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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Composer
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Dan "The Automator" Nakamura has never waited for approval or applause. For over two decades, he has created progressive, genre-warping music on his terms. Whether collaborating with like-minded artists such as Del the Funky Homosapien and Damon Albarn or scoring films (e.g., 2019's Booksmart), he has disregarded accepted convention and fleeting trends. A producer, composer, engineer, and DJ, Nakamura remains in constant motion, performing on stages around the world and lending his singular artistic vision to one endeavor after another.
Raised in San Francisco's Sunset District neighborhood, Nakamura began playing music at just three years old, when his mother enrolled him in violin lessons. Once he absorbed the pop and soul music of the late '70s, he became enamored with rap groups like Run-DMC. In high school, he traded the violin for turntables, bought a drum machine, and built a studio in his parents' basement. When the foam that he glued to the studio walls didn't reduce the sound level upstairs, Nakamura wryly dubbed the noxious-smelling room the Glue Factory.
The Glue Factory became home base for countless rappers and producers in the '90s. In addition to providing a space for artists from Bay Area label/crew Solesides to record, Nakamura assisted on records like DJ Shadow's seminal 1996 debut Endtroducing..... At the same time, he and New York rap legend Kool Keith were working on the groundbreaking Dr. Octagonecologyst.
A sci-fi space odyssey narrated by Keith's alter-ego Dr. Octagon-an intergalactic gynecologist and homicidal surgeon from Jupiter-Dr. Octagonecologyst recalibrated the parameters of rap. While other producers sampled the same jazz and James Brown records, Nakamura went left, using eerie string arrangements, grinding guitars, skull-cracking drums, and scratches from world-renowned turntablist DJ Qbert to score Octagon's lurid tales of rectal rebuilding and facial rearrangements. Originally released independently on Nakamura's label Bulk Recordings, the album sold by the thousands at record shops in the Bay Area before Mo' Wax and Dreamworks re-released it in the UK and the US respectively.
In the wake of Dr. Octagonecologyst's success, Nakamura made a series of unpredictable turns. First, he produced When I Was Born for the 7th Time, the raga-meets-indie-rock masterpiece from British band Cornershop, which was certified gold in the UK and ranked the number one album of 1997 by Spin. Then, Nakamura formed Handsome Boy Modeling School with Prince Paul, the producer behind iconic De La Soul albums like 3 Feet High and Rising. Handsome Boy Modeling School's debut album So... How's Your Girl? was hip-hop's answer to the Chemical Brothers, a comical but banging and musically complex album that featured elite rappers like Del the Funky Homosapien and El-P while mining the intersection of rap and trip-hop.
After his work with Prince Paul, Nakamura collaborated on two of the most influential records of the 2000s: Deltron 3030 and Gorillaz.
Set in the year 3030 (of course), Deltron 3030 is a dystopian rap opera scored by Nakamura's brilliant amalgam of dark, lush string arrangements, thunderous drums, and spaced-out synths. Backed by these suites, Del the Funky Homosapien became Deltron, an aggrieved activist penning anti-capitalist screeds with the same fervor as the unnamed protagonist of Ralph Ellison's Invisible Man. Released to widespread critical acclaim, the album remains a vivid and arresting epic unlike any the genre has produced. It is perhaps the closest rap will ever come to Orwell's 1984.
The product of an organic and dynamic partnership between Blur lead singer Damon Albarn and Nakamura, Gorillaz is still timeless, a strange yet somehow harmonious fusion of alternative rock, rap, trip-hop, dub, and electronic music. The album also marked the beginning of creatively and commercially successful run for Nakamura. Featuring the haunting yet funky lead single "Clint Eastwood," Gorillaz went platinum in both the US and Europe and currently boasts mover 500 million streams between all platforms. In the the span of three years, Nakamura produced two multi-platinum albums for lauded space rock band Kasabian, West Ryder Pauper Lunatic Asylum (2009) and Velociraptor! (2011). Event 2, the celebrated Deltron 3030 sequel, peaked at #6 on the Rap Album charts in 2013.
All while producing pioneering and high-charting albums, Nakamura has quietly made a name for himself as a film composer, crafting songs for films like Edgar Wright's witty, manga-meets- video-game action comedy Scott Pilgrim vs. the World (2010) and the Jodie Foster directed crime-drama Money Monster (2016). In 2019, he was the sole composer for Olivia Wilde's Booksmart. Nakamura's unique ability to create music that deftly juggles disparate moods set the tone for the hysterical coming-of-age comedy, which debuted to rave reviews at the SXSW Film Festival.
Today, Nakamura continues his balancing act, creating inspired music in every medium. In addition to scoring Broken Bread, the Roy Choi-hosted show on PBS/ Tastemade, he composed several songs for the forthcoming Netflix original film Always Be My Maybe starring Keanu Reeves, Ali Wong, and Randall Park. While there will undoubtedly be more albums from Nakamura and phenomenal collaborators on Bulk Recordings, there's no telling where his artistic passions will lead him next.- Music Department
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Thomas Newman is an American film score composer. He was born in Los Angeles. His father was notable film score composer Alfred Newman (1900-1970). The Newman family is of Russian-Jewish descent, and includes several other well-known musicians. Thomas' mother Martha Louis Montgomery (1920-2005) wanted her sons to have a musical education. Thomas attended regular lessons in violin as a child. An older Thomas received his musical education while attending the University of Southern California and Yale University. Thomas Newman graduated as Bachelor of Arts in 1977, and a Master of Music in 1978.
Thomas originally composed music for theatrical productions in Broadway, working with his mentor Stephen Sondheim. His uncle Lionel Newman asked him to compose music for the television series "The Paper Chase" (1978-1979, 1986), which was Thomas' first credit in a television production.
In the 1980s, Thomas first worked in film. Composer John Williams, a close family friend, hired Thomas to work in the music department for space opera film "Return of the Jedi" (1983). Thomas' main work in the film was orchestrating the music in a scene where character Darth Vader dies. Afterwards, Thomas was approached by film producer Scott Rudin and hired to work as a film score composer in his own right. His first work in the field was the film score of romantic drama "Reckless" (1984).
While he worked regularly as a film score composer during the 1980s, Thomas reportedly felt he had to retrain himself for a hard and demanding job. It reportedly took him 8 years to not feel fraudulent in his efforts. In 1994, Thomas received his first Academy Award nominations, for the film scores of "The Shawshank Redemption" (1994) and "Little Women" (1994). He lost the Award to rival composer Hans Zimmer, who had been nominated for the film score of the animated film "The Lion King" (1994).
Newman was an established and increasingly famous composer in the 1990s. He received further Academy Award nominations, although he never actually won. Among his more notable works was the film score of the drama film "American Beauty" (1999), which earned Thomas both a Grammy and a BAFTA award. Newman had a good working relationship with the film's director Sam Mendes. Mendes has kept hiring Thomas as the composer for most of his films. The main exception being the comedy-drama film "Away We Go" (2009), which did not have a film score.
In the 2000s, Thomas continued working in high-profile films, such as "Road to Perdition" (2002), "Finding Nemo" (2003), and "Lemony Snicket's A Series of Unfortunate Events". By 2006, he had been nominated eight times for an Academy Award, while never winning it. He started joking about his lack of victories in public.
In 2008, Thomas was nominated for two Academy Awards, for both the film score and an original song for the animated film "WALL-E" (2008). He won neither, though the hit song "Down to Earth" earned him a Grammy Award. He continues to work regularly in the 2010s. Among his more acclaimed works were the film scores for spy film "Skyfall" (2012) and period drama "Saving Mr. Banks" (2013). He has continued being nominated for Academy Awards. As of 2020, he has been nominated 15 times for the Academy Award. He is the most nominated living composer to have never actually won an Academy Award, tied with Alex North. He has won a total of 5 Grammy awards.- Composer
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Bear McCreary is a degreed graduate of the prestigious USC Thornton School of Music (in 'Composition and Recording Arts'). Bear McCreary was one of a small and select group of proteges of the late, many-honored film composer Elmer Bernstein. Although he is now firmly in the mainstream of film composition, many of McCreary's earliest soundtrack-music compositions were for independent motion picture productions.- Composer
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In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history. His efforts have been recognized with two Oscar nominations, two Golden Globe nominations, three Grammy awards, two Emmy awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After spending two years at the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972's "The Doberman Gang" which established his place in the world of film composing.
The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV's highway patrol hit "CHiPs." This action driven score caught the ear of a young filmmaker named Robert Zemeckis, whose hit film, 1984's "Romancing the Stone," was the perfect first date for the composer and director. It's success became the basis of a decades long collaboration that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the "Back to the Future" trilogy to the jazzy world of Toontown in "Who Framed Roger Rabbit?" the tension filled rooms of "What Lies Beneath" and "Death Becomes Her", to the cosmic wonder of "Contact;" the emotional isolation of "Castaway", to the magic of the "Polar Express". But perhaps no film collaboration defines their creative relationship better than Zemeckis' 1994 Best Picture winner, "Forrest Gump", for which Silvestri's gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination and the affection of film music lovers everywhere. This 35 year, 21 film collaboration includes such recent films as "Flight", "Allied" and most recently "Welcome To Marwen". Zemeckis and Silvestri are currently working on "The Witches" based on Roald Dahl's 1973 classic book scheduled for release in October of 2020.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg's "Ready Player One", James Cameron's "The Abyss" as well as "Predator" and "The Mummy Returns." Alan's diversity is on full display in family entertainment films such as "The Father of the Bride 1 and 2", "Parent Trap", "Stuart Little 1 and 2", Disney's "Lilo and Stitch", "The Croods" as well as "Night at the Museum 1, 2 and 3" while his passion for melody fuels the romantic emotion of films like "The Bodyguard" and "What Women Want".
Most recently, Alan has composed the music for Marvel's "Avengers: Endgame." The film is the culmination of a partnership with Marvel that began in 2011 with Alan's dynamically heroic score for "Captain America: The First Avenger" followed by "Avengers". Since 2011 Alan's collaboration with Marvel helped propel "The Avengers" and "Avengers: Infinity War" to spectacular world-wide success.
Silvestri's success has also crossed into the world of songwriting. His partnership with Six-Time Grammy Award winner Glen Ballard has produced hits such as the Grammy-winning and Oscar-nominated song "Believe" (Josh Groban) for "The Polar Express", "Butterfly Fly Away" (Miley Cyrus) for "Hannah Montana The Movie", "God Bless Us Everyone" (Andrea Bocelli) for "A Christmas Carol" and "A Hero Comes Home" (Idina Menzel) for "Beowulf".
Alan and his wife Sandra are long time residents of California's central coast. In 1998 the Silvestri family embarked on a new venture as the founders of Silvestri Vineyards. Their wines show that lovingly cultivated fruit has a music all its own. "There's something about the elemental side of winemaking that appeals to me," he says. "Both music making and wine making involve a magical blending of art and science. Just as each note brings it own voice to the melody, each vine brings it's own unique personality to the wine."
Their other great passion is the ongoing search for the cure to Type 1 Juvenile Diabetes. With the diagnosis of their son at two years of age (now 29) they continue to work the Juvenile Diabetes Research Foundation and dream of the day this disease (and all of the suffering it brings to so many) will finally become a thing of the past.- Music Department
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James Newton Howard attended the University of Southern California's music school, but dropped out to tour with Elton John, and eventually compose music for film and television. He started with Head Office (1985) in 1985. He has been nominated for eight Academy Awards. He currently is a songwriter, record producer, conductor, keyboardist, and film composer.- Composer
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Raphael Saadiq was born on 14 May 1966 in Oakland, California, USA. He is a composer and actor, known for Mudbound (2017), Insecure (2016) and Abduction (2011).- Composer
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Amanda Jones is an Emmy Nominated Composer who is rapidly becoming a standout voice amongst a new generation of television and film composers. Jones' original music can be heard on the episode "Maine" from Apple TV+'s documentary series Home for which she received her first Emmy Nomination for Outstanding Music Composition For A Documentary Series or Special (Original Dramatic Score). Jones has the distinction of being the first African-American female to be nominated in the Primetime Emmy score category.
Jones' television credits also include OWN's anthology series Cherish the Day, produced by Ava DuVernay and starring Xosha Roquemore and Alano Miller; BET's Twenties, produced by Lena Waithe and starring Jonica T. Gibbs, Christina Elmore and Gabrielle Graham; HBO's A Black Lady Sketch Show, produced by Robin Thede and Issa Rae, starring Quinta Brunson and Gabrielle Dennis; CW/Refinery 29's comedy series Shitty Boyfriends, by executive producer Lisa Kudrow, starring Melissa Hunter and Sandra Oh, Tim Heidecker and Eric Wareheim's Adult Swim comedy series Beef House, for which she wrote the main title theme, Topic's mini-series Passing: A Family in Black & White; and many more. In addition to her television credits, Jones has experience scoring both short and feature films, as well as commercials. Jones scores Sujata Day's upcoming feature film, Definition Please, starring Levar Burton. Some of her past credits include Menelek Lumumba's award-winning drama 1 Angry Black Man; Andre Hormann's documentary feature Ringside, which premiered at the 2019 Berlin International Film Festival; Smriti Mundhra and Sami Khan's Oscar-nominated documentary short St. Louis Superman; "Trolls 2: World Tour McDonalds Commercial"; "Nike's Summer 2019 Campaign Sports Changes Everything"; and more.
Jones has a BA in music from Vassar College where she studied music composition, production and classical guitar under Terry Champlin. She also has certificates in both film scoring and orchestration from Berklee College of Music.- Composer
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Germaine Franco is a Grammy-winning and Oscar-nominated composer, percussionist, conductor, and music producer whose extensive resume and inventiveness, has made her a trailblazer in the fields of film, television, and immersive media music. Franco is the first Latina to win a Grammy for Best Score Soundtrack for Visual Media with her score for Encanto, and the first woman to score a Disney animated feature film. She received the Annie Award for Outstanding Achievement for Music in an Animated Feature for Coco and Encanto. She recently completed work on the Netflix hit, The Mother. Additional highlight projects include her breakout scores for Margarita and the Sundance Festival darling Dope.
Her work has been performed by The Chicago Philharmonic, The National Symphony Orchestra, The St. Louis Symphony Orchestra, The Cincinnati Pops Orchestra, and The Los Angeles Master Chorale, among others.
Beyond the screen Franco is active in various philanthropic and music education endeavors. She is a board member with the Neighborhood Music School in Boyle Heights and has been a featured speaker or guest artist at many prestigious organizations including: UCLA, USC, The Juilliard School, Brown, Northwestern University, Emerson College, The Academy of Motion Picture Arts and Sciences, Sundance Film Festival, Databricks, and Shipt.
Franco holds both a bachelor's and master's degree in music from Rice University's Shepherd School of Music. Her master teachers include John Ashton Thomas, John Powell, Emil Richards, Phil Kraus, Buster Bailey, and Luis Conte.- Composer
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From his days as one of the pioneering icons of electronic music to his current status as a world-renowned legendary film composer, Mark Isham continues to be one of the most prolific and provocative artists on the scene. His gift for creating unforgettable melodies and his love of fresh, innovative sonic palettes have earned Isham many awards including a Grammy, an Emmy, and a Clio, in addition to multiple Grammy, Academy Award and Golden Globe nominations for his material both as a composer and a recording artist. Most recently, Mark was honored by ASCAP with the Henry Mancini Award for Lifetime Achievement. Isham's musical signature is evident in his memorable scores for such notable films as Crash, awarded the Oscar for Best Picture in 2005 (Isham's score was named Best Soundtrack of 2005 by Cinescape.com), Bobby, nominated for a Golden Globe for Best Picture, and The Black Dahlia, with its critically lauded jazz noir soundtrack (awarded Best Score for a Drama Film 2007, and nominated for Best Score of the Year by the International Film Music Critics Association). Other highlights include Eight Below, The Cooler, A River Runs Through It, Blade, Nell, Men of Honor, and The Secret Life of Bees. His list of collaborators in film is a veritable who's who of the entertainment industry, Robert Redford, Tom Cruise, Brian De Palma, Chick Corea, Jodi Foster, Robert Altman, Sting, Wil.I.Am, Sydney Lumet, Mick Jagger and too many more to name. As a performing artist, Mark has added his unique sound, melodic, moody, sexy and cool, to a wide variety of genres. He has graced the albums of such diverse artists as Bruce Springsteen, Willie Nelson, Lyle Lovett, Ziggy Marley, Joni Mitchell, The Rolling Stones, Chris Isaak, and Van Morrison. His solo recordings span from electronica and classic jazz to hip-hop and ethnic world music, receiving worldwide critical acclaim including Grammy nominations for his albums Castalia and Tibet, and a win for his Virgin Records release, Mark Isham. No matter the genre, medium, or venue, Mark Isham displays a boundless ability to electrify the listener with his talent for crafting evocative new musical worlds.- Composer
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Ian Hultquist is an American composer & producer based in London, United Kingdom. Over the past few years he has made a name for himself composing the scores for numerous films, documentaries and TV shows. Ian started his career in music as a founding member of the band Passion Pit, which started in Boston, MA where he was studying Film Scoring at Berklee College of Music. He spent many years touring around the world & honing in his production skills as a Music Director, and working on remixes for artists such as Portugal the Man, Imagine Dragons, Tegan & Sara and OK GO.
In 2014 he, along with his wife & fellow composer Sofia degli Alessandri-Hultquist (aka Drum & Lace), relocated to Los Angeles in order to fully dedicate himself to working in music for film. Since then he has worked on over 40 film titles, as well as 20 television shows. He has written scores for some of the most renowned filmmakers working in the medium today, such as Sam Levinson (Assassination Nation), Erin Lee Carr (How to Fix a Drug Scandal, At the Heart of Gold), Alena Smith (Dickinson) & Karen Maine (Yes God Yes, Rosaline).
In 2016 Ian formed Little Twig Records, an imprint label focused on releasing soundtracks for Film & TV. In 2020, Ian was the sole-composer named on the 40 Under 40 list for Doc NYC.- Composer
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Drum & Lace, aka Sofia degli Alessandri-Hultquist, is an artist and composer from Florence, Italy. Her music has been described as being genre-fluid and having a "chameleon-like nature" (A Closer Listen), melding together sampled field recordings, lush layers of synths, chamber instruments and electronic beats. She draws inspiration from film music, music concrete and nature to create textural electronica, often blending unlikely sounds with one another.
Drum & Lace's musical education started at Berklee College of Music, where she studied in the Film Scoring & Composition program, before continuing her masters at New York University (Music Technology / 3D Audio). Her background in both scoring and band worlds have lead to her composition work including music for film/tv, as well as music for dance, theater, and other mixed media.
Notable film and television work includes AppleTV+ Original Series 'Dickinson', 20th Century Studios' period-comedy 'Rosaline'', NBC's 'Good Girls' and drama 'Summering' (Sundance 2022). Drum & Lace's upcoming releases in 2023 include LGBTQ+ feature romantic comedy 'Red White & Royal Blue' for Amazon Studios, which is based on the NY Times best-selling novel by Casey McQuiston (and directed by TONY award winning playwright Matthew Lopez), and Lionsgate horror 'Cobweb' directed by Samuel Bodin (Netflix's Marianne), whose screenplay by Chris Thomas Devlin was included in 2018's The Black List survey.
In 2022, Drum & Lace released her debut LP Natura on ambient vinyl label Past Inside the Present, which features appearances from the London Contemporary Orchestra (LCO) and Italian drummer Valentina Magaletti. This marked her first LP after a string of EPs, singles and soundtrack releases in previous years under the Drum & Lace moniker. Natura draws greatly from the juxtaposition of natural and artificial sounds, exploring this concept through manipulated field recordings, voice, modular synth and string ensemble. It was mixed by Paul Corley (Liminal / Sigur Ros) and mastered by Joshua Eustis (Telefon Tel Aviv). Her most recent release, Frost EP, is a collection of ambient works that explore the use of voice and electronic textures to create hypnotic and soothing soundscapes.- Music Artist
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Phil Collins was born in Chiswick, London, England, to Winifred (Strange), a theatrical agent, Greville Philip Austin Collins, an insurance agent. He spent most of his early entertainment life as a young actor and model. He played the "Artful Dodger" in the West End production of "Oliver!" alongside the future movie screen "Artful Dodger," Jack Wild. His interest in music and drumming began at school, where he drummed with a stage school band "The Real Thing," subsequently joining "Freehold" and "Flaming Youth." "Flaming Youth" recorded an album to some critical acclaim, although the group disbanded shortly afterward. Collins later successfully auditioned for Genesis, taking over vocals from Peter Gabriel when he left the band in 1975.
After separating from his first wife, Collins recorded his first solo album, "Face Value." The album was well received and Collins started to become a household name after the song "In the Air Tonight" was featured on the US TV show Miami Vice (1984). This instigated a guest appearance on the show playing a game show host. His third LP, "No Jacket Required," produced multiple chart hits and awards.
Collins is an active musician and entertainer, contributing and guesting regularly on many albums, ranging from Gary Brooker and Camel (Peter Barden's old band) to Eric Clapton. Collins also played as the drummer for the jazz fusion group Brand X and later formed his own big band to play swing and jazz music.
Collins was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010. With over 200 million album sales (when his solo career and Genesis career are combined), Collins is one of the most successful musicians of all time, as well as probably the most successful British pop star to have been consistently overlooked for the Brit Award for Outstanding Contribution to British music.
Actress Lily Collins is his daughter (her mother is his second wife, Jill Tavelman).- Composer
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A world renowned trumpeter/composer/band leader and Blue Note recording artist, Terence Blanchard is the most prolific jazz musician to ever compose for motion pictures. Blanchard was born and raised in New Orleans where he studied with the Marsalis brothers at the famed New Orleans Center for the Creative Arts. In 1980, he won a scholarship to Rutgers University and immediately began performing in the Lionel Hampton Orchestra. Two years later, he succeeded Wynton Marsalis in the legendary Jazz Messengers before forming his own influential groups. Blanchard originally began performing on Spike Lee's soundtracks, including "Mo Better Blues" in which he ghosted the trumpet for Denzel Washington. Blanchard lives in New Orleans with his wife, Robin, and his four children.- Music Department
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German-born composer Hans Zimmer is recognized as one of Hollywood's most innovative musical talents. He featured in the music video for The Buggles' single "Video Killed the Radio Star", which became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV (August 1, 1981).
Hans Florian Zimmer was born in Frankfurt am Main, then in West Germany, the son of Brigitte (Weil) and Hans Joachim Zimmer. He entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette (1985). He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer's career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy (1989), starring Jessica Tandy, and Morgan Freeman.
Having already scored two Best Picture winners, in the early 1990s, Zimmer cemented his position as a preeminent talent with the award-winning score for The Lion King (1994). The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony, and two Grammy Awards. In total, Zimmer's work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for Rain Man (1988), Gladiator (2000), The Lion King (1994), As Good as It Gets (1997), The The Preacher's Wife (1996), The Thin Red Line (1998), The Prince of Egypt (1998), and The Last Samurai (2003).
With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers' guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical "think tank." This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt.
In 2000, Zimmer scored the music for Gladiator (2000), for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album Gladiator: More Music From The Motion Picture, released on the Universal Classics/Decca label. Zimmer's other scores that year included Mission: Impossible II (2000), The Road to El Dorado (2000), and An Everlasting Piece (2000), directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor (2001), The Ring (2002), four films directed by Ridley Scott; Matchstick Men (2003), Hannibal (2001), Black Hawk Down (2001), and Thelma & Louise (1991), Penny Marshall's Riding in Cars with Boys (2001), and A League of Their Own (1992), Tony Scott's True Romance (1993), Tears of the Sun (2003), Ron Howard's Backdraft (1991), Days of Thunder (1990), Smilla's Sense of Snow (1997), and the animated Spirit: Stallion of the Cimarron (2002) for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated Here I Am.
At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-voice choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible II (2000), Rain Man (1988), The Lion King (1994), and The Thin Red Line (1998). The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
In 2003, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Zimmer then scored Nancy Meyers' comedy Something's Gotta Give (2003), the animated Dreamworks film, Shark Tale (2004) (featuring voices of Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and Jim Brooks' Spanglish (2004) starring Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). His 2005 projects include Paramount's The Weather Man (2005) starring Nicolas Cage, Dreamworks' Madagascar (2005), and the Warner Bros. summer release, Batman Begins (2005).
Zimmer's additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of four children.- Actress
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Lalah was born Eulaulah Hathaway in Chicago, Illinois, into a family for whom music was their first language. She is the daughter of the great Donny Hathaway. As raised by Donny and Eulaulah Hathaway, Lalah and her younger sister, Kenya Hathaway, were baptized in pan-cultural artistic expressions of the highest order. She was only ten years old when her father committed suicide. Lalah attended Chicago's Performing Arts High School, then graduated to the famed Berklee School of Music in Boston. At the age of 21, she signed with Virgin Records and made a good impression with her debut recording, "Lalah Hathaway", in 1990. The album contained the tracks, "Heaven Knows", "Something", "Smile" and "I'm Coming Back", all of which were highly popular in the U.K.
1994 saw the follow-up album, "A Moment", which was well-received and contained the popular track, "Do You Suppose". In 1999, Lalah teamed up with Crusader member, Joe Sample.- Music Department
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Kier Lehman is an Emmy and Grammy-nominated music supervisor. His work on the Academy Award-winning Spider-Man: Into the Spider-Verse contributed to the soundtrack's massive success, with its hit single "Sunflower" going multiplatinum. His most talked about credit, HBO's hit series Insecure, consistently ranks amongst the shows with the best music on television.
The range of projects Kier has music supervised is vast, from the billion dollar Lego Movie franchise, Queen & Slim and Michelle Obama documentary Becoming, to HBO's acclaimed series The Night Of and Entourage.
His dramatic and comedic television credits also include the Starz show Hightown, Abbott Elementary on ABC and The Afterparty on AppleTV+.
Kier has won four Guild of Music Supervisor awards from seven nominations. He recently completed the Netflix hit animated film The Mitchells Vs The Machines, after successful collaborations with Phil Lord and Chris Miller on 21 and 22 Jump Street and Cloudy with a Chance of Meatballs. They continue their streak on the forthcoming Spiderman: Across the Spider-Verse.- Music Artist
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Randy Newman is an American film composer and singer who is well-known for composing The Princess and the Frog, Meet the Parents and various Pixar films including the Toy Story, Monsters, Inc and Cars franchises as well as A Bug's Life. He wrote iconic songs such as "Short People", "You've Got A Friend in Me" and "We Belong Together". He won Best Original Song for Toy Story 3.- Composer
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Michael Giacchino is an American composer of music for films, television and video games.
Giacchino composed the scores to the television series Lost, Alias and Fringe, the video game series Medal of Honor and Call of Duty and many films such as The Incredibles (2004), Star Trek (2009), Up (2009), Dawn of the Planet of the Apes (2014), Jurassic World (2015), Inside Out (2015), Spider-Man: Homecoming (2017), War for the Planet of the Apes (2017) and Coco (2017).
For his work on Up he earned an Academy Award for Best Original Score.- Composer
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John Powell was born on 18 September 1963 in London, England, UK. He is a composer, known for How to Train Your Dragon 2 (2014), Happy Feet (2006) and Solo: A Star Wars Story (2018). He was previously married to Melinda Lerner.- Composer
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Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), World War Z (2013) and Knowing (2009).- Composer
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Ludwig Göransson is a Swedish composer known for composing Black Panther, the Creed films, Venom, Fruitvale Station, The Mandalorian, The Book of Boba Fett, Turning Red, New Girl, Community, Top Five, Central Intelligence, 30 Minutes or Less and Tenet. He had a son from Serena McKinney, who was married to him since 2018.- Music Department
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Alan Menken is an American composer, songwriter, music conductor, director and record producer.
Menken is best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1987), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), among others.
He is also known for his work in musical theatre for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include Little Shop of Horrors (1982), A Christmas Carol (1994) and Sister Act (2009).
Menken has collaborated with such lyricists as Lynn Ahrens, Howard Ashman, Jack Feldman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. With eight Academy Award wins, Menken is the second most prolific Oscar winner in the music categories after Alfred Newman, who has 9 Oscars. He has also won 11 Grammy Awards, a Tony Award, Emmy Award, 7 Golden Globe Awards and many other honors.- Composer
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Andrew Lloyd Webber is arguably the most successful composer of our time. He is best known for stage and film adaptations of his musicals Jesus Christ Superstar (1973), Cats (1994), Evita (1996), and The Phantom of the Opera (2004).
He was born on March 22, 1948, in South Kensington in London, England, the first of two sons of William Lloyd Webber, an organist and composer. His mother, Jean Johnstone, was a pianist and violinist. Young Andrew Lloyd Webber learned to play various musical instruments at home and began composing at an early age. He continued his music studies at Westminster School, where his father was an organist. At the age of 9, young Andrew was able to play the organ and assisted his father during performances. In 1964 he went to Oxford University as a Queens Scholar of history.
In 1965 he met lyricist Tim Rice and dropped out of school to compose musicals and pop songs. In 1968 he had his first success with the West End production of 'Joseph and the Amasing Techicolor Dreamcoat'. From the 1960s to 2000s Lloyd Webber has been constantly updating his style as an eclectic blend of musical genres ranging from classical to rock, pop, and jazz, and with inclusion of electro-acoustic music and choral-like numbers in his musicals.
Andrew Lloyd Webber shot to fame in 1971 with the opening of his rock opera 'Jesus Christ Superstar'. His next successful collaboration with Tim Rice was the musical biopic 'Evita', based on the true story of Eva Peron of Argentina. Andrew Lloyd Webber has been constantly updating the genre of musical theatre. In 1981 he delivered 'Cats', based on Old Possum's Book of Practical Cats and other poems by T.S. Eliot. It was produced at New London Theatre, where stage was designed as a giant junkyard with large-scale bottles and cans scattered around a huge tire representing a playground for cats dressed in exotic costumes who would come and go through the aisles. The record-breaking production of 'Cats' was on stage for 21 seasons, from 1981 - 2002, and became one of the most popular musicals of all time. It played the total of 8,949 performances in London and 7,485 in New York.
In 1986 Andrew Lloyd Webber released his most successful musical, 'The Phantom of the Opera', based on the eponymous book by Gaston Leroux with the English lyrics by Charles Hart. 'The Phantom of the Opera' became the highest grossing entertainment event of all time, with total worldwide gross of 3,3 billion dollars and attendance of 80 million. It is also the longest running Broadway musical of all time and the most financially successful Broadway show in history. 'The Phantom of the Opera' was translated into several languages and was produced in more than twenty countries as "clones" of the original production, using similar staging, direction, costumes concept and sets design.
He was knighted Sir Andrew Lloyd Webber in 1992, and was created an honorary life peer in 1997 as Baron Lloyd-Webber, of Syndmonton in the County of Hampshire. He won the 1996 Academy Award for Best Music, Original Song for Evita (1996), and received two more Oscar nominations. Among his other awards are seven Tonys and three Grammys, including his 1986 Grammy Award for Requiem in the category of best classical composition. In 2006 Andrew Lloyd Webber was Awarded Kennedy Center Honors. He owns seven London theatres, which he also restored. Outside of his entertainment career he developed a passion for collecting Pre-Raphaelite paintings and Victorian art. He was married three times and has five children. He is residing in England.
Andrew Lloyd Webber is currently working on his new opera titled 'Master and Margarita' based on the eponymous novel by Mikhail A. Bulgakov.- Composer
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Pulitzer Prize-winning composer Michael Abels is well known for his genre-defying scores for the Jordan Peele films 'Get Out,' 'Us,' and 'Nope.' The score for 'Us' won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, multiple critics awards, and was named "Score of the Decade" by The Wrap. Both 'Us' and 'Nope' were shortlisted for the Oscar for Best Original Score, and 'Nope' won Outstanding Original Score for a Studio Film at the 2023 Society of Composer and Lyricist Awards.
In 2022, Michael Abels' film music was honored by the Vancouver International Film Festival, the Middleburg Film Festival, and the Museum of the Moving Image. Other recent media projects include the films 'Bad Education,' 'Nightbooks,' the docu-series 'Allen v. Farrow,' 'Breaking' (Sundance 2021), and 'Landscape With Invisible Hand' (Sundance 2022), his second collaboration with director Cory Finley. Most recently, Abels composed, produced, and/or orchestrated all of the on-screen performances for Searchlight's 'Chevalier.' Upcoming projects include Amazon's 'The Burial,' and a series for Disney+.
In 2023, Abels was awarded the Pulitzer Prize for Music for the opera, 'Omar,' co-composed with Grammy-winning singer/songwriter Rhiannon Giddens. The New York Times hailed OMAR as "an ideal of an American sound," and named 'Omar' among the 10 best classical music performances of 2022. Abels' creative output also includes many concert works, including the choral song cycle 'At War With Ourselves' for the Kronos Quartet, and the Grammy-nominated 'Isolation Variation' for Hilary Hahn. Abels' other concert works have been performed by the New York Philharmonic, the Chicago Symphony, the Los Angeles Master Chorale and many others. Some of these pieces are available on the Cedille label, including 'Delights and Dances' and 'Winged Creatures.' Recent commissions include 'Emerge' for the National Symphony and Detroit Symphony, and a guitar concerto 'Borders' for Grammy-nominated artist Mak Grgic.
Abels is co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.- Actress
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Este Haim is known for the band Haim, composed of Alana Haim, Danielle Haim, Este Haim, and Dash Hutton. Este made an appearance at a fashion show that featured designers from The Fashion Fund. Founded by the legendary Anna Wintour, The Fashion Fund is a documentary-style TV show featuring behind-the-scenes action from the Council of Fashion Designers of America and the Vogue Competition for young designers.- Music Department
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A native of Baltimore, Maryland, Howard Ashman moved to New York City in 1974 and began writing plays while working as an editor in a publishing house. His work attracted attention and he became WPA Theatre's artist director in 1977. In 1982, Ashman collaborated with composer Alan Menken on the musical "Little Shop of Horrors", one of off-Broadway's highest-grossing musicals. The team of Ashman and Menken shifted their focus to movies, creating some of the songs for The Little Mermaid (1989). One of them, "Under the Sea", won an Oscar in 1989 for best song. Ashman then wrote the lyrics for the songs in the Disney animated musical hit Beauty and the Beast (1991), and he and Menken won another Oscar for the title song. However, two days after he won an Oscar for "Under the Sea" Ashman confided in Menken that he had AIDS. Despite the terminal illness that was making him weaker every day, Ashman never stopped composing songs. He even turned out more songs for a third Disney animated musical, Aladdin (1992), before his death from AIDS on March 14, 1991, at the age of 40.- Music Department
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A prolific lyricist and librettist, Tim Rice was born in Amersham, Buckinghamshire. He was educated at Aldwickbury School in Hertfordshire, St Albans School and finally Lancing College. He briefly attended Sorbonne Université. He was considering a legal career around the time that he met Andrew Lloyd Webber in 1965. Three years later, the two young men composed a 20-minute pop oratorio that would eventually become "Joseph and the Amazing Technicolor Dreamcoat". The piece was premiered on 1st March 1968 at the Colet Court School in the City of London. During the following months, Rice and Webber lengthened the oratorio to 30 minutes, and a record album of "Joseph" (with Rice singing the role of "Pharaoh") was made at the end of 1968.
Remaining in partnership with Webber, his next project was "Jesus Christ Superstar". Introduced to the public as a concept album in 1970, the opera propelled Rice and Webber to international stardom. Staged versions appeared the following year, and their popularity led to the film Jesus Christ Superstar (1973).
Following "Superstar", Rice and Webber returned to their previous project and expanded it into (more or less) its finalised form. The concept album for "Joseph and the Amazing Technicolor Dreamcoat" was released in 1974.
Inexplicably eclipsed by his collaborator, Rice may never have received the acclaim that he deserved for his contributions to the partnership. The death-throws of the Rice-Webber collaboration produced a third opera, called "Evita". Its concept album was released in 1976.
Rice continued on with a piece called "Blondel", which appeared in 1983. Set to music by Stephen Oliver, "Blondel" was arguably the most comic and witty of Rice's major works. The opera "Chess" followed, with its concept album arriving in 1984. Former ABBA songwriters Björn Ulvaeus and Benny Andersson provided the music for "Chess", and the concept album was an international hit. "Chess" was staged in London in 1986 with great success, but the 1988 Broadway production was radically revised without Rice's knowledge or permission, and it was quickly shut down.
In 1987 Rice was asked by Freddie Mercury and Mike Moran to write lyrics for Freddie's album with Montserrat Caballé "Barcelona", released in 1988, one entitled "The Fallen Priest" and the other "The Golden Boy".
In 1991, he was hired to finish the lyrics for the Walt Disney film Aladdin (1992). Disney subsequently teamed him with Elton John for The Lion King (1994). Rice also composed additional lyrics for the stage version of Disney's film Beauty and the Beast (1991), which opened on Broadway in 1994. A stage version of The Lion King (1994) opened on Broadway in 1997, as he was working with Elton John on two new projects - "Aida", which opened on Broadway in 2000, and the Dreamworks film The Road to El Dorado (2000).
The 1991 to 2000 period also saw a flurry of activity for Tim Rice's earlier works. Major revival productions of "Joseph and the Amazing Technicolor Dreamcoat" and "Jesus Christ Superstar" were staged in many parts of the world. Additionally, there was the film Evita (1996), as well as the video-films Joseph and the Amazing Technicolour Dreamcoat (1991), and Jesus Christ Superstar (2000).
Apart from theatre and film, Rice has written recurring columns for UK newspapers, as well as having shown up regularly on BBC Radio and Television. In 1973, he founded a cricket side - The Heartaches - for which he serves as a manager as well as a player. He also makes regular contributions to various cricket magazines. He continues to have projects in development for the theatre and for film. Most anxiously awaited - especially by audiences in Canada and the United States - is, perhaps, a revival of the authentic 1986 London version of "Chess".- Composer
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A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).- Composer
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With a background in music; playing piano and writing from a young age, Trevor has always had an affinity for sound and sonic arrangement. Growing up in the San Francisco Bay area and Portland, Oregon, Trevor decided to take a leap of faith to pursue a career in sound. After attending The Art Institute of California Los Angeles and earning a Bachelor of Science degree in Audio Production, Trevor started working as an engineer and producer with an established R&B music producer. Trevor was next presented an opportunity to create sound for film. Within six years, Trevor has creatively participated in the soundscape of over 100 films.
Within Trevor's sound career, he has been awarded a participation Grammy Award for the gospel song Jesus by Le'Andria Johnson and a Golden Reel Award for best sound effects and sound design for the feature film, The Liberator (2013). He received another Golden Reel in addition to an Emmy for the acclaimed documentary, Sonic Sea (2016). Trevor's recent work in feature films include Get Out (2017), Hell or High Water (2016), Don't Breathe (2016), and Ouija: Origin of Evil (2016).- Actor
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John Trudell was born in Omaha, Nebraska, to a Santee Sioux father and Mexican Indian mother. After a stint in the Navy (and Vietnam) from 1963 to 1969, he became involved with the American Indian Movement, becoming National Chairman in 1973. He held that position until 1979; it was then that his wife Tina, mother-in-law, and three children ages one, three, & five, were burned to death in a "fire of suspicious origin" on their Nevada reservation which was nonetheless never investigated. Beginning in the early 1980's, Trudell began to channel his anger and emotion through poetry, music, and acting.- Composer
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Blake Neely was born on 28 April 1969 in Paris, Texas, USA. He is a composer and actor, known for Greyhound (2020), All American (2018) and You (2018).