The Man Who Loved Cat Dancing 1973 premiere
Tuesday June 26th, Regency Village Theatre 961 Broxton Ave, Los Angeles, CA 90024
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Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).
Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).
At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).
The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.
He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.- Actress
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Her real name was Frances "Fanny" Rose Shore, and she was born in Winchester, Tennessee. Stricken with polio at 18 months of age, she recovered after receiving the Sister Kenny treatment. She became a cheerleader at Hume-Fogg High School in Nashville and went on to graduate from Vanderbilt University in 1938, where she majored in sociology. She took voice and acting lessons on the side and sang on radio station WSM in Nashville. In 1938 she left Tennessee for New York City and began singing on radio station WNCW in New York. Her first recordings were with bandleader Xavier Cugat, and she later changed her named to Dinah after her success with the song of the same name. She received numerous Emmy awards for television specials and productions and appeared in many films. She was married to actor George Montgomery, with whom she had one daughter and adopted a son.- Actress
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Sarah Miles is an English actress whose career flourished during the Swinging Sixties and in the early Seventies. The high point of her career came when her husband, screenwriter Robert Bolt, adapted "Madame Bovary" into a story set during the 1916 Easter Rebellion in Ireland. Directed by David Lean, Ryan's Daughter (1970), with Miles as the eponymous lead, brought her a Best Actress Oscar nomination. Lean equated her as a talent with Julie Christie, whom she physically resembled. However, Bolt's next script for her, Lady Caroline Lamb (1972), which he also directed, was a critical and box office flop when it was released in 1973.
That same year, she was involved with scandal when her manager died under mysterious circumstances during the shooting of The Man Who Loved Cat Dancing (1973). She reportedly was cuckolding Robert Bolt with her "Cat" co-star, Burt Reynolds.
After appearing in a TV adaptation of William Faulkner's "Requiem for a Nun" for the Hollywood Television Theatre (broadcast by PBS) in 1975 and The Sailor Who Fell from Grace with the Sea (1976) in 1976, Miles divorced Bolt and her career dropped off. Miles had one last burst of glory with Hope and Glory (1987) (1989). She is now retired from the acting.- Actor
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Jack Warden was born John Warden Lebzelter, Jr. on September 18, 1920 in Newark, New Jersey, to Laura M. (Costello) and John Warden Lebzelter. His father was of German and Irish descent, and his mother was of Irish ancestry. Raised in Louisville, Kentucky, at the age of seventeen, young Jack Lebzelter was expelled from Louisville's DuPont Manual High School for repeatedly fighting. Good with his fists, he turned professional, boxing as a welterweight under the name "Johnny Costello", adopting his mother's maiden name. The purses were poor, so he soon left the ring and worked as a bouncer at a night club. He also worked as a lifeguard before signing up with the U.S. Navy in 1938. He served in China with the Yangtze River Patrol for the best part of his three-year hitch before joining the Merchant Marine in 1941.
Though the Merchant Marine paid better than the Navy, Warden was dissatisfied with his life aboard ship on the long convoy runs and quit in 1942 in order to enlist in the U.S. Army. He became a paratrooper with the elite 101st Airborne Division, and missed the June 1944 invasion of Normandy due to a leg badly broken by landing on a fence during a nighttime practice jump shortly before D-Day. Many of his comrades lost their lives during the Normandy invasion, but the future Jack Warden was spared that ordeal. Recuperating from his injuries, he read a play by Clifford Odets given to him by a fellow soldier who was an actor in civilian life. He was so moved by the play, he decided to become an actor after the war. After recovering from his badly shattered leg, Warden saw action at the Battle of the Bulge, Nazi Germany's last major offensive. He was demobilized with the rank of sergeant and decided to pursue an acting career on the G.I. Bill. He moved to New York City to attend acting school, then joined the company of Theatre '47 in Dallas in 1947 as a professional actor, taking his middle name as his surname. This repertory company, run by Margo Jones, became famous in the 1940s and '50s for producing Tennessee Williams's plays. The experience gave him a valuable grounding in both classic and contemporary drama, and he shuttled between Texas and New York for five years as he was in demand as an actor. Warden made his television debut in 1948, though he continued to perform on stage (he appeared in a stage production in Arthur Miller's Death of a Salesman (1966)). After several years in small, local productions, he made both his Broadway debut in the 1952 Broadway revival of Odets' "Golden Boy" and, three years later, originated the role of "Marco" in the original Broadway production of Miller's "A View From the Bridge". On film, he and fellow World War II veteran, Lee Marvin (Marine Corps, South Pacific), made their debut in You're in the Navy Now (1951) (a.k.a. "U.S.S. Teakettle"), uncredited, along with fellow vet Charles Bronson, then billed as "Charles Buchinsky".
With his athletic physique, he was routinely cast in bit parts as soldiers (including the sympathetic barracks-mate of Montgomery Clift and Frank Sinatra in the Oscar-winning From Here to Eternity (1953). He played the coach on TV's Mister Peepers (1952) with Wally Cox.
Aside from From Here to Eternity (1953) (The Best Picture Oscar winner for 1953), other famous roles in the 1950s included Juror #7 (a disinterested salesman who wants a quick conviction to get the trial over with) in 12 Angry Men (1957) - a film that proved to be his career breakthrough - the bigoted foreman in Edge of the City (1957) and one of the submariners commended by Clark Gable and Burt Lancaster in the World War II drama, Run Silent Run Deep (1958). In 1959, Warden capped off the decade with a memorable appearance in The Twilight Zone (1959) episode, The Lonely (1959), in the series premier year of 1959. As "James Corry", Warden created a sensitive portrayal of a convicted felon marooned on an asteroid, sentenced to serve a lifetime sentence, who falls in love with a robot. It was a character quite different from his role as Juror #7.
In the 1960s and early 70s, his most memorable work was on television, playing a detective in The Asphalt Jungle (1961), The Wackiest Ship in the Army (1965) and N.Y.P.D. (1967). He opened up the decade of the 1970s by winning an Emmy Award playing football coach "George Halas" in Brian's Song (1971), the highly-rated and acclaimed TV movie based on Gale Sayers's memoir, "I Am Third". He appeared again as a detective in the TV series, Jigsaw John (1976), in the mid-1970s, The Bad News Bears (1979) and appeared in a pilot for a planned revival of Topper (1937) in 1979.
His collaboration with Warren Beatty in two 1970s films brought him to the summit of his career as he displayed a flair for comedy in both Shampoo (1975) and Heaven Can Wait (1978). As the faintly sinister businessman "Lester" and as the perpetually befuddled football trainer "Max Corkle", Warden received Academy Award nominations as Best Supporting Actor. Other memorable roles in the period were as the metro news editor of the "Washington Post" in All the President's Men (1976), the German doctor in Death on the Nile (1978), the senile, gun-toting judge in And Justice for All (1979), the President of the United States in Being There (1979), the twin car salesmen in Used Cars (1980) and Paul Newman's law partner in The Verdict (1982).
This was the peak of Warden's career, as he entered his early sixties. He single-handedly made Andrew Bergman's So Fine (1981) watchable, but after that film, the quality of his roles declined. He made a third stab at TV, again appearing as a detective in Crazy Like a Fox (1984) in the mid-1980s. He played the shifty convenience store owner "Big Ben" in Problem Child (1990) and its two sequels, a role unworthy of his talent, but he shone again as the Broadway high-roller "Julian Marx" in Woody Allen's Bullets Over Broadway (1994). After appearing in Warren Beatty's Bulworth (1998), Warden's last film was The Replacements (2000) in 2000. He then lived in retirement in New York City with his girlfriend, Marucha Hinds. He was married to French stage actress Wanda Ottoni, best known for her role as the object of Joe Besser's desire in The Three Stooges short, Fifi Blows Her Top (1958). She gave up her career after her marriage. They had one son, Christopher, but had been separated for many years.- Actor
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Lee J. Cobb, one of the premier character actors in American film for three decades in the post-World War II period, was born Leo Jacoby in New York City's Lower East Side on December 8, 1911. The son of a Jewish newspaper editor, young Leo was a child prodigy in music, mastering the violin and the harmonica. Any hopes of a career as a violin virtuoso were dashed when he broke his wrist, but his talent on the harmonica may have brought him his first professional success. At the age of 16 or 17 he ran away from home to Hollywood to try to break into motion pictures as an actor. He reportedly made his film debut as a member of Borrah Minevitch and His Harmonica Rascals (their first known movie appearance was in the 1929 two-reeler Boyhood Days), but that cannot be substantiated. However, it's known that after Leo was unable to find work he returned to New York City, where he attended New York University at night to study accounting while acting in radio dramas during the day.
An older Cobb tried his luck in California once more, making his debut as a professional stage actor at the Pasadena Playhouse in 1931. After again returning to his native New York, he made his Broadway debut as a saloonkeeper in a dramatization of Fyodor Dostoevsky's Crime and Punishment, but it closed after 15 performances (later in his career, Dostoevsky would prove more of a charm, with Cobb's role as Father Karamazov in The Brothers Karamazov (1958) garnering him his second Oscar nomination),
Cobb joined the politically progressive Group Theater in 1935 and made a name for himself in Clifford Odets' politically liberal dramas Waiting for Lefty and Til the Day I Die, appearing in both plays that year in casts that included Elia Kazan, who later became famous as a film director. Cobb also appeared in the 1937 Group Theater production of Odets' Golden Boy, playing the role of Mr. Carp, in a cast that also included Kazan, Julius Garfinkle (later better known under his stage name of John Garfield), and Martin Ritt, all of whom later came under the scrutiny of the House Un-American Activities Committee during the heyday of the McCarthy Red Scare hysteria more than a decade later. Cobb took over the role of Mr. Bonaparte, the protagonist's father, in the 1939 film version of the play, despite the fact that he was not yet 30 years old. The role of a patriarch suited him, and he'd play many more in his film career.
It was as a different kind of patriarch that he scored his greatest success. Cobb achieved immortality by giving life to the character of Willy Loman in the original 1949 Broadway production of Arthur Miller's Death of a Salesman. His performance was a towering achievement that ranks with such performances as Edwin Booth as Richard III and John Barrymore as Hamlet in the annals of the American theater. Cobb later won an Emmy nomination as Willy when he played the role in a made-for-TV movie of the play (Death of a Salesman (1966)). Miller said that he wrote the role with Cobb in mind.
Before triumphing as Miller's Salesman, Cobb had appeared on Broadway only a handful of times in the 1940s, including in Ernest Hemingway's The Fifth Column (1940), Odets' "Clash by Night" (1942) and the US Army Air Force's Winged Victory (1943-44). Later he reprised the role of Joe Bonaparte's father in the 1952 revival of Golden Boy opposite Garfield as his son, and appeared the following year in The Emperor's Clothes. His final Broadway appearance was as King Lear in the Repertory Theatre of Lincoln Center's 1968 production of Shakespeare's play.
Aside from his possible late 1920s movie debut and his 1934 appearance in the western The Vanishing Shadow (1934), Cobb's film career proper began in 1937 with the westerns North of the Rio Grande (1937) (in which he was billed as Lee Colt) and Rustlers' Valley (1937) and spanned nearly 40 years until his death. After a hiatus while serving in the Army Air Force during World War II, Cobb's movie career resumed in 1946. He continued to play major supporting roles in prestigious A-list pictures. His movie career reached its artistic peak in the 1950s, when he was twice nominated for Best Supporting Actor Academy Awards, for his role as Johnny Friendly in On the Waterfront (1954) and as the father in The Brothers Karamazov (1958). Other memorable supporting roles in the 1950s included the sagacious Judge Bernstein in The Man in the Gray Flannel Suit (1956), as the probing psychiatrist Dr. Luther in The Three Faces of Eve (1957) and as the volatile Juror #3 in 12 Angry Men (1957).
It was in the 1950s that Cobb achieved the sort of fame that most artists dreaded: he was called before the House Un-American Activities Committee on charges that he was or had been a Communist. The charges were rooted in Cobb's membership in the Group Theater in the 1930s. Other Group Theater members already investigated by HUAC included Clifford Odets and Elia Kazan, both of whom provided friendly testimony before the committee, and John Garfield, who did not.
Cobb's own persecution by HUAC had already caused a nervous breakdown in his wife, and he decided to appear as a friendly witness in order to preserve her sanity and his career, by bringing the inquisition to a halt. Appearing before the committee in 1953, he named names and thus saved his career. Ironically, he would win his first Oscar nomination in On the Waterfront (1954) directed and written by fellow HUAC informers Kazan and Budd Schulberg. The film can be seen as a stalwart defense of informing, as epitomized by the character Terry Malloy's testimony before a Congressional committee investigating racketeering on the waterfront.
Major films in which Cobb appeared after reaching his career plateau include Otto Preminger's adaptation of Leon Uris' ode to the birth of Israel, Exodus (1960); the Cinerama spectacle How the West Was Won (1962); the James Coburn spy spoofs, Our Man Flint (1966) and In Like Flint (1967); Clint Eastwood's first detective film, Coogan's Bluff (1968); and legendary director William Wyler's last film, The Liberation of L.B. Jones (1970).
In addition to his frequent supporting roles in film, Cobb often appeared on television. He played Judge Henry Garth on The Virginian (1962) from 1962-66 and also had a regular role as the attorney David Barrett on The Young Lawyers (1969) from 1970-71. Cobb also appeared in made-for-TV movies and made frequent guest appearances on other TV shows. His last major Hollywood movie role was that of police detective Lt. Kinderman in The Exorcist (1973).
Lee J. Cobb died of a heart attack in Woodland Hills, California, on February 11, 1976, at the age of 64. He is buried in Mount Sinai Memorial Park Cemetery in Los Angeles, California. Though he will long be remembered for many of his successful supporting performances in the movies, it is as the stage's first Willy Loman in which he achieved immortality as an actor. Bearing in mind that the role was written for him, it is through Willy that he will continue to have an influence on American drama far into the future, for as long as Death of a Salesman is revived.- In March of 1952, Anne Sterling (age 26) was kidnapped and held for 90 minutes in a Hollywood mansion by four unidentified thugs who viciously beat her with their fists and feet and a blunt instrument. Police said she had been beaten "from her eyebrows to her toenails." She claimed her captors told her, "This will teach you a lesson". The incident followed a court case involving the theft of a marten stole worth $2,000 belonging to Miss Sterling. She accused her roommate, fashion designer Yolanda Elliott, of the crime but, in a subsequent court case, Elliot was acquitted. Elliott then sued Sterling for $100,800. Sterling said the abduction and beating came after threats had been made by an investigator hired by Elliott.
Sources: Associated Press (March 25, 1952) and Central Press Canadian (March 28, 1952). - Actress
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Lucie Arnaz was born on 17 July 1951 in Hollywood, Los Angeles, California, USA. She is an actress and producer, known for The Jazz Singer (1980), Here's Lucy (1968) and Smoking Nonsmoking (2011). She has been married to Laurence Luckinbill since 22 June 1980. They have three children. She was previously married to Phil Vandervort.- Phil Vandervort was born on 29 September 1942 in New York City, New York, USA. He is an actor, known for Mannix (1967), Maryjane (1968) and The Doctors (1963).
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Merv Griffin was a singer and band leader, movie actor, television personality and media mogul who in his time hosting The Merv Griffin Show (1962) was second in fame and influence as a talk show host only to Johnny Carson. Griffin was best known for creating the two most popular game shows in television syndication history, Wheel of Fortune (1983) and Jeopardy! (1984), which are watched by hundreds of millions of people all over the world. In the business world, he was identified as the visionary chairman of The Griffin Group.
Born in the San Francisco, California suburb of San Mateo, Griffin "came up through the ranks" in the classic sense, entering talent contests, writing songs, singing on local radio station KFRC-San Francisco, and later touring with Freddy Martin Orchestra. He became increasingly popular with nightclub audiences and his fame soared among the general public when he struck gold in 1950 with "I've Got a Lovely Bunch of Coconuts", which reached the number one spot on the Hit Parade and sold three million copies.
Continuing to record hits, including "Wilhelmina" and "Never Been Kissed", Griffin made a foray into motion pictures after Doris Day saw his nightclub performance and arranged a screen test for him at Warner Bros. Studios. While under contract at Warner Bros., he appeared in a number of hit movies, including So This Is Love (1953) with Kathryn Grayson and The Boy from Oklahoma (1954) with Will Rogers Jr., and Lon Chaney Jr..
Television then discovered him. As a regular performer on The Arthur Murray Party (1950), The Tonight Show Starring Jack Paar (1957) and others, he was offered the opportunity to host his own television series, Play Your Hunch (1958). It was during this period that he conceived the idea for what was to become one of the most successful game shows in television history, Jeopardy! (1964). But it was in 1962 that his career took its most dramatic turn. He became a substitute host for Jack Paar on The Tonight Show Starring Jack Paar (1957) and scored some of the highest ratings in the show's history. As a result, NBC gave him his own hour-long daytime talk show program, The Merv Griffin Show (1962).
Griffin's name and talk show career will always be seen in the light of that of Johnny Carson, the "King of late night TV", with whom Griffin directly competed on CBS from 1969 to 1972. Griffin's first daytime talk show began on the same day Carson first hosted The Tonight Show (1962). While Carson's style was indebted to his long apprenticeship in Los Angeles in the 1950s, Griffin was based in New York, where he socialized with New York's theater and café crowds. Griffin's approach to television talk was influenced by two New York shows, David Susskind's The David Susskind Show (1958) and Mike Wallace's Probe and Night Beat (1956), and like Susskind and Wallace, he openly embraced controversial subjects. In 1965, Griffin was criticized as a "traitor" when he aired a special from London in which Nobel Prize-winning philosopher Bertrand Russell denounced the Vietnam War.
Despite his success on daytime television, it was late night that was The Holy Grail for talk show hosts. In 1969, CBS hired Griffin to directly compete with Carson in the 11:30 PM to 1:00 AM time slot that had proven a grave yard for other personalities. Not one to shy away from controversy, Griffin began to be harassed by CBS censors who objected to the antiwar statements of his guests and ordered him to feature pro-war guests for balance. "The irony of the situation wasn't wasted on me", Griffin recalls in his autobiography. "In 1965, I'm called a traitor by the press for presenting Bertrand Russell, and, four years later, we are hard-pressed to find anybody to speak in favor of the Vietnam War".
In March 1970, CBS censors pixilated antiwar activist Abbie Hoffman because he was wearing a shirt that resembled an American flag. The resulting blurred image meant that Hoffman's voice emanated from a "jumble of lines". CBS also pressured Griffin into sacking his long-term sidekick Arthur Treacher, who had been his television mentor, because he was too old. The censorship did not boost the ratings for Griffin, who was facing stiff competition from the genial Carson, who himself was criticized during the era for shying away from controversial subjects.
In 1972, a fed-up Griffin negotiated a syndication deal with Metromedia to move his talk show back to the daytime, and in the event he was terminated by CBS. The deal was signed in secret as a penalty clause in his CBS contract gave him $1 million in the event of his being fired. Later that year, CBS terminated Griffin's late-night talk show and Griffin immediately made the transition to Metromedia's syndicated network.
While Griffin may have been a washout in late night television (and he had LOTS of company - EVERYONE who went up against Carson lost the ratings race, and Johnny always came out the victor), Griffin's impact on daytime was immense, specifically through his production of game shows. An avid fan of puzzles since childhood, Griffin first produced a successful game show in 1964, Jeopardy! (1964) for NBC. After 13 seasons as a daytime talk show host, Griffin retired from his talk show in 1986 to devote himself to producing his highly profitable game shows.
Jeopardy! (2002) remains the second highest rated game show in television syndication while Wheel of Fortune (1983) continues to be the longest running game show to hold the number one spot in television syndication history. Other Griffin successes in the game show field included "One in a Million" and Joe Garagiola's Memory Game (1971), both airing on ABC, Let's Play Post Office on NBC, and Reach for the Stars (1967).
In 1986, Griffin sold his production company, Merv Griffin Enterprises, to Coca-Cola's Columbia Pictures Television unit for $250 million as well as a continuing share of the profits of the shows. At that time, the transaction represented the largest acquisition of an entertainment company owned by a single individual. Subsequently, Sony Pictures Entertainment purchased Columbia and he retains the title of executive producer of both "Wheel of Fortune" and "Jeopardy!" (for which he still creates puzzles and questions.) He served as Executive Producer of "Men Are From Mars, Women Are From Venus" (2000).
After his retirement from daytime chat, Merv became a real estate baron, acquiring the Beverly Hilton Hotel in Beverly Hills, which is now the venue of choice for virtually all of the Tinseltown's most high profile events such as The Golden Globe Awards, The Soap Opera Digest Awards, and The American Film Institute's Lifetime Achievement Awards. He also owns the Hilton Scottsdale Resort and Villas in Arizona, and St. Clerans Manor, an 18th century estate once owned by director John Huston which is located near Galway, the premier resort destination in Ireland.
In January 1998, Griffin opened The Coconut Club, one of the country's hottest swing/dance clubs, at his Beverly Hilton Hotel. This weekend venue, fashioned after Hollywood's famed Coconut Grove (where Griffin headlined as a boy singer with The Freddy Martin Orchestra) features live Big Bands, Swing Orchestras, and Rock Bands amidst a glamorous nightclub setting.
He was honored with the prestigious 1994 Broadcasting and Cable "Hall of Fame" Award, alongside such figures as Diane Sawyer and Dan Rather. Winner of 15 Emmy Awards, Griffin was presented an Outstanding Game/Audience Participation Show Emmy for 1993-1994 as executive producer of Jeopardy! (1984) He had also been the recipient of the coveted Scopus Award from the American Friends of Hebrew University, "The Duke Award" presented by the John Wayne Cancer Institute, and he had been honored by the American Ireland Fund and the SHARE organization. He was Lifetime Honorary Festival Chairman of La Quinta Arts Festival and recently donated his Wickenburg Inn and Dude Ranch to Childhelp USA.
In March 2001, the Gold Label released his new CD, "It's Like a Dream", for which he composed the title song. Among his private passions are his family, son Tony Griffin, daughter-in-law Tricia, and grandchildren Farah and Donovan Mervyn, his long-haired sharpei dog Charlie Chan, his La Quinta ranch near Carmel, where he raises thoroughbred racing horses, and his 135 foot, four-story high ocean going yacht, Griff. Merv Griffin died at age 82 of prostate cancer in Los Angeles, California on August 12, 2007.- Actress
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Eva Gabor was born on February 11, 1919 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), a soldier. Her older siblings were Magda Gabor, an actress, and Zsa Zsa Gabor, an actress and socialite. Her parents were both from Jewish families. She went to Hollywood, California, to act in the 1930s. Her mother escaped from Nazi-occupied Budapest in the 1940s, also settling in the U.S.
Eva appeared both in films and on Broadway in the 1950s, as well as in several "A"-movies, including The Last Time I Saw Paris (1954), starring Elizabeth Taylor, and Artists and Models (1955), which featured Dean Martin and Jerry Lewis.
In 1953, she was given her own television talk show, The Eva Gabor Show (1953). Throughout the rest of the 1950s and early 1960s, she appeared on television and in movies. She appeared on one episode of the mystery series Justice (1954), and was on the game show What's My Line? (1950) as the "mystery challenger". Her film appearances during this period include a remake of My Man Godfrey (1957), Gigi (1958) and It Started with a Kiss (1959).
However, she is best remembered as Lisa Douglas, the socialite turned farm wife on Green Acres (1965) with co-star Eddie Albert playing her attorney husband Oliver Wendell Douglas. Eva Gabor died at age 76 from respiratory failure and pneumonia on July 4, 1995 in Los Angeles, California.- Make-Up Department
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Max Factor Jr., named Frank at birth, was the second son of Max Factor, who opened his first wig shop in Razan, Russia in the 1890s. In April 1904, Max emigrated to the United States and opened a perfume, makeup, and wig concession at the St. Louis World's Fair. Max's son Frank was born in St. Louis. The family moved to Los Angeles in 1908, and Frank joined the family business on Hill St. as early as 1916. By the time Max died on August 30, 1938, he had created a make-up empire, supplying both Hollywood and American women. Frank changed his name to Max Factor Jr., and became head of the company.- Actress
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Jack Haley Jr. was born on 25 October 1933 in Los Angeles, California, USA. He was a producer and director, known for Hollywood and the Stars (1963), Life Goes to War: Hollywood and the Home Front (1977) and Movin' with Nancy (1967). He was married to Liza Minnelli. He died on 21 April 2001 in Santa Monica, California, USA.- Actress
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Skye Aubrey was born on 21 December 1945 in Evanston, Illinois, USA. She was an actress and producer, known for Toma (1973), The Phantom of Hollywood (1974) and Fantasy Island (1977). She was married to Ilya Salkind. She died on 27 November 2020 in DeBary, Florida, USA.- Producer
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Daniel Melnick was born on 21 April 1932 in New York City, New York, USA. He was a producer, known for Altered States (1980), Blue Streak (1999) and Straw Dogs (1971). He was married to Linda Rodgers. He died on 13 October 2009 in Los Angeles, California, USA.- Actress
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The very lovely, vivacious and smart-looking Joanna Cassidy was born in Camden, New Jersey, and raised in nearby Haddonfield, a borough located in Camden County. She grew up in a creative environment as the daughter and granddaughter of artists. At an early age she engaged in painting and sculpture and went on to major in art at Syracuse University in New York. During her time there she married Kennard C. Kobrin in 1964, a doctor in residency, and found work as a fashion model to help work his way to a degree. The couple eventually moved to San Francisco, where her husband set up a psychiatric practice; Joanna continued modeling and gave birth to a son and daughter. Following their divorce ten years later, she decided to move to Los Angeles in a bid for an acting career.
In between modeling chores and occasional commercial gigs, the reddish-haired beauty found minor, decorative work as an actress in such action fare as Steve McQueen's thriller Bullitt (1968), the Jason Robards drama Fools (1970), The Laughing Policeman (1973) starring Walter Matthau and The Outfit (1973) with Robert Duvall. Her first co-starring role came opposite George C. Scott in the offbeat comedy caper The Bank Shot (1974).
Television became an important medium for her in the late 1970s, with guest parts on all the popular shows of the time, both comedic and dramatic, including Dallas (1978). Trapper John, M.D. (1979), Taxi (1978), Starsky and Hutch (1975), Charlie's Angels (1976), Lou Grant (1977) and a recurring role on Falcon Crest (1981). A regular on the sketch/variety show Shields and Yarnell (1977), which showcased the popular mime couple, Joanna languished in three failed series attempts--The Roller Girls (1978), 240-Robert (1979) and The Family Tree (1983)--before hitting the jackpot with the sitcom Buffalo Bill (1983) opposite Dabney Coleman, in which she finally had the opportunity to demonstrate her flair for offbeat comedy. The show became that's season's critical darling, with Coleman playing a vain, sexist, obnoxious talk show host (a variation of his popular 9 to 5 (1980) film character) and Joanna received a Golden Globe for her resourceful portrayal of Jo Jo White, the director of his show and romantic foil for Coleman, who stood toe-to-toe with his antics.
The 1980s also brought about positive, critical reception for Joanna on film as well, especially in a number of showy portrayals, notably her snake-dancing replicant in the futuristic sci-fi thriller Blade Runner (1982), her radio journalist involved with Nick Nolte and Ed Harris in the political drama Under Fire (1983) and her co-starring role in a wacky triangle with Bob Hoskins and a hyperkinetic hare in the highly ambitious part toon/part fantasy film Who Framed Roger Rabbit (1988). Back on the TV front she was seen in recurring roles on L.A. Law (1986), Diagnosis Murder (1993), The District (2000) and Boston Legal (2004).
Since then Joanna has juggled a number of quality film and TV assignments, a definitive highlight being her Emmy-nominated recurring role as a quirky, capricious mother/psychiatrist in the cult cable series Six Feet Under (2001). More recently she has taken part in more controversial film work that contain stronger social themes such as Anthrax (2001), a Canadian political thriller whose storyline feeds on the fear of terrorism; The Virgin of Juarez (2006), which chronicled the murders of hundreds of Mexican women; and the gay-themed pictures Kiss the Bride (2007) and Anderson's Cross (2010).
Off-camera Joanna is devoted to her art (painting, sculpting) and is a dedicated animal activist as well as golfer and antique collector. She presently resides in the Los Angeles area with her dogs.- Actor
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Laurence Harvey was a British movie star who helped usher in the 1960s with his indelible portrait of a ruthless social climber, and became one of the decade's cultural icons for his appearances in socially themed motion pictures.
Harvey was born Zvi Mosheh Skikne on October 1, 1928 in Joniskis, Lithuania, to Ella (Zotnickaita) and Ber Skikne. His family was Jewish. The youngest of three brothers, he emigrated with his family, to South Africa in 1934, and settled in Johannesburg. The teenager joined the South African army during World War II, and was assigned to the entertainment unit. His unit served in Egypt and Italy, and after the war the future Laurence Harvey returned to South Africa and began a career as an actor. He moved to London after winning a scholarship to the Royal Academy of Dramatic Arts. He then did his apprenticeship in regional theatre, moving to Manchester in the 1940s. The tyro actor reportedly supported himself as a hustler while appearing with the city's Library Theatre. Even at this point in his life he was known to be continually in debt and adopted a firm belief in living beyond his means, a pattern that would continue until his premature death. His lifestyle would often dictate working on less worthy projects for the sake of a paycheck.
His film debut came in House of Darkness (1948), and he was soon signed by Associated British Studios. His early film roles proved underwhelming, and his attempt to become a stage star was disastrous - his debut in the revival of "Hassan" was a notorious flop. After failing in the commercial theater in London's West End, Harvey joined the company of the Shakespeare Memorial Theatre at Stratford-upon-Avon for the 1952 season. Regularly panned by critics during his stint on the boards in the Bard's works, he built up his reputation as a personality by becoming combative, telling the press that he was a great actor despite the bad reviews. Someone was listening, as Romulus Pictures signed him in 1953 and began building him up as a star.
Harvey was cast as Romeo in Romeo and Juliet (1954), a film that exemplified the main problem that kept Harvey from major stardom (but subsequently would serve him quite well in a handful of roles): his screen persona was emotionally aloof if not downright frigid. Despite his icy portrayal of the great romantic hero Romeo, Harvey attracted enough attention in Hollywood to be brought over by Warner Bros. and given a lead role in King Richard and the Crusaders (1954).
In Old Blighty with Romulus after his Hollywood adventure, Harvey met his future wife Margaret Leighton on the set of The Good Die Young (1954). Other film appearances included I Am a Camera (1955) and Three Men in a Boat (1956), the latter becoming his first certified hit, and even greater success was to come. The colorful Harvey, a press favorite, became notorious for his high-spending, high-living ways. He found himself frequently in debt, his travails faithfully reported by entertainment columnists. More fame was to come.
After making three flops in a row, Harvey began a brief reign as the Jack the Lad of British cinema with the great success of Room at the Top (1958). That film and Look Back in Anger (1959), which was also released that year, inaugurated the "kitchen sink" school of British cinema that revolutionized the country's film industry and that of its cousin, Hollywood, in the 1960s.
Harvey was born to play Joe Lampton, if not in kin, then in kind. Lampton was a working-class bloke who dreams of escaping his social strata for something better. It was a perfect match of actor and role, as the icy Harvey persona made Joe's ruthless ambition to climb the greasy pole of success fittingly chilling. In bringing Joe to life on the screen, Harvey was more successful than Richard Burton (a far better actor) had been in limning the theater's Jimmy Porter in the film adaptation of John Osborne's seminal "Look Back in Anger," despite Burton's own working-class background. Burton's volcanic use of his mellifluous voice, a great instrument, is much too hot for the the small universe on the screen, a case of projection that is so intense that it overwhelms the character and the film (it took Burton another half-decade to learn to act on film, and a half-decade more to lose that gift). Whereas Burton had to learn to rein it in, Harvey's already tightly controlled persona made the social-climbing Lampton resonate. Harvey fits the skin of the character much better than does Burton. Despite not being an authentic specimen, the success of his performance as a working-class man-on-the-make proved to be the vanguard of a new generation of screen characters that would be played by the real thing: Albert Finney, Tom Courtenay, Terence Stamp and Michael Caine, among others. "Room at the Top" signaled the appearance of the New Wave of British cinema. For his role as Joe, Harvey received his first (and only) Academy Award nomination.
While historically significant, "Room at the Top" is no longer ranked at the summit of other, more contemporary kitchen-sink dramas, such as Karel Reisz's Saturday Night and Sunday Morning (1960), Tony Richardson's A Taste of Honey (1961) and Lindsay Anderson's This Sporting Life (1963), or even John Schlesinger's provincial comedy Billy Liar (1963), films that made stars out of the authentic working-class/provincial actors Finney, Alan Bates, Richard Harris and Courtenay, respectively. The virtue of the film is its emotional honesty about the manipulation of personal relationships for social gain in postwar Britain, a system that after a decade under the Conservatives had become self-satisfied and complacent. In its portrayal of class warfare, the film offers the most intense critique of the British class system offered by any film from the British New Wave, including "Saturday Night and Sunday Morning," which never leaves the confines of the working-class strata its main character, Arthur Seaton, is stuck in and ultimately reconciled to.
That Joe chooses a woman other than the one he really loves in order to gain social mobility, engaging in emotional manipulation of other human beings, is a brutal indictment of the class structure of postwar Britain. Joe, on his way to his wedding and his great chance, has lost his humanity. His failure is symbolic of Britain's failure as well. It is the haughtiness and narcissism of the actor Harvey (qualities his screen persona engenders in film after film) that elucidates Lampton's weakness. A further irony of Harvey's effective, if ersatz, portrayal of working-class Joe is that it made him such a success - he soon went off to Hollywood to play opposite box-office titan Elizabeth Taylor in BUtterfield 8 (1960), thus losing out on further opportunities to appear in the British New Wave he helped introduce. As well as supporting Taylor in her Oscar-winning turn in "Butterfield 8" (the two became close friends), a badly miscast Harvey also co-starred as Texas hero Col. James Travis in John Wayne's bloated budget-buster The Alamo (1960).
With the exception of the lead in the British Jungle Fighters (1961)- a war picture that was decidedly NOT New Wave - Harvey did not appear again in a major British film until 1965, when he returned to the other side of the pond to reprise Joe in the "Room" sequel Life at the Top (1965). However, if he had never gone Hollywood, he might never have been cast in his other signature role: Raymond Shaw, the eponymous The Manchurian Candidate (1962). Once again, the match of actor and character was ideal, as Harvey's coldness and affect-free acting perfectly embodied the persona of the programmed assassin. The film, and Harvey's performance in it, are classic.
In this Hollywood interlude, Harvey also appeared in the screen adaptations of Tennessee Williams' Summer and Smoke (1961) opposite the great Geraldine Page, Oscar-nominated for her role, and the artistically less successful Walk on the Wild Side (1962), supported by the legendary Barbara Stanwyck, French beauty Capucine and a young Jane Fonda. The critics were less kind to his acting in these outings, and, indeed, the rather elegant Harvey does seem miscast as Dove Linkhorn, the wandering Texan created by hardboiled Nelson Algren, reduced to working in an automotive garage by the exigencies of the Great Depression. Critics were even less kind when Harvey tried to follow in Leslie Howard's footsteps in the remake of Of Human Bondage (1964).
Although he could not know it then, Harvey had reached the zenith of his career. In 1962 he won the Best Actor prize at the Munich film festival in 1962 for his role in The Wonderful World of the Brothers Grimm (1962). Honors for Harvey were few after this point. He co-starred with Paul Newman and Claire Bloom in Martin Ritt's film version of the Broadway re-envisioning of Akira Kurosawa's cinematic masterpiece Rashomon (1950). The result, The Outrage (1964), in which Newman played a murderous Mexican bandit and Harvey his victim, was an unqualified flop that still boggles the mind of viewers unfortunate enough to stumble upon it, so outrageous is the idea of casting Newman as a Mexican killer (a role originated by Rod Steiger on the Broadway stage). Harvey, very often a wooden presence in his less inspired performances, was appropriately upstaged by the tree he remained tied to throughout most of the film.
Along with "Life at the Top," Harvey appeared in support of Oscar-winner Julie Christie in John Schlesinger's Darling (1965), an allegedly "mod" look at the jaded and superficial existence of what was then termed the "jet set." Despite its "New Wave"-like cutting and visual sense, "Darling" - which was embraced wholeheartedly by Hollywood and originally had been envisioned as a vehicle for Shirley MacLaine - was, at its heart, an old-fashioned Hollywood-style morality play, a warning that the wages of sin lead to emotional emptiness, hardy a revolutionary idea in 1965. Christie was excellent - particularly as she metamorphosed from Dolly-bird to a more mature sort of hustler - and first-male lead Dirk Bogarde always proved an interesting actor, but it was Harvey who most clearly embodied the zeitgeist of the picture. Once again, his coldness did him well as he limned the executive who manipulates and is manipulated by Christie's Diana character.
Harvey had become at this point a kind of good-luck charm for actresses with whom he appeared. Simone Signoret, Elizabeth Taylor and Christie won Best Actress Oscars after appearing in films with him, and Geraldine Page and "Room at the Top" co-star Hermione Baddeley were both Oscar-nominated in the period after appearing opposite Harvey. Alas, no one else collected kudos in a Harvey picture: he reached the high-water mark of his career in 1962, and his star was already in in decline to a murkier, less-lustrous part of the Hollywood/international cinema firmament.
Another irony of Harvey's career is that, despite ushering in the British New Wave and a cinema more independent of the meat-grinder ethos of the Hollywood and British studios catering to popular taste, he would have been better served in the 1930s and 1940s as a contract player at a major studio. Like Michael Wilding (who also became the third husband of Harvey's first wife, Margaret Leighton), another handsome man of limited gifts who nonetheless could be quite affecting in the right role, Harvey's career likely would have thrived under the studio system, with an interested boss to guide him. Like Minniver Cheever, however, he was unfortunate to have been born after his time.
As it was, the next (and last) decade of Harvey's screen life was a disappointment, with the actor relegated to less and less prestigious pictures and international co-productions that needed a "star" name. In the 1970s, Harvey became largely irrelevant as a player in the motion picture industry. His luck had run out. Good friend Liz Taylor, whose string of motion picture successes had also run its course, had him cast in Night Watch (1973), and he directed the last picture in which he appeared, Welcome to Arrow Beach (1973). If he had lived, he might have made the transition to director (he had earlier directed The Ceremony (1963) and finished directing A Dandy in Aspic (1968) after the death of original director Anthony Mann).
Laurence Harvey died on November 25, 1973, from stomach cancer. He publicly revealed that he was dismayed by being afflicted with the fatal disease, as he had always been careful with the way he ate. Sadly, his personal luck, just as capricious as his professional career, had also gone into eclipse. One of the more colorful characters to grace the screen was dead at the age of 45, exiting the stage far too soon for the legions of fans that still admired him despite the downturn in his fortunes.- Paulene Stone was born on 10 May 1941 in Guildford, Surrey, England, UK. She is an actress, known for ITV Playhouse (1967), I Am a Bounty Hunter: Domino Harvey's Life (2006) and Fame, Fashion and Photography: The Real Blow Up (2002). She was previously married to Mark Burns, Peter Morton, Laurence Harvey and Anthony Norris.
- George Christy was born on 14 May 1927 in Monessen, Pennsylvania, USA. He was an actor, known for Die Hard (1988), Predator 2 (1990) and Se7en (1995). He died on 11 August 2020 in Santa Monica, California, USA.
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Rupert Allan was born on 25 October 1912 in St. Louis, Missouri, USA. He is known for Hollywood Uncensored (1987), Hollywood Greats (1977) and Cary Grant: A Celebration of a Leading Man (1988). He died on 24 August 1991.- Born Verna Charlene Stavely. Holt, a former "Miss Maryland," enjoyed a rewarding modeling career prior to her screen work in both films and television that began when caught director Howard Hawks's attention when he saw her in a lipstick commercial. After her debut appearance in the Sandra Dee-Bobby Darin comedy, If a Man Answers (1962), Holt went on to appear in such films as Days of Wine and Roses (1962), Man's Favorite Sport? (1964), Red Line 7000 (1965), Zigzag (1970), and the TV movie Wonder Woman (1974). Her television series appearances included guest roles on Hawaiian Eye (1962), The Alfred Hitchcock Hour (1963), Perry Mason (1965), It Takes A Thief (1968), and CHiPs (1980). Following the filming of El Dorado in 1966, Holt married millionaire real estate developer William A. Tishman in 1966. The couple enjoyed traveling and collecting antiques and artwork for their lavish home in Trousdale Estates in West Los Angeles until their 1972 divorce. Her last screen appearance before retiring was in Melvin and Howard (1980).
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Noted these days for his dashing, sporting, jet-setting playboy image and perpetually bronzed skin tones in commercials, film spoofs and reality shows, George Hamilton was, at the onset, a serious contender for dramatic film stardom. Born George Stevens Hamilton in Memphis, TN, on August 12, 1939, the son of gregarious Southern belle beauty Anne Lucille (Stevens) Potter Hamilton Hunt Spaulding, and her husband (of four), George William "Spike" Hamilton, a touring bandleader. Moving extensively as a youth due to his father's work (Arkansas, Massachusetts, New York, California), young George got a taste of acting in plays while attending Palm Beach High School. With his exceedingly handsome looks and attractive personality, he took a bold chance and moved to Los Angeles in the late 1950s.
MGM (towards the end of the contract system) saw in George a budding talent with photogenic appeal. It wasted no time putting him in films following some guest appearances on TV. His first film, a lead in Crime & Punishment, USA (1959), was an offbeat, updated adaptation of the Fyodor Dostoevsky novel. While the film was not overwhelmingly successful, George's heartthrob appeal was obvious. He was awarded a Golden Globe for "Most Promising Newcomer" as well as being nominated for "Best Foreign Actor" by the British film Academy (BAFTA). This in turn led to an enviable series of film showcases, including the memorable Southern drama Home from the Hill (1960), which starred Robert Mitchum and Eleanor Parker and featured another handsome, up-and-coming George (George Peppard); Angel Baby (1961), in which he played an impressionable lad who meets up with evangelist Mercedes McCambridge; and Light in the Piazza (1962) (another BAFTA nomination), in which he portrays an Italian playboy who falls madly for American tourist Yvette Mimieux to the ever-growing concern of her mother Olivia de Havilland. Along with the good, however, came the bad and the inane, which included the dreary sudsers All the Fine Young Cannibals (1960) and By Love Possessed (1961) and the youthful spring-break romps Where the Boys Are (1960), which had Connie Francis warbling the title tune while slick-as-car-seat-leather George pursued coed Dolores Hart, and Looking for Love (1964), which was more of the same.
Not yet undone by this mixed message of serious actor and glossy pin-up, George went on to show some real acting muscle in the offbeat casting of a number of biopics -- as Moss Hart in Act One (1963), an overly fictionalized and sanitized account of the late playwright (the real Moss should have looked so good!), as ill-fated country star Hank Williams in Your Cheatin' Heart (1964), and as the famed daredevil Evel Knievel (1971).
The rest of the '60s and '70s, however, rested on his fun-loving, idle-rich charm that bore a close resemblance to his off-camera image in the society pages. As the 1960s began to unfold, he started making headlines more as a handsome escort to the rich, the powerful and the beautiful than as an acclaimed actor -- none more so than his 1966 squiring of President Lyndon B. Johnson's daughter Lynda Bird Johnson. He was also once engaged to actress Susan Kohner, a former co-star. Below-average films such as Doctor, You've Got to Be Kidding! (1967), A Time for Killing (1967) and The Power (1968) effectively ended his initially strong ascent to film stardom.
From the 1970s on George tended to be tux-prone on standard film and TV comedy and drama, whether as a martini-swirling opportunist, villain or lover. A wonderful comeback for him came in the form of the disco-era Dracula spoof Love at First Bite (1979), which he executive-produced. Nominated for a Golden Globe as the campy neck-biter displaced and having to fend off the harsh realities of New York living, he continued on the parody road successfully with Zorro: The Gay Blade (1981) in the very best Mel Brooks tradition.
This renewed popularity led to a one-year stint on Dynasty (1981) during the 1985-1986 season and a string of fun, self-mocking commercials, particularly his Ritz Cracker and (Toasted!) Wheat Thins appearances that often spoofed his overly tanned appearance. In recent times he has broken through the "reality show" ranks by hosting The Family (2003), which starred numerous members of a traditional Italianate family vying for a $1,000,000 prize, and participating in the second season of ABC's Dancing with the Stars (2005), where his charm and usual impeccable tailoring scored higher than his limberness. On the tube he can still pull off a good time, whether playing flamboyant publisher William Randolph Hearst in Rough Riders (1997), playing the best-looking Santa Claus ever in Very Cool Christmas (2004), hosting beauty pageants or making breezy gag appearances. In 1989 he started a line of skin-care products and a chain of tanning salons.
Into the millennium, he has had featured roles in the "opera singer trio reunion" comedy Off Key (2001) also starring Joe Mantegna and Danny Aiello; the offbeat underground film Reflections of Evil (2002); the comedy romps The L.A. Riot Spectacular (2005) and Melvin Smarty (2012); the political drama The Congressman (2016); the family dramedy Silver Skies (2016); and the romantic comedy Swiped (2018). On TV, he enhanced several programs including "Nash Bridges," "Pushing Daisies," "Hot in Cleveland" and "Grace and Frankie." He also had a recurring role on the series American Housewife (2016). Beginning in the summer of 2016, Hamilton appeared in TV commercials as the "Extra Crispy" sun-tanned version of KFC's Colonel Harland Sanders. He later played the Colonel on an episode of "General Hospital."
George managed one brief marriage to actress/TV personality Alana Stewart from 1972 to 1975 (she later married and divorced rock singer Rod Stewart), the pair have a son, actor Ashley Hamilton, born in 1974. Another son, George Thomas Hamilton, born in 2000, came from his involvement with Kimberly Blackford.- Actor
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Marty Allen was born on 23 March 1922 in Pittsburgh, Pennsylvania, USA. He was an actor and director, known for Night Gallery (1969), The Last of the Secret Agents? (1966) and The Vanishing of Ethan Carter (2014). He was married to Karon Kate Blackwell and Lorraine 'Frenchy' Trydelle. He died on 12 February 2018 in Las Vegas, Nevada, USA.- Actor
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James Brolin is an American actor. Brolin has won two Golden Globes and an Emmy. He received a star on the Hollywood Walk of Fame on August 27, 1998. He is the father of actor Josh Brolin.
He is best known for his TV roles such as Stephen Kiley on Marcus Welby, M.D.(1969-1976), Peter McDermott on Hotel (1983-1988), and John Short in Life in Pieces (2015-2019), and his film roles such as Sgt. Jerome K. Weber in Skyjacked (1972), John Blane in Westworld (1973), General Ralph Landry in Traffic (2000), Jack Barnes in Catch Me If You Can (2002) and Emperor Zurg in the 2022 Toy Story spin-off film Lightyear.- Actor
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Robert Donner was born in New York City and grew up in New Jersey, Michigan and Texas. Robert joined the Navy after he graduated from high school and served almost 4 years. After he left the Navy he stayed on the West Coast and worked as a shipping clerk, salesman, bartender, commercial artist, gardener, and insurance investigator. Robert attended San Fernando Valley State College (now California State University, Northridge), at nights taking courses in Art History, Psychology and speech. During this time, Robert Donner lived in Studio City and became friends with actor Clint Eastwood who lived in his apartment building. Clint urged Robert to study drama, telling him he was humorous and had a good face. When Robert was not acting he was active in athletics, and was known as one of Hollywood's most enthusiastic golfers. He was a member of the former "Hollywood Hackers" and carried a seven handicap and was the leader of a group of entertainment industry professionals known as Don Porter's Thursday Golf Group as well as joining others at many of the Celebrity Golf Tournaments who raise money for various charities around the world. Robert also played in many tennis tournaments and was frequently called upon during "Celebrity Nights" in which he performed stand-up comedy and promised not to sing. His reputation in this area also led him to become known as one of Hollywood's "in demand" Corporate Speakers.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
- Director
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Both a leading and a supporting actor in movies and on television, name a role - lawyer, airline pilot, rig foreman, doctor, gunslinger, real-life person, good guy, bad guy - and Chad Everett has probably played it. He was born Raymon Lee Cramton on June 11, 1937 in South Bend, Indiana. In high school, he did stage plays and wanted to become an actor.
After he graduated from Wayne University, Chad came to Hollywood and signed a contract with Warner Brothers. He first became known playing a deputy in the short-lived television series, The Dakotas (1962) but acted in a number of supporting roles, such as Get Yourself a College Girl (1964) and Made in Paris (1966), and played the title role in Johnny Tiger (1966) and Return of the Gunfighter (1966).
He was probably best-known for his seven-year run as "Dr. Joe Gannon" in the television series, Medical Center (1969), which earned him two Golden Globe nominations. After "Medical Center" was canceled, Chad starred in the mini-series, Centennial (1978), and played the title role in Hagen (1980). In the early '80s, Chad was in television films, including The Intruder Within (1981), and did a number of guest appearances on The Love Boat (1977) and Murder, She Wrote (1984).
Chad's recent work has included roles in the remake of Psycho (1998) and in Mulholland Drive (2001). Today, he is still seen on television in Manhattan, AZ (2000). He recently completed a new film with Gwyneth Paltrow, View from the Top (2003), which is soon to be released. Chad is married to Shelby Grant, and they have two daughters.- Actor
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Redd Foxx began doing stand-up comedy on the infamous "Chitlin' Circuit" in the 1940s and 1950s. Foxx was one of the premier "blue humor" comedians. Blue humor was very dirty, too dirty for white audiences. For years his party albums were not available in white record stores. In the 1960s his records became available, although marginally in white record stores, leading to minor comedy work on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and The Red Skelton Hour (1951), among other classic variety shows of the time. Foxx developed a fan base in the 1960s that led to increased notoriety. He received his own television series in 1972 called Sanford and Son (1972), which was a reworking of the British sitcom Steptoe and Son (1962). Foxx's character, Fred Sanford (was actually Foxx's brother's name), was a cranky old man who was set in his ways and would insult both friends and strangers at the drop of a hat. He ran a junkyard in Watts, a bad neighborhood in Los Angeles, with his son Lamont (played by Demond Wilson). The show broke down racial stereotypes and was a huge success, making Foxx and the show household names. Foxx fought a very public battle with the writers and producers of the show, claiming that they did not do enough to promote the black experience, and in general complained there were not enough black writers or producers in the entertainment industry. These highly publicized disputes led to the show faltering artistically, but not in the ratings. Foxx left the show in 1977 to accomplish his dream on ABC: his own variety show, which lasted less than a year. He also starred in the controversial film Norman... Is That You? (1976).
Foxx's trouble with the law and the Internal Revenue Service hampered his career in the early 1980s. He flopped yet again with the sitcom The Redd Foxx Show (1986) on ABC. He did, however, find success playing a ghost in the TV movie Ghost of a Chance (1987), with Dick Van Dyke. The late 1980s found Foxx on a rebound, as he starred with Richard Pryor and Eddie Murphy in the popular Harlem Nights (1989), which showcased the three premiere black comedians of their respective generations. A whole new generation of comedians begin claiming Redd Foxx as a major influence on their careers, including Murphy and Pryor. Foxx looked like he was finding success 20 years after Sanford and Son (1972) with The Royal Family (1991). However, we will never know if the show would have been a success--while rehearsing for an episode, Foxx collapsed and was rushed to a hospital. He died in October of 1991. Redd Foxx will be remembered as a pioneering comedian who influenced generations of comedians and helped break down racial barriers in the the entertainment industry. His influence seems as strong as ever.- Actress
- Soundtrack
Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.- Actor
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James Grover Franciscus graduated magna cum laude from Yale University in 1957 with a B.A. in English and theater. His father, John Allen Franciscus, was a pilot killed in action during WWII. His mother was named Loraine (nee Grover) and he had one sibling, a brother named John. Mr. Franciscus is best known for his work in television, including Naked City (1958), The Investigators (1961), Mr. Novak (1963) and Longstreet (1971). He also made numerous guest appearances in other popular television programs, starred in numerous television movies, and appeared in numerous feature films. In the mid 1980s, he became dissatisfied with the roles offered to him and turned his attention to screen writing. As co-founder of Omnibus Productions, he produced many classic films, such as Heidi (1968), Jane Eyre (1970), David Copperfield (1970), Kidnapped (1971), and The Red Pony (1973). An avid tennis player, he founded the James Franciscus Celebrity Tennis Tournament in the mid 1970s to raise money for multiple sclerosis research and victims (his mother suffered from this disease). He also enjoyed sky diving and scuba diving. He married Kathleen 'Kitty' Wellman, daughter of director William A. Wellman, on March 28, 1960, and fathered four daughters (Jamie, Kellie, Corie and Jolie). A devoted family man, his contracts often stipulated that he not be required to work past 6:00 pm. After his divorce from Wellman, he married second wife Carla in 1980 and continued to live on his two acre North Hollywood estate until his death.- Actor
- Producer
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The son of a legendary actress (Mary Martin) and a district attorney, Larry Martin Hagman was born on September 21, 1931 in Fort Worth, Texas. After his parents' divorce, he moved to Los Angeles, California to live with his grandmother. When he was 12, his grandmother died and he moved back to his mother's place, who had remarried and was launching a Broadway career. After attending Bard College in New York State, he decided to follow his mother's acting road. His first stage tryout was with the Margo Jones Theatre-in-the-Round in Dallas, Texas. He then appeared in the New York City Center production of "Taming the Shrew", followed by a year in regional theater. In his early-to-mid twenties, Larry moved to England as a member of the cast of his mother's stage show, "South Pacific", and was a member of the cast for five years. After that, he enlisted in the United States Air Force, where he produced and directed several series for members of the service.
After completing his service in the Air Force, Larry returned to New York City for a series of Broadway and off-Broadway plays, esp. "Once Around the Block", "Career", "Comes a Day", "A Priest in the House", "The Beauty Part", "The Warm Peninsula", "The Nervous Set" among many others. He began his television career in 1961 with a number of guest appearances on shows as "The ALCOA Hour". He was later chosen to be in the popular daytime soap opera The Edge of Night (1956), in which he starred for two years. But that was his start, he later went on to become the friendliest television star in the NBC sitcom I Dream of Jeannie (1965), in which he played the amiable astronaut Anthony Nelson. In the series, his life was endangered by this gorgeous blonde bombshell genie played by Barbara Eden. The series ran for five years and after that, he continued his success in The Good Life (1971) and Here We Go Again (1973), as well as a number of guest-starring roles on many series. He was also with Lauren Bacall in the television version of the hit Broadway musical Applause (1973).
In 1977, the soap opera Dallas (1978) came aboard and Larry's career was secured. He credits "Superchick" for convincing him to do the show. This program of an excessively rich Texas family, was one of the best, beloved, most-watched shows of all time as he portrayed the role of the evil yet perverted millionaire J.R. Ewing, the man who loved to be hated. The series ran for an amazing 14 1/2 seasons and the "Who shot J.R.?" episode remains the second highly-rated television show in the history of the satellite. Since his name was familiar with Texas, it was suiting that he hosted "Lone Star" (1985), an eight-part documentary series related to the history of Texas, for the Public Television Stations. That aired while celebrating the 150th anniversary of Texas as an independent republic. In the spring of 1987, Kari-Lorimar released "Larry Hagman--Stop Smoking for Life". Proceeds from this home video were donated to the American Cancer Society.
In July 1995, he needed a liver transplant in order for him to regain his life back after years of strong drinking that led to cirrhosis. He went over to Cedars-Sinai Medical Center for this where he spent seven weeks in the hospital, and an operation took 16 hours but saved his life. In July 1996, one year after he had a new liver, he served as the National Spokesperson for the 1996 U.S. Transplant Games presented by the National Kidney Foundation and, on November 2, he later received the Award for his efforts in escalating public awareness of the concept of organ donation. He continued to serve as an advocate of organ donation and transplantation until his death. In November 1996, he starred in Dallas: J.R. Returns (1996), a 2-hour movie in which the ratings were a huge success for CBS, as well as in the network's drama series Orleans (1997) when his role of Judge Luther Charbonnet gave him some of the best reviews of his 36-year-career.
When he was feeling better than he had for so many years, he completed his two movie projects: The Third Twin (1997), a four-hour miniseries based on the author's best-selling novel, that aired on CBS, and Mike Nichols's Primary Colors (1998), a film based on the best-selling book by a journalist, Joe Klein. Starring in that film were John Travolta, Emma Thompson, Billy Bob Thornton, Kathy Bates and Adrian Lester. Larry played Governor Picker, an antipolitics politician who stands a grave danger crisis to the governor's bid for office. Primary Colors was his second presidential film having also appeared in Oliver Stone's Nixon (1995). Following these movies, his second Dallas reunion movie, Dallas: War of the Ewings (1998), aired on CBS. He also served as executive producer.
Away from films, Larry was actively involved in a series of civic and philanthropic events. An adamant non-smoker, he served as the chairperson of the American Cancer Society's "Great American Smokeout", from 1981 to 1992. Larry Hagman died at age 81 on November 23, 2012 at Medical City Dallas Hospital in Dallas, Texas from complications of throat cancer.- Actress
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Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.- Actor
- Producer
Sandy-haired American actor Bo Hopkins was born William Mauldin Hopkins in Greenville, South Carolina, and was raised by his mother and grandmother after his father died when Bo was only nine years old. He joined the US Army at the age of 16. After serving his hitch he decided on acting as a career and gained experience in summer stock productions and guest spots in several TV episodes.
Hopkins broke into feature films as the ill-fated "Crazy Lee" in the Sam Peckinpah landmark western The Wild Bunch (1969), and was subsequently hired by Peckinpah for another none-too-bright role as a bank robber in The Getaway (1972) and then as a hired killer pairing up with CIA agent James Caan in The Killer Elite (1975). He was busy on television during the 1980s and 1990s, guest-starring on The Rockford Files (1974), Charlie's Angels (1976), The A-Team (1983), Hotel (1983) and Matt Houston (1982), and was featured on Dynasty (1981). In addition, he starred in dozens of feature films, such as Midnight Express (1978), American Graffiti (1973), The Bounty Hunter (1989), U Turn (1997) and Shade (2003). With his "good old boy" persona and Southern drawl, Hopkins often played lawmen, psychos, or oily villains.
He makes his home in Los Angeles with his wife Sian and son Matthew, and is a keen fisherman, fan of the Anaheim Angels baseball team, and enjoys raising koi fish.- Actress
- Soundtrack
One of the most natural beauties of the 1960s with a gentle voice and personality to match, blonde Hope Lange was born in Redding Ridge, Connecticut, and performed on stage from the age of nine. She studied both drama and dance under Martha Graham, did some modeling and then worked in stock companies and on television, dancing on Jackie Gleason shows. She acted in just a handful of motion pictures, garnering an Academy Award nomination for one, and later won two Emmys for her best-loved role on television.
Hope was one of four children of an actress mother, upon whose shoulders fell the responsibility of supporting the family after the premature death of her father, the composer/arranger John Lange, at age 61 in 1942. Along with her siblings, she worked as a waitress in the family's Greenwich Village restaurant, 'Minette's of Washington Square'. By chance, she made the acquaintance of Eleanor Roosevelt, who owned an apartment in the village, and ended up walking the former First Lady's prized Scotch terrier, Fala. This got her photo into a newspaper, which, in turn, led to an advertising job with pictures on the June 1949 cover of 'Radio-Electronics', sporting the futuristic red 'Man from Mars' pith helmet with built-in radio. Still just fifteen years old, Hope spent the next two years at college in Oregon and New York, then found her first job in television and was subsequently signed by 20th Century-Fox.
After successful screen tests, Lange made her motion picture debut in Bus Stop (1956) (Barbara Eden was one of her competitors for the part) opposite Marilyn Monroe and husband-to-be Don Murray. Even the great Marilyn was said to have felt a little threatened by another blonde who was not only beautiful but five years younger and could act as well. After playing the wife of the titular character in The True Story of Jesse James (1957), a picture which she later referred to as a 'turkey', Lange was cast as the fragile Selena Cross in the melodramatic but good-looking soap opera Peyton Place (1957). This movie was regarded as risqué and controversial at the time, dealing with previously taboo subjects such as rape and incest. For her part of the abused girl, raped by her alcoholic stepfather, whom she finally kills in self-defense, Lange received an Academy Award nomination.
The glossy production values of The Best of Everything (1959), a film about ambitious New York career women working in a magazine publishing house, overshadowed most of the character development. However, Lange (who was billed above the established star Joan Crawford) was dealt with most favorably by the critics. According to Bosley Crowther of The New York Times: "Simply because she has the most to do, and does it gracefully, Miss Lange comes off best' (October 9,1959). The following decade was to be a period of mixed fortunes for Hope Lange.
In 1961, Lange began a long-standing relationship with fellow actor Glenn Ford and left husband Don Murray. Ford, in his dual role of star and associate producer, put pressure on director Frank Capra to cast Lange as the female lead in his next motion picture, the whimsical Damon Runyon-inspired comedy Pocketful of Miracles (1961), even though Shirley Jones had already been assigned to the role. Capra reluctantly gave way, though Hope Lange was likely miscast as the wisecracking showgirl. Lange again co-starred with Ford in the glossy romantic melodrama Love Is a Ball (1963), wherein acting took a back seat to sumptuous costumes and the French Riviera. On the negative side of the ledger, Lange had unsuccessfully auditioned for the part of Maria in West Side Story (1961), which ultimately went to Natalie Wood. Instead, she was cast as Elvis Presley's psychiatrist in Wild in the Country (1961), which was generally panned by critics, except for Variety singling out her performance above the rest as 'intelligent' and 'sensitive'. Lange was also slated to appear as love interest to George Peppard in How the West Was Won (1962), but her scenes ended up on the cutting room floor.
Turning increasingly towards television, Hope Lange achieved her most lasting fame as the popular star of the amiable sitcom The Ghost & Mrs. Muir (1968) as a widow who (with two kids and a housekeeper) takes up residence in a quaint cottage also inhabited by the cantankerous ghost of a sea captain (Edward Mulhare). The show ran for three seasons and Lange won two Emmy Awards for Outstanding Continued Performance by an Actress in a Leading Role in a Comedy Series (1969 and 1970). In her only other recurring TV role, she played Dick Van Dyke's wife in The New Dick Van Dyke Show (1971), but with less rewarding results. She received good notices for portraying Charles Bronson's dying wife, the victim of the original Death Wish (1974) and its raison d'etre. She then acted primarily on television, with few exceptions, including Blue Velvet (1986) and Clear and Present Danger (1994) as a U.S. senator. In 1977, she replaced Tony Award-winning Ellen Burstyn in the starring role of Doris in 'Same Time, Next Year' on Broadway.
In the early '90s, Lange underwent surgery for a brain tumour. While the operation was successful, her health remained precarious and she limited her screen appearances, retiring altogether in 1998. She died of an intestinal infection in December 2003, aged 70.- Actress
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Nancy Malone was born on 19 March 1935 in Queens Village, Long Island, New York, USA. She was an actress and director, known for Naked City (1958), Merlene of the Movies (1981) and The Long, Hot Summer (1965). She died on 8 May 2014 in Duarte, California, USA.- Pamela Mason was born on 10 March 1916 in Westgate-on-Sea, Kent, England, UK. She was an actress and writer, known for Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972), Lady Possessed (1952) and I Met a Murderer (1939). She was married to James Mason and Roy Kellino. She died on 29 June 1996 in Beverly Hills, Los Angeles, California, USA.
- Born Lawrence Vonetta McGee, she got her break in Melinda (1972) and Hammer (1972) and hit paydirt as the love interest of the vampire in Blacula (1972), then starred with her then-boyfriend Max Julien in Thomasine & Bushrod (1974). In 1978 she starred opposite Bernie Casey and Ron O'Neal in Brothers (1977). Other movies include Repo Man (1984) To Sleep with Anger (1990). She has also done much work on television. She was married to actor Carl Lumbly.
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Eleanor Perry was born in 1914 in Cleveland, Ohio, USA. She was a writer and actress, known for David and Lisa (1962), ABC Stage 67 (1966) and Trilogy (1969). She was married to Frank Perry and Leo G. Bayer. She died on 14 March 1981 in New York City, New York, USA.- Jo Ann Pflug was born on 2 May 1940 in Atlanta, Georgia, USA. She is an actress, known for M*A*S*H (1970), Midnight in the Garden of Good and Evil (1997) and The Fall Guy (1981). She has been married to Charles Stuck Young since 14 May 1988. She was previously married to Chuck Woolery.
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TV-talk show host, game-show host, singer, author, and TV personality, Regis Philbin became one of the most popular talk-show hosts in America and in Canada, especially. Growing up as an only child in The Bronx, New York, Philbin went to the University of Notre Dame and got a degree in sociology. Later, he would serve in the U.S. Navy and went through behind-the-scenes in radio and TV, before going into broadcasting.
After moving to California, Philin got his own show on KGTV in San Diego called That Regis Philbin Show (1964). However, with no writing team, for budget reasons, this led him to begin the show that would become his hallmark, where he engages his audience in discussions about his life and events of the day. It was then that he got his first big break as Joey Bishop's sidekick on The Joey Bishop Show (1961). Bishop liked to tease Philbin. But the teasing stopped when Philbin walked off the stage on a live broadcast and stayed away for several days. Philbin later hosted A.M. Los Angeles (1975), a local TV talk show on KABC-TV. With his presence, he brought the show to Number One in Los Angeles.
On the show, Sarah Purcell was his first co-host, followed by Cyndy Garvey. However, when Philbin moved to New York City, they both paired up on "The Morning Show". But due to low ratings, Garvey then left once again and Philbin was then joined by Kathie Lee Gifford on the show and the ratings improved and the show's name was changed to "Live with Regis and Kathie Lee" (1988). Gifford left the show, which was called "Live with Regis" until a permanent replacement could be found.
During the search, Philbin won a Daytime Emmy Award for Outstanding Talk Show Host, his first only Daytime award. When Kelly Ripa was chosen the same year, the show was later changed to "Live with Regis and Kelly." The pairing became successful.
Besides being a successful TV host, Philbin was also a game show host on a short-lived game show called The Neighbors (1975), in which part of the game is that a contestant, usually a woman, would have to find out which one of her neighbors is gossiping about her. He then hosted Almost Anything Goes (1975). Despite both shows being failures, Philbin then hosted Who Wants to Be a Millionaire (1999), which became one of the most popular shows on TV before it was canceled in 2002 and came back with Meredith Vieira replacing Philbin. For his work on the show, he won his second Daytime Emmy for Outstanding Game Show Host.
Philbin then signed a contract for "Millionaire's" spin-off: Who Wants to Be a Super Millionaire (2004). But this time, instead of one million dollars, it's 10 million. However, the show was canceled within four months. However, Philbin's game show career didn't end there; he hosted the first season of America's Got Talent (2006), with Piers Morgan, Brandy Norwood and David Hasselhoff as the judges.
Besides TV, Philbin was also an author who wrote two books: "I'm Only One Man!" and "Who Wants To Be Me?". He was also a singer, in the style of a crooner, such as Frank Sinatra or Dean Martin.
Regis Philbin died on July 24, 2020, in Greenwich, Connecticut, of natural causes. He was 88.- Producer
- Executive
Martin Poll began his film career by co-producing 11 feature films and producing 39 half-hour episodes of the classic Flash Gordon TV series in Germany and France for international release in a two-year period. In the United States, Poll acquired and reopened the historic Biograph Studio in New York, which had been closed for 20 years. He renamed it Gold Medal Studios and it was the largest studio in the United States outside of Hollywood. At Gold Medal, he presided over such productions as Elia Kazan's A Face In The Crowd, Paddy Chayefsky's The Middle Of The Night starring Kim Novak and Frederic March, as well as The Goddess starring Kim Stanley and Lloyd Bridges, Butterfield 8 starring Elizabeth Taylor and Laurence Harvey and The Fugitive Kind starring Marlon Brando, Anna Magnani and Joanne Woodward.
During this time, Poll brought about a renaissance of filmmaking in New York. Location Shooting then was very complicated and clearance took many days as the police department, fire department, sanitation department, etc. had to sign off on each location. He pressured the city and he was made Honorary Film Commissioner to facilitate the location problem. Eventually the Mayor set up a Film Commission.
In 1968, he produced The Lion in Winter (1968), starring Katharine Hepburn and Peter O'Toole, which received nine Academy Award nominations and won three. It also won the Golden Globe Award for Best Picture, the New York Film Critics Award for Best Picture, two British Academy Awards and the David di Donatello Award in Italy for Best Picture.- Director
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Richard C. Sarafian was born on 28 April 1930 in New York City, New York, USA. He was a director and actor, known for Vanishing Point (1971), Bugsy (1991) and Blue Streak (1999). He was married to Helen Joan Altman. He died on 18 September 2013 in Santa Monica, California, USA.- Susan Strasberg was born in New York City on May 22, 1938. From the time of her birth, she was destined to be an actress, as her father was Lee Strasberg, acting coach at the famed Actors Studio in New York. In 1953, Susan made her acting debut in the episode Catch a Falling Star (1953) of the Goodyear Playhouse (1951) when she was just 15 years old. However, her true stage debut was on Broadway in the title role of "Diary of Anne Frank" in 1955. From that time on, Susan would devote part time to the stage and part time to the screen. Her first movie role was a fourth-billed part in Picnic (1955). That spot wasn't bad, considering she was still relatively new to the screen and her co-stars were William Holden, Kim Novak, Rosalind Russell, Cliff Robertson and Arthur O'Connell.
After making The Cobweb (1955) later that same year, she went back to perform on the stage. It just wasn't on-screen that she co-starred with big names; in 1957 she shared the stage with Helen Hayes and Richard Burton in "Time Remembered". In 1958, Susan returned to the big screen again in Stage Struck (1958). Although her billing wasn't anywhere near what it was with "Picnic", the picture got good reviews. For the remainder of her acting career, Susan alternated among the stage, screen and television. Wherever there was an acting role, she was there to appear in it. She spent some time in Europe, particularly Italy, making films for the rabid fans there. During the course of her tenure, she appeared in three documentaries about her old friend Marilyn Monroe. The first two were Marilyn Monroe: Beyond the Legend (1986) and Remembering Marilyn (1988). The third was Marilyn Monroe: Life After Death (1994). On January 21, 1999, Susan lost her struggle with breast cancer in New York City. She was a youthful 60 years old. - Actress
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Liv Ullmann's father was a Norwegian engineer who used to work abroad, so as a child she lived in Tokyo, Canada, New York and Oslo. In the mid-1950s she made her stage debut and in 1957 made her film debut. She really became successful, however, when she began to work for Swedish director Ingmar Bergman in such films as Persona (1966), The Passion of Anna (1969) and Face to Face (1976). She also had a successful film career away from Bergman (The Abdication (1974), Dangerous Moves (1984).- Actor
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Billy Dee Williams was born William December Williams on April 6, 1937 in New York City. Billy Dee has notched up an impressive array of film and television appearances over the past 50+ years. He is easily best known to international film audiences as the roguish Lando Calrissian in the last two episodes of the original Star Wars trilogy: Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983). Williams can also be seen on screen in Lady Sings the Blues (1972), Nighthawks (1981), Batman (1989), Moving Target (1996) and Undercover Brother (2002). A regular performer also in many fine quality television movies and television series.