel Air, Los Angeles, after suffering a heart attack.- Actor
- Soundtrack
A show-stopping comic for decades, the inimitable Arnold Stang, with the trademark Runyonesque voice and thick, black glasses, started out famously on radio before branching out to include Broadway, films and especially TV. Born on September 28, 1918, in New York City (for decades he himself perpetuated the myth of being born in 1925 in Chelsea, Massachusetts), he was the son of a lawyer. Following the 1929 stock market crash, his father was forced to look elsewhere for work and managed a living as a salesman. The scrawny kid from Manhattan grew up in Brooklyn and attended New Utrecht High School.
During his teen years (early 1930s) he auditioned for and won roles on radio's "Horn and Hardart's Children's Hour," a variety show, and the kiddie program "Let's Pretend," which set off a two-decade stint as one of radio's most popular vocal personalities. His squawky, unmistakable voice was heard as Jughead in the "Archie Andrews" series and as neighbor Seymour Fingerhood on the beloved, Bronx-styled Gertrude Berg classic "The Goldbergs," among others. He even appeared in radio soap operas and mysteries on occasion, often providing comedy relief. A reliable and feisty second banana, he traded quips with the best of them: Eddie Cantor; Jack Benny; Fred Allen; Fanny Brice; Milton Berle, you name it.
In between radio work Stang could sometimes be seen on the stage, his first legitimate play being on Broadway with the short-lived "All In Favour" (1942). This was followed by "You'll See Stars" at the end of that same year. He subsequently moved from radio to TV with the help of Milton Berle in the late 1940s and eventually found a very comfortable niche in comedy as a foil to the big stars. On the satirical Henry Morgan's Great Talent Hunt (1951), he was a regular member of Henry Morgan's stock company as a nerdy teen named Gerard. Plain, plucky but rather sad-sack, his puny-looking nerd types (5'3" and not much over 100 pounds) seemed to beg to have sand kicked in their faces. Yet, as much as they could be pushed around, they often displayed stubborn, delinquent-like streaks and could be mighty pesky in nature and irritating to the nth degree.
Stang also lent his vocal talents quite successfully to cartoon voiceovers beginning with Popeye the Sailor's pal Shorty. He later moved into a lengthy hitch as "Hoiman" the mouse in Paramount's popular "Herman and Katnip" series, but his best known animal character, of course, came later with the title role in Joseph Barbera - William Hanna 1961 classic cartoon series Top Cat (1961). His playing of "T.C", the slick, smart-alecky, Brooklynesque mastermind behind a gang of alley cats, was very reminiscent of Phil Silvers' Sgt. Bilko character from The Phil Silvers Show (1955).
Film work for Stang would be very sporadic over the years providing secondary but stalwart support in such escapism as Seven Days' Leave (1942), My Sister Eileen (1942), Let's Go Steady (1945), Two Gals and a Guy (1951) and the all-star epic It's a Mad Mad Mad Mad World (1963). Stang's best featured part was a rare dramatic role opposite Frank Sinatra in the then-daring topical movie about drug addiction entitled The Man with the Golden Arm (1955). Here he played Frank Sinatra's seedy but loyal pal Sparrow, a role that easily could have influenced Dustin Hoffman when he created his Ratso Rizzo character a decade and a half later in Midnight Cowboy (1969).
From the 1950s, the bespectacled comedian would be a steadfast TV commercial spokesman pitching such products as Delco, Chunky candy ("Chunky...what a chunk o' chocolate!") and Orkin ("Stop squawkin', call Orkin!") using his own, unique style. As for the stage, a few of his later stints included the 1969 Broadway remake of "The Front Page," the role of Hysterium in a production of "A Funny Thing Happened on the Way to the Forum," and a part in Woody Allen's "Play It Again, Sam". The owlish comedian continued acting into the 90s with small roles in such movies as Ghost Dad (1990) and Dennis the Menace (1993).
Long married (since 1949) to wife JoAnn Taggart, a writer, Stang died of pneumonia at age 91 in Newton, Massachusetts, just before Christmas in 2009. He was also survived by his two children, David Donald and Deborah Jane.- Actor
- Producer
- Director
Johnny Grant was born on 9 May 1923 in Goldsboro, North Carolina, USA. He was an actor and producer, known for Hollywood Homicide (2003), Gene Autry: America's Cowboy (2000) and Mask of the Dragon (1951). He died on 9 January 2008 in Hollywood, California, USA.