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Peter Greenaway trained as a painter and began working as a film editor for the Central Office of Information in 1965. Shortly afterwards he started to make his own films. He has produced a wealth of short and feature-length films, but also paintings, novels and other books. He has held several one-man shows and curated exhibitions at museums world-wide.- Producer
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Antoine Fuqua is an American film director, known for his work in the film Training Day as well as The Replacement Killers, Tears of the Sun, King Arthur, Shooter, Brooklyn's Finest, Olympus Has Fallen and The Equalizer.
He has directed music videos for such artists as Arrested Development, Prince, Stevie Wonder, Toni Braxton, Pras Michel and Usher. He was nominated for MTV's Best Rap Video for Heavy D & the Boyz. He also won two Music Video Production Awards: The Young Generators Award, for his work on Coolio's rap video "Gansta Paradise" and the Sinclair Tenebaum Olesiuk and Emanual Award for the trailer to the hit feature film Dangerous Minds (1995). Among his many commercial credits are Wings for Men, Big Star Jeans, Miller Genuine Draft, Reebok, Toyota, Armani and Stanley Tools.- Actress
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Anya-Josephine Marie Taylor-Joy (born April 16, 1996) is a British-American actress. She is best known for her roles as Beth Harmon in The Queen's Gambit (2020), Thomasin in the period horror film The Witch (2015), as Casey Cooke in the horror-thriller Split (2016), and as Lily in the black comedy thriller Thoroughbreds (2017). She has been the recipient of the Cannes Film Festival's Trophée Chopard and was nominated for the BAFTA Rising Star Award.
Anya was born in Miami, the youngest of six children. Her father is Scottish who was born in South America, and her mother is Spanish-English who was born in Zambia in Africa, to an English diplomat father and a Spanish mother from Barcelona. Anya lived her childhood between Argentina and England. Her father was a banker and a powerboat racer, and her mother is a psychologist. Anya was raised in Argentina until the age of six, then moved to London, where the family lived in Victoria. She attended Northlands School in Buenos Aires, then preparatory school Hill House and Queen's Gate School in London, and is also a former ballet dancer. Anya's dream of becoming an actress came when she was very young and it finally became possible when she was offered a modeling job. It wasn't long until Taylor-Joy received her first part in the Show Business. When she was fourteen, she used her savings to move to New York, and at 16, she left school to pursue acting.
Anya's outstanding performance as Thomasin in Robert Eggers' period horror film The Witch (2015), and the positive reviews it got at the Sundance festival revealed her incredible potential to the world; it was widely released and viewed in 2016. She then starred as the title character in the thriller Morgan (2016), directed Luke Scott and also starring Kate Mara. She also starred in Vikram Gandhi's film Barry, which focused on a young Barack Obama in 1981 New York City. Taylor-Joy played one of Obama's close friends. In 2017, she headlined M. Night Shyamalan's horror-thriller film Split (2016), playing Casey Cooke, a girl abducted by a mysterious man with split personalities. In 2019, she reprised her role as Casey in the film Glass. Anya was also the lead actress in the music video for Skrillex's remix of GTA's song Red Lips. She was nominated for the 2017 BAFTA Rising Star Award.
Taylor-Joy is attached to star in Nosferatu, a remake of the film of the same name, to be directed by Eggers in her third collaboration with him. She will also star in The Sea Change.- Actress
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Mia is an Australian actress, born and raised in the country's capital, Canberra. She is the daughter of photographers Marzena Wasikowska and John Reid. Her mother is Polish and her father is an Australian of British ancestry. She has an older sister, Jess, and a younger brother, Kai. At age eight, her family moved to Poland for a year.
At age nine, Mia took ballet classes with dreams of becoming a professional ballerina. However, an injury prevented this from happening and she quit at age fourteen. Mia turned to acting, having been excited by European and Australian cinema. She was attending Canberra High School, but left to pursue her career as an actor.
She had just turned 15 when she landed the role of Lilya in Suburban Mayhem (2006). Her breakthrough role came when she was cast as Alice in Tim Burton's Alice in Wonderland (2010).- Writer
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Etan Cohen was born on 14 March 1974 in Israel. He is a writer and producer, known for Holmes & Watson (2018), Idiocracy (2006) and Men in Black³ (2012). He has been married to Emily Bowen-Cohen since 14 June 1998. They have three children.- Olivia DeJonge is an Australian actress best known for her role as Priscilla Presley in Baz Lurhman's film 'Elvis', and as Caitlin Atwater in Antonio Campos's HBO limited series, 'The Staircase'. She made her feature film debut in Caryn Waechters 'The Sisterhood Of Night', followed by M Night Shyamalan's film 'The Visit'.
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Actress and philanthropist Rooney Mara was born on April 17, 1985 in Bedford, New York. She made her screen debut in the slasher film Urban Legends: Bloody Mary (2005), went on to have a supporting role in the independent coming-of-age drama Tanner Hall (2009), and has since starred in the horror remake A Nightmare on Elm Street (2010), the biographical drama The Social Network (2010), the thriller remake The Girl with the Dragon Tattoo (2011), and the romantic drama Carol (2015).
Patricia Rooney Mara is one of four children of Kathleen McNulty (née Rooney) and NFL football team New York Giants executive Timothy Christopher Mara. Her grandfathers were Wellington Mara, co-owner of the Giants, and Timothy Rooney, owner of Yonkers Raceway, and her grand-uncle is Steelers Chairman Dan Rooney, the former Ambassador to Ireland. She is the great-granddaughter of Art Rooney, the founder of the Pittsburgh Steelers football franchise. Her father has Irish, German, and French-Canadian ancestry, and her mother is of Irish and Italian descent.
After graduating from Bedford's Fox Lane High School, she went to Ecuador, Peru and Bolivia in South America for four months as part of the Traveling School, an open learning environment. She attended George Washington University for a year and then transferred to New York University, where she studied international social policy psychology and nonprofits. She took her degree from New York University in 2010. Her studies focused on non-profit organizations, as her family has a tradition of involvement in philanthropic causes.
She had thought of acting after watching old movies and attending musical theater, but did not think of it as a serious vocation and was afraid she might fail at this. As a result of her reservations, she appeared in only one play while in high school.
She began seriously focusing on acting when she was at New York University, appearing in student films. Inspired by her older sister, actress Kate Mara, she began to pursue the craft, auditioning for acting jobs at age 19. She appeared with her sister Kate in the video horror movie Urban Legends: Bloody Mary (2005), billing herself as "Patricia Mara". As "Tricia Mara", she had guest roles on television and won her first lead in the movie Tanner Hall (2009), which was shot in the fall of 2007.
She originally auditioned for the supporting role of Lucasta in "Tanner Hall", a $3-million independent film, but director Tatiana von Fürstenberg was so impressed by the young actress, she had her return to audition for the lead role of Fernanda, which Mara won. Furstenberg was delighted with her nuanced performance, saying, "Still waters run deep".
Continuing to call herself Tricia Mara, this was during the making of "Tanner Hall" that she considered changing her professional name to Rooney Mara, soliciting the advice of the cast and crew. After premiering at the 2009 Toronto International Film Festival, her performance in "Tanner Hall" brought the rechristened Rooney Mara a "Rising Star" award at the 2009 Hamptons Film Festival and a "Stargazer Award" at the 2010 Gen Art Film Festival.
She received her first lead role in a major feature, in the $35 million remake A Nightmare on Elm Street (2010). The movie proved disappointing at the box office, grossing only $63 million domestically and racking up a worldwide gross of just under $116 million. However, she was noticed by critics in the small but pivotal role of the Boston University undergrad Erica Albright who dumps Facebook founder Mark Zuckerberg in The Social Network (2010). Director David Fincher subsequently cast her as the lead, Lisbeth Salander, in his thriller remake, The Girl with the Dragon Tattoo (2011), based on Stieg Larsson's Millennium book series. She received critical acclaim for her performance, and was nominated for an Academy Award for Best Actress and a Golden Globe Award for Best Actress in a Motion Picture - Drama.
She starred in the thriller film Side Effects (2013), the independent drama Ain't Them Bodies Saints (2013), and the acclaimed sci-fi romantic drama Her (2013). The following year, she starred in the adventure drama Trash (2014). She garnered further critical acclaim for her performance in Todd Haynes' romantic drama Carol (2015), for which she won the Best Actress Award at the 2015 Cannes Film Festival, and was nominated for the Golden Globe Award for Best Actress in a Motion Picture - Drama and the SAG, BAFTA, and Academy Award for Best Supporting Actress.
In the spirit of her family's philanthropic endeavors, Rooney created Faces of Kibera, a charity that provides food, medical care and housing to orphans in Nairobi, Kenya's Kibra district, a small slum that houses a million people. There are many orphans as AIDS is rampant in the slum.- Director
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Ilya Naishuller is a film director, actor, producer, screenwriter and the frontman of indie rock band Biting Elbows, founded in 2008. From 8 to 14 he studied in London, and later graduated from the British International School in Yasenevo. Naishuller dropped out of the Institute of Television and Radio Broadcasting, then entered university in New York, but did not graduate. In March 2013, Ilya directed the Biting Elbows' "Bad Motherfucker" YouTube video with over 45 million views.
In 2015, Naishuller wrote and directed the action movie "Hardcore Henry" with Shalto Copley, Hayley Bennett, Danila Kozlovsky, Dariya Charusha and Svetlana Ustinova; and also produced and co-directed the TV series "Barvikha." He shot a video for The Weeknd's "False Alarm" in 2016, a video for the group "Kolshchik" in 2017, and recently directed the hit action-comedy "Nobody" starring Bob Odenkirk in 2021. Naishuller married actress Dariya Charusha in the summer of 2010.- Actress
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Actress and singer Annabella Avery "Bella" Thorne, known for Shake It Up (2010), The DUFF (2015), Blended (2014), and Midnight Sun (2018), was born in Pembroke Pines, Florida, to Tamara (Beckett) and Delancey Reinaldo "Rey" Thorne. She has three siblings, Remy Thorne, Dani Thorne and Kaili Thorne, all of whom have also acted. Her father was of Cuban and Italian descent. At six weeks old, Bella shot her first pictorial, for "Parents Magazine". She has continued to grace the covers of many national and international magazines and catalogs ever since.- Director
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Paul is a Bafta and Emmy nominated director known for Sherlock, Lucky Number Slevin, Inside Man and Film Stars Don't Die In Liverpool. Born in Bellshill, Scotland he started his professional life as a photographer and then documentary filmmaker. His first film was Acid House in 1998 which is an adaptation of Irvine Welsh short stories collection.- Actress
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Mackenzie Davis was born in Vancouver, British Columbia, Canada. She is an actress and producer, known for Terminator: Dark Fate (2019), Black Mirror (2011) and Blade Runner 2049 (2017).- Director
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Gaspar Noé is an Argentinian filmmaker and screenwriter who lives in France. He is the son of Luis Felipe Noé, an Argentinian artist. He directed I Stand Alone, Irréversible, Enter the Void, Love, Climax, Carne, Lux Æterna, Sodomites and Vortex. His films are known for having a sensory overload style, most notably in Enter the Void. He is married to Lucile Hadzihalilovic.- Director
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David Wnendt was born in 1977 in Gelsenkirchen, North Rhine-Westphalia, Germany. He is a director and writer, known for Look Who's Back (2015), Combat Girls (2011) and Sun and Concrete (2023).- Writer
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Terry Jones was born in Colwyn Bay, North Wales, the son of Dilys Louisa (Newnes), a homemaker, and Alick George Parry Jones, a bank clerk. His older brother is production designer Nigel Jones. His grandparents were involved in the entertainment business, having managed the local Amateur Operatic Society and staged Gilbert and Sullivan concerts. Jones studied at St. Edmund Hall College, Oxford University, read English but graduated with a degree in History. He was variously captain of boxing, captain of the Rugby Team and School Captain. At about this time, he befriended Michael Palin. Both performed comedy together as part of the Oxford Revue. In 1965, he again partnered Palin in The Late Show (1966) and worked in the dual capacity of writer/actor on Do Not Adjust Your Set (1967) with Palin, Eric Idle and David Jason. Another noteworthy television credit was Complete and Utter History of Britain (1969) (again with Palin) in which fun was poked at famous historical personae, Jones essaying Oliver Cromwell, Sir Walter Raleigh and Henry VIII (among others).
Needless to say that Jones found his greatest success as a founding member of the anarchic and irreverent Monty Python's Flying Circus (1969), along with Palin, Idle, Graham Chapman, John Cleese and Terry Gilliam. Jones not only provided much of the written comic input, but also portrayed many of the classic characters: the implausibly obese Mr. Creosote in The Meaning of Life (1983) (who explodes after one more little wafer), the inept Detective Superintendent Harry "Snapper" Organs in the Piranha Brothers sketch (a take on the Kray Twins), the tobacconist in the Dirty Hungarian Phrasebook sketch and numerous assorted shrill-voiced, slovenly 'rat-bag women' (Mrs. Equator comes to mind).
The Pythons were unconventional, controversial, certainly groundbreaking and invariably inspired, at their best in their unrelenting satirical attacks on established British institutions, ruling hierarchies and the class structure. Jones later said "The thing is we never thought Python was a success when it was actually happening, it was only with the benefit of hindsight". In addition to writing and acting, Jones also co-directed Monty Python and the Holy Grail (1975) (with Terry Gilliam) and took solo directing credit for Life of Brian (1979) and The Meaning of Life. Post-Python, he rejoined Palin as co-writer for some of the very best episodes of Ripping Yarns (1976), including Whinfrey's Last Case, Tompkinson's Schooldays, Murder at Moorstone Manor, The Curse of the Claw and The Testing of Eric Oldthwaite. Jones later scripted Labyrinth (1986) from a story by Jim Henson and Dennis Lee and wrote, as well as directed, Erik the Viking (1989) and Absolutely Anything (2015), a science fiction comedy with Simon Pegg and Kate Beckinsale.
On a more serious note, Jones sidelined as a newspaper columnist and was an outspoken social and political commentator (a staunch critic of the Iraq War). His lifelong fascination with medieval and ancient history (and Geoffrey Chaucer in particular) led to presenting a series of television documentaries (Medieval Lives (2004) and Barbarians (2006))) as well as publishing several well researched, if sometimes controversial, books including Chaucer's Knight: The Portrait of a Medieval Mercenary and Who Murdered Chaucer?: A Medieval Mystery.
Jones died at the age of 77 on 21 January 2020 from complications of dementia, at his home in Highgate, North London.- Actress
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Laurence Leboeuf is an award-winning actress from Montreal, Quebec, Canada who is currently shining on US screens in the NBC drama "Transplant" now on its second season. The series follows an ER doctor who fled his native Syria to come to Canada and overcome numerous obstacles to resume a career in the high stakes world of emergency medicine. Laurence portrays the series regular 'Magalie Leblanc,' a ferociously analytical second-year resident who pushes herself relentlessly.
The bilingual beauty (French and English) has been acting professionally since the age of 10 years old and rose to stardom with multiple award nominations and wins. She has continuously booked leading roles in both television and film of french Canadian and English Canadian productions. Award wins for Laurence include the Gemeaux Awards (French Canadian Emmys) for Best Actress in the series "Les Lavigueur," based on a true story of a family torn apart by multi-million dollar lottery win, Best Supporting Actress for her role in the television series "Musée Eden" as a young girl transplated to 1910s Montreal to watch over her uncle's wax museum in the Red Light District, and Best Actress for her role in the television series "Marche à I'ombre" which also won her the best Leading Actress award at the French Festival Séries Mania. In this groundbreaking series, Laurence portrayed 'Rachel Marchand,' a social worker at a halfway house with sexually violent tendencies who strikes up an illicit affair with a client. She also won Best Actress for "Human Trafficking" at the ACTRA Awards (English Canadian SAG Awards) for her portrayal of 'Nadia' a young Russian girl who gets kidnapped after being tricked into thinking she won a modeling competition, with Mira Sorvino and Donald Sutherland. For her film work, she won at the Prix Iris Awards (previously known as Jutra Awards) for Best Supporting Actress in "My Daughter, My Angel." Her indie action comedy film "Turbo Kid" was widely received at the Sundance Film Festival.
Laurence was born to actor-parents and grew up surrounded by the creative arts. Her dad owned a stage theater for 18 years which allowed Laurence to explore the behind the scenes of the craft. She is driven by the passion of Acting and the need to be creative, with the hopes of producing and writing alongside acting. She enjoys reading and staying active with running, snowboarding, and swimming to name a few, and loves to travel.- Director
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Born in Egypt to Armenian parents, he was raised in Western Canada. Both his parents were painters, and he planned to be a playwright, but after making a short film, he became hooked on telling stories visually. Returned to ethnic "homeland" when he filmed Calendar (1993) in Armenia. Won attention at the Sundance Film Festival for earlier work, then broke through critically and commercially with Exotica (1994). Afterwards, The Sweet Hereafter (1997) led him to receive two Academy Award nominations, and then Chloe (2009) became his biggest moneymaker ever (after the film's DVD/Blu-ray release).- Actress
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Olga Kurylenko is a Ukrainian-French actress and model, went from sharing a cramped flat with her aunt, uncle, grandparents and cousin to starring as a Bond girl opposite Daniel Craig.
She was born Olga Konstantinovna Kurylenko on November 14, 1979, in Berdyansk, Ukraine, Soviet Union. Her mother, Marina Alyabysheva, divorced her father, Konstantin Kurylenko, soon after her birth. After the divorce her mother struggled to survive as an art teacher. Young Olga was brought up by her mother and her grandmother, Raisa. During her youth Olga had the humbling experience of living in poverty; she had no choice but to wear rags and had to darn the holes on her sweater. During her years in Ukraine she studied art and languages and spent seven years studying piano at a local school of music in Berdyansk. She also went to a ballet studio until 13.
At age 13 Olga and her mother made a trip to Moscow. There she was spotted by an agent, who approached her at a subway station and offered her a job as a model. Initially Olga's mother was suspicious, but she checked the agent's credentials and eventually allowed Olga to accept training as a model in Moscow, which turned out to be a good career choice.
By age 16 she was ready for the next step. She moved to Paris, learned French in six months and was signed by the Madison agency. At age 18 she appeared on the cover of Glamour, and in short order graced the covers of Elle, Madame Figaro, Marie Claire, and Vogue. She also became the face of Lejaby lingerie, Bebe clothing, Clarins and Helena Rubinstein cosmetic companies.
In 1999 Olga married French photographer Cedric Van Mol, but divorced him 3-1/2 years later. One day Olga presented herself to an acting agency. Eventually she swapped the catwalk for the movie screen, and her acting career took off. In 2005 she made her film debut as "Iris", a sensual beauty, in The Ring Finger (2005), by director Diane Bertrand.
Olga's cinematic roles have been notably steamy, and her natural beauty and explicit nudity attracted the attention of the male audiences. She appeared opposite Elijah Wood in Paris, I Love You (2006) and as "Sofia" in The Snake (2006), then co-starred as Russian beauty "Nika Boronina" opposite Timothy Olyphant in Hitman (2007). She also appeared as "Mina Harud" in the indie surveillance-thriller Tyranny (2008). On Christmas Eve 2007, Olga was offered to play what will become her biggest hit: co-starring as "Camille", the Bond girl, opposite Daniel Craig in Quantum of Solace (2008), a sequel to Casino Royale (2006).
With the international success as Bond Girl, Olga also made appearances on various TV productions in Russia and Ukraine. In 2012, Olga Kurylenko was cast as Julia, supporting role in the Sci-Fi adventure Oblivion (2013) opposite Tom Cruise and Morgan Freeman.- Actress
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Emily Alyn Lind's body of work would be impressive for any Hollywood actress, but for a rising star of such a young age, it is quite remarkable. Emily will next star alongside Ewan McGregor and Rebecca Ferguson in the Warner Bros. film Doctor Sleep (2019). Based on the popular Stephen King novel, the film is the sequel to "The Shining." Emily will also be seen in Facebook Watch's "Sacred Lies: The Singing Bones" with Juliette Lewis. The show is based on The Brothers Grimm: The Singing Bones, but will also include inspiration from real-life murders. Later this year, Emily is set to begin production on Netflix's horror comedy "The Babysitter 2," where she will reprise her role of 'Melanie' from Netflix's cult hit "The Babysitter."
This year she also makes her debut as a musical artist. Emily co-writes her music, which is produced by Trizm (who has written and produced for Kanye, ASAP Rocky, DojaCat) and KoOoLkOjAk (who has written and produced for Spider Verse, Flo Rida, Sean Paul). Her first single is due out in the beginning of November.
Last year, Emily was seen in the sci-fi thriller film "Replicas" alongside Keanu Reeves and Alice Eve. In 2017, she starred in the New Line horror film "Lights Out." In 2011, Emily played Shirley Temple in Clint Eastwood's "J. Edgar," opposite Leonardo DiCaprio. In 2012, she starred in "The Haunting in Connecticut 2" and opposite Maggie Gyllenhaal in "Won't Back Down." Following, Emily starred in the movie musical "Dear Dumb Diary," based on the popular children's book series; in "Jackie and Ryan" alongside Katherine Heigl and Ben Barnes, which premiered at the 2014 Venice Film Festival; and in "Hidden" alongside Alexander Skarsgard and Andrea Riseborough. Emily began her acting career with the role of 'Young Lily' in "The Secret Life of Bees." At the age of five years old, she played 'Young Linda' in Gaspar Noe's "Enter the Void," which premiered at the 2009 Cannes Film Festival.
Also in 2009, Emily ventured into television starring on the ABC series "Eastwick" and on the daytime drama "All My Children". Other television roles included "Medium," "Criminal Minds," "Hawaii 5-O," "Suburgatory," Lifetime's "Who is Clark Rockefeller?", "Sundays at Tiffany's," "Code Black," and "Rush Hour." She is also widely known for the ABC hit series, "Revenge," playing 'Young Amanda Clarke.'
Not only is Emily a talented young actress, but she feels strongly about giving back. She is passionate about the Make-A-Wish Foundation. Her love for Make-A-Wish began when she played the part of 'Vanessa Marks,' a young girl battling cancer, in the movie "November Christmas." Emily created a 'love box' to keep on the set of "November Christmas," which encouraged people to donate to the charity. Emily raised so much money that she decided that she would create a 'love box' for every set she was on.
Emily resides in Los Angeles with her mother and sisters Natalie Alyn Lind and Alyvia Alyn Lind who are also actresses.- Director
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Koji Shiraishi is a Japanese writer, director and occasional actor. He was born and raised in Fukuoka, Japan. He went to Kyushu Sangyo University, but was expelled in his sophomore year for non-payment of tuition. Despite this, he remained in the university's film club, where he made several independent films and later worked on August in the Water (1995) which gained him valuable experience. His first feature film Violence Men (1997) was inspired by the film Man Bites Dog (1992) and in 1997 he moved to Tokyo to work a par-time job, while also working on the film The Wind Shall Blow (1998) together with Futoshi Kondô. Over the years, Koji has garnered a cult following with films such as Ura horâ (2008), Noroi (2005), Kuchisake-onna (2007), Grotesque (2009), Cult (2013) and Sadako vs. Kayako (2016).- Writer
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Bora Dagtekin was born on 27 October 1978 in Hannover, Germany. He is a writer and producer, known for Suck Me Shakespeer (2013), The Perfect Secret (2019) and Türkisch für Anfänger (2012).- Writer
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David Koepp is an American film director and screenwriter. He is known for writing Jurassic Park directed by Steven Spielberg, The Lost World: Jurassic Park, Mission: Impossible, Indiana Jones and the Kingdom of the Crystal Skull, Spider-Man directed by Sam Raimi and Panic Room directed by David Fincher. He also directed You Should Have Left starring Kevin Bacon and Amanda Seyfried.- Writer
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Na Hong-jin born in 1974 is a South Korean film director and screenwriter. His debut film The Chaser (2008) won Best Director at the 45th Grand Bell Awards in 2008. The film also won the award for Best Film. His follow up film, The Yellow Sea, was released in South Korea on December 15, 2010. It is scheduled to be screened in the Un Certain Regard section at the 2011 Cannes Film Festival.- Director
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Brad Anderson was born in 1964 in Madison, Connecticut, USA. He is a director and producer, known for Session 9 (2001), Transsiberian (2008) and The Machinist (2004).- Producer
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Rian Johnson was born in Maryland and at a young age his family moved to San Clemente, California, where he was raised. After graduating from high school, he went on to attend the University of Southern California School of Cinematic Arts. His first feature film, Brick (2005), was released in 2005 and was the metaphorical building block that launched his career. He is a director, writer, and musician, among other areas of expertise.
His second feature, The Brothers Bloom (2008), proved his ability to tell an exciting story with A-list actors, and the visionary Looper (2012) cemented him as a modern science-fiction icon. Among his highest-rated work are three episodes of the critically acclaimed Breaking Bad (2008). His filmography made him a strong candidate to write and direct Star Wars: Episode VIII - The Last Jedi (2017), the penultimate episode of the 'Star Wars' series. Lucasfilm was pleased with his work and announced that we would write and direct a 'Star Wars' trilogy separate from the main Skywalker story.- Director
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Kim Ji-woon was born in Seoul, South Korea. He began his career as an actor before becoming a stage director with productions such as "Hot Sea" in 1994 and "Movie, Movie" in 1995. He then began scripting for films, his first work, 97's "Wonderful Seasons" won Best Screenplay award at Korea's Premier Scenario contest, whilst his follow up The Quiet Family (1998) became not only his directorial debut, but also the source material for Takashi Miike's remake The Happiness of the Katakuris (2001) in 2001.
With an official selection at the Berlin International Film Festival and Best Film award at the Fantasport Film Festival for "A Quiet Family", his next film, 2000's The Foul King (2000), was an instant domestic hit, maintaining the #1 spot for over 6 months, with over 2 million admissions, it was also a worldwide festival crowd-pleaser. The short Coming Out (2000) and his contribution to 3 Extremes II (2002) (alongside segments from Peter Ho-Sun Chan and Nonzee Nimibutr) followed and then he made the 2003 horror A Tale of Two Sisters (2003).
He is a fan of film-noir and claims that many of his films contain elements of noir, often mixed with black comedy. His movie A Bittersweet Life (2005) his full on film-noir gangster thriller masterwork.- Make-Up Department
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Yoshihiro Nishimura was born on 1 April 1967 in Asakusa, Tokyo, Japan. He is a producer, known for Tokyo Gore Police (2008), Meatball Machine Kodoku (2017) and The ABCs of Death (2012).- Actress
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Noboru Iguchi was born on 28 June 1969 in Tokyo, Japan. He is a director and writer, known for The ABCs of Death (2012), The Machine Girl (2008) and Mutant Girls Squad (2010).- Director
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Bent Hamer was born on December 18, 1956 in Sandefjord, Norway. He is a well-regarded film auteur, director, producer, and writer, known for Eggs (1995), Kitchen Stories (2003), O' Horten (2007) and Factotum (2005).
Hamer studied film theory and literature at the University of Stockholm and the Stockholm Film School. In addition to his later feature films, he has written and directed a number of short films and documentaries. His first film, Eggs, premiered at the 1995 Cannes Film Festival where it was shown in the Directors' Fortnight section and was rewarded best newcomer. That same year, it was shown in competition at the 19th Moscow International Film Festival where it won the award for Best First Film; it also received the FIPRESCI Prize at the 1995 Toronto International Film Festival. Eggs are about a father and son suffering from autism living in a remote place, where the son is more than usually concerned about the shape of eggs. Eggs was shot by his friend Erim Poppe, which quite soon later also became a front figure in the New Norwegian Wave, which can be seen as quality reality-based movies with underplayed quirky humor based on good scripts and reasonable budgets, focusing on the good story well acted out.
Hamer followed up with another strong film in Water Easy Reach (1998) about a young sailor stranded at a remote island, trying to fix his beloved golden watch, which saw Hamer really to be a leader of this New Norwegian Wave of quality films, starting the best period in Norwegian films ever. the film was awarded best screenplay amongst four nominations at the Amanda Awards at The Norwegian Film Festival in Haugesund. it was also nominated for the Crystal Star in Brussels, and Francisco Rabel won best main actor a Fotogramas de Plata.
His third film, the 2003 film Kitchen Stories (Salmer fra kjøkkenet) screened at many international festivals and was the Norwegian submission for the Academy Award for Best Foreign Language Film. It received much praise and recognition, and went on to get worldwide distribution, and awarded Best film at Amanda Awards. It also won main prizes in Copenhagen, Lübeck, Sao Paulo, Tromsø and Valladolid as well as in Ghent. The film is based on a true story about a scientific approach to make better kitchens by observing how a kitchen is used. We meet an observer as he agrees to follow an old bachelor's kitchen use.
In April 2004, Bent Hamer started shooting Factotum based on the novel of the same name by US poet and writer Charles Bukowski. The screenplay was written by Hamer and Jim Stark (Mystery Train, Cold Fever), who produced the film together with Christine Walker (American Splendor). The film premiered at the Kosmorama Film Festival in Trondheim, Norway, on April 12th 2005. It also received much praise, being nominated to C.I.C.A.E. in Cannes, winning the Golden swan in Copenhagen IFF, as well as winning prizes in San Diego and at Kosmorama in Trondheim.
In December 2007 Hamer returned back to comedy with O'Horten which premiered to great reviews, and the film about a train engineer being pensioned off his life work went on to be the most acclaimed of Hamers career yet, being nominated for seven Amandas, winning two, and winning four out of 10 nominations of the Kanon price in Trondheim IFF. It also won one of two nominations in Cannes, and won Hamer best director in Ghent IFF.
In 2010 Hamer directed a new drama-comedy, a Christmas movie, Home for Christmas. The film looks at those who are desperately trying to connect or reconnect with their families, friends, or anyone who will listen, based upon several shorts written by Levi Henriksen, from his "Bare mjuke pakker under treet". The film won three Amanda nominations and two Kanon nominations, and won the audience award at RiverRun IFF, though being felt like a minor step back in his film making.
The 2014-film 1001 Grams about a Norwegian scientist Marie attending a seminar in Paris on the actual weight of a kilo, only to find it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Again Hamer won best screenplay at the Amandas and five more nominations. Here his steady companion photographer John Christian Rosenlund also won best cinematography at Chicago IFF.
September 2020 sees premiere of The Middle Man, based upon acclaimed writer Erlend Loe's second part of novel "Sluk" where Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.
Hamer is the owner and founder of the BulBul Film Association, established in Oslo in 1994, and ha been called the Norwegian film auteur. due to his film language and how he tells his stories. Film historian Peter Cowie has compared Hamers characters with Jacques Tati. there's no doubt Hamer will be standing as one of the most important Filmmakers and a leader of the New Norwegian Wave occurring in the mid-nineties.- Director
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Dani Levy was born on 17 November 1957 in Basel, Switzerland. He is a director and writer, known for Go for Zucker (2004), Silent Night (1996) and Tatort (1970). He is married to Sabine Liedl. They have two children.- Producer
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Ulrich Seidl was born on 24 November 1952 in Vienna, Austria. He is a producer and director, known for Rimini (2022), Paradise: Love (2012) and Goodnight Mommy (2014). He is married to Veronika Franz. They have two children.- Director
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Jeremy Saulnier has slyly defined a unique cinematic aesthetic that complements his idiosyncratic narrative premises. His sophomore feature, Blue Ruin (2013) a quirky, crime drama set in a pretty, but grimier part of suburban America was a festival darling and supplanted his name within the independent movie scene. His upcoming project Green Room looks like more of the same strangely engaging stuff from the incredibly promising writer/director.- Producer
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Craig Gillespie is an Australian film director, best known for his films Lars and the Real Girl (2007), I, Tonya (2017) and Cruella (2021). Born and raised in Sydney, Gillespie moved to New York City at the age of nineteen to study illustration, graphic design and advertising at Manhattan's School of Visual Arts. Gillespie worked for fifteen years as a commercial director, commonly working with cinematographers Adam Kimmel and Rodrigo Prieto. His debut feature film was 2007's Mr. Woodcock but he left the project after several negative test screenings, and many scenes were re-written and re-shot.- Director
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Jan Kounen was born on 2 May 1964 in Utrecht, Utrecht, Netherlands. He is a director and writer, known for Renegade (2004), Vibroboy (1994) and 8 (2008).- Actor
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Growing up in Baltimore in the 1950s, John Waters was not like other children; he was obsessed by violence and gore, both real and on the screen. With his weird counter-culture friends as his cast, he began making silent 8mm and 16mm films in the mid-'60s; he screened these in rented Baltimore church halls to underground audiences drawn by word of mouth and street leafleting campaigns. As his filmmaking grew more polished and his subject matter more shocking, his audiences grew bigger, and his write-ups in the Baltimore papers more outraged. By the early 1970s he was making features, which he managed to get shown in midnight screenings in art cinemas by sheer perseverance. Success came when Pink Flamingos (1972) - a deliberate exercise in ultra-bad taste - took off in 1973, helped no doubt by lead actor Divine's infamous dog-crap eating scene.
Waters continued to make low-budget shocking movies with his Dreamland repertory company until Hollywood crossover success came with Hairspray (1988), and although his movies nowadays might now appear cleaned up and professional, they retain Waters' playfulness, and reflect his lifelong obsessions.- Producer
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Park Chan-wook was born on 23 August 1963 in Seoul, South Korea. He is a producer and writer, known for Oldboy (2003), The Handmaiden (2016) and Decision to Leave (2022). He is married to Eun-hee Kim. They have one child.- Writer
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He studied fine arts in Paris in 1990-1992. In 1993 he won the award for Best Screenplay from the Educational Institute of Screenwriting with "A Painter and A Criminal Condemned to Death". After two more screenplay awards, he made his directorial debut with Crocodile (1996) ("Crocodile"). Then he went on to direct Wild Animals (1997) ("Wild Animals"), Birdcage Inn (1998) ("Birdcage Inn"), The Isle (2000) ("The Isle") and the highly experimental Real Fiction (2000) ("Real Fiction"), shot in just 200 minutes. In 1999, Address Unknown (2001) ("Address Unknown") was selected by the Pusan Film Festival's Pusan Promotion Plan (PPP) for development.- Writer
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Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history.
All of Bong's films have been South Korean productions, although both Snowpiercer and Okja (2017) are mostly in the English language. Two of his films have screened in competition at the Cannes Film Festival-Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, which was a first for a South Korean film. Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50.- Director
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Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry Nights (2007), Yi dai zong shi (2013). His film Fa yeung nin wa (2000), starring Maggie Cheung and Tony Leung, garnered widespread critical acclaim. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery. Wong was the first Chinese director to win the Best Director Award of Cannes Film Festival (for his work Chun gwong cha sit in 1997). Wong was the President of the Jury at the 2006 Cannes Film Festival, which makes him the only Chinese person to preside over the jury at the Cannes Film Festival. He was also the President of the Jury at the 63rd Berlin International Film Festival in February 2013. In 2006, Wong accepted the National Order of the Legion of Honour: Knight (Highest Degree) from the French Government. In 2013, Wong accepted Order of Arts and Letters: Commander (Highest Degree) by the French Minister of Culture.- Writer
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Wes Craven has become synonymous with genre bending and innovative horror, challenging audiences with his bold vision.
Wesley Earl Craven was born in Cleveland, Ohio, to Caroline (Miller) and Paul Eugene Craven. He had a midwestern suburban upbringing. His first feature film was The Last House on the Left (1972), which he wrote, directed, and edited. Craven reinvented the youth horror genre again in 1984 with the classic A Nightmare on Elm Street (1984), a film he wrote and directed. And though he did not direct any of its five sequels, he deconstructed the genre a decade later, writing and directing the audacious New Nightmare (1994), which was nominated as Best Feature at the 1995 Independent Spirit Awards, and introduced the concept of self-reflexive genre films to the world.
In 1996 Craven reached a new level of success with the release of Scream (1996). The film, which sparked the phenomenal trilogy, was the winner of MTV's 1996 Best Movie Award and grossed more than $100 million domestically, as did Scream 2 (1997). Between Scream 2 and Scream 3 (2000), Craven, offered the opportunity to direct a non-genre film for Miramax, helmed Music of the Heart (1999), a film that earned Meryl Streep an Academy Award nomination for Best Actress. That same year, in the midst of directing, Craven completed his first novel, "The Fountain Society," published by Simon & Shuster. Recent works include the 2005 psychological thriller Red Eye (2005), and a short rom-com segment for the ensemble product, Paris, I Love You (2006).
In later years, Craven also produced remakes of two of his earlier films for his genre fans, The Hills Have Eyes (2006) and The Last House on the Left (2009). Craven has always had an eye for discovering fresh talent, something that contributes to the success of his films. While casting A Nightmare on Elm Street, Craven discovered the then unknown Johnny Depp. Craven later cast Sharon Stone in her first starring role for his film Deadly Blessing. He even gave Bruce Willis his first featured role in an episode of TV's mid-80's edition of The Twilight Zone. In My Soul to Take (2010), Craven once again brought together a cast of up-and-coming young teens, including Max Thieriot, in whom he saw the spark of stardom. The film marked Craven's first collaboration with wife and producer Iya Labunka, who also produced with him the highly anticipated production of Scream 4.
Craven's Scream 4 (2011) reunited the director with Dimension Films and Kevin Williamson, as well as with stars Neve Campbell, Courteney Cox and David Arquette, to re-boot the beloved franchise. Craven again exhibited his knack for spotting important talent, with a cast of young actors bringing us a totally new breed of Woodsboro high schoolers, including Emma Robert and Hayden Pannetierre.- Director
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Jörg Buttgereit was born on 20 December 1963 in Berlin, West Germany. He is a director and writer, known for Lexx (1996), Captain Berlin versus Hitler (2009) and Nekromantik (1988).- Writer
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Hideshi Hino was born on 19 April 1946 in Manchuria, China. He is a writer and director, known for Bara no Meikyu (2014), Kyoufu ressha (2004) and Jigoku kozô (2004).- Director
- Second Unit Director or Assistant Director
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Ruggero Deodato was born on May 7, 1939, in Potenza, Italy, and grew up outside Rome. One of his close friends at the time was Renzo Rossellini, the son of famed Italian director Roberto Rossellini. Knowing Ruggerio's love for the movies, Renzo persuaded him to work as a second unit director on some of his father's productions. From 1958-67 Deodato worked as a second unit director for several cult film directors such as Anthony M. Dawson (Antonio Margheriti), Riccardo Freda and Joseph Losey. Deodato's directorial debut was the action-fantasy Hercules, Prisoner of Evil (1964), replacing Margheriti who quit the production. Deodato's claim to fame was the spaghetti western Django (1966). His career took off in 1968 when he directed a number of films based on comic-book characters and musicals. It was while shooting one of these films that Deodato met, and later married, Silvia Dionisio.
From 1971-75 Deodato worked in television, directing the series All'ultimo minuto (1971) as well as TV commercials, including ones for Esso Oil, Band-Aid and Fanta. Deodato returned to filmmaking with an erotic melodrama and a police thriller. At the same time his marriage fell apart. In 1977 Deodato directed the notorious Last Cannibal World (1977) and later Cannibal Holocaust (1980). Deodato traveled to New York City and directed the disturbing thriller House on the Edge of the Park (1980), a semi-follow-up to Wes Craven's The Last House on the Left (1972). Deodato made House on the Edge of the Park (1980) in just 19 days on a tiny budget. He then returned to directing action and horror flicks.
Deodato lives in Rome with his current partner, Micaela Rocco, and still works in movies and occasional TV series. He is rumored to be planning a sequel to "Cannibal Holocaust".- Director
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Guy Maddin was born in Winnipeg, Manitoba, Canada, to Herdis Maddin (a hair-dresser) and Charles "Chas" Maddin (grain clerk and general manager of the Maroons, a Winnipeg hockey team). Maddin studied economics at the University of Winnipeg, working as a bank manager, house painter, and photographic archivist before becoming a film-maker. Maddin produced his first film in 1985, and since then his distinctive style of recreating and renovating silent film conventions and international critical acclaim have made him one of Canada's most celebrated directors. In 2003, Maddin also expanded his career to become an author and an installation artist.- Director
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The twin brothers Oxide and Danny Pang started their career in Hong Kong, where Oxide worked as colourist and Danny as editor. After moving to Bangkok, Oxide made the experimental film Who's Running. Bangkok Dangerous (2000) is the first film in which the brothers combine their talents.- Director
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Oxide Chun Pang was born in 1965 in Hong Kong. He is a director and writer, known for The Eye (2002), Bangkok Dangerous (2000) and The Messengers (2007). He has been married to Angelica Lee since 6 February 2010. They have two children.- Director
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- Second Unit Director or Assistant Director
Tetsuya Nakashima was born on 2 September 1959 in Fukuoka, Japan. He is a director and writer, known for Confessions (2010), Kiraware Matsuko no isshô (2006) and Kamikaze Girls (2004).- Writer
- Actor
Slavoj Zizek was born on 21 March 1949 in Llubljana, Slovenia, Yugoslavia [now Slovenia]. He is a writer and actor, known for Bliss (2021), The Pervert's Guide to Cinema (2006) and The Pervert's Guide to Ideology (2012).- Producer
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- Director
Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard's Alphaville (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki's work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around '50s rock'n'roll.
In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (The Bohemian Life (1992)).- Director
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Joachim Trier is a Norwegian writer and director. He is known for Reprise (2006), Oslo, August 31st (2011), Louder Than Bombs (2015) and Thelma (2017).
Trier also directed three short films, Pietà (2000), Still (2001) and Procter (2002).
His father, Jacob Trier, was the sound technician of The Pinchcliffe Grand Prix, a notable film produced in Norway in 1975.
Louder Than Bombs was his first English-language film.
Thelma was selected as the Norwegian entry for the Best Foreign Language Film at the 90th Academy Awards.- Actor
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Ezel Akay was born in 1961. He studied engineering at Bosphorus University, and theatre arts at Villanova University. He took part in many theatre productions as an actor and director before entering film production as a founding partner of IFR, where he was the director of more than 900 commercials. In 1996, he produced Dervis Zaim's feature film debut, "Somersault in a Coffin." The film won the highest number of international awards ever received by a Turkish film. Following this film, he was the executive producer of Yesim Ustaoglu's "Journey to the Sun", which also won many awards at international festivals including the prestigious Berlin Film Festival.- Actress
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Precocious, outspoken child-teen starlet of the 1990s, Christina Ricci was born on February 12, 1980 in Santa Monica, California, the youngest of four children of Sarah (Murdoch), a realtor, and Ralph Ricci, a lawyer and therapist. She is of Italian (from her paternal grandfather), Irish, and Scots-Irish descent. She made her screen debut at the age of 9 in Mermaids (1990), in which she worked with Winona Ryder and Cher. Her breakthrough adult role was in The Ice Storm (1997), in which she plays a nymphet who skillfully seduces two brothers. She worked with Johnny Depp and Casper Van Dien in the Tim Burton film Sleepy Hollow (1999).- Director
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Sidney Lumet was a master of cinema, best known for his technical knowledge and his skill at getting first-rate performances from his actors -- and for shooting most of his films in his beloved New York. He made over 40 movies, often complex and emotional, but seldom overly sentimental. Although his politics were somewhat left-leaning and he often treated socially relevant themes in his films, Lumet didn't want to make political movies in the first place. Born on June 25, 1924, in Philadelphia, the son of actor Baruch Lumet and dancer Eugenia Wermus Lumet, he made his stage debut at age four at the Yiddish Art Theater in New York. He played many roles on Broadway in the 1930s and also in the film ...One Third of a Nation... (1939). After starting an off-Broadway acting troupe in the late 1940s, he became the director of many television shows in the 1950s. Lumet made his feature film directing debut with 12 Angry Men (1957), which won the Golden Bear at the Berlin Film Festival and earned three Academy Award nominations. The courtroom drama, which takes place almost entirely in a jury room, is justly regarded as one of the most auspicious directorial debuts in film history. Lumet got the chance to direct Marlon Brando in The Fugitive Kind (1960), an imperfect, but powerful adaptation of Tennessee Williams' "Orpheus Descending". The first half of the 1960s was one of Lumet's most artistically successful periods. Long Day's Journey Into Night (1962), a masterful, brilliantly photographed adaptation of the Eugene O'Neill play, is one of several Lumet films about families. It earned Katharine Hepburn, Ralph Richardson, Dean Stockwell and Jason Robards deserved acting awards in Cannes and Hepburn an Oscar nomination. The alarming Cold War thriller Fail Safe (1964) unfairly suffered from comparison to Stanley Kubrick's equally great satire Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), which was released shortly before. The Pawnbroker (1964), arguably the most outstanding of the great movies Lumet made in this phase, tells the story of a Holocaust survivor who lives in New York and can't overcome his experiences in the Nazi concentration camps. Rod Steiger's unforgettable performance in the title role earned an Academy Award nomination. Lumet's intense character study The Hill (1965) about inhumanity in a military prison camp was the first of five films he did with Sean Connery. After the overly talky but rewarding drama The Group (1966) about young upper-class women in the 1930s, and the stylish spy thriller The Deadly Affair (1967), the late 1960s turned out to be a lesser phase in Lumet's career. He had a strong comeback with the box-office hit The Anderson Tapes (1971). The Offence (1973) was commercially less successful, but artistically brilliant - with Connery in one of his most impressive performances. The terrific cop thriller Serpico (1973), the first of his films about police corruption in New York City, became one of his biggest critical and financial successes. Al Pacino's fascinating portrayal of the real-life cop Frank Serpico earned a Golden Globe and the movie earned two Academy Award nominations (it is worth noting that Lumet's feature films of the 1970s alone earned 30 Oscar nominations, winning six times). The love triangle Lovin' Molly (1974) was not always convincing in its atmospheric details, but Lumet's fine sense of emotional truth and a good Blythe Danner keep it interesting. The adaptation of Agatha Christie's Murder on the Orient Express (1974), an exquisitely photographed murder mystery with an all-star cast, was a big success again. Lumet's complex crime thriller Dog Day Afternoon (1975), which Pauline Kael called "one of the best "New York" movies ever made", gave Al Pacino the opportunity for a breathtaking, three-dimensional portrayal of a bisexual man who tries to rob a bank to finance his lover's sex-change operation. Lumet's next masterpiece, Network (1976), was a prophetic satire on media and society. The film version of Peter Shaffer's stage play Equus (1977) about a doctor and his mentally confused patient was also powerful, not least because of the energetic acting by Richard Burton and Peter Firth. After the enjoyable musical The Wiz (1978) and the interesting but not easily accessible comedy Just Tell Me What You Want (1980), Sidney Lumet won the New York Film Critics Circle Award for his outstanding direction of Prince of the City (1981), one of his best and most typical films. It's about police corruption, but hardly a remake of Serpico (1973). Starring a powerful Treat Williams, it's an extraordinarily multi-layered film. In his highly informative book "Making Movies" (1995), Lumet describes the film in the following way: "When we try to control everything, everything winds up controlling us. Nothing is what it seems." It's also a movie about values, friendship and drug addiction and, like "Serpico", is based on a true story. In Deathtrap (1982), Lumet successfully blended suspense and black humor. The Verdict (1982) was voted the fourth greatest courtroom drama of all time by the American Film Institute in 2008. A few minor inaccuracies in legal details do not mar this study of an alcoholic lawyer (superbly embodied by Paul Newman) aiming to regain his self-respect through a malpractice case. The expertly directed movie received five Academy Award nominations. Lumet's controversial drama Daniel (1983) with Timothy Hutton, an adaptation of E.L. Doctorow's "The Book of Daniel" about two young people whose parents were executed during the McCarthy Red Scare hysteria in the 1950s for alleged espionage, is one of his underrated achievements. His later masterpiece Running on Empty (1988) has a similar theme, portraying a family which has been on the run from the FBI since the parents (played by Christine Lahti and Judd Hirsch) committed a bomb attack on a napalm laboratory in 1971 to protest the war in Vietnam. The son (played by River Phoenix in an extraordinarily moving, Oscar-nominated performance) falls in love with a girl and wishes to stay with her and study music. Naomi Foner's screenplay won the Golden Globe. Other Lumet movies of the 1980s are the melancholic comedy drama Garbo Talks (1984); the occasionally clichéd Power (1986) about election campaigns; the all too slow thriller The Morning After (1986) and the amusing gangster comedy Family Business (1989). With Q&A (1990) Lumet returned to the genre of the New York cop thriller. Nick Nolte shines in the role of a corrupt and racist detective in this multi-layered, strangely underrated film. Sadly, with the exception of Night Falls on Manhattan (1996), an imperfect but fascinating crime drama in the tradition of his own previous genre works, almost none of Lumet's works of the 1990s did quite get the attention they deserved. The crime drama A Stranger Among Us (1992) blended genres in a way that did not seem to match most viewers' expectations, but its contemplations about life arouse interest. The intelligent hospital satire Critical Care (1997) was unfairly neglected as well. The courtroom thriller Guilty as Sin (1993) was cold but intriguing. Lumet's Gloria (1999) remake seemed unnecessary, but he returned impressively with the underestimated courtroom comedy Find Me Guilty (2006) and the justly acclaimed crime thriller Before the Devil Knows You're Dead (2007). In 2005, Sidney Lumet received a well-deserved honorary Academy Award for his outstanding contribution to filmmaking. Sidney Lumet tragically died of cancer in 2011.- Director
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Milos Forman was born Jan Tomas Forman in Caslav, Czechoslovakia, to Anna (Svabova), who ran a summer hotel, and Rudolf Forman, a professor. During World War II, his parents were taken away by the Nazis, after being accused of participating in the underground resistance. His father died in Mittelbau-Dora, a sub camp of Buchenwald, and his mother died in Auschwitz, at which Milos became an orphan very early on. He studied screen-writing at the Prague Film Academy (F.A.M.U.). In his Czechoslovakian films, Black Peter (1964), Loves of a Blonde (1965), and The Firemen's Ball (1967), he created his own style of comedy. During the invasion of his country by the troops of the Warsaw pact in the summer of 1968, to stop the Prague spring, he left Europe for the United States. In spite of difficulties, he filmed Taking Off (1971) there and achieved his fame later with One Flew Over the Cuckoo's Nest (1975) adapted from the novel of Ken Kesey, which won five Oscars, including one for best direction. Other important films of Milos Forman were the musical Hair (1979) and his biography of Wolfgang Amadeus Mozart, Amadeus (1984), which won eight Oscars.- Director
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György Pálfi was born on 11 April 1974 in Budapest, Hungary. He is a director and writer, known for Taxidermia (2006), Hukkle (2002) and Free Fall (2014).- Director
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- Actor
Giuseppe Tornatore was born on 27 May 1956 in Bagheria, Sicily, Italy. He is a director and writer, known for The Best Offer (2013), Cinema Paradiso (1988) and The Legend of 1900 (1998). He is married to Roberta Pacetti.- Director
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Award-winning filmmaker Michael Arias enjoys a colorful and varied career, spanning the worlds of live-action storytelling, visual effects, computer graphics, and anime, the unique realm of Japanese traditional animation.
He got his start at Dream Quest Images, working as a camera assistant on the motion control stages of such effects-heavy films as The Abyss (1989) and Total Recall (1990). In 1990 Michael was asked by VFX godfather Douglas Trumbull to program ride vehicle motion for Back to the Future... The Ride (1991), a milestone in immersive entertainment. He then moved to Tokyo for stints at post-production behemoth Imagica and game giant Sega, after which he returned to the U.S. to co-found effects boutique Syzygy Digital Cinema, creators of digital sequences for the likes of David Cronenberg, Joel Coen and Ethan Coen, and Spike Lee.
Next, at CG innovator Softimage, Michael developed and patented tools for combining traditional animation and computer graphics, working closely with Studio Ghibli to add a distinct visual flavor to Hayao Miyazaki's masterpieces Princess Mononoke (1997), and Spirited Away (2001). In 2000 Michael accepted an invitation from the Wachowski siblings and producer Joel Silver to produce the The Matrix (1999)-inspired anthology The Animatrix (2003), which subsequently broke home-video sales records and won numerous awards.
In 2006, following up on the success of Animatrix, Michael made his feature directing debut with Tekkonkinkreet (2006), shown at the Berlinale and awarded Japan's Academy Award for Best Animated Feature Film. In 2009, Michael directed Heaven's Door (2009), his first live-action feature. In the years hence, Michael has continued to split his time between traditional and digital animation, and live-action filmmaking. In 2015 Michael made his return to anime with the dark sci-fi thriller Harmony (2015) (co-directed with Takashi Nakamura), followed by his first television series, Tokyo Alien Bros., for Japanese broadcaster Nippon Television (NTV).
Michael is an active member of the Visual Effects Society (VES), and has co-authored papers for and, at one time or other, served as guest editor, presenter, panelist, and juror, for ACM/Siggraph. He is also a frequent writer and commentator on Japanese culture, film, animation, and manga.- Director
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Matthew Barney was born on 25 March 1967 in San Francisco, California, USA. He is a director and writer, known for Drawing Restraint 9 (2005), Cremaster 2 (1999) and The Cremaster Cycle (2003).- Actor
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Shin'ya Tsukamoto was born on 1 January 1960 in Shibuya, Tokyo, Japan. He is an actor and director, known for Tetsuo: The Iron Man (1989), Vital (2004) and Tokyo Fist (1995).- Director
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- Production Designer
After studying at the Institute of Industrial Arts and the Marionette Faculty of the Prague Academy of Fine Arts in the 1950s, Jan Svankmajer started working as a theatre director, chiefly in association with the Theatre of Masks and the Black Theatre. He first experimented with film-making after becoming involved with the multimedium productions of Prague's Lanterna Magika Theatre. He began making short films in 1964, and continued working in the same medium for over twenty years, when he finally achieved his long-held ambition to make a feature film based on Lewis Carroll's Alice in Wonderland (Alice (1988)). He has also exhibited his drawings, collages and 'tactile sculptures', many of which were produced in the mid-1970s, when he was temporarily banned from film-making by the Czech authorities. He has been a card-carrying member of the Prague Surrealist Group since 1969.- Director
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Shion Sono is a Japanese director, writer and poet. Born in Aichi Perfecture in 1961 he started his career working as a poet before taking his first steps in film directing. As a student he shot a series of short films in Super 8 and managed to make his first feature films in the late 80s and early 90s, in which he also starred. The film that helped him reach a wider international audience and establish himself as a cult director is Love Exposure (2008) , released in 2008. Ai no mukidashi is the first installment of Sono's Trilogy of Hate followed by Cold Fish (2010) and concluded with Guilty of Romance (2011). The films of Shion Sono often tell the stories of socially marginalized teenagers or young adults who end up engaging in activities that involve murders, sexual abuse and criminal behavior. Sono's films in most of the cases contain scenes filled with graphic violence and blood that echo the long pinku eiga and anime tradition of Japanese cinema.- Director
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Yüksel Aksu was born in 1966 in Mugla, Turkey. He is a director and actor, known for Dondurmam Gaymak (2006), Entelköy Efeköy'e Karsi (2011) and 61 Days (2016).- Writer
- Director
- Actor
Yavuz Turgul was born in Istanbul, 1946. He worked as journalist for many years. In 1976 he started to write scripts with the support of Ertem Egilmez. His first directing experience came with the movie Fahriye Abla, in 1984. He worked with famous Turkish actor Sener Sen in so many movies. Turgul is one of the best directors in Turkey and he is still working on new movie projects.- Writer
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- Producer
Writer, director, and producer Nicolas Winding Refn was born in Copenhagen, Denmark, in 1970, to Anders Refn, a film director and editor, and Vibeke Winding (née Tuxen), a cinematographer. Just before he turned 11, in 1981, he moved to New York with his parents, where he lived out his teen years. New York quickly became his city and soon began to shape Nicolas' future.
At seventeen, Nicolas moved back to his native Copenhagen to complete his high-school Education. After graduation, he swiftly flew back to New York, where he attended the American Academy of Dramatic Arts. However, this education was cut short when Nicolas threw a desk at a classroom wall and was expelled from the Academy. Consequently, he applied to the Danish Film School and was readily accepted. This education too was to be short-lived, though, as one month prior to the start of the semester, Nicolas dropped out.
A short film Nicolas had written, directed, and starred in was aired on an obscure cable TV channel and lead to the offer of a life-time. Nicolas was spotted and offered 3.2 million kroners to turn the short into a feature. At only twenty-four, Nicolas had written and directed the extremely violent and uncompromising Pusher (1996), which became a cult phenomenon and won Nicolas instant international critical acclaim. The success of his debut spurred him to push the boundaries of his creative filmmaking further, which resulted in the close-to-the-edge and intricately gritty Bleeder (1999). Highly stylized and focused on introverted reactions to outward situations, this film was a marking point for the shaping of Nicolas's future career. The movie was selected for the 1999 Venice International Film Festival as well as winning the prestigious FIPRESCI Prize in Sarajevo.
Nicolas's fourth feature, the much-anticipated Fear X (2003) was also his first foray into English-language movies. Starring the award-winning actor John Turturro, "Fear X" made its world premiere at the Sundance Film festival. However, Fear X divided critics and it flopped, which made Nicolas Winding Refn broke and in debt.
Having to provide for his family and paying his debt, he returned to Denmark to revisit "Pusher." Refn was reluctant to revisit his past success but decided that he could both make commercially viable and artistically pleasing films. In just two years he managed to write, direct and produce the two sequels. Pusher II (2004) and Pusher III (2005) sealed the box and success of the internationally renowned "Pusher" trilogy. In 2005, the Toronto Film Festival held a "Pusher" retrospective showing all three features cementing its worldwide phenomenon.
In 2006 Nicolas embarked on a second English-language (and first digital) feature called Valhalla Rising (2009), which was inspired by a story his mother read to him at the age of five about a father and son who embark on a trip to the moon. Not recalling the ending of this story has been a long time fascination of Nicolas's with the unknown. During the pre-production on "Valhalla Rising," his long time collaborator and friend, Rupert Preston, urged him into accepting an offer to write and direct Bronson (2008), an ultra-violent, surreal, and escapist film following the real-life landmarks and self-entrapment of Charles Bronson, Britain's most notorious criminal. Before its cinematic release, "Bronson" was making waves inside and outside the film industry. The 2009 Sundance Film Festival selected the blistering film for its World Cinema Dramatic Competition and it soon became the talk of the festival. With such a prestigious premiere, "Bronson" went on to be selected for other major international film festivals and reap strong box-office rewards. But, even with such a buzz surrounding the film, no one could predict how the British press would bite at "Bronson's" bit. The content was close to the knuckle, the subject matter controversial, but Nicolas's take on this was even more inspired leading him to be labeled by the British media as the next great European auteur.
With such critical acclaim, Nicolas's reputation as a producer, writer and director was solidly reaffirmed. Nicolas and his wife Liv Corfixen were the subjects of an acclaimed documentary, Gambler (2006), which premiered at the Rotterdam International Film Festival in 2005. In addition, Nicolas already received two lifetime-achievement awards (one from the Taipei International Film festival in 2006 and the second from the Valencia International Film Festival in 2007), and it was the winner of the Emerging Master Award from the Philadelphia International Film Festival 2005.- Writer
- Actress
- Director
Filmmaker Magazine rated her #1 in their "25 New Faces of Indie Film" in 2004!
She is a performance artist and published short story writer. Since becoming a filmmaker, her debut feature, Me and You and Everyone We Know (2005) has won several film awards.
She is the daughter of Lindy Hough and Richard Grossinger, writers and publishers who founded North Atlantic Books.- Director
- Visual Effects
- Writer
Dave McKean was born on 29 December 1963 in Taplow, Slough, Berkshire, England, UK. He is a director and writer, known for Mirrormask (2005), Luna (2014) and N[eon] (2002). He is married to Clare. They have two children.- Director
- Producer
- Second Unit Director or Assistant Director
Peter Medak is a Hungarian-born British film director. Born in Budapest, Hungary, then part of the Warsaw Bloc, Medak fled to England at the age of 18 during the bloody uprising against the Soviet regime. He began his career with associated British Picture Corporation in Borehamwood. He studied and worked his way through by being an assistant editor, assistant cameraman and eventually a 3rd, 2nd and 1st assistant director on many British films of the late 1950s and early 196Os.
Medak worked with some of the most legendary British film directors, including, among others, Sir Carol Reed, David Lean, Anthony Asquith, and Fred Zimmerman. He was signed in 1963 by Universal Studios in Hollywood where for the first six months he the chance to observe Alfred Hitchcock and many others. He began directing television in Hollywood and in London. In 1967, he signed with Paramount Studios where he finally achieved his dream and directed his first feature film called Negatives (1968), featuring Glenda Jackson in her film appearance.
He then proceeded making two highly acclaimed black comedies: The Ruling Class (1972), and A Day in the Death of Joe Egg (1972) (for which he received an Academy Award nomination). Since then he has directed many feature films on both sides of the Atlantic. In recent years, he made The Krays, which won him The Evening Standard Award for Best Director in England. Later films which he directed include: Let Him Have It, Romeo is Bleeding, The Men's Club, etc.- Actor
- Writer
- Director
When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).- Producer
- Actress
- Soundtrack
Following her success as a top fashion model for the Ford Modeling Agency and Revlon cosmetics, Hutton was selected to play the only major female character in Paper Lion (1968). After a semi-successful starring role in American Gigolo (1980), Hutton's modeling career took a slide in the 1980s, and she was relegated to B-movie roles. Her modeling career was resuscitated in 1989 with photos in catalogs for Barneys and J. Crew. In 1995, she started a new job as talk show host.- Actor
- Director
- Additional Crew
Terence Hill was born as Mario Girotti on March 29, 1939 in Venice, Italy to a chemist. His mother was German, and as a child the family lived near Dresden, Saxony, Germany where they survived the Allied bombings of World War II. Italian film-maker Dino Risi discovered him at a swimming meet and he made his first film at the age of 12, Vacanze col gangster (1952) (Holiday for Gangsters). He continued acting to finance his studies and motorcycle hobby. After studying classical literature at the University of Rome for three years, he decided to devote full time to acting. In 1962 he appeared in Luchino Visconti's The Leopard (1963), He then signed a contract for a series of adventure and western films in Germany. In 1967 he returned to Italy to play the lead in God Forgives... I Don't! (1967). While on location in Almeria, Spain, he married an American girl of Bavarian descent, Lori Zwicklbauer, who was the dialogue coach for the picture. The producers of this movie wanted him to change his name. He then got a list with 20 names on it and 24 hours time to choose one of these names. He decided to take Terence Hill cause he liked it the most and it has the same initials as his mother's name (Hildegard Thieme). They only told the public that "Hill" was his wife's name out of publicity reasons. At this time of upcoming feminism a man who took his wife's name was something special. In 1976 Hollywood called and he appeared in March or Die (1977) with Gene Hackman and starred in Mr. Billion (1977) with Valerie Perrine. Since then he has concentrated on action/adventure films starring himself and often working with long time partner Bud Spencer. Terence lives in Massachusetts and is a film producer, as well as talented and respected actor.- Actor
- Writer
- Producer
Bud Spencer, the popular Italian actor who starred in innumerable spaghetti Westerns and action-packed potboilers during the 1960s and 1970s, was born Carlo Pedersoli on October 31, 1929, in Naples. The first Italian to swim the 100-meter freestyle in less than a minute, Spencer competed as a swimmer on the Italian National Team at the Olympic Summer games in both Helsinki, Finland, in 1952 and Melbourne, Australia, in 1956. He was also an Olympic-class water polo player.
Educated as an attorney, he was bitten by the acting bug and appeared as a member of the Praetorian Guard in his first movie, MGM's epic Quo Vadis (1951) (which was shot in Italy) in 1951. During the 1950s and first half of the 1960s he appeared in films made for the Italian market, but his career was strictly minor league until the late 1960s. He changed his screen name to "Bud Spencer" in 1967, as an homage to Spencer Tracy and to the American beer Budweiser. Spencer allegedly thought it was funny to call himself "Bud" in light of his huge frame.
After the name change, Spencer achieved his greatest success in spaghetti Westerns lensed for a global audience. Teaming up with fellow Italian Terence Hill, the two made such international hits as Ace High (1968) and They Call Me Trinity (1970) ("They Call Me Trinity"). Their dual outings made both stars famous, particularly in Europe. In all, Spencer made 18 movies with Hill.
He became a jet airplane and helicopter pilot after appearing in All the Way Boys (1972) and owned an air transportation company, Mistral Air, which he founded in 1984. However, he terminated his business interest in Mistral and entered the children's clothing industry. After 1983 Spencer's movie career slowed down, though he did have a big success in the early 1990s with the TV action-drama series "Extralarge". A man of many talents, Spencer wrote screenplays and texts for some of his movies. He also has registered several patents.
Spencer married Maria Amato in 1960 and they have three children, Giuseppe (born 1961), Christine (1962) and Diamante (1972).
In 2005 Spencer entered politics, standing as regional councillor in Lazio for the center-right Forza Italia party. He became a politician specifically at the bequest of then-Prime Minister Silvio Berlusconi. According to Spencer, "In my life, I've done everything. There are only three things I haven't been - a ballet dancer, a jockey and a politician. Given that the first two jobs are out of the question, I'll throw myself into politics."
Berlusconi, who was a media tycoon in the vein of Rupert Murdoch before he entered politics, recruited Spencer as he was "still a major draw for the viewer, alias the voter." Critics of Berlusconi--who tried to retain power by launching a campaign to portray his allies as the embodiment of "good" and the leftists of the opposition as "evil"--was derided as an example of "politica spettacolo" ("showbiz politics").
Spencer announced his new career at a "Felliniesque" press conference at a Rome hotel, at which he hardly moved and had little to say except homilies about upholding family values. Spencer sat between two Forza Italia handlers, and according to one major Italian newspaper, "From one moment to the next, you expected this mountain of a man to grab the heads of the two presenters and smack them together in his usual style, as he has been seen doing countless times on the big screen and television." The audition proved to be a flop: Spencer lost the seat, and Berlusconi's party was swept from power in 2006.- Music Artist
- Actor
- Music Department
Few would have guessed that "Weird Al" Yankovic - who as a shy, accordion-playing teenager got his start sending in homemade tapes to the Dr. Demento Radio Show - would go on to become a pop culture icon and the biggest-selling comedy recording artist of all time, with classic song and music video parodies such as "Eat It," "Like a Surgeon," "Smells Like Nirvana," "Amish Paradise," "White & Nerdy" and "Word Crimes." Now in his fourth decade as America's foremost song parodist, he has been honored with four Grammy® Awards and fifteen nominations, including a 2015 win for his 14th studio album Mandatory Fun.
Alfred Matthew Yankovic was born on October 23, 1959, in the Los Angeles suburb of Lynwood, to Mary Elizabeth (Vivalda) and Nick Louis Yankovic. His father was of Yugoslavian descent and his mother was of Italian and English ancestry. He first took up the accordion when a salesman came around to solicit business for a music school. His parents decided on the accordion because of polka king Frankie Yankovic (no relation). As a child and young teen, Al watched a lot of television, which gave him much inspiration for his later work. He also became a fan of such musician/comedians as Allan Sherman and Spike Jones. He became especially acquainted with these musicians through the radio show of Barry Hansen, aka "Dr. Demento", which would later become a great source of publicity for his talents. After an extraordinary career at Lynwood High School, where Al graduated as valedictorian, he attended the California Polytechnic State University in San Luis Obispo to study architecture, a field he is said to have chosen because it was listed first in the catalog (although he has said that he really chose it on the advice of a guidance counselor). It was at Cal Poly that Al had a radio show and earned the nickname "Weird Al". Although he had sent tapes to Dr. Demento in the past, it was at Cal Poly where he recorded his first real published piece, a parody of the popular "My Sharona" by The Knack, called "My Bologna". After the astounding success of that song, forever to be known as the "bathroom recording" as it was recorded in the acoustically perfect mens' room, Al began his phenomenal career, which has spanned twelve albums, numerous compilations, a box set, movies, videos and edible underwear. He has also done a great deal to advance the cause of accordion-wielding weirdos, for which we can all be thankful.
In addition to his 1989 cult hit feature film UHF, his late 1990s CBS Saturday morning series The Weird Al Show and numerous AL-TV specials he has made for MTV and VH1 over the years, Yankovic has remained a staple of film and television, from appearances on The Simpsons and 30 Rock to performing on the 2014 Primetime Emmy Awards. More recently he guested on ABC's Galavant (as a singing monk) and The Goldbergs (as the '80s version of himself). In the spring of 2015 Yankovic joined the fifth and final season of IFC's Comedy Bang! Bang! as its co-host and bandleader. Al can be heard as the voice of the title character in Disney XD's animated series Milo Murphy's Law. Additional voiceover work includes Gravity Falls, Wander Over Yonder, Adventure Time, My Little Pony: Friendship is Magic, The 7D, Teen Titans Go!, We Bare Bears, Pig Goat Banana Cricket, Uncle Grandpa, Voltron: Legendary Defender, Bojack Horseman, and the DC animated feature Batman vs. Robin. Other notable past projects include the 2009 themed attraction Al's Brain: A 3-D Journey through the Human Brain, featuring cameos by everybody from his mother-in-law to Paul McCartney. Two years later, Comedy Central broadcast and released the concert special "Weird Al" Yankovic Live: The Alpocalypse Tour, filmed at Toronto's venerable Massey Hall. Yankovic added "New York Times bestselling author" to his resumé in 2011 with the release of his children's book, When I Grow Up (HarperCollins), followed two years later by My New Teacher and Me! An animated series based on his children's books is being developed in partnership with the Jim Henson Company. 2012 saw the release of Weird Al: The Book (Abrams), an illustrated hardcover on Al's life and career, and in 2015 Yankovic became not only MAD Magazine's cover boy, but the first Guest Editor in their 63-year history. 2016 saw the release of George Fest: A Night to Celebrate the Music of George Harrison, featuring Al's live performance of "What is Life?" The past year has seen the June premiere of the Dreamworks animated film Captain Underpants, for which Al co-wrote and performed the film's theme song, and the release by NECA Toys of the second in its line of retro-clothed Weird Al action figures. In August, Al wrote and performed "The North Korea Polka (Please Don't Nuke Us)" on Last Week Tonight with John Oliver.
In May 2017, the Hollywood Chamber of Commerce announced that Weird Al would be receiving a star on the Hollywood Walk of Fame. In November of this year, Legacy Recordings will release Squeeze Box: The Complete Works of "Weird Al" Yankovic, a career-spanning box set of all 14 of Al's studio albums remastered for 150-gram vinyl and CD formats, plus an exclusive rarities album and 120-page book of archival photos, all housed in a replica of Weird Al's trademark accordion. Released in July 2014, Mandatory Fun became the first comedy album in history to debut at #1 on the Billboard Top 200 chart, and the first to reach the top of the chart since 1963. Yankovic set the U.S. record on Spotify for having the most tracks from one album in the viral top 10 at one time, taking the first four spots. Internationally, the album debuted in the Top 10 in both Canada and Australia (#3 and #9 respectively). In addition, "Word Crimes" debuted in the Billboard Top 40, making Al one of only four artists to have had Top 40 singles in each of the last four decades - the other three are Michael Jackson, Madonna and U2. For Mandatory Fun, Al blew up the internet by releasing eight music videos in eight days, including "Tacky" (the star-studded parody of Pharrell Willliams' "Happy") and "Word Crimes" (an animated grammar lesson to the tune of Robin Thicke's "Blurred Lines"). Combined, the videos accrued more than 46 million views in their first week. In 2015 and 2016, Weird Al's Mandatory World Tour encompassed 200 shows throughout the U.S., Canada, Europe and Australia, including two nights with a full orchestra at the Hollywood Bowl and a tour-ending sold-out show at New York's Radio City Music Hall. Among his many other past music and video milestones, Yankovic's 2006 album Straight Outta Lynwood spawned the Platinum Billboard Top 10 anthem "White & Nerdy," while the video spent two straight months at #1 on iTunes.
Weird Al has launched The Ridiculously Self-Indulgent, Ill-Advised Vanity Tour, playing stripped-down shows in smaller, more intimate theatres across North America with his band of over three decades.- Actor
- Writer
- Director
Takeshi Kitano originally studied to become an engineer, but was thrown out of school for rebellious behavior. He learned comedy, singing and dancing from famed comedian Senzaburô Fukami. Working as a lift boy on a nightclub with such features as comic sketches and striptease dancing, Kitano saw his chance when a comedian suddenly fell ill, and he went on stage in the man's place. With a friend he formed the comic duo "The Two Beat" (his artist's name, "Beat Takeshi", comes from this period), which became very popular on Japanese television.
Kitano soon embarked on an acting career, and when the director of Violent Cop (1989) (aka "Violent Cop") fell ill, he took over that function as well. Immediately after that film was finished he set out to make a second gangster movie, Boiling Point (1990). Just after finishing Getting Any? (1994), Kitano was involved in a serious motorcycle accident that almost killed him. It changed his way of life, and he became an active painter. This change can be seen in his later films, which are characterized by his giving more importance to the aesthetics of the film, such as in Fireworks (1997) and Kikujiro (1999).- Writer
- Director
- Actor
One of Québec's most politically aware filmmakers, Denys Arcand studied history at Université de Montréal, where he co-directed Seul ou avec d'autres (1962) with Denis Héroux and co-written with Stéphane Venne. He joined the National Film Board (NFB) in 1963, where his feature-length documentary on the textile industry, On est au coton (1970), was so controversial it was suppressed for 6 years. He made another fine documentary, Québec: Duplessis et après... (1972), before leaving the NFB for the private sector. La maudite galette (1972), Réjeanne Padovani (1973) and Gina (1975) were distinctive views of Québec society, original and provocative. All 3 used the gangster film as a source while distorting many of its conventions. He then moved to TV, scripting the Duplessis (1978) series for Radio-Canada and directing 3 episodes of Empire, Inc. (1983). He returned to the NFB to make a documentary on the 1980 referendum, Le confort et l'indifférence (1982), which revealed growing cynicism about the political process. It won the Québec Critics Prize.
He returned to commercial filmmaking after a hiatus of 10 years with The Crime of Ovide Plouffe (1984), before achieving major success with the scathing comedy about sexual mores, The Decline of the American Empire (1986) (The Decline of the American Empire), a film that won numerous prizes, including the prestigious Critic's Prize at the Cannes Film Festival. The New York Film Critics voted it Best Foreign Film in 1986 and it won Best Picture, Best Director and Best Original Screenplay at the 1987 Genies. It was also nominated as Best Foreign Film by the Academy of Motion Picture Arts and Science. Jesus of Montreal (1989) confirmed Arcand's international reputation, winning the Jury prize at the Cannes Film Festival. It won 10 Genies, including Best Picture and Director, and was nominated in the Best Foreign Film category by the Academy. Arcand then moved into English-language production in an attempt to break into a larger international market. Love and Human Remains (1993), his first feature in English, was followed by Stardom (2000), a film that looked at the world of fashion. Neither achieved the subtlety and texture of his earlier work.
The overwhelming success of The Barbarian Invasions (2003), which marked both a return to the French language and to the characters who had peopled The Decline of the American Empire (1986), showed that Arcand had lost none of his powers of observation. The film won two awards at the Cannes Film Festival (best screenplay, and best actor for Marie-Josée Croze), Best Canadian Feature Film at the Toronto International Film Festival and the prestigious Oscar for Best Foreign Film. In 2005 Arcand was named Companion of the Order of Canada, which recognizes individuals for exceptional achievements of national or international significance.- Actress
- Director
- Writer
Paulina Porizkova was born on 9 April 1965 in Prostejov, Czechoslovakia [now Czech Republic]. She is an actress and director, known for Thursday (1998), Her Alibi (1989) and Arizona Dream (1993). She was previously married to Ric Ocasek.- Actress
- Producer
- Soundtrack
Virginie Ledoyen was born Virginie Fernandez on 15 November 1976 in Aubervilliers, near Paris. At the age of 2, she was already shooting advertisements for television. At 9, she started going to the École des Enfants du Spectacle, and made her film debut at 10 in What Every Frenchwoman Wants (1986). She was then nominated for the César (the French equivalent of an Oscar) for most promising actress in 1993, 1994 and 1995.
Her international breakthrough was in 1999, when she became ambassador for the cosmetics L'Oréal; this led to her casting in The Beach (2000), with Leonardo DiCaprio.- Writer
- Producer
- Director
Sadayuki Murai was born in 1964 in Nara, Japan. He is a writer and producer, known for Millennium Actress (2001), Perfect Blue (1997) and Steamboy (2004).- Writer
- Director
- Additional Crew
Chiaki Konaka was born on 4 April 1961 in Tokyo, Japan. He is a writer and director, known for Ultraman Gaia (1998), Digimon: Digital Monsters (1999) and Armitage III (1995).- Actor
- Producer
- Writer
Stephen Chow was the only boy of his family, and has grown up as a Bruce Lee fan and a martial arts addict. His career started on TV, where he presented a children show ( "430 Space Shuttle" (1983)) and started becoming popular. He got some supporting roles, after that, and won the Taiwanese Golden Horse award for best supporting actor.
He had his first starring role in 1990 in a 'Chow Yun-Fat' spoof: All for the Winner (1990) - "All for the Winner" and started excelling in the comedy genre. In Hong-Kong, his particular nonsense style is called "Mo Lei Tau". It's also on the set of this movie that he encountered his fellow sidekick Man-Tat Ng.
One of the last HK biggest star which have not been bought by Hollywood, even if Miramax (who'll surely release Shaolin Soccer (2001) - "Shaolin Soccer" this year in the USA - after remastering it, ouch.) has probably planned something for him...- Producer
- Writer
- Director
Wong Jing is one of Hong Kong's most prolific, talented and controversial filmmakers. His directorial style, at best, manages to combine commercial appeal and artistic aspects. Most of his films were among the biggest box office hits, partly due to possessing an amazing sense of what would play well. Some of his films have achieved groundbreaking success, artistically as well as financially.
His films are so popular that in the mid to late '90s, Wong's movies accounted for as much as thirty percent of the total box office take in Hong Kong. Genre-wise, he's done comedy, drama, romance, action (including martial arts) and even erotica. He often combines genres. His screen-writing portfolio is impressive as there is so much scope in terms of plot, historical setting and quality.
Even his credentials in the action movie genre are accomplished from films set in period China to a futuristic setting, whether it be a Chinese equivalent to Lord of the Rings, a Sci-Fi adventure that manages to be an adaptation of the famous computer game Street Fighter or a scathing satire on action films that also manages to pay tribute to films such as Reservoir Dogs, Invasion U.S.A. and Raw Deal.
Ironically, regardless of his impressive list of credentials, there came a time when the one genre Wong Jing was most famous for (in the eyes of Western fans of Hong Kong cinema) was the erotic thriller. It became commonly associated with him due to him being the producer and screenwriter for Naked Killer - an exploitation film well known for combining scenes of action, dark humor, shocking violence and lesbianism.
His true niche, however, can be found in the gambling genre (his favorite genre). He has, quite frankly created some of the best gambling scenes ever depicted on celluloid. His highest-grossing film in Hong Kong theaters was a gambling-themed genre-mixer (God of Gamblers Returns) starring Chow Yun-Fat (of Crouching Tiger, Hidden Dragon fame).
Also known as The Return of the God of Gamblers, the film is still one of Hong Kong's top ten highest-grossing films. It had even made a lot more money than Jackie Chan's Drunken Master 2 (which was released in the same year - 1994). This is saying a lot since Drunken Master 2 is constantly referred to as Jackie's best film (the quality of the fight scenes have rarely been rivaled). It had people cheering and giving standing ovations in cinemas throughout Asia which led many to suggest that Drunken Master 2 is the pinnacle of his decorated and illustrious career. However, that didn't stop Jing from delivering a larger crowd-please.
His directorial debut was a gambling film. A multi-layered caper set in the early part of the twentieth century, Challenge of the Gamesters is a prequel to the popular Hong Kong TV mini-series The Shell Game (which Wong himself wrote, with his father Wong Tin-Lam handling the directing duties).
Which brings us to Wong Jing's roots, he got his start in the entertainment industry early, since his father Wong Tin-Lam was a TV drama director and a renowned film director from the 1950s. It seemed inevitable that Jing would follow in his father's footsteps, but first Wong attended the Chinese University of Hong Kong, majoring in Chinese Literature.
He was becoming disenchanted with university and was more interested in media art so he asked his father for permission to study film in England but his father said "just observe and you will learn the craft" and that is what he proceeded to do so he became a screenwriter by writing scripts for TV. In fact, he skipped class a lot to the extent that some of his professors said that they never saw him at all during the four years it took to earn his degree.
He later said that the degree was worthless to him. Jing believed that he learned more about making movies and (perhaps more importantly) making money by cutting classes and hanging around studios, where he would get work as a director's assistant (basically a glorified errand boy) and writing scripts for his father's shows.
As a devout fan of classical Cantonese cinema, Jing impressed many of the old-timers around the studios with his knowledge of movie trivia. Combined with his high work ethic and the ability to change scripts on the fly (a necessary skill in the fast-paced world of Hong Kong's entertainment industry), Wong had found his niche.
By 1978, he made his entrance into the world of movies with his script Cunning Tendency before directing Challenge of the Gamesters in 1981. Both films were made for the Shaw Brothers film studio and were big hits but it wasn't until the late '80s where he began to show his commercial genius with Casino Raiders, which was a smash hit that actually began the gambling craze (that Wong was to capitalize on with the extremely popular God of Gamblers films).
The one thing that Jing likes about making this genre of film is being able to direct the gambling duels at the end. Besides possessing a genuine interest in gambling, his main motivation for making gambling movies was because Wong saw there was a large audience for gambling films. This revelation was found after working on two films with his father: King of Gamblers (1980) and Return of King of Gamblers (1981).
Wong Jing is also a highly influential filmmaker. Hong Kong's most popular film star - Stephen Chow - had become what he is today due to Wong. He had starred in a film, which was a parody/cash-in of God of Gamblers entitled All for the Winner, which became the highest-grossing film in Hong Kong and made Stephen a huge star in the process (virtually overnight).
Wong went out of his way to not only adapt this new star in his own franchise but to add more comedy to the proceedings. This resulted in making an even more groundbreaking success with God of Gamblers II (which was also a sequel to All for the Winner).
Chow's collaborations with Wong, which included yet another God of Gamblers movie had confirmed the basic template for Chow's films - a slightly dimwitted but talented man gets thrown into strange circumstances, where he ultimately finds redemption (and resolution) through love.
In regards to Jing's influence, there came a point when nearly one third of the films coming out of Hong Kong yearly had Wong's touch on them in some way, either as a screenwriter, producer, director or actor. The script that Wong Jing helped to write for the early '80s traditional Kung Fu film Dreadnaught had proved to be the inspiration for one scene in the Hollywood blockbuster Batman Forever, which had Chris O'Donnell doing laundry chores with the aid of his martial arts skills.
Wong Jing's New Legend of Shaolin had proved to be one of the main influences for Ang Lee's Crouching Tiger, Hidden Dragon via the use of a female duo of thieves dressed in black (one of whom is much older and proves to be an expert in poison darts) who try to steal a valuable object before confronting someone who's trying to stop them.
Like many famous directors; Wong Jing has trademarks. Besides making a slew of films referencing or based on computer games, he likes using creative POV shots.
Sometimes, Jing likes to trick the audience into thinking the film is over when it's not as a way of making things less predictable e.g. the endings of two of his films (i.e. City Hunter and Return to a Better Tomorrow) feature shots where the camera is being pulled further into the distance away from the action into an aerial shot (a shot which is accomplished either a crane or a helicopter) before concluding with an additional scene.
Another Wong Jing trademark (or Jingism) is the vertigo shot (a shot that is accomplished by zooming the lens forward whilst physically moving the camera backwards). The way he uses it is either during a revelation of a plot point or a startled reaction from one of the main characters. He has used this shot in The Romancing Star, The Big Score, The Last Blood, Royal Tramp, City Hunter, God of Gamblers 3: Back to Shanghai, Kung Fu Cult Master, Return to a Better Tomorrow, God of Gamblers Returns and High Risk.
Like Quentin Tarantino and Kevin Smith, Jing's films have plenty of pop culture references from a subtle reference to The Beatles (in City Hunter) to a blatant take on The Six Million Dollar Man.
Another Jingism is to lampoon (as opposed to just referencing) other Chinese filmmakers such as Tsui Hark, John Woo and Wong Kar Wai. Jing's Last Hero in China is a parody of Hark's Once Upon a Time in China film series (which dealt with the nineteenth century Chinese hero, Wong Fei-Hung). Woo has been well known for making action films that deal with male bonding, so Jing had lampooned John Woo's macho male bonding in Boys are Easy with a scene that parodies Woo's A Better Tomorrow. Arthouse favorite Wong Kar Wai is mocked in Jing's Those Were the Days via a character called Wong Jing Wai.
Unlike his fellow contemporaries, Jing chooses not to make films in Hollywood as he feels that most other American films directed by Hong Kong directors fail to live up to standards (considering the amount of money and time invested). Hence why he allegedly rejected Tom Cruise's offer to direct Mission: Impossible II. Coincidentally, Jing referenced Tom in The Big Score. Additionally, God of Gamblers has been described as a Chinese take on Rain Man. Also, Jing feels that he won't gain the same amount of control as he would in his Hong Kong productions.
Perhaps that is the key to Wong's continued success - while many directors craft overly 'arty' films or overly 'commercial' movies, Wong Jing's films hit a nice middle ground. Yes, there is a good deal of bloodshed and talk of sexual-related things such as bodily functions, but the films themselves are technically sound and well-written. It is quite a testament to Wong's talent that his first film, made over 20 years ago, can stand up to (and surpass) much of today's output. Those wanting to get a bit of a H.K. film industry lesson, while having fun doing it, would be well-advised to check out Challenge of the Gamesters.- Director
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Hal Hartley is an American filmmaker, writer, director, producer, and composer who has made twelve feature films since 1988. Popularly associated with the American independent filmmaking scene of the early nineties, he went on to write and direct such films as No Such Thing (2001) for United Artists and Fay Grim (2006) for HD Net Films. Hartley has won numerous awards at Cannes and Sundance, and has had his work shown in retrospectives around the world. He has also written and staged theatre, most notably his play Soon (1998) and the world premiere of Dutch composer Louis Andriessen's opera La Commedia (2008). He maintains his own production company, Possible Films, in New York City.
Hartley established himself as a noted and prolific filmmaker in the first decade of his career, making many films very quickly: The Unbelievable Truth (Nominated, 1990 Sundance Film Festival Grand Jury Prize), Trust (Winner, Waldo Salt Screenwriting Award at the 1991 Sundance Film Festival), Surviving Desire (1991), Simple Men (Official Selection, 1992 Cannes Film Festival), Amateur (Official Selection, 1994 Cannes Director's Fortnight; Winner, 1994 Tokyo International Film Festival Young Filmmakers Award), Flirt (1995), and Henry Fool (Winner, 1998 Cannes Film Festival Best Screenplay).
In 1998 Hartley shot his first digital video feature, an eschatological comedy called The Book of Life. He continued with a monster movie, No Such Thing (Official Selection, 2001 Cannes Film Festival Un Certain Regard), and a futuristic dystopia, The Girl from Monday (Winner, 2005 Sitges International Film Festival "Premi Noves Visions" Award). In 2004 he moved to Berlin, where he made Henry Fool's sequel, Fay Grim (Official Selection, 2006 Toronto International Film Festival; Winner, 2006 RiverRun International Film Festival Audience Choice Award). The distribution for his most recent release, Meanwhile (2012), was funded by a successful Kickstarter campaign.
Hartley has made dozens of short films, many of which are available in anthology form as Possible Films: Short Works by Hal Hartley 1994-2004 (2004) and PF2 (2010). There have been retrospectives of his work in the Netherlands, Spain, Norway, Korea, Argentina, and Poland. He is an alumnus of the American Academy in Berlin. He was made a Chevalier de l'Ordre des Arts et des Lettres of the Republic of France in 1996, and taught filmmaking at Harvard University from 2001 to 2004.
Hartley was born on November 3, 1959 to Eileen (nee Flynn) and Harold Hartley. He grew up in Lindenhurst, Long Island, in a working class suburb an hour from New York City with two older brothers and a younger sister. He graduated from Lindenhurst High School in 1977 and enrolled at the Massachusetts College of Art in Boston, where he took a formative elective in Super 8 filmmaking. He returned home after the 1977-1978 academic year to earn more money for schooling, eventually matriculating at the State University of New York at Purchase Film School in September 1980. He graduated in May 1984, and after a year of various production assistant jobs, settled into a position at a commercial production company where his boss helped finance his first feature, The Unbelievable Truth (1989).- Writer
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In much the same way that director George A. Romero creative output has been primarily centered around the highly successful "Dead" series of zombie films, then fellow fantasy director Don Coscarelli has for over two decades seen his universe swirling around the lesser successful, but equally cult, and much loved "Phantasm" series of horror movies.
Coscarelli was born in Tripoli in North Africa, but raised around Southern California, and was interested in the cinema from a young age and together with his friends they made several low budget movies that aired on community TV stations to very positive feedback.
After a low key start with his first feature film embracing the trials of a young teenager caught in a world of alcoholic abuse Jim, the World's Greatest (1975), Coscarelli followed this up with a lighter comedic tale about another youngster and his view of the world as an impressionable 12 year old in Kenny & Company (1976). However, the imaginative Coscarelli then really hit the (horror) big time with the 1979 release of the highly inventive fright thriller Phantasm (1979). Once again, a young boy is at the center of a spine-chilling story about a creepy funeral home, a sinister Tall Man (wonderful acting by Coscarelli's long time buddy Angus Scrimm), disappearing corpses, malignant dwarfs and a gateway into a hellish, other world dimension. Shot on a very modest budget, Phantasm (1979) was hotly received by horror fans worldwide, and the film has since spawned three sequels...each fairly decent in their own right! First up was the gorier Phantasm II (1988), followed by Phantasm III: Lord of the Dead (1994), and the third sequel to date, Phantasm IV: Oblivion (1998). A fifth and final sequel titled "Phantasm's End" has been apparently discussed, but nothing further has yet eventuated on this project. As the Angus Scrimm is approaching his 80th birthday, Phantasm fans hope that the "Tall Man" will be there for the proposed final chapter of this thrilling saga of the Undead!
Apart from the "Phantasm" series, Coscarelli also wrote and directed the well received sword and sorcery film The Beastmaster (1982) starring athletic Marc Singer and the eye-catching Tanya Roberts being pursued by villainous high priest Rip Torn. And recently in 2002, Coscarelli cast horror & fantasy film screen hero Bruce Campbell in the highly off-beat Bubba Ho-Tep (2002) that depicts Elvis and John F. Kennedy hiding out in a Texas rest home where the residents are being attacked by a 3,000 year old cowboy boot wearing mummy trying to bring itself back to life! A strange script it may sound, but indie and horror film fans loved the unusual premise and quirky humor, and the film was a hot hit at several film festivals and has spawned a further cult following for Coscarelli and Campbell.
Coscarelli, similar to gifted fantasy directors such as Wes Craven, Sam Raimi and George A. Romero has carved himself a true cult niche in modern horror film history, and his loyal fans eagerly await his next project.- Director
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Lenny Abrahamson was born in Dublin in 1966. He studied physics and philosophy at Trinity College Dublin. While at university he directed short videos with the Trinity Video Society, which he co-founded with Ed Guiney. He graduated in 1991 with first class honours (gold medal). His first short film, 3 Joes, won the Best European Short Film Award at the 1991 Cork Film Festival and the Organiser's Award at the 1992 Oberhausen Short Film Festival. He directed numerous commercials for television in Ireland, the UK and worldwide before taking the helm on his first feature film, Adam & Paul, a stylized downbeat comedy written by Mark O'Halloran and released in 2004. Adam and Paul won the Best First Feature award at the 2004 Galway Film Fleadh and the Grand Prix at the 2005 Sofia International Film Festival. His second feature film, Garage, another collaboration with writer Mark O' Halloran, was selected for Director's Fortnight at the 2007 Cannes Film Festival and won the CICAE Art and Essai award. The film also won the awards for Best Film, Best Director, Best Script and Best Actor at the 2008 Irish Film and Television Awards (IFTAs). Lenny has also directed for television: his four one-hour TV films for RTE, Prosperity, also won the Best Director for TV award 2008 Irish Film and Television Awards. What Richard Did, his third feature, was released in 2012 to critical acclaim. The film, written by Malcolm Campbell, presents a stark portrait of a privileged Dublin teen whose world unravels with one summer night. What Richard Did premiered at the 2012 Toronto International Film Festival and was also selected for the 2012 BFI London Film Festival. Lenny's fourth feature, Frank, a comedy about a young wannabe musician starring Michael Fassbender and Domhnall Gleeson, will be shooting in Winter 2012.- Director
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He was born with a disability because of an anatomic defect of his leg, in 1951 in Podorvikha village in Siberian Russia. His father was a Red Army veteran of WW2. One of most important contemporary filmmakers, Sokurov worked extensively in television and later graduated from the prestigious film school, VGIK, in 1979. His films often created tensions with the Soviet authorities but he received great support from such outstanding film masters as Andrei Tarkovsky. Particularly, after the collapse of the regime, Sokurov's films started earning him numerous awards around the world. While most known for his feature films, Sokurov has directed over 20 interesting documentaries. His 2002 sensational "Russian Ark" is a historic achievement that will be watched and talked about by many generations.
Sokurov has collected a number of awards at Berlin, Cannes, Moscow, Toronto, Locarno and European Film Awards. He lives and works in Russia.- Producer
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Laura Jeanne Reese Witherspoon was born on March 22, 1976 in New Orleans, Louisiana to Betty Witherspoon, a registered nurse & John Draper Witherspoon, a military surgeon. Reese spent the first 4 years of her life in Wiesbaden, Hesse, Germany, where her father served as a lieutenant colonel in the US Army reserves. Shortly after, the family moved back to the USA & settled in Nashville, Tennessee.
Reese was introduced to the entertainment industry at a very early age. At age 7, she began modeling. This led to appearances on several local television commercials. At age 11, she placed first in a Ten-State Talent Fair.
In 1990, she landed her first major acting role in Robert Mulligan's The Man in the Moon (1991). Her role as a 14-year old tomboy earned her rave reviews. Roles in bigger films such as Jack the Bear (1993) and A Far Off Place (1993) followed shortly after.
Following high school graduation in 1994 from Harpeth Hall, a Nashville all girls school, Reese decided to put her acting career on hold and attend Stanford University where she would major in English literature. However, her collegiate plans were shortly dashed when she accepted roles to star in two major motion pictures: Fear (1996), alongside Mark Wahlberg, and Freeway (1996) with Kiefer Sutherland. Although neither film was a huge box-office success, they did help to establish Reese as a rising starlet in Hollywood and open the door for bigger and better film roles. Those bigger roles came in movies such as Pleasantville (1998), Election (1999) and Cruel Intentions (1999).
Her breakthrough role came as Elle Woods in the 2001 comedy, Legally Blonde (2001). The movie was huge box-office smash and established Reese as one of the top female draws in Hollywood. The next year, she scored a follow-up hit with Sweet Home Alabama (2002), which went on to gross over $100 million dollars at the box office. In 2006, she took home the best actress Oscar for her role as June Carter Cash in the Johnny Cash biopic, Walk the Line (2005). On the late 2000s and early 2010s, Reese continued to star in more romantic comedies, such as Four Christmases (2008) and How Do You Know (2010). In December 2010, she received a star on the Hollywood Walk of Fame. In the year 2014, she produced both Gone Girl (2014) and Wild (2014), for which she got nominated for best actress Oscar again for her role as Cheryl Strayed.- Writer
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Jeffrey Lau is known for A Chinese Odyssey: Part 2 - Cinderella (1995), A Chinese Odyssey: Part One - Pandora's Box (1995) and Kung Fu Hustle (2004).- Writer
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Nikos Nikolaidis was born on 25 October 1939 in Athens, Greece. He was a writer and director, known for Morning Patrol (1987), Ta kourelia tragoudane akoma... (1979) and O hamenos ta pairnei ola (2002). He died on 5 September 2007 in Athens, Greece.- Director
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Admirers have always had difficulty explaining Éric Rohmer's "Je ne sais quoi." Part of the challenge stems from the fact that, despite his place in French Nouvelle Vague (i.e., New Wave), his work is unlike that of his colleagues. While this may be due to the auteur's unwillingness to conform, some have argued convincingly that, in truth, he has remained more faithful to the original ideals of the movement than have his peers. Additionally, plot is not his foremost concern. It is the thoughts and emotions of his characters that are essential to Rohmer, and, just as one's own states of being are hard to define, so is the internal life of his art. Thus, rather than speaking of it in specific terms, fans often use such modifiers as "subtle," "witty," "delicious" and "enigmatic." In an interview with Dennis Hopper, Quentin Tarantino echoed what nearly every aficionado has uttered: "You have to see one of [his movies], and if you kind of like that one, then you should see his other ones, but you need to see one to see if you like it."
Detractors have no problem in expressing their displeasure. They use such phrases as "tedious like a classroom play," "arty and tiresome" and "donnishly talky." Gene Hackman, as jaded detective Harry Moseby in Night Moves (1975), delivered a now famous line that sums up these feelings: "I saw a Rohmer film once. It was kind of like watching paint dry." Undeniably, his excruciatingly slow pace and apathetic, self-absorbed characters are hallmarks, and, at times, even his greatest supporters have made trenchant remarks in this regard. Said critic Pauline Kael, "Seriocomic triviality has become Rohmer's specialty. His sensibility would be easier to take if he'd stop directing to a metronome." In that his proponents will quote attacks on him, indeed Rohmer may be alone among directors. They revel in the fact that "nothing of consequence" happens in his pictures. They are mesmerized by the dense blocks of high-brow chatter. They delight in the predictability of his aesthetic. Above all, however, they are touched by the honesty of a man who, uncompromisingly, lays bear the human soul and "life as such."
Who is Eric Rohmer? Born Jean-Marie Maurice Scherer on December 1, 1920 in Nancy, a small city in Lorraine, he relocated to Paris and became a literature teacher and newspaper reporter. In 1946, under the pen name Gilbert Cordier, he published his only novel, "Elizabeth". Soon after, his interest began to shift toward criticism, and he began frequenting Cinémathèque Français (founded by archivist Henri Langlois) along with soon-to-be New Wavers Jean-Luc Godard, Jacques Rivette, Claude Chabrol and François Truffaut. It was at this time that he adopted his pseudonym, an amalgam of the names of actor/director Erich von Stroheim and novelist Sax Rohmer (author of the Fu Manchu series.) His first film, Journal d'un scélérat (1950), was shot the same year that he founded "Gazette du Cinema" along with Godard and Rivette. The next year, Rohmer joined seminal critic André Bazin at "Cahiers du Cinema", where he served as editor-in-chief from 1956 to 1963. As Cahiers was an influential publication, it not only gave him a platform from which to preach New Wave philosophy, but it enabled him to propose revisionist ideas on Hollywood. An example of the latter was "Hitchcock, The First Forty-Four Films", a book on which he collaborated with Chabrol that spoke of Alfred Hitchcock in highly favorable terms.
Rohmer's early forays into direction met with limited success. By 1958, he had completed five shorts, but his sole attempt at feature length, a version of La Comtesse de Ségur's "Les Petites filles modèles", was left unfinished. With Sign of the Lion (1962), he made his feature debut, although it was a decade before he achieved recognition. In the interim, he turned out eleven projects, including three of his "Six contes moraux" (i.e., moral tales), films devoted to examining the inner states of people in the throes of temptation. The Bakery Girl of Monceau (1963) and Suzanne's Career (1963) are unremarkable black-and-white pictures that best function as blueprints for his later output. They also mark the beginning of a business partnership with Barbet Schroeder, who starred in the former of the two. The Collector (1967), his first major effort in color, has been mistaken for a Lolita movie; on a deeper plane, it questions the manner in which one collects or rejects experience. Rohmer's first "hit" was My Night at Maud's (1969), which was nominated for two Oscars and won several international awards. It continues to be his best-known work. In it, on the eve of a proclaiming his love to Francoise, his future wife, the narrator spends a night with a pretty divorcée named Maud. Along with a friend, the two have a discussion on life, religion and Pascal's wager (i.e., the necessity of risking all on the only bet that can win.) Left alone with the sensual Maud, the narrator is forced to test his principles. The final parts in the series, Claire's Knee (1970) and Love in the Afternoon (1972) are mid-life crisis tales that cleverly reiterate the notion of self-restraint as the path to salvation.
"Comedies et Proverbs," Rohmer's second cycle, deals with deception. The Aviator's Wife (1981) is the story a naïve student who suspects his girlfriend of infidelity. In stalking her ex-lover and ultimately confronting her, we discover the levels on which he is deceiving himself. Another masterpiece is Pauline at the Beach (1983), a seaside film about adolescents' coming-of-age and the childish antics of their adult chaperones. Of the remaining installments, The Green Ray (1986) and Boyfriends and Girlfriends (1987) are the most appealing. The director's last series is known as "Contes des quatre saisons" (i.e., Tales of the Four Seasons), which too presents the dysfunctional relationships of eccentrics. In place of the social games of "Comedies et Proverbs", though, this cycle explores the lives of the emotionally isolated. A Tale of Springtime (1990) and A Tale of Winter (1992) are the more inventive pieces, the latter revisiting Ma Nuit chez Maud's "wager." Just as his oeuvre retraces itself thematically, Rohmer populates it with actors who appear and reappear in unusual ways. The final tale, Autumn Tale (1998), brings together his favorite actresses, Marie Rivière and Béatrice Romand. Like "hiver," it hearkens back to a prior project, A Good Marriage (1982), in examining Romand's quest to find a husband.
Since 1976, Rohmer has made various non-serial releases. Four Adventures of Reinette and Mirabelle (1987) and Rendez-vous in Paris (1995), both composed of vignettes, are tongue-in-cheek morality plays that merit little attention. The lush costume drama The Marquise of O (1976), in contrast, is an excellent study of the absurd formalities of 18th century aristocracy and was recognized with the Grand Prize of the Jury at Cannes. His other period pieces, regrettably, have not been as successful. Perceval le Gallois (1978), while original, is a failed experiment in stagy Arthurian storytelling, and the beautifully dull The Lady and the Duke (2001) is equally unsatisfying for most fans of his oeuvre. Nonetheless, the director has demonstrated incredible consistency, and that he was able to deliver a picture of this caliber so late in his career is astounding. The legacy that this man has bestowed upon us rivals that of any auteur, with arguably as many as ten tours de force over the last four decades. Why, then, is he the least honored among the ranks of the Nouvelle Vague and among all cinematic geniuses?
Stories of Rohmer's idiosyncrasies abound. An ardent environmentalist, he has never driven a car and refuses to ride in taxis. There is no telephone in his home. He delayed the production of Ma Nuit chez Maud for a year, insisting that certain scenes could only be shot on Christmas night. Once, he requested a musical score that could be played at levels inaudible to viewers. He refers to himself as "commercial," yet his movies turn slim profits playing the art house circuit. Normally, these are kinds of anecdotes that would endear a one with the cognoscenti. His most revealing quirk, however, is that he declines interviews and shuns the spotlight. Where Hitchcock, for instance, was always ready to talk shop, Rohmer has let his films speak for themselves. He is not worried about WHAT people think of them but THAT, indeed, they think.
It would be dangerous to supplant the aforementioned "je ne sais quoi" with words. Without demystifying Rohmer's cinema, still there are broad qualities to which one may point. First, it is marked by philosophical and artistic integrity. Long before Krzysztof Kieslowski, Rohmer came up with the concept of the film cycle, and this has permitted him to build on his own work in a unique manner. A devout Catholic, he is interested in the resisting of temptation, and what does not occur in his pieces is just as intriguing as what occurs. Apropos to the mention of his spirituality is his fascination with the interplay between destiny and free will. Some choice is always central to his stories. Yet, while his narrative is devoid of conventionally dramatic events, he shows a fondness for coincidence bordering on the supernatural. In order to maintain verisimilitude, then, he employs more "long shots" and a simpler, more natural editing process than his contemporaries. He makes infrequent use of music and foley, focusing instead on the sounds of voices. Of these voices, where his narrators are male (and it is ostensibly their subjective experience to which we are privy), his women are more intelligent and complex than his men. Finally, albeit deeply contemplative, Rohmer's work is rarely conclusive. Refreshingly un-Hollywood, rather than providing an escape from reality, it compels us to face the world in which we live.- Director
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Writer/director Frank Henenlotter was born August 29, 1950, in New York City. He gleefully "misspent" his youth watching a large array of blithely cheap'n'cheesy low-budget exploitation flicks in various seedy grindhouse theaters on Mahattan's 42nd St. He began making 8mm films as a teenager. His 16mm black-and-white short Slash of the Knife (1972) actually played at a 42nd St. grindhouse midnight show with John Waters' Pink Flamingos (1972). He briefly worked as a commercial artist and graphic designer prior to embarking on a career as a filmmaker. Henenlotter's pictures are distinguished by their offbeat plots, cheerfully lowbrow humor, excessive gore and pervasively sordid atmosphere. He made a smashing horror film debut with the marvelously gruesome and sleazy monster splatter gem Basket Case (1982), which delivered a surprisingly substantial amount of touching pathos along with the expected over-the-top explicit violence and hilariously scuzzy humor. This terrifically twisted tale of two Siamese twins who exact a harsh revenge on the doctors who surgically separated them was a big midnight movie hit and deservedly achieved true cult classic status. Henenlotter's follow-up fright feature was the equally excellent and inspired Brain Damage (1988), another grotesquely original and imaginative winner that offers a potent and provocative allegory on drug addiction with its supremely sick story of a young man who becomes an initially unwitting host for a cunning, ancient and lethal parasite that feeds on human brains. Frankenhooker (1990) was an uproariously rude'n'raunchy tongue-in-cheek hoot, while both "Basket Case" sequels are very amusing and enjoyable affairs. Outside of writing and directing, Frank has been responsible for reissuing an enormous volume of vintage '60s and '70s horror, softcore and exploitation flicks on VHS and DVD alike for Something Weird Video; he has also served as an extremely funny, lively and entertaining moderator on numerous DVD commentaries for the company.
After a regrettably lengthy absence from filmmaking, Henenlotter made a welcome comeback with the typically bizarre Bad Biology (2008).- Writer
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Jonathan Lynn and Antony Jay created and wrote every episode of the acclaimed BBC political comedy series Yes Minister (1980) and Yes, Prime Minister (1986). The series received numerous accolades including three BAFTA (British Academy) Awards, two Broadcasting Press Guild Awards and two Pye Television Writers Awards. It also won four BAFTA Awards for the star, Nigel Hawthorne. Lynn also won the BAFTA (British Academy) Writers Award. In the US he won the ACE Award for Best Written Comedy Series on cable television, having also been nominated the previous year. In addition, for "Yes, Minister" Lynn was given a Special Award from the Campaign For Freedom Of Information. He wrote three best-selling books, "The Complete Yes Minister and Yes, Prime Minister, Volumes 1 and 2" based on the series. All went to #1 on the London Sunday Times best-seller list. Between them they have sold over a million copies in hardback, were in the top ten best-sellers for three years and have been translated into numerous languages. "The Complete Yes Minister and Yes, Prime Minister, Volume 2" were the 2nd and 3rd British best-sellers of the decade, 1980-1989.
Lynn directed the film My Cousin Vinny (1992), a critical and commercial hit in 1992. Marisa Tomei, discovered in this film, won the Academy Award for Best Supporting Actress. Lynn's 1990 film Nuns on the Run (1990), which he also wrote, was a hilarious romp through the landscape of the church, starring Eric Idle and Robbie Coltrane. It won the Golden Cane Award at the Festival de Comedie in Switzerland. His film The Distinguished Gentleman (1992), starring Eddie Murphy, was about the corrupting power of lobbyists in Washington, DC, and exposed the need for campaign finance reform. Virtually everything in the film has since come true, and nine years after the release of the film it won a Special Award from the Political Film Society. It also won the Environmental Media Award. His other films are Clue (1985), Greedy (1994)starring Michael J. Fox and Kirk Douglas, Sgt. Bilko (1996) starring Steve Martin and Trial and Error (1997), which was favorably compared by Gene Siskel and Roger Ebert to a Billy Wilder movie. He also directed The Whole Nine Yards (2000), a hit comedy with Bruce Willis, Matthew Perry, Amanda Peet Natasha Henstridge, which was #1 at the US box office for three weeks. He also directed the hit comedy The Fighting Temptations (2003) for Paramount and MTV.
Born in Bath, England, Lynn has an MA in Law from Cambridge University. He never practiced law, but joined a theatre orchestra in London's West End. His first credit as a writer was The Internecine Project (1974) starring James Coburn. His first novel, "A Proper Man" was published in 1976 and "Mayday", his second novel, came out in 1993 (Viking/Penguin). In the same year he wrote the British television film Life After Life (1992).
He wrote his first two films, "Clue" and "Nuns On The Run", did an uncredited re-write on "My Cousin Vinny" and has completed a screenplay based on his novel "Mayday". His stage play "Collaborators" was produced in London's West End.
Lynn has also enjoyed notable success on the British stage. In 1987 he directed his own company at the National Theatre of Great Britain, eventually moving his centenary production of George Abbott's "Three Men On A Horse" to the West End. Once there, it won the Olivier Award for Best Comedy. His 1979 musical "Songbook" won the Society Of West End Theatres Award and the Evening Standard Award for Best Musical. From 1977 to 1981 Lynn served as Artistic Director of The Cambridge Theatre Company, where he produced more than forty plays, directing twenty of them himself including a "Macbeth" with Brian Cox that toured both the UK and India, playing a special performance for the Prime Minister, Indira Gandhi.
Other notable London productions include Georges Feydeau's "A Little Hotel On The Side" at the National Theatre, translated by John Mortimer, "The Glass Menagerie" (working with Tennessee Williams), George Bernard Shaw's "Arms And The Man.", Eric Idle's "Pass The Butler", Joe Orton's "Loot" with 'Leonard Rossiter' and Eugene O'Neill's "Anna Christie" at the Royal Shakespeare Company, in Stratford and London.
An accomplished actor, Lynn began his career at the age of 21 on Broadway, in the revue "Cambridge Circus", with John Cleese and Graham Chapman. His TV debut came on The Ed Sullivan Show (1948) in 1964. Returning to England, he was nominated Most Promising New Actor in the Plays And Players Awards for his first West End performance, in "Green Julia" (1965). He played leading roles in many British television films, including Jack Rosenthal's 'Bar Mitzvah Boy' (1976) (TV) and 'The Knowledge' (1981) (TV), 'Outside Edge' (1982) (TV) and starred in the series Doctor in the House (1969) and My Brother's Keeper (1975), which he also wrote.
His stage performances range from playing Adolf Hitler in the comedy "The Changing Years" at the Royal Court Theatre to Motel The Tailor in the original London cast of "Fiddler On The Roof". His film performances include cameos in Into the Night (1985), Three Men and a Little Lady (1990) and playing Kirk Douglas' butler in his own film Greedy (1994).
Lynn has an Honorary M.A. from the University of Sheffield and an Honorary Psy.D. from the American Behavioral Studies Institute. He lives in New York.- Director
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Shozin Fukui is known for 964 Pinocchio (1991), Tetsuo: The Iron Man (1989) and Rubber's Lover (1996).- Actress
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Emmanuelle Béart was born August 14, 1963, in Gassin, France. She lived with her mother, brothers, and sister on a farm not far from Saint-Tropez in Provence (southern France), because her father, singer and poet Guy Béart, did not want his children to be affected by the glamour world of Paris. When Emmanuelle was thirteen, she saw Romy Schneider in the movie Mado (1976). From that time on, she wanted to be an actress. In Emmanuelle's teens, her parents sent her to Montreal, Quebec, Canada, for four years, so she could learn English. There, she was engaged for a Robert Altman movie that was never made. After returning to France, she took drama classes and got her first TV role, in Raison perdue (1984). David Hamilton, the photographer/director, was impressed by her beauty and gave her a role in First Desires (1983). She met her spouse-to-be, Daniel Auteuil, while making Love on the Quiet (1985). The film that made her famous in France was Manon of the Spring (1986), in which she played the role of a blonde shepherd dancing nude in the fields. Director Tom McLoughlin chose her out of 5,000 candidates for her first Hollywood picture, Date with an Angel (1987). Emmanuelle is a very sensitive and a perfectionist. For the part of Camille in the film A Heart in Winter (1992), she took violin lessons for a whole year. Her biggest success was as a nude model in the art film La Belle Noiseuse (1991), which starred Michel Piccoli and was directed by Jacques Rivette.- Writer
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Gordon Chan was born in 1960 in Hong Kong. He is a writer and producer, known for Beast Cops (1998), A-1 Headline (2004) and The Medallion (2003).- Writer
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Born in Sasebo where U.S. Navy's harbour is located. Raised there till his high school days. After graduation, he came up to Tokyo and lived in Fussa, near the base of U.S. Army. He wrote the novel, "Kagirinaku Tomei ni chikai Blue", from a decadent life there. It won the Akutagawa Prize, the most authoritative literary prize in Japan. Since then, he has wrote many novels, essays, scenarios. Compared with his great fame in literary world, his career as a director hasn't brought him a commercial success so far.- Actor
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Giovanni Brass was born on 26 March 1933 into the family of a famous artist, Italico Brass, who was his grandfather. Italico gave his grandson a nickname "Tintoretto," which Giovanni later adapted into his cinematic name, Tinto Brass.
Tinto inherited his grandfather's artistic skills, but he applied them to film instead of canvas. When he joined the Italian film industry, he worked with such famous directors as Federico Fellini (his idol) and Roberto Rossellini. In 1963 he directed his first film, Chi lavora è perduto (In capo al mondo) (1963). Afterwards, he went on to make such avante garde art films as Attraction (1969) and L'urlo (1966). He was approached in 1976 to directed a sexploitation quickie, Madam Kitty (1976), but he wisely chose to have the script rewritten, turning it into a dark, political satire. The success of "Salon Kitty" lead Penthouse magazine publisher Bob Guccione to choose Brass to helm Caligula (1979), the big-budget adaption of Gore Vidal's novel "Caligula." Tinto finished shooting the film, but when he refused to convert it into the "flesh flick" that Guccione wanted it to be by including footage of Penthouse centerfolds making out and romping, he was fired and locked out of the editing room. He later disowned the film when he saw the botched editing (the film was spliced together amateurishly from outtakes and rehearsal footage) and Guccione's hardcore sex scenes spliced in with his work. Ironically, "Caligula" remains Tinto's most famous film. After it became a huge international box-office hit, Brass was hired to shoot a spy thriller Snack Bar Budapest (1988). Afterwards, he decided that he should focus on erotica, as a way to rebel against the hypocrisy of censors, explaining that sex is a normal part of life and we should just deal with it.
With his latest films Black Angel (2002) (an update of the classic novella "Senso") and the erotic comedy Fallo (1988), Brass cemented his reputation of an undisputed master of erotica and avante-garde art films.- Writer
- Director
- Actor
Richard Stanley is the award-winning South African-born filmmaker, who made a name of himself with his first feature film, the sci-fi movie Hardware (1990). A low budget movie about a mad-dog android loose in an apartment was released in 1990. Critics slammed it as a Terminator rip-off, yet the film became a financial success. The 1.5 million dollar budget was paid back quite handsomely and continuation was imminent.
In 1992, Stanley followed Hardware with Dust Devil (1992), a story based on the myth of a Namibian serial killer. A fallout with the distributors led to the re-cutting of the US version, while the bankruptcy of the British-based production company Palace Pictures temporarily shut the post-production down in Europe and the film remained mauled or unfinished, depending how you look at it. Finally Stanley himself managed to finance a new, restored print from the original negative, which has later gained a cult following similar to Hardware.
His third feature was to be The Island of Dr. Moreau (1996), an adaptation of the famed H.G. Wells novel. Unfortunately it ended up a victim of creative disputes, leading to him being sacked a few days after production began. The finished film, released in 1996, carries little to no resemblance to the version he was originally set to make, using only about two words of his original script.
This, however, hasn't beaten the visionary filmmaker down and horror movie fans are now waiting for him to come back... with a one mean vengeance.- Director
- Camera and Electrical Department
- Producer
Kazuaki Kiriya was born on 20 April 1968 in Asagiri, Japan. He is a director and producer, known for Casshern (2004), Goemon (2009) and Last Knights (2015). He was previously married to Hikaru Utada.- Writer
- Director
- Producer
Director and screenwriter Paolo Sorrentino was born in Naples in 1970, and and became an orphan when he lost both of his parents at the age of 16. At the age of 25, after studying for a few years at the Faculty of Economics and Business in University of Naples Federico II, he decided to work in the film industry. His first full-length feature L'uomo in più, starring Toni Servillo and Andrea Renzi, was selected at the 2001 Venice Film Festival, achieved three nominations for the David di Donatello (the Italian Academy Awards) and won the Nastro d'Argento (the Italian cinema journalists Academy Award) for Best First Time Director. In 2004 he directed Le conseguenze dell'amore, selected in Competition at the Cannes Film Festival and acclaimed by both Italian and International critics. The film won many important Italian awards, including five David di Donatello awards: for Best Film, Director, Screenplay, Actor and Cinematography. Three years later his third film L'amico di famiglia was also selected in Competition at Cannes. In 2008 another collaboration with Toni Servillo, Il Divo, became his third film to be selected in Competition at Cannes. The film was nominated for Best Make-Up at the Academy Awards® and won seven David di Donatello, five Ciak d'Oro and five Nastri d'Argento awards. He has also published a novel Hanno tutti ragione (Everybody's Right) in 2010, and two collections of short stories: Tony Pagoda e i suoi amici (2012), and Gli aspetti irrilevanti (2016). Hanno tutti region was warmly received by both critics and public and was short-listed for the Premio Strega, the most prestigious Italian literature award. As of 2021, seven of his 9 films have been presented in Competition at the Festival de Cannes, where Il Divo won the Prix du Jury in 2008. In 2014, his film La Grande Bellezza won the Oscar and Golden Globe for Best Foreign Language Film, as well as a BAFTA and five EFA Awards. In 2016, La Giovinezza gained an Oscar nomination for Best Original Song and two Golden Globe nominations for Best Supporting Actress and Best Original Song. The film won three European Film Awards. In 2016, he made his first TV Series: The Young Pope. In 2021, È stata la mano di Dio won the Grand Jury Prize at the 78th Venice International Film Festival.- Actress
- Producer
Kate Bosworth was born in Los Angeles, California, to Patricia (Potter), a homemaker, and Harold Bosworth, who was an executive for Talbots. Unlike the characters Bosworth has portrayed in television and in film, which are known as "townies", Kate spent most of her childhood in different cities and states. At age 6, she and her parents moved to San Francisco, then to Connecticut at 9, and to Cohasset, Massachusetts, at 14. It was at 14 that Kate, a champion equestrian, learned of a casting call for a movie about horses.
Although Kate attended the open audition in New York for the Robert Redford film The Horse Whisperer (1998) simply in hopes of getting the experience of what it was like to audition for a movie role, she won the role of the female lead's best friend and the chance to work with director/star Robert Redford. Her previous acting experience had consisted of singing at county fairs in California and acting in a community theatre production of "Annie". However, since landing the movie role, Kate seemed to be in more sound stages than ranches. Fearful that an early career would rob her of her childhood, she took 18 months off to live a normal life before opting to plunge into acting again. In 2000, she landed the role of the bratty sister in the feature film The Newcomers (2000) and the part of a football co-captain's girlfriend in the Denzel Washington movie Remember the Titans (2000).
Throughout high school, Kate maintained academic excellence and was an honor roll student and a member of National Honor Society. In her spare time, she has volunteered with various non-profit organizations, including a Los Angeles program for physically challenged children who learn to ride horses with assistance.- Actress
- Producer
- Soundtrack
Kim Basinger was born December 8, 1953, in Athens, Georgia, the third of five children. Both her parents had been in entertainment, her dad had played big-band jazz, and her mother had performed water ballet in several Esther Williams movies. Kim was introspective, from her father's side. As a schoolgirl, she was very shy. To help her overcome this, her parents had Kim study ballet from an early age. By the time she reached sweet sixteen, the once-shy Kim entered the Athens Junior Miss contest. From there, she went on to win the Junior Miss Georgia title, and traveled to New York to compete in the national Junior Miss pageant. Kim, who had blossomed to a 5' 7" beauty, was offered a contract on the spot with the Ford Modeling Agency. At the age of 20, Kim was a top model commanding $1,000 a day. Throughout the early 1970s, she appeared on dozens of magazine covers and in hundreds of ads, most notably as the Breck girl. Kim took acting classes at the Neighborhood Playhouse, performed in various Greenwich Village clubs, and she sang under the stage name Chelsea. Kim moved to Los Angeles in 1976, ready to conquer Hollywood. Kim broke into television doing episodes of such hit series as Charlie's Angels (1976). In 1980, she married Ron Snyder (they divorced in 1989). In movies, she had roles like being a Bond girl in Never Say Never Again (1983) and playing a small-town Texan beauty in Nadine (1987). Her breakout role was as photojournalist Vicki Vale in the blockbuster hit Batman (1989). There was no long-orchestrated campaign on her part to snag this plum role, Kim was a last-minute replacement for Sean Young. This took her to a career high.
With perhaps too much disposable income, Kim headed up an investment group that purchased the entire town of Braselton, in her native Georgia, for $20 million (she would later have to sell it). In 1993, Kim married Alec Baldwin, and in 1995 they had a daughter, Ireland Eliesse. Kim took some time off to stay at home with her child. Kim, who loves animals and is a strict vegetarian, devoted energy to animal rights issues, and PETA (People for the Ethical Treatment of Animals), even posing for some ads. In 1997, Kim gave an Oscar-winning performance in the film noir classic L.A. Confidential (1997). Kim's salary for I Dreamed of Africa (2000) was $5,000,000, putting her firmly in the category of big-name movie star. And no doubt there are still many great things ahead, in the career of cover girl turned Oscar-winning actress Kim Basinger.