Filmed in Panavision (anamorphic) 2009
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28 titles
- DirectorDavid S. GoyerStarsOdette AnnableGary OldmanCam GigandetA young woman fights the spirit that is slowly taking possession of her.Director: David S. Goyer
Cinematographer: James Hawkinson
Additional DPs: Gregory Lundsgaard, Gary Hatfield
Aerial DP: David B. Nowell ASC
Film Editor: Jeff Betancourt
Additional Film Editor: Joel Negron ACE
DI Executive Producer (Company 3): Stefan Sonnenfeld
Camera(s): Panaflex XL2 & Platinum (35mm)
Lenses: C-Series
AR: 2.35:1 - DirectorIain SoftleyStarsBrendan FraserAndy SerkisEliza BennettA teenage girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.Director: Iain Softley
Cinematographer: Roger Pratt BSC
2nd Unit Director/Director of Photography: Alan Stewart
Additional DP: Paul Bond
1st AD: Tommy Gormley
Film Editor: Martin Walsh ACE
Camera: Panaflex Platinum (35mm)
Lenses: C-, E-Series & Anamorphic Zooms
AR: 2.35:1 - DirectorKen KwapisStarsGinnifer GoodwinJennifer AnistonJennifer ConnellyThis Baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior.Director: Ken Kwapis
Cinematographer: John Bailey ASC
A-Camera/Steadicam Operator: Matthew Moriarty
Film Editor: Cara Silverman ACE
DI Colorist: Stefan Sonnenfeld
Camera(s): Panaflex GII & Platinum (35mm)
Lenses: Primo (Anamorphic), C-, E-Series & Anamorphic Zooms
AR: 2.39:1 - DirectorSharon MaguireStarsMichelle WilliamsEwan McGregorMatthew MacfadyenA woman's life is forever changed when tragedy strikes at a soccer match.Director: Sharon Maguire
Cinematographer: Ben Davis BSC
2nd Unit Director: Anand Tucker
Additional Unit DP: Howard Atherton BSC
Film Editor: Valerio Bonelli
Camera: Panaflex XL2 (35mm)
Lenses: C- & E-Series
AR: 2.35:1 - DirectorP.J. HoganStarsIsla FisherHugh DancyKrysten RitterA college grad lands a job as a financial journalist in New York City to support where she nurtures her shopping addiction and falls for a wealthy entrepreneur.Director: PJ Hogan
Cinematographer: Jo Willems ASC ACS
2nd Unit DP: David M. Dunlap
Film Editor: William Goldenberg ACE
Camera: Panaflex Platinum (35mm)
Lenses: Primo (Anamorphic), C-, E-Series & Anamorphic Zooms
AR: 2.39:1 - DirectorMarcus NispelStarsJared PadaleckiAmanda RighettiDerek MearsA group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.Director: Marcus Nipsel
Cinematographer: Daniel Pearl
Splinter Unit DP: Don Reddy
Film Editor: Ken Blackwell
Additional Film Editor: Glen Scantlebury ACE
Camera(s): Arriflex 235, 435 ES, Panaflex XL, Lightweight & Platinum (35mm)
Lenses: E-, G-Series, Anamorphic Zooms, Close Focus (Anamorphic) & Panavised Angenieux HR (Anamorphic)
AR: 2.35:1 - DirectorTony GilroyStarsJulia RobertsClive OwenTom WilkinsonTwo ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.Director: Tony Gilroy
Cinematographer: Robert Elswit ASC
Additional DP: Simon Richards
Film Editor: John Gilroy ACE
Supervising DI Colorist: Steven J. Scott
Camera: Panaflex Platinum (35mm)
Lenses: E- & G-Series
AR: 2.35:1 - DirectorChristophe BarratierStarsGérard JugnotClovis CornillacKad MeradWhen Chansonia, a nightclub, is shut down by the landlord, the stage manager Pigoil is forced to look for a new job. He finds hope when he discovers a young woman with a lovely singing voice.Director: Christophe Barratier
Cinematographer: Tom Stern ASC AFC
Film Editor: Yves Dechamps
Camera: Panaflex XL2 (35mm)
Lenses: Primo (Anamorphic) & C-Series
AR: 2.20:1 (70mm Screenings), 2.35:1 - DirectorKevin MacdonaldStarsRussell CroweRachel McAdamsBen AffleckWhen a congressional aide is killed, a Washington, D.C. journalist starts investigating the case involving the Representative, his old college friend.Director: Kevin MacDonald
Cinematographer: Rodrigo Prieto ASC AMC
2nd Unit Directors: Doug Coleman, Alfonso Gomez-Rejon
2nd Unit DP: Manasobu Takayanagi ASC
Additional DP: Dante Spinotti ASC AIC
Film Editor: Justine Wright
Camera(s): Arriflex 235, Panaflex XL2 & Genesis HD (35mm & HD)
Lenses: Primo (Spherical), C-, E- & G-Series
AR: 2.35:1 - DirectorJoe WrightStarsJamie FoxxRobert Downey Jr.Catherine KeenerA newspaper journalist discovers a homeless musical genius and tries to improve his situation.Director: Joe Wright
Cinematographer: Seamus McGarvey ASC BSC
2nd Unit Director: Thomas Napper
2nd Unit DPs: Paul C. Babin, Chris Moseley
A-Camera Operator: Mitch Dubin
Steadicam Operator: Chris Haarhoff
Film Editor: Paul Tothill
Camera(s): Panaflex XL2 & Platinum (35mm)
Lenses: C-, E-Series & Anamorphic Zooms
AR: 2.35:1 - DirectorJ.J. AbramsStarsChris PineZachary QuintoSimon PeggThe brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.Director: JJ Abrams
Cinematographer: Dan Mindel ASC BSC
2nd Unit Director: Roger Guyett
2nd Unit DP: Bruce McCleery
Underwater DP: Pete Romano ASC
Aerial DP: David B. Nowell ASC
A-Camera Operator/Steadicam Operator: Colin Anderson
B-Camera Operator: Philippe Carr-Forster
1st AD: Tommy Gormley
Unit Production Manager: Jeffrey Chernov
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
DI Colorist: Stefan Sonnenfeld
Camera(s): Arriflex 435 ES, Panaflex XL2 & Platinum (35mm)
Lenses: Primo (Anamorphic), C-, E-Series & Anamorphic Zooms
AR: 1.43:1 (IMAX 70mm Version: Main Title shot), 2.39:1 - DirectorMichael BayStarsShia LaBeoufMegan FoxJosh DuhamelSam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.Director/Camera Operator: Michael Bay (Disowned)
Cinematographer: Ben Seresin ASC BSC
2nd Unit Directors: Kenny Bates, Scott Farrar
Aerial DPs: Hans Bjerno ASC, David B. Nowell ASC
VFX DP: Pat Sweeney
Camera Operators: Philippe Carr-Forster, Brooks P. Guyer
A-Camera/Steadicam Operator: Jacques Jouffret
Aerial Camera Operator: Richard Brooks Burton
Aerial Unit Camera Operators: Bruce McCleery, Lawrence Karman
1st ADs: KC Hodenfield, Bruce Moriarty
Film Editors: Roger Barton ACE, Joel Negron ACE, Paul Rubell ACE, Thomas Muldoon
DI Colorist: Stefan Sonnenfeld
Production Manager: Allegra Clegg
Camera(s): Arriflex 235, 435 ES, IMAX MKIII, MSM 9802, Iwerks IW5A, VistaVision, Panaflex XL2 & Platinum (35mm & 65mm)
Lenses: C-, E-, G-Series, Anamorphic Zooms, Panavised Angenieux Optimo, Canon & Hasselblad
AR: 1.43:1 (IMAX 70mm Version: some scenes), 1.78:1 (IMAX Blu-Ray Version: some scenes), 2.39:1 - DirectorSteven SoderberghStarsSasha GreyChris SantosPhilip EytanA drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.Director/Cinematographer/Film Editor: Steven Soderbergh
Camera: Red One (4K)
Lenses: C-Series
AR: 2.35:1 - DirectorAaron WoodleyStarsAdam RothenbergEthan PeckMariah CareyThe story of three people who strive to realize their dreams. Brothers Carter and Ellis set out on a road trip to their childhood home in a desperate search for their estranged father, who may hold the key to their future.Director: Aaron Woodley
Cinematographer: David Greene
Film Editor: Steve Edwards
Camera: Panaflex XL2 (35mm)
Lenses: Primo (Anamorphic) & E-Series
AR: 2.35:1 - DirectorNick CassavetesStarsCameron DiazAbigail BreslinAlec BaldwinAnna Fitzgerald looks to earn medical emancipation from her parents who until now have relied on their youngest child to help their leukemia-stricken daughter Kate remain alive.Director: Nick Cassavetes
Cinematographer: Caleb Deschanel ASC
2nd Unit DP: Giorgio Scali
Film Editors: Alan Heim ACE
Camera: Panaflex Platinum (35mm)
Lenses: Primo (Anamorphic), C- & E-Series
AR: 2.35:1 - DirectorStephen SommersStarsDennis QuaidChanning TatumMarlon WayansAn elite military unit comprised of special operatives known as G.I. Joe, operating out of The Pit, takes on an evil organization led by a notorious arms dealer.Director: Stephen Sommers
Cinematographer: Mitchell Amundsen
2nd Unit Directors: Greg Michael, Mohummed Yusef
2nd Unit DP: Jonathan Taylor ASC
Aerial DP: David B. Nowell ASC
1st AD: Cliff Lanning
Film Editors: Bob Ducsay, Jim May ACE, Kelly Matsumoto
DI Colorist: Stefan Sonnenfeld ASC
Camera(s): Arriflex 235, 435 Xtreme, VistaVision, Panaflex XL2, XL, Platinum & Red One (35mm & 4K)
Lenses: Primo (Anamorphic & Spherical), C-Series, Anamorphic Zooms, Cooke & Panavised Angenieux HR (Anamorphic)
AR: 2.39:1 - DirectorQuentin TarantinoStarsBrad PittDiane KrugerEli RothIn Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.Director: Quentin Tarantino
Cinematographer: Robert Richardson ASC
Splinter Unit DP: Jorg Widmer
Film Editor: Sally Menke ACE
Camera(s): Arriflex 435 & Panaflex Millennium (35mm)
Lenses: Primo (Anamorphic), G-Series, Anamorphic Zooms & Cooke
AR: 2.39:1 - DirectorJohn KrasinskiStarsJulianne NicholsonBen ShenkmanTimothy HuttonA graduate student (Nicholson) copes with a recent breakup by conducting interviews with various men.Director: John Krasinski
Cinematographer: John Bailey ASC
Film Editors: Zene Baker ACE, Rich Fox
Camera(s): Panaflex GII & Platinum (35mm)
Lenses: Primo (Anamorphic), C-Series & Anamorphic Zooms
AR: 2.35:1 - DirectorAnne FontaineStarsAudrey TautouBenoît PoelvoordeAlessandro NivolaThe story of Coco Chanel's rise from obscure beginnings to the heights of the fashion world.Director: Anne Fontaine
Cinematographer: Christophe Beaucarne
Film Editor: Luc Barnier
Camera: Panaflex XL (35mm)
Lenses: E- & G-Series
AR: 2.35:1 - DirectorRichard EyreStarsLiam NeesonAntonio BanderasLaura LinneyThe story of a husband who suspects his wife of adultery, and sets out to track down the other man in her life.Director: Richard Eyre
Cinematographer: Haris Zambarloukos BSC GSC
Film Editor: Tariq Anwar ACE
Camera: Panaflex XL (35mm)
Lenses: C-Series
AR: 2.35:1 - DirectorDrew BarrymoreStarsElliot PageDrew BarrymoreKristen WiigIn Bodeen, Texas, an indie-rock-loving misfit finds a way of dealing with small-town misery after discovering a roller-derby league in nearby Austin.Director: Drew Barrymore
Cinematographer: Robert D. Yeoman ASC
Film Editor/2nd Unit Director: Dylan Tichenor ACE
Additional 2nd Unit Director: Jeffrey J. Danshaw
2nd Unit DP: Jimmy Lindsey
Camera(s): Arriflex 235 & Panaflex Platinum (35mm)
Lenses: C- & E-Series
AR: 2.39:1 - DirectorGrant HeslovStarsEwan McGregorGeorge ClooneyKevin SpaceyA reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.Director: Grant Heslov
Cinematographer: Robert Elswit ASC
B-Camera Operator/Steadicam Operator: Colin Anderson
Film Editor: Tatiana S. Riegel
Supervising DI Colorist: Steven J. Scott
Camera: Panaflex Platinum (35mm)
Lenses: G-Series & Anamorphic Zooms
AR: 2.35:1 - DirectorPedro AlmodóvarStarsPenélope CruzLluís HomarBlanca PortilloHarry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.Director: Pedro Almodovar
Cinematographer: Rogrigo Prieto ASC AMC
Film Editor: Jose Salcedo
Camera(s): Arriflex 416, Panaflex Millennium & Platinum (16mm & 35mm)
Lenses: Primo (Anamorphic & Spherical), G-Series & Zeiss Ultra 16
AR: 2.35:1 - DirectorJodie MarkellStarsBryce Dallas HowardChris EvansWill PattonA rebellious socialite defies social conventions for a once-in-a-lifetime shot at true love, only to see her hopes shattered after a priceless diamond vanishes into thin air. Adapted from a long-lost Tennessee Williams screenplay.Director: Jodie Markell
Cinematographer: Giles Nuttgens BSC
Film Editor: Susan E. Morse
Camera: Panaflex Platinum (35mm)
Lenses: E-Series
AR: 2.35:1 - DirectorJohn PolsonStarsRussell CroweJon FosterSophie TraubA policeman works to figure out whether a violent teen murdered his family.Director: John Polson
Cinematographer: Tom Stern ASC AFC
2nd Unit Director: Sam Hoffman
2nd Unit DP: Patrick Capone
Film Editor: Lisa Zeno Churgin
Camera: Panaflex XL2 (35mm)
Lenses: Primo (Anamorphic) & C-Series
AR: 2.35:1 - DirectorArnaud LarrieuJean-Marie LarrieuStarsMathieu AmalricCatherine FrotKarin ViardRobinson, appropriately named as we will soon discover, is on vacation in Biarritz with his wife. What follows is the story behind the loss of his arm, a story that becomes increasingly bizarre and eventually apocalyptic, leading us down a narrative path of labyrinthine complexity. The resulting film is an extraordinary feat of imagination and daring, set against the backdrop of a world on the verge of destruction.Directors: Arnaud Larrieu, Jean-Marie Larrieu
Cinematographer: Thierry Arbogast ASC AFC
Film Editor: Annette Dutertre
Camera: Arricam LT (35mm)
Lenses: Primo (Anamorphic)
AR: 2.35:1 - DirectorUdayan PrasadStarsMatthew ModineRichard GriffithsAlki DavidA modern day treasure hunt for a mystical relic that turns into a love story for all time.Director: Udayan Prasad
Cinematographer: Haris Zambarloukos BSC GSC
2nd Unit DP/Camera & Steadicam Operator: Alekos Yiannaros
A-Camera 1st AC: Hamish Doyne-Ditmas
Film Editor: Barrie Vince
Camera(s): Arriflex 35-III & Panaflex XL (35mm)
Lenses: Primo (Anamorphic). C- & E-Series
AR: 2.35:1 - DirectorClint EastwoodStarsMorgan FreemanMatt DamonTony KgorogeNelson Mandela, in his first term as President of South Africa, initiates a unique venture to unite the Apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.Director: Clint Eastwood
Cinematographer: Tom Stern ASC AFC
Additional DP: Michael Swan
Camera/Steadicam Operator: Stephen S. Campanelli
Film Editors: Joel Cox ACE, Gary Roach
Camera(s): Arriflex 235, Panaflex XL & Platinum (35mm)
Lenses: C- & E-Series
AR: 2.39:1