celebrities that passed away and that will be dearly missed and in our hearts forever
This is my list of people that passed away and that will be dearly missed
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- Actress
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Brittany Murphy was born Brittany Anne Bertolotti on November 10, 1977 in Atlanta, Georgia, to Sharon Kathleen Murphy and Angelo Joseph Bertolotti. Her father's ancestry is Italian, and her mother is of Irish and Slovak descent. Her father moved the family back to Edison, New Jersey as a native New Yorker and to be closer to other siblings from previous marriages. While dining out one night in the presence of Hollywood royalty, Brittany at the age of 5 approached an adjoining table when Academy Award nominee Burt Reynolds and George Segal were seated. Brittany introduced herself to the Hollywood legends and confidently told them that someday she too would be a star.
She comes from a long line of international musicians and performers with three half-brothers and a sister. Angelo Bertolotti was torn from their tight-knit family as a made-man with the Italian Mafia. The Senior Bertolotti, who coined the nickname of "Britt" for his daughter, was also an entrepreneur and diplomat for organized crime families and one of the first to be subjected to a RICO prosecution. Brittany's interests and well-being were always her father's first goal and objective. To distance his talented daughter from his infamous past, Angelo allowed Sharon to use her maiden name for Brittany's, so that her shining star would not be overshadowed by a father's past, with the couple divorcing thereafter.
Brittany began receiving accolades and applause in regional theater at the early age of 9. At the age of 13, she landed several national commercials. She appeared on television and caught the attention of a personal manager and an agent. Soon, Brittany's mother Sharon turned full-time to being a "Stage Mom" where Angelo provided financial support throughout and their relationship is memorialized with a long and close history in pictures. The hopeful daughter and mother moved to Burbank, CA, where Brittany landed her first television role on Blossom (1990). Hearts and doors opened up for a starring role on Drexell's Class (1991), a short lived TV series.
Brittany's big screen movie debut started with Clueless (1995), where she was co-starring with Alicia Silverstone. Britt soared, demonstrating her musical and artistic talents with dramatic and comedic roles landing a nomination for best leading female performance in the Young Artist Awards for her role in the television film David and Lisa (1998). She garnered tremendous attention for her role in Girl, Interrupted (1999) with Academy Award winner Angelina Jolie. Brittany's band, "Blessed Soul" was growing with her as lead singer and Britt lent her vocal talents to the TV hit, cartoon sensation, King of the Hill (1997) as the voice of Luanne.
She is alleged to have been a witness in the case of the former Department of Homeland Security employee and persecuted whistleblower Julia Davis. According to Davis, Brittany and her fiancée Simon Monjack were then targeted for retaliation that included land and aerial surveillance and a threatened prosecution. Monjack was arrested and detained by the Bureau of Immigration and Customs Enforcement (ICE). Brittany and Simon confided in Alex Ben Block of the Hollywood Reporter, telling him in an interview that they were under surveillance by helicopters and their telephones have been wiretapped. This information was published by THR posthumously, in an article entitled "The Last Difficult Days of Brittany Murphy."
On December 20, 2009, Brittany Murphy died an untimely death. The LAPD and Los Angeles County Coroner closed the case within one hour, attributing her death to pneumonia and anemia. Five months after Brittany's unexpected demise, her husband Simon Monjack was found dead in the house he shared with Brittany. The chief/spokesperson at the Los Angeles County Dept of Coroner, Craig Harvey, stated that Simon also died from the same exact causes as his wife, namely pneumonia and anemia. Neither Brittany, nor Simon, were given a thorough and complete forensic autopsy for poisons. Brittany's father, Angelo "AJ" Bertolotti, is pursuing the investigation of the true reasons behind Brittany's and Simon's sudden demise, as he believes that the two were murdered. Abnormally high levels of heavy metals and poisons were discovered in Brittany's hair, tested by two other independent forensic labs with famed Pathologist, attorney Cyril Wecht concluded from the appearances, Brittany could have been murdered and should be exhumed. Her father Angelo is preparing court actions to ensure she obtains justice.- Actress
- Producer
- Soundtrack
Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actress
- Writer
- Soundtrack
Esther Jane Williams was born on August 8, 1921 in Inglewood, California. Her youth was spent as a teenage swimming champion and she won three United States National championships. She eventually was spotted by a MGM talent scout while working in a Los Angeles department store. She made her film debut with MGM in an "Andy Hardy" picture called Andy Hardy's Double Life (1942). She became Mickey Rooney's love interest in the movie, and her character was called Sheila Brooks. Following this movie, stardom was not far away. MGM created a special sub-genre for her known as "Aqua Musicals". Her first swimming role was in Bathing Beauty (1944). This was a simple movie compared to her later big splashes such as Million Dollar Mermaid (1952), co-starring Victor Mature and Walter Pidgeon. Esther Williams was often called "America's Mermaid", as it appeared that she could stay underwater forever!
Following the decline of the once lucrative MGM aqua musical, she attempted dramatic roles. The Unguarded Moment (1956), is one example of this new found dramatic confidence. It co-starred George Nader and John Saxon. Also, The Big Show (1961), co-starring Cliff Robertson and Robert Vaughn was another dramatic role. Overall, Esther's acting skills were limited and, as a musical star in the audience's eyes, she was unsuccessful. She retired from the movie industry in the 1960s, returning as a star guest in That's Entertainment! III (1994) discussing her appearance in MGM films. She certainly is recognized today for bringing enjoyment, escapism and entertainment on the big screen and has also a highly successful business in swimwear. Occasional television work discussing her contribution to the film industry is a treat for her fans from time to time.
Esther Williams died at age 91 in her sleep on June 6, 2013 in her home in Los Angeles, California.- Writer
- Actress
- Producer
Joan Rivers is an American talk show host, comedian, writer and actress from Brooklyn, New York. She voiced Dot Matrix from Mel Brooks' Spaceballs. She has portrayed in several films and shows such as Shrek 2, Look Who's Talking, The Smurfs and Iron Man 3. She passed away in September 2014 at Manhattan, New York.- Actress
- Producer
- Soundtrack
A New York stage actress in the 1950s, McClanahan was plucked from the stage by Norman Lear for roles on All in the Family (1971) and later Maude (1972). For two years (1982 - 1984), she played "Aunt Fran" on Mama's Family (1983) until her character was killed off and she joined the cast of The Golden Girls (1985), in which she hit her comedic stride as a sharp tongued oversexed Southern belle.- Actress
- Music Department
- Soundtrack
Actress-comedienne Bea Arthur was born Bernice Frankel on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9".
She earned the title of "Wittiest Girl" in her school, and her dream was to be in show business, but she didn't think her family would support her. She then worked as a laboratory technician, and in the Marine Corps; she drove a truck, and worked as a typist. Her brief first marriage ended in divorce. Afterwards, she told her parents that she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research.
Arthur (her acting name based on a variation of her first husband's surname) played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof". Despite this being a small supporting role, Arthur stole the show night after night.
In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Arthur's own series, Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Arthur repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While appearing in Maude (1972), she raised her two sons, whom she had adopted with husband Gene Saks. After the show ended, so did her marriage to Saks. She never remarried. She became a lifelong animal rights' activist.
In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britain's Fawlty Towers (1975) but it was short-lived. In 1985, The Golden Girls (1985) made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Arthur, won Emmy Awards during the show's run. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Arthur kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).
In 1999, Arthur made an appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, receiving a standing ovation as they accepted the Pop Culture Award. She attended her induction into the Academy of Television Arts and Sciences Hall of Fame, with Angela Lansbury.
On April 25, 2009, at home with her family, Arthur died of cancer. She was 86. She was survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless LGBT youths.- Actress
- Soundtrack
This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating. Jean Arthur, born Gladys Georgianna Greene in upstate New York, 20 miles south of the Canadian border, has had her year of birth cited variously as 1900, 1905 and 1908. Her place of birth has often been cited as New York City! (Herein we shall rely for those particulars on Miss Arthur's obituary as given in the authoritative and reliable New York Times. The date and place indicated above shall be deemed correct.) Following her screen debut in a bit part in John Ford's Cameo Kirby (1923), she spent several years playing unremarkable roles as ingénue or leading lady in comedy shorts and cheapie westerns. With the arrival of sound she was able to appear in films whose quality was but slightly improved over that of her past silents. She had to contend, for example, with the consummately evil likes of Dr. Fu Manchu (played by future "Charlie Chan" Warner Oland). Her career bloomed with her appearance in Ford's The Whole Town's Talking (1935), in which she played opposite Edward G. Robinson, the latter in a dual role as a notorious gangster and his lookalike, a befuddled, well-meaning clerk. Here is where her wholesomeness and flair for farcical comedy began making themselves plain. The turning point in her career came when she was chosen by Frank Capra to star with Gary Cooper in the classic social comedy Mr. Deeds Goes to Town (1936). Here she rescues the hero - thus herself becoming heroine! - from rapacious human vultures who are scheming to separate him from his wealth. In Capra's masterpiece Mr. Smith Goes to Washington (1939), she again rescues a besieged hero (James Stewart), protecting him from a band of manipulative and cynical politicians and their cronies and again she ends up as a heroine of sorts. For her performance in George Stevens' The More the Merrier (1943), in which she starred with Joel McCrea and Charles Coburn, she received a Best Actress Academy Award nomination, but the award went to Jennifer Jones in The Song of Bernadette (1943) (Coburn, incidentally, won for Best Supporting Actor). Her career began waning toward the end of the 1940s. She starred with Marlene Dietrich and John Lund in Billy Wilder's fluff about post-World War II Berlin, A Foreign Affair (1948). Thereafter, the actress would return to the screen but once, again for George Stevens but not in comedy. She starred with Alan Ladd and Van Heflin in Stevens' western Shane (1953), playing the wife of a besieged settler (Heflin) who accepts help from a nomadic gunman (Ladd) in the settler's effort to protect his farm. It was her silver-screen swansong. She would provide one more opportunity for a mass audience to appreciate her craft. In 1966 she starred as a witty and sophisticated lawyer, Patricia Marshall, a widow, in the TV series The Jean Arthur Show (1966). Her time was apparently past, however; the show ran for only 11 weeks.- Music Artist
- Actress
- Composer
Amy Jade Winehouse was born on September 14, 1983 in Enfield, London, England and raised in Southgate, London, England to Janis Holly Collins (née Seaton), a pharmacist & Mitchell "Mitch" Winehouse, a window panel installer and taxi driver. Her family shared her love of theater and music. Amy was brought up on jazz music; She received her first guitar at age 13 and taught herself how to play. Young Amy Winehouse was a rebellious girl. At age 14, she was expelled from Sylvia Young Theatre School in Marylebone, London. At that time she pierced her nose and tattooed her body. She briefly attended the BRIT School in Croydon, and began her professional career at 16, performing occasional club gigs and recording low cost demos. At 19 years old, she recorded her debut album: Frank (2003), a jazz-tinged album that became a hit and earned her several award nominations. During the next several years, she survived a period of personal upheaval, a painful relationship, and struggles with substance abuse. Her final album, Back on Black (2006) was an international hit, and 'Rehab' made No. 9 on the US pop charts.
Her big break came in 2008. Amy Winehouse became the first British female to win 5 Grammy Awards on the same night, February 10th, 2008, including Best New Artist and Record of the Year for 'Rehab'. Her Grammy performance was broadcast from London via satellite, because she was unable to appear in person in Los Angeles due to temporary problems with her traveling visa. Following her success at the Grammy Awards, Winehouse gave a string of highly successful performances during the year 2008. In June, she was suddenly hospitalized with a serious lung condition. However, she left hospital for one evening to perform for Nelson Mandela on his 90th birthday celebration in London's Hyde Park. She sang her hits: Rehab & Valerie, drawing cheers and applause form the crowds and a smile from Mandela. Winehouse also performed for Roman Abramovich's party in Moscow; there she earned $2 million for her one-hour gig.
Amy Winehouse developed a distinctive style of her own. Her signature beehive hairstyle has become the model for fashion designers, while her vulnerability, her fragile personality and self-destructive behavior was regular tabloid news, and subject of criticism and controversy. In April 2008 she was named the second greatest "ultimate heroine" by the British population at large, and a month later was voted the second most hated personality in the UK. George Michael called her the "best female vocalist he has heard in his entire career," while Keith Richards warned that she "won't be around long" if her behavior doesn't change.
Musically, Amy Winehouse created a cross-cultural and cross-genre style. She experimented with an eclectic mix of jazz, soul, pop, reggae, world beat and R&B. She had a special ability to channel hurt and despair into her performances. Her voice, phrasing and delivery sometimes sounded like a mix between Billy Holliday, Dinah Washington and Sarah Vaughan, and coupled with similarities in personal problems, she at times resembled another incarnation of legendary "Lady Blues".
Amy died at 27 years old on July 23, 2011 in her London home following a long-running battle with alcohol addiction. She was cremated at Golders Green Crematorium and her ashes were laid to rest in Edgwarebury Jewish Cemetery in London, United Kingdom. Her death caused considerable mourning worldwide.- Music Artist
- Actress
- Composer
Donna Summer rocketed to international super-stardom in the mid-1970s when her groundbreaking merger of R&B, soul, pop, funk, rock, disco and avant-garde electronica catapulted underground dance music out of the clubs of Europe to the pinnacles of sales and radio charts around the world.
Maintaining an unbroken string of hits throughout the 70s and 80s, most of which she wrote, Donna holds the record for most consecutive double albums to hit #1 on the Billboard charts (3) and first female to have four #1 singles in a 12 month period; 3 as a solo artist and one as a duo with Barbra Streisand.
A five-time Grammy winner, Donna Summer was the first artist to win the Grammy for Best Rock Vocal Performance, Female (1979, "Hot Stuff") as well as the first-ever recipient of the Grammy for Best Dance Recording (1997, "Carry On"). In 2004, she became one of the first inductees, as both an Artist Inductee and a Record Inductee (for 1977's "I Feel Love") into the Dance Music Hall of Fame in New York City.
Born Donna Gaines on New Year's Eve to a large family in Boston, she developed an early interest in music. From the age of eight, Summer sang in church choirs and city-wide choruses, and by her early twenties, was performing in musical theatre in Germany, winning parts in such highly-acclaimed shows as "Hair," "Showboat," "Godspell," and "Porgy and Bess" as well as performing with the Viennese Folk Opera. She released her first single, a cover of the Jaynett's girl group classic, "Sally Go Round The Roses," in 1971. While singing backup, she met producers Giorgio Moroder and Pete Bellotte who produced her first single, "Hostage," which became a hit in the Netherlands, France and Belgium.
In 1975, Moroder and Bellotte produced the international hit, "Love to Love You Baby," which rose to #2 on the Billboard Hot 100 and triggered Summer's triumphant return to the United States as a key figure of the then-emerging disco genre. "Love To Love You Baby" paved the way for such international hits as "MacArthur Park," "Bad Girls," "Hot Stuff," "Dim All The Lights," "On The Radio," and "Enough Is Enough," as well as the Grammy and Academy award winning theme song "Last Dance," from the film "Thank God It's Friday," which remains a milestone in Donna's career.
In 1980, Summer became the first artist to sign with David Geffen's new label, Geffen Records, leaving her disco days behind and moving into the next phase of her career ." In the years that followed, Summer collaborated with writers and producers such as Quincy Jones, Michael Omartian and England's dance-pop production compound Stock Aitken Waterman and produced a steady stream of hits from "State of Independence," featuring Michael Jackson on backing vocals, to the abiding feminist anthem "She Works Hard For The Money," one of the most-played songs of all-time, and the infectious "This Time I Know It's For Real."
In 1994, she released "Endless Summer," a greatest hits retrospective containing a new song, "Melody of Love," which became Billboard's #1 Dance Record of the Year. She also released the critically acclaimed gem "Christmas Spirit," a collection of Summer's original songs and holiday standards recorded with the Nashville Symphony Orchestra. Summer spent the '90s continuing to tour, performing to sold-out audiences worldwide.
In 1997, when the new "Best Dance Recording" Category was created at the Grammy Awards, Donna Summer was the first winner with her fifth career Grammy award for "Carry On." In 1999, Sony/Epic Records released "VH1 Presents Donna Summer: Live & More - Encore!," an album and DVD of Summer's critically acclaimed VH1 broadcast taped at New York's Hammerstein Ballroom. The show premiered on VH1 as one of the network's highest rated shows to date and featured live performances of Summer's top hits.
In addition to her five Grammy Awards, Summer has won six American Music Awards, three consecutive #1 platinum double albums (she's the only solo artist, male or female, ever to accomplish this), 11 gold albums, four #1 singles on Billboard's Hot 100 Chart, 3 platinum singles, and 12 gold singles.
Summer is also the first female artist to have a #1 single and #1 album on the Billboard charts simultaneously ("Live & More;" "MacArthur Park" 1978) a feat she also repeated six months later ("Bad Girls" & "Hot Stuff" in 1979). She has charted 33 Top Ten hits on the combined Billboard Disco/Dance/Dance Club/Play charts over a period of 37 years with 18 reaching the #1 spot solidifying her as the undisputed Queen of Dance.
In addition to her recording and performing career, Summer is an accomplished visual artist whose work has been shown at exhibitions worldwide including Steven Spielberg's "Starbright Foundation Tour of Japan" and The Whitney Museum as well as a prestigious engagement at Sotheby's in New York. Since 1989, she has sold over 1.7 million dollars in original art - with her highest piece going for $150,000. In 2003, Random House published her autobiography "Ordinary Girl," co-authored with Marc Eliot. Also that year, Universal released "The Journey," containing all of her original hits, as well as two new songs.
In 2008, celebrating four decades of milestones, Summer adds another accomplishment to her list with the success of her new album "Crayons." The album debuted at #17 on the Billboard Top 200 Chart making it Summer's highest debuting album ever. It also debuted at #5 on the Billboard R&B chart - another personal best. "Crayons" is Summer's first album of all new studio material in 17 years and is her highest charting album since "She Works Hard For The Money" in 1983. To date, the album has spawned three #1 Dance hits "I'm A Fire," "Stamp Your Feet" and "Fame (The Game)."
It is estimated that Summer has sold more than 130 million records worldwide.
Ranked #24 on Billboard Magazines 50th Anniversary issue's "Hot 100 Artists of All Time," Donna Summer was inducted into the Rock & Roll Hall Of Fame on April 18, 2013 in Los Angeles.- Lucille Ricksen was born Ingeborg Erickson in Chicago, Illinois on August 22, 1910. She worked a child model and made her film debut at age 5. Her parents separated and her mother took her to Hollywood in 1920, and 10-year-old Lucille was offered a contract with Samuel Goldwyn and starred in a series of short films. She often had to work long hours but she always said she was having fun. In 1922 she starred opposite Marie Prevost in "The Married Flapper." The following year she was given a starring role in the drama "The Rendezvous"; although she was only 13, the studio lied that she was actually 16. The press called her "the youngest leading lady in movies". Lucille developed a close relationship with producer Sydney Chaplin (brother of Charlie Chaplin), who was 25 years her senior. She became one of Hollywood's busiest starlets and was chosen as one of the WAMPAS Baby Stars.
In 1924 Ricksen made 10 films, including "Vanity's Price," "The Galloping Fish," and "The Valley Of The Wolf." Unfortunately, the 14-year-old started to suffer from exhaustion and malnutrition. She was diagnosed with tuberculosis and became bedfast. Her mother kept a bedside vigil, but the stress brought on a fatal heart attack. Following her mother's death, Lucille was looked after by family friends including actress Lois Wilson. During one of her conscious moments Lucille said "Mother wouldn't want me--die--Mother said--Wonderful future--Going to do big things--Won't die! I won't!" But on March 13, 1925, she passed away from complications of tuberculosis, still at only 14 years old. There were rumors that her death had actually been caused by a botched abortion. Lucille was cremated and she was buried with her mother at Forest Lawn in Glendale, California. Her final film, "The Denial," came out 10 days after her death. - Producer
- Actress
- Production Manager
The woman who will always be remembered as the crazy, accident-prone, lovable Lucy Ricardo was born Lucille Desiree Ball on August 6, 1911 in Jamestown, New York, the daughter of Desiree Evelyn "DeDe" (Hunt) and Henry Durrell "Had" Ball. Her father died before she was four, and her mother worked several jobs, so she and her younger brother were raised by their grandparents. Always willing to take responsibility for her brother and young cousins, she was a restless teenager who yearned to "make some noise". She entered a dramatic school in New York City, but while her classmate Bette Davis received all the raves, she was sent home; "too shy". She found some work modeling for Hattie Carnegie's and, in 1933, she was chosen to be a "Goldwyn Girl" and appear in the film Roman Scandals (1933).
She was put under contract to RKO Radio Pictures and several small roles, including one in Top Hat (1935), followed. Eventually, she received starring roles in B-pictures and, occasionally, a good role in an A-picture, like in Stage Door (1937) or The Big Street (1942). While filming Too Many Girls (1940), she met and fell madly in love with a young Cuban actor-musician named Desi Arnaz. Despite different personalities, lifestyles, religions and ages (he was six years younger), he fell hard, too, and after a passionate romance, they eloped and were married in November 1940. Lucy soon switched to Metro-Goldwyn-Mayer, where she got better roles in films such as Du Barry Was a Lady (1943); Best Foot Forward (1943) and the Katharine Hepburn-Spencer Tracy vehicle Without Love (1945). In 1948, she took a starring role in the radio comedy "My Favorite Husband", in which she played the scatterbrained wife of a Midwestern banker. In 1950, CBS came knocking with the offer of turning it into a television series. After convincing the network brass to let Desi play her husband and to sign over the rights to and creative control over the series to them, work began on the most popular and universally beloved sitcom of all time.
With I Love Lucy (1951), she and Desi promoted the 3-camera technique now the standard in filming sitcoms using 35mm film (the earliest known example of the 3-camera technique is the first Russian feature film, "Defence of Sevastopol" in 1911). Desi syndicated I Love Lucy. Lucille Ball was the first woman to own her own studio as the head of Desilu Productions.
Lucille Ball died at Cedars-Sinai Medical Center, age 77, of an acute aortic aneurysm on April 26, 1989 in Los Angeles, CA.- Actress
- Soundtrack
With prominent cheekbones, luminous skin and the most crystalline green eyes of her day, Gene Tierney's striking good looks helped propel her to stardom. Her best known role is the enigmatic murder victim in Laura (1944). She was also Oscar-nominated for Leave Her to Heaven (1945). Her acting performances were few in the 1950s as she battled a troubled emotional life that included hospitalization and shock treatment for depression.
Gene Eliza Tierney was born on November 19, 1920 in Brooklyn, New York, to well-to-do parents, Belle Lavinia (Taylor) and Howard Sherwood Tierney. Her father was a successful insurance broker and her mother was a former teacher. Her childhood was lavish indeed. She also lived, at times, with her equally successful grandparents in Connecticut and New York. She was educated in the finest schools on the East Coast and at a finishing school in Switzerland.
After two years in Europe, Gene returned to the US where she completed her education. By 1938 she was performing on Broadway in What a Life! and understudied for the Primrose Path (1938) at the same time. Her wealthy father set up a corporation that was only to promote her theatrical pursuits. Her first role consisted of carrying a bucket of water across the stage, prompting one critic to announce that "Miss Tierney is, without a doubt, the most beautiful water carrier I have ever seen!" Her subsequent roles Mrs O'Brian Entertains (1939) and RingTwo (1939) were meatier and received praise from the tough New York critics. Critic Richard Watts wrote "I see no reason why Miss Tierney should not have a long and interesting theatrical career, that is if the cinema does not kidnap her away."
After being spotted by the legendary Darryl F. Zanuck during a stage performance of the hit show The Male Animal (1940), Gene was signed to a contract with 20th Century-Fox. Her first role as Barbara Hall in Hudson's Bay (1940) would be the send-off vehicle for her career. Later that year she appeared in The Return of Frank James (1940). The next year would prove to be a very busy one for Gene, as she appeared in The Shanghai Gesture (1941), Sundown (1941), Tobacco Road (1941) and Belle Starr (1941). She tried her hand at screwball comedy in Rings on Her Fingers (1942), which was a great success. Her performances in each of these productions were masterful. In 1945 she was nominated for a Best Actress Oscar for her portrayal of Ellen Brent in Leave Her to Heaven (1945). Though she didn't win, it solidified her position in Hollywood society. She followed up with another great performance as Isabel Bradley in the hit The Razor's Edge (1946).
In 1944, she played what is probably her best-known role (and, most critics agree, her most outstanding performance) in Otto Preminger's Laura (1944), in which she played murder victim named Laura Hunt. In 1947 Gene played Lucy Muir in the acclaimed The Ghost and Mrs. Muir (1947). By this time Gene was the hottest player around, and the 1950s saw no letup as she appeared in a number of good films, among them Night and the City (1950), The Mating Season (1951), Close to My Heart (1951), Plymouth Adventure (1952), Personal Affair (1953) and The Left Hand of God (1955). The latter was to be her last performance for seven years. The pressures of a failed marriage to Oleg Cassini, the birth of a daughter with learning disabilities in 1943, and several unhappy love affairs resulted in Gene being hospitalized for depression. When she returned to the the screen in Advise & Consent (1962), her acting was as good as ever but there was no longer a big demand for her services.
Her last feature film was The Pleasure Seekers (1964), and her final appearance in the film industry was in a TV miniseries, Scruples (1980). Gene died of emphysema in Houston, Texas, on November 6, 1991, just two weeks shy of her 71st birthday.- Actor
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Candy was one of Canada's greatest and funniest character actors. His well-known role as the big hearted buffoon earned him classics in Uncle Buck (1989) and Planes, Trains & Automobiles (1987). His career has handed him some dry spells but Candy always rebounded.
Born in Newmarket, Ontario, in the year 1950, Candy was the son of Evangeline (Aker) and Sidney James Candy. His mother was of Ukrainian and Polish ancestry. Candy found his passion for drama while attending a community college. In 1971 Candy made his TV debut in an episode of Police Surgeon (1971) co-starring Sharon Farrell, John Hamelin, and Nick Mancuso. Candy then found a number of bit parts in other Canadian television shows and also in such small films as Tunnel Vision (1976) and Find the Lady (1976). However, his big success came at the age of twenty-seven, when he became part of the comedy group "Second City" in Toronto. Alongside such soon-to-be Canadian stars as Catherine O'Hara (one of Candy's lifelong friends), Eugene Levy, Rick Moranis, and Harold Ramis, Candy was also part of the television show the group inspired. SCTV (1976) earned Candy a reputation for his quirky humor and his uncanny imitations of others.
After the television series, Candy appeared alongside fellow Canadian Dan Aykroyd in the Steven Spielberg flop 1941 (1979). However, other jobs followed and Candy landed a role, once again with Aykroyd, in the successful classic The Blues Brothers (1980). Candy played a parole officer who is part of the chase after Jake and Elwood Blues. The film was a hit and Candy followed up accordingly.
Candy acted in the smash hit Stripes (1981) where he played a dopey, overweight recruit affectionately nicknamed 'Ox'. After the success of Stripes (1981), Candy returned to the Second City with the other former stars, in SCTV Network (1981). Candy also hosted "Saturday Night Live" before landing himself a role in the Ron Howard film Splash (1983), a romantic comedy about a mermaid who washes ashore and learns to live like a human. Candy played a sleazy womanizing brother to the character played by Tom Hanks. The film was a bigger success than even Stripes (1981) and a number of people have said that Splash (1983) was his breakout role.
He took a second billing in the comedic film Brewster's Millions (1985) where a man must spend thirty million in order to inherit three hundred million from his deceased relative. Candy played the man's best friend, who accidentally gets in the way as much as helping out. Candy continued making films tirelessly, including the film Armed and Dangerous (1986) where he and Eugene Levy play characters who become security guards.
1987 was an especially good year to Candy, giving him two classic roles: Barf the Mawg in the Mel Brooks comedy Spaceballs (1987) and the bumbling salesman Del Griffith alongside Steve Martin's uptight character in the John Hughes film Planes, Trains & Automobiles (1987). The latter film is a golden classic and is one of Candy's greatest films. He followed up immediately with The Great Outdoors (1988), once again alongside Dan Aykroyd. Candy landed another classic role in the film Uncle Buck (1989) which was about a bumbling uncle who must look after his brother's three children.
Although he was in the smash hit Home Alone (1990), Candy's career fell into a slump, turning out unsuccessful films in the early nineties. This caused him to change his strategy by taking more serious roles. The first of these serious roles was the corrupt lawyer Dean Andrews in the 'Oliver Stone' film JFK (1991). The film was a big success, and Candy moved on from this victory to make the film Cool Runnings (1993) about the first Jamaican bobsled team.
Candy was well known for his size, six feet two and weighing around 300 pounds. However, he was very sensitive about the subject and in the nineties tried to lose weight and quit smoking. He was aware that heart attacks were in his family: both his father and his grandfather died of heart attacks and Candy wanted to prevent that happening to him as best he could.
In the mid-nineties Candy filmed the Michael Moore comedy Canadian Bacon (1995) then went to Mexico to film the western spoof Wagons East (1994). It was in Mexico that Candy had a heart attack and passed away in March 1994. Canadian Bacon (1995) was released a year after his death and is his last film.
Candy was loved by thousands of people who loved his classic antics in Splash (1983) and The Great Outdoors (1988). He was well-known for his roles in Stripes (1981) and Uncle Buck (1989) and he himself never forgot his Canadian background.- The only child of Jozsef Barsi and Maria Benko, Judith Eva Barsi beat 10,000-to-1 odds when she was discovered at a San Fernando Valley skating rink at age 5 1/2 in 1983 and mistaken for a three-year-old. Her first commercial was for Donald Duck Orange Juice and she went on to appear in anywhere between fifty and a hundred commercials, several episodes of various T.V. series, and three major motion pictures. Her mother Maria was the main thrust of her career as a Hollywood starlet, but also took great pains to try to give her a normal, happy childhood; bringing her Hungarian meals like duck for her school lunch. But this happy childhood did not last long. Beginning in 1985, Jozsef would often be home drunk instead of working as a plumber, and he refused to let Maria work. As a result, the family briefly went on welfare until Judith's career took off in 1986 and 1987. By the time she entered fourth grade, she was pulling in an estimated $100,000 a year, which bought her family a nice four-bedroom house on a quiet street in West Hill. As her career soared, her father became an increasingly abusive recluse who constantly threatened to kill his wife and daughter. In stressful moods Judith bit her nails and plucked out her eyebrows and eyelashes and her cats' whiskers. C.P.S. was called in numerous times, but as Maria was reluctant to press charges and many of the reports/accounts were emotional and not physical abuse, the case was not pursued.
On Wednesday, July 27th, Eunice Daly, a next-door neighbor, heard a loud bang next door while watering her plants. The house had been set on fire, and later the Barsis' bodies were discovered shot dead. All of Judith's toys that were not destroyed by the fire were given to the local Goodwill, and her best friend continued to feed her cats for months afterward. - Heather Michele O'Rourke was born on December 27, 1975 in Santee, San Diego, California, to Kathleen, a seamstress, and Michael O'Rourke, a construction worker. She had German, Danish, English, and Irish ancestry.
Heather entered American cinematic pop-culture before first grade. She was sitting alone in the MGM Commissary waiting for her mother when a stranger approached her asking her name. "My name is Heather O'Rourke," she said. "But you're a stranger, and I can't talk to you". When her mother returned, the stranger introduced himself as Steven Spielberg. She failed her first audition when she laughed at a stuffed animal Spielberg presented her with. He thought she was just too young (she had just turned five), and he was actually looking for a girl at least 6 years old, but he saw something in her and asked her to come in a second time with a scary story book. He asked her to scream a lot. She screamed until she broke down in tears. The next day at the commissary, Spielberg told her and her family, "I don't know what it is about her, but she's got the job." She instantly became a star overnight and was easily recognized at her favorite theme park, Disneyland, and everywhere in California. In the years that followed, Heather was a familiar face on TV in Happy Days (1974) (1982-1983), Webster (1983) (1983-1984), and The New Leave It to Beaver (1983) (1986-1987), three shows in which she had recurring roles. In 1986, the highly anticipated sequel to her first movie, Poltergeist (1982), Poltergeist II: The Other Side (1986) debuted in theaters; it was her riveting performance in this film that cemented her a place in Hollywood history. In January 1987, Heather began to have flu-like symptoms and her legs and feet swelled. She was taken to Kaiser Hospital, and they confirmed it was only the flu, but when symptoms continued, they diagnosed her as having Crohn's Disease, a chronic inflammation of the intestine. She was on medication throughout the filming of her next project, Poltergeist III (1988), and her cheeks were puffy in some scenes. She never complained during filming and did not appear sick to fellow cast members.
When filming was completed in June, Heather and her family went on a road trip from Chicago, to New Orleans, to Orlando and all the way back to Lakeside where they lived at the time. Heather was well until January 31, 1988, Super Bowl Sunday. She was unable to keep anything in her stomach and crawled into bed with her parents that night, saying that she didn't feel well. The next morning, February 1, sitting at the breakfast table, she couldn't swallow her toast or Gatorade. Her mother noticed her fingers were blue and her hands were cold. Kathleen called the doctor's and was getting ready to put her clothes on when Heather fainted on the kitchen floor. When the paramedics came in, Heather insisted that she was "really okay" and was worried about missing school that day. In the ambulance, Heather suffered cardiac arrest and died on the operating table at 2:43 p.m. at the tender age of 12. Of all her achievements, Heather was proudest of being elected student body president of her 5th grade class in 1985. - Actress
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Linda Darnell, one of five children of a postal clerk, grew up fast. At 11, she was modeling clothes, giving her age as 16. At 13, she was appearing on the stage with little theater groups. Her mother encouraged her to audition when Hollywood talent scouts came to Dallas. She went to California and when the studio found out how young she really was, she was sent home and told to come back when she was 15. Her fourth film, Star Dust (1940), was based on this real life experience. It was Star Dust (1940) that Darnell was watching the night of April 9, 1965, at the home of her former secretary, located in Glenview, Illinois, a suburb of Chicago. The house caught on fire in the early hours of the next morning and Darnell died that afternoon in Cook County Hospital. The character she played in one of her best known roles, Forever Amber (1947) survived the London fire, the plague and the perils of being the mistress of the English king, Charles II.- Actress
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Lupe Velez was born on July 18, 1908, in San Luis Potosi, Mexico, as Maria Guadalupe Villalobos Velez. She was sent to Texas at the age of 13 to live in a convent. She later admitted that she wasn't much of a student because she was so rambunctious. She had planned to become a champion roller skater, but that would change. Life was hard for her family, and Lupe returned to Mexico to help them out financially. She worked as a salesgirl for a department store for the princely sum of $4 a week. Every week she would turn most of her salary over to her mother, but she kept a little for herself so she could take dancing lessons. With her mature shape and grand personality, she thought she could make a try at show business, which she figured was a lot more glamorous than dancing or working as a salesclerk. In 1924 Lupe started her show business career on the Mexican stage and wowed audiences with her natural beauty and talent. By 1927 she had emigrated to Hollywood, where she was discovered by Hal Roach, who cast her in a comedy with Stan Laurel and Oliver Hardy. Douglas Fairbanks then cast her in his feature film The Gaucho (1927) with himself and wife Mary Pickford. Lupe played dramatic roles for five years before she switched to comedy. In 1933 she played the lead role of Pepper in Hot Pepper (1933). This film showcased her comedic talents and helped her to show the world her vital personality. She was delightful. In 1934 Lupe appeared in three fine comedies: Strictly Dynamite (1934), Palooka (1934) and Laughing Boy (1934). By now her popularity was such that a series of "Mexican Spitfire" films were written around her. She portrayed Carmelita Lindsay in Mexican Spitfire (1939), Mexican Spitfire Out West (1940), The Mexican Spitfire's Baby (1941) and Mexican Spitfire's Blessed Event (1943), among others. Audiences loved her in these madcap adventures, but it seemed at times that she was better known for her stormy love affairs. She married one of her lovers, Johnny Weissmuller, but the marriage only lasted five years and was filled with battles. Lupe certainly did live up to her nickname. She had a failed romance with Gary Cooper, who never wanted to wed her. By 1943 her career was waning. She went to Mexico in the hopes of jump-starting her career. She gained her best reviews yet in the Mexican version of Naná (1944). Bolstered by the success of that movie, Lupe returned to the US, where she starred in her final film as Pepita Zorita, Ladies' Day (1943). There were to be no others. On December 13, 1944, tired of yet another failed romance, with a part-time actor named Harald Maresch, and pregnant with his child, Lupe committed suicide with an overdose of Seconal. She was only 36 years old.- Actress
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Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.- Actress
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Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).
Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")
Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.- Actress
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Ms. Andrews and her sisters, Patty and Laverne, were one of the most successful women's singing groups, with 19 gold records and sales of nearly 100 million copies. The sisters began performing in the early 1930's when the Depression wiped out their father's business. In 1937, the trio of sisters scored their first big hit with 'Bei Mir Bist Du Schoen'. In addition to 'Boogie Woogie Bugle Boy, ' their best-known songs included 'Don't Sit Under the Apple Tree' and 'Rum and Coca Cola'. The trio officially broke up after the death of Laverne in 1967, but temporarily interrupted their feud to star in the 1974 Broadway musical "Over Here!". Ms. Andrews began a solo career in 1979. Her album and its title, were released in 1990, 'Maxene: An Andrews Sister'. Her last performance was on Sunday, October 8th, 1995, in the show 'Swing Time Canteen', at New York City's Blue Angel Theater.- Ms. Andrews and her sisters, Patty and Maxene, were one of the most successful women's singing groups, with 19 gold records and sales of nearly 100 million copies. The sisters began performing in the early 1930s when the Depression wiped out their father's business. In 1937, the sisters scored their first big hit with 'Bei Mir Bist Du Schoen.' In addition to 'Boogie Woogie Bugle Boy', their best-known songs included 'Don't Sit Under the Apple Tree' and 'Rum and Coca Cola'. The trio officially broke up after the death of Laverne in 1967, and a suitable replacement could not be found.
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She was born in Mound, Minnesota on 16 February 1918, the daughter of Peter Andreos (changed to 'Andrews' upon arriving in the US) and Olga Sollie. Her real name was Patricia Marie (Patty nickname). Her father was a Greek Catholic immigrant and her mother a Lutheran from Norway who ran the pure food café, a Greek café in Minneapolis which was located adjacent to the Orpheum Theater. Her sisters were Lavern Sophie born July 6, 1911, died 1967 (cancer); Maxene Angelyn born Jan. 3, 1916, died October 1995 of a heart attack while on vacation at Cape Cod, Massachusetts. Peter Andrews did not think it honorable to have his daughters in show business and decided they should go back to school and become secretaries. Maxine was only four when she first appeared on her first radio broadcast in Minneapolis. By the time she was six she was entertaining at veterans hospitals, for the Mayor of Minneapolis and at Daughters of American Revolution luncheons. Laverne started the trio of sisters and they appeared in kiddie revues on local radio stations and at the Orpheum in their hometown of Minneapolis. It was there they were discovered by Larry Rich, who offered them a job with his traveling revue. Patty was only ten at the time. They began their career in New York city with Jack Belasco's orchestra and later with Ted Mack making the Vaudeville circuit. In 1937 they were heard by recording executive, Dave Kapp and they began a long association with a string of hits. In 1953, the group broke up with Laverne going to New York to study dramatics. Laverne became a career housewife and Patti stayed in show business as a single after their hopes and ambitions clashed with one another. In 1956 they regrouped and sang in Las Vegas at the Flamingo Hotel along with a host of TV offers and a new Capitol recording contract. Their first major hit was "Bei Mir Bist Du Schon", was very well liked by Nazi Germany, until the discovery that the songwriters were a Jewish race. Other top hits included "Don't Fence Me In", "Apple Blossom Time", "Rum and Coca Cola", and "I Can Dream, Can't I?", in 1937.- Actress
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Singer, songwriter, composer, arranger and actress, Connee Boswell studied with Otto Finck. With her sisters Vet Boswell and Martha Boswell she formed The Boswell Sisters, appearing on records, radio, in theaters and films, but later continuing her career as a single. In World War II she entertained the armed forces and appeared in the Broadway shows "Star Time," "Curtain Time," and "Show Time." Joining ASCAP in 1953, her song compositions include "Putting It On," "I Don't Mind," and "You Ain't Got Nothin'".- Actress
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Martha Boswell was born on 9 June 1905 in Kansas City, Missouri, USA. She was an actress, known for Moulin Rouge (1934), Close Farm-ony (1932) and Boswell Sisters (1933). She died on 2 July 1958 in Peekskill, New York, USA.- Actress
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Vet Boswell was born on 20 May 1911 in Birmingham, Alabama, USA. She was an actress, known for Moulin Rouge (1934), Boswell Sisters (1933) and Close Farm-ony (1932). She was married to John Paul Jones. She died on 12 November 1988 in Peekskill, New York, USA.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actress
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Shirley Temple was easily the most popular and famous child star of all time. She got her start in the movies at the age of three and soon progressed to super stardom. Shirley could do it all: act, sing and dance and all at the age of five! Fans loved her as she was bright, bouncy and cheerful in her films and they ultimately bought millions of dollars' worth of products that had her likeness on them. Dolls, phonograph records, mugs, hats, dresses, whatever it was, if it had her picture on there they bought it. Shirley was box-office champion for the consecutive years 1935-36-37-38, beating out such great grown-up stars as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford. By 1939, her popularity declined. Although she starred in some very good movies like Since You Went Away (1944) and the The Bachelor and the Bobby-Soxer (1947), her career was nearing its end. Later, she served as an ambassador to Ghana and Czechoslovakia. It was once guessed that she had more than 50 golden curls on her head.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Roscoe Arbuckle, the youngest of nine children, reportedly weighed 16 pounds at birth in Smith Center, Kansas on March 24, 1887. His family moved to California when he was one year old. At age 8 he first appeared on the stage. His first part was with the Webster-Brown stock company. From then until 1913, Roscoe was on the stage, performing as an acrobat, a clown, and a singer. His first real professional engagement was in 1904, singing illustrated songs for Sid Grauman at the Unique Theater in San Jose, California at $17.50 a week. He later worked in the Morosco Burbank stock company and traveled through China and Japan with Ferris Hartman. His last appearance on the stage was with Hartman in Yokahama, Japan in 1913, where he played the Mikado.
Back in Hollywood, Arbuckle went to work at Mack Sennett's Keystone film studio at $40 a week. For the next 3-1/2 years he never starred or even featured, but appeared in hundreds of one-reel comedies. He would play mostly policemen, usually with the Keystone Kops, but he also played different parts. He would work with Mabel Normand, Ford Sterling, Charles Chaplin, among others, and would learn about the process of making movies from Henry Lehrman, who directed all but two of his pictures. Roscoe was a gentle and genteel man off screen and always believed that Sennett never thought that he was funny.
Roscoe never used his weight to get a laugh. He would never be found stuck in a chair or doorway. He was remarkably agile for his size and used that agility to find humor in situations. By 1914 he had begun to direct some of his one-reels. The next year he moved up to two-reels, which meant that he would need to sustain the comedy to be successful; as it turned out, he was. Among his films were Fatty Again (1914), Mabel, Fatty and the Law (1915), Mabel and Fatty's Wash Day (1915), Mabel and Fatty Viewing the World's Fair at San Francisco (1915), Fatty's Reckless Fling (1915), and many more. For "Mabel and Fatty Viewing the World's Fair at San Francisco", Keystone took the actors to the real World's Fair to use as background; the studio's cost was negligible, while the San Francisco backgrounds made the picture look expensive.
By 1917 Roscoe formed a partnership with Joseph M. Schenck, a powerful producer who was also the husband of Norma Talmadge. The company they formed was called Comique and the films that Roscoe made were released through Famous Players on a percentage basis, and soon Arbuckle was making over $1,000 a week. With his own company Roscoe had complete creative control over his productions. He also hired a young performer he met in New York by the name of Buster Keaton. Keaton's film career would start with Roscoe in The Butcher Boy (1917). Roscoe wrote his own stories first, tried them out and then devised funny twists to generate the laughs. His comedy star was second only to Charles Chaplin. With the success of Comique, Paramount asked Roscoe to move from two-reel shorts to full-length features in 1919. Roscoe's first feature was The Round-up (1920) and it was successful. It was soon followed by other features, including Brewster's Millions (1921) and Gasoline Gus (1921).
Ufortunately, tragedy struck on Labor Day on September 5, 1921 with the arrest and trial of Roscoe Arbuckle on manslaughter charges. Roscoe with friends Lowell Sherman and Fred Fishback drove to San Francisco where they checked into the St Francis Hotel threw a party and which was crashed by a "starlet" named Virginia Rappe, who fell seriously ill and died three days later from a ruptured bladder. Rappe had accused Arbuckle of raping her prior to passing away, but Rappe had a history of accusing men of rape. The newspapers, led by William Randolph Hearst, used this incident to generate Hollywood's first major scandal. Roscoe was tried not once but three times for the criminal charges; the trials began in November 1921 and lasted until April 1922; the first two ended with hung juries (the mistrial decision in the second trial was reached on February 3, 1922, the day after Arbuckle's friend and fellow Paramount director William Desmond Taylor was found murdered, and Arbuckle was visibly affected by the news). At his third and final trial in April of 1922, the jury not only returned a "not guilty" verdict but excoriated the prosecution for pursuing a flimsy case with no evidence of Arbuckle having committed any crime; it was at this final trial that the jury went further, writing a personal letter of sympathy and apology to Arbuckle for putting him through this ordeal. He kept it as a treasured memento for the rest of his life.
However, Arbuckle's acquittal marked the end of his comedic acting career. Unable to return to the screen, he later found work as a comedy director for Al St. John, Buster Keaton and others under the pseudonym "William Goodrich" (he was inspired to use this pseudonym by Keaton, who suggested Arbuckle use the name "Will B. Good"). In 1932 producer Samuel Sax signed Roscoe to appear in his very first sound comic short films for Warner Brothers, starting with Hey, Pop! (1932). He completed six shorts and showed the magic and youthful spirit that he had a decade before. With the success of the shorts, Warner Brothers signed Roscoe to a feature film contract, but he died in his sleep on June 29, 1933 , at age 46, the night after he signed the contract.- Actor
- Stunts
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Christopher Crosby Farley was born on February 15, 1964, in Madison, Wisconsin, to Mary Anne (Crosby) and Thomas Farley, who owned an oil company. Among his siblings are actors Kevin P. Farley and John Farley. He was of Irish heritage. Farley studied theatre and communications on Marquette University. After finishing university he was in the cast of the Second City Theatre, where he was discovered by the producer of the great comedy show Saturday Night Live (1975), Lorne Michaels. Farley worked on Saturday Night Live (1975) for five years during which he appeared in movies like Wayne's World (1992), Coneheads (1993), Billy Madison (1995) and finally Tommy Boy (1995), with his comic partner and SNL cast member David Spade. The duo later made one more movie called Black Sheep (1996). From that time on, Farley was one of the big comedy stars, and his fame was growing and growing.
After some more time, he made another "lone" movie, Beverly Hills Ninja (1997), which featured former SNL member Chris Rock. Farley was made even more famous, but with his growing fame, his problems grew bigger as well; he didn't want to be the "fat guy who falls down" any longer. Farley had several other problems, too, with alcohol and drug dependency. On December 18th, 1997, he died from a heroin (opiate) and cocaine overdose in his apartment in Chicago, where his body was found by his brother John the next day. Farley's weight of 296 pounds was a contributing factor in his death, but according to his autopsy the alcohol, marijuana and Prozac that was also found in his body, were not. Less than two months prior to his death, he had appeared alongside Chevy Chase on what would be Farley's only SNL show as host. Not unlike his idol John Belushi, he was credited for one more appearance after having left SNL and died at age 33. His death cause was also the same. In the year after Farley's departing, the movie Almost Heroes (1998), where he plays the leading role alongside Matthew Perry was released. He also makes cameo appearances in Dirty Work (1998)- Actress
- Costume and Wardrobe Department
Rebecca began modeling at the age of 16, going off to New York on her own to begin her career. Four months later, she found herself in Japan, modeling. Eventually, she landed a co-starring role on My Sister Sam (1986), for which she is now best known. In 1989 she also became a spokesperson for Thursday's Child, a charity for at-risk teens.
In April of that same year, having missed a signing due to filming, she reluctantly went to a girls' shelter to sign autographs. "No one will recognize me", she insisted, "or want my autograph," but as it turned out all of them did. In fact, the girls were so in awe that they invited her to the Renaissance Fair in May; Rebecca accepted.
Only two months later, she lay dead on the pavement in front of her new apartment in West Hollywood, having been shot to death by a paranoid schizophrenic fan around her age, Robert John Bardo, who came to her apartment asking for an autograph. She obliged, even though she was busy rehearsing in her apartment for the most important role of her short career. He later said he felt rejected by her because she didn't spend more time with him at her door.
He returned a few minutes later, pressed the buzzer, and when she again opened the door for him, he shot her once in the chest, placing the bullet directly into her heart. Rebecca screamed out, "Why?" then fell backward in the doorway, and was pronounced dead at Cedars-Sinai hospital within minutes of arriving there by ambulance after the shooting.
The killer fled to Tucson, AZ, and the next morning the previously diagnosed "psychiatric patient" was found walking blindly, appearing to be hoping to be hit and killed by a car or truck on a major highway. He was subsequently arrested, transferred back to Los Angeles, and plea-bargained for a life sentence without the possibility of parole, with a then-young assistant district attorney named Marcia Clark, who later became famous for her failed attempt to convict O.J. Simpson of murder. There was a trial by Judge that lasted a month, because the obsessed fan changed his mind about the plea bargain agreement, and pleaded an 'insanity defense'. He was found guilty, and sentenced to life in prison without the possibility of parole.- Actress
- Make-Up Department
- Producer
Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.
After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.
In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.
In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.
Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.
She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.
She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.
In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.
Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.
Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.- Actress
- Soundtrack
Elizabeth Ruth Grable was born on December 18, 1916 in St. Louis, Missouri, to Lillian Rose (Hofmann) and John Conn Grable, a stockbroker. She had German, English, Irish, and Dutch ancestry. Her mother was a stubborn and materialistic woman determined to make her daughter a star. Elizabeth, who later became Betty, was enrolled in Clark's Dancing School at the age of three. With her mother's guidance, Betty studied ballet and tap dancing.
Betty and her mother set out for California with the hopes of stardom. She attended the Hollywood Professional school but Lillian lied about her daughter's age and Betty (real age 13), landed several minor parts as a chorus girl in early musicals (Whoopee! (1930), New Movietone Follies of 1930 (1930), Happy Days (1929) and Let's Go Places (1930)), initially billed as 'Frances Dean'. In 1932 (real age 15), she signed with RKO Radio Pictures and began to use the moniker 'Betty Grable'. The bit parts continued for the next three years. Betty finally landed a substantial part in By Your Leave (1934). One of her big roles was in College Swing (1938). Unfortunately, the public did not seem to take notice.
The following year, she married former child star Jackie Coogan. They briefly toured on vaudeville and his success boosted hers, but they divorced in 1940. When she landed the role of Glenda Crawford in Down Argentine Way (1940), the public finally took notice of this shining bright star. Stardom came in such comedies as Coney Island (1943) and Sweet Rosie O'Grady (1943).
The public was enchanted with Betty. Her famous pin-up pose during World War II adorned barracks all around the world. With that pin-up and as the star of lavish musicals, Betty became the highest-paid star in Hollywood. After the war, her star continued to rise. In 1947, the United States Treasury Department noted that she was the highest paid star in America, earning about $300,000 a year - a phenomenal sum even by today's standards. Later, 20th Century-Fox, who had her under contract, insured her legs with Lloyds of London for a million dollars. She continued to be popular until the mid-1950s, when musicals went into a decline. Her last film was How to Be Very, Very Popular (1955).
She then concentrated on Broadway and nightclubs. In 1965, she divorced band leader Harry James, whom she had wed in 1943. Her life was an active one, devoid of the scandals that plagued many stars in one way or another. She cared more for her family than stardom.
Betty Grable died at age 56 of lung cancer on July 2, 1973 in Santa Monica, California, five days before Veronica Lake's death. She was interred at Inglewood Park Cemetery.- Actress
- Soundtrack
Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911, the daughter of Lela E. Rogers (née Lela Emogene Owens) and William Eddins McMath. Her mother went to Independence to have Ginger away from her husband. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. She was kidnapped by her father several times until her mother took him to court. Ginger's mother left her child in the care of her parents while she went in search of a job as a scriptwriter in Hollywood and later to New York City. Mrs. McMath found herself with an income good enough to where she could send for Ginger. Lelee became a Marine in 1918 and was in the publicity department and Ginger went back to her grandparents in Missouri. During this time her mother met John Rogers. After leaving the Marines they married in May, 1920 in Liberty, Missouri. He was transferred to Dallas and Ginger (who treated him as a father) went too. Ginger won a Charleston contest in 1925 (age 14) and a 4-week contract on the Interstate circuit. She also appeared in vaudeville acts which she did until she was 17 with her mother by her side to guide her. Now she had discovered true acting.
She married in March 1929, and after several months realized she had made a mistake. She acquired an agent and she did several short films. She went to New York where she appeared in the Broadway production of "Top Speed" which debuted Christmas Day, 1929. Her first film was in 1929 in A Night in a Dormitory (1930). It was a bit part, but it was a start. Later that year, Ginger appeared, briefly, in two more films, A Day of a Man of Affairs (1929) and Campus Sweethearts (1930). For awhile she did both movies and theatre. The following year she began to get better parts in films such as Office Blues (1930) and The Tip-Off (1931). But the movie that enamored her to the public was Gold Diggers of 1933 (1933). She did not have top billing, but her beauty and voice were enough to have the public want more. One song she popularized in the film was the now famous, "We're in the Money". Also in 1933, she was in 42nd Street (1933). She suggested using a monocle, and this also set her apart. In 1934, she starred with Dick Powell in Twenty Million Sweethearts (1934). It was a well-received film about the popularity of radio.
Ginger's real stardom occurred when she was teamed with Fred Astaire where they were one of the best cinematic couples ever to hit the silver screen. This is where she achieved real stardom. They were first paired in 1933's Flying Down to Rio (1933) and later in 1935's Roberta (1935) and Top Hat (1935). Ginger also appeared in some very good comedies such as Bachelor Mother (1939) and Fifth Avenue Girl (1939), both in 1939. Also that year, she appeared with Astaire in The Story of Vernon and Irene Castle (1939). The film made money but was not anywhere successful as they had hoped. After that, studio executives at RKO wanted Ginger to strike out on her own.
She made several dramatic pictures, but it was 1940's Kitty Foyle (1940) that allowed her to shine. Playing a young lady from the wrong side of the tracks, she played the lead role well, so well in fact, that she won an Academy Award for her portrayal. Ginger followed that project with the delightful comedy, Tom, Dick and Harry (1941) the following year. It's a story where she has to choose which of three men she wants to marry. Through the rest of the 1940s and early 1950s she continued to make movies but not near the caliber before World War II. After Oh, Men! Oh, Women! (1957) in 1957, Ginger didn't appear on the silver screen for seven years. By 1965, she had appeared for the last time in Harlow (1965). Afterward, she appeared on Broadway and other stage plays traveling in Europe, the U.S., and Canada. After 1984, she retired and wrote an autobiography in 1991 entitled, "Ginger, My Story".
On April 25, 1995, Ginger died of natural causes in Rancho Mirage, California. She was 83.- Actress
- Writer
- Soundtrack
If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).- Producer
- Actor
- Production Manager
Desiderio Alberto Arnaz y de Acha III was born in Santiago, Cuba on March 2, 1917. His father was the mayor of Santiago. The 1933 revolution led by Fulgencio Batista had landed his father in jail and stripped the family of its wealth, property and power. His father was released because of the intercession of U.S. officials who believed him to be neutral during the revolt. The family fled to Miami, Florida. One of Desi's first jobs in America consisted of cleaning canary cages. However, after forming his own small band of musicians, he was hired by Xavier Cugat, the "king" of Latin music.
Desi soon left Cugat, formed his own Latin band, and literally launched the conga craze in America. He was cast in the Broadway play "Too Many Girls" and then brought to Hollywood to make the film version of the play. It was on the set of Too Many Girls (1940) that he and Lucille Ball met. They soon married and approximately 10 years later formed Desilu Productions and began the I Love Lucy (1951) shows. Desi and Lucille had two children, Lucie Arnaz and Desi Arnaz Jr.. At the end of the I Love Lucy (1951) run, which included The Lucy-Desi Comedy Hour (1957), the two divorced. Desi later wrote an autobiography entitled "A Book." In 1986 he was diagnosed with lung cancer. He died on December 2, 1986 at age 69.- Actress
- Soundtrack
Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".- Actress
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Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.- Actress
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Lana Turner had an acting ability that belied the "Sweater Girl" image MGM thrust upon her, and even many of her directors admitted that they knew she was capable of greatness (check out The Postman Always Rings Twice (1946)). Unfortunately, her private life sometimes overshadowed her professional accomplishments.
Lana Turner was born Julia Jean Mildred Francis Turner in Wallace, Idaho. There is some discrepancy as to whether her birth date is February 8, 1920 or 1921. Lana herself said in her autobiography that she was one year younger (1921) than the records showed, but then this was a time where women, especially actresses, tended to "fib" a bit about their age. Most sources agree that 1920 is the correct year of birth. Her parents were Mildred Frances (Cowan) and John Virgil Turner, a miner, both still in their teens when she was born. In 1929, her father was murdered and it was shortly thereafter her mother moved her and the family to California where jobs were "plentiful". Once she matured into a beautiful young woman, she went after something that would last forever: stardom. She wasn't found at a drug store counter, like some would have you believe, but that legend persists. She pounded the pavement as other would-be actors and actresses have done, are doing and will continue to do in search of movie roles.
In 1937, Lana entered the movie world, at 17, with small parts in They Won't Forget (1937), The Great Garrick (1937) and A Star Is Born (1937). These films didn't bring her a lot of notoriety, but it was a start. In 1938 she had another small part in Love Finds Andy Hardy (1938) starring Mickey Rooney. It was this film that made young men's hearts all over America flutter at the sight of this alluring and provocative young woman--known as the "Sweater Girl"--and one look at that film could make you understand why: she was one of the most spectacularly beautiful newcomers to grace the screen in years. By the 1940s Lana was firmly entrenched in the film business. She had good roles in such films as Johnny Eager (1941), Somewhere I'll Find You (1942) and Week-End at the Waldorf (1945). If her career was progressing smoothly, however, her private life was turning into a train wreck, keeping her in the news in a way no one would have wanted.
Without a doubt her private life was a threat to her public career. She was married eight times, twice to Stephen Crane. She also married Ronald Dante, Robert Eaton, Fred May, Lex Barker, Henry Topping and bandleader Artie Shaw. She also battled alcoholism. In yet another scandal, her daughter by Crane, Cheryl Crane, fatally stabbed Lana's boyfriend, gangster Johnny Stompanato, in 1958. It was a case that would have rivaled the O.J. Simpson murder case. Cheryl was acquitted of the murder charge, with the jury finding that she had been protecting her mother from Stompanato, who was savagely beating her, and ruled it justifiable homicide. These and other incidents interfered with Lana's career, but she persevered. The release of Imitation of Life (1959), a remake of a 1934 film (Imitation of Life (1934)), was Lana's comeback vehicle. Her performance as Lora Meredith was flawless as an actress struggling to make it in show business with a young daughter, her housekeeper and the housekeeper's rebellious daughter. The film was a box-office success and proved beyond a doubt that Lana had not lost her edge.
By the 1960s, however, fewer roles were coming her way with the rise of new and younger stars. She still managed to turn in memorable performances in such films as Portrait in Black (1960) and Bachelor in Paradise (1961). By the next decade the roles were coming in at a trickle. Her last appearance in a big-screen production was in Witches' Brew (1980). Her final film work came in the acclaimed TV series Falcon Crest (1981) in which she played Jacqueline Perrault from 1982-1983. After all those years as a sex symbol, nothing had changed--Lana was still as beautiful as ever.
She died on June 25, 1995, in Culver City, California, after a long bout with cancer. She was 74 years old.- Actress
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Joan Geraldine Bennett was born on February 27, 1910, in Palisades, New Jersey. Her parents were both successful stage actors, especially her father, Richard Bennett, and often toured the country for weeks at a time. In fact, Joan came from a long line of actors, dating back to the 18th century. Often, when her parents were on tour, Joan and her two older sisters, Constance Bennett, who later became an actress, and Barbara were left in the care of close friends. At the age of four, Joan made her first stage appearance. She debuted in films a year later in The Valley of Decision (1916), in which her father was the star and the entire Bennett clan participated. In 1923 she again appeared in a film which starred her father, playing a pageboy in The Eternal City (1923). It would be five more years before Joan appeared again on the screen. In between, she married Jack Marion Fox, who was 26 compared to her young age of 16. The union was anything but happy, in great part because of Fox's heavy drinking. In February of 1928 Joan and Jack had a baby girl they named Adrienne. The new arrival did little to help the marriage, though, and in the summer of 1928 they divorced. Now with a baby to support, Joan did something she had no intention of doing--she turned to acting. She appeared in Power (1928) with Alan Hale and Carole Lombard, a small role but a start. The next year she starred in Bulldog Drummond (1929), sharing top billing with Ronald Colman. Before the year was out she was in three more films--Disraeli (1929), The Mississippi Gambler (1929) and Three Live Ghosts (1929). Not only did audiences like her, but so did the critics. Between 1930 and 1931, Joan appeared in nine more movies. In 1932 she starred opposite Spencer Tracy in She Wanted a Millionaire (1932), but it wasn't one she liked to remember, partly because Tracy couldn't stand the fact that everyone was paying more attention to her than to him. Joan was to remain busy and popular throughout the rest of the 1930s and into the 1940s. By the 1950s Joan was well into her 40s and began to lessen her film appearances. She made only eight pictures, in addition to appearing in two television series. After Desire in the Dust (1960), Joan would be absent from the movie scene for the next ten years, resurfacing in House of Dark Shadows (1970), reprising her role from the Dark Shadows (1966) TV series as Elizabeth Collins Stoddard. Joan's final screen appearance was in the Italian thriller Suspiria (1977). Her final public performance was in the TV movie Divorce Wars: A Love Story (1982). On December 7, 1990, Joan died of a heart attack in Scarsdale, New York. She was 80 years old.- Actress
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Independent, outspoken Constance Bennett, the first of the Bennett sisters to enter films, appeared in New York-produced silents before a chance meeting with Samuel Goldwyn led to her Hollywood debut in Cytherea (1924). She abandoned a burgeoning career in silents for marriage to Philip Plant in 1925; after they divorced, she achieved stardom in talkies from 1929. The hit Common Clay (1930) launched her in a series of loose lady and unwed mother roles, but she really excelled in such sophisticated comedies as The Affairs of Cellini (1934), Ladies in Love (1936), Topper (1937) and Merrily We Live (1938). Her classy blonde looks, husky voice and unerring fashion sense gave her a distinctive style. In the 1940s she made fewer films, working in radio and theatre; shrewd in business, she invested wisely and started businesses marketing women's wear and cosmetics. Loving conflict, she feuded with the press and enjoyed lawsuits. Her last marriage, to a U.S. Air Force colonel, was happy and gave her a key role coordinating shows flown to Europe for occupying troops (1946-48) and the Berlin Airlift (1948-49), winning her military honors. Still young-looking, she died suddenly at age 60 shortly after completing the last of her 57 films.- Actress
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Mary Louise Brooks, also known by her childhood name of Brooksie, was born in the Midwestern town of Cherryvale, Kansas, on November 14, 1906. She began dancing at an early age with the Denishawn Dancers (which was how she left Kansas and went to New York) and then with George White's Scandals before joining the Ziegfeld Follies, but became one of the most fascinating and alluring personalities ever to grace the silver screen. She was always compared to her Lulu role in Pandora's Box (1929), which was filmed in 1928. Her performances in A Girl in Every Port (1928) and Beggars of Life (1928), both filmed in 1928, proved to all concerned that Louise had real talent. She became known, mostly, for her bobbed hair style. Thousands of women were attracted to that style and adopted it as their own. As you will note by her photographs, she was no doubt the trend setter of the 1920s with her Buster Brown-Page Boy type hair cut, much like today's women imitate stars. Because of her dark haired look and being the beautiful woman that she was, plus being a modern female, she was not especially popular among Hollywood's clientele. She just did not go along with the norms of the film society. Louise really came into her own when she left Hollywood for Europe. There she appeared in a few German productions which were very well made and continued to prove she was an actress with an enduring talent. Until she ended her career in film in 1938, she had made only 25 movies. After that, she spent most of her time reading and painting. She also became an accomplished writer, authoring a number of books, including her autobiography. On August 8, 1985, Louise died of a heart attack in Rochester, New York. She was 78 years old.- Actor
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Nepotism certainly has had its advantages in Hollywood, none more so than in the cinematic career of Jack Pickford, whose famous older sis, "America's Sweetheart" Mary Pickford, saw to it that Jack had every advantage her star weight could muster. In Jack's case, it only added fuel to a self-starting tragic fire.
The youngest of three children, if Jack was christened with the extremely common name of John (aka Jack) Smith, his life would resemble anything but. Born in Toronto, Canada, on August 18, 1896, his middle sister was minor actress Lottie Pickford (née Charlotte Smith, (1893-1936)). Both younger children were prompted by their actress/mother, Charlotte Smith, to follow Mary (née Gladys Louise Smith) into show business after her husband (also John Charles Smith), an alcoholic, deserted the family.
A child actor on the theatre stage, it was Mary who got both her baby brother and baby sister into the Biograph film company as steady fixtures starting in 1909. They all appeared in scores of short films for D.W. Griffith -- Jack's list included Wanted, a Child (1909), To Save Her Soul (1909), The Smoker (1910), Muggsy Becomes a Hero (1910), Sweet Memories (1911), As a Boy Dreams (1911), The Speed Demon (1912), Heredity (1912), The Sneak (1913) and Home, Sweet Home (1914). Lottie had her own lead pictures, including The Pilgrimage (1912) and They Shall Pay (1921). Mary, Jack and Lottie all appeared together in the films Sweet Memories (1911) and Fanchon, the Cricket (1915), among others. Jack occasionally worked for other film companies, as he did when he played the title role in Giovanni's Gratitude (1913) for Reliance; and starred in The Making of Crooks (1915), The Hard Way (1916), The Conflict (1916) and Cupid's Touchdown (1917) for Selig Polyscope,
Jack followed along with sister Mary when she left Biograph and moved to the Famous Players Film Company (later Paramount Pictures) in 1914, and proved a personable light leading man. When Mary signed her famous million-dollar contract with First National in 1917, one of her stipulations was that Jack receive a lucrative contract as well. He appeared with Mary in such films as A Girl of Yesterday (1915) and Poor Little Peppina (1916), and starred on his own as lovelorn Bill Baxter in Seventeen (1916); as Pip in Great Expectations (1917); as Jack in The Dummy (1917); and as Tom Sawyer in both Tom Sawyer (1917) and Huck and Tom (1918); as well as the title roles in His Majesty, Bunker Bean (1918), Mile-a-Minute Kendall (1918) and Sandy (1918) (all co-starring lovely Louise Huff, and the films Freckles (1917), The Girl at Home (1917), What Money Can't Buy (1917) and Jack and Jill (1917).
The young man, however, just couldn't stay out of trouble. A 1918 stint in the Navy Reserve to straighten up proved disastrous when Jack, among others, was accused of accepting bribes from draftees who wanted light shore duty and stay out of front-line action. With the help of his family, he avoided a court martial, was exonerated and received a general discharge -- more than he deserved.
Earning a modicum of naïve "boy-next-door" success, Jack went on to produce a few of his own films (Burglar by Proxy (1919), Garrison's Finish (1923) and In Wrong (1919)), as well as co-direct (with Alfred E. Green) a couple of Mary's films (Through the Back Door (1921) and Little Lord Fauntleroy (1921)). Some of Jack's better silents during the "Roaring 20's" included The Little Shepherd of Kingdom Come (1920), The Man Who Had Everything (1920), Waking Up the Town (1925), The Goose Woman (1925), Brown of Harvard (1926) and the classic Beatrice Lillie backstage comedy vehicle Exit Smiling (1926) as a young leading man of the troupe.
Tragically, Jack's obsessive taste for the high life quickly took over. A ne'er-do-well playboy and constant carouser, his scandalous private life aroused more public interest than his on-camera work in light romantic films. He picked up severe alcohol, drug and gambling addictions to accommodate his partying decadence with bouts of syphilis adding to the complications. Jack's wedded life was anything but blissful. All three wives were Ziegfeld girls at one time. His stormy marriage to despondent, drug-addicted first wife, actress Olive Thomas, ended after four years when the 25-year-old died by swallowing mercury bichloride. His next two marriages to legendary Broadway musical star Marilyn Miller and minor actress Mary Mulhern also ended quickly due to his acute alcoholism.
By the late 1920s Jack was completely undependable and, with the advent of sound, his career ground to a screeching halt, despite Mary's continued attempts to rescue it. Jack's health deteriorated considerably after this letdown. His last two films were the (lost) silent feature (with talking sequences) The Dancer Upstairs (2002) co-starring Olive Borden and a lead in the short film All Square (1930).
He died aged 36 on January 3, 1933, in Paris. The cause was listed as "progressive multiple neuritis", but it was almost certainly precipitated by his chronic alcoholism-- a tragic and seemingly unnecessary end for a young man who chose to tarnish the silver platter readily handed to him. Sister Lottie too fell into extreme excess and died in 1936 at age 43 of alcohol-related causes. Jack later earned a star on the Hollywood Walk of Fame.- Actress
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Mary Pickford was born Gladys Louise Smith in Toronto, Ontario, Canada, to Elsie Charlotte (Hennessy) and John Charles Smith. She was of English and Irish descent. Pickford began in the theater at age seven. Then known as "Baby Gladys Smith", she toured with her family in a number of theater companies. At some point, at her devout maternal grandmother's insistence, when young Gladys was seriously ill with diphtheria, she received a Catholic baptism and her middle name was changed to "Marie".
In 1907, she adopted a family name Pickford and joined the David Belasco troupe, appearing in the long-running The Warrens of Virginia". She began in films in 1909 with the 'American Mutoscope & Biograph [us]', working with director D.W. Griffith.
For a short time in 1911, to earn more money, she joined the IMP Film Co. under Carl Laemmle. She returned to Biograph in 1912, then, in 1913 joined the Famous Players Film Company under Adolph Zukor. She then joined First National Exhibitor's Circuit in 1918. In 1919, she co-founded United Artists with D.W. Griffith, Charlie Chaplin and then-future husband, Douglas Fairbanks.- Actor
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Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Actor
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Stan Laurel came from a theatrical family, his father was an actor and theatre manager, and he made his stage debut at the age of 16 at Pickard's Museum, Glasgow. He traveled with Fred Karno's vaudeville company to the United States in 1910 and again in 1913. While with that company he was Charles Chaplin's understudy, and he performed imitations of Chaplin. On a later trip he remained in the United States, having been cast in a two-reel comedy, Nuts in May (1917) (not released until 1918). There followed a number of shorts for Metro, Hal Roach Studios, then Universal, then back to Roach in 1926. His first two-reeler with Oliver Hardy was 45 Minutes from Hollywood (1926). Their first release through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). Their first feature-length starring roles were in Pardon Us (1931). Their work became more production-line and less popular during the war years, especially after they left Roach and MGM for Twentieth Century-Fox. Their last movie together was The Bullfighters (1945) except for a dismal failure made in France several years later (Utopia (1950)). In 1960 he was given a special Oscar "for his creative pioneering in the field of cinema comedy". He died five years later.- Actor
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Although his parents were never in show business, as a young boy Oliver Hardy was a gifted singer and, by age eight, was performing with minstrel shows. In 1910 he ran a movie theatre, which he preferred to studying law. In 1913 he became a comedy actor with the Lubin Company in Florida and began appearing in a long series of shorts; his debut film was Outwitting Dad (1914). He appeared in he 1914-15 series of "Pokes and Jabbs" shorts, and from 1916-18 he was in the "Plump and Runt" series. From 1919-21 he was a regular in the "Jimmy Aubrey" series of shorts, and from 1921-25 he worked as an actor and co-director of comedy shorts for Larry Semon.
In addition to appearing in two-reeler comedies, he found time to make westerns and even melodramas in which he played the heavy. He is most famous, however, as the partner of British comic Stan Laurel, with whom he had played a bit part in The Lucky Dog (1921). in the mid-1920s both he and Laurel wee working for comedy producer Hal Roach, although not as a team. In a moment of inspiration Roach teamed them together, and their first film as a team was 45 Minutes from Hollywood (1926). Their first release for Roach through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). They became a huge hit as a comedy team, and after several years of two-reelers, Roach decided to star them in features, their first of which was Pardon Us (1931).
They clicked with audiences in features, too, and starred in such classics as Way Out West (1937), March of the Wooden Soldiers (1934) and Block-Heads (1938). They eventually parted ways with Roach and in the mid-1940s signed on with Twentieth Century-Fox.
Unfortunately, Fox did not let them have the autonomy they had at Roach, where Laurel basically wrote and directed their films, though others were credited, and their films became more assembly-line and formulaic. Their popularity waned and less popular during the war years, and they made their last film for Fox in 1946.
Several years later they made their final appearance as a team in a French film, a troubled and haphazard production eventually, after several name changes, called Utopia (1950), generally regarded to be their worst film. Hardy appeared without Laurel in a few features, such as Zenobia (1939) with Harry Langdon, The Fighting Kentuckian (1949) in a semi-comedic role as a frontiersman alongside John Wayne and Riding High (1950), in a cameo role. He died in 1957.- Actor
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River Phoenix was born River Jude Bottom in Madras, Oregon. His mother, Arlyn (Dunetz), a Bronx-born secretary, and his father, John Bottom, a carpenter, met in California in 1968. They worked as itinerant fruit pickers, and later joined the Children of God religious group (John was originally Catholic, while Arlyn was born Jewish). By the time River was two, they were living in South America, where John was the sect's Archbishop of Venezuela. They later left the group and, in 1977, moved back to the United States, changing their last name to "Phoenix". They lived with River's maternal grandparents in Florida, and later moved to Los Angeles. His parents encouraged all of their children to get into movies and, by age ten, River was acting professionally on TV. His film debut was in Explorers (1985), followed rapidly by box-office successes with Stand by Me (1986) and The Mosquito Coast (1986), and as young Indiana in Indiana Jones and the Last Crusade (1989). His role as Danny Pope in Running on Empty (1988) earned him an Academy Award nomination as Best Supporting Actor. His best role was probably Mike, the hustler in My Own Private Idaho (1991).
A dedicated animal-rights activist and environmentalist, River was a strict vegetarian and a member of PeTA (People for the Ethical Treatment of Animals). River was a talented musician as well as an actor, and he played guitar, sang, and wrote songs for his band, Aleka's Attic, which also included his sister Rain Phoenix, while living in Gainsville, Florida. Although the band never released its own album, their song "Across the Way" can be found on PeTA's "Tame Yourself" album, used to fight animal abuse. River was in the middle of filming Dark Blood (2012), playing the character Boy when he died. The film couldn't be finished due to too many unfilmed crucial scenes. His mother was later sued.
River died of acute multiple drug intoxication involving lethal levels of cocaine and morphine at age 23 outside the Viper Room, Johnny Depp's Los Angeles club.- Actress
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Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985). But she was known to millions of other fans for her movie career, which spanned the period from 1927 until 1964, after which she appeared on television until 1986. It was a career that lasted for 59 years.
Barbara Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York, to working class parents Catherine Ann (McPhee) and Byron E. Stevens. Her father, from Massachusetts, had English ancestry, and her Canadian mother, from Nova Scotia, was of Scottish and Irish descent. Stanwyck went to work at the local telephone company for fourteen dollars a week, but she had the urge (a dream--that was all it was) somehow to enter show business. When not working, she pounded the pavement in search of dancing jobs. The persistence paid off. Barbara was hired as a chorus girl for the princely sum of $40 a week, much better than the wages she was getting from the phone company. She was seventeen, and was going to make the most of the opportunity that had been given her.
In 1928 Barbara moved to Hollywood, where she was to start one of the most lucrative careers filmdom had ever seen. She was an extremely versatile actress who could adapt to any role. Barbara was equally at home in all genres, from melodramas, such as Forbidden (1932) and Stella Dallas (1937), to thrillers, such as Double Indemnity (1944), one of her best films, also starring Fred MacMurray (as you have never seen him before). She also excelled in comedies such as Remember the Night (1939) and The Lady Eve (1941). Another genre she excelled in was westerns, Union Pacific (1939) being one of her first and TV's The Big Valley (1965) (her most memorable role) being her last. In 1983, she played in the ABC hit mini-series The Thorn Birds (1983), which did much to keep her in the eye of the public. She turned in an outstanding performance as Mary Carson.
Barbara was considered a gem to work with for her serious but easygoing attitude on the set. She worked hard at being an actress, and she never allowed her star quality to go to her head. She was nominated for four Academy Awards, though she never won. She turned in magnificent performances for all the roles she was nominated for, but the "powers that be" always awarded the Oscar to someone else. However, in 1982 she was awarded an honorary Academy Award for "superlative creativity and unique contribution to the art of screen acting." Sadly, Barbara died on January 20, 1990, leaving 93 movies and a host of TV appearances as her legacy to us.- Actress
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Harlean Carpenter, who later became Jean Harlow, was born in Kansas City, Missouri, on March 3, 1911. She was the daughter of a successful dentist and his wife. In 1927, at the age of 16, she ran away from home to marry a young businessman named Charles McGrew, who was 23. The couple pulled up stakes and moved to Los Angeles, not long after they were married, and it was there Jean found work as an extra in films, landing a bit part in Moran of the Marines (1928). From that point on she would go to casting calls whenever she could. In 1929 she had bit parts in no less than 11 movies, playing everything from a passing woman on the street to a winged ballerina. Her marriage to McGrew turned out to be a disaster--it lasted barely two years--and they divorced. The divorce enabled her to put more of her efforts into finding roles in the movie business. Although she was having trouble finding roles in feature movies, she had more luck in film shorts. She had a fairly prominent role in Hal Roach's Double Whoopee (1929). Her big break came in 1930, when she landed a role in Howard Hughes' World War I epic Hell's Angels (1930), which turned out to be a smash hit. Not long after the film's debut, Hughes sold her contract to MGM for $60,000, and it was there where her career shot to unprecedented heights. Her appearance in Platinum Blonde (1931) cemented her role as America's new sex symbol. The next year saw her paired with Clark Gable in John Ford's Red Dust (1932), the second of six films she would make with Gable. It was while filming this picture (which took 44 days to complete at a cost of $408,000) that she received word that her new husband, MGM producer Paul Bern, had committed suicide. His death threatened to halt production of the film, and MGM chief Louis B. Mayer had even contacted Tallulah Bankhead to replace Harlow if she were unable to continue, a step that proved to be unnecessary. The film was released late in 1932 and was an instant hit. She was becoming a superstar. In MGM's glittering all-star Dinner at Eight (1933) Jean was at her comedic best as the wife of a ruthless tycoon (Wallace Beery) trying to take over another man's (Lionel Barrymore) failing business. Later that year she played the part of Lola Burns in director Victor Fleming's hit Bombshell (1933). It was a Hollywood parody loosely based on Clara Bow's and Harlow's real-life experiences, right down to the latter's greedy stepfather, nine-room Georgian-style home with mostly-white interiors, her numerous pet dogs - right down to having her re-shoot scenes from the Gable and Harlow hit, Red Dust (1932) here! In 1933 Jean married cinematographer Harold Rosson, a union that would only last eight months. In 1935 she was again teamed with Gable in another rugged adventure, China Seas (1935) (her remaining two pictures with Gable would be Wife vs. Secretary (1936) and Saratoga (1937)). It was her films with Gable that created her lasting legacy in the film world. Unfortunately, during the filming of Saratoga (1937), she was hospitalized with uremic poisoning. On June 7, 1937, she died from the ailment. She was only 26. The film had to be finished by long angle shots using a double. Gable said he felt like he was in the arms of a ghost during the final touches of the film. Because of her death, the film was a hit. Record numbers of fans poured into America's movie theaters to see the film. Other sex symbols/blonde bombshells have followed, but it is Jean Harlow who all others are measured against.- Peg Entwistle was born on February 5, 1908 in Port Talbot, Wales at the home of her maternal grandparents, John and Caroline Stevenson because Caroline was to act as midwife. Peg's mother was Emily Stevenson Entwistle and her father was actor/ stage manager Robert Symes Entwistle (1872-1922). They married on November 3, 1904. When mother and child were able to travel, the family returned to their modest home in the London neighborhood of West Kensington where Peg spent the first few years of her life.
Both Robert and his brother Charles Harold Entwistle were actors. This no doubt influenced Peg Entwistle's acting aspirations from a very early age. So much of Robert and Peg's history is tied to Charles because it was Charles who was their lifeline, the one who saved the day, time after time. By 1908 when Peg was born, both brothers were working steadily as actors. Charles Entwistle not only had more experience, he had better contacts. His New York employer was famous stage producer Charles Frohman who, with his two brothers Daniel and Gustave Frohman, owned or had access to over 800 theaters in Europe and the United States. Charles Entwistle trained as an actor in Paris and Heidelberg, but it was his great organizational skills that showed he was best suited to working as a manager and business agent in England. He was accustomed to dealing with actor contracts, touring arrangements, and temperamental theater owners. In 1906, producer Charles Frohman paid Charles Entwistle's way to America and introduced him to the Broadway stage. It was around this time that Frohman gave him the job of managing the great Shakespearean actor Walter Hampden. They became fast friends which lasted until Charles Entwistle's death in 1944. At least once a year, Charles Frohman sailed from New York to Europe, to check on his theaters and to shop for new plays. As a valued employee, Charles Entwistle often accompanied him and was trusted to manage Frohman's affairs in his absence.
Peg's father Robert evidently got enough work as an actor to comfortably take care of his family because while their home was not lavish, it was in a London neighborhood where the homes were slightly upscale. No doubt it probably came as quite a surprise to their family, friends and neighbors when Robert Entwistle decided to divorce his wife Emily in 1910. After a bitter custody dispute, Robert was granted full custody of his two year old daughter. However he lied when he told Peg that her mother had died. Peg believed it, because she never saw her mother again. But, she wasn't dead.
Years later when Robert Entwistle died in 1922, Peg was 14 years old. There was a mysterious statement in Robert Entwistle's Last Will and Testament dated December 15, 1922 in which Robert Entwistle stated: " Millicent Lilian Entwistle is the daughter of my first wife whom I divorced and the custody of my said daughter was awarded to me. I do not desire said daughter to be at any time in the custody or control of her said mother."
If Emily Stevenson were dead, such a statement would not have been necessary at all. Her Uncle Charles verified that her mother did not die in 1910 as she was told, that her parents had divorced in 1910 because Emily Stevenson had been having an affair with an actor named Julius Shaw who later died in 1918 during WWI. This explanation, in part, explains Robert's mysterious statement.
The date of the letter and Will are suspicious because they were dated December 15, 1922, almost 12 years after her mother supposedly died. The date is also suspect because Robert Entwistle was hit by the limo on the evening of November 2, 1922, and was in a coma until he died on December 19, 1922. He was likely heavily medicated due to his injuries which according to the interview Charles Entwistle gave to the New York Times, his ribs and his spine were lodged in his brain. Robert Entwistle could not have been of sound mind to authorize the Will or the letter.
The year 1910 was momentous for King Edward VII too. When he died, everything stopped for about a year. For the coronation of his successor, King George V, celebrations were planned on a grand scale. Charles Entwistle's employer, producer Charles Frohman was chosen for the planning committee to choose and schedule the festivities at His Majesty's Theater in London. To perform Shakespeare's Julius Caesar, the committee chose Robert and Charles Entwistle. Peg, at not quite three years old, had a ringside seat to watch her father and uncle perform for King Edward V and Queen Mary.
When the festivities were over, Charles Entwistle went back to work in New York and Robert stayed in England to raise Peg with help from his family. In 1911, Charles Entwistle, age 45, met successful stage actress Jane Ross, age 26. Their courtship consisted of commuting back and forth between stage work in New York and relaxing at her ranch in Santa Monica, California. They married on June 5, 1912 at her family's home in Ohio. When they returned from their honeymoon, they were hired by the Shubert brothers to tour the United States with one play after another with short and long engagements. In April 1913, Charles and his bride sailed back to England on the SS Olympic so Jane could meet Robert, Peg and the rest of the Entwistle family. His employer, Charles Frohman also happened to be traveling on the SS Olympic. After dinner, Charles Entwistle inquired if Frohman had an open position for his brother Robert. Charles Frohman promised to hire him initially as a stage manager and to bring Robert and his daughter to New York.
Charles Frohman interviewed Robert Entwistle in England and hired him as stage manager in Frohman's New York theaters. Charles, Jane, Robert and Peg sailed from England on the SS Chicago and arrived in New York on July 29, 1913, marking Peg's official move to the US. Various accounts give the year 1916 as the year Robert and Peg 'first' sailed from England to New York on the SS Philadelphia. They did sail on the SS Philadelphia in 1916, but that was not Robert's or Peg's first trip. The reason their names were on the ship's 1916 manifest was because Robert, Peg, new wife Lauretta, Charles and Jane were sailing home to England from New York to attend a family reunion. Further proof was that Robert had been working on plays in the United States several times since 1912 with Charles Frohman's touring companies. It is Jane's diary that documents everyone's movements from 1911 onward when she first met Charles Entwistle, proving that Robert Entwistle and his daughter had sailed to the United States long before the 1916 date.
When Charles Entwistle introduced his new wife to his brother, Robert was bowled over and not so jokingly inquired if she had any sisters. She did.
From July 1913 on, life got busy and stayed busy. Rehearsals began for Robert's Broadway debut in The Younger Generation at Charles Frohman's Lyceum Theater which was scheduled for September 1913. That same month, Robert Entwistle was introduced to Jane's sister Lauretta Ross who would become his second wife. While Robert enjoyed acting and being a stage manager, more than anything he wanted to own his own business and raise a family. He opened a specialty shop on Madison Avenue where he made elaborate gift boxes for wealthy clients.
On July 29, 1914, Robert and Lauretta were married in Clarklake, Michigan. Peg was six years old and stayed with her new Ross relatives while her father and her new mother went on their honeymoon to Niagara Falls. In September 1914, the New York Times reviewed the Broadway production of The Beautiful Adventure with Robert Entwistle's name simply as a mention on the cast list. Meanwhile, Charles and Jane began the transition from stage plays in New York to making motion pictures in California. Charles already made his directorial debut and he felt that films were the next step. Peg spent a lot of time at both her father's home and her uncle's two homes. She was introduced to Jane's Santa Monica ranch, and enjoyed spending time in the stables.
On May 7, 1915, the RMS Lusitania was torpedoed by a German U-boat and over 1198 people were killed. Among the passengers who were killed was Charles Frohman, the Entwistle's New York employer. His body (#24) was recovered the next day. There were several memorial tributes held in the US and in England. Robert, Lauretta and Peg Entwistle attended his funeral with Charles Entwistle's friend Walter Hampden and his wife Mabel Moore. Charles and Jane attended one of the memorials held in California.
Robert and Lauretta had two sons: Milton Ross Entwistle was born in 1917. He died in 2018 at the age of 100. Robert Bleaks Entwistle was born in 1919. He died in 2004 at age 85. Tragedy struck this family again and again: On April 2, 1921, Lauretta died suddenly from meningitis leaving Robert with 14 year old Peg, 4 year old Milton and 2 year old Robert. Charles and Jane came to the rescue to help out as did the Ross family in Ohio and Michigan. Then, a little over a year later, at 10:30pm on November 2, 1922 (Election Day), Peg's father, Robert was struck by a limousine driver on Park Avenue at 72nd Street after leaving his Madison Avenue specialty shop. The limo driver was observed looking at the injured man lying on the ground, then he ran back to the limo and quickly drove away. A man and woman at the scene transported Robert Entwistle to the Accident Ward at Presbyterian Hospital where it was determined that he was in a coma due to his injuries. When he was stabilized, Robert Entwistle was moved to Bellevue Hospital and then moved one last time to Prospect Heights Hospital, a private hospital in Brooklyn. None of the pedestrian observers wrote down the correct license number of the limo. Robert Entwistle lay in coma for 47 days and died on December 18th, 1922 at Prospect Heights Hospital. His brother Charles Harold Entwistle said, when he was interviewed by the New York Times at his Hotel Flanders suite, that Robert's spine was broken in two places and had penetrated the brain which was the actual cause of death. The newspaper reported that Robert was about 50 years old, and left three children: Millicent, age 15, Milton, age 5, and Robert, age 4. His body was taken to Cincinnati and buried next to his second wife Lauretta Ross Entwistle in Oak Hill Cemetery in Glendale, Ohio.
Charles and Jane Entwistle adopted Peg, Milton and Robert. In 1924, they enrolled Peg in Henry Jewett's Repertory School in Boston to study acting. She was one of the Henry Jewett Players and studied with famed director & actress, Blanche Yurka. In 1925, Charles Entwistle's friend and employer, actor Walter Hampden, gave Peg her first Broadway role in his production of Hamlet, starring Ethel Barrymore. It was an uncredited walk-on part where she carried the King's train and brought in the poison cup, but it was enough for Peg to attract the attention of scouts from the prestigious New York Theatre Guild. She was the youngest actress ever to be recruited. At age 17, Peg played the role of Hedvig in the 1925 production of Henrik Ibsen's "The Wild Duck." It was after seeing this play that Bette Davis said to her mother that she wanted to be exactly like Peg Entwistle. She claimed Peg was her inspiration to study acting.
Peg went on to play good supporting roles with Dorothy Gish, Laurette Taylor, Henry Travers, William Gillette, Robert Cummings, Romney Brent, and other famous directors, producers, actors and actresses. George M. Cohan personally directed her in one of his original Broadway comedies. Peg traveled around the country as a representative of the Guild during a special tour celebrating the Theatre Guild's ten-year birthday. The tour was orchestrated by the great Bernard Shaw. Peg received rave reviews in each play, including plays the critics did not like. Her longest running play was the 1927 hit play Tommy starring Sidney Toler. It ran for 232 performances and is the play for which Peg is most remembered.
On April 18, 1927, Peg married actor Robert Keith in the chapel of the New York City Clerk's office. Keith, who was also a writer, notably "The Tightwad," wasn't exactly truthful with her. Nearly a year after they married, Peg learned that Robert had been married twice before and had a son by his second wife that he was now expected to take care of while his mother, stage actress Helen Shipman, toured with plays. In 1928, feeling there was no other choice, Peg became the stepmother of Robert's son, a child actor named Brian, who grew up to become Brian Keith, star of the 1960's TV series Family Affair (aired 1966-1971). Peg divorced Robert Keith in May of 1929 on the grounds of infidelity, cruelty and concealing that he had a child. Robert Keith married again in 1930 to Dorothy Tierney and remained married till he died in 1966 at age 68. His son Brian Keith committed suicide (by gunshot) at age 75 on June 24, 1997. He left a suicide note saying he was in despair about his health problems (lung cancer) and depressed because he missed his daughter Daisy Keith Sampson, an actress who starred with Brian Keith on Heartland, who had committed suicide two months prior on April 16, 1997.
In 1932, after the popular James Barrie revival of "Alice Sit-By-The-Fire" was pulled because of problems with the star actress, Laurette Taylor, Peg Entwistle was brought out to Los Angeles by producers Edward DeBlasio and Homer Curran especially to co-star opposite Billie Burke and Humphrey Bogart in a tryout production of Romney Brent's "The Mad Hopes." The show was a huge smash and Peg was again given accolades. Three days after the production had ended, Peg was in her room at her uncle and aunt's California house at 2428 Beachwood Drive, packing to go back to New York, when RKO Pictures called. They asked if she would come in to do a screen test. She did and was soon signed to a small role in David O. Selznick's Thirteen Women (1932), with Irene Dunne and Myrna Loy. The film was a flop despite the talents of movie stars like Irene Dunne and Myrna Loy. Peg's contract was not renewed.
It was the worst year of The Great Depression. Money was tight for everyone. Peg was broke and had no way to get back to New York. There were no stage roles to be had in Los Angeles. In her mind, with no prospects, everything seemed hopeless. On Friday evening, September 16th, 1932, Peg left a note for her Uncle Charles and Aunt Jane Entwistle saying that she was going to visit friends and to buy some books. On Sunday, September 18th, 1932, a hiker found Peg's coat, one of her shoes and her purse containing her suicide note. The hiker saw her body lying about one hundred feet below the 50-foot tall letter "H" of the Hollywoodland sign. She gathered up Peg's things, went to the Los Angeles Police Department's Hollywood Station and left them on their step. Then the hiker called Central Station to report where she left the items and to give them the location of the body.
When police found her body, they believed that Peg had climbed up a workman's ladder that had been leaning up against the back of the letter "H" and she jumped head-first to her death. The note found in Peg's purse read: "I am afraid, I am a coward. I am sorry for everything. If I had done this a long time ago, it would have saved a lot of pain. P.E." (the initials of her name). An autopsy was performed showing the cause of death was internal bleeding caused by "multiple fractures of the pelvis." No alcohol was present. Because of no identification found in her purse, it took two days for her uncle to recognize the details from a newspaper report and to come forward to identify her body.
Peg's only film credit was Thirteen Women (1932) starring Myrna Loy and Irene Dunne. It was produced by David O Selznick and was released about one month after her death on October 14, 1932.
The nickname, "The Hollywoodland Sign Girl" was given by an editor at the now defunct Los Angeles Herald Examiner newspaper.
Peg is buried in the family plot with her father and her stepmother Lauretta in Oak Hill Cemetery in Glendale, Ohio. (not to be confused with Forest Lawn Cemetery in Glendale, CA).
Charles Harold Entwistle (b. September 5, 1866 - d. April 1, 1944) died at the age of 77. Jane Ross Entwistle (b. December 22, 1885 - d. January 14, 1957) died at the age of 71. Both are buried at Forest Lawn Cemetery in Glendale, CA.
Milton Ross Entwistle was cremated when he died at age 100 on February 1, 2018.
Robert Bleaks Entwistle died on October 31, 2004 at age 85 and is buried in Valhalla Memorial Park in North Hollywood, CA
What a talented family, some of whom met with their own tragic ends. Although she only made one film, it is Peg's stage accomplishments for which she should be most remembered. But unfortunately, she will always be remembered as the only person to ever jump to her death from the Hollywoodland sign. - Actress
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Irene Marie Dunne was born on December 20, 1898, in Louisville, Kentucky. She was the daughter of Joseph Dunne, who inspected steamships, and Adelaide Henry, a musician who prompted Irene in the arts. Her first production was in Louisville when she appeared in "A Midsummer Night's Dream" at the age of five. Her "debut" set the tone for a fabulous career. Following the tragic death of her father when she was 12, she moved with her remaining family to the picturesque and historic town of Madison, Indiana, to live with her maternal grandparents at 916 W. Second St. During the next few years Irene studied voice and took piano lessons in town. She was able to earn money singing in the Christ Episcopal Church choir on Sundays. After graduating from Madison High School in 1916, she studied until 1917 in a music conservatory in Indianapolis. After that she accepted a teaching post as a music and art instructor in East Chicago, Indiana, just a stone's throw from Chicago. She never made it to the school. While on her way to East Chicago, she saw a newspaper ad in the Indianapolis Star and News for an annual scholarship contest run by the Chicago Music College. Irene won the contest, which enabled her to study there for a year. After that she headed for New York City because it was still the entertainment capital of the world. Her first goal in New York was to add her name to the list of luminaries of the Metropolitan Opera Company. Her audition did her little good, as she was rejected for being too young and inexperienced. She did win the leading role in a road theater company, which was, in turn, followed by numerous plays. During this time she studied at the Chicago Music College, from which she graduated with high honors in 1926. In 1928, Irene met and married a promising young dentist from New York named Francis Dennis Griffin. She remained with Dr. Griffin until his death in 1965.
Irene came to the attention of Hollywood when she performed in "Show Boat" on the East Coast. By 1930 she was under contract to RKO Pictures. Her first film was Leathernecking (1930), which went almost unnoticed. In 1931 she appeared in Cimarron (1931), for which she received the first of five Academy Award nominations. No Other Woman (1933) and Ann Vickers (1933) the same year followed.
In 1936 (due to her comic skits in Show Boat (1936)), she was "persuaded" to star in a comedy, up to that time a medium for which she had small affection. However, Theodora Goes Wild (1936) was an instant hit, almost as popular as the more famous It Happened One Night (1934) from two years before. From this she earned her second Academy Award nomination. Later, in 1937, she was teamed with Cary Grant in The Awful Truth (1937). This helped her garner a third Academy Award nomination. She starred with Grant later in My Favorite Wife (1940) and Penny Serenade (1941).
Her favorite film was Love Affair (1939) with Charles Boyer, a huge hit in a year with so many great films, and a role for which she was again nominated for an Academy Award. Howevever, it was the tear-jerker I Remember Mama (1948) for which she will be best remembered in the role of the loving, self-sacrificing Norwegian mother. She got another nomination for that but again lost. This was the picture in which she should have won the Oscar.
She began to wean herself away from films toward the many charities and public works she championed. Her last major movie was as Polly Baxter in 1952's It Grows on Trees (1952). After that she only appeared as a guest on television. Irene knew enough to quit while she was ahead of the game and this helped keep her legacy intact.
In 1957 she was appointed as a special US delegate to the United Nations during the 12th General Assembly by President Dwight D. Eisenhower, such was her widespread appeal. The remainder of her life was spent on civic causes. She even donated $10,000 to the restoration of the town fountain in her girlhood home of Madison, Indiana, in 1976, even though she had not been there since 1938 when she came home for a visit. She died of heart failure on September 4, 1990, in Los Angeles, California.- Actress
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Vivacious, blonde Mae Clarke was exposed to cinema from an early age, her father being an organist in a motion picture cinema. Growing up in Atlantic City, New Jersey, she learned how to dance. At the tender age of 13 she was already performing in nightclubs and amateur theatricals. In 1924, she was one of "May Dawson's Dancing Girls", a New York cabaret act, where she was "discovered" by producer Earl Lindsay and promptly cast in a minor part at the Strand Theatre on Times Square. She then performed as a dancer and burlesque artist at the Strand Roof nightclub, situated above the theatre (which was managed by Lindsay) and at the Everglades Club, earning $40 a week. While there she struck up a lifelong friendship with fellow actress Ruby Stevens, who would later change her name to Barbara Stanwyck.
In 1926, Clarke got her first chance in "legitimate" theater, appearing in the drama "The Noose" with Stanwyck and Ed Wynn. This was followed by the musical comedy "Manhattan Mary" (1927). The following year (1928), at age 17, she married her first husband, Lew Brice, brother of Fanny Brice. After further vaudeville experience, Clarke was screen-tested by Fox and landed her first movie role in 1929. While she was top-billed in films like Nix on Dames (1929), she was clearly headed for B-movie status and left Fox just over a year later. This resulted in better roles for her, though she was generally cast in "hard-luck" roles. She played prostitute Molly Malloy in the hugely successful Lewis Milestone-directed The Front Page (1931)) and, on the strength of this performance, was signed by Carl Laemmle Jr. at Universal and cast to star in Waterloo Bridge (1931) as a ballerina-turned-streetwalker, a part made famous by Vivien Leigh in the sanitized MGM remake, Waterloo Bridge (1940). Reviewer Mordaunt Hall described Clarke's complex performance as "capital" (New York Times, September 5, 1931).
Also in 1931, she had the brief and uncredited (but iconic) role for which she will always be known: the hapless girlfriend on the receiving end of a grapefruit pushed into her face by James Cagney in The Public Enemy (1931). She later appeared with Cagney (a close friend in real life) in still more adversarial scenes, in Lady Killer (1933) and Great Guy (1936). She had some feisty comedy roles in Three Wise Girls (1931) with Jean Harlow, and starring in Parole Girl (1933). She was third-billed in James Whale's Frankenstein (1931), as Elizabeth, the title character's bride-to-be. Her best moment in the film -- one of sheer terror -- comes when she is confronted by the monster (Boris Karloff) in her own bedroom. Sadly, Clarke's career suffered several major setbacks, beginning in 1932, from which it never fully recovered. She had a nervous breakdown in June of that year (and another in 1934), most likely caused by overwork and marital problems. This was followed by a serious car accident in March of 1933. In addition to that, her sexy screen personae became restricted by the new, strict Hollywood Production Code.
When she returned to the screen it was to be in B-pictures. She had some rewarding parts in some films for Republic, notably The House of a Thousand Candles (1936) and the civil war romance Hearts in Bondage (1936), with Lew Ayres. Despite an image change from frizzy blonde to brunette she had few opportunities to shine after 1938, except, perhaps, as heroine of the Republic serial King of the Rocket Men (1949). By the beginning of the 1950's, she was largely reduced to doing cameos and walk-on roles, at best playing minor parts in westerns. She did, however, make several notable appearances on television, particularly on The Loretta Young Show (1953).
Clarke, a star of Pre-Code Hollywood, fell on hard financial times towards the end of her life. After her last film appearance in Watermelon Man (1970), she retired to the Motion Picture & Television Country House and Hospital in the Woodland Hills section of Los Angeles and devoted her remaining years to her favorite hobby: painting in the style of Swiss abstract artist Paul Klee. She died there of cancer in 1992, aged 81.- Actor
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William Clark Gable was born on February 1, 1901 in Cadiz, Ohio, to Adeline (Hershelman) and William Henry Gable, an oil-well driller. He was of German, Irish, and Swiss-German descent. When he was seven months old, his mother died, and his father sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two. His father then returned to take him back to Cadiz. At 16, he quit high school, went to work in an Akron, Ohio, tire factory, and decided to become an actor after seeing the play "The Bird of Paradise". He toured in stock companies, worked oil fields and sold ties. On December 13, 1924, he married Josephine Dillon, his acting coach and 15 years his senior. Around that time, they moved to Hollywood, so that Clark could concentrate on his acting career. In April 1930, they divorced and a year later, he married Maria Langham (a.k.a. Maria Franklin Gable), also about 17 years older than him.
While Gable acted on stage, he became a lifelong friend of Lionel Barrymore. After several failed screen tests (for Barrymore and Darryl F. Zanuck), Gable was signed in 1930 by MGM's Irving Thalberg. He had a small part in The Painted Desert (1931) which starred William Boyd. Joan Crawford asked for him as co-star in Dance, Fools, Dance (1931) and the public loved him manhandling Norma Shearer in A Free Soul (1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (1932) made him MGM's most important star.
His acting career then flourished. At one point, he refused an assignment, and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934), which won him an Academy Award for his performance. The next year saw a starring role in Call of the Wild (1935) with Loretta Young, with whom he had an affair (resulting in the birth of a daughter, Judy Lewis). He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (1935) and Rhett Butler in Gone with the Wind (1939).
After divorcing Maria Langham, in March 1939 Clark married Carole Lombard, but tragedy struck in January 1942 when the plane in which Carole and her mother were flying crashed into Table Rock Mountain, Nevada, killing them both. A grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He married Sylvia Ashley, the widow of Douglas Fairbanks, in 1949. Unfortunately this marriage was short-lived and they divorced in 1952. In July 1955 he married a former sweetheart, Kathleen Williams Spreckles (a.k.a. Kay Williams) and became stepfather to her two children, Joan and Adolph ("Bunker") Spreckels III.
On November 16, 1959, Gable became a grandfather when Judy Lewis, his daughter with Loretta Young, gave birth to a daughter, Maria. In 1960, Gable's wife Kay discovered that she was expecting their first child. In early November 1960, he had just completed filming The Misfits (1961), when he suffered a heart attack, and died later that month, on November 16, 1960. Gable was buried shortly afterwards in the shrine that he had built for Carole Lombard and her mother when they died, at Forest Lawn Cemetery.
In March 1961, Kay Gable gave birth to a boy, whom she named John Clark Gable after his father.- Actress
- Soundtrack
One of the brightest film stars to grace the screen was born Emilie Claudette Chauchoin on September 13, 1903, in Saint Mandé, France where her father owned a bakery at 57, rue de la République (now Avenue Général de Gaulle). The family moved to the United States when she was three. As Claudette grew up, she wanted nothing more than to play to Broadway audiences (in those days, any actress or actor worth their salt went for Broadway, not Hollywood). After her formal education ended, she enrolled in the Art Students League, where she paid for her dramatic training by working in a dress shop. She made her Broadway debut in 1923 in the stage production of "The Wild Wescotts". It was during this event that she adopted the name Claudette Colbert.
When the Great Depression shut down most of the theaters, Claudette decided to make a go of it in films. Her first film was called For the Love of Mike (1927). Unfortunately, it was a box-office disaster. She wasn't real keen on the film industry, but with an extreme scarcity in theatrical roles, she had no choice but to remain. In 1929 she starred as Joyce Roamer in The Lady Lies (1929). The film was a success and later that year she had another hit entitled The Hole in the Wall (1929). In 1930 she starred opposite Fredric March in Manslaughter (1930), which was a remake of the silent version of eight years earlier. A year after that Claudette was again paired in a film with March, Honor Among Lovers (1931). It fared well at the box-office, probably only because it was the kind of film that catered to women who enjoyed magazine fiction romantic stories. In 1932 Claudette played the evil Poppeia in Cecil B. DeMille's last great work, The Sign of the Cross (1932), and once again was cast with March. Later the same year she was paired with Jimmy Durante in The Phantom President (1932). By now Claudette's name symbolized good movies and she, along with March, pulled crowds into the theaters with the acclaimed Tonight Is Ours (1933).
The next year started a little on the slow side with the release of Four Frightened People (1934), where Claudette and her co-stars were at odds with the dreaded bubonic plague on board a ship. However, the next two films were real gems for this young actress. First up, Claudette was charming and radiant in Cecil B. DeMille's spectacular Cleopatra (1934). It wasn't one of DeMille's finest by any means, but it was a financial success and showcased Claudette as never before. However, it was as Ellie Andrews, in the now famous It Happened One Night (1934), that ensured she would be forever immortalized. Paired with Clark Gable, the madcap comedy was a mega-hit all across the country. It also resulted in Claudette being nominated for and winning the Oscar that year for Best Actress. IN 1935 she was nominated again for Private Worlds (1935), where she played Dr. Jane Everest, on the staff at a mental institution. The performance was exquisite. Films such as The Gilded Lily (1935), Drums Along the Mohawk (1939) and No Time for Love (1943) kept fans coming to the theaters and the movie moguls happy. Claudette was a sure drawing card for virtually any film she was in. In 1944 she starred as Anne Hilton in Since You Went Away (1944). Again, although she didn't win, Claudette picked up her third nomination for Best Actress.
By the late 1940s and early 1950s she was not only seen on the screen but the infant medium of television, where she appeared in a number of programs. However, her drawing power was fading somewhat as new stars replaced the older ones. In 1955 she filmed the western Texas Lady (1955) and wasn't seen on the screen again until Parrish (1961). It was her final silver screen performance. Her final appearance before the cameras was in a TV movie, The Two Mrs. Grenvilles (1987). She did, however, remain on the stage where she had returned in 1956, her first love. After a series of strokes, Claudette divided her time between New York and Barbados. On July 30, 1996, Claudette died in Speightstown, Barbados. She was 92.- Actress
- Soundtrack
With blonde hair, big blue eyes and a big smile, Joan Blondell was usually cast as the wisecracking working girl who was the lead's best friend.
Joan was born Rose Blondell in Manhattan, New York, the daughter of Katie and Eddie Blondell, who were vaudeville performers. Her father was a Polish Jewish immigrant, and her mother was of Irish heritage. Joan was on the stage when she was three years old. For years, she toured the circuit with her parents and joined a stock company when she was 17. She made her New York debut with the Ziegfeld Follies and appeared in several Broadway productions.
She was starring with James Cagney on Broadway in "Penny Arcade" (1929) when Warner Brothers decided to film the play as Sinners' Holiday (1930). Both Cagney and Joan were given the leads, and the film was a success. She would be teamed with Cagney again in The Public Enemy (1931) and Blonde Crazy (1931) among others. In The Office Wife (1930), she stole the scene when she was dressing for work. While Warner Brothers made Cagney a star, Joan never rose to that level. In gangster movies or musicals, her performances were good enough for second leads, but not first lead. In the 1930s, she made a career playing gold-diggers and happy-go-lucky girlfriends. She would be paired with Dick Powell in ten musicals during these years, and they were married for ten years. By 1939, Joan had left Warner Brothers to become an independent actress, but by then, the blonde role was being defined by actresses like Veronica Lake. Her work slowed greatly as she went into straight comedy or dramatic roles. Three of her better roles were in Topper Returns (1941), Cry 'Havoc' (1943), and A Tree Grows in Brooklyn (1945). By the 50s, Joan would garner an Academy Award nomination for The Blue Veil (1951), but her biggest career successes would be on the stage, including a musical version of "A Tree Grows in Brooklyn."
In 1957, Joan would again appear on the screen as a drunk in Lizzie (1957) and as mature companion to Jayne Mansfield in Will Success Spoil Rock Hunter? (1957). While she would appear in a number of television shows during the 50s and 60s, she had the regular role of Winifred on The Real McCoys (1957) during the 1963 season. Her role in the drama The Cincinnati Kid (1965) was well received, but most of her remaining films would be comedies such as Waterhole #3 (1967) and Support Your Local Gunfighter (1971). Still in demand for TV, she was cast as Lottie on Here Come the Brides (1968) and as Peggy on Banyon (1971).- Music Artist
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John Winston (later Ono) Lennon was born on October 9, 1940, in Liverpool, England, to Julia Lennon (née Stanley) and Alfred Lennon, a merchant seaman. He was raised by his mother's older sister Mimi Smith. In the mid-1950s, he formed his first band, The Quarrymen (after Quarry Bank High School, which he attended) who, with the addition of Paul McCartney and George Harrison, later became The Beatles.
After some years of performing in Liverpool and Hamburg, Germany, "Beatlemania" erupted in England and Europe in 1963 after the release of their singles "Love Me Do" and "Please Please Me". That same year, John's first wife Cynthia Lennon welcomed their only son Julian Lennon, named after John's mother. The next year the Beatles flew to America to appear on The Ed Sullivan Show (1948) (aka The Ed Sullivan Show), and Beatlemania spread worldwide. Queen Elizabeth II granted all four Beatles M.B.E. medals in 1965, for import revenues from their record sales; John returned his four years later, as part of an antiwar statement. John and the Beatles continued to tour and perform live until 1966, when protests over his calling the Beatles phenomenon "more popular than Jesus" and the frustrations of touring made the band decide to quit the road. They devoted themselves to studio work, recording and releasing albums such as "Sgt. Pepper's Lonely Hearts Club Band", "Magical Mystery Tour" and the "White Album". Instead of appearing live, the band began making their own "pop clips" (an early term for music videos), which were featured on television programs of the time.
In the late 1960s John began performing and making albums with his second wife Yoko Ono, as the Beatles began to break up. Their first two albums, "Two Virgins" and "Life With The Lions", were experimental and flops by Beatles standards, while their "Wedding Album" was almost a vanity work, but their live album "Live Peace In Toronto" became a Top Ten hit, at the end of the 1960s.
In the early 1970s John and Yoko continued to record together, making television appearances and performing at charity concerts. After the release of John's biggest hit, "Imagine", they moved to the US, where John was nearly deported because of his political views (a late-'60s conviction for possession of hashish in the U.K. was the excuse given by the government), but after a four-year legal battle he won the right to stay. In the midst of this, John and Yoko separated for over a year; John lived in Los Angeles with personal assistant May Pang, while Yoko dated guitarist David Spinozza. When John made a guest appearance at Elton John's Thanksgiving 1974 concert, Yoko was in the audience, and surprised John backstage. They reconciled in early 1975, and Yoko soon became pregnant. After the birth of their son Sean Lennon, John settled into the roles of "househusband" and full-time daddy, while Yoko became his business manager; both appeared happy in their new life together.
After a five-year break from music and the public eye, they made a comeback with their album "Double Fantasy", but within weeks of their re-emergence, Lennon was murdered on the evening of December 8, 1980 by Mark David Chapman, a one-time Beatles fan angry and jealous over John's ongoing career, who fatally shot Lennon four times in the back outside his apartment building, The Dakota, as Lennon was returning from a recording session. Within minutes after being shot, John Lennon was dead at age 40. His violent death was a sudden and tragic end to the life of a talented singer and musician who wanted to make a difference in the world.- Actor
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Rik Mayall, one of the first and foremost alternative comedians in the UK, was born in Matching Tye, a village just outside Harlow in Essex. His parents, John and Gillian, were both drama teachers. His acting debut was at the age of seven when he appeared in one of his father's stage plays. He met his comedy partner and best friend Adrian "Ade" Edmondson at Manchester University in 1975. Soon, the duo began performing together as a comedy act called "Twentieth Century Coyote" at the now legendary Comedy Store in London. They later moved their act to a venue called "The Comic Strip" and it was there that they were discovered by producer Paul Jackson. Rik and his friends, including Adrian Edmondson, Jennifer Saunders, Dawn French, Alexei Sayle, Peter Richardson, and Nigel Planer were boomed onto television screens with immense success. He wrote The Young Ones (1982) with Ben Elton and Lise Mayer. You loved it or hated it, but you can't deny the impact it had on British sitcoms.
His career was launched, and, aged 24, he became one of the most popular comedians in Britain. He wrote and starred in various other television programmes and films over the years such as The New Statesman (1987); his role in it as Alan B'Stard earned him a BAFTA. He had his brief touch of Hollywood in 1991 when he starred as the title role in Drop Dead Fred (1991), but he soon returned to the British TV screens with Bottom (1991) a show which only ran for 3 seasons from 1991 to 1995 but was so popular that he and "Ade" toured with live shows based on the series around Britain every two years or so up until 2014.
In 1998, he suffered a severe accident and ended up in a coma after he crashed with his quad-bike at his farm in Devon. Luckily, he recovered and starred in films and shows such as Guest House Paradiso (1999) and Day of the Sirens (2002). In 2002, he proved that he was back and ready for action in the comedy series Believe Nothing (2002), which reunited him with Laurence Marks and Maurice Gran, the writers of "The New Statesman". In 2003, he toured the UK alongside "Ade" with the fifth Bottom Live show.- Actress
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Ava Lavina Gardner was born on December 24, 1922 in Grabtown, North Carolina, to Mary Elizabeth (née Baker) and Jonas Bailey Gardner. Born on a tobacco farm, where she got her lifelong love of earthy language and going barefoot, Ava grew up in the rural South. At age 18, her picture in the window of her brother-in- law's New York photo studio brought her to the attention of MGM, leading quickly to Hollywood and a film contract based strictly on her beauty. With zero acting experience, her first 17 film roles, 1942-1945, were one-line bits or little better. After her first starring role in B-grade Whistle Stop (1946), MGM loaned her to Universal for her first outstanding film The Killers (1946). Few of her best films were made at MGM which, keeping her under contract for 17 years, used her popularity to sell many mediocre films. Perhaps as a result, she never believed in her own acting ability, but her latent talent shone brightly when brought out by a superior director, as with John Ford in Mogambo (1953) and George Cukor in Bhowani Junction (1956).
After three failed marriages, dissatisfaction with Hollywood life prompted Ava to move to Spain in 1955; most of her subsequent films were made abroad. By this time, stardom had made the country girl a cosmopolitan, but she never overcame a deep insecurity about acting and life in the spotlight. Her last quality starring film role was in The Night of the Iguana (1964), her later work being (as she said) strictly "for the loot". In 1968, tax trouble in Spain prompted a move to London, where she spent her last 22 years in reasonable comfort. Her film career did not bring her great fulfillment, but her looks may have made it inevitable; many fans still consider her the most beautiful actress in Hollywood history. Ava Gardner died at age 67 of bronchial pneumonia on January 25, 1990 in Westminister, London, England.- Actress
- Soundtrack
Greta Garbo was born Greta Lovisa Gustafsson on September 18, 1905, in Stockholm, Sweden, to Anna Lovisa (Johansdotter), who worked at a jam factory, and Karl Alfred Gustafsson, a laborer. She was fourteen when her father died, which left the family destitute. Greta was forced to leave school and go to work in a department store. The store used her as a model in its newspaper ads. She had no film aspirations until she appeared in short advertising film at that same department store while she was still a teenager. Erik A. Petschler, a comedy director, saw the film and gave her a small part in his Luffar-Petter (1922). Encouraged by her own performance, she applied for and won a scholarship to a Swedish drama school. While there she appeared in at least one film, En lyckoriddare (1921). Both were small parts, but it was a start. Finally famed Swedish director Mauritz Stiller pulled her from the drama school for the lead role in The Saga of Gösta Berling (1924). At 18 Greta was on a roll.
Following The Joyless Street (1925) both Greta and Stiller were offered contracts with MGM, and her first film for the studio was the American-made Torrent (1926), a silent film in which she didn't have to speak a word of English. After a few more films, including The Temptress (1926), Love (1927) and A Woman of Affairs (1928), Greta starred in Anna Christie (1930) (her first "talkie"), which not only gave her a powerful screen presence but also garnered her an Academy Award nomination as Best Actress (she didn't win). Later that year she filmed Romance (1930), which was somewhat of a letdown, but she bounced back in 1931, landing another lead role in Mata Hari (1931), which turned out to be a major hit.
Greta continued to give intense performances in whatever was handed her. The next year she was cast in what turned out to be yet another hit, Grand Hotel (1932). However, it was in MGM's Anna Karenina (1935) that she gave what some consider the performance of her life. She was absolutely breathtaking in the role as a woman torn between two lovers and her son. Shortly afterwards, she starred in the historical drama Queen Christina (1933) playing the title character to great acclaim. She earned an Oscar nomination for her role in the romantic drama Camille (1936), again playing the title character. Her career suffered a setback the following year in Conquest (1937), which was a box office disaster. She later made a comeback when she starred in Ninotchka (1939), which showcased her comedic side. It wasn't until two years later she made what was to be her last film, Two-Faced Woman (1941), another comedy. But the film drew controversy and was condemned by the Catholic Church and other groups and was a box office failure, which left Garbo shaken.
After World War II Greta, by her own admission, felt that the world had changed perhaps forever and she retired, never again to face the camera. She would work for the rest of her life to perpetuate the Garbo mystique. Her films, she felt, had their proper place in history and would gain in value. She abandoned Hollywood and moved to New York City. She would jet-set with some of the world's best-known personalities such as Aristotle Onassis and others. She spent time gardening and raising flowers and vegetables. In 1954 Greta was given a special Oscar for past unforgettable performances. She even penned her biography in 1990.
On April 15, 1990, Greta died of natural causes in New York and with her went the "Garbo Mystique". She was 84.- Tallulah Brockman Bankhead was born on January 31, 1902 in Huntsville, Alabama. Her father was a mover and shaker in the Democratic Party who served as Speaker of the United States House of Representatives from June 4, 1936, to September 16, 1940. Tallulah had been interested in acting and, at age 15, started her stage career in the local theater troupes of Huntsville and the surrounding areas. At age 16, she won a beauty contest and, bolstered by this achievement, moved to New York City to live with her aunt and to try her hand at Broadway. She was offered a role in Dr. Jekyll and Mr. Hyde (1920), but did not take it after she refused John Barrymore's invitation for a visit to the casting couch. Unfortunately, for the young Miss Bankhead, she did not make any headway on the stages of New York, so she pulled up stakes and moved to London, in 1923, to try her luck there.
For the next several years, she was the most popular actress of London's famed West End, the British equivalent of Broadway. After starring in several well-received plays, she gained the attention of Paramount Pictures executives and returned to the United States to try her hand at the film world. Her first two films, Woman's Law (1927) and His House in Order (1928), did not exactly set the world on fire, so she returned to do more stage work. She tried film work again with Tarnished Lady (1931), where she played Nancy Courtney, a woman who marries for money but ultimately gets bored with her husband and leaves him, only to come back to him when he is broke. The critics gave it a mixed reception. Tallulah's personality did not shine on film as Paramount executives had hoped. She tried again with My Sin (1931) as a woman with a secret past about to marry into money. Later that year, she made The Cheat (1931), playing Elsa Carlyle, a woman who sold herself to a wealthy Oriental merchant who brands her like she was his own property and is subsequently murdered. The next year, she shot Thunder Below (1932), Faithless (1932), Make Me a Star (1932) (she had a cameo role along with several other Paramount stars) and Devil and the Deep (1932). The latter film was a star-studded affair that made money at the box-office due to the cast (Gary Cooper, Charles Laughton and newcomer Cary Grant). The films she was making just did not do her talent any justice, so it was back to Broadway--she did not make another film for 11 years. She toured nationally, performing in all but three states.
She was also a big hit at social affairs, where she often shocked the staid members of that society with her "untraditional" behavior. She chain-smoked and enjoyed more than her share of Kentucky bourbon, and made it a "habit" to take her clothes off and chat in the nude. A friend and fellow actress remarked on one occasion, "Tallulah dear, why are you always taking your clothes off? You have such lovely frocks." She was also famous--or infamous--for throwing wild parties that would last for days. She returned to films in 1943 with a cameo in Stage Door Canteen (1943), but it was Lifeboat (1944) for director Alfred Hitchcock that put her back into the limelight. However, the limelight did not shine for long. After shooting A Royal Scandal (1945) she did not appear on film again until she landed a role in Die! Die! My Darling! (1965). Her film and small-screen work consisted of a few TV spots and the voice of the Sea Witch in the animated film The Daydreamer (1966), so she went back to the stage, which had always been first and foremost in her heart. To Tallulah, there was nothing like a live audience to perform for, because they, always, showed a lot of gratitude. On December 12, 1968, Tallulah Bankhead died at age 66 of pneumonia in her beloved New York City. While she made most of her fame on the stages of the world, the film industry and its history became richer because of her talent and her very colorful personality. Today her phrase, "Hello, Dahling" is known throughout the entertainment world. - Music Artist
- Music Department
- Actor
A tragic fate may have given this visionary a heightened sensitivity, perception, awareness, even expansion to his obvious musical gifts that he may have never touched upon had he not suffered from his physical affliction. Whatever it was, Ray Charles revolutionized American music and was catapulted to legendary status by the time he died in Beverly Hills at age 73.
Born on September 23, 1930, to Aretha and Baily Robinson, an impoverished Albany, Georgia, family that moved to Greenville, Florida while he was still an infant. It was not a cause for joy and celebration. His father soon abandoned the family and his baby brother, George Robinson, drowned in a freak washtub accident. Ray himself developed glaucoma at the age of five and within two years had lost his sight completely. A singer in a Baptist choir, he developed a love and feel for rhythms and studied music at the State School for Deaf and Blind Children, showing which brought out his talent and ear for playing various instruments, including the piano and clarinet.
An orphan by his early teens, Ray joined a country band at age 16 called The Florida Playboys. He moved to Seattle in 1948 where he and Southern guitarist Gossady McGee formed the McSon Trio. With an emphasis on easy-styled jazz, Ray also played in bebop sessions on the sly. He departed from the McSon Trio and signed with Los Angeles-based Swing Time Records, becoming the pianist for rhythm and blues great Lowell Fulson and his band. Atlantic Records eventually picked him up. Along the road he would add composer, writer and arranger to his formidable list of talents.
Ray's first R&B hit was "Confession Blues" in Los Angeles in 1949. In 1951, he had his first solo chart buster with "Baby Let Me Hold Your Hand". His amazing versatility and raw, soulful delivery quickly caught on with audiences and helped put Atlantic Records on the map. Hits like "Mess Around", "Things I Used to Do", "A Fool for You", "I've Got a Woman", "Drown in My Own Tears", and especially "What'd I Say" in 1959, pushed gospel and R&B to a wider crossover audience. He made a move into the country music arena--unheard of for a black singer--in the 1960s, doing soulful spins on Hank Williams and Eddy Arnold tunes. In 1960, he left Atlantic and signed with ABC-Paramount. Under ABC-Paramount, hits poured out during this peak time with "I Can't Stop Loving You", "Hit the Road Jack", "Busted" and his beloved signature song "Georgia On My Mind".
His landmark 1962 album "Modern Sounds in Country and Western Music" brought a new swinging style to country music. From there, he traveled a mainstream route--from interpreting songs from The Beatles ("Eleanor Rigby") to appearing in "Diet Pepsi" ads ("You Got the Right One, Baby, Uh-huh!"). He also showed up sporadically in films, playing himself in the movie Ballad in Blue (1965) and guest-starring in The Blues Brothers (1980) with Dan Aykroyd and John Belushi. A television musical variety favorite with his trademark dark sunglasses and dry humor, he worked alongside such musical legends as Ella Fitzgerald and Barbra Streisand on their very special evenings of song.
It is hard to believe that with everything he accomplished, Ray also had to deal with a longstanding heroin problem. In the mid-1960s, he was arrested for possession of heroin and marijuana and revealed that he had been addicted for nearly two decades. By 1965, he had completely recovered. The man who lived life on the edge was divorced twice and had 12 children both in and outside his marriages.
At the time of his death from liver disease on June 10, 2004, he was working on a recording project of duets with such performers as Willie Nelson, Bonnie Raitt, B.B. King, Elton John and Norah Jones. This collaboration entitled "Genius Loves Company" led to an incisive win at the Grammy Awards--eight posthumous trophies including "Album of the Year" and "Record of the Year".
A few months after his death, the critically-acclaimed feature film biography Ray (2004) was released starring Oscar-winner Jamie Foxx.- Music Artist
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Elvis Aaron Presley was born on January 8, 1935 in East Tupelo, Mississippi, to Gladys Presley (née Gladys Love Smith) and Vernon Presley (Vernon Elvis Presley). He had a twin brother who was stillborn. In 1948, Elvis and his parents moved to Memphis, Tennessee where he attended Humes High School. In 1953, he attended the senior prom with the current girl he was courting, Regis Wilson. After graduating from high school in Memphis, Elvis took odd jobs working as a movie theater usher and a truck driver for Crown Electric Company. He began singing locally as "The Hillbilly Cat", then signed with a local recording company, and then with RCA in 1955.
Elvis did much to establish early rock and roll music. He began his career as a performer of rockabilly, an up-tempo fusion of country music and rhythm and blues, with a strong backbeat. His novel versions of existing songs, mixing 'black' and 'white' sounds, made him popular - and controversial - as did his uninhibited stage and television performances. He recorded songs in the rock and roll genre, with tracks like "Jailhouse Rock" and "Hound Dog" later embodying the style. Presley had a versatile voice and had unusually wide success encompassing other genres, including gospel, blues, ballads and pop music. Teenage girls became hysterical over his blatantly sexual gyrations, particularly the one that got him nicknamed "Elvis the Pelvis" (television cameras were not permitted to film below his waist).
In 1956, following his six television appearances on The Dorsey Brothers' "Stage Show", Elvis was cast in his first acting role, in a supporting part in Love Me Tender (1956), the first of 33 movies he starred in.
In 1958, Elvis was drafted into the military, and relocated to Bad Nauheim, Germany. There he met 14-year old army damsel Priscilla Ann Wagner (Priscilla Presley), whom he would eventually marry after an eight-year courtship, and by whom he had his only child, Lisa Marie Presley. Elvis' military service and the "British Invasion" of the 1960s reduced his concerts, though not his movie/recording income.
Through the 1960s, Elvis settled in Hollywood, where he starred in the majority of his thirty-three movies, mainly musicals, acting alongside some of the most well known actors in Hollywood. Critics panned most of his films, but they did very well at the box office, earning upwards of $150 million total. His last fiction film, Change of Habit (1969), deals with several social issues; romance within the clergy, an autistic child, almost unheard of in 1969, rape, and mob violence. It has recently received critical acclaim.
Elvis made a comeback in the 1970s with live concert appearances starting in early 1970 in Las Vegas with over 57 sold-out shows. He toured throughout the United States, appearing on-stage in over 500 live appearances, many of them sold out shows. His marriage ended in divorce, and the stress of constantly traveling as well as his increasing weight gain and dependence upon stimulants and depressants took their toll.
Elvis Presley died at age 42 on August 16, 1977 at his mansion in Graceland, near Memphis, shocking his fans worldwide. At the time of his death, he had sold more than 600 million singles and albums. Since his death, Graceland has become a shrine for millions of followers worldwide. Elvis impersonators and purported sightings have become stock subjects for humorists. To date, Elvis Presley is the only performer to have been inducted into three separate music 'Halls of Fame'. Throughout his career, he set records for concert attendance, television ratings and recordings sales, and remains one of the best-selling and most influential artists in the history of popular music.- Actress
- Soundtrack
Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Actor
- Soundtrack
Along with fellow actors Lon Chaney, Bela Lugosi and Vincent Price, Boris Karloff is recognized as one of the true icons of horror cinema, and the actor most closely identified with the general public's perception of the "Monster" from the classic Mary Shelley novel "Frankenstein". William Henry Pratt was born on November 23, 1887, in Camberwell, London, England, UK, the son of Edward John Pratt Jr., the Deputy Commissioner of Customs Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard.
He was educated at London University in anticipation that he would pursue a diplomatic career; however, he emigrated to Canada in 1909, joined a touring company based out of Ontario and adopted the stage name of "Boris Karloff." He toured back and forth across the U.S. for over 10 years in a variety of low-budget theater shows and eventually ended up in Hollywood, reportedly with very little money to his name. Needing cash to support himself, Karloff secured occasional acting work in the fledgling silent film industry in such pictures as The Deadlier Sex (1920), Omar the Tentmaker (1922), Dynamite Dan (1924) and Tarzan and the Golden Lion (1927), in addition to a handful of serials (the majority of which, sadly, have not survived). Karloff supplemented his meager film income by working as a truck driver in Los Angeles, which allowed him enough time off to continue to pursue acting roles.
His big break came in 1931 when he was cast as "the Monster" in the Universal production of Frankenstein (1931), directed by James Whale, one of the studio's few remaining auteur directors. The aura of mystery surrounding Karloff was highlighted in the opening credits, as he was listed as simply "?". The film was a commercial and critical success for Universal, and Karloff was instantly established as a hot property in Hollywood. He quickly appeared in several other sinister roles, including Scarface (1932) (filmed before Frankenstein (1931)), the black-humored The Old Dark House (1932), as the namesake Chinese villain of the Sax Rohmer Dr. Fu Manchu novels in The Mask of Fu Manchu (1932), as undead Im-Ho-Tep in The Mummy (1932) and the misguided Prof. Morlant in The Ghoul (1933). He thoroughly enjoyed his role as a religious fanatic in John Ford's The Lost Patrol (1934), although contemporary critics described it as a textbook example of overacting.
He donned the signature make-up, neck bolts and asphalt spreader's boots again to play the Frankenstein Monster twice, in the sensational Bride of Frankenstein (1935) and the less thrilling Son of Frankenstein (1939). Karloff, on loan to Fox, appeared in one of the best of the Warner Oland Charlie Chan films, Charlie Chan at the Opera (1936), before beginning his own short-lived Mr. Wong detective series. He was a wrongly condemned doctor in Devil's Island (1938), shaven-headed executioner "Mord the Merciless" in Tower of London (1939), another misguided scientist in The Ape (1940), a crazed scientist surrounded by monsters, vampires and werewolves in House of Frankenstein (1944), a murderous cabman in The Body Snatcher (1945) and a Greek general fighting vampirism in the Val Lewton thriller Isle of the Dead (1945).
While Karloff continued appearing in a plethora of films, many of them were not up to the standards of his previous efforts, including appearances in two of the hokey Bud Abbott and Lou Costello monster films (he had appeared with them in an earlier, superior film, Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), of which theater owners often added his name to the marquee), the low point of the Universal-International horror film cycle. During the 1950s he was a regular guest on many high-profile TV shows, including The Milton Berle Show (1948), Tales of Tomorrow (1951), The Veil (1958), The Donald O'Connor Show (1954), The Red Skelton Hour (1951) and The Dinah Shore Chevy Show (1956), to name a few, and he appeared in a mixed bag of films, including Sabaka (1954) and Voodoo Island (1957). On Broadway, he appeared as the murderous Brewster brother in the hit "Arsenic and Old Lace" (his role, or rather the absence of him in it, was amusingly parodied in the 1944 film version) and a decade later he enjoyed a long run in "Peter Pan," perfectly cast as "Captain Hook."
His career experienced something of a revival in the 1960s thanks to hosting the TV anthology series Thriller (1960) and indie director Roger Corman, with Karloff contributing wonderful performances in The Raven (1963), The Terror (1963), the ultra-eerie Black Sabbath (1963) and the H.P. Lovecraft-inspired Die, Monster, Die! (1965). Karloff's last great film role was as an aging horror film star on the brink of retirement confronting a modern-day sniper in the Peter Bogdanovich film Targets (1968). In 1970, he played the blind sculptor Franz Badulescu in Cauldron of Blood (1968), written, produced, and directed by Edward Mann, who had also come to the art of film from the stage and theater. His TV career was capped off by achieving Christmas immortality as both the voices of the titular character and the narrator of Chuck Jones's perennial animated favorite, How the Grinch Stole Christmas! (1966). Four low-budget Mexican-produced horror films starring an ailing Karloff were released in the two years after his death; however, they do no justice to this actor. In retrospect, he never took himself too seriously as an actor and had a tendency to downplay his acting accomplishments. Renowned as a refined, kind and warm-hearted gentleman with a sincere affection for children and their welfare, Karloff passed away on February 2, 1969 from emphysema. Respectful of his Indian roots and in true Hindu fashion, he was cremated at Guildford Crematorium, Godalming, Surrey, England, UK, where he is commemorated by a plaque in Plot 2 of the Garden of Remembrance.- Actor
- Costume and Wardrobe Department
- Additional Crew
Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.
A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..
Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.
Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.- Director
- Producer
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Music Department
- Actress
- Composer
Controversial, flamboyant, and spontaneous are probably the best words to describe Lisa "Left Eye" Lopes. Born in Philadelphia, and raised throughout the world as the daughter of a U.S. Army serviceman, Lisa Lopes became one of the most important trendsetters in the 1990s music scene. After relocating to Atlanta during her young adult years, Lopes became heavily involved in that city's thriving music industry that produced many top name acts such as Cameo, Jermaine Dupri, Xscape, and Kelly Price. However, it was Lopes and her two bandmates, Tionne "T-Boz Watkins" and Rozonda "Chilli" Thomas who put Atlanta on the map. Originally starting as a trio called 'Second Nature', Watkins and Lopes were soon joined by Thomas to form 'TLC', the best-selling girl group of all time. TLC, which stood for the first initial of each member's nickname, were discovered at an Atlanta club by singer Pebbles, who immediately signed them to her label.
After breaking into the scene, TLC went on to great success under Arista's new LaFace label, which was managed by superstar producers, Kenneth "Babyface" Edmonds and L.A. Reid, Pebble's former husband. After snatching them away from Pebbles, TLC became one of the 1990s greatest success stories due to their creative style and flamboyance. Utilizing condoms on their colorful, baggy clothes, TLC scored three major hits on their 1992 debut album, "Ooooooooh on the TLC Tip". With success at hand, Lopes ventured off into the world of stardom, and doing so brought her major headlines. In 1995, Lopes made national and international headlines after she set the home of her boyfriend, Andre Rison, ablaze after a major fight. Lopes, who was sentenced to 5 years probation and therapy at a halfway house, never was able to shake that incident from her personality, and along with Lil' Kim, became one of hip hop music's bad girls. Along with her TLC bandmates, Lopes filed for bankruptcy that same year claiming that poor royalties and an outstanding debt that was owed to Pebbles after she sued the group for breach of contract caused them to take this action.
With the release of their sophomore album, "Crazy Sexy Cool," Lopes and her TLC bandmates underwent a change from their childlike antics to a sense of maturity that represented their metamorphosis as major recording stars. That album, which became sold 11 million copies became one of that decade's biggest selling albums, netted the group two Grammy Awards, and produced three hit singles.
After promoting that album was over, Lopes decided to venture into a variety of projects that showcased her excellent ability to spot talent. She became the mentor and producer of the R&B trio Blaque, whose members saw TLC-like success with several hit singles and starring roles in the film "Bring it On". Along with Blaque, Lopes worked with other major artists who sought her talents in producing. Working with singers such as Montell Jordan, Melanie "Sporty Spice" Chisolm, and NSYNC, Lopes became one of the music industry's highly sought stars due to her unique vocals and amazing style.
However, Lopes who sought a fresh new start in life after a difficult childhood, began to involve herself in holistic and spiritual practices that brought her a sense of peace and tranquility. It was during a trip to Honduras, that Lopes saw a world different from what she saw in the United States, and began to get herself involved in several projects that benefited many victims of Hurricane Mitch, which struck Central America in 1997. Building a healing hut and a child center, Lopes connected with a world that was innocent and new to her. Her sense of pride and duty were reflected by the numerous trips she took to Honduras since her encounter with an African healing doctor in the mid 1990s.
After the release and promotion of TLC's 1999 album, "Fanmail", Lopes started to shun away from her bandmates in order to develop an identity independent from that of her bandmates. Often disputing with them in public, Lopes worked hard on a solo debut album, "Supernova" which was released internationally but never released in the United States due to poor radio play. That album, produced the top 20 hit, "The Block Party" which was a big hit in the United Kingdom and Japan.
In her continuation for a change, Lopes signed a deal to release an album under the alias N.I.N.A. (Not Into Name Alternatives) with controversial producer Suge Knight. That project never came about. On Thursday, April 25 while returning from the village where she called home for the past few years, Lopes was the only fatality in a car crash that occurred when her car swerved off the road near the town of Roma, Honduras. Lopes, who was to celebrate her 31st birthday the next month, died instantly while four of the seven others who were riding in the sports utility vehicle she was driving were rushed to a local hospital in critical condition. Lopes, who adopted a young girl several years ago, left her motherless and left a legion of grieving, distraught fans crying for another life taken so quickly.- Actor
- Music Department
- Soundtrack
Rock 'n' roll pioneer Gene Vincent was born Eugene Vincent Craddock (Vincent Eugene according to some biographers) on February 11, 1935 in Norfolk, Virginia. He quit school at the age of 17 to join the Navy. His naval career was ended following a motorcycle accident while on shore leave in 1955. Shortly thereafter he heard an up-and-coming singer named Elvis Presley and decided on a singing career of his own. His excellent voice helped to hook him up with Norfolk disk jockey Tex Davis who pushed him through to Capitol Records where he recorded the million selling Be-Bop-A-Lula in 1956. While his first record earned him several movie appearances including The Girl Can't Help It (1956) and Hot Rod Gang (1958) and helped him to get a star on the Hollywood Walk of Fame, his success was short lived. His original Blue Caps band broke up fairly quickly and his fame in America dwindled as rebellious rockers of the 1950s were replaced by clean-cut teen idols of the early 1960s. Vincent moved to Britain in 1959, where he was a cult figure, and remained there for a decade. He returned to America in 1969 with a new record deal and enjoyed a brief revival among the hippy teenagers in California, who revered him as a legend. His new found fame was cut short by his death on October 12, 1971 at the age of 36 years following complications of a bleeding ulcer and seizure. He had been married four times and was a reputed hard drinker which most likely caused his death.- Music Artist
- Actress
- Music Department
Patsy Cline was born Virginia Patterson Hensley on September 8, 1932 in Winchester, Virginia. Her brush with show business came at age four when she won a prize in an amateur tap dancing contest. By the time she entered grade school, her family was fully aware of her musical talent. On her eighth birthday, her mother presented her with a piano, on which Patsy learned more music patterns. On Sundays, she sang with the local church choir, and at age 14, was singing regularly on local radio station WINC (she got the job by walking fearlessly into the station and asking for an audition). When Patsy was 15, her parents divorced, reportedly due to her father's heavy drinking. Without her father around to pay the bills, Patsy helped her mother earn money by singing in local clubs in the evenings, and by day, was working at the local drug store, which led to her dropping out of high school a year later. In 1948, Patsy maneuvered herself backstage when 'Wally Fowler' brought his music show to her hometown. Patsy impressed Fowler with her singing, and he gave her the opportunity to audition to be a member of the Grand Ole Opry in Nashville. However, to her disappointment, the Opry reps said that she would not be ready for big-time country radio.
Patsy returned to Winchester and continued to sing in local clubs. She met and married Gerald Cline in 1952. That same year, she was featured in Bill Peer's Melody Playboys of Brunswick, Maryland. Peer got Patsy her first recording contract with Four Star Records in 1954. In late 1955, Patsy became a regular on the radio show "Town and Country Jamboree", a country-western program that broadcast in Washington, D.C. In 1957, Patsy finally got her big break when she appeared as a contestant on the television variety show Talent Scouts (1948), hosted by Arthur Godfrey. For her first television appearance, she selected a torch song she sang a year earlier, "Walkin' After Midnight". She won first place and became a regular on the show for the next two weeks. "Walkin' After Midnight" was released as a single and put Patsy on the top ten charts of country and pop music. However, her determined drive and ambition put a large strain her marriage and kept her away from her husband; as a result, Patsy and Gerald divorced soon after her television debut. In the late 1950s, Patsy put a hold on her career and married a second time, to Charlie Dick, and together they had two children. However, when she returned to singing, the long hours that kept her away put another strain on the marriage.
In 1960, Patsy was finally invited to join the Grand Old Opry and the following year she scored with her second single, "I Fall to Pieces". Producer Owen Bradley took advantage of Patsy's rich voice and backed her with lush string arrangements rather than the twangy sound of steel guitar, which was typical for country-western singers at the time. Anxious to be true to her roots, Patsy often expressed a desire to yodel and growl on her records, but she understood that this smoother sound was giving her career a major boost and used it during the next two years of album recordings. In March 1963, Patsy traveled from Nashville to Kansas City, where on March 5, 1963, she appeared at a benefit concert for the family of disc jockey Jack McCall, who had been killed in a traffic accident earlier that year. Immediately after her performance, she boarded a small plane back to Nashville along with country-western performers Cowboy Copas, Harold Hawkshaw Hawkins and pilot Randy Hughes. Approximately 85 miles west of Nashville, the plane ran into turbulence and crashed. There were no survivors. Shortly before her death, Patsy recorded the single "Sweet Dreams", which became #5 on the country charts after her untimely death at age 30 (her best-known song, "Crazy", was written by future country-western legend Willie Nelson). Ten years after her death, Patsy Cline was inducted into the Country Music Hall of Fame, the first female soloist chosen for the honor.- Actress
- Soundtrack
Carole Lombard was born Jane Alice Peters in Fort Wayne, Indiana, on October 6, 1908. Her parents divorced in 1916 and her mother took the family on a trip out West. While there they decided to settle down in the Los Angeles area. After being spotted playing baseball in the street with the neighborhood boys by a film director, Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921). Although she tried for other acting jobs, she would not be seen onscreen again for four years. She returned to a normal life, going to school and participating in athletics, excelling in track and field. By age 15 she had had enough of school, though, and quit. She joined a theater troupe and played in several stage shows, which were for the most part nothing to write home about. In 1925 she passed a screen test and was signed to a contract with Fox Films. Her first role as a Fox player was Hearts and Spurs (1925), in which she had the lead. Right after that film she appeared in a western called Durand of the Bad Lands (1925). She rounded out 1925 in the comedy Marriage in Transit (1925) (she also appeared in a number of two-reel shorts). In 1926 Carole was seriously injured in an automobile accident that resulted in the left side of her face being scarred. Once she had recovered, Fox canceled her contract. She did find work in a number of shorts during 1928 (13 of them, many for slapstick comedy director Mack Sennett), but did go back for a one-time shot with Fox called Me, Gangster (1928). By now the film industry was moving from the silent era to "talkies". While some stars' careers ended because of heavy accents, poor diction or a voice unsuitable to sound, Carole's light, breezy, sexy voice enabled her to transition smoothly during this period. Her first sound film was High Voltage (1929) at Pathe (her new studio) in 1929. In 1931 she was teamed with William Powell in Man of the World (1931). She and Powell hit it off and soon married, but the marriage didn't work out and they divorced in 1933. No Man of Her Own (1932) put Carole opposite Clark Gable for the first and only time (they married seven years later in 1939). By now she was with Paramount Pictures and was one of its top stars. However, it was Twentieth Century (1934) that showed her true comedic talents and proved to the world what a fine actress she really was. In 1936 Carole received her only Oscar nomination for Best Actress for My Man Godfrey (1936). She was superb as ditzy heiress Irene Bullock. Unfortunately, the coveted award went to Luise Rainer in The Great Ziegfeld (1936), which also won for Best Picture. Carole was now putting out about one film a year of her own choosing, because she wanted whatever role she picked to be a good one. She was adept at picking just the right part, which wasn't surprising as she was smart enough to see through the good-ol'-boy syndrome of the studio moguls. She commanded and received what was one of the top salaries in the business - at one time it was reported she was making $35,000 a week. She made but one film in 1941, Mr. & Mrs. Smith (1941). Her last film was in 1942, when she played Maria Tura opposite Jack Benny in To Be or Not to Be (1942). Tragically, she didn't live to see its release. The film was completed in 1941 just at the time the US entered World War II, and was subsequently held back for release until 1942. Meanwhile, Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since.- Actress
- Writer
- Soundtrack
Carole Landis was born on New Year's Day in 1919 in Fairchild, Wisconsin, as Frances Lillian Mary Ridste. Her father, a railroad mechanic, was of Norwegian descent and her mother was Polish. Her father walked out, leaving Carole, her mother and an older brother and sister to fend for themselves.
After graduating from high school, she married Jack Robbins (Irving Wheeler), but the union lasted a month (the marriage was annulled because Carole was only 15 at the time). The couple remarried in August 1934, and the two headed to California to start a new life. For a while she worked as a dancer and singer, but before long the glitter of show business drew her to Los Angeles.
She won a studio contract with Warner Brothers but was a bit player for the most part in such films as A Star Is Born (1937), A Day at the Races (1937), and The Emperor's Candlesticks (1937). The following year started out much the same way, with more bit roles. By 1939, she was getting a few speaking roles, although mostly one-liners, and that year ended much as had the previous two years, with more bit roles; also, she and Wheeler were divorced.
In 1940 she was cast as Loana in the Hal Roach production of One Million B.C. (1940); she finally got noticed (the skimpy outfit helped), and her career began moving. She began getting parts in B pictures but didn't star in big productions -- although she had talent, the really good roles were given to the established stars of the day.
Her busiest year was 1942, with roles in Manila Calling (1942), The Powers Girl (1943), A Gentleman at Heart (1942), and three other movies. Unfortunately, critics took little notice of her films, and when they did, reviewers tended to focus on her breathtaking beauty. By the middle 1940s, Carole's career was beginning to short-circuit. Her contract with 20th Century-Fox had been canceled, her marriages to Willis Hunt Jr. and Thomas Wallace had failed, and her current marriage to Horace Schmidlapp was on the skids; all of that plus health problems spelled disaster for her professionally and personally.
Her final two films, Brass Monkey (1948) and The Silk Noose (1948) were released in 1948. On July 5, 1948, Carole committed suicide by taking an overdose of Seconal in her Brentwood Heights, California, home. She was only 29 and had made 49 pictures, most of which were, unfortunately, forgettable. If Hollywood moguls had given Carole a chance, she could have been one of the brightest stars in its history.- Actor
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- Soundtrack
Originally born Harris Glen Milstead just after the end of WWII, Baltimore's most outrageous resident eventually became the international icon of bad taste cinema, as the always shocking and highly entertaining transvestite performer, Divine.
Milstead met maverick film director & good friend, John Waters, at high school in Baltimore, and the two combined to star in and direct several ultra low budget, taboo breaking cult films of the early 1970s. Their first efforts included Roman Candles (1967), Eat Your Makeup (1968) and Mondo Trasho (1969)....however, their most infamous work together was the amazing Pink Flamingos (1972), in which Divine starred as "Babs Johnson", the "filthiest person alive" living in a pink trailer with her egg-eating grandmother, chicken-loving son and voyeuristic daughter.
Divine also starred as career criminal Dawn Davenport in Female Trouble (1974), as bored housewife Francine Fishpaw in Polyester (1981), as outlaw gal Rosie Velez in Lust in the Dust (1984) and in Waters' loving (but still slightly bizarre) salute to teen dance TV shows as Ricki Lake's mother in the superb Hairspray (1988).
Milstead's health deteriorated due to to his obese frame, and he passed away in his sleep from a combination of heart attack and apnea in 1988.- Actor
- Soundtrack
William Frawley was born in Burlington, Iowa. As a boy he sang at St. Paul's Catholic Church and played at the Burlington Opera House. His first job was as a stenographer for the Union Pacific Railroad. He did vaudeville with his brother Paul, then joined pianist Franz Rath in an act they took to San Francisco in 1910. Four years later he formed a light comedy act with his new wife Edna Louise Broedt, "Frawley and Louise", touring the Orpheum and Keith circuits until they divorced in 1927. He next moved to Broadway and then, in 1932, to Hollywood with Paramount. By 1951, when he contacted Lucille Ball about a part in her TV show I Love Lucy (1951), he had performed in over 100 films. His Fred Mertz role lasted until the show ended in 1960, after which he did a five-year stint on My Three Sons (1960). Poor health forced his retirement. He collapsed of a heart attack on March 3, 1966, aged 79, walking along Hollywood Boulevard after seeing a movie. He is buried in San Fernando Mission Cemetery.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Music Artist
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Michael Joseph Jackson was born on August 29, 1958 in Gary, Indiana, and entertained audiences nearly his entire life. His father, Joe Jackson (no relation to Joe Jackson, also a musician), had been a guitarist, but was forced to give up his musical ambitions following his marriage to Michael's mother Katherine Jackson (née Katherine Esther Scruse). Together, they prodded their growing family's musical interests at home. By the early 1960s, the older boys Jackie, Tito and Jermaine had begun performing around the city; by 1964, Michael and Marlon had joined in.
A musical prodigy, Michael's singing and dancing talents were amazingly mature, and he soon became the dominant voice and focus of the Jackson 5. An opening act for such soul groups as the O-Jays and James Brown, it was Gladys Knight (not Diana Ross) who officially brought the group to Berry Gordy's attention, and by 1969, the boys were producing back-to-back chart-busting hits as Motown artists ("I Want You Back," "ABC," "Never Can Say Goodbye," "Got to Be There," etc.). As a product of the 1970s, the boys emerged as one of the most accomplished black pop / soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco phenomenon.
Solo success for Michael was inevitable, and by the 1980s, he had become infinitely more popular than his brotherly group. Record sales consistently orbited, culminating in the biggest-selling album of all time, "Thriller" in 1982. A TV natural, he ventured rather uneasily into films, such as playing the Scarecrow in The Wiz (1978), but had much better luck with elaborate music videos.
In the 1990s, the downside as an 1980s pop phenomenon began to rear itself. Michael grew terribly child-like and introverted by his peerless celebrity. A rather timorous, androgynous figure to begin with, his physical appearance began to change drastically, and his behavior grew alarmingly bizarre, making him a consistent target for scandal-making, despite his numerous charitable acts. Two brief marriages -- one to Elvis Presley's daughter Lisa Marie Presley -- were forged and two children produced by his second wife during that time, but the purposes behind them appeared image-oriented.
Michael Jackson died on June 25, 2009 in Los Angeles, California. His passion and artistry as a singer, dancer, writer and businessman were unparalleled, and it is these prodigious talents that will ultimately prevail over the extremely negative aspects of his troubled adult life.- Music Artist
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Selena was born in Lake Jackson, Texas, 50 miles southeast of Houston, to Abraham Quintanilla Jr. and Marcella Quintanilla. Abraham opened a Mexican restaurant, Papagayo, in Lake Jackson. Selena was 9 years old when her father discovered her talent for singing. He formed a band consisting of Selena on vocals, her brother A.B. Quintanilla on bass, and her sister Suzette Quintanilla on drums. The group, called Los Dinos after a band Abraham was a member of in the 1950s and 1960s, frequently performed at the restaurant. In 1981, the family moved to Corpus Christi where Abraham started booking his band for weddings and parties. This became their way of life. Selena and Los Dinos' big break came in 1987, when 15-year-old Selena won the Tejano Music Award for Female Entertainer of the Year. That award led Selena to a major record-label contract with Capitol Records and six very successful albums. By 1992, Selena had branched out and launched her clothing line and married her guitarist, Chris Pérez. In 1994, she was nominated and won her first Grammy for Best Mexican-American album, "Selena Live!" That year, she opened her first boutique in Corpus Christi, Texas. On March 31, 1995, Selena was murdered by Yolanda Saldivar, her friend and president of her fan club.- Actor
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Paul William Walker IV was born in Glendale, California. He grew up together with his brothers, Caleb and Cody, and sisters, Ashlie and Amie. Their parents, Paul William Walker III, a sewer contractor, and Cheryl (Crabtree) Walker, a model, separated around September 2004. His grandfather, William Walker, was a Pearl Harbor survivor and a Navy middleweight boxing champion, while his maternal grandfather commanded a tank battalion in Italy under General Patton during World War II. Paul grew up active in sports like soccer and surfing. He had English and German ancestry.
Paul was cast for the first season of the family sitcom, Throb (1986) and began modeling until he received a script for the 1994 movie, Tammy and the T-Rex (1994). He attended high school at Village Christian High School in Sun Valley, California, graduating in 1991. With encouragement from friends and an old casting agent who remembered him as a child, he decided to try his luck again with acting shortly after returning from College.
He starred in Meet the Deedles (1998), a campy, silly but surprisingly fun film which failed to garner much attention. However, lack of attention would not be a problem for Paul Walker for long. With Pleasantville (1998), he appeared in his first hit. As the town stud (a la 1950s) who more than meets his match in modern day Reese Witherspoon, he was one of the most memorable characters of the film. That same year, Paul and his then-girlfriend Rebecca had a baby girl named Meadow Walker (Meadow Rain Walker). Even though Paul publicly admitted that Meadow was not planned, he said that she is his number one priority. Paul and Rebecca separated and Meadow lives with her mother in Hawaii. She often visited with Paul as his homes in Santa Barbara and Huntington Beach, California.
Roles in the teen hits Varsity Blues (1999), She's All That (1999) and The Skulls (2000) cemented Walker's continued rise to celebrity. He was chosen to be one of the young stars featured on the cover of Vanity Fair's annual Hollywood issue in April 2000. While the other stars on the cover, brooded and tried their best to look sexy and serious, Paul smiled brightly and showed why he is not part of the norm. This is one young actor who certainly stood apart from the rest of the crowd, not only with his talent but with his attitude. The Dallas Morning News commented in March of 2000 that, "Paul is one of the rarest birds in Hollywood- a pretension free movie star." The latest blockbuster hit, The Fast and the Furious (2001), had raised his stardom to an even higher level.
His fighting scenes in movies lead to a passion for martial arts. He has studied various forms of Jujitsu, Taekwondo, Jeet Kune Do and Eskrima. Paul mentioned in a magazine interview that he had hoped enroll in the Keysi Fighting Method when it comes to the United States. Other than practicing martial arts, Paul enjoyed relaxing at home with his daughter, Meadow Rain, surfing near his Huntington Beach abode, walking his dogs and just driving.
When Paul seriously did get a break from the entertainment business, he said he loved traveling. Paul had traveled to India, Fiji, Costa Rica, Sarawak, Brunei, Borneo and other parts of the Asian continent. Tragically, Paul Walker died in a car crash on Saturday November 30, 2013, after attending a charity event for "Reach Out Worldwide".
Several of Paul's films were released after his death, include Hours (2013), Brick Mansions (2014), and his final starring role in The Fast and the Furious series, Furious 7 (2015), part of which was completed after his death. The film's closing scenes paid tribute to Walker, whose character met with a happy ending, and rode off into the sunset. He appeared archival footage in Fast X (2023).- Fashion Model. Born in Cape Town, South Africa, her father was employed as a horse trainer. After moving to Port Elizabeth, South Africa with her family, she attended Saint Dominic's Priory School and later enrolled at the University of Port Elizabeth (now part of the Nelson Mandela Metropolitan University) where she studied law and graduated with a Bachelor of laws Degree in 2005. After receiving her degree, she did paralegal work and applied to the bar in 2011. At the age of 14 she started her modeling career and was a finalist in the Weekend Post Faces of the Future competition in 2004 and in The Herald Miss Port Elizabeth contest in 2005. Her career as a model and cover girl continued with an appearance in FHM magazine, modeling jewelry for Sivana Diamonds, and was the first face of Avon cosmetics in South Africa. Additionally, she appeared in television advertisements for a number of products, including Toyota Land Cruiser, Clover "The One," Redds, and Aldor Pin Pop. An avid horse rider, she broke her back in a fall in her early twenties and had to learn to walk again. In 2012 she was featured as a celebrity contestant on the BBC Lifestyle show "Baking Made Easy." In November 2012 she began dating Oscar Pistorius, the celebrated South African Olympic and Paralympic track and field athlete. Three months later she was shot and killed at Pistorius' home who, having admitted to accidentally shooting her (thinking she was an intruder), was arrested and formally charged with her premeditated murder. At the time of her death she had agreed to appear in the 5th season of the reality television program "Tropika Island of Treasure" and had filmed the series episodes on location in Jamaica. The screening of the series aired as scheduled on February 16, 2013, only two days after her death, and its first episode was dedicated to her with a video tribute to her that preceded it.
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Usually sized up as an erudite gent, advice-spouting father or uptight, pompous neighbor, the acting talents of Conrad Bain were best utilized on stage and on TV. Born in Lethbridge, Alberta, on February 4, 1923, Conrad Stafford Bain was a twin son (the other was named Bonar) born to Stafford Harrison Bain, a wholesaler, and Jean Agnes (née Young). He enjoyed Canadian sports growing up (ice hockey, speed skating), but picked up an interest in acting while in high school.
Electing to train at Alberta's Banff School of Fine Arts after graduating, he met Monica Marjorie Sloan, an artist, while there. His acting pursuit was interrupted by WWII when he subsequently joined the Canadian army. Picking up here he left off following his discharge, he studied at New York's American Academy of Dramatic Arts. He also married Ms. Sloan in 1945 and became a naturalized U.S. citizen the following year. The couple went on to have three children -- Jennifer, Mark and Kent.
Making his stage debut in a Connecticut production of "Dear Ruth" in 1947, Bain also appeared in "Jack and the Beanstalk" and a tour of "The Barretts of Wimpole Street" before making his off-Broadway debut in a 1956 Circle-in-the-Square revival of Eugene O'Neill's "The Iceman Cometh," a production that made a star out of Jason Robards. Following an inauspicious Broadway bow in "Sixth Finger in a Five Finger Glove", which closed after only one day, he joined the Stratford (Ontario) Shakespeare Festival for their 1958 season, appearing in "A Winter's Tale," "Much Ado About Nothing" and "Henry IV, Part I."
Fair in complexion and exceedingly genial in demeanor, the wry and witty blond actor graduated into other Broadway work, particularly drama, with strong roles in "Candide," "Advise and Consent," "An Enemy of the People," "Twigs" and "Uncle Vanya." He also built up his regional and repertory credits during the early 1960s with parts in "King Lear," "The Firebugs," "Death of a Salesman" and "The Shadow of Heroes" at Seattle Rep. Later in the decade he began to focus more intently on TV, usually playing cerebral, white-collar types (district attorneys, stock brokers, doctors, politicos).
Bain eventually found an "in" with daytime drama, which included a recurring role on Dark Shadows (1966) (as an innkeeper), and a part on The Edge of Night (1956) in 1970. He broke completely away, however, from his trademark dramatics when the 49-year-old actor was "discovered" for prime-time TV by Norman Lear and offered a supporting role opposite Bea Arthur and Bill Macy in Norman Lear's landmark, liberally-sliced comedy series Maude (1972), a spin-off of Lear's equally landmark All in the Family (1971) sitcom. Conrad was cast as Rue McClanahan's stuffy, conservative doctor/husband, Arthur Harmon, who usually was at political odds with free-wheeling feminist Maude Finlay.
The role moved Bain into the prime TV comedy character ranks. Following the show's lengthy run (1972-1978), he was given the green light by Lear to move into his own comedy series with Diff'rent Strokes (1978) as the wealthy father of a girl and adoptive father of two African-American children. While young Gary Coleman, the compact, precocious, mouthy dynamo, may have stolen the show, the good-humored Bain remained a strong center and voice of reason until the show's demise in 1986. Three was not a charm when Bain went into a third new comedy series, Mr. President (1987), with Conrad as a loyal aide-de-camp to "President" George C. Scott. The show, created not by Lear but by Johnny Carson, lasted only 24 episodes.
During and after his lengthy 70s and 80s TV success, Conrad would continue to return to his first love, the stage, in such productions as "Uncle Vanya," "The Owl and the Pussycat," "On Golden Pond," "The Dining Room" and "On Borrowed Time", the last being a 1992 return to Broadway after nearly two decades. Films, on the other hand, were a non-issue at this point. Earlier minor turns included Clint Eastwood's Coogan's Bluff (1968), Gene Hackman's I Never Sang for My Father (1970), Woody Allen's Bananas (1971), Sean Connery's The Anderson Tapes (1971) and Barbra Streisand's Up the Sandbox (1972). His last stop in films was an engaging part as a befuddled grandpa opposite the perennially crusty Mary Wickes in Postcards from the Edge (1990) starring Meryl Streep and Shirley MacLaine. One of Bain's last on-camera appearances was recreating his Phillip Drummond role from Diff'rent Strokes (1978) on a 1996 episode of "The Fresh Prince of Bel-Air".
Other than a stage role in "Ancestral Voices" in 2000, Conrad turned for a time to screen-writing but later comfortably retired to the Brentwood area of Los Angeles. Moving to a Livermore California retirement home in 2008, wife Monica died a year later. Bain passed away there quietly of natural causes on January 14, 2013, less than a month short of his 90th birthday. His twin brother Bonar died in 2005.- Actor
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Corey Haim was born in Toronto, Ontario, to Judy Haim, an Israeli-born data processor, and Bernie Haim, a clothing sales representative. He has a sister, Carol, and a half-brother, Daniel. His family is Jewish. He was raised mostly in Willowdale.
Corey appeared in 26 episodes of the early 1980s Canadian series The Edison Twins (1982). He broke into the film industry in 1984, playing a young child caught up in a family war in the movie Firstborn (1984). The following year, he starred in the TV movie A Time to Live (1985), for which he received a Young Artist Award, appeared in the comedies Secret Admirer (1985) and Murphy's Romance (1985), and had the leading role, Marty Coslaw , in the Stephen King werewolf film Silver Bullet (1985). Lucas (1986), in which he starred alongside Kerri Green and Winona Ryder, showed his acting abilities, with praise coming particularly from Roger Ebert.
In 1987, he had a breakthrough when he played one of the major roles, Sam Emerson, in Joel Schumacher's The Lost Boys (1987). He later starred in the comedy films License to Drive (1988) and Dream a Little Dream (1989), the horror movie Watchers (1988), and the science fiction action drama Prayer of the Rollerboys (1990). Many of his 1990s and 2000s roles were in direct-to-video releases, and he also had a cameo in the action film Crank: High Voltage (2009). His last two films were The Hostage Game (2010) and Decisions (2011).
He died suddenly on March 10, 2010 in Burbank, California, of pneumonia.- Actor
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Cory Monteith was born on May 11, 1982 in Calgary, Alberta, Canada as Cory Allan Michael Monteith. He was an actor, known for playing the singing jock Finn on the American TV show Glee (2009) and films such as Monte Carlo (2011), and Final Destination 3 (2006). He died on July 13, 2013 in Vancouver, British Columbia, Canada.- Ashleigh Aston Moore was born as Ashley MacMillan (first stage name Ashley Rogers) on September 30, 1981. Her parents were Maryanna Aston Moore, an interior designer, and Dennis MacMillan, who wasn't around for much of her life. She grew up in Richmond, British Columbia, Canada. Her first acting gig involved wearing a chicken suit for a White Spot restaurant commercial. From there she went on to film the Odyssey, other various commercials, TV and movies. Most notably, Ashleigh played the role of Chrissy in "Now and Then" with well known actors such as Demi Moore, Thora Birch, and Rosie O'Donnell. Her mother tutored her and helped her to pursue the dreams she'd had since she was four. Ashleigh's largest role was in Now and Then (1995), for which she had to pack on 20 pounds. This was a challenge for the 12-13 year old and caused life long self image issues. She had done a few more jobs since then, but after 1997, she decided to stop acting and remain in Vancouver, where many of her family members were located. In December 2007, Ashleigh passed away in British Columbia at the age of 26. It is rumored that it was an drug overdose, but it was actually from pneumonia and bronchitis.
- Anyone who loves B-movies of the 1950s appreciates this lovely actress Allison Hayes. She was born Mary Jane Hayes on March 6, 1930 in Charleston, West Virginia. The auburn-haired beauty was the 1949 Washington, D.C. entry into the Miss America pageant. Shortly afterwards, Mary Jane adopted the familiar first name of Allison. She got her start on local Washington television before heading to Hollywood in the early 1950s. Allison began her career with Universal Pictures; the studio groomed her, but only on the path of B-movies. In her film debut, Francis Joins the WACS (1954), she was a supporting actress to the speaking mule, which had the title role. She played the devilishly alluring "Livia" in The Undead (1957), and co-starred with B-movie legend Tor Johnson in The Unearthly (1957).
Allison achieved film immortality in Attack of the 50 Foot Woman (1958), in which she tore the roof off the place, and killed rival Yvette Vickers. After that, Allison was a staple in classic B-grade horror films. She was in the exploitation classic The Hypnotic Eye (1960), which had a trailer showing an alleged hypnotist mesmerizing a volunteer as he stuck long needles in her arms (this was some of the typical ballyhoo going on at the time). However, Allison was a versatile actress; she did drama very well, as when she guest-starred on the television series The Untouchables (1959), in the highly-rated episode, The Rusty Heller Story (1960).
Allison had a flair for comedy, which she demonstrated when she appeared in the Dean Martin film, Who's Been Sleeping in My Bed? (1963). Her last film appearance was with "The King", himself, Elvis Presley in Tickle Me (1965), with a hilarious script by the legendary writer Elwood Ullman. However, Allison's health declined steadily throughout the 1960s. Her death on February 27, 1977 was due either to leukemia or lead poisoning (due to doctor-prescribed calcium supplements). Allison Hayes died far too young; her fans will forever remember her legacy in films. - Christine Coleman came late to acting; for most of her life, she had worked for the Los Angeles City Clerk's Office, retiring in 1980 after a thirty-one year career. After she retired, searching about for something to do with her time, she started acting classes at Los Angeles City College and subsequently appeared in a number of movies and commercials.
- Born on August 26, 1928 in Kansas City, Missouri, Yvette Vickers majored in picture and theatre arts at UCLA for three years. On a trip to New York in the mid-1950s, she was cast as the White Rain Girl in commercials. She returned to the West Coast, working in various television series until she debuted in her first movie, Short Cut to Hell (1957), James Cagney's first directing effort. She played Allison Hayes' slatternly rival in Attack of the 50 Foot Woman (1958) and Bruno VeSota's slatternly wife in Attack of the Giant Leeches (1959). After doing a half dozen more movies through the end of the 1950s, the blonde, blue-eyed actress appeared once in 1963 in Hud (1963), in What's the Matter with Helen? (1971), and in the television movie The Dead Don't Die (1975).
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George Denis Patrick Carlin was born and raised in Manhattan, New York City, to Mary (Bearey), a secretary, and Patrick John Carlin, an advertising manager for The Sun; they had met while working in marketing. His father was from Donegal, Ireland, and his mother was Irish-American. His parents divorced when he was two months old, and he was raised by his mother. The long hours the mother worked left the young George by himself for long hours every day, providing him (in his own words), the time he needed to think about various subjects, listen to radio, and practice his impersonations, that where acclaimed by his mother and coworkers since an early age. Carlin started out as a conventional comedian and had achieved a fair degree of success as a Bill Cosby style raconteur in nightclubs and on TV until the late 1960s, when he radically overhauled his persona. His routines became more insightful, introducing more serious subjects. As he aged, he became more cynic and bitter, unintentionally changing his stage persona again in a radical way throughout the '90s. This new George Carlin, usually referred to as the late George Carlin, is one of the most acclaimed and enjoyed by the public and critics. Carlin's forte is Lenny Bruce-style social and political commentary, spiced with nihilistic observations about people and religion peppered with black humor. He is also noted for his masterful knowledge and use of the English language. Carlin's notorious "Seven Dirty Words" comedy routine was part of a radio censorship case that made its way to the U.S. Supreme Court in 1978.- Music Artist
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Talented. Beautiful. Modest. These three words described R&B singer-turned-actress Aaliyah perfectly.
Aaliyah Dana Haughton was born in Brooklyn, New York, to Diane (Hankerson) and Michael Haughton. Her uncle was music manager Barry Hankerson and her brother is director Rashad Haughton. Aaliyah was raised in Detroit. She got her first major exposure appearing on the syndicated television series Star Search (1983), where she awed the audience with her amazing voice and talent, singing "My Funny Valentine", a song which her mother had sung years earlier. At age 11, she sang with Gladys Knight in a five-night stint in Las Vegas. Withdrawing from the celebrity scene for a few years, Aaliyah lived the life of a normal teenage girl, attending Detroit's Performing Arts High School, where she majored in dance. It was around this same time that Aaliyah met singer/composer R. Kelly. Kelly assisted Aaliyah with the production of her debut album "Age Ain't Nothing But A number", which scored several number hits, specifically "Back and Forth." The album's title was a brief reference to her short-lived marriage to R. Kelly (she was 15 years of age at the time, and he was in his 20s). Thir marriage was annulled due to her status as a minor.
During her senior year, Aaliyah went on to record "One In A Million", which featured the songwriting talents of major R&B producers/writers Missy Elliott and Timbaland. The album was a major success and sealed Aaliyah's fame forever.
Aaliyah recorded the single 'Journey to the past' for the Anastasia (1997) soundtrack. After seeing her at an awards show and in the video for her hit song "Are You that Somebody?" (from the Eddie Murphy film Doctor Dolittle (1998)), film producer Joel Silver (producer of The Matrix (1999) and other major actor films) asked Aaliyah to audition for a role in an romance/action film, Romeo Must Die (2000). With her determination and sex appeal, Aaliyah won Silver over and was cast in her first major film role. Romeo Must Die (2000) was a hit at the box office. This film led to her being cast as one of the stars of the film based on Anne Rice's Queen of the Damned (2002), and in the two sequels to the major box office hit, The Matrix (1999), The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
During the busy schedule of her film career, Aaliyah took time to record her third album, the self-titled "Aaliyah". July 2001 was a busy time for Aaliyah. After the success of her song "Try Again", for which she was nominated for a Grammy Award and won several MTV Video Awards, Aaliyah finally released her "Aaliyah" album. Debuting at number two on the Billboard charts, "Aaliyah" was a sales success, despite some lackluster reviews.
In August 2001, Aaliyah took time off from her busy album promotional tour to fly to the Bahamas to film a video for the song "Rock the Boat". The video, filmed on Abaco Island, was directed by Hype Williams, a major music video director known for his style and wit.
On August 25, 2001, after filming the video, Aaliyah and about 9-11 of her entourage took off from Marsh Harbour airport at 6:50pm EDT in a small Cessna 404 en route to Opa-Locka, Florida. A few minutes after take-off, the plane crashed about 200 feet from the runaway, killing Aaliyah and many others instantly. Four passengers were pulled alive from the wreckage, and one later died at a hospital in Nassau. Aaliyah was only 22 years old. Her funeral was held on Friday August 31st in New York, and 22 white doves were flown to celebrate each year of her life. Soon after her death, the hit singles 'More Than a woman' and 'Rock The Boat' were released, from her third album. In 2002, the film Queen of the Damned (2002) was released, in which Aaliyah played Queen Akasha. She was nominated for best Villain at the MTV Movie Awards 2002.
Aaliyah's short-lived, but brilliant career, was a true success story for a young African-American woman who went against all odds to be herself in an industry where originality is scarce. Truly missed by her family, friends, and fans, her music and film contributions will live forever. It's no wonder that her name means 'Highest, most ex-halted one; the best' in Hebrew. She had achieved so much in her twenty-two years.- Simone Battle was born on 17 June 1989 in Los Angeles, California, USA. She was an actress, known for Zoey 101 (2005), What We Need (2014) and Meanamorphosis (2012). She died on 5 September 2014 in West Hollywood, California, USA.
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Dana Michelle Plato was born in Maywood, California, on Saturday, November 7, 1964. Her first excursion into the film world occurred when she was 11 in the television film Beyond the Bermuda Triangle (1975). Dana never made an impact on the TV screen until she landed the role of Kimberly Drummond in the TV hit sitcom Diff'rent Strokes (1978) from 1978-1986. After the series ended, Dana had difficulty finding more acting work. Sometimes she would act in a made-for-TV movie or a low- budget silver-screen film. She was married for Lanny Lambert for seven years and they had a son. She was arrested in 1991 for robbing a Las Vegas video store and placed on probation; the next year she was arrested again, this time for forging a Valium prescription. She had just finished an interview with Howard Stern in the spring of 1999 when she and her fiancé, Robert Menchaca, were headed back to California. She hoped the interview would revive her stalled career. They stopped at his parents' house in Moore, Oklahoma for a Mother's-Day-weekend visit; on Saturday, May 8, 1999, Dana died of what appeared to be an accidental overdose of the painkiller "Loritab". On May 21, a coroner's inquest ruled her death a suicide because of the large amount of drugs in her body and her history of past suicide attempts. Dana Plato was 34 years old.- Music Artist
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Janis Lyn Joplin was born at St. Mary's Hospital in the oil-refining town of Port Arthur, Texas, near the border with Louisiana. Her father was a cannery worker and her mother was a registrar for a business college. As an overweight teenager, she was a folk-music devotee (especially Odetta, Leadbelly and Bessie Smith). After graduating from Thomas Jefferson High School, she attended Lamar State College and the University of Texas, where she played auto-harp in Austin bars.She was nominated for the Ugliest Man on Campus in 1963, and she spent two years traveling, performing and becoming drug-addicted. Back home in 1966, her friend Chet Helms suggested she become lead singer for Big Brother and the Holding Company, an established Haight-Ashbury band consisting of guitarists James Gurley and Sam Andrew, bassist Peter Albin and drummer Dave Getz). She got wide recognition through the Monterey Pop Festival in 1967, highlights of which were released in Monterey Pop (1968), and with the band's landmark second album, "Cheap Thrills". She formed her "Kosmic Blues Band" the following year and achieved still further recognition as a solo performer at Woodstock in 1969, highlights released in Woodstock (1970). In the spring of 1970, she sang with the "Full Tilt Boogie Band" and, on October 4 of that year, she was found dead in Hollywood's Landmark Motor Hotel (now known as Highland Gardens Hotel) from a heroin-alcohol overdose the previous day. Her ashes were scattered off the coast of California. Her biggest selling album was the posthumously released "Pearl", which contained her quintessential song: "Me & Bobby McGee".- Music Artist
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Widely regarded as the greatest and most influential guitarist in rock history, Jimi Hendrix was born on November 27, 1942 in Seattle, Washington, to African-American parents Lucille (Jeter) and James Allen Hendrix. His mother named him John Allen Hendrix and raised him alone while his father, Al Hendrix, was off fighting in World War II. When his mother became sick from alcoholism, Hendrix was sent to live with relatives in Berkeley, California. When his father returned from Europe in 1945 he took back Hendrix, divorced his wife, and renamed him James Marshall Hendrix.
When Jimi was 13 his father taught him to play an acoustic guitar. In 1959 Jimi dropped out of high school and enlisted in the U.S. Army, but soon became disenchanted with military service. After he broke his ankle during a training parachute jump, he was honorably discharged. He then went to work as a sideman on the rhythm-and-blues circuit, honing his craft but making little or no money. Jimi got restless being a sideman and moved to New York City hoping to get a break in the music business. Through his friend Curtis Knight, Jimi discovered the music scene in Greenwich Village, which left indelible impressions on him. It was here that he began taking drugs, among them marijuana, pep pills and cocaine.
In 1966, while Jimi was performing with his own band called James & the Blue Flames at Cafe Wha?, John Hammond Jr. approached Jimi about the Flames playing backup for him at Cafe Au Go Go. Jimi agreed and during the show's finale, Hammond let Jimi cut loose on Bo Diddley's "I'm the Man." Linda Keith, girlfriend of The Rolling Stones guitarist Keith Richards, was one of Jimi's biggest fans and it was she who told friend Chas Chandler, a band manager, about Jimi. When Chandler heard Jimi play, he asked him to come to London to form his own band, and while there Chandler made the simple change in Jimi's name by formally dropping James and replacing it with Jimi. Having settled in England with a new band called the Jimi Hendrix Experience, which consisted of Jimi as guitarist and lead singer, bass player Noel Redding and drummer Mitch Mitchell, Jimi took the country by storm with the release of his first single "Hey, Joe."
In the summer of 1967 Jimi performed back in the USA at the Monterey Pop Festival, a mix-up backstage forced Jimi to follow The Who onstage, where after a superb performance Jimi tore up the house by trashing his guitar in a wild frenzy. Afterwards, Jimi's career skyrocketed with the release of the Experience's first two albums, "Are You Experienced?" and "Axis: Bold as Love," which catapulted him to the top of the charts. However, tensions, possibly connected with Jimi's drug use and the constant presence of hangers-on in the studio and elsewhere, began to fracture some of his relationships, including Chas Chandler, who quit as manager in February 1968.
In September 1968 the Experience released their most successful album, "Electric Ladyland." However, in early 1969 bassist Redding left the Experience and was replaced by Billy Cox, an old army buddy who Jimi had jammed with. Jimi began experimenting with different musicians. For the Woodstock music festival Jimi put together an outfit called the Gypsies, Sun and Rainbows, with Mitchell and Cox as well as a second guitarist and two percussionists. Their one and only performance in August 1969 at Woodstock took place near Bethel, New York, where Hendrix and his band were to be the closing headline act. Because of the delay getting there and the logistical problems, Jimi performed on the morning of the fourth and final day. Only 25,000 people of the original 400,000 stayed to watch Jimi and his band as the closing music number, where Jimi's searing rendering of "The Star-Spangled Banner" became the anthem for counterculture.
After Woodstock, Jimi formed a new band with Cox on bass and Buddy Miles on drums with the May 1970 release of the album "The Band of Gypsys." Jimi's last album, "Cry of Love", featured Cox on bass and former Experience drummer Mitchell on drums. However, Jimi's drug problem finally caught up with him. On the night of September 17, 1970, while living in London, Jimi took some sleeping pills, which were prescribed for his live-in girlfriend Monika Danneman. Sometime after midnight, Jimi threw up from an apparent allergic reaction to the pills and then passed out. Danneman, thinking him to be all right, went out to get cigarettes for them. When she returned, she found him lying where he collapsed, having inhaled his own vomit, and and she couldn't wake him. Danneman called an ambulance, which took him to a nearby hospital, but Jimi Hendrix was pronounced dead a short while later without regaining consciousness. He was 27 years old.
Jimi Hendrix's life was short, but his impact on the rock guitar is still being heard and set the course for a new era of rock music.- Actress
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Paulette Goddard was a child model who debuted in "The Ziegfeld Follies" at the age of 13. She gained fame with the show as the girl on the crescent moon, and was married to a wealthy man, Edgar James, by the time she was 17. After her divorce she went to Hollywood in 1931, where she appeared in small roles in pictures for a number of studios. A stunning natural beauty, Paulette could mesmerize any man she met, a fact she was well aware of. One of her bigger roles in that period was as a blond "Goldwyn Girl" in the Eddie Cantor film The Kid from Spain (1932). In 1932 she met Charles Chaplin, and they soon became an item around town. He cast her in Modern Times (1936), which was a big hit, but her movie career was not going anywhere because of her relationship with Chaplin. They were secretly married in 1936, but the marriage failed and they were separated by 1940. It was her role as Miriam Aarons in The Women (1939), however, that got her a contract with Paramount. Paulette was one of the many actresses tested for the part of Scarlett O'Hara in Gone with the Wind (1939), but she lost the part to Vivien Leigh and instead appeared with Bob Hope in The Cat and the Canary (1939), a good film but hardly in the same league as GWTW. The 1940s were Paulette's busiest period. She worked with Chaplin in The Great Dictator (1940), Cecil B. DeMille in Reap the Wild Wind (1942) and Burgess Meredith in The Diary of a Chambermaid (1946). She was nominated for an Academy Award for Best Supporting Actress in So Proudly We Hail! (1943). Her star faded in the late 1940s, however, and she was dropped by Paramount in 1949. After a couple of "B" movies, she left films and went to live in Europe as a wealthy expatriate; she married German novelist Erich Maria Remarque in the late 1950s. She was coaxed back to the screen once more, although it was the small screen, for the television movie The Female Instinct (1972).- Music Artist
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Hank Williams was born in September 1923 in a small Alabama farming community about 70 miles south of Montgomery. His father was a railroad engineer who was also a victim of shell shock after a year of fighting in France in 1918 during World War I and spent many years in veterans hospitals. Hank's mother, Lillian Skipper Williams, played the organ in their local church and taught him gospel songs when he was six. When Hank turned 10 he taught himself to play the guitar, mostly by watching other guitarists.
In his teens Hank learned to play and sing country songs that he heard on the family radio, and picked up some blues chords from a black friend who was a street musician named Tee-Tot (Rufe Payne). At the age of 14 Hank put together his own band, playing at hoedowns and other get-together, where he won a local talent contest competition with his composition "WPA Blues." At 17, Hank put together a group called 'Hank Williams' Original Drifting Cowboys' and they successfully auditioned for the manager of WSFS Radio in Montgomery, where they played regularly on the air. Hank met his first wife Audrey Williams during a traveling medicine show and they were married in December 1944 at an Alabama gas station. Audrey was a strong-willed woman who became Hank's booking agent, road manager and promoter. It was she who encouraged the stage-frightened Hank to perform on stage and helped book gigs outside of Alabama.
In 1946 Hank and Audrey traveled to Nashville to secure a music publishing contract with producer Fred Rose, head of the Acuff-Rose publishing firm, who asked Hank to write a song on the spot. The song, "Mansion on the Hill", landed Hank a publishing contract with Acuff-Rose. During the late 1940s Hank--a tall, thin man who alway wore a short-brimmed, white cowboy hat--had his peak years when MGM Records signed him for a recording contract and he became a regular on "Louisiana Hayride", a KWKH radio show in Shreveport, Louisiana. In 1949, after the birth of Hank and Audrey's son Hank Williams Jr., Hank was asked to join the Grand Ole Opry in Nashville, where he made his stage debut on June 11, 1949.
From 1949 to 1950, Hank became country music's top artist, with hits like "Lovesick Blues," "My Bucket's Got a Hole in It," "Moanin' the Blues" and "Why Don't You Love Me." His 1951 hits included "Hey, Good Lookin'" "Cold, Cold Heart" and "I Can't Help It (If I'm Still in Love with You)." Hits of 1952 were "Honky Tonk Blues," "Jambalaya," and "I'll Never Get Out of This World Alive."
However, Hank's unprecedented success came with a price. A heavy drinker since his late teens, Hank proved to be an undependable performer when be began showing up for concerts drunk, and sometimes didn't show up at all. When Audrey divorced him in 1951 due to their constant fights over his drinking, his band began to become disillusioned with him, too, and the Grand Ole Opry suspended him from appearing at live shows. In October 1952 Hank married his second wife, 19-year-old Billie Jean Jones, who was no more successful than Audrey in protecting Hank from himself. Also, the Drifting Cowboys departed that same month due to Hank's violent mood swings and unpredictability. He was still in demand for live performances, though.
On the early morning hours on New Year's Day 1953, while traveling through West Virginia on the way to a show in Canton, Ohio, Hank Williams died in his sleep in the back seat of his Cadillac limousine at the age of 29.- Actress
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Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actor
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James Byron Dean was born February 8, 1931 in Marion, Indiana, to Mildred Marie (Wilson) and Winton A. Dean, a farmer turned dental technician. His mother died when Dean was nine, and he was subsequently raised on a farm by his aunt and uncle in Fairmount, Indiana. After grade school, he moved to New York to pursue his dream of acting. He received rave reviews for his work as the blackmailing Arab boy in the New York production of Gide's "The Immoralist", good enough to earn him a trip to Hollywood. His early film efforts were strictly small roles: a sailor in the Dean Martin and Jerry Lewis overly frantic musical comedy Sailor Beware (1952); a GI in Samuel Fuller's moody study of a platoon in the Korean War, Fixed Bayonets! (1951) and a youth in the Piper Laurie-Rock Hudson comedy Has Anybody Seen My Gal (1952).
He had major roles in only three movies. In the Elia Kazan production of John Steinbeck's East of Eden (1955) he played Cal Trask, the bad brother who could not force affection from his stiff-necked father. His true starring role, the one which fixed his image forever in American culture, was that of the brooding red-jacketed teenager Jim Stark in Nicholas Ray's Rebel Without a Cause (1955). George Stevens' filming of Edna Ferber's Giant (1956), in which he played the non-conforming cowhand Jett Rink who strikes it rich when he discovers oil, was just coming to a close when Dean, driving his Porsche Spyder race car, collided with another car while on the road near Cholame, California on September 30, 1955. He had received a speeding ticket just two hours before. At age 24, James Dean was killed almost immediately from the impact from a broken neck. His very brief career, violent death and highly publicized funeral transformed him into a cult object of apparently timeless fascination.- Music Artist
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Dolores Janney "Jenni" Rivera was a Mexican-American actress, singer-songwriter, T.V. producer, spokesperson, philanthropist & entrepreneur known for her work within the banda and norteña music genres. She began recording in 1992, and her recordings often have themes of social issues, infidelity & relationships. Her tenth studio album, Jenni (2008), became her first number-one album in the Billboard Top Latin Albums chart in the United States. In 2010, she appeared in and produced the reality TV show Jenni Rivera Presents: Chiquis & Raq-C. She also appeared in and produced I Love Jenni starting in 2011 and Chiquis 'n Control in 2012. Rivera, along with six others, died in a plane crash at Iturbide, Nuevo León, Mexico on December 9, 2012.- Actress
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Mindy McCready was born on 30 November 1975 in Fort Meyers, Florida, USA. She was an actress, known for Switchback (1997) and Mindy McCready: Ten Thousand Angels (1996). She died on 17 February 2013 in Heber Springs, Arkansas, USA.- Actress
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Natasha Jane Richardson was born in Marylebone, London, England, to director and producer Tony Richardson and actress Vanessa Redgrave. She was the sister of actress Joely Richardson, the niece of actors Corin Redgrave and Lynn Redgrave, and the granddaughter of actors Michael Redgrave and Rachel Kempson.
Trained at London's Central School of Speech and Drama, Richardson performed extensively on stage in roles, including "Helena" in "A Midsummer Night's Dream" and Ophelia in "Hamlet" at the Young Vic. In 1986, she garnered the London Drama Critics' Most Promising Newcomer Award for her performance as "Nina" in "The Seagull", with Vanessa Redgrave and Jonathan Pryce. In 1987, she played "Tracey Lord" in Richard Eyre's musical, "High Society".
Natasha made her feature film debut as Mary Shelley in Ken Russell's Gothic (1986). Her performance caught the attention of director Paul Schrader, who cast her in the title role in Patty Hearst (1988). Natasha achieved notable success in such films as Pat O'Connor's A Month in the Country (1987), Roland Joffé's Fat Man and Little Boy (1989) and The Favour, the Watch and the Very Big Fish (1991), featuring Bob Hoskins and Jeff Goldblum. For her performance in Volker Schlöndorff's The Handmaid's Tale (1990) and Schrader's The Comfort of Strangers (1990), Richardson earned The London Evening Standard Award for Best Actress of 1990; and for Widows' Peak (1994), also starring Mia Farrow and Joan Plowright, she received the Best Actress Award at the 1994 Karlovy Vary Festival.
Also in 1994, she co-starred with Jodie Foster and Liam Neeson in Nell (1994) and, in 1998, in The Parent Trap (1998) with Dennis Quaid. Her early 2000s films include Blow Dry (2001) released in 2001, and Ethan Hawke's Chelsea Walls (2001).
Natasha performed the title role of "Anna Christie", first in London, where she was voted London Drama Critics' Best Actress Award in 1992, then on Broadway at the Roundabout in 1993, where she was nominated for a Tony for Best Actress in a Play, a Theatre World Award for Outstanding Debut, the Outer Critics Circle Award for Outstanding Debut of an Actress, and a Drama Desk nomination for Best Actress. For her performance as Sally Bowles in Sam Mendes' production of "Cabaret", she won the 1998 Tony, Outer Critics Circle, Drama League and Drama Desk Awards for Best Actress in a Musical. She then appeared on Broadway in Patrick Marber's Tony-nominated play "Closer". In December 2009 she had been intended to play "Miss Julie" on Broadway with Philip Seymour Hoffman, directed by David Leveaux for Roundabout Theatre.
Richardson's television credits included Henrik Ibsen's "Ghosts" for the BBC, also starring Judi Dench, Michael Gambon and Kenneth Branagh; the HBO cable feature Hostages (1992); the BBC film Suddenly, Last Summer (1993), based on the play by Tennessee Williams, and also starring Maggie Smith and Rob Lowe. In 1993 she starred as Zelda Fitzgerald in the TNT movie Zelda (1993), co-starring Timothy Hutton and directed by Pat O'Connor (cable Ace nomination for Best Actress). She played Ruth Gruber in the 2001 CBS mini-series Haven (2001) based on Ms. Gruber's autobiography.
In March 2009, Natasha died in a New York City hospital, after falling and receiving a head injury whilst skiing in Mont Tremblant, Quebec, Canada. Natasha was married to actor Liam Neeson from 1994 until her death, and the couple have two children.- Actor
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Andy Griffith is best known for his starring roles in two very popular television series, The Andy Griffith Show (1960) and Matlock (1986). Griffith earned a degree in music from the University of North Carolina at Chapel Hill. In the 1950s, he became a regular on The Ed Sullivan Show (1948) and The Steve Allen Plymouth Show (1956). He was featured in the Broadway play "No Time for Sergeants" (1955) for which he received a Tony nomination, and he later appeared in the film version. His film debut was in the provocative and prophetic A Face in the Crowd (1957), in which Griffith gave a performance that has been described as stunning.
On The Andy Griffith Show (1960), Griffith portrayed a folksy small-town sheriff who shared simple heartfelt wisdom. The series was one of the most popular television series in history. It generated some successful spin-offs, and the original is still seen in reruns to this day. Griffith created his own production company in 1972, which produced several movies and television series. In 1981, he was nominated for an Emmy for his portrayal in Murder in Texas (1981). In 1983, Griffith was stricken with Guillain-Barre syndrome, but he recovered after rehabilitation. In 1986, he produced and starred in the very successful television series Matlock (1986). The series spawned numerous television movies as well. When he accepted the People's Choice Award for this series, he said this was his favorite role. Andy Griffith died at age 86 of a heart attack in his home in Dare County, North Carolina on July 3, 2012.