Best actors of the world
Here is the list of best actors from all around the world selected on the basis of their performances, no of national and international awards ,civilian honours by respective nations where they are from,no of movies acted,having most fanbase etc.
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Mohanlal was born to Viswanathan Nair (father) and Santhakumari (mother) in the Pathanamthitta district of Kerala, which is located in the southern part of India on the 21st May 1960. Starting his career with a classic villain role, he has now become an outstanding actor in Malayalam Cinema. Without a doubt, Mohanlal is today's one of the best actors India has ever produced. He is also rated as one of the most talented actors in India. His ranges of movies are enviable, his comedy roles are incomparable and his unique style of dialogue delivery is effortless. Not many actors can portray both comedy and serious roles with the same ease. And with all these rare talents he has received "Padma Shri" and "Padma Bhushan", the nation's highest civilian honors. He has also won 5 National Film Awards, including Best Actor twice for Bharatham (1991) and the highly acclaimed Vaanaprastham (1999), as well as numerous other awards and honors.
He has reached this position with his hard work and devotion to the movie industry. As far as his acting is concerned, it's been acknowledged many times that he's the most gifted actor in the Indian movie field.- Actor
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Amitabh Bachchan was born on October 11, 1942 in Allahabad, British India (present-day Prayagraj, Uttar Pradesh, India) to legendary poet Harivansh Rai Bachchan & Teji Bachchan. He also has a brother named Ajitabh. He completed his education from Uttar Pradesh and moved to Bombay to find work as a film star, in vain though, as film-makers preferred someone with a fairer skin, and he was not quite fair enough. But they did use one of his other assets, his deep baritone voice, which was used for narration and background commentary. He was successful in being cast in Saat Hindustani. He got his break in Bollywood after a letter of introduction from the then Prime Minister Mrs. Indira Gandhi, as he was a friend of her son, Rajiv Gandhi. This is how Bachchan made an entry in Bollywood, starting with Zanjeer, co-starred with his future wife Jaya Bhaduri, and since then there has been no looking back.
He married Jaya Bhaduri, an accomplished actress in her own right, and they had two children, Shweta and Abhishek. Shweta is married, lives a non-filmy life and has two children.
Being friends with Rajiv Gandhi, got him to decide to run for seat in the Indian National Congress (political party) from his home town but had to leave mid-term because of controversies, particularly after Rajiv and he were implicated in the now infamous "Bofors" case along with the U. K. based Hinduja Brothers.
After a four year break, he was back in the unsuccessful Mrityudaata (1997), a comeback which the actor wanted to forget. Critics written him off but his career was saved with Bade Miyan Chote Miyan (1998). But four flops in 1999 and incurring debt of over 90 crore rupees of his sinking company ABCL saw him at an all-time low. To make matters worse, after the defeat of the Congress party, Bachchan lost considerable political support, the opposition made him a target, and his credit rating deteriorated to such an extent that a leading nationalized bank, Canara Bank, sued him for outstanding loans. He did bounce back, presenting the Indian version of Who Wants To Be A Millionaire called Kaun Banega Crorepati? (2000). After a series of hits with Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001) and Baghban (2003) and Khakee (2004), Bachchan is showing no signs of slowing down and proving the critics wrong once again.
Amitabh and Jaya were interested in getting their son Abhishek married to Karisma Kapoor, the daughter of Babita and Randhir Kapoor, they went through a formal engagement, but later broke it off.
The former Miss World and Bollywood actress, Aishwarya Rai and Abhishek, were formally engaged on Sunday January 14, 2007, at the Bachchan residence in Juhu, Bombay, with the marriage taking place at the Bachchan residence on April 20, 2007.
On November 16, 2011, he became a Dada (paternal grandfather) when Aishwarya gave birth to a daughter in a Mumbai Hospital. He is already a Nana (maternal grandfather) to Navya and Agastye - Shweta's children.
He continues to be one of the busiest actors and singers in Bollywood as well as on TV, as can be seen from the commercials that he appears on, especially on Sahara One. Looks like there are no limits for this super-star and once the "Angry Young Man" of Bollywood.- Prem Nazir is considered to be the biggest star in Malyalam film history. He graduated from St. Berchman's College in Changanassery, Kerala. He started acting for the Excel company and most of his films were for the Udaya and Merryland Studios. He portrayed the ideal male in most of his films.
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Major Malayalam actor and director of the 60s and 70s. Graduated from Benares Hindu University and later took a diploma in acting from the National School of Drama. He often played the sad and suffering lover. He gained major acclaim after Chemmeen (1965) which established him as a character actor. After that he acted regularly in independent productions. His fist directorial venture was 'Priya' (1970) which received major critical acclaim. Founded the Uma Studio in Trivandrum (Kerala, India).- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Actor
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Kamal Haasan was born November 7, 1954 in Paramakudi, Ramanathapuram District, Tamil Nadu. He debuted as a child artiste in the film "Kalathoor Kannamma" (1960). Since then, he has starred in nearly 220 films in the major Indian languages - Tamil, Telugu, Kannada, Malayalam and Hindi. He has been a part of the film industry for 60 years, as of 2020. His journey in cinema has seen him do various roles - from child artiste, to romantic lead to one of the most respected and revered heroes of the film industry today.
He has famously said that he is a reluctant actor. He has an avid interest in every aspect of film making and is known for his work as a choreographer, director, and writer, as well.
He wrote his first script at age 18 for the film "Unarchigal" (1976), which was then followed by films that have gone on to become cult classics - Rajapaarvai (1981), Sathya (1988), Apoorva Sahotharargal (1989), Thevar Magan (1992), Mahanadi (1994), Kurudhippunal (1995), Avvai Shanmugi (1996), Hey Ram (2000), Pammal K Sambandam (2002), Panchathanthiram (2002), Anbe Sivam (2003), are a few of the films etched in popular memory for having set the bar for craftsmanship in the fields of screenplay, script, and dialogue.
He is also a prolific writer of fiction and non-fiction in Tamil and his published work is testament to his constant exploration of structure and form.
Kamal Haasan's strong convictions in his art have led to some of Indian cinema's most path-breaking films like Pushpak / Pushpaka Vimaanam / Pesum Padam (1987). Kamal Haasan also worked as a choreographer while transitioning as a well-known child artiste to the lead actor in a feature length film. Some of his best-known work as a dancer can be seen in Saagara Sangamam (1983) and the popular hit Punnagai Mannan (1986).
Kamal Haasan is also a student of Carnatic music, studying under musical maestro Dr. Balamuralikrishna. One of his biggest hits as a playback singer was the song "Inji Iduppazhagi" for the film Thevar Magan.
His career as a director began with the film Chachi 420 (1997), the Hindi remake of Avvai Shanmugi. Since then he has called the shots for critically acclaimed films like "Hey Ram" and "Virumaandi".
He has never hesitated to state his opinions and encourage debate about topics that are socially relevant. He is a rationalist in thought and moderate in opinion and a humanist in philosophy. The need to be socially conscious is seen in the way his fan clubs have revamped themselves into entities that carry out charity and volunteer work.- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
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Malayalam film actor Mammootty was born to Ismail (an agriculturist) and Fatima (a homemaker). He has two younger brothers Ibrahim and Zakariah; and three sisters, Ameena, Sauda and Shafina. He did his schooling in St.Joseph's Thevara, Maharaja's College and then studied law at Ernakulam Government Law College. It was during his days at Maharajah's that he got his first role as an extra (junior artist) in Anubhavangal Paalichakal in 1971. Along with Mohanlal, he is a top star in the Malayalam film industry of South India.- Actor
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Nicolas Cage was born Nicolas Kim Coppola in Long Beach, California, the son of comparative literature professor August Coppola (whose brother is director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang. He is of Italian (father) and Polish and German (mother) descent. Cage changed his name early in his career to make his own reputation, succeeding brilliantly with a host of classic, quirky roles by the late 1980s.
Initially studying theatre at Beverly Hills High School (though he dropped out at seventeen), he secured a bit part in Fast Times at Ridgemont High (1982) -- most of which was cut, dashing his hopes and leading to a job selling popcorn at the Fairfax Theater, thinking that would be the only route to a movie career. But a job reading lines with actors auditioning for uncle Francis' Rumble Fish (1983) landed him a role in that film, followed by the punk-rocker in Valley Girl (1983), which was released first and truly launched his career.
His one-time passion for method acting reached a personal limit when he smashed a street-vendor's remote-control car to achieve the sense of rage needed for his gangster character in The Cotton Club (1984).
In his early 20s, he dated Jenny Wright for two years and later linked to Uma Thurman. After a relationship of several years with Christina Fulton, a model, they split amicably and share custody of a son, Weston Cage (b. 1990). He also has a son with his ex-wife, Alice Kim Cage.- Actor
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For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Actor
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- Music Department
Fahadh is the son of Malayalam film director Fazil, and his wife Rozina. He has two sisters, Ahameda and Fatima, and a brother, Farhaan Faasil. He completed his schooling from SDV Central School Alleppey, Lawrence School Ooty and Choice School Thripunithara. He went on to pursue his degree from Sanatana Dharma College Alleppey and M.A. in philosophy from the University of Miami.
Fahadh made his debut at the age of 19 in his father Fazil's Kaiyethum Doorath (2002) which turned out to be a commercial failure. After a gap of six years, Fahadh made his comeback with the anthology film Kerala Cafe (2009). His notable films include Chaappa Kurishu, Diamond Necklace, 22 Female Kottayam, Amen, Artist, Annayum Rasoolum, North 24 Kaatham, Bangalore Days, and Iyobinte Pusthakam. He won the Kerala State Film Awards for Best Actor for his roles in Artist and North 24 Kaatham and Second Best Actor Award for his role in Akam.
On 20 January 2014, he got engaged to Malayalam and Tamil film actress Nazriya Nazim whom he married on 21 August 2014. The pair had gotten to know each other more on the sets of Anjali Menon's Bangalore Days (2014), in which they were playing a husband and wife. Fahadh revealed that their parents had been pivotal in arranging the marriage.- Director
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- Music Department
Venkatesh Prabhu known by his stage name Dhanush, is an Indian film actor, producer, lyricist and playback singer who has worked predominantly in Tamil cinema. In 2011, he won the National Film Award for Best Actor for the Tamil film "Aadukalam" and in the same year, he received international attention for his song "Why This Kolaveri Di", which went on to became the most viewed Indian song in YouTube.As of 2014, he has won five Filmfare Awards.
His first film was "Thulluvadho Ilamai", a 2002 coming-of-age movie directed by his father,Kasthuri Raja.Over the next ten years, Dhanush featured in 25 movies and made his Hindi debut in "Raanjhanaa" in the year 2013.- Actor
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In 1976, if you had told fourteen-year-old Franciscan seminary student Thomas Cruise Mapother IV that one day in the not too distant future he would be Tom Cruise, one of the top 100 movie stars of all time, he would have probably grinned and told you that his ambition was to join the priesthood. Nonetheless, this sensitive, deeply religious youngster who was born in 1962 in Syracuse, New York, was destined to become one of the highest paid and most sought after actors in screen history.
Tom is the only son (among four children) of nomadic parents, Mary Lee (Pfeiffer), a special education teacher, and Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, and he has German, Irish, and English ancestry. Young Tom spent his boyhood always on the move, and by the time he was 14 he had attended 15 different schools in the U.S. and Canada. He finally settled in Glen Ridge, New Jersey with his mother and her new husband. While in high school, Tom wanted to become a priest but pretty soon he developed an interest in acting and abandoned his plans of becoming a priest, dropped out of school, and at age 18 headed for New York and a possible acting career. The next 15 years of his life are the stuff of legends. He made his film debut with a small part in Endless Love (1981) and from the outset exhibited an undeniable box office appeal to both male and female audiences.
With handsome movie star looks and a charismatic smile, within 5 years Tom Cruise was starring in some of the top-grossing films of the 1980s including Top Gun (1986); The Color of Money (1986), Rain Man (1988) and Born on the Fourth of July (1989). By the 1990s he was one of the highest-paid actors in the world earning an average 15 million dollars a picture in such blockbuster hits as Interview with the Vampire: The Vampire Chronicles (1994), Mission: Impossible (1996) and Jerry Maguire (1996), for which he received an Academy Award Nomination for best actor. Tom Cruise's biggest franchise, Mission Impossible, has also earned a total of 3 billion dollars worldwide. Tom Cruise has also shown lots of interest in producing, with his biggest producer credits being the Mission Impossible franchise.
In 1990 he renounced his devout Catholic beliefs and embraced The Church of Scientology claiming that Scientology teachings had cured him of the dyslexia that had plagued him all of his life. A kind and thoughtful man well known for his compassion and generosity, Tom Cruise is one of the best liked members of the movie community. He was married to actress Nicole Kidman until 2001. Thomas Cruise Mapother IV has indeed come a long way from the lonely wanderings of his youth to become one of the biggest movie stars ever.- Sathyan was born as Sathyaneshan Nadar in a Christian family to Cheruvilakathuveettil Manuel and Lilly Amma. He had served as Viceroy's Commissioned Officer and later joined the Travancore State Police as a Police Inspector.
Sathyan made his debut on the tinsel screen in the 1952 Malayalam movie Athmasakhi. He received the Kerala State Film Award for the Best Actor twice for the films Kadalpalam in 1969 and Karakanakadal in 1971.
He was married to Jessy and was the father of three children. - Producer
- Actor
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Hong Kong's cheeky, lovable and best-known film star, Jackie Chan endured many years of long, hard work and multiple injuries to establish international success after his start in Hong Kong's manic martial arts cinema industry.
Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Fist of Fury (1972) (aka "The Chinese Connection"), and the Warner Bros. production Enter the Dragon (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.
Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shaolin Wooden Men (1976), To Kill with Intrigue (1977), Half a Loaf of Kung Fu (1978) and Magnificent Bodyguards (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Drunken Master (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with The Young Master (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!
Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Winners & Sinners (1983), Project A (1983), Wheels on Meals (1984), My Lucky Stars (1985) (aka "Winners & Sinners 2"), Twinkle Twinkle Lucky Stars (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Police Story (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!
This was quickly followed up with the Raiders of the Lost Ark (1981)-influenced Armour of God (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Project A 2 (1987), Police Story 2 (1988), Miracles: The Canton Godfather (1989) (aka "Mr. Canton and Lady Rose)", Armour of God 2: Operation Condor (1991) (aka "Armour of God 2") and Supercop (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Rumble in the Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.
Jackie did not waste any time and went to work on First Strike (1996) (aka "Police Story 4"), Mr. Nice Guy (1997), Who Am I? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Rush Hour (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Shanghai Noon (2000) and its sequel, Shanghai Knights (2003), and re-teamed with Tucker in Rush Hour 2 (2001), as well as starring in The Tuxedo (2002), The Medallion (2003) and the delightful Around the World in 80 Days (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with New Police Story (2004) and The Myth (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.
Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.- Actor
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Christopher Robert Evans is an American actor, film producer, and director. Evans began his acting career in typical fashion: performing in school productions and community theatre.
He was born in Boston, Massachusetts, the son of Lisa (Capuano), who worked at the Concord Youth Theatre, and G. Robert Evans III, a dentist. His uncle is former U.S. Representative Mike Capuano. Chris's father is of half German and half Welsh/English/Scottish ancestry, while Chris's mother is of half Italian and half Irish descent. He has an older sister, Carly Evans, and two younger siblings, a brother named Scott Evans, who is also an actor, and a sister named Shana Evans. The family moved to suburban Sudbury when he was 11 years-old. Bitten by the acting bug in the first grade because his older sister, Carly, started performing, Evans followed suit and began appearing in school plays. While at Lincoln-Sudbury Regional High School, his drama teacher cited his performance as "Leontes" in "The Winter's Tale" as exemplary of his skill. After more plays and regional theatre, he moved to New York and attended the Lee Strasberg Theatre Institute.
On the advice of friends, he landed an internship at a casting office and befriended a couple of the agents he regularly communicated with - one of whom later took him on as a client. The screen - not the stage - then became his focus; Evans soon began auditioning for feature films and television series. Evans made one of his first appearances on The Fugitive (2000) (CBS, 2000-2001), a remake of the 1960s series and feature film starring Harrison Ford. In the episode "Guilt", Evans played the son of a small-town sheriff who tries to exact revenge after Dr. Richard Kimble - incognito as a liquor store owner - refuses to sell him and his friends alcohol. After small roles in Cherry Falls (1999) and The Newcomers (2000) - two unknown low-budget features - Evans appeared in Boston Public (2000) (Fox, 2000-2004) as a murder suspect. He then appeared in his first major feature, Not Another Teen Movie (2001), a spoof on teen comedies wherein he played a jock who makes a bet that he can turn an unpopular and unkempt girl (Chyler Leigh) into prom queen.
After filming a couple of television pilots he was confident would be successful - Just Married (2003) and Eastwick (2002) - he appeared in another listless teen comedy, The Perfect Score (2004), playing an average, ho-hum student who takes part in a plot to steal the SAT test. Hijinks naturally ensue. Then, Evans broke through to the Big Time, grabbing the lead in the kidnapping thriller, Cellular (2004), a suspenseful B movie with a cheesy gimmick - a random wrong number on his cell phone forces him into a high-stakes race to save an unknown woman's life. Despite an unassuming performance from Evans and Kim Basinger as the damsel in distress, Cellular (2004) failed to break any box office records or please a wide majority of critics. Evans then prepared himself for super stardom when he signed on to play Johnny Storm in Fantastic Four (2005), 20th Century Fox's long-awaited adaptation of the Marvel comic. Although the film was wildly uneven and disappointing, Evans nearly stole the show with his energetic, unfettered performance. In that year itself, Chris was noticed by critics and made it into magazine and Internet countdowns, scoring himself a third position of the hot body countdown from Gay.com and #18 on E! Television's 2006 101 Sexiest Celebrity Bodies.
The year 2007 also proved to be one successful year for Chris, as he had two movies released around the world that same year, starting with the second installment of the Marvel franchise Fantastic Four. Chris received positive reviews for his performance. The Nanny Diaries (2007), where Evans played Harvard Hottie, showed his sensitive. The year 2008 saw Chris Evans' part of the movie Street Kings (2008), playing the character Detective Paul Diskant. The movie is about police officers trying to cover up their wrongdoings and audiences got to see a serious side of Chris. In the same year, Chris also worked on the movie The Loss of a Teardrop Diamond (2008).- Producer
- Actor
- Writer
Willard Carroll "Will" Smith II (born September 25, 1968) is an American actor, comedian, producer, rapper, and songwriter. He has enjoyed success in television, film, and music. In April 2007, Newsweek called him "the most powerful actor in Hollywood". Smith has been nominated for five Golden Globe Awards, two Academy Awards, and has won four Grammy Awards.
In the late 1980s, Smith achieved modest fame as a rapper under the name The Fresh Prince. In 1990, his popularity increased dramatically when he starred in the popular television series The Fresh Prince of Bel-Air. The show ran for six seasons (1990-96) on NBC and has been syndicated consistently on various networks since then. After the series ended, Smith moved from television to film, and ultimately starred in numerous blockbuster films. He is the only actor to have eight consecutive films gross over $100 million in the domestic box office, eleven consecutive films gross over $150 million internationally, and eight consecutive films in which he starred open at the number one spot in the domestic box office tally.
Smith is ranked as the most bankable star worldwide by Forbes. As of 2014, 17 of the 21 films in which he has had leading roles have accumulated worldwide gross earnings of over $100 million each, five taking in over $500 million each in global box office receipts. As of 2014, his films have grossed $6.6 billion at the global box office. He has received Best Actor Oscar nominations for Ali and The Pursuit of Happyness.
Smith was born in West Philadelphia, the son of Caroline (Bright), a Philadelphia school board administrator, and Willard Carroll Smith, Sr., a refrigeration engineer. He grew up in West Philadelphia's Wynnefield neighborhood, and was raised Baptist. He has three siblings, sister Pamela, who is four years older, and twins Harry and Ellen, who are three years younger. Smith attended Our Lady of Lourdes, a private Catholic elementary school in Philadelphia. His parents separated when he was 13, but did not actually divorce until around 2000.
Smith attended Overbrook High School. Though widely reported, it is untrue that Smith turned down a scholarship to attend the Massachusetts Institute of Technology (MIT); he never applied to college because he "wanted to rap." Smith says he was admitted to a "pre-engineering [summer] program" at MIT for high school students, but he did not attend. According to Smith, "My mother, who worked for the School Board of Philadelphia, had a friend who was the admissions officer at MIT. I had pretty high SAT scores and they needed black kids, so I probably could have gotten in. But I had no intention of going to college."
Smith started as the MC of the hip-hop duo DJ Jazzy Jeff & The Fresh Prince, with his childhood friend Jeffrey "DJ Jazzy Jeff" Townes as producer, as well as Ready Rock C (Clarence Holmes) as the human beat box. The trio was known for performing humorous, radio-friendly songs, most notably "Parents Just Don't Understand" and "Summertime". They gained critical acclaim and won the first Grammy awarded in the Rap category (1988).
Smith spent money freely around 1988 and 1989 and underpaid his income taxes. The Internal Revenue Service eventually assessed a $2.8 million tax debt against Smith, took many of his possessions, and garnished his income. Smith was nearly bankrupt in 1990, when the NBC television network signed him to a contract and built a sitcom, The Fresh Prince of Bel-Air, around him.
The show was successful and began his acting career. Smith set for himself the goal of becoming "the biggest movie star in the world", studying box office successes' common characteristics.
Smith's first major roles were in the drama Six Degrees of Separation (1993) and the action film Bad Boys (1995) in which he starred opposite Martin Lawrence.
In 1996, Smith starred as part of an ensemble cast in Roland Emmerich's Independence Day. The film was a massive blockbuster, becoming the second highest grossing film in history at the time and establishing Smith as a prime box office draw. He later struck gold again in the summer of 1997 alongside Tommy Lee Jones in the summer hit Men in Black playing Agent J. In 1998, Smith starred with Gene Hackman in Enemy of the State.
He turned down the role of Neo in The Matrix in favor of Wild Wild West (1999). Despite the disappointment of Wild Wild West, Smith has said that he harbors no regrets about his decision, asserting that Keanu Reeves's performance as Neo was superior to what Smith himself would have achieved, although in interviews subsequent to the release of Wild Wild West he stated that he "made a mistake on Wild Wild West. That could have been better."
In 2005, Smith was entered into the Guinness Book of World Records for attending three premieres in a 24-hour time span.
He has planned to star in a feature film remake of the television series It Takes a Thief.
On December 10, 2007, Smith was honored at Grauman's Chinese Theatre on Hollywood Boulevard. Smith left an imprint of his hands and feet outside the world-renowned theater in front of many fans. Later that month, Smith starred in the film I Am Legend, released December 14, 2007. Despite marginally positive reviews, its opening was the largest ever for a film released in the United States during December. Smith himself has said that he considers the film to be "aggressively unique". A reviewer said that the film's commercial success "cemented [Smith's] standing as the number one box office draw in Hollywood." On December 1, 2008, TV Guide reported that Smith was selected as one of America's top ten most fascinating people of 2008 for a Barbara Walters ABC special that aired on December 4, 2008.
In 2008 Smith was reported to be developing a film entitled The Last Pharaoh, in which he would be starring as Taharqa. It was in 2008 that Smith starred in the superhero movie Hancock.
Men in Black III opened on May 25, 2012 with Smith again reprising his role as Agent J. This was his first major starring role in four years.
On August 19, 2011, it was announced that Smith had returned to the studio with producer La Mar Edwards to work on his fifth studio album. Edwards has worked with artists such as T.I., Chris Brown, and Game. Smith's most recent studio album, Lost and Found, was released in 2005.
Smith and his son Jaden played father and son in two productions: the 2006 biographical drama The Pursuit of Happyness, and the science fiction film After Earth, which was released on May 31, 2013.
Smith starred opposite Margot Robbie in the romance drama Focus. He played Nicky Spurgeon, a veteran con artist who takes a young, attractive woman under his wing. Focus was released on February 27, 2015. Smith was set to star in the Sci-Fic thriller Brilliance, an adaptation of Marcus Sakey's novel of the same name scripted by Jurassic Park writer David Koepp. But he left the project.
Smith played Dr. Bennet Omalu of the Brain Injury Research Institute in the sports-drama Concussion, who became the first person to discover chronic traumatic encephalopathy (CTE) in a football player's brain. CTE is a degenerative disease caused by severe trauma to the head that can be discovered only after death. Smith's involvement is mostly due to his last-minute exit from the Sci-Fi thriller-drama Brilliance. Concussion was directed by Peter Landesman and-bead filmed in Pittsburgh, according to the Pittsburgh Tribune-Review. It received $14.4 million in film tax credits from Pennsylvania. Principal photography started on October 27, 2014. Actress Gugu Mbatha-Raw played his wife. Omalu served as a consultant.
As of November 2015, Smith is set to star in the independent drama Collateral Beauty, which will be directed by David Frankel. Smith will play a New York advertising executive who succumbs to an deep depression after a personal tragedy.
Nobel Peace Prize Concert December 11, 2009, in Oslo, Norway: Smith with wife Jada and children Jaden and Willow Smith married Sheree Zampino in 1992. They had one son, Trey Smith, born on November 11, 1992, and divorced in 1995. Trey appeared in his father's music video for the 1998 single "Just the Two of Us". He also acted in two episodes of the sitcom All of Us, and has appeared on The Oprah Winfrey Show and on the David Blaine: Real or Magic TV special.
Smith married actress Jada Koren Pinkett in 1997. Together they have two children: Jaden Christopher Syre Smith (born 1998), his co-star in The Pursuit of Happyness and After Earth, and Willow Camille Reign Smith (born 2000), who appeared as his daughter in I Am Legend. Smith and his brother Harry own Treyball Development Inc., a Beverly Hills-based company named after Trey. Smith and his family reside in Los Angeles, California.
Smith was consistently listed in Fortune Magazine's "Richest 40" list of the forty wealthiest Americans under the age of 40.- Actor
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- Music Department
One of the best actor ever graced Indian film. He was the son of the write Jagathy N Achari. He was very active in the school and college drama activities and wanted to be an actor from childhood. Since he didn't want to use his father's name to get a chance in movies, he never revealed about his father during his struggling days in Madras.
His friendship with late director/actor Venu Nagavally was very famous. When he decided to leave his home to Madras to look for acting roles, he went to Venu for the money for travel and accommodation. Venu just joined trivandrum aakashavani, and just got his first salary. Ambili sir was waiting for Venu at Aakashavani gate step and venu gave all his salary to Ambili. Jagathy's best comedy scenes where penned by Venu Nagavally.- Actor
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Known for his trademark gelled spiked up crew cut with sunglasses, Shah Rukh Khan (SRK) is an Indian Bollywood movie star, movie producer, magazine model, showman, public speaker, author, philanthropist and television host/personality working predominantly in Hindi cinema.
Khan began his on-camera acting debut in 1987 at the age of 21 by guest starring in various Indian serial drama soap opera TV shows as well as appearing in numerous television commercials and brand advertisements for products. He studied theatre arts and drama during his second year of college after participating in numerous school plays. He landed a few acting gigs in Delhi, before acting on Indian TV and became popular. Khan came down to Mumbai to shoot a TV series with self doubt and under confidence. So he came for a year to give it a shot. He began auditioning for starring roles in Hindi movies in 1990 after the death of his mother (his father died a decade earlier in 1980). Khan's parents died early, which made him heartbroken in Delhi. Khan decided to pursue a full-time acting career and relocating to Mumbai to start afresh, hoping to enjoy acting and overcome the dejecting death of his parents, as there was nothing for him to go back to. He began auditioning for starring roles in Hindi movies in 1990 after the death of his mother (his father died a decade earlier in 1980).
After recuperating from a career-ending sports injury, he landed his breakout breakthrough feature film starring role in the Silver screen in June 1992, and rose to prominence in the mid-to-late 1990s. Khan shot to stardom in his first feature film "Deewana" (1992) which won him the first of 13 Filmfare awards -- the Bollywood equivalent of an Oscar. He continued starring in blockbuster movies throughout the 2000s with a mixed bag of career fluctuations, establishing himself as a very bankable, versatile movie star in the early-to-mid 2010s. Following a 4-year sabbatical hiatus in the wake of the corona-virus pandemic, Khan made a resurgence comeback in 2023, and continues to act and star in A-Lister blockbuster movies.
Referred to in the media as the "Baadshah of Bollywood" and "King Khan", he has appeared in over 100 films, and earned numerous accolades, including 14 Filmfare Awards.
He has been awarded the Padma Shri by the Government of India, as well as the Ordre des Arts et des Lettres and Legion of Honour by the Government of France. Khan has a significant following in Asia and the Indian diaspora worldwide. In terms of audience size and income, several media outlets have described him as one of the most successful film stars in the world. Many of his films depict and portray Indian national identity, Indian patriotism, and connections with diaspora communities, or gender, racial, social and religious differences and grievances.
Shah Rukh Khan has been TAG Heuer's brand ambassador in India since September 2003 & is close friends with Amir. He is Bollywood's most bankable movie stars with brand endorsements & resides in the affluent suburbs of Bandra, Mumbai, India with his wife and children.- Actor
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Prithviraj Sukumaran (born 16 October 1982), credited mononymously as Prithviraj, is an Indian actor, playback singer and producer best known for his work in Malayalam films. He has also acted in a number of Tamil, Telugu and Hindi films.
Prithviraj Sukumaran was born in Thiruvananthapuram to actors Sukumaran and Mallika Sukumaran. His initial schooling was at Shrine Vailankanni Senior Secondary School, T. Nagar, Chennai and St.Joseph's Boys' Hr.Sec.School, Coonoor, since the family was settled at Tamil Nadu that time. Later when the family shifted to Kerala he had his education from The NSS Public School Perunthanni, St.Mary's Residential Central School, Poojappura (which was near his home at Chengallur) where he acted in various plays and skits for the school's Annual Day Celebrations. He completed the rest of his school education at Sainik School Kazhakoottam and Bharathiya Vidya Bhavan, Thiruvananthapuram. Prithviraj, along with his brother Indrajith Sukumaran. He also participated in debates and elocution competitions while in school. Prithviraj won the title of "Mr LA Fest" in the Annual Inter-School arts festival hosted by Loyola School, Thiruvananthapuram in successive years and is the only person to date to win that title twice.
While pursuing his bachelor's degree in Information Technology at the University of Tasmania, Australia, he was called for a shot in the movies by film director Ranjith Balakrishnan to play the lead role in his film Nandanam. It was Fazil, a well known Malayalam film director, who introduced him to Ranjith. After his performance in Nandanam, he decided to take a break from studies to concentrate on his film career.
Prithviraj Sukumaran's elder brother Indrajith Sukumaran and sister-in-law Poornima Indrajith are also film actors.- Oduvil Unnikrishnan was born on 13 February 1944 in Vadakkancherry, Trichur, Kerala, India. He was an actor, known for Nizhalkkuthu (2002), Sallapam (1996) and Devasuram (1993). He died on 27 May 2006 in Kozhikode, Kerala, India.
- Producer
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Abdul Rashid Salim Salman Khan was born on December 27, 1965, in Mumbai to legendary screenwriter Salim Khan, who penned many super-hits in the yesteryear's like Sholay (1975), Deewaar (1975), and Don (1978). Khan started his acting career by doing a supporting role in the movie Biwi Ho To Aisi (1988). The following year he had the leading role in the box office romantic hit Maine Pyar Kiya (1989). From there he became a heartthrob of Indian cinema.
Following with other box office hits he showed his terrific performance in Saajan (1991), Andaz Apna Apna (1994), Hum Aapke Hain Koun..! (1994), Karan Arjun (1995), Khamoshi the Musical (1996), Kuch Kuch Hota Hai (1998). His transformations can be sensitive, vulnerable, funny, aggressive and charming as his role demands.
In 1998, he was arrested by the local police from the shooting location of the film Hum Saath-Saath Hain (1999), for killing protected wild animals and spent about a week behind the bars. The actor is facing trial in three cases of killing blackbucks and Chinkaras and another of illegal possession of arms. In September 2002, Khan had hit the headlines after he crashed his Land Cruiser near the American Express bakery in Bandra, killing one man and injuring others.
Being known for those roguish behaviors, he tried to balance his troubled life with his career. He gave his emotionally charged performance as playing an obsessed lover in In Your Name (2003) that translated into good reviews and a good run at the box office. He not only managed to revive his career but also to restore the confidence of his producers and distributors alike.
His work was noticed internationally in the moviePhir Milenge (2004) where he played the role of an AIDS patient. It was well appreciated by the World Health Organization (WHO) for presenting the problems of AIDS patients in today's world.
In 2007, he launched Being Human - Salman Khan Foundation. This charitable organization aids the underprivileged in areas such as education and health care.
More recently, he starred in the multiple record-breaking box office super-hits Dabangg (2010), Ready (2011) and Bodyguard (2011).