BAFTA Best Newcomer (nominations)
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Actress and producer Eva Marie Saint was born on July 4, 1924 on Newark, New Jersey. She is known for starring in Elia Kazan's On the Waterfront (1954), for which she won an Academy Award for Best Supporting Actress, and Alfred Hitchcock's North by Northwest (1959). Her film career also includes roles in Raintree County (1957), Exodus (1960), The Russians Are Coming the Russians Are Coming (1966), Grand Prix (1966), Nothing in Common (1986), Because of Winn-Dixie (2005), Superman Returns (2006) and Winter's Tale (2014).
Saint made her feature film debut in On the Waterfront (1954), starring Marlon Brando and directed by Elia Kazan - a performance for which she won the Academy Award for Best Supporting Actress. The film was a major success and launched her movie career. She starred in the pioneering drug-addiction drama A Hatful of Rain (1957) with Don Murray and Anthony Franciosa. She also starred in lavish the Civil War epic Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s and 1950s, including The 39 Steps (1935), Young and Innocent (1937), and Saboteur (1942). North by Northwest (1959) became a box-office success and an influence on spy films for decades."On the Waterfront"- Susan Strasberg was born in New York City on May 22, 1938. From the time of her birth, she was destined to be an actress, as her father was Lee Strasberg, acting coach at the famed Actors Studio in New York. In 1953, Susan made her acting debut in the episode Catch a Falling Star (1953) of the Goodyear Playhouse (1951) when she was just 15 years old. However, her true stage debut was on Broadway in the title role of "Diary of Anne Frank" in 1955. From that time on, Susan would devote part time to the stage and part time to the screen. Her first movie role was a fourth-billed part in Picnic (1955). That spot wasn't bad, considering she was still relatively new to the screen and her co-stars were William Holden, Kim Novak, Rosalind Russell, Cliff Robertson and Arthur O'Connell.
After making The Cobweb (1955) later that same year, she went back to perform on the stage. It just wasn't on-screen that she co-starred with big names; in 1957 she shared the stage with Helen Hayes and Richard Burton in "Time Remembered". In 1958, Susan returned to the big screen again in Stage Struck (1958). Although her billing wasn't anywhere near what it was with "Picnic", the picture got good reviews. For the remainder of her acting career, Susan alternated among the stage, screen and television. Wherever there was an acting role, she was there to appear in it. She spent some time in Europe, particularly Italy, making films for the rabid fans there. During the course of her tenure, she appeared in three documentaries about her old friend Marilyn Monroe. The first two were Marilyn Monroe: Beyond the Legend (1986) and Remembering Marilyn (1988). The third was Marilyn Monroe: Life After Death (1994). On January 21, 1999, Susan lost her struggle with breast cancer in New York City. She was a youthful 60 years old."Picnic" - Actress
- Soundtrack
Mary Peach was born on 20 October 1934 in Durban, South Africa. She is an actress, known for Cutthroat Island (1995), Scrooge (1970) and The Projected Man (1966)."Room at the Top"- Actress
- Director
- Producer
She was born Lelia Vita Goldoni in New York City, of Sicilian ancestry, the daughter of an actor. After her family relocated to California, she spent her upbringing in Los Angeles and eventually attended L.A. City College to study Italian, English literature and psychology. After hours, she performed with the Lester Horton troupe of interpretive dancers. Aged nineteen, she moved back to New York to study drama at a workshop run by John Cassavetes and Burton Lane on West Forty-Sixth Street in Manhattan. Cassavetes gave Goldoni her first break by casting her in his independently produced avant-garde racial drama Shadows (1958) as the youngest of three African-American siblings living in a cramped New York apartment. The film focused on their various relationships, on human rather than racial issues. According to Ray Carney in his book 'The Films of John Cassavetes: Pragmatism, Modernism, and the Movies', "Cassavetes was opposed to the notion of art having a negative or satiric agenda, and to works that mocked or denigrated their characters." Carney further asserts that Goldoni "steals most of the scenes in which she appears, not only because her part is so much more emotionally expressive than anyone else's, but because Lelia Goldoni...is brilliantly able to use her face, voice and body to express the smallest flicker of feeling".
Goldoni received the first of her two BAFTA nominations for her role in Shadows. Her unaffected appearance in the picture also set the tone for her future look in subsequent roles. In her own words: "When you do not have regular features you must make the most of your individuality... I like a pale look with the accent on my eyes".
Her next appearance was in an episode of Johnny Staccato (1959), which starred Cassavetes as a jazz piano-playing private detective. Sandwiched in between TV guest spots (and based in Britain for some years) Goldoni headlined as a murderess in the Hammer-produced thriller Hysteria (1965) and then enjoyed a notably animated role pivotal to the gothic drama Theatre of Death (1967), starring opposite horror icon Christopher Lee. Upon her return to the U.S. in 1973, she played Ellen Burstyn's best friend Bea in Alice Doesn't Live Here Anymore (1974) (her second BAFTA nominated performance) and the girlfriend of tough-talking Abe Kusich (Billy Barty) in The Day of the Locust (1975), a bitter satire about failed aspirations in 1930s Hollywood. In the remake of Invasion of the Body Snatchers (1978), Goldoni played one of the alien infectees, duplicated as 'a pod person'. She was also a frequent guest star in episodic television, often in crime dramas like Vega$ (1978), Cagney & Lacey (1981), The New Mike Hammer (1984), L.A. Law (1986) and Cold Case (2003).
A lifelong alumnus of The Actor's Studio, Goldoni later taught acting technique at several institutions, including UCLA and the Lee Strasberg Theatre Institute. As to her own role models, she admitted to being a big fan of actor Stanley Tucci. Goldoni died at the age of 86 at The Actor's Fund Home in Englewood, New Jersey, on July 22 2023."Shadows"- Second Unit Director or Assistant Director
- Actor
- Producer
Anthony Ray was born on 24 November 1937 in Washington, District of Columbia, USA. He was an assistant director and actor, known for Shadows (1958), An Unmarried Woman (1978) and Harry and Tonto (1974). He was married to Eve Conway Jorjorian and Gloria Grahame. He died on 29 June 2018 in Saco, Maine, USA."Shadows"- Actor
- Second Unit Director or Assistant Director
- Director
Jean-Pierre Léaud is not everybody's cup of tea for sure, but will remain an important name in film history. As an actor he can be adored or hated for exactly the same reasons: he is one of those rare players that directors let improvise his dialogue, which gets on certain viewers' nerves while it fascinates others. The same is true for his very personal staccato diction and elocution and his many mannerisms, the most obvious one being his way to run his hand through his long hair. But there is no denying Léaud is not just another actor, whether you love him or are allergic to him. The son of actress Jacqueline Pierreux and scriptwriter/assistant director Pierre Léaud, Jean-Pierre started acting very early. Indeed, he was only thirteen when he first appeared on a screen, playing a small role in a swashbuckling film directed by veteran Georges Lampin "la Tour, prends garde!" (1957). And he was still only fourteen when he answered an ad placed in a newspaper by François Truffaut, who was seeking a young actor able to play Antoine Doinel, a troubled adolescent, in his first feature film "The 400 blows". Jean-Pierre was tested among a hundred other candidates and proved so amazingly spontaneous and so gifted for improvisation that not only was he hired but he would go on to play the role in four subsequent Truffaut semi-autobiographies concluding with "Love on the run" (1978), a unique experience indeed. Thanks to Truffaut he was introduced to the other stars of the French New Wave, mainly Jean-Luc Godard for whom he would appear in eight films and one TV film, and gradually became their icon. Not too sure about his acting talents, he planned to become a director (which he actually did only once) and worked as an assistant to Truffaut and Godard. But his success both as Truffaut's alter ego and as the leftist movie makers' spokesman encouraged him to go on playing rather than directing. "Masculin Féminin" (1966) by Godard even earned him an Award for Best Actor at the Berlin Film Festival. An ardent leftist militant himself, he worked with equally committed directors, including abroad. He was in Italian Pasolini's "Porcile" (1968), in Polish Skolimovski's "Dialog 20-40-60" (also '68) Brazilian Carlos Diegues' Os herdeiros (1970) and Glauber Rocha's Der Leone have sept cabeças (1971). Bertolucci also hired him for "Last tango in Paris" starring Marlon Brando (who so petrified Léaud that he could not play his scenes alongside him), but this one was filmed in Paris. This busy period ended after an excellent role in a classic art movie in the French style: Jean Eustache's "La maman et la putain". In the late seventies and throughout the eighties Léaud worked irregularly, mainly on television, occasionally giving a crazy performance in a mainstream film, as was the case in Josiane's Balasko crime comedy "Les keufs", for which he got a César nomination. But he made an exciting comeback in the nineties when several "new New Wave" directors hired Léaud to pay homage to their elders. Among them French movie makers such as Olivier Assayas, Danièle Dubroux , Serge Le Péron or Bertrand Bonello and foreigners like Finnish Aki Käurismäki and Taiwanese Tsai Ming-Liang. A second youth for eternally young, rebellious, ill-at-ease, annoyingly romantic,touchingly annoying Jean-Pierre Léaud, whose round face staring at the camera in the last shot of "The 400 blows" will never be forgotten."Les quatre cents coups"- Actress
- Additional Crew
- Soundtrack
Billie Whitelaw first appeared on the radio aged 11. She made her theatrical debut in 1950 and in films from 1953. She has made a speciality of playing intense, single-purposed women. Also, (on stage), she has appeared in many of the stranger plays by Samuel Beckett."Hell Is a City" +- Actress
- Writer
- Soundtrack
Her parents, George and Anne were originally farmers in the Sacriston area of County Durham where she started her education at a village school and eventually attended Durham High School. Her family eventually gave up farming and became haulage contractors in Darlington where she then attended Darlington High School and then Yarm Grammar School where she had parts in school plays., The headmistress, who was very keen on drama encouraged her. While performing in one play she was seen by the aunt of director Anthony Asquith who recommended her to the Central School of Speech and Drama which she joined when 17. After training she made her theatre debut with the Ipswich Repertory Company and eventually her West End debut in 'Mr Kettle and Mr Moon' which was later followed by such as The Constant Wife, Ride a Cock Horse and Peter Pan.She later moved into television series, for which she became best known, such as Butterflies, Not in Front of the Children, And Mother Makes Three,Laura and Disorder and Nanny, which was based on her own idea .but submitted under a pen name so that it could be judged on it's own merit and not on her name. She has always liked writing and with knowing her characters she finds it very fulfilling and creative while acting is just interpretive. She's won numerous awards including Variety Club BBC TV Personality (69), Variety Club ITV TV Personality (73), TV Times Award for Funniest Woman on TV 72/73/74 and Variety Club Woman of the Year 84 and an Honorary Doctorate from Teeside University 94. She was married to journalist Jack Bentley, who died in 1994 and had two sons, Alastair, born 1957 who became an oboist with the Birmingham Royal Ballet, and Ross, born 1960 who is a writer. All this from seeing her first pantomime at 3 which made her determined to be on the stage."The Servant"- Actor
- Director
- Writer
Alan Arkin was an Academy Award-winning American actor who was also an acclaimed director, producer, author, singer and composer.
He was born Alan Wolf Arkin on March 26, 1934, in Brooklyn, New York. His family were Jewish emigrants from Russia and Germany. In 1946, the Arkins moved from Brooklyn to Los Angeles, California. His father, David I. Arkin, was an artist and writer, who worked as a teacher, and lost his job for merely refusing to answer questions about his political affiliation during the 1950s Red Scare. His father challenged the politically biased dismissal and eventually prevailed, but unfortunately it was after his death. His mother, Beatrice (Wortis) Arkin, a teacher, shared his father's views. Young Arkin was fond of music and acting, he was taking various acting classes from the age of 10. He attended Franklin High School, in Los Angeles, then Los Angeles City College from 1951 - 1953, and Bennington College in Vermont from 1953 - 1954. He sang in a college folk-band, and was involved in a drama class. He dropped out of college to form the folk music group The Tarriers, in which Arkin was the lead singer and played guitar. He co-wrote the 1956 hit "The Banana Boat Song" - a Jamaican calypso folk song, which became better known as Harry Belafonte's popular version, and reached #4 on the Billboard chart. At that time Arkin was a struggling young actor who played bit parts on television and on stage, and made a living as a delivery boy, repairman, pot washer and baby sitter. From 1958 - 1968 he performed and recorded with the children's folk group, The Babysitters. He has also recorded an entire album for the Elektra label titled "Folksongs - Once Over Lightly."
In 1957 Arkin made his first big screen appearance as a lead singer with The Tarriers in Calypso Heat Wave (1957). Then he made his Off-Broadway debut as a singer in "Heloise" (1958). Next year he joined the Compass Theatre in St. Louis, Missouri. There he caught the eye of stage director Bob Sills and became the original member of the "Second City" troupe in Chicago. In 1961 Arkin made his Broadway debut in musical "From the Second City", for which he wrote lyrics and sketches, then starred as David Kolowitz in the Broadway comedy "Enter Laughing" (1963), for which he won a Tony Award. He starred in a Broadway musical "From the Second City production, then returned to Broadway as Harry Berlin in "Luv" (1964). Arkin made his directorial debut with an Off-Broadway hit called "Eh?" (1966), which introduced the young actor, named Dustin Hoffman. He won a Drama Desk Award for his direction of the Off-Broadway production of "Little Murders" (1969), and another Drama Desk Award for "The White House Murder Case" (1970). He also directed the original version of Neil Simon's hilarious smash, "The Sunshine Boys" (1972), which ran over 500 performances.
Arkin earned his first Academy Award nomination as Best Actor for his feature acting debut in a comedy The Russians Are Coming the Russians Are Coming (1966), by director Norman Jewison, co-starring as Lt. Rozanov, a Soviet submariner who is mistaken for a spy after his boat accidentally wrecks aground in New England. Arkin demonstrated his dramatic range as the psychopathic killer Roat in suspense film Wait Until Dark (1967), opposite Audrey Hepburn. He reinvented himself as the sensitive deaf-mute in The Heart Is a Lonely Hunter (1968), for which he received his second Academy Award Nomination as Best Actor in the Leading role. He followed with what remained his best known role as Captain Yossarian in Catch-22 (1970), directed by Mike Nichols and based on the eponymous anti-war novel by Joseph Heller. In it Arkin arguably gave his strongest performance, however, his career suffered because the film initially did not live up to expectations. After a few years of directorial work on television, Arkin made a comeback with an impressive portrayal of doctor Sigmund Freud in The Seven-Per-Cent Solution (1976). In the early 1980s he acted in three movies that were family affairs, written by his wife, Barbara Dana, and co-starring his son, Adam Arkin.
During the 1990s he turned out several notable performances, such as a bitter former baseball player in TNT's Cooperstown (1993), and as a hilarious psychiatrist opposite John Cusack in Grosse Pointe Blank (1997). He won raves for his portrayal of a divorced father who struggles to keep his kids enrolled in the Beverly Hills school system in Slums of Beverly Hills (1998). Arkin gave a brilliant performance opposite Robin Williams in Jakob the Liar (1999), a film about the Nazi occupation of Poland. He also returned to the New York stage co-starring with his son, Tony Arkin and Elaine May in "Power Plays", which he also co-authored. His most recent comeback as a heroin-snorting, sex-crazed, foul-mouthed grandfather in Little Miss Sunshine (2006), earned him his third Academy Award nomination for Best Performance by an Actor in a Supporting Role, and his first Academy Award.
Alan Arkin had been a modern Renaissance man. In addition to his achievements as an actor, director, and producer, he made his mark as a singer-songwriter with his popular-song compositions "Banana Boat Song", "Cuddle Bug," "That's Me," and "Best Time of the Year." Arkin also authored several books, including science-fiction and some children's stories, such as "The Clearing", "The Lemming Condition" and "Cassie Loves Beethoven" among his other publications. He was a father of three sons, Adam Arkin, Matthew Arkin, and Anthony Arkin, and a grandfather of Molly Arkin.
Alan Arkin was a strong supporter of an organic way of living and also a proponent for preservation of the environment and natural habitat. He avoided the show-biz-milieu and was known as an actor who does not really care about prestigious awards, but values having a good job and being acknowledged by his peers. In Arkin's own words he wanted to "Stay home for three months. Living as quietly as humanly possible." Arkin was given an Indian name, Grey Wolf, by his Native American friends in New Mexico.
Alan Arkin died in California on June 29, 2023 at the age of 89. He is survived by his three sons - Adam, Matthew, and Anthony Dana Arkin, and with Dana, Alan Arkin is survived by third wife, Suzanne Newlander Arkin, whom he married in 1999."The Russians Are Coming, the Russians Are Coming"- Actor
- Soundtrack
Cherubic, wispy-haired looks made his typecasting as impish or eccentric characters somehow inevitable. The pint-sized Michael J. Pollard was born the son of a bar manager of Polish ancestry in Passaic (New Jersey). He studied drama at the Actor's Studio (with a young Marilyn Monroe in the same class) and made his theatrical debut in November 1958 on Broadway in "Comes the Day," with George C. Scott and Judith Anderson. He received excellent critical notices the following year for his performance in William Inge's play "A Loss of Roses" and thereby came to the attention of Hollywood. On the small screen, Pollard enjoyed a measure of early success in anthology television. He then had a brief stint as Bob Denver's cousin Jerome Krebs in a couple of episodes of The Many Loves of Dobie Gillis (1959). His chief contribution to cult sci-fi consisted of appearances in Lost in Space (1965) and Star Trek (1966), his baby-faced appearance enabling him to essay characters who were considerably younger than his actual age. True to form, he also portrayed the bowler-hat wearing, leprechaun-like trickster Mister Mxyzptlk in Superboy (1988), based on the DC comic strips. Pollard had his fair share of exposure to mainstream TV dramas as well, popping up in series like Gunsmoke (1955), The Virginian (1962), and I Spy (1965). For the most part, his screen personae were simple country folk, sometimes evil, often mischievous, nervous or downright weird.
Pollard's big break (and his critically most acclaimed role) was as the loyal, but inarticulate and child-like garage mechanic turned get-away driver C.W. Moss in Arthur Penn's gangster epic Bonnie and Clyde (1967). On the heels of his Oscar-nomination for Best Supporting Actor came offers for other high-profile off-beat character roles, though he was never truly regarded as star material. He gave a good account of himself as Packy, leader of a group of partisans joining Hannibal Brooks (1969) and his POWs in their escape from the Nazis across the Alps to Switzerland. Perhaps best of all post-Bonnie and Clyde impersonations was his powerful portrayal of the outlaw Henry McCarty (aka William H. Bonney) as a demented, twitching psychopath in Dirty Little Billy (1972) (a rare starring role which also marked the screen debut of actor Nick Nolte). By the 1980s, Pollard had recovered from a period of alcohol and drug abuse, but by then his name had slipped down the list of credits and he was now reduced to minor support in films like Roxanne (1987), American Gothic (1987), Dick Tracy (1990), and Rob Zombie's debut cult-horror House of 1000 Corpses (2003).
Pollard died of cardiac arrest on November 20, 2019 in Los Angeles at the age of 80."Bonnie and Clyde"- Actress
- Writer
- Soundtrack
Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu."The Graduate"- The child of professional dancers, Kim Darby began her career studying dance with her father, as well as Nico Charisse. At fourteen, she was granted special admission to Tony Barr's acting workshop at Desilu Studios on the Paramount Pictures lot. He wrote later that it was her remarkable openness, honesty, emotional readiness and focus that convinced him to bring her into his adult class. These traits have become the signature of her work in a career that has now spanned a period of more than forty years.
As a teenager, she earned her first acting roles in episodes of television shows, including Mr. Novak (1963), Dr. Kildare (1961), The Eleventh Hour (1962), Star Trek (1966) and The Fugitive (1963). Her reputation continued to grow with more work in film and television.
She was twenty-one when producer Hal B. Wallis saw her in an episode of Run for Your Life (1965) and decided to offer her the coveted role of "Mattie Ross", opposite John Wayne's "Rooster Cogburn", in True Grit (1969). The classic western earned Wayne his only Oscar and made Kim Darby a film star.
Ms. Darby went on to star in a variety of productions, receiving a Golden Globe nomination for her work in Generation (1969), and an Emmy Nomination for her role in Rich Man, Poor Man (1976). Her feature films include The Strawberry Statement (1970), The Grissom Gang (1971), Better Off Dead (1985) and Mockingbird Don't Sing (2001); television movies include The Story of Pretty Boy Floyd (1974), Don't Be Afraid of the Dark (1973) and Enola Gay: The Men, the Mission, the Atomic Bomb (1980).
Still acting, since 1990, she has also been teaching her craft and is asked to give seminars at universities and film schools throughout the country. Her own training and lifelong experience over the last four decades has provided her with a rich perspective as well as a diverse collection of skills which she enjoys sharing with enthusiastic students."True Grit" - Owning a pair of the most incredibly soulful and searching eyes you'll ever find, Michael Sarrazin's poetic drifters crept into Hollywood unobtrusively on little cat's feet, but it didn't take long for him to make his mark. Quiet yet uninhibited, the lean, laconic, fleshy-lipped actor with the intriguingly faraway look and curiously sunken features enhanced a number of quality offbeat fare without ever creating too much of a fuss. While Hollywood couldn't quite pigeonhole him, they also weren't sure what to do with him. Out-and-out stardom would prove elusive.
He was born Jacques Michel Andre Sarrazin on May 22, 1940 in Quebec, Canada, and drifted through eight different schools before eventually dropping out. He worked at a Toronto theatre, on TV, and for the Canadian Broadcasting Corporation during his teen years. He also studied acting at the Actors Studio in New York. While playing parts for the National Film Board of Canada in a handful of their historical documentary shorts, he was noticed by Universal and signed in 1965. Following insignificant roles in such series as The Virginian (1962) and in the mini-movie The Doomsday Flight (1966), the actor made his film debut in the post-Civil War drama Gunfight in Abilene (1967) starring an equally offbeat Bobby Darin. One scene had him being flogged shirtless. It was Sarrazin's second film, however, that created the initial stir playing grifter George C. Scott's young apprentice in The Flim-Flam Man (1967). Sarrazin's hesitant con artist more than held its own against the freewheeling Scott while also engaging in romantic clinches with Lolita (1962) sexpot Sue Lyon.
A number of other Sarrazin characters found their way as a result. He played a guileless tenderfoot again, this time taken under the wing of cowboy Anthony Franciosa, in A Man Called Gannon (1968) which takes an unexpected twist at the end; he shared the screen with fellow up-and-comers Harrison Ford and Jan-Michael Vincent as a green Confederate soldier in Journey to Shiloh (1968); earned a Golden Globe "best promising newcomer" nomination portraying an aimless surfer in The Sweet Ride (1968) opposite the spectacularly beautiful Jacqueline Bisset (they lived together for several years); and supposedly turned down the role of Joe Buck in Midnight Cowboy (1969) in order to appear in the kinky love triangle In Search of Gregory (1969) as, yet again, another be charming young stranger, but that film was not successful.
This all culminated in the portrayal of his career as a wanderlust Depression-era floater plucked from the beach shore to participate in a grueling dance marathon. As Robert, the unassuming partner to feisty, cynical Jane Fonda's Gloria, in the bleak, fascinatingly depressing They Shoot Horses, Don't They? (1969), Sarrazin was both soft and spellbinding. His pairing with Fonda is an eerie and ultimately doomed one resulting in a shattering climax. Remote and wordless, Sarrazin's strength lies in both his ease and passive defiance. His peaceful body language and the few calm utterances he allows himself seems to illicit a strange, neutralizing power. It's not the kind of movie persona, however, that wins awards - as it did for his more flamboyant co-stars Ms. Fonda, Susannah York and Gig Young.
Another glum, ostracized outsider role came in the showier form of Paul Newman's hippie half-brother in Sometimes a Great Notion (1971) and Sarrazin continued to show a flair for the unconventional with the non-mainstream Believe in Me (1971), as a medical student who shares a drug needle with (again) Ms. Bissett, and in The Pursuit of Happiness (1971) as a collegiate fighting the system. In Harry in Your Pocket (1973) Sarrazin again plays the naive square who falls in with a bad crowd (this time, pickpockets). He capped this radical run with a mesmerizing, intelligent and, of course, sympathetic portrayal of the monster in the mini-movie Frankenstein: The True Story (1973). As assurance of his offbeat popularity, he hosted Saturday Night Live (1975) twice.
A performance as the haunted title role in the psychological thriller The Reincarnation of Peter Proud (1975) proved to be one of his last hurrahs, as the film was a critical and box office failure. At this juncture his films (or his film roles) became underwhelming. He starred alongside Ursula Andress in the Italian film The Loves and Times of Scaramouche (1976), but the film was very poorly received. Utterly wasted even though second billed as Barbra Streisand's hubby in her slapstick vehicle For Pete's Sake (1974), he also headed up a so-so car chase film in The Gumball Rally (1976). He co-starred in the big budget escapist adventure Caravans (1978), but the film was a financial disaster. The 1980s signaled a significant down turn and strange pall in his films.
It started with his third-wheel participations in the excruciating bad and violent Morgan Fairchild/Andrew Stevens stalking thriller The Seduction (1982) and in the hard-edged vigilante film Fighting Back (1982) behind Tom Skerritt/Patti LuPone. When he did have a lead, the films themselves were flawed as in Keeping Track (1986) and the excessively sleazy Mascara (1987). Sarrazin has continued to work steadily, however, but the one great film that could put him into the top character ranks had yet to arrive. With age, the always-lean Sarrazin turned pale and haggard which lent itself toward rather eccentric casting.
Throughout the course of his career, Michael remained true to his homeland, appearing in many Canadian-based productions such as The Groundstar Conspiracy (1972), Double Negative (1980), Joshua Then and Now (1985), Captive Hearts (1987), The Phone Call (1989), La Florida (1993) and Crackerjack 2 (1997).
Sarrazin moved to Montreal many years back in order to be near family. He died there following a brief bout with cancer at age 70 on April 17, 2011, and was survived by daughters Michelle and Catherine, as well as producer/brother Pierre Sarrazin. While the fascination and appeal of Michael Sarrazin certainly cannot be denied, one wonders why Hollywood was not able to serve his talent better in later years."They Shoot Horses, Don't They?" - Actor
- Director
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film."The Godfather"- Actress
- Art Department
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As a kid, Sissy Spacek climbed trees, rode horses, swam, and played in the woods. She was born Mary Elizabeth Spacek on December 25, 1949, in Quitman, Texas, to Virginia Frances (Spilman) and Edwin Arnold Spacek, Sr., a county agricultural agent. Her father's family was of Czech and German origin.
Sissy attended Quitman High School and was homecoming queen. After graduating, she embarked on an acting career, gaining interest in the profession through her cousin, actor Rip Torn. Sissy relocated to New York, and through him, enrolled in the New York branch of the Actors Studio. She studied acting at the Lee Strasberg Institute while also pursuing work as a model and singer, appearing in West Village showcases such as the Bitter End for $10 a night. Sissy eventually broke into film and one of her first roles was as Holly in the classic Badlands (1973). The art director on that film was Jack Fisk, with whom she would marry in 1974 and ultimately collaborate on eight films. Sissy followed this landmark film with a star-making and Oscar nominated performance in Carrie (1976), in which she played a humiliated prom queen who goes postal with her telekinesis. Sissy has had an enduring and award winning career in movies and television, which includes an Oscar as Best Actress for Coal Miner's Daughter (1980). The parents of two grown daughters, Sissy and Jack live on a large horse ranch in the foothills of Virginia's Blue Ridge Mountains. Even though she continued to appear in film and television during the late 1980s and 1990s, Sissy devoted most of those years to her family. Then, in 2001, Sissy returned to the big screen in a major way with a powerful performance in In the Bedroom (2001), which not only earned her a sixth Best Actress Oscar nomination, but a win for Best Actress at the Golden Globes, Independent Spirit Awards, and numerous critics association awards. Sissy continues to work steadily as an actress, but in 2012, her credits expanded even further to include a memoir, My Extraordinary Ordinary Life."Badlands"- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film."The Godfather Part II"- Born in Florida in 1949, Brad Davis moved to Georgia after graduating from high school to pursue an acting career. From there, he moved to New York City, twice, to find work. By the early 1970s Davis was acting in off-Broadway plays while studying acting at the Academy of Dramatic Arts. His stage work led to his movie debut and to television shows such as the hit Sybil (1976) and the mini-series Roots (1977). His biggest success was in 1978 with the lead role in Midnight Express (1978) where he played Billy Hayes, a young American imprisoned in Turkey for drug smuggling. It won him a Golden Globe award.
Another memorable movie role in 1982 was playing the title character of Querelle (1982), a ruggedly lethal sailor who seduces and sets both men and women's hearts aflutter.
Davis contracted AIDS in 1979 apparently from his one-time cocaine addiction, but in response to the anti-AIDS hysteria in Hollywood, Davis kept his illness a secret for a number of years and continued to act. His later years had him finally revealing that he had AIDS by the late 1980s and he became an AIDS activist in bashing the Hollywood industry and US government for ignoring and shunning victims suffering from the hideous disease. Brad Davis died in 1991 at age 41. His widow, Susan Bluestein, continues his activist work in the fight against AIDS."Midnight Express" - Actress
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Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival."Alien"- Actress
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Bronx-born character actress Cathy Moriarty was just 18 years old, fresh out of high school and had no idea that her life was about to change. Joe Pesci discovered her competing in a bathing-beauty contest at a bar. He invited her to audition for the part of Vikki LaMotta, second wife to champion boxer Jake LaMotta, portrayed by Robert De Niro, in Martin Scorsese's timeless black and white masterpiece, Raging Bull (1980). Moriarty's performance earned her an Academy Award nomination; however, shortly after appearing in the mediocre comedy, Neighbors (1981), she endured a near-fatal automobile accident which resulted in a six-year hiatus. She did not get within a mile radius of a good part until her most personally treasured role, the deliciously evil Montana Moorehead in the soap opera-parody, Soapdish (1991). Ever since, Moriarty's invigorating presence animated a variety of strong woman, all of which, incidentally, appear to be specifically written with her in mind."Raging Bull"- Actor
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Timothy Hutton was born in Malibu, California, one of three children born to Maryline (Poole), a teacher, and actor Jim Hutton (Dana James Hutton). He burst onto the acting scene in the late 1970s. After only a few significant roles in TV movies, he bagged the part of Conrad in the Robert Redford-directed Ordinary People (1980).
His performance as a troubled teenager trying to deal with the death of his older brother, won him the 1980 Academy Award for Best Supporting Actor, making him the youngest actor to date to win that award. With over 70 film, TV, and stage appearances (including an impressive 15 features films between 2006-08), Hutton headlines the television series Leverage (2008) as insurance investigator Nate Ford. He starred in the acclaimed Roman Polanski film The Ghost Writer (2010). Hutton made his Broadway debut in 1989 in "Love Letters"."Ordinary People"- Actor
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Kevin Kline was born in St. Louis, Missouri, to Margaret and Robert Joseph Kline, who owned several stores. His father was of German Jewish descent and his mother was of Irish ancestry. After attending Indiana University in Bloomington, Kline studied at the Juilliard School in New York. In 1972, Kline joined the Acting Company in New York which was run by John Houseman. With this company, Kline performed Shakespeare across the country. On the stage, Kline has won two Tony Awards for his work in the musicals "On the Twentieth Century" (1978) and "The Pirates of Penzance" (1981). After working on the Television soap Search for Tomorrow (1951), Kline went to Hollywood where his first film was Sophie's Choice (1982). He was nominated for a Golden Globe for his performance. His work in the ensemble cast of The Big Chill (1983) would again be highly successful, so that when Lawrence Kasdan wrote Silverado (1985), Kline would again be part of the cast. With his role as Otto "Don't call me Stupid!" West in the film A Fish Called Wanda (1988), Kline would win the Oscar for Supporting Actor. Kline could play classic roles such as Hamlet in Hamlet (1990); or a swashbuckling actor like Douglas Fairbanks in Chaplin (1992); or a comedic role in Soapdish (1991). In all the films that he has worked in, it is hard to find a performance that is not well done. In 1989, Kline married actress Phoebe Cates."Sophie's Choice"