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Originally planning to become a lawyer, Billy Wilder abandoned that career in favor of working as a reporter for a Viennese newspaper, using this experience to move to Berlin, where he worked for the city's largest tabloid. He broke into films as a screenwriter in 1929 and wrote scripts for many German films until Adolf Hitler came to power in 1933. Wilder immediately realized his Jewish ancestry would cause problems, so he emigrated to Paris, then the US. Although he spoke no English when he arrived in Hollywood, Wilder was a fast learner and thanks to contacts such as Peter Lorre (with whom he shared an apartment), he was able to break into American films. His partnership with Charles Brackett started in 1938 and the team was responsible for writing some of Hollywood's classic comedies, including Ninotchka (1939) and Ball of Fire (1941). The partnership expanded into a producer-director one in 1942, with Brackett producing and the two turned out such classics as Five Graves to Cairo (1943), The Lost Weekend (1945) (Oscars for Best Picture, Director and Screenplay) and Sunset Boulevard (1950) (Oscars for Best Screenplay), after which the partnership dissolved. (Wilder had already made one film, Double Indemnity (1944) without Brackett, as the latter had refused to work on a film he felt dealt with such disreputable characters.) Wilder's subsequent self-produced films would become more caustic and cynical, notably Ace in the Hole (1951), though he also produced such sublime comedies as Some Like It Hot (1959) and The Apartment (1960) (which won him Best Picture and Director Oscars). He retired in 1981.- Director
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He graduated in Film and Video from the University of São Paulo in 1999 (ECA - SP), he became director of short films, having run dozens of festivals, such as with the "Trópico das Cabras", to run for more than 30 national and foreign festivals , among them Clermont-Ferrand, France, Cartagena, Colombia and Brasilia, where he was awarded the best short film at the Brazilian Film Festival "A Garrada do Diabo" (2009) and "Magnifica Desolação" (2010) .
"O Lobo Atrás da Porta" was his first feature film and the debut in the direction of longs could not have been better. The suspense won the award for best film Horizontes Latinos, at the San Sebastian Film Festival (Spain), and best long by popular vote and best actress for Leandra Leal, at the Festival of Rio 2013. This attention was enough to put it next to José Padilha in the direction of two episodes of the series "Narcos" (2015),
The director was invited to a Netflix production, with an international debut with Netflix's "Sand Castle" (2017). Also recently Fernando Coimbra was awarded at the 2017 Sundance Film Festival, at the Global Filmmaking Award, which rewards four notable and visionary directors around the world for his new project, the thriller "O Enforcado". This film is a Gullane production and had already participated in the Festival's Roadmap Laboratory in 2015.
Selected Filmography: Director: "Sand Castle" (2017). "O Lobo Atrás da Porta" (2013). Best Film Award for Best Actress and Best Actress (Leandra Leal) at Rio 2013 Festival. Best Feature Film and Original Screenplay Prize at the 2015 Brazilian Cinema Grand Prize. "Trópico das Cabras" (2004). Short film. Selected for the Clermont-Ferrand Festival in France and Cartagena in Colombia. Best short film award at the Brazilian Film Festival. "Pobres Diabos no Paraiso" (2002). Short film.
Writer: "Aqui Deste Lugar" (2015), by Sérgio Machado. " O Lobo Atrás da Porta" (2013), by himself. "A Garrafa do Diabo" (2009), by himself. Short film.- Director
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Philippe Barcinski, 49, have 35 years of experience in audiovisual direction and holds a master's degree in cinema from USP. He directed short, and feature films, soap operas, fiction, and documentary series (national and foreign) for a diverse audience, like children, youth, and adults. He has won over 50 awards for his work and is an exponent of the short film scene in the 1990s, with films such as 'Palindrome', 'A Janela Aberta', and 'A Escada', all of them present in official competitions, like festivals such as Cannes, and Berlin. He directed the feature films 'Não Por Acaso', with Rodrigo Santoro, and 'Entre Vales', with Angelo Antônio, and was part of the advertising teams of directors at O2 Filmes.In television, he worked for TV Cultura, MTV and TV Globo, and lately directed series for Netflix and Discovery Kids. He started as director's 1st assistant of the classic 'Castelo Rá Tim Bum', and worked under Fernando Meirelles, Cao Hamburger, Luiz Fernando Carvalho, and José Luis Villamarim artistic supervisions. Among his works in television and streaming are the successes series 3% (2nd season), Cidade dos Homens, Carcereiros, and Que Monstro Te Mordeu? and soap operas such as Velho Chico and Amor DE Mãe. Route 66 (Globoplay) is his first artistic direction in a fiction series.- Actor
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Stanley Lloyd Kaufman never really wanted to make movies, he wanted to work in Broadway musicals. During his years in Yale he was introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.
He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).
Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.
Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.
Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute. Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies-- Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Lloyd noticed that a lot of comedies were being made and decided to make one, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later re-titled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.
Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.- Director
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Born in Mairi, a small town in the interior of Bahia, Brazil where there are no movie theaters to this day, Muritiba was already an adult when he first plunged into the darkness of a theater to watch a movie. The son of a truck driver and a housewife, the filmmaker studied History in São Paulo, and later moved to Curitiba, where, without finding a job, he applied for a job in the State Justice System, where he worked as a jailer for seven years. While still working as a jailer, Muritiba learned that he could have his working hours in the public service credited if he was enrolled in some college course. He then went to study Cinema and, between one class and another, decided to merge the two worlds through which he passed: that of jail and that of the art of filmmaking. This is how his Prison Trilogy was born, made up of two short films and a documentary feature, projects that served as a release from prison life and the gateway to his cinematographic career.
With stints at Sundance ("Rust," 2018), Venice ("Tarantula," 2015, "Private Desert" 2021), San Sebastian ("To My Dead Beloved," 2015, "Rust," 2018) and Cannes - Critics Week ("Quadrangle," 2013), the films written and directed by Aly Muritiba have won over 200 awards at film festivals. For TV and streaming channels, Muritiba has directed the series "The Hypnotizer" - S02 (HBO), "Jailers" S02 (Globo), "Freitas Brothers" (Space), "Brotherhood" (Netflix), "The Evandro Case" (Globoplay) and "Cangaço Novo"(Amazon Prime Video).
In 2013 his short film "The Factory" was on the Oscar shortlist. In 2021, in addition to directing "The Evandro Case," the true crime series nominated for International Emmy Awards, Aly released the feature-films "Jesus Kid", (Best Direction and Best Screenplay Awards in the Festival of Gramado and "Private Desert" (Audience Award at the Venice Film Festival and Brazilian representative in the 2022 Oscars race).- Writer
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Marcelo Gomes was born on 28 October 1963 in Recife, Pernambuco, Brazil. He is a writer and director, known for Cinema, Aspirins and Vultures (2005), Viajo Porque Preciso, Volto Porque te Amo (2009) and Waiting for the Carnival (2019).- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Director
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Andrew Bujalski, born in Boston in 1977, is the son of an artist-turned-businesswoman, Sheila Dubman, and a businessman, Edmund Bujalski. Andrew studied film at Harvard's Department of Visual and Environmental Studies, where the Belgian filmmaker Chantal Akerman was his thesis advisor.
He shot his first feature, Funny Ha Ha, in 2002, and followed it with Mutual Appreciation in 2003 - though neither film received theatrical distribution until 2005 and 2006, respectively. Bujalski wrote both screenplays, and appears as an actor, playing a major role in both films. In 2006, he appeared as an actor and contributed to the screenplay of the Joe Swanberg film Hannah Takes the Stairs.
Beeswax and Computer Chess, Bujalski's third and fourth independent films, were filmed in Austin, where the director lives now. Beeswax was released in the summer of 2009. While making Beeswax, Bujalski wrote a screenplay adaptation of Benjamin Kunkel's 2005 novel Indecision for Paramount Pictures.
His fourth feature Computer Chess, a period film set at a computer programming tournament in 1980, premiered at the Sundance Film Festival 2013 and won the Alfred Sloan Feature Film Prize. It is his first feature edited digitally and it is the only feature film shot almost exclusively with original Sony 1968 AVC-3260 B&W video cameras.- Writer
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Cesc Gay was born in 1967 in Barcelona, Barcelona, Catalonia, Spain. He is a writer and director, known for Truman (2015), En la ciudad (2003) and Nico and Dani (2000).- Actor
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Ricardo Darín was born in Buenos Aires, Argentina, on January 16, 1957. He works since he was a little boy, and has obtained with the years a remarkable evolution from soap opera gallant and tv comedies to an excellent leading figure of the most importants Argentinian movies. At the age of 10 he made his debut in a play along with his parents, actor Ricardo Darín Sr., and actess Renée Roxana. He acted for several years in TV series (such as Alta Comedia and Estación Retiro), where he reached popularity as a young leading actor in different soap operas, specially in Alberto Migre's productions. In the 90s, he achieved a great success in the TV comedy "Mi Cuñado" (1993), in which he co-starred with Luis Brandoni. He never left theater and continued acting in plays like "Sugar", "Extraña Pareja", "Taxi", "Algo en Común" and "Art". At that time, he directed plays and movies like "He nacido en la ribera", "La Rabona" y "Los Exitos del Amor". The first time the critic emphasized his performance was in the movie "Perdido por Perdido" (1993), Alberto Lecchi's debut as a film director. Then, he played in "El Faro" (1998), "El Mismo Amor La Misma Lluvia" (1999), and "Nueve Reinas" (2000), brilliantly portraying Marcos. Once again, he colaborated with director Eduardo Mignona when he portrayed Domingo Santaló in "La Fuga" (2001). In 2001 he played Rafael Belvedere in "El Hijo de la Novia" (nominated in the foreign language category at the 2002 Oscars), crowning his career. Currently (2005), he is on tour with the play "Art" all over the world.
He lives with his wife, Florencia Bas, and his children, Ricardo Jr. and Clara.- Director
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Fernando Meirelles was born in a middle class family in São Paulo City, Brazil.
He studied architecture at the university of São Paulo. At the same time he developed an interest in filmmaking. With a group of friends he started producing experimental videos and video art. They won a huge number of awards in Brazilian video festivals. After that, the group formed a small independent company called Olhar Eletrônico.
After working in independent television during nine years, in the eighties, Meirelles gravitated towards publicity and commercials. He also became the director of a very popular 180 episodes of a children's television show called Ra Tim Bum.
In the early 90s, together with Paulo Morelli and Andrea Barata Ribeiro, he opened the O2 Filmes production company which became the biggest production company in Brasil working from development until distribution, including complete post-production facilities.
His first feature,in 1998, was the family film "Menino Maluquinho 2: A Aventura". His next feature, "Domésticas" (2001), exposed the invisible world of five Brazilian maids in São Paulo and their secret dreams and desires.
In 1997 he read the Brazilian best-seller "Cidade de Deus/City of God", written by Paulo Lins, and decided to turn it into a movie despite an the intimidating story that involves more than 350 characters. Once the the screenplay, written by Bráulio Mantovani, was ready, Meirelles gathered a crew mixed with professional technicians and inexperienced actors chosen between the youngsters living in the favelas surrounding Rio de Janeiro.
The film was a huge success in Brazil and began to attract attention around the world, after it screened at the Cannes Film Festival in 2002. "Cidade de Deus/City of God" (2003) has won nore than 50 awards from film festivals and societies all over the world, as well as four 2004 Oscar nominations, including a Best Director for Fernando Meirelles.
Since 2002 , Meirelles has split his time between international feature and TV series in Brazil. The Constant Gardner (2005,) had four Academy nominations plus four Golden Globes. Blindness (2008) opened Cannes. 360 (2011) opened the LFF. In the same period he directed several series for TV Globo and HBO in Brazil.
In addition to cinema, Meirelles directed Bizet's opera , Pearl Fishers, and was one of the directors of the 2016 Olympic opening ceremony in Rio de Janeiro.
In 2019 Meirelles finished The Two Popes, for Netflix, and start filming a scientific documentary on the soil.
Apart from cinema, Meirelles is also a farmer. He plants sugar cane, coffee, palm heart, avocado, and mahogany. He is developing ways to produce organically n large scale. Agroforest is his bet.
In the next few years, his plan is to be involved in projects related to the environmental crisis and climate emergency. Meirelles is not optimistic about the future of our species and, in a shorter period, neither in the future of his grandchildren, which is very sad. --- Writer
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Bráulio Mantovani is known for Elite Squad 2: The Enemy Within (2010), Elite Squad (2007) and City of God (2002).- Producer
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Rodrigo Teixeira was born on 19 September 1973 in Rio de Janeiro, Brazil. He is a producer and executive, known for Call Me by Your Name (2017), The Witch (2015) and The Lighthouse (2019).- Writer
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Luc Besson spent the first years of his life following his parents, scuba diving instructors, around the world. His early life was entirely aquatic. He already showed amazing creativity as a youth, writing early drafts of The Big Blue (1988) and The Fifth Element (1997), as an adolescent bored in school. He planned on becoming a marine biologist specializing in dolphins until a diving accident at age 17 which rendered him unable to dive any longer. He moved back to Paris, where he was born, and only at age 18 did he first have an urban life or television. He realized that film was a medium which he could combine all his interests in various arts together, so he began taking odd jobs on various films. He moved to America for three years, then returned to France and formed Les Films de Loups - his own production company, which later changed its name to Les Films de Dauphins. He is now able to dive again.- Actress
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Greta Gerwig is an American actress, playwright, screenwriter, and director. She has collaborated with Noah Baumbach on several films, including Greenberg (2010), Frances Ha (2012), for which she earned a Golden Globe nomination, and Mistress America (2015). Gerwig made her solo directorial debut with the critically acclaimed comedy-drama film Lady Bird (2017), which she also wrote, and has also had starring roles in the films Damsels in Distress (2011), Jackie (2016), and 20th Century Women (2016).
Greta Celeste Gerwig was born in Sacramento, California, to Christine Gerwig (née Sauer), a nurse, and Gordon Gerwig, a financial consultant and computer programmer. She has German, Irish, and English ancestry. Gerwig was raised as a Unitarian Universalist, but also attended an all-girls Catholic school. She has described herself as "an intense child". With an early interest in dance, she intended to get a degree in musical theatre in New York. She graduated from Barnard College in NY, where she studied English and philosophy, instead. Originally intending to become a playwright, after meeting young film director Joe Swanberg, she became the star of a series of intellectual low budget movies made by first-time filmmakers, a trend dubbed "mumblecore".
Gerwig was cast in a minor role in Swanberg's LOL (2006) in 2006, while still studying at Barnard. She then appeared in many of Swanberg's films, and personally co-directed, co-wrote and co-produced one entitled Nights and Weekends (2008). She has worked with good quality directors such as Ti West (The House of the Devil (2009)), Whit Stillman (Damsels in Distress (2011)), or Woody Allen (To Rome with Love (2012)) but success and (international) recognition did not come until Frances Ha (2012), directed by Noah Baumbach, a film she also co-wrote. Both tall and immature, awkward and graceful, blundering and candid, annoying and engaging, Greta has won all hearts in the title role of Frances Ha(liday).
In 2017, she wrote and directed the highly acclaimed, semi-autobiographical teen movie Lady Bird (2017), set in 2002-2003, and starring Saoirse Ronan, Laurie Metcalf, and Timothée Chalamet.
In 2011, Gerwig received an award for Acting from the Athena Film Festival for her artistry as one of Hollywood's definitive screen actresses of her generation.- Additional Crew
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João Marcos de Almeida is known for I Swear I Saw the Periquita (2007), A Bela P... (2008) and Eva Nil cem anos sem filmes (2009).- Director
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Maurice Capovilla was born on 16 January 1936 in Valinhos, São Paulo, Brazil. He was a director and writer, known for O Profeta da Fome (1969), O Jogo da Vida (1977) and Harmada (2003). He was married to Maria Alvim. He died on 29 May 2021 in Rio de Janeiro, Brazil.- Actor
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Mark Duplass was born on 7 December 1976 in New Orleans, Louisiana, USA. He is an actor and producer, known for Safety Not Guaranteed (2012), Creep (2014) and The One I Love (2014). He has been married to Katie Aselton since 26 August 2006. They have two children.- Director
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Brazilian filmmaker Anita Rocha da Silveira's sophomore feature "Medusa" (2021) premiered at Cannes Directors' Fortnight. It went on to participate in festivals such as TIFF, Sitges Film Festival (Best Direction - New Vision Section), Tromsø Int. Film Festival (Best Film), IndieLisboa (Special Jury Award), Rio Film Festival (Best Film, Best Direction and Best Supporting Actress), Palm Springs Int. Film Festival (Honor Mention), Viennale, Jeonju Int. Film Festival and IFFR. "Medusa" was acquired by Music Box Films and enjoyed a successful limited run in US theaters. Her first feature "Kill Me Please" (2015) was screened at the Orizzonti section at Venice Film Festival, New Directors/New Films, SXSW, IndieLisboa, Filmfest München, Gotebörg Film Festival, Cali Film Festival (Best Film), Rio Film Festival (Best Direction and Best Actress), among others. Prior to her full-length features, Anita wrote, directed and edited three short-films: "The Noon Vampire" (2008), "Handball" (2010, FIPRESCI Award at the Int. Short Film Festival Oberhausen), and "The Living Dead" (2012, Directors' Fortnight selection). Anita was born and raised in Rio de Janeiro.- Writer
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Philippe Garrel was born on 6 April 1948 in Paris, France. He is a writer and director, known for Regular Lovers (2005), I Can No Longer Hear the Guitar (1991) and Liberté, la nuit (1984).- Actor
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Louis Garrel was born on 14 June 1983 in Paris, France. He is an actor and director, known for The Dreamers (2003), Little Women (2019) and The Innocent (2022). He has been married to Laetitia Casta since 10 June 2017. They have one child. He was previously married to Golshifteh Farahani.- Director
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Eugène Green was born in 1947 in New York City, New York, USA. He is a director and writer, known for La Sapienza (2014), Le monde vivant (2003) and Waiting for the Barbarians (2017).- Actor
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Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.- Camera and Electrical Department
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Norman Kent was born on 23 August 1956 in El Paso, Texas, USA. He is a cinematographer, known for Godzilla (2014), Ender's Game (2013) and Kingsman: The Secret Service (2014).- Writer
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Steve Kloves was born on 18 March 1960 in Austin, Texas, USA. He is a writer and producer, known for The Fabulous Baker Boys (1989), Wonder Boys (2000) and Harry Potter and the Deathly Hallows: Part 2 (2011).- Cinematographer
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Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)". He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C.I.A.C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever.
At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists. In 1966, he went back to work as an assistant cameraman on Before the Revolution (1964), one of the first films directed by Bernardo Bertolucci. Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza". His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci. He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.
He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture. Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.
The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola. He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)".
"All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art."
According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art." Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality."
Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".
During the 1970s, the metaphor of cinematography as 'painting with light' took hold. Storaro, however, adds motion to the mix. Cinematography, to the great D.P., is writing with light and motion, the literal translation of the word cinematography, which derives from Greek
"It describes the real meaning of what we are attempting to accomplish," Storaro says. "We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings."
As a cinematographer, he is highly innovative. He had Rosco International fabricate a series of custom color gels for his lighting, which he used to implement his theories about emotional response to color. The "Storaro Selection" of color gels is available for other cinematographers from Rosco.
He created the "Univision" film system, which is a 35mm format based on film stock with three perforation that provides an aspect ratio of 2:1, which Storaro feels is a good compromise between the 2.35:1 and 1.85:1 wide-screen ratios favored by most filmmakers. Storaro developed the new technology with the intention of 2:1 becoming the universal aspect ratio for both movies and television in the digital age. He first shot the television mini-series "Dune" with the Univision system.
Storaro is the youngest person to receive the American Society of Cinematographer's Lifetime Achievement Award, and only the second recipient after Sven Nykvist not to be a U.S. citizen.- Director
- Writer
- Actress
Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) and I, You, He, She (1974). She was married to Sonia Wieder-Atherton. She died on 5 October 2015 in Paris, France.