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Caitriona Balfe was born in Dublin, Ireland, and grew up in the village of Tydavnet, in County Monaghan. She started modeling at the age of 19 after she was scouted by an agent while she was collecting money for charity at a local mall. She has both walked the runway and been featured in advertising campaigns for many top fashion brands, including: Dolce & Gabbana, Fendi, DKNY, Burberry, Dior, Louis Vuitton, H&M, Marc Jacobs, Valentino, Cacharel, Roberto Cavalli, Givenchy, Hugo Boss, Armani, Dries van Noten, Calvin Klein and Chanel.
She has also graced the covers of magazines such as Vogue and Elle. At the time she was scouted, Balfe was studying drama at the Dublin Institute of Technology, hoping to become an actress. She returned to her initial career choice in 2009.- Writer
- Director
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Imtiaz Ali is an Indian film director, actor and writer. In 2005, he made his directorial debut with the film Socha Na Tha. However, it was his second film Jab We Met (2007) that brought him success and fame. His 2009 film Love Aaj Kal gained much critical success, and was declared a super hit at the box office. His movie Rockstar (2011) was also a commercial and critical success. Imtiaz Ali had his origins in Jamshedpur, Jharkhand.He was brought up in Patna and Jamshedpur. He had his early education in Patna- D.B.M.S. English school, Jamshedpur,and later attended University of Delhi in Delhi, where he took part in college theater. He started Ibtida the dramatic society of Hindu College. Thereafter he moved to Mumbai and did a diploma course from Xavier Institute of Communication.- Writer
- Director
- Music Department
Rituparno Ghosh is a Bengali film director. He has won 12 National Film Awards in India and several awards at international film festivals abroad. He began directing in advertising. In 1992, he made a low-key film debut with a children's feature titled Hirer Angti (The Diamond Ring). His second movie Unishe April (19 April), won the 1995 National Film Award Since then, Ghosh has directed Dahan, Utsab, Chokher Bali, Asukh, Bariwali, Antarmahal and Raincoat (in Hindi). He won the National Award for best direction for his bengali film "Abohoman" starring Jishu Sengupta, Ananya Chatterjee, Dipankar Dey and Mamata Shankar in India in 2010.- Writer
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Leena Manimekalai is a poet and filmmaker committed to social justice. Her narrative documentaries on the dynamics of caste, gender, globalisation, art therapy, student politics, eco-feminism, indigenous people's rights, and LGBTQ lives have been internationally acclaimed and have won several awards in prestigious international film festivals and civil rights circuits. Her debut fiction 'Sengadal/the Deadsea' won her NAWFF(Network of Women Film Festivals) Award at Tokyo for the Best Asian Woman Cinema and also was recognised with prestigious Indian Panorama selections after the initial ban by Central Board of Film Certification(CBFC), India - that got cleared through several months of the legal battle. One of her documentary 'Goddesses' has won her Golden Conch at MIFF and Nominations for Horizon Award in Munich and Asia Pacific Screen Award in Melbourne. 'White Van Stories' an exclusive doc-feature on enforced disappearances on SriLanka was shot by her and won her accolades in platforms like Channel 4 and Al Jazeera. Her recent documentary co-produced with NHK Japan is currently doing festival rounds and has already won Best Documentary Award at Singapore International Documentary Festival and Jury Mention at the prestigious Film South Asia, Nepal. Additionally, Leena has received the Charles Wallace Art Award, the EU Fellowship and the Commonwealth Fellowship for her work in Cinema and Gender. She has published five poetry collections and is currently editing her non-fiction feature 'Rape Nation' that traces the lives and struggles of rape survivors across the Indian Subcontinent. 'Maadathy- an unfairy tale' is her second feature fiction and it has started its journey with its world premiere at Busan International Film Festival on October 2019 with a great lineup of Festival Premieres further in other territories..
Selected Filmography- Is it too much to ask (Short Documentary) / 2017
- White Van Stories (Long Documentary) /2015
- My Mirror is the Door (Poem Film) / 2012
- Sengadal the Deadsea (Docu Fiction Feature) / 2011
- Goddesses (Mid-length Documentary) / 2009
- Maadathy, an unfairy tale(Feature Fiction)/2019
- Writer
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- Director
The man who revolutionized Tamil-language cinema, Mani Ratnam is the biggest director in south India and one of the most respected directors in all of India. Each of his films contain its own unique style, with beautifully photographed songs and unique back-lighting. However, his films contain substance as well as style--Ratnam has dealt with a wide variety of topics, from the classic Indian love story to political thrillers.
He was born in Madras in 1956. Filmmaking was in his blood; he was the son of film producer 'Venus Gopalratnam' and his brother was G. Venkateswaran, a film distributor turned producer. Ironically, however, he studied at Madras University and received a management degree at the Jamnalal Bajaj Institute of Management Studies in Mumbai, and had initially started out as a management consultant. His first film, Pallavi Anu Pallavi (1983), starring Anil Kapoor, didn't make many waves, although it won the State Award from Karnataka that year, but even though he made two films in Tamil and one in Malayalam, nothing worked for him until he broke through with Mouna Ragam (1986). Starring Revathi, the film told the tale of a woman who, although forced into an arranged marriage, chooses to maintain a platonic relationship with her husband. The film was noted for its sophisticated approach and execution of an extremely sensitive topic.
His next film, Nayakan (1987), was also arguably his greatest. A take-off on Francis Ford Coppola' legendary The Godfather (1972), it established Ratnam as the leading director of Tamil-language Cinema and won its leading actor Kamal Haasan the National Award for Best Actor. The film draws on 30 years of Tamil Nadu's celebrity images and directly played to the anti-Hindi feelings of Tamil Nadu when the protagonist, beaten up, tells the Hindi policeman in Bombay, "If I ever hit you, you will die!"
Then came the best of his early work - Agni Natchathiram (1988), Geethanjali (1989), and Anjali (1990). The first was a tale of conflict between two step-brothers. Shot with glossy camera work, the film resembled a cross between an advertisement and a music video, and set a trend for a whole new visual style in Tamil-language Cinema. The next, Geethanjali (1989), shot in Ooty to create a soft and poetic mood, was a touching love story between two terminally ill people with less than six months left. The third, Anjali (1990), about a disabled child brought back to her family with two normal children had been chosen by India to be sent to the Oscars for Best Foreign-language Film, but it did not receive a nomination. The next year saw his first, and only collaboration so far, with the Tamil superstar Rajni Kant in the film Thalapathi (1991). It also starred Mamooty, along side a host of other actor. This star studded film was a gritty tale of an orphan who grows up to become a notorious gang member in Chennai. The story was inspired by the great epic of Mahabharata.
It was Roja (1992) that made Ratnam a household name all over India. A patriotic love story set against the backdrop of Kashmiri terrorism, the film was dubbed in Hindi and became a huge national success. It enforced Ratnam as a director of style and substance, as well as proving a highly auspicious debut for the now-acclaimed music director A.R. Rahman, whom Ratnam had discovered. It helped that India's at-the-time election commissioner T. N. Seshan took the rare step of officially endorsing the film. Thiruda Thiruda (1993), a remake of Butch Cassidy and the Sundance Kid (1969) was a misfire, but Ratnam bounced back with Bombay (1995), a politically charged romance between a Hindu man and a Muslim woman during the 1993 riots in Mumbai. The film underwent some controversy due to its slightly anti-Muslim viewpoint, but it contributed widely to the success of the film.
Continuing his political obsession, Ratnam made Iruvar (1997), based on the MGR-Karunanidhi affair, and Dil Se.. (1998), which starred superstars Manisha Koirala and Shah Rukh Khan. The latter was Ratnam's first Hindi-language film. Based on the northeast Indian problem, it told the story of a radio executive and a revolutionary. It had an excellent cast, beautifully crafted scenes, and most of all one of A.R. Rahman's greatest tunes--but did not go down too well with the audience, who hailed it as a strange and confusing film that headed nowhere. However, today it is held as ahead of its time, being that it was shot pre-9/11, and is now hailed as a contemporary classic.
He returned to familiar ground with Alai Payuthey (2000), which tackled the story of a couple in love that goes through the trials and tribulations of marriage. His subsequent film, Kannathil Muthamittal (2002), which told the tale of an adopted girl meeting her terrorist mother, saw Ratnam back in form as one of the greatest storytellers in Indian Cinema. His next film, Yuva (2004), saw Ratnam return to Hindi-language cinema after six years, but in spite of some fine flourishes, the film largely failed to work. However, don't take him too lightly: he is sure to return with something new next time....- Director
- Producer
- Actress
Accomplished Film Director/Writer/Producer Mira Nair was born in India and educated at Delhi University and at Harvard. She began her film career as an actor and then turned to directing award-winning documentaries, including So Far From India and India Cabaret. Her debut feature film, Salaam Bombay! was nominated for an Academy Award for Best Foreign Language Film in 1988; it won the Camera D'Or (for best first feature) and the Prix du Publique (for most popular entry) at the Cannes Film Festival and 25 other international awards. Her next film, Mississippi Masala, an interracial love story set in the American South and Uganda, starring Denzel Washington and Sarita Choudhury, won three awards at the Venice Film Festival including Best Screenplay and The Audience Choice Award. Subsequent films include The Perez Family (with Marisa Tomei, Anjelica Huston, Alfred Molina and Chazz Palminteri), about an exiled Cuban family in Miami; and the sensuous Kama Sutra: A Tale of Love, which she directed and co-wrote. Nair directed My Own Country based on Dr. Abraham Verghese's best-selling memoir about a young immigrant doctor dealing with the AIDS epidemic. Made in 1998, My Own Country starred Naveen Andrews, Glenne Headly, Marisa Tomei, Swoosie Kurtz, and Hal Holbrook, and was awarded the NAACP award for best fiction feature. Nair returned to the documentary form in August 1999 with The Laughing Club of India, which was awarded The Special Jury Prize in the Festival International de Programmes Audiovisuels 2000. In the summer of 2000, Nair shot Monsoon Wedding in 30 days, a story of a Punjabi wedding starring Naseeruddin Shah and an ensemble of Indian actors. Winner of the Golden Lion at the 2001 Venice Film Festival, Monsoon Wedding also won a Golden Globe nomination for Best Foreign Language Film and opened worldwide to tremendous critical and commercial acclaim. Nair's next feature was an HBO original film, Hysterical Blindness. Set in working class New Jersey in 1987, the film stars Uma Thurman, Juliette Lewis, Gena Rowlands. Thurman and Lewis play single women looking for love in all the wrong places, while Rowlands, who plays Thurman's mother, adds to her daughter's hysteria when she finds Mr. Right in Ben Gazarra. The film received great critical acclaim and the highest ratings for HBO, garnering an audience of 15 million, a Golden Globe for Uma Thurman, and 3 Emmy Awards. Following the tragic events of September 11, 2001, Nair joined a group of 11 renowned filmmakers, each commissioned to direct a film that was 11 minutes, 9 seconds and one frame long. Nair's film is a retelling of real events in the life of the Hamdani family in Queens, whose eldest son was missing after September 11, and was then accused by the media of being a terrorist. 11.09.01 is the true story of a mother's search for her son who did not return home on that fateful day. In May 2003, Nair helmed the Focus Features production of the Thackeray classic, Vanity Fair, a provocative period tale set in post-colonial England, in which Reese Witherspoon plays the lead, Becky Sharp. The film is scheduled to release in Fall 2004. Nair's upcoming projects include Tony Kushner's Homebody/Kabul for HBO, and Hari Kunzru's The Impressionist, and there are also plans to take Monsoon Wedding to Broadway. Mirabai Films is establishing an annual filmmaker's laboratory, Maisha, which will be dedicated to the support of visionary screenwriters and directors in East Africa and India. The first lab, which is only for screenwriters, will be launched in August 2005 in Kampala, Uganda.- Actor
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Born Sahabzade Irfan Ali Khan, in Jaipur, Rajasthan (NW India) January 7, 1967 to a Pashto-speaking Muslim family. Khan's mother, Begum Khan, was from the Tonk Hakim family and his father, Jagirdar Khan, from the Khajuriya village near the Tonk district, ran a tire business.
The Khan family name comes from Turkish and Mongol languages and mean "king" or great leader. Descendants of Genghis Khan (13th century) in central Asia adopted Islam and became the Moghuls, who conquered India for several centuries until British rule.
Irfan was a skilled cricket player. In his early 20's he was selected for the CK Nayudu Tournament (a stepping stone to First Class cricket). He did not turn up for the tournament owing to lack of funds and as a result he focused on acting.
In 1984 he earned a scholarship to the National School of Acting in New Delhi.
He was awarded the Padma Shri, India's fourth highest civilian honor for his contribution to the field of arts.
His portrayal of Paan Singh Tomar in the acclaimed biographical sports drama Paan Singh Tomar (2011) won him the National Film Award for Best Actor and a Filmfare Critics Award for Best Actor. His performance in the BAFTA Award nominated romance The Lunchbox (2013) earned him universal acclaim by the critics and audiences.
Globally, Khan was in The Warrior (2001), The Namesake (2006), The Darjeeling Limited (2007), the Academy Award-winning film Slumdog Millionaire (2008), New York, I Love You (2009), The Amazing Spider-Man (2012), Life of Pi (2012), Jurassic World (2015) and Inferno (2016). As of 2017, his films have grossed $3.643 billion at the worldwide box office. In 2018, Khan was diagnosed with a neuroendocrine tumor.
Khan got married to his wife Sutapa Sikdar, in 1995. She is a Hindu of the Brahmin caste. She is a movie producer, dialogue writer and screenwriter. Among her famous movies are Khamoshi: The Musical (Dialogue Writer, 1996), Supari (Dialogue Writer, 2003), Kahaani (Dialogue Writer, 2003), Madaari (Producer, 2016), Qarib Qarib Singlle (Producer, 2017)
They have two kids: Ayaan Khan, Babil Khan
Unlike most Indian film stars, Irrfan has been outspoken on religion. On Arnab Goswami's talk show, he took on Muslim fundamentalists, including India's Grand Imam. Irrfan Khan argued against "transactional religious interaction" and for "personal religious discovery"..."to discover yourself, to find God". Though he admits he is "not an authority" on the Koran and Islamic Holy scriptures he has bravely stood by his comments despite heavy criticism and even threats of violence. He's aware of the dangers that his frank comments pose to him and his family. His wife commented, "We are very proud of him."- Writer
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Sriram Raghavan is an Indian filmmaker who works in the Hindi film industry. He is regarded as a writer of neo-noir thrillers that fall under the action genre. He was brought up in Pune, where he attended St. Vincent's High School. He went to Fergusson College in Pune to study economics.
After finishing college, Raghavan first wished to build a career in journalism. He took up a job at Stardust magazine but moved on to join the Film and Television Institute of India (FTII) in Pune to pursue a course in direction.
After completing his studies, Raghavan worked on a short feature, Raman Raghav - A City, A Killer. It was based on the crimes of Raman Raghav (a serial killer of Bombay) and his arrest. Raghavan cast Raghubir Yadav to play the character of Raman. The feature was made on a low budget and was never released.
Raghavan later started writing for television serials. He wrote several episodes of Aahat (1995) and C.I.D. (1998). He also wrote and directed an episode in First Kill.
Raghavan's career took a new turn after Ram Gopal Varma liked his work in Raman Raghav - A City, A Killer. and signed him up to direct Ek Hasina Thi (2004). The film starred Saif Ali Khan and Urmila Matondkar in the lead roles. This thriller received positive reviews from critics. It was shown at the New York Asian Film Festival.
Raghavan's next directorial venture was another thriller, Johnny Gaddaar (2007). It was the debut film of Neil Nitin Mukesh. The story revolves around a group of five individuals who want to make a fortune through a shortcut. But things go out of hand suddenly when one of the group members gets killed, and the money he was holding goes missing. Though the film wasn't a commercial success, it succeeded in impressing the critics.
In 2012, Raghavan released his third film, Agent Vinod (2012), a spy thriller starring Kareena Kapoor and Saif Ali Khan. The story revolves around the secret mission of Agent Vinod to discover the reason behind his colleague's death. The film received mixed reviews from critics and failed to make a mark at the box office.
Raghavan's fourth film was Badlapur (2015), a revenge action thriller that features Varun Dhawan, Nawazuddin Siddiqui, and Yami Gautam in lead roles. The storyline is based on Death's Dark Abyss, a novel written by Massimo Carlotto. The story is based on the theme of revenge and shows a devastated man out to avenge the death of his family. The movie got positive reviews from critics. It also earned him a nomination for Best Director at the 61st Filmfare awards.
Raghavan explored the genre of black comedy in his crime thriller Andhadhun (2018). The film stars Ayushmann Khurrana, Tabu, and Radhika Apte. The movie's storyline revolves around a blind piano player involved in the murder of a former actor. The film earned rave reviews from critics. The worldwide collection for the film surpassed Rs. 450 crores, which made it a huge hit. The movie is also one of Indian cinema's biggest-grossing movies.
Raghavan won several awards for Andhadhun (2018), including the National Film Award 2018 for Best Feature Film in Hindi, IIFA Award 2019 for Best Director, Best Story, and Best Screenplay, and Screen Award 2018 for Best Director and Best Film Writing (Story and Screenplay).