Henry Huggins (1960)
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Nicholas Hammond was born on 15th May, 1950, in Washington DC. His parents, Col. Thomas W. Hammond and actress Eileen Bennett, married since 1945, already had one son, David (born in Paris in 1946).
When Nicholas was 6 years old, the family moved to Europe. In 1959, his mother took him to see the musical "My Fair Lady" (with Julie Andrews) on stage in London. After seeing this show, Nicholas decided he wanted to be an actor. The family returned to the US when Nicholas was 10 years old. He landed his first part (a small role in movie Lord of the Flies (1963) shortly after that. Nicholas appeared on Broadway and on television before he landed the role of Friedrich in the hit movie The Sound of Music (1965).
Nicholas made a visit to Australia in the mid 1980s but also did some acting while he was there. After a year, he realized he liked living in Australia and decided to stay. He lives in Sydney where he works as an actor, screenwriter, and director.Henry- Actress
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Julie Wilson was born on 21 October 1924 in Omaha, Nebraska, USA. She was an actress, known for This Could Be the Night (1957), Kiss Me, Kate (1958) and Monsters (1988). She was married to Michael McAloney, Harvey Bernhard and Barron Polan. She died on 5 April 2015 in Manhattan, New York City, New York, USA.Mrs Huggins- Actor
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A remarkably seasoned actor of stage, screen and television, Darren McGavin has notched in excess of 200 performances; however, he is most fondly remembered by cult TV fans as heroic newspaper reporter Carl Kolchak in the classic but short-lived horror TV series Kolchak: The Night Stalker (1974). In a long and varied career, McGavin has often turned up as authority figures including policemen, military officers, stern-faced business executives or father figures; however, he is equally adept at light-hearted comedic performances.
Darren McGavin was born William Lyle Richardson on May 7, 1922, in Spokane, Washington, to Grace Mitton (Bogart) and Reed D. Richardson. His mother was from Ontario, Canada. He received his dramatic arts training at New York's Neighborhood Playhouse and the Actors Studio, and debuted on screen in an uncredited role in A Song to Remember (1945). Several standard roles followed over the next decade before he landed the key role of Louie the drug pusher in The Man with the Golden Arm (1955) and Capt. Russ Peters in The Court-Martial of Billy Mitchell (1955), both directed by Otto Preminger. Each of these performances showcased McGavin's versatility, and his virile looks scored him the role of Mickey Spillane's hard-boiled private eye in Mike Hammer (1958).
McGavin stayed continually employed throughout the 1960s, appearing in such films as The Great Sioux Massacre (1965), The Outsider (1967), The Challengers (1970) and The Tribe (1970). In addition, he was regularly guest-starring in dozens of TV shows, including Gunsmoke (1955), Dr. Kildare (1961), Mission: Impossible (1966) and The Man from U.N.C.L.E. (1964). In 1971 he landed the role of cynical reporter Carl Kolchak in the low-budget horror thriller The Night Stalker (1972), about a vampire running amok in Las Vegas. The film was a monster ratings winner (pun intended!) and the highest-rated telemovie of 1972, and original scriptwriters were soon hard at work on a punchier sequel. The Night Strangler (1973) saw Kolchak in Seattle (after being booted out of Las Vegas by the police), and this time on the trail of a serial killer seeking the elixir of eternal youth. The second movie was equally successful, and spawned the short-lived TV series Kolchak: The Night Stalker (1974) with Simon Oakland as McGavin's long-suffering editor and a host of weekly guest stars including Jim Backus, Phil Silvers, Richard Kiel, Tom Skerritt, Scatman Crothers and Larry Storch.
"Kolchak" only lasted one season, but it became a bona-fide cult classic, and many years later its premise of "the unknown amongst us" inspired writer Chris Carter to create the phenomenally successful long-running TV series The X-Files (1993), which saw McGavin guest-star in several episodes.
McGavin remained busy throughout the rest of the 1970s and into the 1980s, appearing in Airport '77 (1977), as Gen. George S. Patton in the TV miniseries Ike: The War Years (1979), alongside Rock Hudson in the uneven sci-fi miniseries The Martian Chronicles (1980) and a few years later endeared himself to to a whole new generation of fans with his superb performance as the vitriolic, yet buffoonish, father in the delightful Christmas classic A Christmas Story (1983). The always versatile McGavin also popped up as a detective in Turk 182 (1985), assisted Arnold Schwarzenegger in cleaning up the mob in Raw Deal (1986) and was a doctor in the bizarre zombie/cop/zombie cop film Dead Heat (1988).
At this point it's worth mentioning that, along with his film and TV work, McGavin has also enjoyed an illustrious career on the stage, with appearances in dozens of critically acclaimed productions across the length and breadth of the US. He has appeared in stage presentations of "Death of a Salesman", "The Rainmaker", "The King and I" and "Blood Sweat & Stanley Poole", to name a few.
In 1990 the opportunity arose for McGavin to play another somewhat stern, yet comedic, father figure, this time as "Bill Brown" to Candice Bergen in the much loved sitcom Murphy Brown (1988). McGavin was again wonderful, and his entertaining performances resulted in an Emmy Award nomination in 1990. Several other film roles followed in the 1990s, in such films as Adam Sandler's hit Billy Madison (1995). He died on 25th February 2006 at the age of 83.Mr Huggins- Actor
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Charles Herbert was a mildly popular 1950s child actor with a trademark sulky puss and thick, furrowed eyebrows, who was known for playing inquisitive kids besieged by alien beings, including a robot, as well as by a human fly and several house-haunting ghosts. He racked up over 20 films, 50 TV shows and a number of commercials during his youthful reign.
He was born Charles Herbert Saperstein on December 23, 1948, in Culver City, Los Angeles, California, to Pearl Jean (Diamond) and Louis Saperstein. His mother was an Austrian Jewish immigrant, while his paternal grandparents were Russian Jews. Noticed by a Hollywood talent agent while riding a bus with his mother, Charles began his career at age four, on a 1952 TV show entitled "Half Pint Panel".
Elsewhere on TV, he showed up regularly on series fronted by such stars as Robert Cummings and Gale Storm. This period was marked by amazingly high-profiled performances such as his blind child on the Science Fiction Theatre (1955) episode, The Miracle Hour (1956). On the feature film front, Charles made an inauspicious debut in the Lucille Ball/Desi Arnaz comedy, The Long, Long Trailer (1954). Although director Vincente Minnelli had handpicked him for the role, his part was completely deleted from the movie. Other tyke roles turned out more positively and in a variety of genres, including the film noir pieces, The Night Holds Terror (1955) and The Tattered Dress (1957), the dramas, Ransom! (1956) and No Down Payment (1957), and the comedies, Houseboat (1958) and Please Don't Eat the Daisies (1960). His most recognized genre, however, was sci-fi, and he appeared in a number of films that are now considered classics of that genre. He started off in a bit part as a boy playing tug-of-war with a dead sailor's cap in The Monster That Challenged the World (1957). Up front and center, he came into his own playing the young son of dead scientific genius Ross Martin, whose brilliant brain is transplanted into what becomes the robot-like The Colossus of New York (1958). He loses another dad (David Hedison) to a botched experiment in The Fly (1958), also starring iconic master of macabre Vincent Price. Lastly, Charles headed up the cast in the somewhat eerie but rather dull and tame William Castle spookfest, 13 Ghosts (1960). Castle handpicked Charles for the child role and even offered the busy young actor top-billing over the likes of Donald Woods, Rosemary DeCamp, Jo Morrow, Martin Milner and Margaret Hamilton if he would appear in his movie. In this haunted house setting, Castle's trademark gimmick had audiences using 3-D glasses in order to see the ghostly apparitions.
He had another leading role in the fantasy adventure, The Boy and the Pirates (1960), then film offers for Charles completely stopped. Growing into that typically awkward teen period, he was forced to subsist on whatever episodic roles he could muster up, including bits on Wagon Train (1957), Rawhide (1959), The Fugitive (1963), Family Affair (1966) and My Three Sons (1960). By the end of the 1960s, however, Charles was completely finished in Hollywood, having lost the essential adorableness that most tyke stars originally possessed. Unable to transition into adult roles, his personal life went downhill as well. With no formal education or training to do anything else and with no career earnings saved, he led a reckless, wanderlust life and turned to drugs. Never married, it took him nearly 40 years (clean and sober since October, 2005) to turn his life around. During good times and bad, however, he has appeared from time to time at sci-fi film festivals.
Charles Herbert died of a heart attack on October 31, 2015, in Las Vegas, Nevada.Scooter- Ricky Kelman, best known as a child actor, was born July 6, 1949 in Hollywood, California, USA as Rickey William Kelman. His parents were William Crawford Kelman and Thelma Louise Winegar. A brother, also a child actor, Terry Kelman, was born on November 9, 1947 in Hollywood, California, USA. A sister, Sandra, was born on August 1, 1950. Their father worked at various jobs, i.e., dental technician, steel worker, clerk, etc., later becoming a fireman for the LAFD. Their parents were divorced in Los Angeles, California, USA In October 1968. They were remarried in Las Vegas, Nevada, USA on August 12, 1979. Kelman was brought to the public's attention at the age of ten by noted Hollywood gossip colonist, Louella Parsons. In her nationally syndicated column, she termed Ricky Kelman as one of the charming young men she had ever met. As a child actor, he was known for the recurring roles of Randy Towne on The Dennis O'Keefe Show (1959), and Tommy McRoberts on the Our Man Higgins (1962) series. He also garnered a lot of national publicity in the role of John Ballantine in the 1962 movie Critic's Choice (1963), starring Bob Hope and Lucille Ball. Richard William Kelman was licensed to practice law in California, USA, in 1977. He attended law schools at The University of California at Los Angeles and Loyola Marymount University. Kelman retired from the practice of law in 2007. He and his wife, Patricia Anne McCourt, have been prominent citizens for many years in Camarillo, California, USA.Robert
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Born on December 5, 1951 in Los Angeles, California, Morgan Brittany was like most little girls and wanted to be an actress. She began her acting career as a child under her real name Suzanne Cupito. Her big break came in the musical film Gypsy (1962), where played the sister of Natalie Wood's character. Morgan's career would continue to grow and would make a name for herself when she landed a role on the soap opera Dallas (1978). On the soap opera, she played Katherine Wentworth, the scheming half-sister of Pamela Ewing and Cliff Barnes. She continues acting but now loves the job of raising her children.
Since 2009, Morgan has been a conservative political commentator appearing on such shows as "Hannity" (FOX News), "The Rick Amato Show" (One America) and "The Kudrow Report" (CNBC). She is also the co-author of the best-selling book "What Women Really Want", released on September 2, 2014. She continues to make appearances all across the United States speaking for conservative values and issues concerning out veterans. She is also the co-owner and anchor for "PolitiChicks", an online news site with a conservative perspective. Morgan also writes a weekly column for "World Net Daily" (WND) and "Townhall Finance".Beezus- Actress
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Susan George was born on 26 July 1950 in Surbiton, Surrey, England, UK. She is an actress and producer, known for Straw Dogs (1971), Dirty Mary Crazy Larry (1974) and Mandingo (1975). She was previously married to Simon MacCorkindale.Mary Jane- Actor
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Forever tagged as the unctuous, trouble-making truant Eddie Haskell on the quintessential 50s family show Leave It to Beaver (1957), actor Ken Osmond did not manage much of a career after the stereotype. So inextricably typed was he that he gave up on any semblance of a career within a short time after the series' cancellation. Unlike so many other tragic child stars who did not survive the transition into adulthood, Osmond's life remained quite balanced. It did not careen out of control or disintegrate into alcohol and drugs.
Ken was born on June 3, 1943 in Glendale, California, to Pearl (Hand) and Thurman Osmond, a studio carpenter and propmaker, who were both originally from the American South. He started appearing on film and TV prior to his sitcom success thanks to a typically insistent stage mother. Taking up athletic skills such as fencing and martial arts as well as diction classes, Ken and his brother Dayton Osmond made their film debuts as child extras in the Mayflower pilgrim tale Plymouth Adventure (1952) starring Spencer Tracy. Other minor tyke film roles came for Osmond with So Big (1953), Good Morning, Miss Dove (1955) and Everything But the Truth (1956). He went on to appear in the popular shows of the day including "Circus Boy," "Annie Oakley" and "Lassie." Both public and studio schooled, Ken nabbed the key role of Eddie Haskell at age 14. With his tight, curly blond locks, ugly sneer and intimidating stance, he became an instant sensation on the show, delightfully smudging up the squeaky-clean Cleaver name on occasion with his nasty antics. As the two-faced buddy of teenager Wally Cleaver, Eddie was forever brown-nosing the Cleaver parents ("You look lovely today, Mrs. Cleaver!") while showing his true colors bullying poor Beaver (nicknaming him "squirt") or goading Wally on to break some family rule or curfew. A certifiable radar for trouble, he was the resident scene-stealer for six seasons until the show's demise in 1963, when things went downhill quickly. In retrospect, a spin-off show starring the Eddie Haskell character could have been something to consider; however, Osmond as a 20-year-old juvenile delinquent (his age when the show ended) might have been hard to swallow.
Osmond struggled in its aftermath. After a hitch in the Army, he grabbed a few TV remnants that came his way on such lightweight comedy shows as "The Munsters" and "Petticoat Junction." Following a minor role in the youth-oriented flick C'mon, Let's Live a Little (1967) starring pop singers Bobby Vee and Jackie DeShannon, Osmond pretty much called it quits. He subsequently made a very un-Eddie-like career choice by joining the Los Angeles Police Department. He grew a mustache to help secure his anonymity. A long-time member of its vice squad, he was wounded three times during the line of duty, eventually retired and earned a medical disability pension from the police force.
In the 1980s, Ken came back to TV with a reunion mini-movie and then a cable-revived version of "Leave It to Beaver" entitled The New Leave It to Beaver (1983), which featured Barbara Billingsley, Tony Dow, Frank Bank and Jerry Mathers from the original 1950s cast. The series revolved around the boys all married now, having kids and faced with grown-up problems. Ken's real-life offspring Christian Osmond and Eric E. Osmond played his impish sons on the series, Eddie Jr. and Freddie. A full-length film version of Leave It to Beaver (1997) had Osmond turning back once again to the show, this time as the father of his infamous role. Ken still makes personal appearances occasionally at film festivals, collectors' shows and nostalgia conventions. Ken was last seen in an isolated featured part in the family comedy film Characterz (2016).
Married to wife Sandy since 1970, he kept fairly prosperous handling rental properties in the Los Angeles area. His brother Dayton later became a special effects supervisor for the TV show "Babylon 5." Kenneth Charles Osmond died at age 76 of cardiac arrest on May 18, 2020.Older boy- Actress
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Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).
In 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, Danny Kaye and Spike Jones and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.
She gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as an understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and given a screen test, which went well. She made her first appearance in The Turning Point (1952). She did some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, "They let me and 16 secretaries go!"
She started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named Aaron Spelling, and they became a couple. She made a breakthrough in the 3-D movie House of Wax (1953) and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.
Columbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in From Here to Eternity (1953), but she got extremely sick with pneumonia and the part went to Donna Reed, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic Invasion of the Body Snatchers (1956), a subtle allegory of the times (McCarthyism). And the famous filmmaker Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) opposite James Stewart and Doris Day. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening to leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by Dick Powell. Carolyn, meanwhile, was successful once more in The Bachelor Party (1957) (famous line, "Just say you love me--you don't have to mean it!"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for Marjorie Morningstar (1958). She followed this with an impressive appearance in King Creole (1958), generally regarded as Elvis Presley's best film. She then gave arguably her best performance ever in Career (1959), but the film was not commercially successful. She played a serious role in this, leaving the kooky role she might have played to Shirley MacLaine.
As Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of Burke's Law (1963) for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in The Addams Family (1964). She spent two years in this role. Her costume was designed to copy the cartoon drawings and no doubt inspired such imitators as Cassandra Peterson (Elvira, Mistress of the Dark). The show went head-to-head with The Munsters (1964) and Bewitched (1964).
The show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success, after only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and roles few. While acting on the road, she married her voice coach, Herbert Greene, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him and returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including Wonder Woman (1975), where she played Hippolyta, the mother of Wonder Woman (Lynda Carter) and Wonder Girl (Debra Winger). She also appeared in the landmark miniseries Roots (1977). She appeared in four episodes of Fantasy Island (1977) and one episode of The Love Boat (1977), two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap Capitol (1982) from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.
She played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, Peter Bailey-Britton, in September 1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be "She gave joy to the world." She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances.Miss Roop- Lisa Gerritsen's acting career spanned the years of 1968 to around 1977. She was introduced to acting in a local summer parks department production, when she was eight. Soon afterward, she began pursuing a professional career. Encouraged by her mother and grandfather, veteran screenwriter True Boardman, she weathered the disappointments of numerous casting calls until she landed her first professional role in an episode of The Doris Day Show (1968) in 1968. She went on to guest-star in several TV shows including Bonanza (1959), The Courtship of Eddie's Father (1969), The Virginian (1962) and Family Affair (1966), to name just a few. She was also cast in several episodes of Gunsmoke (1955), one of which helped her to land a regular role in the 1969 NBC comedy series, My World and Welcome to It (1969), which starred William Windom and Joan Hotchkis. In 1970, she was cast in her most notable role, "Bess Lindstrom", on The Mary Tyler Moore Show (1970). She appeared in a total of ten episodes between 1970-1975. Lisa went on to reprise the role of "Bess" as a regular in the 1975-1977 spin-off series, Phyllis (1975). In addition to her numerous TV appearances, she also was cast in several movies. She made her first big-screen appearance in Airport (1970), playing the role of Burt Lancaster's daughter, "Libby Bakersfeld". Her most memorable movie role was as "Linda" in The War Between Men and Women (1972), which starred Jack Lemmon and Barbara Harris. She also starred in several other movies, including A Howling in the Woods (1971), Locusts (1974) and Mixed Company (1974).Ramona
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Character player Alan Reed was a strong, gruff, burly presence on '40s and '50s film and TV but he would be best remembered for his equally strong, gruff, distinctive voice on radio and TV. In 1960, he gave vocal life to the bombastic prehistoric cartoon character Fred Flintstone on the prime-time TV series The Flintstones (1960), the character being inspired by the Ralph Cramden husband on the popular earlier sitcom The Honeymooners (1955). It is this direct association that continues to keep his name alive today. Reed himself thought up and introduced the Flintstonian catchphrase "Yabba dabba doo!" (improvised from a script calling for Fred to say "Yahoo!") for his beloved animated character to the delight of children everywhere.
Born Herbert Theodore Bergman on August 20, 1907 in New York City, to Jewish parents of Lithuanian/Ukrainian descent, he received his early education at Washington High School and studied theatre at the American Academy of Dramatic Arts. After majoring in journalism at Columbia University, he decided to pursue to acting at such places as Provincetown Playhouse and toured in vaudeville shows. He supplemented his income operating a candy factory and worked as a social director at a country club.
A master of over 22 foreign dialects, Reed also worked steadily on Broadway with the Theatre Guild. His vocal talents were well suited for radio, becoming a prime announcer for that medium. In addition to billing himself as Teddy Bergman, he sometimes was credited under the moniker Alan Reed for more dramatic parts, eventually settling in on the Reed name. Reed was featured on the best radio shows of the time including "The Shadow," "Crime Doctor," "Abie's Irish Rose," "The Life of Riley," "The Fred Allen Show," "Life with Luigi" (which he later took to TV), and "My Friend Irma."
Once in Hollywood, Reed deserted the Bergman name completely. Sporting a comic Runyonesque appeal, he played in such fare as The Redhead and the Cowboy (1951), Emergency Wedding (1950), and Here Comes the Groom (1951). His more dramatic roles came with The Postman Always Rings Twice (1946) and The Desperate Hours (1955). One of his most unusual parts was his portrayal of Pancho Villa in Viva Zapata! (1952) starring Marlon Brando. He also supplied the voice of "Boris" in Disney's Lady and the Tramp (1955). Featured in many TV shows, the popular prehistoric cartoon and its various offshoots made up most of Reed's later work after The Flintstones (1960) premiered.
Long married to a former Broadway actress, Finette Walker, one of their three children, actor/producer Alan Reed Jr., entered show business as a teenager. Reed started billing himself as Alan Reed, Sr. to avoid any confusion. Working up until his death, Reed died in Los Angeles from heart disease and emphysema at age 69 on June 14, 1977. Reed's incomplete autobiography was extensively used to publish his son's own biographical tribute: Yabba Dabba Doo: The Alan Reed Story.Mr. Grumbie- Actress
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Vaudeville comedienne Billie Bird Sellen was discovered at an orphanage at the age of eight years and hired to tour theater circuits with a vaudeville troupe. During the Vietnam War she accompanied 12 USO tours entertaining the troops in the war zone in the 1960s and 1970s. She had worked as recently as 1995 when she appeared in Jury Duty (1995), starring Pauly Shore. Other notable performances were in Dennis the Menace (1993) and Home Alone (1990).
One of her best-known film appearances was in the 1968 movie The Odd Couple (1968). Her last appearance was a cameo in 1997 in the short-lived television comedy George & Leo (1997) with Judd Hirsch and Bob Newhart. She had also been a regular from 1988-1992 in the sitcom Dear John (1988), and in a series of performances as a cheerful and sassy senior citizen in such productions as Ernest Saves Christmas (1988) and Police Academy 4: Citizens on Patrol (1987).Mrs Grumbie- Actress
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Suellyn Lyon was born in Davenport, Iowa, the youngest of five siblings born to Sue Lyon (née Karr) and James Lyon. Sue Karr Lyon was 42 years old when she was widowed, when Suellyn was just 10 months old. Her mother worked in a hospital to provide for her children, and money was tight. The family then moved to Los Angeles in hopes that Suellyn could help out financially as a model.
She duly got jobs modeling for JC Penney, and doing a commercial, which featured her bleached blonde hair. She landed small parts on Dennis the Menace (1959) and The Loretta Young Show (1953). Director Stanley Kubrick saw Sue on the show and suggested to his partner that they should see her for the role of Lolita (1962). She was signed by the Glenn Shaw agency, and Pat Holmes, an agent, brought her down to Kubrick for audition, and won the part of Lolita.
In 1964, Sue married Hampton Fancher III but the marriage, like the four that would follow, would end in divorce. She was appearing at the time in such movies as 7 Women (1965), The Flim-Flam Man (1967) and Tony Rome (1967). Her second husband was Roland Harrison, an African-American photographer and football coach. The controversy over their marriage made them decide to move to Europe. She continued in movies like Evel Knievel (1971), Game of Murder (1973), and Murder in a Blue World (1973), but wound up divorcing Harrison, in part due to the fallout over the controversy and other problems.
Sue met Gary "Cotton" Adamson at the Colorado State Penitentiary, where he was serving time for murder and robbery. She worked as a cocktail waitress and lived in a hotel in Denver nearby. She married him in 1973 and began working for prison reform and conjugal rights. Unfortunately this was another short-lived marriage as she divorced him after he committed yet another robbery. More films followed including Smash-Up on Interstate 5 (1976), The Astral Factor (1978), Towing (1978), Crash! (1976), Don't Push, I'll Charge When I'm Ready (1971) and her final film, Alligator (1980).
Sue married Edward Weathers in 1983, but the marriage ended a year later. She married a radio engineer, Richard Rudman, but that marriage, like the four before it, ended in divorce.
Sue Lyon died in 2019, aged 73. She was survived by her only child, a daughter, Nona Harrison (from her marriage to Roland Harrison).Alice- Actor
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Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.Mr Pennycuff- Actor
- Producer
Olan Soule was born in La Harpe, Illinois and began his acting career in 1926 on radio, performing for 11 years in the daytime soap opera "Bachelor's Children". A versatile actor with a "chameleon-like" voice, Soule played the male lead characters in plays presented on the evening radio show "First Nighter" for 9 years beginning in 1943. Listeners of the show who met him were often surprised, since his slight 135 pound body didn't seem to match the voices he gave to his characters. The First Nighter troupe moved to Hollywood, where Soule stayed and eventually worked his way into television.Bus Driver- Actor
- Soundtrack
Dabbs Greer was a very familiar face in films and especially on TV. He was a sort of "everyman" in his roles and played merchants, preachers, businessmen, and other "pillars of the community" types as well as assorted villains. With his plain looking face, wavy hair and mellow, distinctive voice he was a solid supporting actor.
He was born on April 2, 1917, in Fairview, Missouri, to Randall Alexander Greer and Bernice Irene Dabbs. Reared in Anderson, Missouri, he was the only child of a pharmacist father and a speech therapist mother. His first acting experience was on stage in a children's theatre production when he was eight years old. He attended Drury College in Springfield, Missouri, where he earned a BA and headed the drama department and Little Theatre in Mountain Grove, Missouri, from 1940-43. He then moved on to the famed Pasadena Playhouse in California as actor, instructor and administrator from 1943-50. He made his film debut in Reign of Terror (1949) (aka "The Black Book") in an uncredited bit part and went on to appear in many parts during the next 50 years. He is probably best remembered for his role as Rev. Alden on Little House on the Prairie (1974) but he was also a regular on the TV series Gunsmoke (1955) as a merchant, Mr. Jonas; Hank (1965) as Coach Ossie Weiss and Picket Fences (1992) as Rev. Henry Novotny. He also appeared in made-for-TV movies and guest-starred on such series as Adventures of Superman (1952); The Rifleman (1958); Wanted: Dead or Alive (1958); Trackdown (1957); Perry Mason (1957); Bonanza (1959); The Fugitive (1963) and The Brady Bunch (1969). He died in 2007, aged 90. He never married, had no children, and left no immediate relatives.Man With Football- Actor
- Music Department
- Soundtrack
Bill Shirley was born on 6 July 1921 in Indianapolis, Indiana, USA. He was an actor, known for Sleeping Beauty (1959), I Dream of Jeanie (1952) and Flying Tigers (1942). He died on 27 August 1989 in Los Angeles, California, USA.Clerk- Actor
- Soundtrack
Joseph Kearns was born on 12 February 1907 in Salt Lake City, Utah, USA. He was an actor, known for Alice in Wonderland (1951), Dennis the Menace (1959) and Anatomy of a Murder (1959). He died on 17 February 1962 in Los Angeles, California, USA.Passenger- Actor
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Maurice Lionel Gosfield was born on January 28, 1913 in New York City, but raised in Philadelphia and later Evanston, Il., where he began acting with the Ralph Bellamy and Melvyn Douglas Players, later joining the summer stock theater circuit in 1930. He made his Broadway debut as Manero in the play Siege in 1937, and his other stage credits included The Petrified Forest, Three Men on a Horse and Room Service.
During World War II, he served in the U.S. Army as a Tech 4 in the 8th Armored Division.
From 1955 to 1959, Gosfield played Pvt. Duane Doberman in The Phil Silvers Show (originally titled You'll Never Get Rich in it's first season). In the biography of the show's creator Nat Hiken, he detailed the casting of the role and the effect that Gosfield had on him, the producer and Phil Silvers when he appeared in front of them:
"The dumpy, spectacularly ugly Maurice Gosfield ambled into an open casting call one day, brandishing an enormous list of credits. A handful of his bit parts on stage are easy enough to confirm; more difficult to pin down are his claims of two-thousand radio credits and one hundred TV appearances...None of the man's background, though, really mattered to Hiken and Silvers once they got a good look at him. Nat had already picked someone to play the most woebegone member of Bilko's platoon (Maurice Brenner), but immediately he knew that here was the man born for the part." Brenner was later recast as Pvt. Irving Fleischman.
In 1959, Gosfield was nominated for a Primetime Emmy for Best Supporting Actor in a Comedy Series. He was also the voice of Benny the Ball in the animated cartoon series Top Cat (1961-62), which was partially based on the Sergeant Bilko series.
On October 14, 1964, while Gosfield was performing in a play at New York Theatre, he kept losing his balance and repeatedly falling asleep. He was diagnosed as having critical hypertension and was given seven different medications, which he was told to take for the rest of his life. On October 17, he suffered a heart attack and was rushed to New York Hospital, where he was reportedly not breathing and CPR was performed. After he was admitted, his condition improved, and as a result his close friend Arnold Stang (the voice of Top Cat) told him that a remake of Top Cat was in the works, and that his role was waiting for him when he recovered. Tragically, only two hours after Stang left, Gosfield suffered a second and instantly fatal heart attack on October 19, 1964, and Stang was phoned the next morning. He then broke the sad news to producers William Hanna and Joseph Barbera, who were both devastated by Gosfield's sudden death, and they decided not to make a new Top Cat series, as they could not find an adequate replacement for Benny the Ball's voice.
Maurice Gosfield was buried at Long Island National Cemetery, Suffolk County, New York.Policeman- Actress
- Soundtrack
Edith MacDonald was the second daughter of Daniel and Anne MacDonald; her father was a contractor and politician. Early on, her older sister Elsie, younger sister Jeanette MacDonald, and she were given theatrical training. Blossom and Jeanette played Philadelphia vaudeville houses while still youngsters.
Edith went to New York where she wed Clarence Rock in 1926; they toured in vaudeville for three years. When vaudeville died, she toured with her husband in "Grand Hotel" and, in 1936, played a streetwalker in "Dead End". The MGM talent agent who saw her in this signed her to the same studio as her now-famous sister Jeanette. Re-named Marie Blake, she debuted in Joan Crawford's Mannequin (1937) and, in 1938, she became established as "Sally" the phone operator in the Dr. Kildare series. After the last of these in 1947, she left MGM, changed her stage name to "Blossom Rock", freelanced, and doing bit parts. She appeared in television often, becoming widely known through the part of "Grandmama" in The Addams Family (1964) series.
Her husband was night manager at the Beverly Hilton Hotel for fifteen years, dying in 1960. After retiring, she lived at the Motion Picture Country Home.Apple Lady- Actress
- Soundtrack
Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.Librarian- Actor
- Soundtrack
Bill Thompson was born on 8 July 1913 in Terre Haute, Indiana, USA. He was an actor, known for Lady and the Tramp (1955), Peter Pan (1953) and Sleeping Beauty (1959). He was married to Mary Margaret McBride. He died on 15 July 1971 in Los Angeles, California, USA.Dog Show Judge