Production Details on a Select Few Live-Action Netflix Original Films (Part I)
US-Distributed films only
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- DirectorCary Joji FukunagaStarsAbraham AttahEmmanuel AffadziRicky AdelayitorA drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country.Director & Cinematographer: Cary Joji Fukunaga
Composer: Dan Romer
Film Editors: Pete Beaudreau, Mikkel EG Nielsen
Production Designer: Inbal Weinberg
Costume Designer: Jenny Eagan
SFX Supervisor: Keith Bitters
Senior VFX Supervisor: Karen Heston
Stunt Coordinator: Anton Moon
A /Steady Ops: Klemens Becker, Ross Coscia
Gaffer/Additional DP: Shawn Greene
DI Colorist: Steven Bodner
Camera: Alexa XT (2K ProRes 4:4:4)[SxS]
Lenses: Panavision Primo ALZ11 Zoom, C-, E-Series AL Primes, Panafocal 45-90mm AL Zoom & Anamorphic Telephoto 70-200mm Zoom
AR: 2.39:1 (Anamorphic)
Budget: 6 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorJohn LeeStarsPaul ReubensJordan BlackDoug CoxA fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first holiday ever in this epic story of friendship and destiny.Director: John Lee
Composer: Mark Mothersbaugh
Cinematographer: Tim Orr
Film Editor: Jeff Buchanan
Production Designer: Dan Butts
Costume Designer: Karen Patch
SFX Supervisor: Jonathan Kombrinck
VFX Supervisors: Adam Howard, Joel Sevilla, Loeng Wong-Savun
VFX DP: Patrick Flannery
Stunt Coordinator: Mark Rayner
A / Steadicam Operator: Matt Petrosky SOC
A Camera Operator: Tony Muller
B Operator/Second Unit DoP: Kenneth Neil Moore
Plate Unit DoP: Mark Weingartner ASC
DI Colorist: Siggy Fertsl
AR: 1.85:1
Digital Intermediate by: EFilm Company 3
Attribute: Filmed in Panavision - DirectorRob BurnettStarsCraig RobertsPaul RuddSelena GomezA man suffering a family loss enrolls in a class about care-giving that changes his perspective on life.Director: Rob Burnett
Composer: Ryan Miller
Cinematographer: Giles Nuttgens BSC
Production Designer: Meghan C. Rogers
Costume designer: Peggy Stamper
Aeriel Unit Director/Director of Photography: Benjamin Rowland
VFX Supervisor: Pete Sussi
Stunt Coordinator/Paul Rudd Stunt Double: Cal Johnson
A Camera Operator: Christian Satrazemis
B Camera/Steadicam Operator: Ramon Engle
DI Colorist: Sean Dunckley
Finishing Artist: Katie Hinsen
Filming Dates: January 22, 2015 - February 26, 2015
Camera: Alexa Studio (1080p ProRes 4:4:4)[SxS]
Lenses: Zeiss Master Primes
AR: 2.39:1 (Super 35mm) - DirectorSian HederStarsElliot PageAllison JanneyTammy BlanchardDesperate to be rid of her toddler, a dissatisfied Manhattan housewife hires a stranger to babysit and ends up getting much more than she bargained for.Director: Sian Heder
Composer: Michael Brook
Cinematographer: Paula Huidobro
Film Editor: Darrin Navarro
Production Designer: Sara K. White
VFX Supervisor: Mitchell Ferm
Stunt Coordinator: Manny Siverio
Camera Operators: Andrew Priestley, James Gucciardo
Steadicam Operator: Matt Fleischmann
2nd Unit Underwater DP: John Malvino
DI Colorist: Sean Dunckley
Finishing Artist: Katie Hinsen
AR: 1.85:1
Budget: 6 Million USD - DirectorNic MathieuStarsJames Badge DaleEmily MortimerBruce GreenwoodA sci-fi/thriller story centered on a special-ops team that is dispatched to fight supernatural beings.Director: Nic Mathieu
Composer: Tom Holkenborg (Junkie XL)
Cinematographer: Bojan Bazelli ASC
Film Editor: Jason Ballantine
Production Designer: Tom Meyer
Supervising Art Director: John Collins
Hungary Unit Art Directors: Bence Erdelyi, Tibor Lázár
Vehichle Design Art Director: Tom Pataki
Costume designer: Lizz Wolf
Stunt Coordinator/2nd Unit Director: JJ Perry
Fight Coordinator/2nd Unit Director: David Wald
SFX Supervisor: Yves De Bono
VFX Supervisor: Erik Winquist
On-Ste VFX Supervisor: Ryan Cook
Weta Effects Supervisor: Adrien Toupet
Weta Motion Capture Stunt Coordinator: Isaac Hamon
Weta Workshop Camera Operator: Wendy Brown
Camera Operators: Attila Csoboth, Ádám Fillenz, Marton Miklauzic, Attila Pfeffer, Balázs Révész
Camera/Steadicam Operator: Marci Ragályi
A-Camera Operator: Jason Ellson
Aeriel DP: Jeremy Braben
2nd Unit DP: Stewart Whelan
Additional Film Editors: Wyatt Jones, Robert Mead
DI Colorist: Ian Vertovec
Filming Dates: August 2014 - August 2015
Cameras: Alexa M & XT Studio (2.8K ARRIRAW)
Lenses: Cooke Anamorphic/I Primes & Zeiss Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 70 Million USD
Visual Effects & Futuristic Props Provided by: Weta Digital & Weta Workshop
Attribute: Captured with Alexa - DirectorVikram GandhiStarsDevon TerrellAnya Taylor-JoyJason MitchellA look into the early life of U.S. President Barack Obama.Director: Vikram Gandhi
Composer: Danny Bensi, Saunder Jurriaans
Cinematographer: Adam Newport-Berra
Film Editor: Jacob Craycroft
Production Designer: Scott Kuzio
Costume Designer: Amela Baksic
VFX Supervisor: Eran Barnea
On-Set VFX Supervisor: Nico Del Giudice
B-Camera/Steadicam Operator: Michael Fuchs
Additional Steadicam Operator: Billy Green
Colorist: Damien van der Cruyssen
Negative Format: 4:3 2.8K ARRIRAW
AR: 2.39:1 (Anamorphic)
Attribute: Camera Equipment Provided by Arri Rental - DirectorCharlie McDowellStarsRobert RedfordMary SteenburgenBrian McCarthyTwo years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.Director: Charlie McDowell
Composers: Danny Bensi, Saunder Jurriaans
Cinematographer: Sturla Brandth Grøvlen DFF
Film Editor: Jennifer Lilly
Production Designer: Akin McKenzie
Costume Designer: Keri Langerman
VFX Supervisors: Vico Sharabani, Asaf Yeger
2nd Unit DP: Bill Trautvetter
DI Colorist: Alex Bickel
Additional Film Editor: David Oneal
Filming Dates: March 28, 2016 - May 1, 2016
Cameras: Alexa Mini & Arriflex 416 (16mm Kodak Vision3 250D 7207 & 2.8K ARRIRAW)
Lenses: Hawk V-Lite Anamorphic Primes, Zeiss Super Speed Primes & Angenieux Optimo Anamorphic Zooms
AR: 2.39:1 (Anamorphic)(Super 16mm: Some Scenes)
Attribute: Camera Equipment Provided by Arri Rental - DirectorDavid MichôdStarsBrad PittDaniel BettsJohn MagaroAn idiosyncratic general confronts opposition from enemies, allies, and bureaucrats while leading a massive rebuilding operation in Afghanistan.Director: David Michod
Composers: Nick Cave, Warren Ellis
Cinematographer: Dariusz Wolski ASC
Film Editor: Peter Scibarras
Production Designer: Josephine Ford
Supervising Art Director: Matthew Gray
Abu Dhabi Unit Art Director: Martin Sullivan
Costume Designer: Jane Petrie
SFX Supervisor: Stefano Pepin
SFX Co-Supervisor: James McCameron
On-Set SFX Supervisor: David J. Watson
VFX Supervisor:Angela Barson
On-Set VFX Supervisor: Lorna Carmichael
Stunt Coordinator: Paul Herbert
A / Steadicam Operator: Daniele Massaccesi
B Camera Operator: Julian Morson ACO
B Operator, UAE/London Unit C Operator: Iain MacKay
UAE & Main Unit C-Camera Operator: Oliver Loncraine
B Camera Operator, AP: Michael Otis Ropert
Additional Camera Operator: Martin Schaer
Filming Dates: October 2015 - Mid-2016
Camera: Sony CineAlta PMW-F55 (4K F55 RAW)[AXSM]
Lenses: Panavision PVintage SL Primes, Ultra Speed MKII SL Primes, Primo Compact Zoom & Angenieux Optimo Zoom
AR: 2.39:1 (3-Perf Super 35mm)
Budget: 60 Million USD
Attribute: Filmed in Panavision - DirectorBong Joon HoStarsTilda SwintonPaul DanoAhn Seo-hyunA young girl risks everything to prevent a powerful, multinational company from kidnapping her best friend - a fascinating beast named Okja.Director: Bong Joon Ho
Composer: Jaeil Jung
Cinematographer: Darius Khondji ASC AFC
Film Editor: Yang Jinmo
Production Designers: Kevin Thompson, Ha-Jun Lee
New York Unit Art Director: Deborah Jensen
Vancouver Unit Art Director: Gwendolyn Margetson
Costume Designers: Catherine George, Se-yeon Choi
SFX Supervisor: Kyung-soo Park
VFX Supervisors: Erik De Boer, Angela Ji, Jun Hyoung Kim, Jeon Hyoung Lee
Stunt Coords: Marny Eng, Myung Haeng Heo, Jin Jeong, Victor Paguia
Vancouver Unit Stunt Coord: Duane Dickinson
A Camera/Steadicam Operator: Mark Goellnicht
B Ops: Maceo Bishop, Ji-Yong Kim, Yong-Seong Kim
Steadicam Operator: Sasha Proctor
Second Unit Director of Photog: Patrick Capone
New York Unit C Camera Operator: Matias Mesa
Vancouver Unit B Operator: Stephen Maier
Assist to Darius Khondji: Chan Constantine Choi
Asst to Darius Khondji, NY Unit: Alex Khondji
DI Colorist: Yvan Lucas
Filming Dates: April 22, 2016 - August 27, 2016
Cameras: Alexa 65, Mini & XT (3.4K/6.5K ARRIRAW)
Lenses: Panavision Primo 70 Primes, System 65 Primes, Super Speed MKII SL Primes & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (S35mm & Panavision Super 70)
Budget: 50 Million USD
Attribute: Filmed in Panavision - DirectorMarti NoxonStarsRebekah KennedyLily CollinsDana L. WilsonA young woman, dealing with anorexia, meets an unconventional doctor who challenges her to face her condition and embrace life.Director: Marti Noxon
Composer: Fil Eisler
Cinematographer: Richard Wong
Film Editor: Elliot Greenberg
Production Desinger: Maya Sigel
Costume Designer: Maria Tortu
Senior VFX Supervisor: Michael Kowalski
On-Set VFX Supervisor: Bill Millar
Stunt Coordinator: David Rowden
Stunt Coordinator/Lily Collins Stunt Double: Katie Eischen
Camera Operator: Parker Tolifson
A-Camera/Steadicam Operator: Ross Coscia
Additional Film Editors: Dustin Chow, Jennifer Vecchiarello
Filming Dates: March 2016 - April 2016
Camera: Alexa HS (Digital)
Lenses: Panavision Primo Spherical Primes, PVintage Spherical Primes & Primo Compact Zoom
AR: 1.85:1 (Super 35mm)
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorAngelina JolieStarsSareum Srey MochPhoeung KompheakSveng SocheataCambodian author and human rights activist Loung Ung recounts the horrors she suffered as a child under the rule of the deadly Khmer Rouge.Director: Angelina Jolie
Composer: Marco Beltrami
Cinematographer: Anthony Dod Mandle ASC BSC
Film Editors: Patricia Rommel, Xavier Box
Production Designer: Tom Brown
Supervising Art Director: Tom Reta
2nd Unit Art Director: Patrick M. Sullivan Jr
Costume Designer: Ellen Mirojnick
Production Designer: Steven P. Saeta
1st Assistant Director: Adam Somner
SFX Supervisor: Chris Bailey
VFX Colorist: Jason Evanko
Stunt Coordinator: Lee Morrison
Camera Operators: Liam Morgan, Alistair Rae
Camera/Steadicam Operator: Bela Trutz
2nd Unit DP: Alexander Witt ASC
2nd Unit A-Camera Operator: Bruno Witt
Additional Film Editor: Andrew Bird
Digital Colorist: Adam Glasman
Filming Dates: November 2015 - February 2016
Camera: Sony CineAlta PMW-F55 (4K F55 RAW)[AXSM]
Lenses: Panavision Primo Spherical Primes, Leica Summicron-C Primes & Angenieux Optimo Zooms
AR: 1.85:1 (Super 35mm)
Budget: 22 Million USD
Visual Effects Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorMike FlanaganStarsCarla GuginoBruce GreenwoodChiara AureliaA couple tries to spice up their marriage in a remote lake house. After the husband dies unexpectedly, the wife is left handcuffed to their bed frame and must fight to survive and break free.Director/Film Editor: Mike Flanagan
Cinematographer: Michael Fimognari
Composers: The Newton Brothers
Production Designer: Patrick M. Sullivan Jr
Costume Designer: Lynette Meyer
SFX Supervisor: William Purcell
VFX Supervisors: Bret Culp, Martin Tori
Camera Operator: Thomas Valko
B-Camera Operator: Lou Chanatry
Digital Colorist: Jill Bogdanowicz ASC
Filming Dates: October 17, 2016 - November 13, 2016
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Arri Prime 65 & Zeiss Vintage 765 Primes
AR: 2.39:1 (Arri 765)
Digital Intermediate Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorRitesh BatraStarsRobert RedfordJane FondaMatthias SchoenaertsFonda and Redford star as Addie Moore and Louis Waters, a widow and widower who've lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbor.Director: Ritesh Batra
Composer: Elliot Goldenthal
Cinematographer: Steohen Goldblatt ASC BSC
Film Editor: John F. Lyons
Production Designer: Jane Ann Stewart
Costume Designer: Wendy Chuck
VFX Supervisor: Luke DiTommaso
Supervising Finishing Artist: Steven J. Scott ASC
Stunt Coordinator: Whitney Coleman
A-Camera/Steadicam Operator: Henry Tirl
2nd Unit DP: Kent Harvey
Filming Dates: September 12, 2016 - November 2, 2016
Cameras: Sony CineAlta PMW-F55 & Canon EOS C300 Mark II (4K F55 RAW & Canon RAW)
Lenses: Panavision Primo Spherical Primes, Super Speed MKII Spherical Primes, Ultra Speed MKII Spherical Primes & Angenieux Optimo Zooms
AR: 1.78:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorMcGStarsJudah LewisSamara WeavingRobbie AmellWhen Cole stays up past his bedtime, he discovers that his hot baby sitter belongs to a satanic cult that will stop at nothing to keep him quiet.Director: Joseph McGinty Nichol (McG)
Composer: Douglas Pipes
Cinematographer: Shane Hurlbut ASC
Film Editors: Martin Bernfeld, Peter Gvozdas
Production Designer: Kristen Vallow
Costume Designer: Hannah Jacobs
SFX Supervisor: Jesse Noel
Effects Supervisor: Halder Dipansu
VFX Supervisors: Amit Jain, Vico Sharabani, Asaf Yeger
Stunt Coordinator: Tim Trella
B-Camera Operator: Emmanuel Vouniozos
Digital Colorist: John Persichetti
Camera: Red Weapon Dragon (6K Redcode RAW)
Lenses: Cooke S4 Primes, Zeiss Super Speed Primes & Arri Ultra Primes
AR: 2.35:1 (Super 35mm) - DirectorNoah BaumbachStarsAdam SandlerGrace Van PattenDustin HoffmanAn estranged family gathers together in New York City for an event celebrating the artistic work of their father.Director: Noah Baumbach
Composer/Performer/Conductor: Randy Newman
Cinematographer: Robbie Ryan BSC
Film Editor: Jennifer Lame ACE
Production Designer: Gerald Sullivan
Costume Designer: Joe Aulisi
SFX Supervisor: Jeff Brink
Digital Compositor/VFX Supervisor: Andrew Lim
Stunt Coordinator: Manny Siverio
A-Camera Operator: Chris Moone
DI Film Scanning: Nate Davis
Supervising Digital Colorist: Jack Lewars
Filming Dates: 7 March 2016 - 9 May 2016
Camera: Arriflex 416 (16mm Kodak Vision3 200T 7213/500T 7219)
Lenses: Canon 11-165mm Zooms
AR: 1.85:1 (Super 16mm)
Budget: 11.4 Million USD
Arrtibute: Camera Equipment Provided by Arri CSC - DirectorZak HilditchStarsThomas JaneMolly ParkerDylan SchmidA simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to assist. But their actions have unintended consequences.Director: Zak Hilditch
Composer: Mike Patton
Cinematographer: Ben Richardson ASC
Film Editor/VFX Supervisor: Merlin Eden
VFX Artist/Supervisor: Andrew Buckley
Additional VFX Supervisor: Becky Philpott
Production Designer: Page Buckner
Costume Designer: Claudia Da Ponte
Stunt Coordinator: Ed Anders
A-Camera Operator: Robin Lindala
2nd Unit DP: Ross Metcalf
Nebaska Unit DP: Michael Lang
1st Assistant B-Camera/VFX Unit DP: Karl Janisse
Supervising Digital Colorist: Mitch Paulson ASC
Filming Dates: 30 September 2016 - 4 November 2016
Camera: Red Weapon (6K Redcode RAW)
AR: 2.35:1 (Super 35mm)
Budget: 5 Million USD
Digital Intermediate Provided by: EFilm Company 3
Attribute: Shot on Red - DirectorDee ReesStarsJason MitchellCarey MulliganJason ClarkeTwo men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjusting to life after war.Director: Dee Rees
Composer: Tamar-Kali
Cinematographer: Rachel Morrison ASC
Film Editor: Mako Kamitsuna
Production Designer: David J. Bomba
New York Unit Art Director: Arthur Jongewaard
Costume Designer: Michael T. Boyd
VFX Supervisor: Eric J. Robertson
On-Set VFX Supervisor: Csaba Toth
Stunt Coordinator: William Scharpf
A-Camera Operator: Robert Stenger
Steadicam Operator: Grayson Austin
Budapest Unit A-Camera Operator: Botond Aszalos
Camera Operator (Additional Photography): Sung Rae Cho
Supervising Digital Colorist: Joe Gawler
Camera: Alexa Mini (3.4K ARRIRAW)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, Primo SL Primes, C-, D-Series Anamorphic Primes, E-Series 180mm, T-Series 150mm, PVintage Spherical Primes & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (Anamorphic/Super 35mm Hybrid)
Budget: 10 Million USD
Attribute: Filmed in Panavision - DirectorDavid AyerStarsWill SmithJoel EdgertonNoomi RapaceA detective must work with an Orc to find a powerful wand before evil creatures do.Director: David Ayer
Composer: David Sardy
Cinematographer: Roman Vasyanov RGC
Film Editors: Michael Tronick ACE, Geoffrey O'Brien, Aaron Brock
Production Designer: Andrew Menzies
Costume Designer: Kelli Jones
Supervising Stunt Coordinator/2nd Unit Director: Robert Alonzo
2nd Unit Director: Dan Bradley
SFX Supervisor: Scott R. Fisher
2nd Unit SFX Coordinator: Elia P. Popov
VFX Supervisor: Marcus Taormina
Lola VFX Supervisor: Jeremiah Sweeney
Webisode Unit Stunt Coordinator: Randy Beckman
Camera Operator: Eric Laudadio
A-Camera Operator: Peter Rosenfeld
B-Camera Operator: Martin Schaer
2nd Unit DPs: Roberto Schaefer ASC AIC, Patrick Loungway
2nd Unit Stunt Coordinator: Scott Rogers
2nd Unit camera Operator: Joseph Arena
A-Camera/Steadicam Operator (Add. Photography): Will Arnot
Senior DI Colorist: Yvan Lucas
Colorist: Katie Jordan
Filming Dates: 31 October 2016 - 4 February 2017
Cameras: Alexa 65, Mini, XT & Red Weapon Helium (3.4K/6.5K ARRIRAW & 8K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes & APO Panatar Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 90-106.2 Million USD
Attribute: Filmed in Panavision - DirectorJulius OnahStarsGugu Mbatha-RawDavid OyelowoDaniel BrühlOrbiting a planet on the brink of war, scientists test a device to solve an energy crisis, and end up face-to-face with a dark alternate reality.Director: Julius Onah
Casting: Denise Chamian CSA
Composer, Conductor, Orchestrator & Score Producer: Bear McCreary
Costume Designer: Colleen Atwood
Production Visual Effects Supervisors: Russell Earl, Jason Snell
Film Editors: Alan Baumgarten ACE, Matt Evans, Rebecca Valente
Production Designer: Douglas J. Meerdink
Production Designer, AP: Amelia Brooke
Cinematographer: Dan Mindel ASC BSC SASC
Cinematographer, Add'l Photog: Isaac Bauman
Executive Producer/Unit PM: Thom Harper
Executive Producer/Key UPM: Robert Dohrmann
EPs: Jon Cohen, Bryan Burk, Matt Reeves, Drew Goddard
Producers: J.J. Abrams, Lindsey Weber
Co-Writer: Oren Uziel
Story Writer: Doug Jung
First Assistant Director: Mark Anthony Little
Second Assistant Director: Andrew Ward
Co-Producer: Cory Bennett Lewis
Stunt Coordinator: Mike Massa
Associate Producer: Rick Carter
Supervising Art Director: Maya Shimoguchi
Production Set Decorator: Amanda Moss Serino
A Camera/Steady Operator: Chris Haarhoff SOC
B Camera Operator: Philippe Carr-Forster
A First Assistant Photographer: Sergius Nofield
B First Assistant Photographer: Keith B. Davis
A Second Assistant Photographer: Rob Campbell
B Second Assistant Photographer: Nat Mullen
Panaflex XL2 Film Loader: Kristen Correll
Sound Mixer: Steven A. Morrow
Supervising Prop Master: Andrew M. Seigel
Third Prop Assistant: Gregory M. Edgar
Chief Lighting Technician: Christopher Prampin
Assistant Chief Lighting Technic: Mark Hadland
Chief Rigging Electrician: John R. Manocchia
Assistant Chief Rigging Electric: Anthony T. Orfia
Lighting Console Programmer: Benoit Richard
On-Set LED Technician: Ken Longballa
Rigging LCP/LED Technician: Greg Mayer
Assistant Costume Designer: Timothy A. Wonsik
Costume Supervisor: Tom MacDonald
Production Special Effects Designer: Michael Kay
Overall Special Effects Supervisor: Blumes Tracy
SFX First Unit Foreperson: Erich Mingenbach
Special FX Second Unit Foreperson: Eric Dressor
Special FX Pyro Foreperson: Lenny Dalrymple
Special Effects Shop Foreperson: Nick Reade
Post Production Supervisor: Lisa Rodgers
Supervising Sound Editor: Robert Stambler MPSE
Sup Sound Editor/Re-Recording Mixer: Will Files
Re-Recording Mixer: Lindsey Alvarez MPSE
First AEs: Mike Azevedo, Dylan Firshein, Meghan L. Noble, Laura Yanovich
Overall Visual Effects Editors: Jeremy Weinstein, Nolan Reese, Michael T. Wilson
Second Assistant Editor: Christina Mar
Production Coordinator: Michyl-Shannon Quilty
Assistant Production Coordinator: Laura Pena
Key Second Assistant Director: Chris T. Sadler
Second Second AD: Cecilia Sanchez Sweatman
Lead Graphic Designer: Ellen Lampl
Art Department Coordinator: Courtney Laine
Storyboard Artists: Jon Gesinki, Anthony Wang
Digital Asset Manager: Bryan Eddy
Production Music Editor: Michael Baber
Score Orchestrators: Ed Trybek, Jonathan Beard, Henri Wilkinson
Orchestra Contractor: Peter Rotter
Score Recordist & Mixer: Steve Kaplan
Second Unit Dir, Additional Unit: Tommy Gormley
Additional Unit Second AD: Joshua Wever
Second Unit DoPs, Additional Unit: Pete Romano ASC, Bruce McCleery ASC, Josh Bleibtreu ASC
Second Unit A/Steady Op, Additional Unit: Harry K. Garvin
Additional Unit A First AP: Simon England
Additional Unit B First AP: Loren Elkins
Additional Unit A Second AP: Tyler Allison
Additional Unit Film Loader: Rio Noel Zumwalt
Additional Unit Prod Supervisor: Chris Miller
Additional Unit Chief LT: Patrick T. Hoeschen
Additional Unit Lighting CP: Scott Barnes
Additional Unit Underwater LT: Andy Huber
Art Director, Additional Photog: Chris Giammalvo
Special Effects Supervisor, AP LA: Roy K. Cancino
Production Visual Effects Producer: Chrysta Marie Burton
Add'l Visual Effects Supervisor: Pauline Duvall
Main Titles/Add'l VFX Supervisor: Stefano Trivelli
Visual Effects Prod Supervisor: Victor F. Medel
Visual Effects Data Wrangler: Nick Allen
Visual Effects Prod Coordinator: Kristofer Cross
VFX Assistant Prod Coord: Damian Gonzalez
ILM Visual Effects Exec. Producer: Jeanie King
ILM Visual Effects Prod Coordinator: Keith Brown
ILM Production Accountant: Brenda Huey
Base FX VFX Supers.: Sean Stranks, Harry Lam
Base FX Visual Effects Exec Prod: Tolly Swallow
Base FX Visual Effects Producer: Eunice Khoo
Atomic Fiction VFX Supervisor: Ryan Tudhope
Atomic Fiction Add'l Assoc Super: Aidan Fraser
BUF Visual Effects Supervisor: Nicolas Maillard
CO3 EP/Senior Colorist: Stefan Sonnenfeld ASC
Company 3 Finishing Producer: Stephen Newman
Company 3 Finishing Editor: Matthew W. Johnson
Company 3 DI Finishing Accountant: Ian Sullivan
Company 3 Color Assistant: Danny Keefe
Filming Dates: June 10, 2016 - September 23, 2016, Mid-2017 (Reshoots)
Camera: Panaflex XL2 (35mm Kodak Vision3 500T 5219)
Lenses: Panavision® Primo AL + SL Primes, Retro C-. E-, G- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(4-Perf S35mm: Some Scenes)
Budget: 45 Million USD
Visual Effects & Animation by: Industrial Light & Magic, Base FX + Atomic Fiction
Digital Intermediate Provided by: Company 3
Shot on: Kodak Film
Attribute: Filmed in Panavision® - DirectorKyle NewacheckStarsAdam DevineAnders HolmBlake AndersonThree friends are on the verge of getting their video game financed when their benefactor is taken hostage by terrorists.Director: Kyle Newacheck
Composer: Steve Jablonsky
Cinematographer: Grant Smith
Film Editor: Evan Henke
Production Designer: William Arnold
Costume Designer: Carla Hetland
LA SFX Supervisor (Add. Photography) Roy K. Cancino
VFX Supervisor/Producer: Ray McIntire Jr
Stunt Coordinator: Jeff Dashnaw
2nd Unit Stunt Coordinator: Chad Bowman
Stunts: Randy Beckham
A-Camera/Steadicam Operator: Peter Wilke
2nd Unit A-Camera/Steadicam Operator: Marco Ciccone
LA Unit A-Camera/Steadicam Operator: Justin Browne
Colorist: Tom Reiser
Filming Dates: 12 April 2017 - 5 June 2017
Camera: Red Weapon (5K/6K Redcode RAW)
Lenses: Panavision G-Series Anamorphic Primes & Anamorphic Zooms
AR: 2.35:1 (Anamorphic)
Budget: 27.1 Million USD
Digital Intermediate Provided by: EFilm Company 3
Attribute: Filmed in Panavision - DirectorMarja-Lewis RyanStarsAbbi JacobsonDave FrancoCharlotte CarelA woman (Jacobson) learns her brother (Franco) has relapsed on heroin.Director: Marja-Lewis Ryan
Composer: Heather McIntosh
Cinematographer: Polly Morgan ASC BSC
Film Editor: Brian Scofield
Productin Designer: Michael Fitzgerald
Costume Designer: Skye Stewart-Short
SFX Supervisor: Jomathan Kombrinck
Stunt Coordinator: TJ White
Senior Colorist: Leandro Marini
Colorist: Lee Hultman
Lenses: Cooke Xtal Xpress Anamorphic Primes
AR: 2.00:1 (Anamorphic) - DirectorJoshua MarstonStarsChiwetel EjioforGerard CatusAllie McCullochEvangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.Director: Joshua Marston
Composer: Tamar-Kali
Cinematographer: Peter Flinckenberg
Film Editor: Malcolm Jamieson
Production Designer: Richard Sherman
Costume Designer: Ann Walters
VFX Supervisors: Lucien Harriot, Alex Noble
A-Camera/Steadicam Operator: Ian Forsyth
B-Camera Operator: John Taggart
Additional Film Editor: Katie McQuerrey
Camera: Red Weapon (8K Redcode RAW)
Lenses: Whitepoint Optics TS70 Primes
AR: 2.35:1 (Super 35mm)
Attribute: Camera Equipment Provided by Keslow Camera - DirectorMark RasoStarsEd HarrisJason SudeikisElizabeth OlsenSet during the final days of the admired photo development system known as Kodachrome, a father and son hit the road in order to reach the Kansas photo lab before it closes its doors for good.Director: Mark Raso
Composer: Agatha Kaspar
Cinematographer: Alan Poon CSC
Film Editor: Geoff Ashenhurst
Production Designer: Oleg M. Savytski
Costume Designer: Diana Irwin
SFX Supervisor: Derek Liscoumb
Main Title Designer/VFX Supervisor: Kevin Chandoo
DI Colorist: Mark Kueper
Stunt Coordinator: Paul Rapovski
A-Camera/Steadicam Operator: Yoann Malnati
B-Camera Operator: Kit Whitmore
C-Camera Operator: Cudah Andarawewa
Cameras: Arricam LT & ST (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Zeiss Master Primes
AR: 1.85:1 (4-Perf Super 35mm)
Attribute: Camera Equipment Provided by Clairmont - DirectorVince MarcelloStarsJoey KingJacob ElordiJoel CourtneyA high school student is forced to confront her secret crush at a kissing booth.Director/Producer/Screenwriter: Vince Marcello
Production Designer: Dave Arrowsmith
Co-Producer: Adam Friedlander
Costume Designers: Anna Seegers, Karli Seegers
Music Supervisor: Linda Cohen
Composer: Patrick Kirst
Film Editor: Paul Millspaugh ACE
Cinematographer/B Op: Anastas N. Michos ASC
Producers: Ed Glauser, Andrew Cole-Bulgin
Producer/Unit Prod Manager: Michelle Weisler
First Assistant Director: Andre Weavind
Second Assistant Director: Robyn Glaser
Line Producer: Alan Shearer
South Africa Unit Prod Manager: Vanessa Haupt
Unit Production Manager, Prep: Daniela Springer
Stunts & Production SFX Supervisor: John Smith
Stunts & Lead SFX Coordinator: Nathan Weatley
SFX Technicians: Serena Ciralli, Erick Mtshilibe
Supervising Art Director: Fran Vos
On-Set Art Director: Jo Glanville
Art Department Coordinator: Jo Glanville
Set Decorator (Prep): Craig Macdonald-Menzies
Production Set Decorator: Stuart Bryce
Production Props Master: Francois Coetzee
A Camera Operator: Sven Vosloo
B Camera Operator: George Loxton
C / Steadicam Operator: Andrew Luscombe
A Camera First Assistant:
==============================
VFX Supervisor: Simon Lecavalier
On-Set VFX Supervisor: Marc Bloch
LA Unit Stunt Coordinator: James M. Churchman
Camera Operators: George Loxton, Mariana Sánchez de Antuñano
2nd Unit Camera Operator: Bill Trautvetter
DI Colorist: Corinne Bogdanowicz
DI Finishing Artist: Monique Eissing
Additional Film Editor: Edward R. Abroms ACE
Picture Vehicle Coordinator: Paddy Ellis
LA Unit A-Camera Operator: Mariana Antunano
LA Unit Drone Camera Operator: Josh Hill
LA Unit Picture Car Coordinator: Bob Hartwig
Filming Dates: January 2017 - April 2017
Camera: Sony CineAlta PMW-F55 (4K F55 RAW)[AXSM]
Lenses: Panavision Primo SL Zooms & Ultra Speed MKII Spherical Primes
AR: 2.20:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorSusan JohnsonStarsLana CondorNoah CentineoJanel ParrishA teenage girl's secret love letters are exposed and wreak havoc on her love life.Director: Susan Johnson
Screenwriter: Sofia Alvarez
Executive Producer: Jenny Han
EPs: Brett Bouttier, Robyn Marshall, Don Dunn
Producers: Matt Kaplan, Jordan Levin
Producer: Dougie Cash
Co-Producers: Max Siemens, Jessica Held, Kelsey Jackson
Co-Producers: Vicki Sotheran, Megan Dreydanus
Cinematographer: Michael Fimognari
Film Editors: Joe Klotz ACE, Philip J. Bartell
Production Designer: Paul Joyal
Costume Designer: Rafaella Rabinovich
Composer: Joe Wong
Associate Producer: Warren Fischer
Unit Production Manager: Joyce Sawa
Second Assistant Director: Eddy Hardy
VFX Supervisor: Chris Wells
Stunt Coordinator: Brett Armstrong
A Camera Operator: Kevin Hall
B / Steadicam Ops: Tamara Jones, Ryan Purcell
Digital Colorist: Jill Bogdanowicz ASC
Filming Dates: 5 July 2017 - 4 August 2017
Cameras: Alexa Mini & XT (3.4K ARRIRAW)
Lenses: Arri Master Anamorphic Primes & Cooke Anamorphic/I Primes
Feature Post Finishing Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by VER - DirectorOrson WellesStarsJohn HustonOja KodarPeter BogdanovichAt a media-swamped party to celebrate his 70th birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.Director/Film Editor: Orson Welles
Film Editor: Bob Murawski ACE
Composer: Micnel LeGrand
Cinematographer: Gary Graver
Producer/Unit Production Manager: Frank Marshall
VFX Coordinator: Graham Churchill
VFX Supervisors: John Knoll, Joe Ceballos, Brian Meanley
VFX DPs: Patrick Sweeney, John M. Levin
ILM Executive Staff: Gretchen Libby, Jessica Teach
Digital Film Restoration Artist: Wilson Tang
Camera Operators: Tom Callaway, Michael Ferris, Bill Weaver
Additional DP: Eric Sherman
Film Restoration Artists: Danny Albano, John Healy
Assistant Editor/Additional Film Editor: Léon Desclozeaux
Additional Film Editors: Jonathan Braun, Yves Deschamps, Marie-Sophie Dubus, Steve Ecclesine, Paul Hart, Arnaud Petit
DI Colorist: Mike Sowa ASC
Filming Dates: 30 August 1970 - January 1976
Camera: Eclair NPR (8mm/16mm/35mm Eastman 100T 5254/7254)
AR: 1.37:1 (Negative Ratio), 1.66:1 (Intended Ratio), 1.85:1 (Some Scenes)
Capture Format: 35mm Spherical/Super 8mm/Super 16mm Hybrid
Budget: 2 Million USD [1970's Dollar]
Budget AFI (2021): 13.6 Million USD
Budget (2018): 6 Million USD (Complete Restoration)
Visual Effects Provided by: Industrial Light & Magic - DirectorDavid MackenzieStarsChris PineStephen DillaneRebecca RobinA true David vs. Goliath story of how the 14th century Scottish 'Outlaw King' Robert the Bruce used cunning and bravery to defeat the much larger and better equipped occupying English army.Director: David MacKenzie
Cinematographer: Barry Ackroyd BSC
Production Designer: Donald Graham Burt
Film Editor: Jake Roberts ACE
Costume Designer: Jane Petrie
Composers: Grey Dogs
Production VFX Supervisor: Alex Bicknell
Executive Producer: Unit Production Manager: Stan Wlodkowski
Unit Production Manager: Russell Lodge
Co-Producer/1st Ass't Director: Danny McGrath
Key 2nd Ass't Director: Frazer Fennell-Ball
Stunt Coordinator/2nd Unit & Action Unit Director: Rob Inch
Ass't Stunt Coordinator: Stuart Clark
Stunt Rehearsal Coordinator/2nd Unit Ass't Stunt Coordinator: Florian Robin
Swordmaster/Stunts: CC Smiff
Supervising Art Director: Jason Knox-Johnston
Illustrator/Visualizer: Jeff Read
Storyboard Artist: Derek Gray
Set Decorator: Jude Farr
2nd VFX Supervisor: Chris Duffy
A-Camera/Steadicam Operator: Stamos Triantafyllos
1st Assistant A-Camera: Oliver Driscoll
Assistant to Barry Ackroyd: Jaime Ackroyd
Production SFX Supervisor: Stefano Pepin
Ass't SFX Supervisor: Jason McCameron
Ass't SFX Coordinator: Angie Brown
Lead Senior SFX Technician: Steve Cullane
Marine Coordinator: Richard Carless
Aerial Unit DoP/2nd Unit Russian Arm Camera Operator: Adam Dale
2nd Unit VFX Supervisor: Ray Giarratana
2nd Unit DoP: Cosmo Campbell ACO
2nd Unit D-Camera Operator: Kirstin McMahon
2nd Unit Russian Arm Camera Operator: Graham Hall
Aerial 2nd Unit DoP: Pete Jones
Drone Unit Camera Operator: Darren Miller
VFX Pick-Up Unit DoP: Mark Nutkins
Add'l Film Editor: David Arthur
DI Head of Production: Rob Farris
Digital Colorist: Rob Pizzey
Ass't Colorists: Sara Buxton, Maria Chamberlain
Method Studios VFX Supervisor: Dan Bethall
Method Studios FX Supervisor: Sam Loxton
Method Studios VFX Producer: Kilou Picard
Method VFX Bidding Producer: Simon Reeves
Line Producer/Unit Production Manager (Add'l Photography Unit): Karl Caffrey
Art Director (Add'l Photography Unit): Paul Laugier SFX Floor Supervisor (Add'l Photography Unit): Nick Phillips
Development Story Consultant: Claire Moorsom
Filming Dates: 28 August 2017 - November 2017
Cameras: Millennium DXL & Red Weapon (5K/8K Redcode RAW)
Lenses: Panavision Primo 70 Primes, E-Series Anamorphic Primes & Angenieux Optimo 12x 24-290mm Zooms
AR: 2.39:1 (Panavision Super 70)(Anamorphic: Some Shots)
Budget: 120 Million USD
Main Visual Effects & Animation Provided by: Method Studios
Attribute: Filmed in Panavision - DirectorEthan CoenJoel CoenStarsTim Blake NelsonWillie WatsonClancy BrownSix tales of life and violence in the Old West, following a singing gunslinger, a bank robber, a traveling impresario, an elderly prospector, a wagon train, and a perverse pair of bounty hunters.Directors/Film Editors: Joel Coen, Ethan Coen
Composer: Carter Burwell
Cinematographer: Bruno Delbonnel ASC AFC
Production Designer: Jess Gonchor
Supervising Art Director: Chris Farmer
Costume Designer: Mary Zophres
Stunt Coordinator: Chad Dashnaw
Additional DP: Kurt Grossi
Supervising Digital Colorist: Peter Doyle ASC
Cameras: Alexa Mini & XT Studio (2.8K ARRIRAW)
Lenses: Zeiss Master Primes & Fujinon Alura Zooms
AR: 1.85:1 (Super 35mm)
Attrivute: Camera Equipment Provided by Otto Nemenz International - DirectorClay KaytisStarsKurt RussellDarby CampJudah LewisThe story of sister and brother, Kate and Teddy Pierce, whose Christmas Eve plan to catch Santa Claus on camera turns into an unexpected journey that most kids could only dream about.Director: Clay Kaytis
Composer: Christophe Beck
Cinematographer: Don Burgess ASC
Film Editor: Dan Zimmerman
Production Designer: Paul D. Austerberry
Costume Designer: Luis Sequeira
2nd Unit Director/Director of Photography: Christopher Woods
2nd Unit DP: Michael Galbraith
VFX Supervisor: Erik De Boer
Stunt Coordinator: Layton Morrison
A-Camera/Steadicam Operator: Angelo Colavecchia
B-Camera/Steadicam Operator: Dino Laurenza
C-Camera Operator: Mark Willis
2nd Unit B-Camera/Steadicam Operator: Yoann Malnati
Aeriel DP: John Trapman
DI Colorist: Corinne Bogdanowicz
DI Finishing Artist: Monique Eissing
Camera: Red Weapon Dragon (Redcode RAW)
Lenses: Panavision Primo 70 Primes
AR: 1.33:1 (Video Camera Footage), 1.90:1 (Panavision Super 70)
Attribute: Filmed in Panavision - DirectorAndy SerkisStarsChristian BaleCate BlanchettBenedict CumberbatchA human child raised by wolves must face off against a menacing tiger named Shere Khan, as well as his own origins.Director: Andy Serkis
Composer: Nitin Sawhney
Cinematographer: Michael Seresin BSC
Film Editors: Mark Sanger, Jeremiah O'Driscoll, Alex Marquez
Production Designer: Gary Freeman
Supervising Art Director: Jason Knox-Johnston
Senior Art Director: Tom Still
VFX Art Director: Painting Practice
Supervising Art Director (Add. Reshoots): Su Whitaker
Costume Designer: Alexandra Byrne
Mo-Cap Movement Choreographer/2nd Unit Director: Terry Notary
2nd Unit Director/Director of Photography/Additional DP: Shaun O'Dell
SFX Supervisor: Ian Corbould
South Africa SFX Supervisor: Kevin Bitters
VFX Supervisors: Loeng Wong-Savun, Nigel Denton-Howes
Stunt Coordinators: Grant Hulley, Mark Mottram
Camera Operator: Dale Rodkin
A-Camera Operator: Peter Taylor
2nd Unit B-Camera/Steadicam OperatorPeter Wignall
Aeriel Camera Operator: Lars Cox
VFX Unit DP: David Mackie
VFX Unit Camera Operator: Cary Gallagher
Additional Film Editor: JC Bond
Digital Workflow Consultant: Marc Dando
Supervising Digital Colorist: Yvan Lucas
DI Colorist: Matt Watson
Filming Dates: 9 March 2015 - 1 October 2018
Camera: Alexa XT (2.8K ARRIRAW)
Lenses: Leitz Summilux-C Primes
AR: 2.39:1 (Super 35mm)
Attribute: Camera Equipment Provided By Arri Rental - DirectorAnne FletcherStarsDanielle MacdonaldJennifer AnistonOdeya RushWillowdean ("Dumplin'"), the plus-size teenage daughter of a former beauty queen, signs up for her mom's Miss Teen Bluebonnet pageant as a protest that escalates when other contestants follow her footsteps, revolutionizing the pageant and their small Texas town.Director: Anne Fletcher
Composer: Jake Monaco
Cinematographer: Elliot Davis ASC
Film Editor: Emma E. Hickox
Production Designer: Elizabeth J. Jones
Costume Designer: Bina Daigeler
SFX Supervisor: David Fletcher
On-Set VFX Supervisor: Sean Thigpen
Camera Operator: George Billinger III
B-Camera Operator: Bill O'Drobinak
A-Camera/Steadicam Operator (Add. Photography): Bill McClelland
B-Camera Operator (Add. Photography): Marco Naylor
Digital Colorist: Natasha Leonnet
Filming Dates: 21 August 2017 - October 2017
Cameras: Arricam LT & ST (35mm Kodak Vision3 500T 5219)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 13 Million USD
Digital Intermediate Provided by: EFilm Company 3
Attribute: Filmed in Panavision - DirectorAlfonso CuarónStarsYalitza AparicioMarina de TaviraDiego Cortina AutreyA year in the life of a middle-class family's maid in Mexico City in the early 1970s.Director/Cinematographer/Film Editor: Alfonso Cuaron
Film Editor: Adam Gough
Production Designer: Eugenio Caballero
Costume Designer: Anna Terrazas
SFX Supervisor: Alejandro Vasquez
Supervising Finishing Artist: Steven J. Scott ASC
Senior Finishing Artist: Juan Flores
Finishing Artist: Charles Bunnag
VFX Supervisors: Miguel De Hoyos, Dave Griffiths
On-Set VFX Supervisor: Marco Maldonado
B-Camera Operator/2nd Unit DP: Alejandro Chavez
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Arri 65 Primes
AR: 2.11:1 (Original Ratio), 2.20:1 (70mm Prints), 2.39:1 (Arri 765)
Budget: 15 Million USD
Printed on: Kodak Vision 2383
Attribute: Camera Equipment Provided By Arri Rental - DirectorSusanne BierStarsSandra BullockTrevante RhodesJohn MalkovichFive years after an ominous unseen presence drives most of society to suicide, a mother and her two children make a desperate bid to reach safety.Director: Susanne Bier
Composers: Trent Reznor, Atticus Ross
Cinematographer: Salvatore Totino ASC AIC
Film Editor: Ben Lester
Production Designer: Jan Roelfs
Costume Designer: Signe Sejlund
Producer/Unit Production Manager: Clayton Townsend
2nd Unit Director/Director of Photography: Alexander Witt ASC
SFX Supervisor: Mike Meinardus
VFX Supervisors: Jeff Capogreco, Marcus Taormina
ILM VFX Supervisor: Mark Bakowski
CAmera Operator/Edge Unit DP: Ronald Hersey
A-Camera/Steadicam Operator: Roberto De Angelis
2nd Unit A-Camera Operator: Ken Fisher
Additional DP: Oliver Wood
DI Colorist: Sean Coleman
Filming Dates: 15 September 2017 - 30 November 2017
Camera: Red Weapon Heliun (8K Redcode RAW)
AR: 2.39:1 (Super 35mm)
Budget: 19.8 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Camera Equipment Provided by Keslow Camera - DirectorDan GilroyStarsJake GyllenhaalRene RussoZawe AshtonA thriller about the contemporary art scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.Director: Dan Gilroy
Composers: Marco Beltrami, Buck Sanders
Cinematographer: Robert Elswit ASC
Film Editor: John Gilroy ACE
Production Designer: Jim Bissell
Costume Designer: Trish Summerville
Co-Costume Designer: Isis Mussenden
Stunt Coordinator/2nd Unit Director: Mike Smith
SFX Supervisors: Joe Pancake, George P. Mylonas
VFX Producer/Supervisor: David Feinsilber
VFX Supervisors: Aidan Fraser, Bryan Godwin
Camera/Steadicam Operator: Colin Anderson SOC
Additional Film Editor: Kevin Hickman
Senior Colorist: Stefan Sonnenfeld ASC
Cameras: Millennuim DXL & DXL2 (8K Redcode RAW)
Lenses: Panavision Super Speed Z-Series MKII Spherical Primes & Zeiss Standard Speed Primes
AR: 1.85:1 (Super 35mm)
Budget: 21.2 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorSteven SoderberghStarsAndré HollandMelvin GreggEddie TavaresDuring a pro basketball lockout, a sports agent pitches a rookie basketball client on an intriguing and controversial business proposition.Director/Cinematographer/Film Editor: Steven Soderbergh
Composer: David Wilder Savage
Production Designer: Andy Eklund
Costume Designer: Marci Rodgers
VFX Supervisor: Lesley Robson-Foster
Colorist: Nat Jencks
Finishing Artist: Jordan PH Stein
Filming Dates: February 2018 - 15 March 2018
Camera: iPhone 8 (2160p H.264)[FiLMiC Pro Log]
Lenses: Moondog Anamorphic Adapter, Moment 2Xtele Adapter
AR: 2.35:1
Budget: 2 Million USD - DirectorJ.C. ChandorStarsBen AffleckOscar IsaacCharlie HunnamLoyalties are tested when five friends and former special forces operatives reunite to take down a South American drug lord, unleashing a chain of unintended consequences.Director: JC Chandor
Composer: Richard Vreeland (Disasterpeace)
Cinematographer: Romsn Vasyanov RGC
Film Editor: Ron Patane
Production Designer: Greg Berry
Supervising Art Director: Peter Borck
VFX Plate Unit Set Decorator (Add. Photography): Roland Trafton
Costume Designer: Marlene Stewart
Stunt Coordinator/2nd Unit Director: Guy Norris
SFX Supervisor: Eric Frazier
Aviation Effects Supervisor: Doug Scroggins III
VFX Supervisors: Bryan Godwin, Laurie Pellard, Mark Russell
Aeriel DPs: David B. Nowell ASC, Hans Bjerno ASC
VFX Producer/Additional VFX Supervisor: Susan MacLeod
VFX Plate Unit Additional DP: Stanley Fernandez Jr
B-Camera/Steadicam Operator: James Goldman
Underwater Camera Operator/2nd Unit Camera Operator: Don King
2nd Unit DP: Patrick Loungway
VFX Plate Unit Camera Operator: Ricardo Sarmiento
DI Artist: Frederick Agyemang
Filming Dates: 22 March 2018 - 15 July 2018
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Panavision Sphero 65 Primes & Super 70 Primes
AR: 2.11:1 (Super Panavision 70)
Budget: 115 Million USD
Attribute: Filmed in Panavision (as Super Panavision 70) - DirectorJeff TremaineStarsDouglas BoothIwan RheonColson BakerBased on the bestselling autobiography from Mötley Crüe, the film is an unflinching tale of success and excess as four misfits rise from the streets of Hollywood to the heights of international fame.Director: Jeff Tremaine
Composer: Paul Haslinger
Cinematographer: Toby Oliver ACS
Film Editor: Melissa Kent
Production Designer: Melanie Jones
Costume Designer: Christine Wada
SFX Supervisor/2nd Unit Director: Matt Kuthcer
DI Colorist: Alastor Arnold
VFX Supervisor: Jay Randall
Stunt Coordinator: Jonathan Arthur
A-Camera/Steadicam Operator: Damian Church
B-Camera Operator: Robert Foster
C-Camera Operator: Chad Chamberlain
Additional DP: David Siev
Cameras: Red DSMC2 Monstro, Helium S35, Weapon Helium & Weapon Monstro (7K Redcode RAW)
Lenses: Hawk V-Lite Anamorphic Primes, V-Plus Anamorphic Zooms, Angenieux Optimo Zooms & Canon (14.5-60mm) Zoom
AR: 2.35:1 (Anamorphic)(Super 35mm: Some Scenes)
Budget: 23.1 Million USD - DirectorJohn Lee HancockStarsKevin CostnerWoody HarrelsonKathy BatesThe untold true story of the legendary detectives who brought down Bonnie and Clyde.Director: John Lee Hancock
Composer: Thomas Newman
Cinematographer: John Schwartzman ASC
Film Editor: Robert Frazen ACE
Casting: Denise Chamian CSA
Production Designer: Michael Corenblith
Costume Designer: Daniel Orlandi
Stunt Coordinator/2nd Unit Director: Jeffrey J. Dashnaw
SFX Supervisor: William Dawson
VFX Supervisors: Jiwoong Kim, Chris MacLean, John Swallow
On-Set VFX Supervisor: Taylor McNutt
A-Camera Operator: Ian Fox
B-Camera/Steadicam Operator: Remi Tournois
Additional Camera Operator: Chad Chamberlain
2nd Unit DP: Patrick Loungway
Additional 2nd Unit DP: Michael Applebaum
Senior Colorist: Stefan Sonnenfeld ASC
DI Accountant: Ian Sullivan
Filming Dates: 12 February 2018 - 10 April 2018
Cameras: Millennium DXL2 & Red Weapon VV Monstro (8K Redcode RAW)
Lenses: Panavision Sphero 65 Primes
AR: 2.39:1 (Panavision Super 70)
Budget: 49 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorBrie LarsonStarsBrie LarsonSamuel L. JacksonJoan CusackKit, a twenty-something dreamer, receives an invitation that would fulfill her childhood dreams.Director: Brie Larson
Composer: Alex Greenwald
Cinematographer: Brett Pawlak
Film Editor: Jennifer Vecchiarello
Production Designer: Matt Luem
Costume Designer: Mirren Gordon-Crozier
SFX Supervisor: Chris Bailey
VFX Supervisor: Chris Wells
A-Camera Operator: Chris Arata
B-Camera Operator: Greg Magidow
Steadicam Operator: Grant Culwell
DI Colorist: Ian Vertovec
Filming Dates: November 2016 - December 9, 2016
Camera: Alexa Mini (Digital)
Lenses: Panavision G- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorMcGStarsJack GoreMiya CechBenjamin Flores Jr.Four misfit campers must band together and conquer their fears in order to save the world during an alien invasion.Director: Joseph McGinty Nichol (McG)
Composer: Bear McCreary
Cinematographer: Shane Hurlbut ASC
Film Editor: Vincent Tabaillon ACE
Production Designer: Kristen Vallow
Supervising Art Director: Robert W. Joseph
Costume Designer: Helen Huang
2nd Unit Director: Tim Trella
VFX Producer/Supervisor: Ray McIntire Jr.
VFX Supervisors: Ruslan Borysov, Billy Brooks, Arudra Jaykar, Aaron Smith
Lead Supervising Digital Colorist: David Cole
Stunt Coordinator: Brian Machleit
B-Camera Operator: Chris Herr
Aeriel DP: Mark Gerasimenko
Filming Dates: 21 June 2018 - August 2018
Camera: Red Gemini (5K Redcode RAW)
Lenses: Leitz Summilux-C Primes
AR: 1.85:1 (Super 35mm)
Budget: 19 Million USD - DirectorGideon RaffStarsMbulelo GrootboomSizo MahlanguMichael Kenneth WilliamsIsrael's Mossad agents attempt to rescue Ethiopian Jewish refugees in Sudan in 1979.Director: Gideon Raff
Composer: Michael Dynna
Cinematographer: Roberto Schaefer ASC AIC
Film Editor: Tim Squyres ACE
Production Designer: Jeff Mann
Action Vehicle Art Director: Di Sole
Costume Designers: Neil McClean, Ruth Myers
Co-Producer/2nd Unit Director: Adam Friedlander
SFX Supervisor: Paul Pieterse
VFX Supervisor: Paul Kalil
A-Camera Operator: George Amos
B-Camera/Steadicam Operator: Sarel Pretorius
C-Camera Operator/Splinter Unit DP: Grant Appleton
2nd Unit DP: Michael Swan
2nd Unit Camera Operator: Sven Vosloo
Supervising Finishing Artist: Anthony Raffaele
AR: 2.35:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorVince GilliganStarsAaron PaulJonathan BanksMatt JonesFugitive Jesse Pinkman runs from his captors, the law, and his past.Director: Vince Gilligan
Composer: Dave Porter
Cinematographer: Marshall Adams
Film Editor: Skip MacDonald
Production Designer: Judy Rhee
Supervising Art Director: Michael Gowen
Costume Designer: Louise Frogley
Producer/Unit Production Designer: Charles Newirth
VFX Consultant: Stephane Ceretti
Lead Supervising Digital Colorist: David Cole
Stunt Coordinator: Doug Coleman
Camera Operator: Tim Arasheben
A-Camera/Steadicam Operator: Paul Donachie
B-Camera Operator: Matt Credle
Aeriel Unit DP: Mark Gerasimenko
Wyoming Unit Aeriel DP: Douglas Holgate
Filming Dates: November 2018 - February 2019
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Arri 65-S Primes, DNA Primes & Raptor Macro Primes
AR: 2.39:1 (Arri 765)
Budget: 6 Million USD
Attribute: Camera Equipment Provided by Arri Rental - DirectorSteven SoderberghStarsGary OldmanAntonio BanderasAJ MeijerA widow investigates an insurance fraud, chasing leads to a pair of Panama City law partners exploiting the world's financial system.Director/Cinematographer/Film Editor: Steven Soderbergh
Composer: David Holmes
Production Designer: Howard Cummings
Supervising Art Director: Samantha Avila
UK Unit Art Director: Amie English
Florida Unit Art Director: J. Mark Harrington
Costume Designer: Ellen Mirojnick
SFX Supervisor: Eric Frazier
Miniature Effects Supervisor: Dave Asling
Senior VFX Supervisor: Aryel Melek-Shalom
Senior VFX Supervisor/Producer: Mat Beck
VFX Supervisors: Robert Stadd, Craig Wentworth
Stunt Coordinators: Charles Croughwell, David Rowden
1st Assistant B-Camera: Bill Coe
Camera Operator: Chris Duskin
Steadicam Operators: Lawrence Karman, Massimiliano Trevis
Florida VFX Unit Camera Operator: Henry Lynk
VFX Producer: Karen Clarke
Underwater Unit DP: Peter Zuccarini
Colorist: Nat Jencks
Finishing Artist: Jordan PH Stein
Camera: Red Monstro (8K Redcode RAW)
Lenses: Sigma Cine Primes
AR: 1.85:1 (China Segment), 2.39:1 (Super 35mm)
Attribute: Camera Equipment Provided by Keslow Camera - DirectorCraig BrewerStarsEddie MurphyKeegan-Michael KeyMike EppsEddie Murphy portrays real-life legend Rudy Ray Moore, a comedy and rap pioneer who proved naysayers wrong when his hilarious, obscene, kung-fu fighting alter ego, Dolemite, became a 1970s Blaxploitation phenomenon.Director: Craig Brewer
Composer: Scott Bomar
Cinematographer: Eric Steelberg ASC
Film Editor: Billy Fox
Production Designer: Clay Griffith
Supervising Art Director: Beat Frutiger
Costume Designer: Ruth Carter
2nd 2nd Assistant Director/2nd Unit Director: Jeffrey Hunt
SFX Supervisor: Jeremy Hays
VFX Supervisors: Mark LeDoux, Chris LeDoux
Stunt Coordinator: William Washington
A-Camera/Steadicam Operator: Cedric Martin
B-Camera Operator: Craig Bauer
VFX Plate Unit DP: Brook Willard
DI Colorist: Corinne Bogdanowicz
Additional Colorist: Virginia Schreiber
DI Finishing Artist: Monique Eissing
Camera: Millennium DXL2 (5K/8K Redcode RAW)
Lenses: Panavision Primo Spherical Primes, Primo 70 Primes, Primo Artiste Primes, H-Series Spherical Primes & Primo Compact Zoom
AR: 1.33:1 (Negative Ratio), 2.00:1 (4-Perf Super 35mm)
Attribute: Filmed in Panavision - DirectorDavid MichôdStarsTom Glynn-CarneyGábor CzapTom FisherYoung Henry V encounters deceit, war and treachery after becoming King of England in the 15th century, in the aftermath of his brother's death.Director: David Michod
Composer/Conductor/Orchestrator/Score Producer: Nicholas Britell
Cinematographer: Adam Arkapaw ASC ACS
Film Editor: Peter Sciberras
Production Designer: Fiona Crombie
Supervising Art Director: Matthew Hywel-Davies
Costume Designer: Jane Petrie
2nd unit Director: Nash Edgerton
Military Advisor/Splinter Unit Director: Paul Hornsby
SFX Supervisors: Alexander Gunn, Gabor Kiszelly
VFX Supervisor: Andrew Jackson
Additional VFX Supervisor: Paul Butterworth
VFX Producer: Edwina Hayes
VFX Executive: Richard Baker
Senior Stunt Coordinator: Levente Lezsák
Horse Master/Stunt Coordinator: Steve Dent
Fight Choreographer/2nd Unit Stunt Coordinator: Jan Petrina
B-Camera/Steadicam Operator: Andrew AJ Johnson
C-Camera Operator: György Réder
D-Camera Operator: Marton Miklauzic
2nd Unit DP: Jac Fitzgerald
2nd Unit A-Camera/Steadicam Operator: Ossie McLean
UK Unit C-Camera Operator: Simon Finney ACO
Assistant to Adam Arkapaw (Add. Photography): Nicholas Turner
Senior Colorist: Tom Poole ASC
Colorist: Brett Manson
Filming Dates: June 1st, 2018 - August 24th, 2018
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Panavision Ultra Panatar Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 23 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorWash WestmorelandStarsAlicia VikanderKiki SukezaneKenichi MasudaAn enigmatic translator with a dark past is brought in for questioning after an ex-pat friend, who came between her and her photographer boyfriend, ends up missing and presumed dead.Director: Wash Westmoreland
Composers: Atticus Ross, Leopold Ross, Claudia Sarne
Cinematographer: Chung-hoon Chung
Film Editor: Jonathan Alberts
Production Designer: Yohei Taneda
Art Director (Add. Photography): Katsuya Imai
Costume Designer: Kumiko Ogawa
SFX Supervisor: Chuji Shimajiri
Senior VFX Supervisor/Producer: Mat Beck
VFX Supervisor: Robert Stadd
Additional VFX Supervisor: Kyle Dutton
Stunt Coordinator: Akihiro Noguchi
Car Stunt Coordinator: Hidemi Sato
B-Camera/Steadicam Operator: Koji Naoi
DI Colorist/Senior Finishing Artist: Stephen Nakamura
Finishing Producers: Annie Johnson, Stephen F. Newnam
Finishing Editor: Joe Ken
Company 3 Head of Production: Erik Rogers
Company 3 President: Stefan Sonnenfeld ASC
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Hawk65 Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Digital Intermediate Provided by: Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorMartin ScorseseStarsRobert De NiroAl PacinoJoe PesciAn illustration of Frank Sheeran's life, from W.W.II veteran to hit-man for the Bufalino crime family and his alleged assassination of his close friend Jimmy Hoffa.Director, Producer & Voice of Court Usher: Martin Scorsese ACE
Screenwriter: Steven Zaillian
Producers: Emma Tillinger Koskoff, Irwin Winkler, Robert De Niro, Jane Rosenthal
EPs: Rick Yorn, Richard Baratta, Nichols Pilleggi
Cinematographer: Rodrigo Prieto ASC AMC
Production Designer: Bob Shaw
Film Editor: Thelma Schoonmaker ACE
Cost. Designers: Sandy Powell, Chris Peterson
Composer (Original Score): Robbie Robertson
Music Supervisor: Randall Poster
Production Visual FX Supervisor: Pablo Helman
1st AD: David Webb
Stunt Coordinator-2nd Unit Director: GA Aguilar
2nd Unit Director: Victor Matthews
Additional Film Editor: Scott Brock
Supervising Art Director: Laura Ballinger
A Camera-Steadicam Op: P. Scott Sakamoto SOC
A Camera Focus Puller-1st AC: Trevor Loomis
Prod Asst. & A Camera Operator: Vin Arfuso
Main Unit B Camera Operator: Chris Hayes
B Camera Focus Puller-1st AC: Zoran Veselic
C Camera Operator: Ken Ortiz
Assistant to Rodrigo Prieto: Camelia Azar
Gaffer: Bill O’Leary
Key Grip: Tommy Prate
2nd Unit DoP: Lukasz Jogalla, Darren Lew
2nd Unit B Camera Operator: John Pirozzi
2nd Unit Aerial DoP: Patrick Longman
ILM Facial Capture Supervisor: Stephane Grabli
ILM Digital Model Supervisor: Paul Giacoppo
ILM Assoc. VFX Supervisors: Lean Estebecorena, Ivan Busquets, Nelson Sepulveda
Production VFX Consultant: Jorge Garcia Castro
Production Visual FX Producer: Brian Barlettani
ILM VFX Associate Producers: Flannery Huntley, Laurel Montgomery
ILM Visual Effects Executive Producer: Jill Brooks
ILM Visual FX Production Manager: Alice Kahn
ILM Visual FX Consultant: Dennis Muren ASC
ILM SVP & Chief Creative Officer: Rob Bredow
LUT Designer: Philippe Panzini
HPC Colorists: Yvan Lucas, Elodie Ichter
HPC Color Scientist: Matthew Tomlinson ASC
Filming Dates: 29 August 2017 - 5 March 2018
Cameras: Arricam LT, ST, Alexa Mini & Red Helium (35mm Kodak Vision3 250D 5207 + 500T 5219, 3.4K ARRIRAW & 8K Redcode RAW)
Lenses: Cooke Panchro/I Classic Primes, Arri Ultra Primes, Zeiss 70-200mm Compact Zoom & Angenieux Optimo 24-290mm Zoom
AR: 1.37:1 (Some Scenes), 1.66:1 (One Shot), 1.85:1 (3-Perf Super 35mm)
Budget: 159-250 Million USD
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Attribute: Camera Equipment Provided by Arri Rental - DirectorNoah BaumbachStarsAdam DriverScarlett JohanssonJulia GreerNoah Baumbach's incisive and compassionate look at a marriage breaking up and a family staying together.Director: Noah Baumbach
Composer/Conductor/Musical Director: Randy Newman
Cinematographer/Camera Operator: Robbie Ryan BSC
Film Editor: Jennifer Lame ACE
Production Designer: Jade Healy
New York Unit Art Director: Joshua Peterson
Costume Designer: Mark Bridges
1st Assistant Director (Add. Photography): Darin Rivetti
SFX Supervisor: Joe Pancake
VFX Supervisor: Vico Sharabani
VFX Producer: Ruben Gloria
Colorist: Marcy Robinson
Filming Dates: January 15th, 2018 - April 2018
Cameras: Arricam LT, ST & Arriflex 435 (35mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision Primo Spherical Primes
AR: 1.66:1 (3-Perf Super 35mm)
Budget: 18 Million USD
Printed on: Kodak Vision 2383
Attribute: Filmed in Panavision - DirectorMichael BayStarsRyan ReynoldsMélanie LaurentManuel Garcia-RulfoSix individuals from all around the globe, each the very best at what they do, have been chosen not only for their skill, but for a unique desire to delete their pasts to change the future.Director/Producer/C-Camera Operator: Michael Bay
Writers/Executive Producers: Rhett Reese, Paul Wernick
Producer: Ian Bryce
Executive Producer: Matthew Cohan
Executive Producer/Unit Production Manager: Garrett Grant
Cinematographer: Bojan Bazelli ASC
Production Designer: Jeffrey Beecroft
Film Editors: Roger Barton ACE, William Goldenberg ACE, Calvin Wimmer
Costume Designer: Jany Temime
Composer/Score Producer: Lorne Balfe
Music Supervisors: Dave Jordan, Trygge Toven
Production VFX Supervisor: Richard Hoover
Casting: Denise Chamian CSA
1st Assistant Director: Michael Saunders
Co-Producer: Michael Kase
Co-Producer/Consulting Location Manager: Jonathan JJ Hook
Co-Producer/Production Executive: Marco Valerio Pugini
Stunt Coordinators/2nd Unit Directors: Gregg Smrz, Kenny Bates
Fight Coordinator: Andy Cheng
Associate Producer: Katie Halott
Supervising Art Directors: Sebastian Schroeder, Tamara Marini
Set Decorator: Bille Azis
Art Director: Anshuman Prasad
A-Camera/Steadicam Operator: Roberto De Angelis
B-Camera Operator: Lukasz Bielan SOC
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Add'l DoP: Hans Bjerno ASC
Underwater Unit DoP: Pete Romano ASC
Supervising Sound Editors/Sound Designers: Ethan Van DER Ryn, Erik Aadahl
Sound Re-Recording Mixer: Kevin O'Connell
Product Placement Coordinator: David Leener
Gaffer: Martin Smith
Production SFX Supervisor: Terry Glass
SFX Floor Supervisor: Terry Flowers
Previsualization Supervisor: Barry Howell
Previsualization Coordinator: Lauren Zimmer
Senior Concept Illustrator: Thomas Pringle
Supervising Graphic Designer: R. Scott Purcell
Transportation/Picture Car Coordinator: Joey Freitas
Picture Car Supervisor: Ian Clarke
Splinter Unit DoP: John Gamble ACO
Splinter Unit 1st Ass't Camera: Harry Gamble
Italy Unit 1st Ass't Director: KC Hodenfield
Italy Unit Senior Art Director: Saverio Sammali
Italy Unit Gaffer: Daniele Verdenelli
Italy Unit SFX Supervisor: Daniel Acon
Italy Unit SFX Office Coordinator: Antongiulio Dell'Orco
Italy Unit SFX Consultant: Richard Helmer
Italy Unit Picture Car Coordinator: Matteo Gottardis
Budapest Unit Co-Producers: Ildiko Kemeny, David Minkowski
Budapest Unit Art Director: Geza Kerti
Budapest Unit Gaffer: Atilla Bilik
Budapest Unit SFX Supervisor: Gábor Kiszelly
Abu Dhabi Unit 1st Ass't Director: Mark Cotane
Abu Dhabi Unit Set Decorator: Rob Cameron
Abu Dhabi Unit SFX Supervisor: Mark Roberts
Abu Dhabi Unit SFX Consultant: Rory Inker
Production VFX Producer: Pat Sandston
VFX Studio Executive: Jennifer Silver
In-House VFX Artists: Jerry Steele, Nick Reynolds
ILM VFX Supervisor: Jason Snell
ILM Animation Supervisors: Scott Benza, Zaini Mohamed Jalani, Cedric Lo
ILM VFX Producers: Lee Briggs, Laurence Berkani
ILM Executive VFX Producer: Luke O'Byrne
ILM Add'l VFX Supervisors: John Knoll, Paolo Acri
ILM CG Supervisor: Barry Kane
ILM Compositing Supervisor: Walter Gilbert
ILM VFX Associate Producer: Alé Melendez
ILM VFX Production Managers: Keith Anthony-Brown, Claudia Li
ILM VFX Editor: Sam Willing
ILM Senior Creature TD: Natapon Huangsakuncharoen
ILM Digital Resource Manager: Betty Shaw
ILM Executive VFX Producer: Randal Shore
ILM External Ass't Technical Director: Rick Yang
Raynault VFX Producer: Jacinthe Côté
Raynault VFX Line Producer: Catherine Gaucher
Raynault VFX Compositing Supervisor: Vincent Poitras
Raynault VFX Pipeline TD: Simon Ouellet
Raynault VFX Art Director: Mathieu Raynault
Scanline Munich VFX Supervisor: Jan Krupp
Scanline Munich CG Supervisors: Omid Arzhang, Sylvain Theroux
Scanline Munich Matchmove Supervisor: Ando Avila
Scanline Munich 3D Generalist: André Cabaco
Scanline Munich Compositing Supervisors: Sean Heuston, Franz Schiller
Scanline Munich FX Supervisor: Ivo Klaus
Scanline Munich Animation Supervisor: Christian Kratzert
Scanline VFX Munich Production Manager: Mei Lee Lim
Scanline Munich Add'l VFX Supervisor: Martin Lipmann
Scanline Munich VFX Coordinators: Stefanie Ramsdale, Amelie Thomas
Scanline Munich VFX Art Director: Yanick Dusseault
Scanline Munich Head of Production: Antoine Marbach
Scanline VFX Munich VFX Executive Producer: Michel Mielke
Scanline VFX Munich Matte Painting Supervisor: Benjamin Ross
Scanline VFX LA VFX Executive Producer: Jasmin Hasel
Scanline VFX LA Pipeline TD: Colin McGuire
Base FX VFX Producer: Aaron Cowan
Base FX Animation Supervisor: Richard Oey
Base FX VFX Production Coordinators: Audrey Sook Yan Chan, Eugene Ting
Base FX Supervisor: Mitul Patel
Base FX Pipeline Technical Directors: Eunice Chen, Pavithira Raj Pardiban
Base FX Bidding Producer: Tolly Swallow
Stereo D VFX Coordinator: Samira Khan
Stereo D Production Coordinator: Trent Newton
Stereo D Technical Director: Shane Saravia
Deluxe Stereo D Production Coordinator: Aidan Waugh
Deluxe Production Coordinator: Kisholay Ray
Virtuos Lighting Director: Kristian Pedlow
BOT VFX Associate Producer: Rajesh Babu
Hula Hoop VFX Producer: Priyanka Balasubramanian
3rd Floor VP of Visualization: Dane Allan Smith
CO3 Executive Producer/Senior Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Moises Cruz
DI Finishing Editor: Matthew Johnson
DI Add'l Finishing Colorist: Bryan Smaller
CO3 VP of Global Long Form Production: Nick Monton
CO3 Head of Finishing Production: Erik Rogers
Filming Dates: 30 July 2018 - 5 December 2018
Cameras: Arriflex 35-IIC, Phantom Flex4K, Red Komodo Bayhem, Monstro, Raven, Weapon Helium Bayhem & Sony CineAlta Venice (35mm Kodak Vision3 500T 5219, 4K Phantom RAW, 6K AXS-R7 & 4.5K/6K/8K Redcode RAW)
Lenses: Panavision Primo Anamorphic Primes, T-Series Anamorphic Primes & Vantage One Bayhem Spherical Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Bayhem Unit)
Budget: 150 Million USD
Partially Shot on: Kodak 35mm Film
Main Visual Effects & Animation Provided By: Industrial Light & Magic
Additional Visual Effects Provided by: Raynault VFX, Scanline Munich, Base FX, Stereo D, Virtuos & Yannix
Digital Intermediate Finishing Provided By: Company 3
Attribute: Filmed in Panavision - DirectorFernando MeirellesStarsJonathan PryceAnthony HopkinsJuan MinujínBehind Vatican walls, the conservative Pope Benedict XVI and the liberal future Pope Francis must find common ground to forge a new path for the Catholic Church.Director: Fernando Meirelles
Composer: Bryce Dessner
Cinematographer: César Charlone
Film Editor: Fernando Stutz
Production Designer: Mark Tildesley
Supervising Art Director: Mercedes Alfonsín
Italy Unit Set Decorator: Livia Del Priore
Argentina Unit Set Decorator: Germán Naglieri
Costume Designers: Luca Canfora, Beatriz De Benedetto
VFX Supervisor: Nicholas Bennett
On-Set VFX Supervisor: James Roberts
Stunt Coordinators: Giorgio Antonini, Ariel Arredondo Lopez Dickson, Eduardo Puga
B-Camera/Steadicam Operator: Emiliano Leurini
Argentina Unit B-Camera/Steadicam Operator: Rafael Sahade
Drone Unit Camera Operator: Daniele Proietti
Camera: Red Weapon Helium (4K/8K Redcode RAW)
Lenses: Zeiss Vario-Sonnar Zoom, Canon 11-165mm Zoom, Century Compact Zoom, Angenieux HR Zoom, Optimo Zoom & Cooke Zoom
AR: 1.33:1 (Some Scenes), 1.85:1 (Super 35mm) - DirectorMichael FimognariStarsLana CondorNoah CentineoJordan FisherLara Jean and Peter have just taken their relationship from pretend to officially official when another recipient of one of her old love letters enters the picture.Director/Cinematographer: Michael Fimognari
Cinematographer (Portland): Eric Alan Edwards
Composer: Joe Wong
Film Editor: Joe Klotz ACE
Production Designer: Chris August
Costume Designer: Lorraine Carson
Portland 2nd Unit Director: Nicholas Harvard
VFX Supervisor: Anthony Kramer
Stunt Coordinator: Jodi Stecyk
Camera Operator: Trevor Holbrook
A-Camera Operator: Ryan Purcell
B-Camera Operator: Kevin Hall
Portland Unit Aeriel Pilot/Aeriel Unit Director: Craig Hosking
Portland Unit Aeriel DP: Ryan Hosking
Colorist: Jill Bogdanowicz ASC
Company 3 President: Stefan Sonnenfeld ASC
Head of Production (Company 3): Erik Rogers
Filming Dates: 27 March 2019 - 8 May 2019 (Shot back-to-back w/ Part III)
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri/Zeiss Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget 18 Million USD
Color & Finish Provided by: Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorBrett HaleyStarsElle FanningJustice SmithAlexandra ShippThe story of Violet and Theodore, who meet and change each other's lives forever. As they struggle with the emotional and physical scars of their past, they discover that even the smallest places and moments can mean something.Director: Brett Haley
Composer: Keegan DeWitt
Cinematographer: Rob C. Givens
Film Editor: Suzy Elgimer
Production Designer: Bruce Curtis
Costume Designer: Mirren Gordon-Crozier
VFX Supervisor: Vico Sharabani
Stunt Coordinator: Nash Edgerton
A-Camera/Steadicam Operator: Brian Freesh
Drone Unit Camera Operator: Nicholas McIntosh
Underwater Unit Camera Operator: David William McDonald
DI Colorist: Michael Howell
Additional Film Editor: Sandra Nash
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorPeter BergStarsMark WahlbergWinston DukeAlan ArkinWhen two Boston police officers are murdered, ex-cop Spenser teams up with his no-nonsense roommate Hawk to take down criminals.Director: Peter Berg
Composer: Steve Jablonsky
Cinematographer: Tobias A. Schliessler ASC
Film Editor: Michael L. Sale ACE
Production Designer: Neil Spisak
Supervising Art Director: Dan Webster
SFX Supervisor: Matt Kutcher
Art Director: Bill King
Art Director (Add. Photography): Charlie DabouSet Decorator (Reshoots): Debbie Cutler
Costume Designer: Virginia Johnson
USA Aeriel Unit Director: Bill Bannerman
VFX Supervisor: Jiwoong Kim
VFX Producers: Joyce Au, Chad Cortvriendt, Harrison Marks
VFX Executive Producers: Guy Botham, Rebecca West
Senior VFX Executive: Richard Baker
Fight Coordinator: Wayne Dalglish
Fight Coordinator/Stunts: Marco Morales
A-Camera/Steadicam Operator: Benjamin Semanoff
B-Camera/Steadicam Operator: Christopher Glasgow
Aeriel Unit DPs: Hans Bjerno ASC, Mark Gerasimenko, John Trapman
Aeriel Unit Camera Operator: Dan Godar
Aeriel Camera Technician: Dane Bjerno
2nd Unit DP: Patrick Loungway
2nd Unit Camera Operator: Micky Froehlich
Drone Operators: Michael Holzwarth, John F. McCarthy, David A. Murdoch
A-Camera Operator (Add. Photography): Kent Harvey
B-Camera/Steadicam Operator (Add. Photgraphy): James Goldman
Additional Film Editors: Jim Carretta, Eric Freidenberg, Jeremy Hsu, Brian Scott Olds
Senior Colorist: Stefan Sonnenfeld ASC
Additional Colorist: Bryan Smaller
Camera: Sony CineAlta Venice (6K AXS-R7)
Lenses: Arri Ultra Primes, Zeiss Supreme Primes, Compact Zoom & Fujinon Premier Zoom
AR: 2.00:1 (Super 35mm)
Digital Intermediate Provided by: Company 3
Attribute: Camera Equipment Provided by Keslow Camera - DirectorMichael DowseStarsEd HelmsTaraji P. HensonTerrence Little GardenhighTwelve-year-old Kareem Manning hires a criminal to scare his mom's new boyfriend -police officer James Coffee - but it backfires, forcing Coffee and Kareem to team up in order to save themselves from Detroit's most ruthless drug kingpin.Director: Michael Dowse
Composer: Joseph Trapanese
Cinematographer: Brian Burgoyne
Film Editor: Daniel Gabbe
Production Designer: Jeremy Stanbridge
Costume Designer: Allisa Swanson
SFX Supervisor: Chris Flemington
VFX Coordinator: Katie Hoyt
On-Set VFX Supervisor: Norman Krüsmann
Stunt Coordinator/Betty Gilpin Stunt Double: Maja Aro
A-Camera/Steadicam Operator: Peter Wilke
B-Camera Operator: Matthew Tichenor
DI Colorist: Nicolae Ilies
Filming Dates: April 22, 2019 - June 4, 2019
Camera: Alexa Mini (3.4K ARRIRAW)
Lenses: Panavision T-Series Anamorphic Primes
AR: 1.78:1 (One Scene), 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorAlan YangStarsTzi MaChristine KoHong-Chi LeeIn this multigenerational drama, a Taiwanese factory worker leaves his homeland to seek opportunity in America, where he struggles to find connection while balancing family and new-found responsibilities.Director: Alan Yang
Composer: Michael Brook
Cinematographer: Nigel Bluck ACS
Film Editor: Daniel Haworth
Production Designer: Amy Williams
Costume Designer: Olga Mill
Stunt Coordinator: Manny Siverio
Camera/Steadicam Operator: Korey Robinson
Additional camera Operator: Chris Scarafile
DI Colorist: Alex Bickel
Cameras: Arricam LT & Millennium DXL2 (35mm Kodak Vision3 500T 5219 & 8K Redcode RAW)
Lenses: Panavision G-Series Anamorphic Primes & Zeiss Super Speed Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes)
Attribute: Filmed in Panavision - DirectorSam HargraveStarsChris HemsworthBryon LerumRyder LerumTyler Rake, a fearless black market mercenary, embarks on the most deadly extraction of his career when he's enlisted to rescue the kidnapped son of an imprisoned international crime lord.Director: Sam Hargrave
Composers: Henry Jackman, Alex Belcher
Cinematographer: Newton Thomas Sigel ASC
Film Editors: Peter B. Ellis, Ruthie Aslan
Casting: Sarah Halley Finn CSA
Production Designer: Philip Ivey
India Unit Art Director: Ravi Srivastava
Art Director (Add. Photography): Nathan Blanco Fouraux
Costume Designer: Bojana Nikitovic
Executive in Charge of Prouction: Noelle Green
1st Assistant Director: Lee Cleary
Supervising Stunt Coordinator: Daniel Stevens
Camera Operator/Stunt Coordinator/2nd Unit Director: Thayr Harris
Executive Producer/Additional 2nd Unit Director: Ari Costa
Senior SFX Supervisor: Brian Cox
2nd Unit SFX Supervisor: David Neil Trifunovich
SFX Supervisor (Reshoots): Jamie Hendricks
VFX Consultant: Reina Sparks
VFX Supervisors: Mark Owen Forker, Yael Majors, Craig Wentworth
VFX Producers: Evan Davies, Lynzi Grant
VFX Executive: Richard Baker
Stunt Coordinator: Amrit Pal Singh
Thailand Unit Stunt Coordinator: Seng Kawee
India Unit Stunt Coordinator: Sunil Rodrigues
Fight Coordinator: Michael Lehr
Camera Operator: Thitinun Lerdkijsakul
A-Camera/Steadicam Operator: Mark Goellnicht
B-Camera/Steadicam Operator: Andrew AJ Johnson
2nd Unit DP: Cary Lalonde
Aeriel Unit DP: Michael FitzMaurice
Underwater Unit DP: Simon Christidis
Additional DP: Glen MacPherson ASC CSC
Additional Film Editors: Stan Salfas ACE, Larry McGinley, Monty Bass
Senior DI Colorist: Stephen Nakamura
Colorist: Mark Sachen
Company 3 President: Stefan Sonnenfeld ASC
Filming Dates: November 2018 - March 2019
Cameras: Millennium DXL2, Red Dragon & DSMC2 Monstro (6K/8K Redcode RAW)
Lenses: Panavision Primo Spherical Zooms, Primo 70 Primes, Sphero 65 Primes & Leitz M 0.8 Spherical Primes
AR: 2.39:1 (Super 35mm/Panavision Super 70 Hybrid)
Budget: 65 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorAlice WuStarsLeah LewisDaniel DiemerAlexxis LemireWhen smart but cash-strapped teen Ellie Chu agrees to write a love letter for a jock, she doesn't expect to become his friend - or fall for his crush.Director: Alice Wu
Composer: Anton Sanko
Cinematographer: Greta Zozula
Film Editors: Ian Blume, Lee Percy
Production Designer: Sue Chan
Costume Designer: Vicki Farrell
Executive in Charge of Visual Effects: Paddy Kelly
Stunt Coordinator: Christopher Place
Camera/Steadicam Operator: Kyle Wullschleger
Additional Camera Operators: Michael Drucker, Kenny Wu
Company 3 Senior Colorist: Sofie Friis Borup
CO3 Executive Producer: Stefan Sonnenfeld ASC
Company 3 Head of Production: Margaret Lewis
Filming Dates: 22 April 2019 - 31 May 2019
Lenses: Angenieux Optimo Ultra 12x Primes
AR: 2.35:1 (Super 35mm)
Digital Intermediate Provided by: Company 3
Attribute: Camera Equipment Provided by Technological Cinevideo Services - DirectorSpike LeeStarsDelroy LindoJonathan MajorsClarke PetersFour African-American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide.Director/Writer/Producer: Spike Lee
Writers: Danny Bilson, Paul Demeo, Kev Willmott
Producers: Lloyd Levin, Beatriz Levin, Jon Kilik
EP & Unit Production Manager: Jonathan D. Filley
Executive Producers: Barry Levine, Mike Bundlie
Cinematographer: Newton Thomas Sigel ASC
Cinematographer, S8mm Footage: Norm Lewis
Production Design Supervisor: Wynn Thomas
Film Editor: Adam Gough
Costume Design Supervisor: Donna Berwick
Composer, Conductor & Orchestrator - Original Music Score: Terence Blanchard
Casting Director: Kim Coleman CSA
First Assistant Director: David Webb
Second Assistant Director: Trevor Tavares
Overall Visual Effects Supervisor: Richard Baker
Lead Visual Effects Producer: Randall Balsmeyer
Stunt Coordinators: Jeff Ward, Seng Kawee
Executive in Charge of Production: Noelle Green
Line Producer, Thailand: Thunn Pestonji
Supervising Production Manager: Jared Connon
Production Manager, Thailand: Piya Pestonji
A Camera, Steadicam Operator: Ari Robbins
B Camera Operator: Pithai Smithsuth
Add'l Camera Operator: Phantom Phrommachart
A Camera First Assistant: Peter Byrne
B Camera First Assistant: Chantra Wongsrikaew
A Camera Second Assistant: Kat Spencer
B Camera Second Assist.: Thananan Nutchanart
Camera Rigging Assistant: Pruek Phromsuwan
Central Loader: Ben Foat
16mm Loader: Mike Knudsen
Digital Imaging Technicians: Joe Steel, Arthur To
Gaffer: Ian Kincaid
Oculus Tech: Dustin Evans
Supervising Prop Master: Kerry Spurrell
First Assistant Editor: David C. Valdez
Second Assistant Editor: Veronica Vozzolo
Production VFX Editor: Luftar Von Rama
Second Assistant Editor (Shoot): Pilar Gomez
Supervising Art Director: Jeremy Woolsey
Supervising Set Decorator: Jeanette Scott
Overall Costume Supervisor: Tammy Williamson
Costume Supervisor, Los Angeles: Dana Hart
Costume Supervisor, Thailand: Sean Gundlach
Snake Handler: Sang Jitman
Production SFX Supervisor: Watchar Panuichsuk
SFX Pyro Tech Supervisor: Herbert Blank
Aerial Unit Film Pilot (Camera Ship): Fred North
Aerial Unit Film Pilot (Picture Ship): Rick Shuster
Aerial Unit Director of Photog: John Trapman
Aerial Unit Shotover Technician: Peter Graf
Military Advisor: Harry Humphries
Assistant Military Advisor: Kevin Kent
Line Producer, Vietnam (IP): Nicholas Simon
Line Producer, Vietnam: Benoit Jaubert
Post Production Supervisor: James Debbs
Production Music Editor: Marvin Morris
Music Supervisor: Rochelle Claerbert
Music Score Orchestrator: William Ross
Production Visual Effects Coordinator: Luisa Irala
Assistant Visual Effects Coordinator: David Sales
Mr. X Sr Visual Effects Supervisor: James Cooper
Mr. X Sr. Visual Effects Producer: Adnan Ahmed
BFD Visual Effects Lead: Ari Reisner
MPC Visual Effects Supervisor: David Piombino
MPC Sr. Visual Effects Producer: Elissa Norman
Molecule Sr. Visual Effects Prod.: David McElfresh
Molecule Executive Producer: Andrew Bly
CO3 - NY Dailies Engineer/Producer: Alexis Ross
CO3 - NY Senior Colorist: Stephen Nakamura
CO3 - NY Sr. Finishing Producer: Dean Mozian
CO3 - NY Finishing Editor: Chad Schermerhorn
CO3 - NY Add'l Finishing Editor: John Diesso
CO3 - NY Color Assistant: Ben White
CO3 - NY Head of Production: Margaret Lewis
CO3 - NY Account Executive: Jim Gardner
CO3 Executive Producer: Stefan Sonnenfeld ASC
EC3 Dailies Colorist: Jon Mendenhall
EC3 Dailies Engineer: Stephen Regnier
EC3 Dailies Manager: Leeza Diott
Dolby Sound Consultant: Thomas Kodros
Filming Dates: 23 March 2019 - 23 June 2019
Capture Format: Super 8mm, 16mm & 4-Perf Super 35mm
Cameras: Alexa LF, Mini, Arriflex 416 & Canon 1014 XL-S (8mm, 16mm Kodak Ektachrome 100D 7285, 2.8K & 4.5K ARRIRAW)
Lenses: Arri DNA LF Primes, Zeiss Super Speed Primes, Angenieux Optimo Zoom & Canon 11-165mm Zoom
AR: 1.33:1 (Past Scenes), 1.85:1 (Present Day Scenes: Second Half & End Credits), 2.39:1 (Present Day Scenes: First Half)
Budget: 35-45 Million USD
Thailand Production Services by: Peston Film Company
Vietnam Production Services by: Indochina Productions
Visual Effects by: Mr. X, Big Film Design, Moving Picture Company, The Molecule & Vitality Visual Effects
Picture Finishing By: Company 3 - New York
Attribute: Cameras by Arriflex London - DirectorDavid DobkinStarsWill FerrellRachel McAdamsDan StevensWhen aspiring musicians Lars and Sigrit are given the opportunity to represent their country at the world's biggest song competition, they finally have a chance to prove that any dream worth having is a dream worth fighting for.Director: David Dobkin
Composer: Atli Örvarsson
Cinematographer: Danny Cohen BSC
Film Editor: Greg Hayden ACE
Production Designer: Paul Inglis
Supervising Art Director: Nigel Evans
Costume Designer: Anna B. Sheppard
Executive in Charge of Production: Basil Bryant Grillo
Stunt Coordinator/2nd Unit Director: Mark Mottram
Senior SFX Supervisor: Simon Cockren
Iceland Unit SFX Supervisor: Haukur Karlsson
VFX Supervisors: Nicolas Borens, Jason Schugardt
VFX Producers: P. Whitney Gearin, Thandiwe Philips
VFX Executive: Richard Baker
Additional Stunt Coordinator: Mark Southworth
A-Camera/Steadicam Operator: Vince McGahon
C-Camera Operator: Rachel Clark
2nd Unit DP: Iain Struthers
2nd Unit Camera Operators: Thor Eliasson, John Ellis Evans
Camera: Millennium DXL2 (8K Redcode RAW)
AR: 1.85:1 (Spherical)
Attribute: Filmed in Panavision - DirectorGina Prince-BythewoodStarsCharlize TheronKiKi LayneMatthias SchoenaertsA covert team of immortal mercenaries is suddenly exposed and must now fight to keep their identity a secret just as an unexpected new member is discovered.Director: Gina Prince-Bythewood
Composers: Volker Bertelmann, Dustin O'Halloran
Cinematographers: Barry Ackroyd BSC, Tami Reiker ASC
Film Editor: Terilyn A. Shropshire
Production Designer: Paul Kirby
Supervising Art Director: Ben Collins
Morocco Unit Art Director: Aziz Rafiq
Costume Designer: Mary E. Vogt
Executive in Charge of Production: Basil Bryant Grillo
2nd Unit Director: Jeff Habberstad
Senior SFX Supervisor: Hayley J. Williams
VFX Consultant: Dane Allan Smith
VFX Supervisor: Sara Bennett
On-Set VFX Supervisor: David Jones
VFX Producer: Lisa Kelly
Stunt Coordinators: Brycen Counts, Adam Kirley
Fight Coordinator: Daniel Hernandez
A-Camera Operator: Simon Tindall
B-Camera/Steadicam Operator: Tom Wilkinson
2nd Unit DP: John Gamble ACO
2nd Unit A-Camera Operator: Stefan Stankowski
2nd Unit B-Camera/Steadicam Operator: Dan Gamble
Aeriel Unit DP: John Marzano
Supervising Digital Colorist: Walter Volpatto
EFilm Company 3 CEO: Stefan Sonnenfeld ASC
Filming Dates: 20 May 2019 - August 2019
Camera: Alexa 65 (5.1K/6.5K ARRIRAW)
Lenses: Arri DNA Primes
AR: 2.39:1 (Arri 765)
Budget: 70 Million USD
Picture Finishing Provided by: EFilm Company 3
Attribute: Camera & Grip Equipment Provided by Arri Rental - DirectorVince MarcelloStarsJoey KingJoel CourtneyJacob ElordiIn the sequel to 2018's The Kissing Booth', high school senior Elle juggles a long-distance relationship with her dreamy boyfriend Noah, college applications, and a new friendship with a handsome classmate that could change everything.Director: Vince Marcello
Composer: Patrick Kirst
Cinematographer: Anastas N. Michos ASC GSC
Film Editor: Paul Millspaugh
Production Designer: Iñigo Navarro
Costume Designer: Neil McClean
2nd Unit Director: Hank Amos
2nd Unit DP: George Amos
Senior SFX Supervisor: Andrew Robertson
VFX Designer: Matt Kresling
On-Set VFX Supervisor: Jonathan Alenskas
ILM VFX Supervisors: Jeff Capogreco, Patrick Tubach
ILM Compositing Supervisor: Sam Bassett
ILM Digital Artist: David R. Espinoza
Fuse Senior VFX Supervisor: Wayne England
Senior VFX Producer: Jacques Bock
VFX Executive: Petra Mcelvenny
Stunt Coordinator: Mick 'Stuntie' Milligan
2nd Unit Stunt Coordinator: Vernon Willemse
Los Angeles Unit Stunt Coordinator: James M. Churchman
Boston Unit Stunt Coordinator: John Vincent Mason
A-Camera Operator: Gaopie Kabe
B-Camera Operator: Meike Chinnery
C-Camera Operator: Akene Farmer-Michos
C-Camera Operator/2nd Unit B-Camera Operator: Guy Hodgen
Steadicam Operator: Sarel Pretorius
Underwater Unit Camera Operator: Jason Martin
Additional Film Editor: Edward R. Abroms
Colorist: John Persichetti
Picture Vehicle Coordinator: Jason Furness
LA Unit A-Camera Operator: Calum MacFarlane
LA Unit B-Camera Operator: Will Dearborn
Boston Unit A-Camera Operator: Bill Trautvetter
Filming Dates: 1 April 2019 - 17 August 2019 (Shot back-to-back with TKB3)
Camera: Millennium DXL2 (6K Redcode RAW)
Lenses: Panavision Primo Spherical Primes & PVintage Spherical Primes
AR: 2.20:1 (Super 35mm)
Visual Effects & Animation Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorHenry JoostAriel SchulmanStarsJamie FoxxJoseph Gordon-LevittDominique FishbackWhen a pill that gives its users unpredictable superpowers for five minutes hits the streets of New Orleans, a teenage dealer and a local cop must team with an ex-soldier to take down the group responsible for its creation.Directors: Henry Joost, Ariel Schulman
Cinematographer: Michael Simmonds
Cinematographer (Add'l Photography): Alwin Kuchler BSC
Production Designer: Naomi Shohan
Film Editor: Jeff McEvoy
Production VFX Supervisor: Ivan Moran
Costume Designer: Sharen Davis
Composer: Joseph Trapanese
Executive Producer/Unit Production Manager: Ray Angelic
Stunt Coordinator/2nd Unit Director: Kevin Scott
Stunt/Fight Coordinator: Cory DeMeyers
Supervising Art Director: Thomas O. Frohling
A-Camera Operator: Paul J. Daley
B-Camera/Steadicam Operator: Chad Chamberlain
2nd Unit A-Camera Operator: Michael Berg
2nd Unit B-Camera Operators: Matt S. Bell, Robert Stenger
2nd Unit C-Camera Operator: Greg Morris
Drone Unit Camera Operator: Nick Ramey
Production SFX Buyer & Coordinator: Eric J. Kaufman
Supervising Art Director (Add'l Photography): Chris Stull
Art Director (Add'l Photography): John Sanchez
A-Camera/Steadicam Operator (Add'l Photog): Peter Rosenfeld
B-Camera Operator (Add'l Photography): Austin Alward
SFX Supervisor (Add'l Photography): Yves DeBono
2nd Unit A-Camera Op/Director of Photography (Add'l Photography): Eric Williamson
Add'l On-Set VFX Supervisors (Add'l Photog): Joe Farrell, Kevin Vanhook
Add'l Film Editor: Zachary A. Schwartz
Senior Finishing Colorist: Tom Poole ASC
Finishing Editor: John Diesso
CO3 Executive Finishing Producer: Stefan Sonnenfeld ASC
CO3 Head of Production: Margaret Lewis
Filming Dates: October 8, 2018 - December 22, 2018
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 2.00:1 (4-Perf Super 35mm)
Budget: 85.1 Million USD
Color & Finish Provided by: Company 3
Conceptual Development Provided by: Industrial Light & Magic
Attribute: Camera Package Provided by Arri Rental - DirectorCharlie KaufmanStarsJesse PlemonsJessie BuckleyToni ColletteFull of misgivings, a young woman travels with her new boyfriend to his parents' secluded farm. Upon arriving, she comes to question everything she thought she knew about him, and herself.Director: Charlie Kaufman
Composer: Jay Wadley
Cinematographer: Łukasz Żal PSC
Film Editor: Film Editor: Robert Frazen ACE
Production Designer: Molly Hughes
Supervising Art Director: Merissa Lombardo
Costume Designer: Melissa Toth
Producer/2nd Unit Director: Robert Salerno
VFX Supervisor: Alex Lemke
VFX Executive: Petra Mcelvenny
Camera/Steadicam Operator: Dave Isern
A-Camera Operator: Daniel Sharnoff
B-Camera Operator/2nd Unit DP: Chris W. Johnson
2nd Unit DP: Tinx Chan
Senior Colorist: Tom Poole ASC
Finishing Editor: John Diesso
Company 3 Head of Production: Margaret Lewis
Filming Dates: March 13, 2019 - April 29, 2019
Cameras: Alexa LF & Sony CineAlta Venice (4.5K ARRIRAW & 6K AXS-R7)
Lenses: Panavision H-Series Spherical Primes
AR: 1.37:1 (4-Perf Super 35mm)
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorMcGStarsJudah LewisSamara WeavingJenna OrtegaTwo years after Cole survived a satanic blood cult, he's living another nightmare: high school. And the demons from his past? Still making his life hell.Director: Joseph McGinty Nichol (McG)
Composer: Bear McCreary
Cinematographer: Scott Henriksen
Film Editor: Martin Bernfeld
Production Designer: Patrick M. Sullivan Jr.
Costume Designer: Mary Claire Hannan
Stunt Coordinator/2nd Unit Director: Tim Trella
Senior SFX Supervisor: Brendon O'Dell
SFX Supervisor (Add. Photography): Jesse Noel
Senior VFX Supervisor: Aldo Ruggiero
VFX Producer: Erin Hewitt
Fight Coordinator/Robbie Amell Stunt Doube: Ryan Gray
A-Camera/Gimbal Operator: Chris Herr
C-Camera Operator/Underwater Unit DP: David William McDonald
Additional Camera Operator: Reid Murphy
Colorist: Walter Volpatto
Filming Dates: 14 October 2019 - 24 November 2019
AR: 2.39:1 (Super 35mm)
Digital Intermediate Provided by: EFilm Company 3 - DirectorAntonio CamposStarsBill SkarsgårdTom HollandBanks RepetaSinister characters converge around a young man devoted to protecting those he loves in a postwar backwoods town teeming with corruption and brutality.Director: Antonio Campos
Composers: Danny Bensi, Saunder Jurriaans
Cinematographer: Lol Crawley BSC
Film Editor: Sofía Subercaseaux
Production Designer: Craig Lathrop
Costume Designer: Emma Potter
2nd Unit Director: Brady Corbet
Stunt Coordinator: Gary Ray Stearns
A-Camera Operator: Erin Henning
2nd Unit DP: Zack Gallar
DI Colorist: Damien van der Cruyssen
Filming Dates: February 19, 2019 - April 15, 2019
Cameras: Arricam LT & ST (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Cooke S4 Primes
AR: 2.39:1 (3-Perf Super 35mm)
Attribute: Cameras Supplied by Arri Rental - DirectorHarry BradbeerStarsMillie Bobby BrownHenry CavillSam ClaflinWhen Enola Holmes (Sherlock's teen sister) discovers her mother is missing, she endeavours to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy.Director: Harry Bradbeer
Composer: Daniel Pemberton
Cinematographer/A-Camera Operator: Giles Nuttgens BSC
Film Editor: Adam Bosman
Production Designer: Michael Carlin
Supervising Art Directors: Choi Ho Man, Adam Squires
Art Director: Belinda Cusmano
Costume Designer: Consolata Boyle
Senior SFX Supervisor: Mark Holt
Senior VFX Supervisor: Michael Ellis
Additional VFX On-Set Supervisors: Wesley Froud, Adrian Ratley
Senior VFX Coordinator: Seda Yilmaz
VFX Coordinator: Megan Horgan
Senior VFX Producer: Helen Judd
Stunt Coordinator: Jo McLaren
B-Camera/Steadicam Operator: Paul Edwards
2nd Unit DP: Peter Talbot
2nd Unit Camera Operators: John Ferguson, Mark Moriarty
Aeriel Unit DP: Adam Dale
Drone Unit DP: Steve Quan
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 2.35:1 (4-Perf Super 35mm)
Attribute: Camera Equipment by Arri Rental - DirectorJoe MantelloStarsJim ParsonsZachary QuintoMatt BomerAt a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.Director: Joe Mantelo
Cinematographer: Bill Pope ASC
Film Editor: Adriaan van Zyl
Production Designer: Judy Becker
Costume Designer: Lou Eyrich
Senior VFX Supervisors: Zachary Goodson, Jason Piccioni, Kevin Yuille
A-Camera/Steadicam Operator: Andrew Mitchell
B-Camera Operators: Wylda Bayron, Josh Medak
Senior Supervising Colorist: Doug Delaney
Supervising Digital Colorist: Michael Hatzer ASC
Colorist: Santiago Padilla
Lenses: Panavision Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorSteven BrillStarsAdam SandlerKevin JamesJulie BowenDespite his devotion to his hometown of Salem (and its Halloween celebration), Hubie Dubois is a figure of mockery for kids and adults alike. But this year, something is going bump in the night, and it's up to Hubie to save Halloween.Director: Steven Brill
Composer: Rupert Gregson-Williams
Cinematographer: Seamus Tierney
Film Editors: Tom Costain ACE, Brian Robinson, JJ Titone
Costume Designer: Wendy Chuck
1st Ass't Director: Darin Rivetti
Stunt Coordinator/2nd Unit Director: John Stoneham Jr
Main 2nd Unit DP: Brandon Cox
Senior SFX Supervisor: Jesse Noel
SFX Supervisor (Add'l Photography): Mark R. Byers
Senior VFX Supervisors: Brian Drewes, Jiwoong Kim
Senior VFX Producers: Joyce Au, Jeffrey Schaper
Senior VFX Executive Producer: Guy Botham, Rebecca West
Stunt Coordinator (Add'l Photography): Chris O'Hara
A-Camera/Steadicam Operators: Kris Krosskove, Bela Trutz
2nd Unit DP (Add'l Photography)/Main Unit B-Camera Operator: Tom Fitzgerald
Steadicam Operator: Joel San Juan
2nd Unit DP: Bill Trautvetter
Digital Colorist: Travis Flynn
Filming Dates: July 2019 - September 2019
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes
AR: 2.00:1 (Panavision Super 70)
Attribute: Filmed in Panavision - DirectorRadha BlankStarsRadha BlankPeter KimOswin BenjaminRadha is a down-on-her-luck NY playwright, who is desperate for a breakthrough before 40. Reinventing herself as rapper RadhaMUSPrime, she vacillates between the worlds of Hip Hop and theater in order to find her true voice.Director: Radha Blank
Composer: Guy C. Routte
Cinematographer: Eric Branco
Film Editor: Robert Grigsby Wilson
Production Designer: Valeria De Felice
Costume Designer: Sarah Williams
Associate Producer/1st Assistant Director: Michael L. Walker
Senior VFX Supervisor: Alex Noble
Compositor: Dulany Foster IV
Stunt Coordinator: Manny Siverio
Camera Operators: Anne Carson, Autumn Moran
1st Ass't Camera: Tsyen Shen
2nd Ass't Camera: Jonathan Jeng
Gaffer: Tyler Harmon-Townsend
Add'l Film Editor: Daysha Broadway
Colorist: Nat Jencks
Finishing Artist: Jordan PH Stein
Camera: Arricam LT (35mm Kodak Vision3 500T 5219/Eastman Double-X 5222)
Lenses: Zeiss Super Speed Primes
AR: 2.39:1 (4-Perf Super 35mm)
Attribute: Camera Equipment Provided by Technological Cinevideo Services (TCS) - DirectorAaron SorkinStarsEddie RedmayneAlex SharpSacha Baron CohenThe story of 7 people on trial stemming from various charges surrounding the uprising at the 1968 Democratic National Convention in Chicago, Illinois.Director: Aaron Sorkin
Composer: Daniel Pemberton
Cinematographer: Phedon Papamichael ASC GSC
Film Editor: Alan Baumgarten ACE
Production Designer: Shane Valentino
Supervising Art Director: Nick Francone
Chicago Unit Art Director: Ernesto Solo
Costume Designer: Susan Lyall
Producer/Unit Production Manager: Stuart M. Besser
Co-Producer/Unit Production Manager: Charles Miller
Co-Producer/Unit Production Manager: Joseph P. Reidy
SFX Supervisor: James Klotsas
Senior SFX Coordinator: Bruce A. Strong
SFX Coordinator: Drew Jiritano
Brainstorm Digital SFX Coordinator: Nugent Cantileno
Senior VFX Supervisor: Eran Dinur
VFX Coordinator: Michelle Polacinski
Senior VFX Producers: Richard Friedlander, Glenn Allen
Stunt Coordinators: Mark Fichera, Rick LeFevour
A-Camera/Steadicam Operator: Michael Fuchs
B-Camera Operator: Alan Pierce
C-Camera Operators: Charles Libin, Toshiro Yamaguchi
2nd Unit Camera Operator: Emilie Jackson
Add'l Film Editor: Christine Kim
DI Colorist: Skip Kimball
Finishing Producer: Hershel Cohen
Ass't Finishing Producers: Emma Escamilla, Kelsea Williams
Finishing Editor: Tashi Trieu
EFilm Company 3 CEO: Stefan Sonnenfeld ASC
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, C-, T-Series Anamorphic Primes, Canon K-35 Primes & Anamorphic Wide-Angle 2:1 Zoom
AR: 1.85:1 (Some Scenes), 2.39:1 (Anamorphic)
Budget: 35 Million USD
Visual Effects Provided by: Brainstorm Digital
Digital Intermediate Provided by: EFilm Company 3
Attribute: Filmed in Panavision - DirectorMatthew Michael CarnahanStarsWaleed ElgadiSuhail DabbachAdam BessaA police unit from Mosul fight to liberate the Iraqi city from thousands of ISIS militants.Director: Matthew Michael Carnahan
Composer: Henry Jackman
Cinematographer: Mauro Fiore ASC
Casting: Sarah Halley Finn CSA
Film Editor: Alex Rodriguez
Production Designer: Philip Ivey
Costume Designer: Mary McLeod
DI Colorist: Nicolae Ilies
A-Camera Operator: Lukasz Bielan
B-Camera/Steadicam Operator: Cosmo Campbell
C-Camera Operator: Lilia Sellami
Senior VFX Supervisor: Frederik Nord
Senior VFX Supervisor/Producer: Sean Nowlan
Score Producer: Alex Belcher
Stunt Coordinator: Cedric Praust
Camera: Alexa Mini (CFast 2.0)
Lenses: Vantage One Spherical Primes & Fujinon Premier Cabrio Zooms
AR: 1.85:1 (Super 35mm)
Attribute: Camera Equipment Provided by Vantage Film - DirectorRon HowardStarsAmy AdamsGlenn CloseGabriel BassoAn urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.Director & Producer: Ron Howard
Music Supervisor: Joe Rudge
Composer & Score Producer: Hans Zimmer
Composer: David Fleming
Composer (Add'l Music): Ben Powell
Costume Designer: Virginia Johnson
Film Editor: James D. Wilcox ACE
Production Designer: Molly Hughes
Cinematographer: Maryse Alberti
Executive Producer: JD Vance
Producer: Brian Grazer
Writer: Vanessa Taylor
Unit Production Manager: Lyn Pinezych
1st AD & Post Producer: William M. Connor
2nd Assistant Director: Woodrow Travers
Sup Stunt Coordinator: Monique Ganderton
Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA
Sup. Art Director: Gregory A. Weimerskirch
2nd Art Director: Shawn D. Bronson
1st Assistant Art Director: Chris Yoo
Set Designer: Yolande Thame
Graphic Designer: Heath Hancock
Art Department Coordinator: Jep Wyatt
Set Decorator: Merissa Lombardo
Set Decorator (Add'l Photog) & 1st ASD: Laura Wallgren Belle
Set Dec Coordinator: Meredith Carroll
Supervising Prop Master: Kirk Corwin
1st Assistant Prop Master: Gregory Edgar
3rd Props Lead: Nathan S. Alexander
Additional Props Lead: Miles Logan
A Cam/Steady Operator: Chris TJ McGuire
A Camera Op (Add'l Photog) & B Cam Op: Thomas Lappin SOC
Underwater Unit DoP (Splinter & 2nd Units): Ian S. Takahashi SOC
A Camera 1st Assistant: Gregory Erwin
A Cam (Add'l Photog) & B Cam 1st Assist: Sean Hunter Moe
C Camera 1st Assistant: Tom Jordan
A Camera 2nd Assistant: Jamie Pair
B Camera 2nd Assistant: Victoria K. Warren
C Camera 2nd Assistant: Eric James Olsen
Camera Loader: DJ Phillips
Camera Utility Lead: Torey Lenart
DIT: Patrick Cecilian
UPM (Add'l Photog)-1st AD (Splinter Unit): Kirsten Ploucha
2nd 2nd Assistant Director: R. Ben Parker
1st Assistant Editor: Ulysses Guidotti
2nd Assistant Editor: Nolan Jennings
PA (Post Production): Hillary Carrigan
Aerial Unit MOB: Tony Carmean
Aerial Unit Drone A Cam Op: Gabriel De La Parra
Aerial Unit Lead: Anthony Thompson
Drone Unit B Cam Op: Scott Montgomery
Gaffer: William Newell
Rigging Gaffer: Michael Tyson
Key Grip: Bill Merrill
Best Boy Grip: Tim Driscoll
Key Rigging Grip: Thomas Brown
Best Boy Rigging Grip: Clayton Nichols
A Dolly Grip: Jeremy Wisham
B Dolly Grip: Michael Kel Bonsignore
Prosthetic Designer (Amy Adams): David Leroy Anderson
Prosthetic Designer (Glenn Close): Matt Mungle
Plate Unit 1st Assist Director: Jason Inman
Plate Unit 2nd Assist Director: Zack Smith
Prod. Office Coord.: Rachael Lin Gallaghan
Assistant POC: Jenny Kissoon
Sup. Loc. Manager: Matthew B. Chamberlin
Location Coordinator: Annie Davis
Production SPFX Supervisor: Jeremy Hays
Production SPFX Technician: Katie Riggs
Special Effects Shop Foreman: Chris Ward
Special FX Rigging Foreman: Matt Lillis
Splinter Unit Captain: Dave Pittman
Picture Car Coordinator: Justin Barnes
Picture Car Consultant: Cyril O'Neil
Ohio Unit Prod. Supervisor: Karri O'Reilly
Ohio Unit Location Manager: Bill Garvey
Ohio Unit Assistant POC: Pauline Storms
Ohio Unit Rigging Gaffer: Scott Lipez
Connecticut Unit Loc. Man.: Michael Kriaris
Connecticut Unit Key ALM: Ellen Athena Catsikeas
Connecticut Unit Camera Scenic Lead: Christopher Hebel
Connecticut Unit Digital Loader: Ty Swanek
Connecticut Unit 2nd 2nd AD: George Kotsopoulos
Connecticut Unit PA: Joel Jimenez
2nd AD (Add'l Photog): Paul Schmitz
Stunt Coord (Add'l Photog): Loyd Bateman
Art Dept. Coordinator (Add'l Photog): Ron Hammond
Prop Master (Add'l Photog): Gay Perello
1st Ass't Prop Master (Add'l Photog): Julie Witherington
2nd Ass't Props Lead (Add'l Photog): Eliza Walston
3rd Props Assist (Add'l Photog): Lawson Bruen
A Cam 2nd Assist (Add'l Photog): Sterling Wiggins
B Cam & Steady Op (Add'l Photog): Matt Petrosky SOC
B Cam 1st Ass't (Add'l Photog): Trey Twitty
B Cam 2nd Assistant (Add'l Photog): Bees Johnson
DIT (Add'l Photog): Qais Karadsheh
Digital Loader (Add'l Photography): Kat Soulagnet
Cam Utility Lead (Add'l Photog): Spencer Drake
SPFX Supervisor (Add'l Photog): Wes Aylor
Production Visual Effects Supervisor: Richard Baker
Visual Effects Set Supervisor: Jess Chamberlin
Crafty Apes Senior Visual FX Producer: Wes Dorough
Crafty Apes Sr VFX Supervisors: Christian Wood, Sean Thigpen, Mark LeDoux
Crafty Apes Senior VFX Coordinator: Bailey Johnson
Crafty Apes Senior CG Supervisor: Jon Balcome
Crafty Apes VFX Editors: Heather Taylor, Kate Staudhar
Crafty Apes Visual FX Executive Producer: Chris LeDoux
CO3 DI Sr Finishing Colorist: Tim Stipan
CO3 DI Color Finishing Assist: Emily Bailey
CO3 Sr Finishing Producer: Anna Kelman
CO3 Finishing Editor: Chad Schermerhorn
CO3 Head of Production: Margaret Lewis
CO3 Exec Finishing Producer: Stefan Sonnenfeld ASC
CO3 Additional Finishing Producer: Moises Cruz
CO3 Additional Finishing Editor: John Diesso
CO3 Dailies Producer: Charlie Leighton
CO3 Dailies Colorist: Karli Windischmann
Filming Dates: 12 June 2019 - 8 August 2019
Camera: Sony CineAlta Venice (6K AXS-R7)
Lenses: Cooke S4 Primes, Hawk V-Lite Anamorphic Primes & Arri Master Primes
AR: 2.39:1 (Anamorphic & FF S35mm)
Budget: 45 Million USD
Score Mixed at: Remote Control Productions, Santa Monica, CA
Visual Effects Provided by: Crafty Apes
Picture Finishing, Dailies & Avid Editing Systems Provided by: Company 3
Attribute: Camera & Lenses by Otto Nemenz - DirectorChris ColumbusStarsKurt RussellGoldie HawnDarby CampKate Pierce, now a cynical teen, is unexpectedly reunited with Santa Claus when a mysterious troublemaker threatens to cancel Christmas--forever.Director: Chris Columbus
Composer: Christophe Beck
Cinematographer: Don Burgess ASC
Film Editor: Dan Zimmerman ACE
Production Designer: Jon Hutman
Supervising Art Director: Grant Van Der Slagt
Costume Designer: Pierre-Yves Gayraud
Senior SFX Supervisor: Cameron Waldbauer
On-Set SFX Supervisor: Brad Zehr
2nd Unit VFX Supervisor: Darren Poe
Weta Senior VFX Supervisors: Martin Hill, Phillip Leonhardt
Weta VFX Supervisors: Robin Hollander, Thrain Shadbolt
Weta Animation Supervisor: Nick Stein
Senior VFX Producer: Mark G. Soper
Weta VFX Producer: Alex Mandel
Stunt Coordinator: Eli Zagoudakis
Add'l Stunt Coordinator: Curtis Braconnier
Camera Operator: Stephen S. Campanelli SOC
B-Camera Operator: Matthew Tichenor
Add'l Camera Operator: Trevor Holbrook
2nd Unit DP: Joel Ransom
2nd Unit A-Camera/Steadicam Operator: Sasha Proctor
DI Colorist: Corinne Bogdanowicz
Filming Dates: 21 October 2019 - 1 February 2020
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes
AR: 1.85:1 (Panavision Super 70)
Visual Effects Provided by: Weta Digital + Lola VFX
Attribute: Filmed in Panavision - DirectorDavid FincherStarsGary OldmanAmanda SeyfriedLily Collins1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane (1941).Director: David Fincher
Composers: Trent Reznor, Atticus Ross
Cinematographer: Eric Messerschmidt ASC
Film Editor: Kirk Baxter ACE
Casting: Laray Mayfield CSA
Production Designer: Donald Graham Burt
Costume Designer: Trish Summerville
Senior VFX Supervisor: Pablo Helman
ILM Senior VFX Supervisor: John Knoll
ILM Associate VFX Supervisor: Leandro Estebecorena
A-Camera Operator: Brian S. Osmond
B-Camera Operator: Will Dearborn
DI Colorist: Eric Weidt
Filming Dates: November 1, 2019 - February 4, 2020
Camera: Red Ranger Helium Monochrome (8K Redcode RAW)[5-Perf 70mm]
Lenses: Leica Summilux-C Primes
AR: 2.20:1 (Super 35mm)
Budget: 25 Million USD
Visual Effects Provided by: Industrial Light & Magic
Attribute: Photographed in Dynamic Range - DirectorRyan MurphyStarsMeryl StreepJames CordenNicole KidmanA troupe of hilariously self-obsessed theater stars swarm into a small conservative Indiana town in support of a high-school girl who wants to take her girlfriend to the prom.Director: Ryan Murphy
Composers: Matthew Sklar, David Klotz
Cinematographer: Matthew Libatique ASC
Film Editors: Peggy Tachdjian, Danielle Wang
Production Designer: Jamie Walker McCall
Supervising Art Director: Tom Frohling
Costume Designer: Lou Eyrich
Senior SFX Coordinator: Ante Dugandzic
Senior VFX Supervisor: Zachary Goodson
CoSA VFX Supervisor:Tom Mahoney
Senior VFX Producer: Matthew Wheelon Hunt
Stunt Coordinator: Mary Albee
B-Camera/Steadicam Operator: Andrew Mitchell
C-Camera/Gimbal Operator: Chris Herr
Additional DP: James N. Clark
Supervising Finishing Artist: Steven J. Scott ASC
Add'l Finishing Artists: Charles Bunnag, Adam Nazarenko
Company 3 Executive Producer: Stefan Sonnenfeld ASC
Finishing Editor: Paul Carlin
Filming Dates: December 11, 2019 - August 2020
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: CamTec Falcon Full Frame Primes, Leitz Full Frame Primes, Tribe7 Blackwing7 Primes & Angenieux EZ Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Color & Picture Finish Provided by: Company 3
Attribute: Camera Equipment Provided by CamTec - DirectorGeorge C. WolfeStarsViola DavisChadwick BosemanGlynn TurmanTensions rise when trailblazing blues singer Ma Rainey and her band gather at a recording studio in Chicago in 1927.Director: George C. Wolfe
Composer: Branford Marsalis
Cinematographer: Tobias A. Schliessler ASC
Film Editor: Andrew Mondshein ACE
Production Designer: Mark Ricker
Costume Designer: Ann Roth
Executive in Charge of Production: Noelle Green
Producer/Unit Production Manager/2nd Unit Director/VFX Unit Director: Dany Wolf
Senior SFX Coordinator: Jason Trosky
Senior VFX Supervisor: Alex Knudsen
Zero VFX Co-Supervisor: Dan Cayer
VFX Art Director: Matthew Friedlander
Lead Senior VFX Artist: Eroc Moralls
CG Supervisor: Robby Geis
Senior VFX Producer: Julie M. McDonald
VFX Executive Producer: Brian Drewes
Technicolor VFX Producer: Lisa Goldberg
Stunt Coordinators: Chuck Jeffreys, Kenny Wong
Chadwick Boseman Stunt Double: Jay Hawkins
Colman Domingo Stunt Double: Jamal Warren
Camera Operator: Brian S. Osmond
A-Camera Operator: Kirk Gardner
C-Camera Operator: Tobin Oldach
Camera Operator/2nd Unit DP: Dino Parks
Senior Finishing Colorist: Stefan Sonnenfeld
Add'l Finishing Colorist: Andrew Geary
Finishing Editors: Chad Schermerhorn, John Diesso
DI Producer: Dean Mozian
Add'l DI Producer: Moises Cruz
Head of Production (Company 3): Margaret Lewis
Filming Dates: 8 July 2019 - 16 August 2019
Camera: Sony CineAlta Venice (6K AXS-R7)
Lenses: Zeiss Supreme Primes
AR: 2.00:1 (Super 35mm)
Budget: 20-22.5 Million USD
Color & Picture Finish Provided by: Company 3
Attribute: Camera Equipment Provided by Keslow Camera - DirectorGeorge ClooneyStarsGeorge ClooneyFelicity JonesDavid OyelowoThis post-apocalyptic tale follows Augustine, a lonely scientist in the Arctic, as he races to stop Sully and her fellow astronauts from returning home to a mysterious global catastrophe.Director: George Clooney
Composer/Orchestrator: Alexandre Desplat
Cinematographer: Martin Ruhe ASC
Film Editor: Stephen Mirrione ACE
Production Designer: Jim Bissell
Costume Designer: Jenny Eagan
Senior VFX Supervisor: Matt Kasmir
VFX Supervisors: Christopher Lawrence, Shawn Hillier, Graham Page
Supervising Art Director: Helen Jarvis
Senior Art Director: Nic Pallace
Graphics Art Director: Felicity Hickson
VFX Art Directors: Gregory Fangeaux, Jonathan Opgenhaffen
Standby Art Director: Pierre Farinole
B-Camera/Steadicam Operator: Karsten Jacobsen
Senior SFX Supervisor: David Watkins
2nd Unit/Add. Location Unit/Iceland Unit SFX Supervisor: Eggert Ketilsson
2nd Unit/Add. Location Unit/Iceland Unit C-Camera Operator: Arni Filippusson
ILM VFX Supervisor: Mark Bakowski
ILM StageCraft Supervisor: Matt Rank
ILM StageCraft CG Supervisor: Steve Ellis
ILM VFX Executive Producer: Jill Brooks
Virtual Camera Supervisor: Hugh McDonald
Virtual Camera Operator: Eduardo Schmidek
Senior Finishing Colorist: Stefan Sonnenfeld ASC
Company 3 Finishing Executive: Jackie Lee
Additional VFX Supervisor: Kyle McCulloch
Filming Dates: October 21, 2019 - February 7, 2020
Cameras: Alexa 65 & Mini LF (4.5K/6.5K ARRIRAW)
Lenses: Arri Prime DNA & DNA LF Primes
AR: 2.11:1 (Arri 765)(Super 35mm: Some Scenes)
Budget: 100 Million USD
Visual Effects & StageCraft Technology Provided by: Industrial Light & Magic
Digital Intermediate Provided by: Company 3
Score Recorded at: Abbey Road Studios London
Attribute: Camera Equipment Supplied by Arri Rental - DirectorRobert RodriguezStarsYaYa GosselinPedro PascalPriyanka Chopra JonasWhen alien invaders capture the Earth's superheroes, their kids must learn to work together to save their parents and the planet.Director/Writer/Producer/Cinematographer/Film Editor: Robert Rodriguez ASC
Producer: Racer Max Rodriguez
Executive Producer/Key Unit Unit Production Manager: Benjamin "Ben" Ormand
Prod Designers: Steve Joyner, Caylah Eddleblute
Costume Designer: Nina Proctor
Casting: Mary Vernieu CSA, Michelle Wade Byrd CSA
Composer: Rebel Rodriguez
Unit Production Manager: Korey Budd
First Assistant Director: Brian Bettwy
Second Assistant Director: David Vincent Rimer
Prod. Visual Effects Supervisor: Charlie Iturriaga
Prod. Visual Effects Producers: S. Scott Farrar, Amber Kirsch
Associate Producer: Tom Proper
Local Casting Director: Beth Sepko-Lindsey, CSA
Production Supervisor: Loren Brock
Production Controller: Dawn Robinette
Key First Assistant Editor / Troublemaker Studios Dailies Advisor: Jay Mahavier
Supervising Stunt Coordinator: JJ Dashnaw
Stunt Rigging Coordinator: Rockey Dickey
Stunt Fight Choreographer: Ryan Ryusaki
Special Alien 3D Ship Designer: Rogue Rodriguez
Ojo's Tablet Drawings: Rhiannon Rodriguez
Community Outreach Supervisor: Marci Madison
Art Department Art Director: Paul Alix
Set Designers: Jeff B. Adams Jr, Megan Gibson
Art Department Concept Artist: Daniel Hyun Kim
Art Dept. Graphic Designer: Shaina Hedlund
Art Department Illustrator: Alex Cunningham
Art Department Jr. Illustrator: David Colman
Art Department Coordinator: Mike McCutchen
Assistant Production Office Coordinator: Alicia Rutledge
Travel/Housing Coordinator: Emily Ash
Production Secretaries: Melissa Dalley, Dan Stuart Leyendecker, Jr.
Office Production Assistant: Cameron Mosebrook
Assistant to Mr. Ormand: Lauren Hatfield
Post Coordinator/Apprentice Editor: Cody Sallee
First Assistant Accountant: Pearl E. Fearon
Key Second Assist Accountant: Jenifer Svehlak
Second Assistant Accountant: Jacob Warren
Payroll Accountant: Lara Deleo
Payroll Assistant: Ana Worrel
Accounting Clerk: Colin Rothamel
Post Production Accountant: Jerry Lee
Post Assistant Accountant: Michael N. Turner
Post Accounting Clerk: Alexis Nguyen
Script Supervisor: Monika Petrillo
Still Photographer: Ryan Green
Behind the Scenes Camera/EPK: Tom Taylor
Overall Location Manager: John Patrick Crowley
Assistant Location Manager: Paul Knaus LMGI
Production Location Secretary: Laura Williams
Location Assistants: Michael Harker, Steven Hedrick Jr, Kenneth Hoot
Second Second Assistant Director: Travis Michael Carr
Additional Second Assistant Director: Derek Franzese
Key Set Production Assistant: Ashley Harkrider
Set Production Assistants: James E. Boisvenue III, Katie Cheline, Molly Devine, Thomas Euyang, Ethan Santo, Sarah Schneider
Production Assistants: Zed Hamblin Di Menno, Crystal Falkner Paysse, James Jacob Gay, Elyse Veeneman, Adam Goetz, Jacob Singleton, Nic Hester
Environmental Production Assist: John Jackson
Minors Coordinator: Catherine Gittings
Cast Assistant: Sofia Martinez
Studio Teachers: Patrick Jackson, John Chisholm
Set Teacher: Donna McEldowney
Animals Provider: Bobbi Colorado
Animal Coordinator: Trevor George-Fowler
Animal Trainers: Bobbi Colorado, Jessy Gabriel, Kyle Drzewiecki
Key Set Medic: John Arszyla
Construction Medic: Randy Bilski
Additional Medics: Alex Brast, John Rodgers
Production Safety Consultant: Corrie Thompson
Visual Effects Production Supervisor: Carlos D. Bravo
Visual Effects On-Set Supervisor: Janet Jensen
Visual Effects Digital Coordinator: Joy Fu
Visual Effects Coordinators: Erin Makela, Erika Gourvitz, Katherine Soares
Visual Effects Production Assistants: Lauren Hatfield, Obi Ariguzo, Jessica McNeme
Additional VFX Compositors: Jeff Kalmus, Matt Mullarkey
Software & Technology Lead, Visual Effects: Arturo Morales Rangel
Additional Film Editor: Raven Rodriguez
Production Visual Effects Editor: Clint Beckwith
'A' Camera / Gimbal Operator: P.K. Munson SOC
'B' Camera Operator: Kristopher Hardy
Camera DIT: Adrian Hattingh
'A' Camera First Assistant: Chris W. Smith
'B' Camera First Assistant: Robert Rendon
'A' Camera Second Assistant: Jack Lewandowski
'B' Second Assistants: Erin Mainwaring, Amanda Parker, Wes Turner
'A' Camera Additional Operator: Robert Foster
'B' Camera Additional Operator: Mark Miks
Alexa LF Digital Loader: Nicole Turegano
Alexa LF Digital Utility Assistant: Leslie Kolter
Additional Digital Loaders: Todd Barnett, Kyle Novak
Alpha Head Tech: Joe Datri
Video Assist Operator: Joe Thornton
Video Assist Assistants: Evan Cudd, Mark Roethke, Sean Salcido
Co-Set Decorators: Bart Brown, Jennifer Long
Set Dec & Props Leadman: Ken Gaston-Kilgore
On-Set Dresser: John Parker
Set Dressers: David Ackerman, Bryan Blanton, Chris Clayton, Kevin Kilgore Jr, Sarah Spencer
Supervising Property Master: Jason Hammond
Assistant Property Master: Kevin Blosser
Property Buyer: Meghan Shay
Prop Assistants: Jessica Ryan Buck, Christopher Mekhail, A. D. Siller
Lead Prop Fabricator: Sarah Elizabeth King
3D Model Fabricator: Adam Fontenault
Fabricators: Susan Benson, Doug Field, Deano Jones, Clare Surgeson, Jason Vines, Eric Zapata
Make-Up Department Head: Jenny Lin
Key Make-Up Artist: Hannah Handshy
Make-Up Artists: Patti Burris, Janet Tallent Dickson, Jessica Isam, Beth Lloyd, Sheila Moore, Leola L. Perez, Sylvia Ramos
Hair Department Head: Rox Hodenfield
Key Hair Stylist: Chelsey M. Fiske
Hair Stylists: Charli Brath, Nancy Rankin Escovedo, Mischa Fruge, Kathy Miller, Charmaine Richards, Joe Rivera, Alissa Shores, Corey Thomas
Costume Supervisor: Kathleen Kiatta
Costume Buyer: Lorna Nash
Key Costumers: Lauren Burns, Raven Zimmer
Set Costumers: Shell Bauman, Melanie Ferguson, Caitlin N. Graham
Additional Costumers: DJ Castillo, Celina Ferencz, Laura Alcala Hodges, Brittany Jones-Pugh
Speciality Costumer: Tod Waters
Shop Supervisor: Marcia Evers
Cutter Drapers: Elizabeth Chlystek, Andie Day, Vanessa J. Lopez
Additional Cutter Drapers: Sarah James, Roxanne Rohmann
Stitchers: Mia Barrera, Jillian Bundrick, Addysen Carnahan, Aaron Flynn, Molly King Gonzales, Valerie Howard, Marika Klein, Jessi Rose
Additional Stitchers: Chrissy Paszalek, Arlene Waghalter
Key Grip: Joseph Vasquez
Best Boy Grip: Josh Skrobarczyk
'A' Camera Dolly Grip: Patrick Fortune
'B' Camera Dolly Grip: Steve Urban
Company Grips: Michael Gillespie, Brandon Jones, Joe Kentspeth, Mattheau Letson
Key Rigging Grip: Pete Stockton
Best Boy Rigging Grip: Chris Simpson
Gaffer: Todd Smiley
Best Boy Electric: Tom Shinn
Rigging Gaffer: Raul "Bull" Mello
Best Boy Rigging Electric: Taylor Cremeens
Dimmer Operators: Kevin Czenkusch, Matthew Fliehler
Production Sound Mixer: Ethan Andrus CAS
Additional Production Sound Mixer: Ben Lowry CAS
Boom Operator: Tom "Sturge" Sturgis
Additional Boom Operator: Thadd Day
Sound Utility Technician: Michael Swanner
Supervising Sound Editor: Tim Rakoczy
Sound Re-Recording Mixer: Brad Engleking
Sound Mix Stage Manager: Sergio Reyes
Sound Effects Editors: Paula Fairfield MPSE, Angelo Palazzo, Clark Crawford
Production Dialogue/ADR Editor: David V. Butler
Production Sound ADR Editor: Korey Pereira
Foley Artists: Catherine Harper MPSE, Katie Rose
Foley Mixers: Randy Singer CAS, John Sanacore
Production Sound ADR Mixer: Michael Fowler
Production Sound ADR Technician: Darren Miller
Prod. Special Effects Coordinator: Bob Trevino
Prod. Special Effects Foremen: Mike Arndt, Ezra Bellows
Special Effects Technicians: Joe Carpenter, Kevin Corn, Mark Gullesserian, Nickolos Howard, Brian Montgomery
Special Effects Office Coordinator: Desirae Wallace
Casting Associate: Stacey Rice
Casting Assistant: Grace McCarthy
Background Casting Assistants: Elly Lindsey, Kolby Jacobs, Olivia Frierson
Transportation Coordinator: CP "Phil" Schriber
Transportation Captain: Janice Little
DOT/Dispatcher: Lee Bedecs
ILM Visual Effects Supervisor: David Seager
ILM Visual Effects Producer: Yimi Tong
ILM Associate Supervisor: Aleksei Chernogorod
ILM Associate Producers: Alé Melendez, Kane Stewart
ILM CG Supervisors: Kevin Barnhill, Daniel Letarte
ILM Lighting Supervisor: Bora Dayioglu
ILM Sequence Supervisor: Siksit Boonyodom
ILM Layout Supervisors: Tim Dobbert, Lau Choon Ming
ILM Lead Paint/Roto Supervisor: Jean Le Koh
ILM Animation Supervisors: Alexander K. Lee, Eric Leong
ILM Digital Supervisor: Stanislaw Marek
ILM Compositing Supervisor: Peter Moran
ILM Digital Matte Supervisor: Dan Wheaton
ILM Concept Artists: Pablo Dominguez Aguilar, Jason Horley, Fred Palacio, Stephen Zavala
ILM Executive Producers: Laurence Berkani, Jill Brooks
ILM Executive in Charge, Finance: Khuyen Dang
ILM Execs in Charge of Prod: Luke Hetherington, Spencer Kent
ILM Creative Director/Additional VFX Supervisor: Nigel Sumner
Weta Visual Effects Supervisor: Dan Macarin
Weta VFX Producer: Ben Pickering
Weta Associate VFX Producer: Sophie Cherry
Weta Animation Supervisor: Stephen Clee
Weta Sequence VFX Supervisor: Mark Gee
Weta Executive VFX Producer: David Conley
Weta Head of Production: Steven McKendry
Weta Production Manager: Jeremy Hollis
Weta CG Supervisors: Gagan Mehta, Ronnie Menahem
Weta Compositing Supervisors: Carlo Scaduto, Steve McGillen
Weta FX Supervisor: Jens Maartensson
Weta Senior HODs & Senior PMs: Phil Barrenger, Graeme Demmocks, Luca Fascione, Richard Frances-Moore, Rafael Garrido, Samantha Haines, Daniel Hodson, Amy Jameson, Alex Mandel, Matt Mueller, Samantha Nield, Marco Revelant, Jedrzej Wojtowicz
Weta Digital Leads: Michele Benigna, Scott Brisbane, Ludovic Chailloleau, Tim Cheng, Ken Lam, Jonathan Dysart, Nicholas Gaul, Lorenzo Lavatelli, Matt Holland, Bradley John, Caterina Schiffers, Chris Russell, Philip Meyer, Hirofumi Takeda, James Ogle, Ryan Rogers, John Sore, Chris Templeman, Sebastian Trujillo, Jane Lisa Wild
Weta Look-Dev Leads: Jane Apthorp, John Lai, Anthony M. Patti, Florian Werzinski
Refuge Visual Effects Supervisor: Fred Ruff
Refuge Digital Effects Supervisor: Tarn Fox
Refuge Compositing Supervisor: Kyle Rottman
Refuge Visual Effects Producer: Kavita Jhaveri
Refuge Executive Producer: Alex Thiesen
Refuge Character Animation: Jeffrey Bost, Jesse Jones
Refuge Matchmove Artist: Ben Posey
Refuge CG Supervisor: Duncan Beck
Refuge CG TDs: Kaden Cook, Stef Kofman
Refuge CG Leads: Josh Cox, Karim Moussa, Eddie Su
Mr. Wolf VFX Supervisor: John Pierce
Mr. Wolf VFX Producer: Stacey Badour
Mr. Wolf VFX Prod Coord: Adrian Covarrubias
Mr. Wolf VFX Production Assistant: Michelle Chua
Mr. Wolf VFX Composite Supervisor: Duy Nguyen
Mr. Wolf VFX Compositors: Jeff Aquino, Shane Kao, Kazumasa Shibata, Alexey Alekhin
Mr. Wolf VFX Exec. Producer: Chad Cortvriend
VDT Visual Effects Producer: Dane Allan Smith
VDT Producer & Supervisor: Roopesh Gujar
VDT 2D Supervisor: Sameer Bhoyar
VDT Coordinators: Mamta Sakhwar, Mayank Mehra
Rodeo FX Senior Visual Effects Supervisor: Ara Khanikian
Rodeo Visual Effects Producer: Annie Normandin
Rodeo FX Executive Producer: Isabelle Langlois
Rodeo FX Digital Supervision: Louis Pare, Marie-Pier Couture-Alain, Jeremie Maheu, Jean-Sebastien Guillemette, Sylvain Nouveau
Captured Dimensions Visual Effects Scanning Supervisor: Jordan Williams
Captured Dimensions Lead Scanning Technician: Graeme Williams
Captured Dimensions Technical Lead: Cameron Kamenicky
Music Score Orchestrator: George Oldziey
Music Score Conductor: Johannes Vogel
Score Recordist & Mixer: Laurence Anslow
Score Recordist: Martin Weismayr
Digital Score Recordist: Tristan Linton
Monitor Engineer: Roland Tscherne
Music Score Concertmaster: Marian Svetlik
Score Mixer: Nick Wollage
Music Supervisor: Maggie Phillips
Music Coordinators: Christine Greene Roe, Andrew Brady
Additional Orchestrators: Jon Kull, Kevin Kaska, Jim Honeyman
Troublemaker CFO & Legal Counsel: Kevin Dartt
Troublemaker Studio Manager: Nixon Guerrero
Troublemaker Assist Studio Manager: Molly Scott
Troublemaker Publicist for Mr. Rodriguez: Cecilia Conti
Troublemaker Graphic/Main Titles Designer: Kurt Volk
Troublemaker Information Technologies Head: Nick Lomonte
EFILM DI Sr Mastering Colorist: Natasha Leonnet
EFILM Mastering Colorists: George Chavez, Tricia Chiarenza
EFILM Digital Intermediate Producer: Loan Phan
EFILM DI Sr. Mastering Editor: Patrick Clancey
EFILM DI Color Assists: Lily Henry, Ray Ruotolo
EFILM Digital Intermediate Master Coordinator: Emma Escamilla
EFILM Feature Mastering Producer: Hunt Clancey
Voice Casting Director: Dina Morrone
Additional Titles Designers: Brian Behm, Damion Lewis
Music Score Consultant: John Debney
Special Thanks: Becca Rodriguez, Cecil Rodriguez
Filming Dates: August 2019 - Early-2020
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Panavision Primo 70 Primes
AR: 1.85:1 (Panavision Super 70)
Budget: 20 Million USD
Animals Provided by: Bobbi Colorado & The Wild Bunch
Production, Post Production Facilities & Dailies Provided by: Troublemaker Studios & Austin Studios
Mixed at the: Genfan Theater at Troublemaker Studios
3D Scanning, Lidar Scanning, Conceptual Development, Visual Effects/VFX Services & Animation Created By: Industrial Light & Magic, Weta Digital, Ollin VFX, Refuge, Mr. Wolf VFX, Verve Digital Technologies, Rodeo FX, Captured Dimensions + Lidar Guys
Score Recorded at: Synchron Stage, Vienna
Score Mixed at: Air Studios, London
Digital Intermediate by: EFILM Company 3
Drone Supplied by: Aerial MOB LLC
Grip Equipment Supplied by: Rhino Grip
Lighting Equipment Supplied by: Cinelease
Attribute: Filmed w/ Panavision® Cameras & Lenses - DirectorKornél MundruczóStarsVanessa KirbyShia LaBeoufEllen BurstynWhen a young mother's home birth ends in unfathomable tragedy, she begins a year-long odyssey of mourning that fractures relationships with loved ones in this deeply personal story of a woman learning to live alongside her loss.Directed by: Kornél Mundruczó
Composer: Howard Shore
Cinematographer: Benjamin Loeb FNF
Film Editor: Dávid Jancsó
Production Designer: Sylvain Lemaitre
Norway Unit Art Director: Mette Haukeland
Costume Designers: Rachel Dainer-Best, Véronique Marchessault
Senior VFX Supervisor: Vajda István
Alchemy 24 Executive VFX Supervisor: Jean-François Ferland
Senior Digital Compositors: Vajda Bálint, Zoltán Bojtos, Haux Nikolett
Digital Compositor: Bognár Martin
Senior VFX Producer: Vajda-Gránicz Anikó
Camera Operators: Austin Grass, Benoit Jones-Vallée
Colorist: Julien Alary
HDR Colorist: Jimmy Hsu
Filming Dates: 3 December 2019 - 31 January 2020
Camera: Alexa Mini (2.8K ARRIRAW/ProRes 4444 XQ)
Lenses: Panavision Primp Spherical Primes, Primo Compact Zoom & Primo Macro Zoom
AR: 1.85:1 (Super 35mm)
Visual Effects Provided by: Lampion Pictures
On-Set VFX Supervision Provided by: Alchemy 24
Attribute: Filmed in Panavision - DirectorMikael HåfströmStarsAnthony MackieDamson IdrisEnzo CilentiIn the near future, a drone pilot sent into a war zone finds himself paired with a top-secret android officer on a mission to stop a nuclear attack.Director: Mikael Håfström
Composer: Lorne Balfe
Cinematographer: Michael Bonvillain ASC
Film Editor: Rickard Krantz
Production Designer: Kevin Phipps
Supervising Art Director: Peter Findley
Senior Art Directors: János Szárnyas, Géza Kerti
Costume Designer: Caroline Harris
2nd Unit Director: David Mackie
Stunt Coordinator/Action Unit Supervisor/2nd Unit Director: Dian Hristov
Senior SFX Supervisor: Gábor Kiszelly
SFX Floor Supervisor: Norbert Orosz
Senior VFX Supervisor: Sebastian Barker
Automatik VFX Supervisor: Dominic Carus
Automatik On-Set VFX Supervisor: Steven Gomez
Atomic Arts VFX Supervisors: Justin Cornish, Barney Curnow, Brooke Lyndon-Stanford
Senior VFX Producer: Joe Carhart
Atomic Arts VFX Producer: Chandra Mouley Atray
Atomic Arts VFX Executive Producer: Clwyd Edwards
Fight Choreographer/Ass't Stunt Coordinator: Georgi Manchev
Hungary Unit Stunt Coordinator: Béla Unger
Camera Operator: Balazs Marton
A-Camera Operator: Marci Ragalyi
B-Camera Operator: Gusztav Kirsch
2nd Unit DP: Marton Miklauzic
Drone Unit Camera Operator: Tamas Hevizi
DI Colorist: Adam Inglis
Filming Dates: August 2019 - October 2019
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision G- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorRamin BahraniStarsAdarsh GouravRajkummar RaoPriyanka Chopra JonasAn ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.Director/Film Editor: Ramin Bahrani
Composers: Danny Bensi, Saunder Jurriaans
Cinematographer: Paolo Carnera AIC
Film Editor: Tim Streeto
Production Designer: Chad Keith
Costume Designer: Smriti Chauhan
Executive in Charge of Production: Noelle Green
Senior VFX Supervisor: Kunal Ahuja
Senior VFX Producers: Ketan Karekar, Sonia Marques
Action Director: Sunil Rodrigues
A-Camera/Steadicam Operator: Andrea Grossi
DI Colorist: Tim Stipan
DI Producer: Anna Kelman
Company 3 Executive Producer: Stefan Sonnenfeld ASC
Finishing Editor: Gina Kalim
Head of Production (Company 3): Margaret Lewis
Filming Dates: October 2019 - 15 December 2019
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Zeiss Supreme Primes & Angenieux Optimo Zooms
AR: 2.00:1 (4-Perf Super 35mm)
Color & Picture Finish Provided by: Company 3
Attribute: Filmed in Arri - DirectorGlendyn IvinStarsNaomi WattsGriffin Murray-JohnstonAndrew LincolnA family takes in an injured Magpie that makes a profound difference in their lives.Director: Glendyn Ivin
Composer: Marcelo Zarvos
Cinematographer: Sam Chiplin
Film Editor: Maria Papoutsis
Production Designer: Annie Beauchamp
Costume Designer: Joanna Mae Park
Post-Production Supervisor: Lisa Jacobi
Director's Assistant/2nd Unit Director: Bonnie Moir
Senior VFX Supervisor: Jason Hawkins
Alt Senior VFX Supervisor: Bryn Morrow
Alt VFX Producer: Flavia Dias Riley
Stunt Coordinator: George Saliba
VFX Editor/1st Assistant Editor/Add'l Film Editor: Andrew Chaplin
DI Colorist: Trish Cahill
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Panavision Ultra Panatar Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorJude WengStarsKea PeahuAlex AionoLindsay WatsonA summer in rural O‘ahu takes an exciting turn for two Brooklyn-raised siblings when a journal pointing to long-lost treasure sets them on an epic adventure with new friends, and leads them to reconnect with their Hawaiian heritage.Director: Jude Weng
Composer: Joseph Trapanese
Cinematographer: Cort Fey ASC
Film Editro: Priscilla Nedd-Friendly ACE
Production Designer: Nigel Phelps
Supervising Art Director: María Fernanda Muñoz
Set Decorator: Karen Frick
Costume Designer: Lisa Lovaas
NY Unit Unit Production Manger: Teddy Au
1st Assistant Director: Susie Flower
Senior SFX Supervisor: Eric Frazier
NY Unit SFX Supervisor: Devin Maggio
Senior VFX Supervisor: Jay Cooper
Senior VFX Coordinator: Katie Hoyt
VFX Coordinator: Samira Khan
ILM Senior Compositor: Tigran Badalyan
ILM Senior Effects Artist: Alexis Hall
ILM Layout Supervisor: John M. Levin
NetFX VFX Supervisor: Filip Sustek
NetFX VFX Coordinator: Brittany Thogersen
Senior VFX Producer: Katherine Farrar Bluff
NetFX VFX Producer: Rebecca Scott
ILM Technical Manager of Global Direction: David Zbriger
Executive in Charge of Visual Effects: Paddy Kelly
Stunt Coordinator: Kyle Woods
Thailand Unit Stunt Coordinator: Supoj Khaowwong
Fight Coordinator: David Wald
A-Camera/Steadicam Operator: Colin Hudson
Chief Lighting Technician: Jonathon Bradley
Splinter Unit/2nd Unit DP: John Gamble ACO
Aerial Unit DPs: Dylan Goss, Don King
Aeriel Drone Unit Camera Operator/Director of Photography: Kevin Sawicki
1st Ass't Camera: Harry Gamble
Final Colorist: Mike Sowa ASC
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes & T-Series Anamorphic Primes
AR: 1.78:1 (Panavision Super 70), 2.39:1 (Anamorphic: Some Scenes)
Visual Effects & Animation Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorSimon StoneStarsCarey MulliganRalph FiennesLily JamesAn archaeologist embarks on the historically important excavation of Sutton Hoo in 1938.Director: Simon Stone
Composer: Stefan Gregory
Cinematographer: Mike Eley
Film Editor: Jon Harris
Production Designer: Maria Djurkovic
Supervising Art Director: Karen Wakefield
Costume Designer: Alice Babidge
Senior SFX Coordinator/Technician: Tom Paine
SFX Floor Supervisor: Massimo Vico
On-Set VFX Supervisor: Taskin Kenan
VFX Coordinator: Katie Hoyt
Union Senior VFX Supervisor: James D. Etherington
Senior VFX Producer: Zafar Janjua
Digital Colorist: Adam Glasman
Executive in Charge of Visual Effects: Paddy Kelly
Stunt Coordinator: Andy Bennett
B-Camera Operator: Agnieszka Szeliga
B-Camera/Steadicam Operator/2nd Unit DP: Dion M. Casey
Aerial Unit DP: Jeremy Braben
B-Camera Operator (Dailies): Svetlana Miko
Add'l Digital Colorist: Finlay Reid
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Arri DNA LF Primes
AR: 2.00:1 (4-Perf Super 35mm)
Attribute: Camera & Grip Equipment Provided by Arri Rental - DirectorSam LevinsonStarsJohn David WashingtonZendayaA director and his girlfriend's relationship is tested after they return home from his movie premiere and face each other's turmoil during one long night.Director: Sam Levinson
Composers: Labrinth
Cinematographer: Marcell Rev HSC
Film Editor: Julio C. Peres IV ACE
Production Designer: Michael Grasley
Costume Designers: Samantha McMillen, Law Roach
Post-Production Supervisor: Michael Carroll
Prop Master: Alexis Wade
Senior VFX Supervisor/Producer: Shane Strickman
Chief Lighting Technician: Danny Durr
2nd Assistant Camera: Jonathan Clark
Add'l Costume Designer: Melissa Walker
1st Ass't Editor/Add'l Film Editor: Nikola Boyanov
Senior Supervising Finishing Colorist: Tom Poole ASC
Company 3 CEO: Stefan Sonnenfeld ASC
Music Supervisor: Jen Malone
Filming Dates: 17 June 2020 - 2 July 2020
Camera: Arricam LT (35mm Eastman Double-X 5222)
Lenses: Zeiss Super Speed Primes
AR: 1.85:1 (3-Perf Super 35mm)
Budget: 2.5 Million USD
Color & Picture Finish Provided by: Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorMichael FimognariStarsLana CondorNoah CentineoJanel ParrishLara Jean's senior year of high school takes center stage when she returns from a family trip to Korea and considers her college plans--with and without Peter.Direcotr/Cinematographer: Michael Fimognari
Composer: Joe Wong
Film Editors: Joe Klotz ACE, Michelle Harrison, Tamara Meem
Production Designer: Chris August
Costume Designer: Lorraine Carson
1st Assistant Director: Nicholas Harvard
Senior SFX Coordinator: Darren Marcoux
Senior VFX Supervisor: Reina Sparks
VFX Executive: Petra Mcelvenny
Stunt Coordinator: Jodi Stecyk
NY Unit Stunt Coordinators: Giuseppe Ardizzone, Ben Rezendes
A-Camera/Steadicam Operator: Ryan Purcell
B-Camera Operator: Stirling Bancroft
NY Unit A-Camera/Steadicam Operator: Pyare Fortunato
SK Unit A-Camera Operator: Brian S. Osmond
SK Unit B-Camera Operator: Dino Parks
B-Camera Operator (Add'l Photography): Ryan Skeete
Senior Finishing Colorist: Jill Bogdanowicz ASC
Finishing Producer: Christina de Guzman
Company 3 President: Stefan Sonnenfeld ASC
Filming Dates: 15 July 2019 - 20 August 2019 (Shot back-to-back with Part II)
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Color & Picture Finish Provided by: Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorJ BlakesonStarsRosamund PikePeter DinklageEiza GonzálezA crooked legal guardian who drains the savings of her elderly wards meets her match when a woman she tries to swindle turns out to be more than she first appears.
- DirectorDani de la OrdenStarsÁlvaro CervantesSusana AbaituaLuis ZaheraAfter a magical night together, Adri voluntarily turns himself into the psychiatric institution where Carla lives.Director: Dani de la Orden
Composer: Julio de la Rosa
Cinematographer: Daniel Aranyo ASC AMC
Film Editors: Oriol Pérez, Elena Ruiz
Costume Designer: Paula Ventura
Senior VFX Supervisor: Lionel Estivill
Stunt Coordinator: Jordi Nebot
Camera/Steadicam Operator: Juanjo Sánchez
Steadicam Operator: José Antonio Santos
DI Colorist: Quique Cañadas
Camera: Sony CineAlta Venice (AXS-R7)
Lenses: Cooke Anamorphic/I Primes
AR: 2.35:1 (Anamorphic)
Attribute: Camera Equipment Provided by Ovide - DirectorMiguel ArtetaStarsJennifer GarnerEdgar RamírezJenna OrtegaA mom and dad who usually say no decide to say yes to their kids' wildest requests with a few ground rules on a whirlwind day of fun and adventure.Director: Miguel Arteta
Composer: Michael Andrews
Cinematographer: Terry Stacey ASC
Film Editor: Jay Deuby
Production Designer: Doug J. Meerdink
Costume Designer: Susie DeSanto
1st Assistant Director/2nd Unit Director: Jonas Spaccarotelli
Stunt Coordinator/2nd Unit Director: Shauna Duggins
Senior SFX Supervisor: Mark Hawker
Senior VFX Supervisor: Brandon Nelson
Alchemy 24 VFX Supervisor: Jean-François Ferland
Senior VFX Producer: Erin Hewitt
Alchemy 24 VFX Producer: Marie-Claude Lafontaine
Alchemy 24 VFX Executive Producer: Marc A. Rousseau
A-Camera Operator: Wael Shukha
A-Camera/Steadicam Operator: Bela Trutz
B-Camera Operator: April Kelley
C-Camera Operator: Jimmy Matlosz
Add'l Camera Operator: Jason Leeds
Drone Unit Camera Operator: Zack Haskell
Colorist: Nicholas Hasson
Cameras: Alexa Mini LF, Phantom Flex4K & Sony CineAlta Venice (4K Phantom RAW, 4.5K ARRIRAW & 6K AXS-R7)
Lenses: Panavision Primo Artiste Primes
AR: 2.00:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorRoman WhiteStarsKevin QuinnBailee MadisonJahbril CookWith nowhere left to go, Will Hawkins finds himself at camp for the first time. His instinct is to run, but he finds a friend, a father figure, and even a girl who awakens his heart. Most of all, he finally finds a home.Director/Senior VFX Supervisor: Roman White
Original Score Composer: Benjamin Backus
Composer: Adam Watts
Cinematographer: James King
Film Editor: Parker Adams
Costume Designers: Ciciley Hoffman, Jena Moody, Alfonso Gómez Sempere
Unit Production Manager: Kevin Welch
Post-Production Executive: Perri Silver
1st Assistant Director: Elion Olson
2nd Assistant Director: Bruno Michels
2nd 2nd Ass't Director: Emilio Gonzalez Moreno
VFX Artist: Phil Tabor
Digital Compositor: Shira Malamud
Stunt Coordinator: Myke Schwartz
Stunts: Rachel Jeanette
Bailee Madison Stunt Double: Adrienne Ballenger
A-Camera/Movicam Operator: Samuel Willey
Gaffer: David R. Mitchell
1st Assistant Cameramen: Armanda Costanza, CK Cates
DI Colorist: Corinne Bogdanowicz
Filming Dates: 15 September 2019 - 12 October 2019
Camera: Red Monstro (8K Redcode RAW)
Lenses: Arri Master Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Attribute: Camera Equipment Provided by Arri Rental - DirectorRicky StaubStarsIdris ElbaCaleb McLaughlinLorraine ToussaintSent to live with his estranged father for the summer, a rebellious teen finds kinship in a tight-knit Philadelphia community of Black cowboys.Director: Ricky Staub
Composer: Kevin Matley
Cinematographer: Minka Farthing-Kohl
Film Editor: Luke Ciarrocchi
Production Designer: Timothy W. Stevens
Costume Designer: Teresa Binder Westby
1st Assistant Director: Hristo Dimitrov
2nd Assistant Director: Courtney Fusselman
Senior SFX Supervisor: Patrick Edward White
Senior VFX Supervisor: John Stewart
Superposition VFX Supervisor: Michael Garrett
PowerHouse On-Set VFX Supervisor: Randy Little
Digital Artist: Amanda Instone
Camera Operator: David L. Powell III
B-Camera Operator: Drew Saracco
B-Camera/Steadicam Operator: David Taicher
Add'l Camera Operator: Peter Keeling
Gaffer: Seth Coleman
Aeriel Unit Camera Operator: Michael Solomon
1st Assistant A-Camera: Anthony DeFrancesco
1st Assistant B-Camera: Mike Toland
2nd Assistant A-Camera: Adam Russell
2nd Assistant B-Camera: Andy Hensler
Add'l Film Editor: Meagan Costello
DI Colorist: Mike Sowa ASC
Cameras: Alexa Mini & XT Plus (3.4K ARRIRAW)
Lenses: Todd-AO Anamorphic Primes & Century S2000 Primes
AR: 2.39:1 (Anamorphic)
Budget: 10 Million USD
Attribute: Camera Equipment Provided by Arri Rental - DirectorBen FalconeStarsMelissa McCarthyOctavia SpencerJason BatemanIn a world where supervillains are commonplace, two estranged childhood best friends reunite after one devises a treatment that gives them powers to protect their city.Director: Ben Falcone
Composer: Fil Eisler
Scoring Consultant: Celeste Chada
Cinematographer: Barry Peterson
Cinematographer (Chicago Unit): Kris Krosskove
Film Editor: Tia Nolan ACE
Production Designer: Bill Brzeski
Supervising Art Director: Andrew Max Cahn
Costume Designer: Carol Ramsey
Supervising Stunt Coordinator/2nd Unit Director: Lance Gilbert
Senior SFX Coordinator: Jeffery D. Woodrel
On-Set SFX Supervisor: Durk Tyndall
Senior VFX Supervisors: Yael Majors, Dave Morley, Robert Snyder
Senior VFX Coordinator: Collin Kortschak
Senior VFX Producer: Pamela Scott-Farr
VFX Co-Producer: Scott Puckett
2nd Unit Stunt Coordinator: Randy Beckman
Stunt Driver/2nd Unit Stunt Coordinator: Joe Bucaro III
Stunts/2nd Unit Stunt Coordinator: Alvin Chon
Fight Coordinator: Keith Splinter Davis
Co-Fight Coordinator: Aaron Toney
Camera Operator: Casey Hotchkiss
A-Camera/Steadicam Operator: David J. Thompson
C-Camera Operator/2nd Unit Camera Operator: Peter Hawkins
Add'l Camera Operator: Brian Rosso
2nd Unit DP: Peter Lyons Collister ASC
2nd Unit Camera Operator: Marco Naylor
2nd Unit B-Camera Operators: Gregg Easterbrook, Greg Faysash
2nd Unit C-Camera Operator: Jesse Roth
Chicago Unit B-Camera Operator: Derek Fisher
Aerial Unit DPs: Michael Monar, John Trapman
Add'l Film Editor: Kimberly Boritz
Senior Finishing Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: James Cody Baker
Senior Finishing Producer: Laura Geucherian
Finishing Editor/Senior Finishing Artist: Matthew W. Johnson
Head of Production (Company 3): Nick Monton
Filming Dates: September 25, 2019 - December 10, 2019
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Cooke Anamorphic/I Primes
AR: 2.39:1 (Anamorphic)
Color & Picture Finish Provided by: Company 3
Attribute: Camera Equipment Provided by Otto Nemenz International - DirectorChaitanya TamhaneStarsAditya ModakArun DravidSumitra BhaveSelf-doubt, sacrifice and struggle converge into an existential crisis for a devoted classical vocalist as the mastery he strives for remains elusive.Director/Film Editor: Chaitanya Tamhane
Composer: Aneesh Pradhan
Cinematographer: Michał Sobociński
Editorial Consultant: Rikhav Desai
Production Designers: Ravin D. Karde, Pooja Talreja
Costume Designer: Sachin Lovalekar
Senior VFX Supervisor: Bas Chatmaleerat
On-Location VFX Supervisor: Tom Kannan
Camera Operators: Sujit Anand, Sidharth Kale
1st Ass't Camera/Focus Puller: Akbar Ali Sheikh
Gaffer: Barkhat M. Zaria
2nd Unit Camera Operators: Bhushan Golatkar, Ayan Saxena
Post-Production Consultant: Sidharth Meer
Colorist: Dirk Meier
Capture Format: Anamorphic/Super 35mm Hybrid
Cameras: Alexa Mini & SXT (Digital)
Lenses: Cooke Anamorphic/I SF Primes & Arri Master Primes
AR: 2.39:1 - DirectorJoe PennaStarsAnna KendrickDaniel Dae KimShamier AndersonA three-person crew on a mission to Mars faces an impossible choice when an unplanned passenger jeopardizes the lives of everyone on board.Director: Joe Penna
Composer: Volker Bertelmann
Cinematographer: Klemens Becker
Virtual Cinematographer: Jannicke Mikkelsen
Co-Writer/Film Editor: Ryan Morrison
Production Designer: Marco Bittner Rosser
Costume Designer: Ulrike Scharfschwerdt
SFX Supervisor: Jakob Balicki
Senior VFX Supervisors: Joachim Grüninger, Fernando Torres Idrovo
RISE VFX Production Consultant: Vincent Frei
RISE VFX Supervisor: Markus Degen, Dominik Trimborn
Senior VFX Producer: Sean Findley
VFX Executive Producer: Neha Hooda
RISE VFX Producer: Christine Resch
RISE VFX Executive Producer: Sven Pannicke
Stunt Coordinator: Teresa Henn
1st Assistant A-Camera: Aurel Wunderer
2nd Assistant Camera: Tatjana Hafenbraedl
Gaffer: Uwe Greiner
Finishing Colorists: Peter Bernaers, Felix Hüsken
DI Finishing Supervisor: Thomas Gieraths
Filming Dates: 11 June 2019 - 10 July 2019
Camera: Alexa Mini (3.2K ProRes 4444)
AR: 2.39:1 (3-Perf Super 35mm)
Visual Effects Provided by: RISE Visual Effects Studios
Attribute: Cameraa Equipment Provided by Ludwig Kameraverleih - DirectorAnthony MandlerStarsA$AP RockyJohn David WashingtonKelvin Harrison Jr.A smart, likeable, 17-year-old film student from Harlem sees his world turned upside down when he's charged with a murder. We follow his dramatic journey through a complex legal battle.Director: Anthony Mandler
Composer: Harvey Mason Jr
Cinematographera: David Devlin
Film Editor: Joe Klotz ACE
Production Designer: Jeremy Reed
Costume Designer: Mobolaji Dawodu
VFX Production Coordinator: Bobby Henwood
1st Ass't A-Camera: Ben Spaner
2nd Ass't A-Camera: Gregory Pace
Supervising Finishing Colorist: Tom Poole ASC
Finishing Colorist: Jaime O'Bradovich
Camera: Red Weapon (6K Redcode RAW)
AR: 2.39:1 (Anamorphic) - DirectorAlexandre AjaStarsMélanie LaurentMathieu AmalricMalik ZidiA woman wakes in a cryogenic chamber with no recollection of how she got there. As she's running out of oxygen, she must rebuild her memory to find a way out of her nightmare.Director: Alejandre Aja
Composer: Robin Coudert
Cinematographer: Maxime Alexandre AIC
Film Editors: Hervé Schneid, Stéphane Roche
Production Designer: Jean Rabasse
Art Director (Voices): Marc Saez
Costume Designer: Agnes Beziers
Unit Production Manager: Ygal Egry
Producer/2nd Unit Director: Grégory Levasseur
Senior VFX Supervisor: Laurens Ehrmann
Stunt Coordinators: Yves Barta, Pascal Guégan
Mélanie Laurent Stunt Double: Melissa Humler
Chief Lighting Technician: Pierre Michaud
2nd Unit DP: Hugues Espinasse
Finishing Colorist: Richard Deusy
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 2.39:1 (4-Perf Super 35mm) - DirectorJoe WrightStarsAmy AdamsGary OldmanAnthony MackieAn agoraphobic woman living alone in New York begins spying on her new neighbors; only to witness a disturbing act of violence.Director: Joe Wright
Composer: Danny Elfman
Cinematographer: Bruno Delbonnel ASC AFC
Film Editor: Valerio Bonelli
Production Designer: Kevin Thompson
Supervising Art Director: Deborah Jensen
Reshoots Art Director: Nick Francone
Costume Designer: Albert Wolsky
Unit Production Manger: Joe Guest
SFX Supervisor: Steven E. Fernandez
Senior SFX Coordinator: Mark Bero
SFX Coordinator (Add'l Photography): John Stifanich
VFX Consultant: Leslie Chung
Senior VFX Supervisor: Eran Dinur
VFX Executive: Scott Aaron Silver
Senior VFX Producer: Monica Barraza
VFX Executive Producer: Joyce Boll
Stunt Coordinator: Victor Paguia
A-Camera Operator: Craig Haagensen
Supervising Digital Colorist: Peter Doyle ASC
Filming Dates: August 6, 2018 - October 30, 2018
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Cooke S7/I Primes & Arri Master Primes
AR: 2.39:1 (Super 35mm)
Budget: 40 Million USD
Distributed by: Walt Disney Studios Motion Pictures (Through Netflix)
Color & Picture Finish Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorZack SnyderStarsDave BautistaElla PurnellAna de la RegueraFollowing a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted.Director/Cinematographer/Producer/Co-Writer/B-Camera Operator: Zack Snyder
Production VFX Supervisor: Marcus Taormina
Composer/Score Producer, Programmer, Mixer & Masterer: Tom Holkenborg (Junkie XL)
Costume Designer: Stephanie Portnoy Porter
Film Editor: Dody Dorn ACE
Production Designer: Julie Berghoff
Executive Producer/Unit Production Manager: Bergen Swanson
Producers: Deborah Snyder, Wesley Coller
Screenwriters: Shay Hatten, Joby Harold
Associate Producer/1st Ass't Director: Misha Bukowski
Key 2nd Ass't Director: Jai James
Production VFX Producer: David Robinson
Associate Producer/Post-Production SUpervisor: Andrea Wertheim
Sound Designers & Supervisors: Scott Hecker, Chuck Michael
Supervising Stunt Coordinator/2nd Unit Director: Damon Caro
Stunt Coordinator: Wayne Dalglish
Production Supervisor: Lindsey Feldman
Supervising Art Director: Gregory Hooper
Art Directors: Brett McKenzie, Geoffrey S. Grimsman
Set Designers: C. Scott Baker, Jim Hendrix, Julie Vash, Mark Hitchler, Siobhan Roome
Illustrator/Storyboard Artist: Clay Staub
Storyboard Artist: Jay Oliva
Graphic Designers: Christina Myal, Alan Chao
Set Decorator: Sophie Neudorfer
Prop Master: Brett Andrews
A-Camera/Steadicam Operator: John Clothier
C-Camera Operator/2nd Unit DoP: Ian Seabrook
1st Assistant A-Camera: Trevor Loomis
Aerial Unit Coordinator: Kevin LaRosa
1st Assistant Editor: Carlos M. Castillon
2nd Assistant Editors: Jason Barnes, Jenny Caceras
Production VFX Editor: Alex Hepburn
Music Editor: Michael Bauer
VFX Production Manager: Melissa Franco
VFX Digital Production Manager: Hannah Macklin
VFX Set Coordinator: Shawn Wayman
Production VFX Data Wranglers: Jonas Huerta, Omar Nadir, Pasquale Greco, Cody Ross Gray
Chief Lighting Technician: Dan Jones
Ass't Chief Lighting Technician: Erica Kim
Rigging Chief Lighting Technician: Brian Powell
Makeup Effects Designer: Justin Raleigh
Makeup Effects Supervisor: Mike Ezell
Zombie Horse Makeup Effects Artist: Gabe Bartalos
Production SFX Supervisor: Michael Gaspar
SFX Office Coordinator: Lena Gaspar
Picture Car Coordinator: Jay Vigil
2nd 2nd Ass't Director: David Lerner
Add'l 2nd Ass't Director: Anthony Pelot
2nd Unit 1st Ass't Director: Stuart Valberg
2nd Unit 2nd Ass't Director: Peter McGrew
2nd Unit Add'l Camera Operator: Bill Mitchell
2nd Unit 1st Ass't A-Camera: Don Duffield III
2nd Unit 1st Ass't C-Camera: Jack Ellingwood
2nd Unit 2nd Ass't A-Camera: Jamie Pair
2nd Unit 2nd Ass't B-Camera: Seth Gallagher, Scott O'Neil
2nd Unit Prop Master: Celeste O. Cole
2nd Unit Gaffer: Jesse Cecchini
2nd Unit 2nd 2nd ADs: Denise Harkins, Jon Baran
Unit Production Manager (NJ Unit): Lyn Pinezich
NJ Unit Production Supervisor: R. Scott Sullens
NJ Unit Prop Master: James Meehan
NJ Unit Prop Assistant: Juan Carlos Mendoza
NJ Unit Gaffer: Richard Asbury
NJ Unit Rigging Gaffer: Larry Price
NJ Unit Picture Car Coordinator: Paul Weathered
NJ Unit Add'l 2nd ADs: Max Samu, Blair Howley
LV Unit Aerial DoP: Carston Bell
LV Unit VFX Production Supervisor: Kevin Barrera
LV Unit Location Manager: Frederick G. Schroeder
Ass't Unit Production Manager (LA Unit: Add'l Photography): Bart Lipton
LA Unit Key 2nd AD (Add'l Photography): Neil Lewis
LA Unit Art Director (Add'l Photography): Austin Gorg
LA Unit Senior Set Designer: Steven Light-Orr
LA Unit Set Decorator (Add'l Photography): Gene Serdena
LA Unit A-Camera Operator (Add'l Photography): Consuelo Althouse
LA Unit 1st Ass't Camera (Add'l Photography): Braden Batsford
LA Unit 2nd Ass't Camera (Add'l Photography): Mike Prior
LA Unit 1st Ass't B-Camera (Add'l Photography): Joseph Soria
LA Unit 2nd Ass't B-Camera (Add'l Photography): Blake Collins, Chris Sloan
LA Unit Rigging CLT (Add'l Photography): Rick Carrillo
LA Unit Rigging Ass't CLT (Add'l Photography): Roger Bolanos
LA Unit Production Coordinator (Add'l Photography): Andrew Catania
LA Unit Picture Car Coordinator (Add'l Photography): Dennis McCarthy
LA Unit 2nd 2nd AD (Add'l Photography): Stacy Schrader
LA Unit VFX Production Assistant (Add'l Photography): Mason Moore
Framestore VFX Supervisors: Robert Winter, Joao Sita
Framestore VFX Animation Supervisor: Hennadii Prykhodko
Framestore CG Supervisors: Ben Magana, Kevin Sears, Tom Fonvillars
Framestore Comp Supervisors: Owen Jackson, Jean-Francois Gagne, Laureline Silan
Framestore VFX Producers: Audrey Boivin, Perdita Carvil, Catherine Westgate
Framestore VFX Line Producers: Danielle Pickup, Sarah Essam, Richard Allan-Smith, Jaclyn Abrahante, Caroline Guagliardo
Framestore VFX Coordinators: Emilie Gagnon, Gabrielle Davoine
Framestore On-Set VFX Supervisors: Richard Hoover, Kyle Dunlevy
Mammal Studios VFX Supervisor: Gregory D. Liegey
Mammal Studios VFX Executive Producer: Michele C. Vallillo
Mammal Studios VFX Coordinator: Elijah Watson
Crafty Apes VFX Supervisor: Mark LeDoux
Crafty Apes VFX Producer: Bobby Tucker
Crafty Apes VFX Add'l Supervisor: Steve Dinozzi
Crafty Apes VFX Coordinator: Jereme Glaske
Crafty Apes Atlanta VFX Executive Producer: Matt Akey
Instinctual VFX Producer: Jesse Morrow
Instinctual Lead Compositor: Alan Latteri
CO3 Executive Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Senior Finishing Colorist: Adam Nazarenko
Add'l Finishing Colorist: Charles Bunnag
Finishing Producer: Erik Rogers
Senior Finishing Editor: Matthew W. Johnson
Finishing Technologist: Mike Chiado
Color Assistant: John Tripp
Finishing Executive: Jackie Lee
Heads of Finishing Production: Carl SG Moore, Laura Geucherian
RED Monstro Camera Designer: Jarred Land ASC
Filming Dates: 15 July 2019 -19 October 2019, September 2020
Camera: Red Monstro (8K Redcode RAW)
Lenses: Canon Rangefinder Primes
AR: 1.78:1 (Super 35mm), 1.90:1 (Negative Ratio)
Budget: 70-90 Million USD
Visual Effects Provided by: Framestore, Mammal Studios, Crafty Apes VFX & Instinctual
Color & Finish Provided by: Company 3
Attribute: Camera Equipment Supplied by Red Digital Cinema - DirectorManjari MakijanyStarsAnurag AroraJonathan ReadwinAmy MagheraWhen a teen in rural India discovers a life-changing passion for skateboarding, she faces a rough road as she follows her dream to compete.Director/Cinematographer: Manjari Makijany
Composers: Salim Merchant, Sulaiman Merchant
Cinematographer/2nd Unit Camera Operator: G. Monic Kumar
Cinematographer: Alan Poon
Film Editor: Deepa Bhatia
Production Designer: Priya Ahluwalia
Costume Designer: Riyaz Ali Merchant
Post Production Consultant: Sheryl Benko
Producer/Casting/2nd Unit Director: Vinati Makijany
Action Director: Amar Shetty
A-Camera/Steadicam Operator: Yoann Malnati
Skate Unit Camera Operator: Brett Novak
Additional DP: Alan Torres
Senior DI Colorist: Jan Yarbrough
AR: 2.39:1 (Super 35mm) - DirectorPaul WeitzStarsKevin HartAlfre WoodardLil Rel HoweryA father brings up his baby girl as a single dad after the unexpected death of his wife who died a day after their daughter's birth.Director: Paul Weitz
Composer: Rupert Gregson-Williams
Cinematographer: Tobias Datum
Film Editor: Jonathan Corn
Production Designer: Sarah Knowles
Supervising Art Director: Jean-Andre Carriere
Costume Designer: Francine Jamison-Tanchuck
Senior SFX Supervisor: Guillaume Murray
Senior VFX Supervisor: Hugo Léveillé
Stunt Coordinator: David McKeown
Kevin Hart Stunt Double: Rodney Alexandre
A-Camera/Steadicam Operator: Geoffroy St-Hilaire
B-Camera Operator: Jean Kavanagh
Boston Unit Camera/Steadicam Operator: Brant S. Fagan
Finishing Producer: Christina de Guzman
Finishing Editor: Chad Schermerhorn
Camera: Red Monstro (8K Redcode RAW)
Lenses: Servicevision Full Frame Anamorphic Scorpiolens Primes
AR: 2.39:1 (Anamorphic)
Color & Picture Finish Provided by: Company 3