Neil Simon Collaborators
Actors and actresses that star and co-star in comedies and dramas written by playwright Neil Simon!
Some of them even guest starring in The Muppet Movie, The Great Muppet Caper, The Muppets Take Manhattan, and Muppets from Space!
Some of them even guest starring in The Muppet Movie, The Great Muppet Caper, The Muppets Take Manhattan, and Muppets from Space!
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- Soundtrack
Born in New York City of humble means, character player James Coco was the son of Feliche, an Italian shoemaker, and Ida (Detestes) Coco. Shining shoes as a youngster with his father, his interest in acting occurred early on as a child. At age 17 he toured with a children's theatre troupe for three years portraying Old King Cole and Hans Brinker. Intensive study with acting guru Uta Hagen led to his Broadway debut at age 29 in "Hotel Paradiso" in 1957, but he earned his first acting award, an Obie, for his performance in the 1961 off-Broadway production of "The Moon in Yellow River". He went on to win a second and third Obie for his performances in the plays "Fragments" (1967) and "The Transfiguration of Benno Blimppie" (1977). Dark, hefty and prematurely balding, he proved to be a natural on the comedy stage and in scores of commercials (notably as Willy the plumber in the Drano ads) throughout the 1960s. Other comedy theater highlights included roles in "Auntie Mame," "Everybody Loves Opal," "A Shot in the Dark," "Bell, Book and Candle" and "You Can't Take It With You".
In the late 60s he formed a strong collaboration with playwright Terrence McNally and appeared in an off-Broadway double-bill of his one-act plays (his one-act was entitled "Witness") in 1968, followed by "Here's Where I Belong" a failed 1968 Broadway musical variation of the Steinbeck play "East of Eden" that closed on opening night. Their most notable alliance occurred the following year with the play "Next," which ran more than 700 performances and earned Coco a Drama Desk award. Sixteen years later, and shortly before Coco's death, the two reunited for the 1985 Manhattan Theatre Club production of "It's Only a Play".
Coco also earned kudos for his work in Neil Simon comedies, and "The Last of the Red Hot Lovers" (1969), which was specifically written for him, earned him a Tony Award nomination as Best Actor. The two later joined forces for a Broadway revival of the musical "Little Me" and the hilarious film comedy spoofs Murder by Death (1976) and The Cheap Detective (1978), in addition to his moving support role as Marsha Mason's depressed gay actor/friend in Only When I Laugh (1981), which garnered his sole Oscar nomination.
Achieving stardom first on stage, Coco's other films were a mixed bag with more misses (Ensign Pulver (1964), Man of La Mancha (1972) (as Sancho Panza), The Wild Party (1975), Scavenger Hunt (1979)) than hits (A New Leaf (1971)). On the TV screen, Coco fronted two short-lived 1970s comedy series, Calucci's Department (1973) and The Dumplings (1976), and also appeared in daytime soaps (The Edge of Night (1956) and "The Guiding Light"). Throughout his career he played an amusing number of characters on such sitcoms as Maude (1972) and Alice (1976) and also played bathos and pathos to great effect, not only winning an Emmy for his dramatic performance on a St. Elsewhere (1982) episode but appearing opposite Doris Roberts as the brittle Van Daan couple in the TV version of The Diary of Anne Frank (1980). One of his last TV assignments was a recurring role on the sitcom "Who's The Boss?" in 1986-1987.
In his last years, Coco received attention for his culinary talents and best-selling cookbooks. The James Coco Diet, an educational book which included chapters on menu planning and behavior modification as well as choice recipes), was just one that he promoted on the talk show circuit. It is probably not a coincidence that he often played characters with extreme food issues. Suffering from obesity (5'10", 250 lbs.) for most his adult life, the talented actor died unexpectedly of a heart attack in New York City in 1987 at the age of 56, and was buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey.- Actress
- Director
- Additional Crew
Marsha Mason has a wonderful, extremely engaging "feel good" quality about her, an innate warmth that makes you root for her whether she's playing a stubborn single mom, brittle prostitute, or strung-out alcoholic. She was a resoundingly respected and popular film actress of the 1970s and 1980s whose career skyrocketed in the bittersweet comedies/dramas of award-winning Neil Simon. Earning a string of leading lady Oscar nominations within a short span of time (three of them, courtesy of husband Simon), Marsha's movie career suffered a major fall-out when the famed couple parted ways in 1983 -- most probably due to her almost exclusive, amazingly successful association with him.
The elder of two sisters born to James Joseph Mason and Jacqueline Helena (Rachowsky) Mason in St. Louis, Missouri, on April 3, 1942, Marsha was raised, for a time, in Crestwood, Missouri, before moving to Webster Groves (a suburb of St. Louis) and graduating from Nerinx Hall High School. There, she attended Webster University and, after receiving her degree, moved to New York where she began taking acting classes and finding some work in TV commercials in-between regular job-hunting.
Marrying fellow struggling actor Gary Campbell in 1965, Marsha made an inauspicious movie debut with the forgettable Hot Rod Hullabaloo (1966). Focusing intently on stage work, she made her professional debut in 1967 with "The Deer Park" at the Theatre de Lys and, the next year, joined the cast as a replacement in the established hit comedy, "Cactus Flower", at the Royale Theatre. Subsequent work came her way both on- and off-Broadway ("It's Called the Sugar Plum", "The Indian Wants the Bronx", "Happy Birthday, Wanda June", "Richard III"). She later hooked up with San Francisco's prestigious American Conservatory Theatre and appeared in an enviable number of their productions ("The Merchant of Venice", "Private Lives", "You Can't Take It With You", "A Doll's House", "Cyrano de Bergerac", "The Crucible").
Daytime soaps played a vital part during this period of time (1969-1972), playing a hooker-turned-vampire on the popular Dark Shadows (1966) series and winning regular roles on Where the Heart Is (1969) and Love of Life (1951). Divorced after five years from actor Gary Campbell in 1970, the pert-nosed, dark-haired beauty met Neil Simon, a recent widower, when he cast her in his 1973 original Broadway production of "The Good Doctor". They had a whirlwind romance and married with a few weeks.
1973 was an excellent year in other ways in that Marsha won the second femme lead in Blume in Love (1973), starring George Segal and Susan Anspach, and then beat out such stars as Barbra Streisand for the coveted role of the hooker opposite James Caan's sailor in the realistic drama Cinderella Liberty (1973). The chemistry was electric between the two and Mason earned her first Oscar nod. Following a leading stage role in "The Heiress" (1975) and playing "Roxane" in a TV version of Cyrano de Bergerac (1975), Marsha earned two more Neil Simon-driven Oscar nominations with The Goodbye Girl (1977), opposite Oscar winner Richard Dreyfuss, and Chapter Two (1979), which reunited her with James Caan and was based on Mason and Simon's own relationship.
Simon would offer his wife Oscar-worthy material one more time with Only When I Laugh (1981), as an alcoholic trying to stay on the wagon for daughter Kristy McNichol. This would be Marsha's fourth Academy Award nod. The couple's last film project together came in the form of Max Dugan Returns (1983), which was a major misfire.
Following Marsha's divorce from Simon, her film product decreased rapidly in quantity as well as quality. With the exception of the Clint Eastwood vehicle, Heartbreak Ridge (1986), she made no other films in the 1980s. While her film output did increase in the 1990s, none of them -- Stella (1990), Drop Dead Fred (1991), I Love Trouble (1994), Nick of Time (1995) and 2 Days in the Valley (1996) -- did anything to jump-start her waning cinematic career.
Over the years, Marsha maintained by focusing on TV and stage work. More recent theatre credits have included "The Night of the Iguana", "The Prisoner of Second Avenue" (another popular Simon work in which she appeared opposite Richard Dreyfuss in London), "Wintertime", "Steel Magnolias", "I Never Sang for My Father", "All's Well that Ends Well" and the Simon play "California Suite", some of which played Broadway.
On the small screen, Marsha starred in her own short-lived series Sibs (1991) and appeared in an Emmy-nominated recurring role on the series, Frasier (1993), as a love interest for Martin Crane. She has also appeared in a number of TV-movies, including one as Judy Garland's mother, "Ethel Gumm", in Life with Judy Garland: Me and My Shadows (2001), and has guest-starred on such series as "Seinfeld," "The Education of Max Bickford," "Lipstick Jungle," "Army Wives," "The Good Wife," "Madame Secretary." Her more recent recurring parts have been on the comedy series The Middle (2009) and Grace and Frankie (2015).
On a rare occasion, the veteran actress has directed both on film and TV. Feeling out of sorts in Hollywood at one stage, Marsha strongly pursued her spiritual side, primarily as a disciple of Swami Muktananda. She later moved to New Mexico in 1993 and she became an owner of an organic farm where she raised herbs and operated a wellness line of bath and body products. She also enjoyed professional race car driving at one point. An insightful, highly revealing autobiography came out in the form of "Journal: A Personal Odyssey" in 2000.- Actress
- Soundtrack
Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning a doctorate in her chosen field.
Kahn's best-known work came in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).
On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.- Actor
- Director
- Writer
As might be said for the late and great comedians Harvey Korman and Madeline Kahn, it seems that Mel Brooks was the only director on the planet who knew how to best utilize this funnyman's talents on film. Brooks once remarked that, whenever he cast Dom in one of his films he'd add an extra two days to the shooting schedule because of delays between takes due to the constant laughter from cast and crew at Dom's improvisations.
The lovable, butterball comedian was a mainstay on 1960s and '70s TV variety as a "second banana," or comic-relief player. While his harsher critics believed his schtick would be better served in smaller doses, Dom nevertheless went on to find some range in a few moving, more restrained projects. Those few glimpses behind all the mirth and merriment revealed a dramatic actor waiting to be unleashed. As they say, behind every clown's smile, one finds tears.
He was born Dominick DeLuise on August 1, 1933, in Brooklyn, New York, to parents John, a sanitation engineer, and Vicenza (DeStefano) DeLuise, both Italian immigrants. A natural school-class clown, his irrepressible sense of humor helped Dom fit in at school, and he started drawing belly laughs fairly young in his very first school play that had him portraying an inert copper penny! He later attended New York's High School of Performing Arts, but when it came to college, he decided to major in biology at Tufts University, outside Boston. That decision failed to expunge the idea of being a comedian from his head and heart, however, and that determination finally prevailed.
Dom's formative years as an actor were spent apprenticing at the Cleveland Playhouse, where which he gamely played roles in everything from contemporary shows like "Guys and Dolls" and "Stalag 17" to classics like "The School for Scandal" and even "Hamlet." He earned his first professional paycheck playing the titular Bernie the dog in "Bernie's Last Wish." Dom also got a taste of what it was like in front of the camera in Cleveland, appearing on the local TV kiddie's show "Tip Top Clubhouse."
Back in NYC, he took over the lead role of Tinker the toymaker in another children's local program, Tinker's Workshop (1954), for one season in 1958. He also started making noise on the off-Broadway scene. Appearing in the plays "The Jackass" and "All in Love," he became part of the featured ensemble of the 1961 musical revue "An Evening with Harry Stoones," which included 19-year-old Barbra Streisand. More outlandish musical roles came his way in the early 1960s with "Little Mary Sunshine" (as Corporal Billy Jester) and "The Student Gypsy, or the Prince of Liederkrantz" (his Broadway debut as Muffin T. Raggamuffin). While appearing in the lighthearted summer stock spoof "Summer & Smirk" in Provincetown, Massachusetts, Dom met fellow performer Carol Arthur (née Carol Arata). They married on November 23, 1965. Their three sons, Peter DeLuise, Michael DeLuise and David DeLuise all eventually found their way into show business. In 1971, Dom returned successfully to Broadway in a perfectly-suited Neil Simon vehicle, "The Last of the Red Hot Lovers."
Dom was first noticed on the smaller screen, creating the sketch character of Dominick the Great, a magician who tries in vain to mask his inept prestidigitations with feigned dignity on Garry Moore's popular show. The comedian truly thrived in this TV variety atmosphere and soon began popping up seemingly everywhere: (The Hollywood Palace (1964), The Smothers Brothers Comedy Hour (1967), The Jackie Gleason Show (1966)). Balding, blushing, dimpled and moon-faced (comparisons to a ripe tomato were not wide of the mark), he was readily equipped with a high-wattage, Cheshire Cat smile that became his trademark. At his best, looking embarrassed or agitated, the laughs usually came at his own expense, whether playing a panic-stricken klutz or squirming nervous-Nelly type. Dom took his magician character to the ensemble comedy show The Entertainers (1964), which also showcased Carol Burnett and Bob Newhart, and found more regular employment as a bumbling private eye in puppeteer Shari Lewis' daytime children's program, and as a foil for Dean Martin on the entertainer's regular and summer replacement shows. Dom again repeated his Dominick the Great character on Martin's show and received great reception. He later found himself part of Martin's "in-crowd" of comedians on his "celebrity roasts."
Dom's obvious comic genius was more readily evident, and succeeded better, in tandem with other performers than it was on its own. Hosting duties for his very first comedy/variety program The Dom DeLuise Show (1968), which featured wife Carol as part of the regular roster, lasted only one summer. The sitcom Lotsa Luck! (1973), which showcased Dom as bachelor Stanley Belmont having to contend with a live-in mother (a harping Kathleen Freeman) and sister (an ungainly Beverly Sanders), was canceled after its first season. He gave it a rest for awhile before trying once again with the sketch-like sitcom The Dom DeLuise Show (1987), but it, too, quickly faded. Another brief stint was as host of a revamped Candid Camera (1991).
While Dom made an unlikely film debut as a high-strung Air Force technician in the gripping nuclear drama Fail Safe (1964) starring Henry Fonda, it was in zany, irreverent comedy that he found his true calling. Appearing in support of others such as Sid Caesar and Mary Tyler Moore, respectively, in the so-so comedies The Busy Body (1967) and What's So Bad About Feeling Good? (1968), he proved a delight as an inept, dim-witted spy in the Doris Day caper The Glass Bottom Boat (1966).
Mel Brooks first cast Dom as the miserly Russian Orthodox priest, Father Fyodor, in his film The Twelve Chairs (1970), and found plenty of room for the comedian after that -- as campy director Buddy Bizarre in Blazing Saddles (1974), the silly-ass director's assistant in Silent Movie (1976), Emperor Nero in History of the World: Part I (1981), the voice of the cheese-oozing Pizza the Hutt in the "Star Wars" parody Spaceballs (1987), and as Sherwood Forest's very own puffy-cheeked Godfather, Don Giovanni, in Robin Hood: Men in Tights (1993).
A very close friend of action star Burt Reynolds, Dom romped through a number of Reynolds' freewheeling films as well, including Smokey and the Bandit II (1980), The Cannonball Run (1981) and The Best Little Whorehouse in Texas (1982). One of his finest scene-stealing film roles, in fact, was as Reynolds' schizo pal in The End (1978). Dom went on to direct a number of stage productions for his close friend at the Burt Reynolds Theatre in Jupiter, Florida -- among them "Butterflies Are Free," "Same Time, Next Year" (starring Burt and Carol Burnett), "Brighton Beach Memoirs" (starring son Peter), and the musical "Jump" (featuring wife Carol). Still another comic buddy, Gene Wilder, handed Dom the roles of the indulgent opera star in The Adventure of Sherlock Holmes' Smarter Brother (1975) and harassed movie mogul Adolf Zitz in The World's Greatest Lover (1977). Dom later joined Wilder once again, along with Wilder's wife Gilda Radner, in the leaden comedy Haunted Honeymoon (1986), a clumsy haunted-house spoof that even Dom, in full drag, could not salvage.
Change-of-pace roles were few and far between. One that did come Dom's way was the compulsive-eating protagonist in Fatso (1980). Directed by and co-starring Brooks' wife Anne Bancroft, Dom managed to mix comedy with pathos. Obesity was also a chronic, real-life problem for the comedian and, at one point in 1999, it was reported that he had tipped the scales at 325 lbs. On a positive note, this passion for food actually fed into a more lucrative sideline -- as a respected chef and culinary author ("Eat This" and "Eat This Too") in which he appeared all over the tube cooking and demonstrating his favorite recipes. He also found time to write children's books on the side.
Dom tackled broad comedy films with great abandon -- a wallflower he was not -- but they were hit-or-miss. Some of his biggest misses were the Mae West disaster Sextette (1977), the Dudley Moore showcase Wholly Moses! (1980) (although Dom was arguably the best thing in it), Loose Cannons (1990), in which he appeared as portly pornographer Harry "The Hippo" Gutterman, Driving Me Crazy (1991), which filmed far away in Germany, and The Silence of the Hams (1994), a parody on the horror genre in which he played Dr. Animal Cannibal Pizza.
Films could also be a family affair. True to life, Dom played a sympathetic kiddie show host in the moving TV-movie Happy (1983). Also the executive producer, he was joined by wife Carol and all three sons in the cast. In addition, Dom offered a cameo in Between the Sheets (2003), a film written by Peter, directed, edited and executive-produced by Michael, and featuring roles for the rest of the family.
Dom's voiceover skills did not go untapped, either, in films including the animated features The Secret of NIMH (1982), An American Tail (1986) and All Dogs Go to Heaven (1989), plus all of their offshoots. The heavily-bearded DeLuise even displayed scene-stealing antics on the operatic scene, once playing the speaking part of Frosch the Jailer in Johann Srauss II's operetta "Die ," at the Metropolitan Opera.
Suffering from various physical ailments in later years, some of which were exacerbated by his chronic obesity and diabetes, Dom's health declined, and he died in 2009 at age 75. His wife and three children survive him, as do three grandchildren.- Music Department
- Actor
- Composer
Known for timeless classics such as "We've Only Just Begun," "Rainy Days and Mondays," "Evergreen," "Just an Old Fashioned Love Song," and "Rainbow Connection," Paul Williams is responsible for what will remain part of our popular culture for many years to come. His music has been recorded by some of the biggest names in the entertainment industry.
Three Dog Night's versions of "Just an Old Fashioned Love Song," "Out in the Country," and "Family of Man" have sold millions of copies, worldwide. Karen Carpenter's rich vocals made "We've Only Just Begun," "Rainy Days and Mondays," "Let Me Be the One," and "I Won't Last a Day Without You," a part of our lives. Elvis Presley, Frank Sinatra, Ella Fitzgerald, Barbra Streisand, Willie Nelson, Kermit the Frog and Luther Vandross are among the hundreds of artists who have recorded Paul's songs.
Neal McCoy recently recorded Paul's "Party On," while Diamond Rio recorded and took "You're Gone" to the top of the charts. The video for "You're Gone" became Pick of the Week on Country Music Television. In 1997, Paul went back into the recording studio and recorded his CD, "Back to Love Again," which includes remakes of some of Paul's more classic hits such as "Rainbow Connection" and "I Won't Last a Day Without You," as well as new songs which contain the same quality, passion and depth that was heard and felt in his hits from the past. Richard Carpenter and Graham Nash appear as guest artists on the album, bringing to it a richness and a quality all its own. Critics, fans and the most famous in the music industry have all had positive reactions and reviews to the album.
No one sings a song like the songwriter who wrote it, and the same holds true for Paul's music. No one captures the emotion within the songs the way he can and does time and time again. Paul is one of the most celebrated songwriters of our time having won Academy, Grammy and Golden Globe Awards. His most recent accomplishments include his induction into the American Songwriters Hall of Fame.
Paul's reputation as a motion picture songwriter took hold in 1973, with an Academy Award nomination for "Nice to Be Around" (co-written with John Williams) from Cinderella Liberty (1973). 1975 brought Paul's second nomination for the soundtrack from Brian De Palma's cult classic, Phantom of the Paradise (1974). He not only wrote the words and music and produced the album for the rock cantata, but also held the audience captive with his devious portrayal of the evil Swan.
Paul went on to become the Music Supervisor for A Star Is Born (1976), bringing with it the challenge of working with three different composers to produce its award-winning score. Williams and Kenny Ascher won a Golden Globe Award for "Best Motion Picture Score." "Evergreen," co-written with Barbra Streisand, won the 1976 Oscar for "Best Song of the Year." In 1980, Paul was once again nominated by the Academy for the score from the box office smash hit, The Muppet Movie (1979), for "Best Original Score" as well as the song "Rainbow Connection" being nominated for "Best Song." "The Muppet Movie" soundtrack went on to win two Grammy Awards and became the biggest soundtrack album of the year, exceeding sales of one million units. Paul reunited with Henson Productions for the Disney feature film, The Muppet Christmas Carol (1992). He wrote and produced the songs for the soundtrack which brought with it yet another Grammy Award nomination for "Best Musical Album for Children."
Paul's other film credits include the songs and score for Bugsy Malone (1976), which starred Jodie Foster and Scott Baio. "Bugsy Malone" continues to be a favorite of children's playhouses and theaters, worldwide. He co-wrote the title song for "Flying Dreams" from The Secret of NIMH (1982), which was recently recorded as a duet by Kenny Loggins and Olivia Newton-John, and has written songs for The End (1978), Rocky IV (1985) and Ishtar (1987). Paul collaborated with Jerry Goldsmith on the title song for The Sum of All Fears (2002). The song is featured in the beginning of the movie with a Latin translation and again at the end in English, performed by Electra recording artist, Yolanda Adams. This may very well be the first time in entertainment history where a song has been presented in a film in two different languages. Paul Williams began his career as an actor with his portrayal of a 12-year-old prodigy in The Loved One (1965), playing opposite Jonathan Winters. He is probably best-known for his roles as Little Enos in the "Smokey and the Bandit" movies, as well as the orangutan Virgil in Battle for the Planet of the Apes (1973).
In 1995, Paul received stellar reviews for his starring role as a wheelchair-bound hostage in Headless Body in Topless Bar (1995). Paul is also remembered for his roles in Oliver Stone's The Doors (1991), People Like Us (1990) (the NBC miniseries based on the Dominick Dunne bestseller), as the fun-loving amphibian Gus in Frog (1988) and Frogs! (1993) and Freddie the Bomb in Solar Crisis (1990). He rarely passes up the opportunity to return to his early roots of acting and played an emergency room doctor in Roger Avary's The Rules of Attraction (2002). Paul is no stranger to the small screen. He has appeared on Picket Fences (1992), Dream On (1990), Honey, I Shrunk the Kids: The TV Show (1997), Boston Common (1996), Walker, Texas Ranger (1993) and The Bold and the Beautiful (1987).
Many people are unaware that Paul has provided voice-overs for countless animated series, some of which include his role as the Penguin in Batman: The Animated Series (1992), and his recurring appearances in Phantom 2040 (1994). Having obtained his certification from UCLA as a drug and alcohol counselor, Paul is very active on the speaker's circuit across the country. Speaking from his personal experiences with his own addiction and the knowledge that he gained through his education and his experience as a counselor, Paul continues to touch the lives and hearts of many people whose lives have been affected by drug abuse and/or alcoholism. He is actively involved with the Musician's Assistance Program and is on the Board of Directors for Community High School, a sober high school in Nashville, Tennessee which offers the teens assistance with their recovery as well as the education that they both strive for and deserve.
Paul has appeared on Prime Time Country (1996), The Geraldo Rivera Show (1987) and Primetime (1989), talking about the devastating effects of drugs and alcohol and the increased use of them amongst teens and pre-teens. Paul has been presented with the Global Arts Award from the Friendly House for his efforts on their behalf, the Spirit of Youth Award from the Pacific Boys Lodge for his efforts and contributions and the "Celebration of Hope" award given to him by Hazelden for his overall contribution in the recovery field. Recovery is not simply a field that Paul is active in, it is one that he is passionate about... this is just one way in which Paul gives of himself to others.- Actor
- Director
- Soundtrack
Vic Tayback was born on 6 January 1930 in New York City, New York, USA. He was an actor and director, known for Alice (1976), Alice Doesn't Live Here Anymore (1974) and All Dogs Go to Heaven (1989). He was married to Sheila McKay Barnard. He died on 25 May 1990 in Glendale, California, USA.- Actor
- Soundtrack
Academy Award-winning actor F. Murray Abraham was born on October 24, 1939 in Pittsburgh, Pennsylvania and raised in El Paso, Texas. His father, Fred Abraham, was a Syrian (Antiochian Orthodox Christian) immigrant. His mother, Josephine (Stello) Abraham, was the daughter of Italian immigrants. Born with the first name "Murray", he added an "F." to distinguish his stage name.
Primarily a stage actor, Abraham made his screen debut as an usher in George C. Scott's comedy They Might Be Giants (1971). By the mid-1970s, Murray had steady employment as an actor, doing commercials and voice-over work. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the villain in one third-season episode of Kojak (1973). His film work of those years also included the roles of a cabdriver in The Prisoner of Second Avenue (1975), a mechanic in The Sunshine Boys (1975), and a police officer in All the President's Men (1976).
Beyond these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had". His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me". Abraham appeared as drug dealer Omar Suárez alongside Pacino again in the gangster film Scarface (1983). He also gained visibility voicing a talking bunch of grapes in a series of television commercials for Fruit of the Loom underwear.
In 1985, he was honored with as Academy Award for Best Performance by an Actor in a Leading Role for the acclaimed role of envious composer Antonio Salieri in Amadeus (1984), an award for which Tom Hulce, playing Mozart in that movie, had also been nominated. He was also honored with a Golden Globe for Best Performance by an Actor in a Motion Picture - Drama, among other awards, and his role in the film, is still considered to be his most iconic as the film's director Milos Forman inspired the work of the role with Abraham's wide range of qualities as a great stage and film actor.
After Amadeus, he next appeared in The Name of the Rose (1986), in which he played Bernardo Gui, nemesis to Sir Sean Connery as William of Baskerville. In the DVD audio commentary, his director on the film, Jean-Jacques Annaud, described Abraham as an "egomaniac" on the set, who considered himself more important than Sean Connery, since Connery did not have an Oscar. That said, the film was a critical success. Abraham had tired of appearing as villains and wanted to return to his background in comedy, as he also explained to People Weekly magazine in an interview he gave at the time of its release.- Actor
- Second Unit Director or Assistant Director
- Location Management
Herb Edelman was born on 5 November 1933 in Brooklyn, New York, USA. He was an actor and assistant director, known for The Odd Couple (1968), The Golden Girls (1985) and The Way We Were (1973). He was married to Louise Sorel. He died on 21 July 1996 in Woodland Hills, Los Angeles, California, USA.- Actress
- Director
- Writer
Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.- Actor
- Writer
- Director
As a film character actor, Klugman was the epitome of the everyman. He was one of the pioneers of television acting in the 1950s, and is best remembered for his 1970s TV work as Oscar Madison on The Odd Couple (1970) and as the medical examiner on Quincy M.E. (1976).- Actor
- Producer
- Director
Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actor
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Chevy Chase was born Cornelius Crane Chase on October 8, 1943 in Lower Manhattan, New York, to Cathalene Parker (Browning), a concert pianist and librettist, and Edward Tinsley "Ned" Chase, an editor and writer. His parents both came from prominent families, and his grandfathers were artist and illustrator Edward Leigh Chase and Admiral Miles Browning. His recent ancestry includes English, Scottish, Irish, and German.
His grandmother gave him the nickname "Chevy" when he was two years old. Chase was a cast member of Saturday Night Live (1975) from its debut until 1976, and then embarked on a highly successful movie career. He scored in the 1980s with hits such as Caddyshack (1980), Vacation (1983) and its sequels, Fletch (1985) and Fletch Lives (1989). All his films show his talent for deadpan comedy. Sadly, his career generally worsened through the 1990s, starring in disappointments such as the mediocre Memoirs of an Invisible Man (1992), and Cops and Robbersons (1994). More recently, Community (2009) marked a return for him, as he played a regular role for the first four seasons.- Actor
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Deadpan comedian Charles Sydney Grodin (originally Grodinsky) was born in Pittsburgh, Pennsylvania of Russian/Polish ancestry and raised in a Jewish orthodox home. He attended the University of Miami but dropped out, opting instead for the life of a struggling actor. The movie A Place in the Sun (1951) was said to have steered him towards his chosen profession. In his own words: "It was two things. One is I think I developed an overwhelming crush on Elizabeth Taylor. And two, Montgomery Clift made acting look like 'Gee, well that looks pretty easy - just a guy talking.'".
After a spell with Uta Hagen (1956-59), he attended Lee Strasberg's Actors Studio before making his stage debut on Broadway in 1962. Though he appeared on screen from as early as 1954, Grodin did not make a great deal of headway in this medium until he attracted critical notice playing the small but crucial role of obstetrician Dr. C.C. Hill in Rosemary's Baby (1968). More substantial roles soon followed. His first major starring turn was in The Heartbreak Kid (1972), a black comedy written by Neil Simon and directed by Elaine May. Grodin managed to inject charm and humanity in what was essentially an egotistical central character. Film reviewer Roger Ebert praised his performance, describing the actor as a "kind of Dustin Hoffman-as-overachiever", an opinion which was echoed by Vincent Canby of the New York Times. Ironically, Grodin had earlier turned down the pivotal role in The Graduate (1967) which propelled Hoffman to stardom (he also -- probably unwisely -- spurned the role of oceanographer Matt Hooper in Jaws (1975) which instead went to Richard Dreyfuss).
Grodin's ultimate breakthrough came on the Broadway stage in "Same Time Next Year" (1975) (opposite Ellen Burstyn), a hugely successful romantic comedy about two people, each married to someone else, who conduct an extramarital affair for a single day over the course of 24 years in the same room of a northern Californian inn. Though the two leads left the show after seven months, Grodin was now much sought-after in Hollywood as a droll comic actor and cast in a string of hit comedies: Heaven Can Wait (1978), Seems Like Old Times (1980), The Lonely Guy (1984) and Midnight Run (1988). He also appeared to sterling effect in the underrated farce The Couch Trip (1988), in which he co-starred with Walter Matthau and Dan Aykroyd as the brittle psychiatrist and radio host Dr. George Maitlin. Arguably his most popular box office success was opposite the titular Saint Bernard canine in the family-oriented comedy Beethoven (1992). Despite less than enthusiastic critical reviews, the film was a hit with audiences, grossed $147.2 million worldwide and spawned a sequel.
In the mid-1990s, Grodin reinvented himself as a television host (The Charles Grodin Show (1995)) and political commentator. He made frequent guest appearances on talk shows with Carson or Letterman, typically adopting the persona of a belligerent tongue-in-cheek character to facilitate "comically uncomfortable situations on the set". Grodin was also a prolific author, both of fiction and non-fiction. An autobiography was entitled "It Would Be So Nice If You Weren't Here: My Journey Through Show Business" (1989). Charles Grodin died at age 86 of bone marrow cancer on May 18, 2021 at his home in Wilton, Connecticut.- Actor
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Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actor
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Peter Michael Falk was born on September 16, 1927, in New York City, New York. At the age of 3, his right eye was surgically removed due to cancer. He graduated from Ossining High School, where he was president of his class. His early career choices involved becoming a certified public accountant, and he worked as an efficiency expert for the Budget Bureau of the state of Connecticut before becoming an actor. On choosing to change careers, he studied the acting art with Eva Le Gallienne and Sanford Meisner. His most famous role is that of the detective Columbo (1971); however, this was not his first foray into acting the role of a detective. During a high school play, he stood in for such a role when the original student actor fell sick. He has been married twice, and is the father of two children:Catherine, a private detective in real life, and Jackie. He was diagnosed with dementia in 2008, which was most likely brought on by Alzheimer's disease, from which he died on June 23, 2011.- Actor
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Highly influential, and always controversial, African-American actor/comedian who was equally well known for his colorful language during his live comedy shows, as for his fast paced life, multiple marriages and battles with drug addiction. He has been acknowledged by many modern comic artist's as a key influence on their careers, and Pryor's observational humor on African-American life in the USA during the 1970s was razor sharp brilliance.
He was born Richard Franklin Lennox Pryor III on December 1, 1940, in Peoria, Illinois, the son of Gertrude L. (Thomas) and LeRoy "Buck Carter" Pryor. His mother, a prostitute, abandoned him when he was ten years of age, after which he was raised in his grandmother's brothel. Unfortunately, Pryor was molested at the age of six by a teenage neighbor, and later by a neighborhood preacher. To escape this troubled life, the young Pryor was an avid movie fan and a regular visitor to local movie theaters in Peoria. After numerous jobs, including truck driver and meat packer, the young Pryor did a stint in the US Army between 1958 & 1960 in which he performed in amateur theater shows. After he left the services in 1960, Pryor started singing in small clubs, but inadvertently found that humor was his real forte.
Pryor spent time in both New York & Las Vegas, honing his comic craft. However, his unconventional approach to humor sometimes made bookings difficult to come by and this eventually saw Pryor heading to Los Angeles. He first broke into films with minor roles in The Busy Body (1967) and Wild in the Streets (1968). However, his performance as a drug addicted piano player in Lady Sings the Blues (1972), really got the attention of fans and film critics alike.
He made his first appearance with Gene Wilder in the very popular action/comedy Silver Streak (1976), played three different characters in Which Way Is Up? (1977) and portrayed real-life stock-car driver "Wendell Scott" in Greased Lightning (1977). Proving he was more than just a comedian, Pryor wowed audiences as a disenchanted auto worker who is seduced into betraying his friends and easy money in the Paul Schrader working class drama Blue Collar (1978), also starring Yaphet Kotto and Harvey Keitel. Always a strong advocate of African-American talent, Pryor next took a key role in The Wiz (1978), starring an all African-American cast, including Diana Ross and Michael Jackson, retelling the story of The Wizard of Oz (1939). His next four screen roles were primarily cameos in California Suite (1978); The Muppet Movie (1979); Wholly Moses! (1980) and In God We Trust (or Gimme That Prime Time Religion) (1980). However, Pryor teamed up with Gene Wilder once more for the prison comedy Stir Crazy (1980), which did strong box office business.
His next few films were a mixed bag of material, often inhibiting Pryor's talent, with equally mixed returns at the box office. Pryor then scored second billing to Christopher Reeve in the big budget Superman III (1983), and starred alongside fellow funny man John Candy in Brewster's Millions (1985) before revealing his inner self in the autobiographical Jo Jo Dancer, Your Life Is Calling (1986). Again, Pryor was somewhat hampered by poor material in his following film ventures. However, he did turn up again in See No Evil, Hear No Evil (1989) with Gene Wilder, but the final product was not as sharp as their previous pairings. Pryor then partnered on-screen with two other very popular African-American comic's. The legendary Redd Foxx and 1980s comic newcomer Eddie Murphy starred with Pryor in the gangster film Harlem Nights (1989) which was also directed by Eddie Murphy. Having contracted multiple sclerosis in 1986, Pryor's remaining film appearances were primarily cameos apart from his fourth and final outing with Gene Wilder in the lukewarm Another You (1991), and his final appearance in a film production was a small role in the David Lynch road flick Lost Highway (1997).
Fans of this outrageous comic genius are encouraged to see his live specials Richard Pryor: Live and Smokin' (1971); the dynamic Richard Pryor: Live in Concert (1979); Richard Pryor: Live on the Sunset Strip (1982) and Richard Pryor... Here and Now (1983). In addition, The Richard Pryor Show (1977) is a must-have for any Richard Pryor fans' DVD collection.
Unknown to many, Pryor was a long time advocate against animal cruelty, and he campaigned against fast food chains and circus shows to address issues of animal welfare. He was married a total of seven times, and fathered eight children.
After long battles with ill health, Richard Pryor passed away on December 10th, 2005.- Actor
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- Production Manager
Comedian, saxophonist, composer, actor and musician, he performed within the orchestras of Charlie Spivak, Shep Fields and Claude Thornhill as saxophonist. Later, as super-hip jazz musician "Cool Cees" in television skits, he played tenor saxophone, and sang with the satirical trio "The Hair Cuts" (with Carl Reiner and Howard Morris). He sang the lead role in "Little Me" on Broadway. Joining ASCAP in 1955, his popular song compositions include "I Wrote This Song for Your Birthday" and "Was That You?".- Actress
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A supremely gifted, versatile player who could reach dramatic depths, as exemplified in her weary-eyed, good-hearted waitress in The Last Picture Show (1971), or comedy heights, as in her sadistic drill captain in Private Benjamin (1980), Eileen Brennan managed to transition from lovely Broadway singing ingénue to respected film and television character actress within a decade's time. Her Hollywood career was hustling and bustling at the time of her near-fatal car accident in 1982. With courage and spirit, she recovered from her extensive facial and leg injuries, and returned to performing... slower but wiser. On top of all this, the indomitable Eileen survived a bout of alcoholism and became recognized as a breast cancer survivor, having had a mastectomy in 1990. On camera, she still tosses out those trademark barbs to the delight of all her fans, as demonstrated by her more-recent recurring roles as the prying Mrs. Bink on 7th Heaven (1996) and as Zandra, the disparaging acting coach, on Will & Grace (1998).
She was born with the highly unlikely marquee name of Verla Eileen Regina Brennan in Los Angeles, California, the child of Irish-Catholic parents Regina ("Jeanne") Manahan (or Menehan), a minor silent film player, and John Gerald Brennan, a doctor. Following grade school education, she attended Georgetown University in Washington, D.C. and appeared in plays with the Mask and Bauble Society during that time. She then went on to study at the American Academy of Dramatic Arts in New York. Her lovely soprano coupled with a flair for comedy was the winning combination that earned her the break of her budding career as the not-so-dainty title role in the off-Broadway, tongue-in-cheek operetta "Little Mary Sunshine". For this 1959 endeavor, Eileen not only won an Obie Award, but was among an esteemed group of eight other thespians who won the Theatre World Award that year for "Promising New Personality", including Warren Beatty, Jane Fonda, Carol Burnett and a very young Patty Duke.
Unwilling to be pigeonholed as a singing comedienne, Eileen took on one of the most arduous and demanding legit roles a young actress could ask for when she portrayed Annie Sullivan role in a major touring production of "The Miracle Worker" in 1961. After proving her dramatic mettle, she returned willingly to the musical theatre fold and made a very beguiling Anna in a production of "The King and I" (1963). She took her first Broadway bow in another comic operetta, "The Student Gypsy" (1963). In the musical, which was an unofficial sequel to her "Mary Sunshine" hit, she played a similarly-styled Merry May Glockenspiel, but the show lasted only a couple of weeks. Infinitely more successful was her deft playing of Irene Malloy alongside Carol Channing's Dolly Levi Gallagher in the original Broadway production of "Hello, Dolly!" (1964). Eileen stayed with the role for about two years.
By this time, Hollywood beckoned and Eileen never looked back... or returned to sing on Broadway. After a support role in the film comedy Divorce American Style (1967) starring Debbie Reynolds and Dick Van Dyke, Eileen's talents were selected to be showcased on the irreverent variety show Rowan & Martin's Laugh-In (1967). But what seemed to be an ideal forum to show off her abilities didn't. Overshadowed by the wackier talents of Goldie Hawn, Ruth Buzzi and Jo Anne Worley, who became television comedy stars from this, Eileen seemed out of sync with the knockabout slapstick element. She left the cast before the show barely got off the ground. "Laugh-In" (1968-1973) went on to become a huge cult hit.
In retrospect, this disappointment proved to be a boon to Eileen's dramatic film career. Set in a dusty, barren town, she played up her hard looks and earned terrific reviews for her downbeat role of Genevieve, the careworn waitress, in Peter Bogdanovich's The Last Picture Show (1971). As part of a superb ensemble cast, her hard-knocks vulnerability and earthy sensuality added authenticity to the dreary Texas surroundings. Following this, she scored great marks for her brothel madam/confidante in George Roy Hill's ragtime-era Oscar winner The Sting (1973). Bogdanovich himself became a fan and used Eileen again and again in his subsequent films -- the ambitious but lackluster Daisy Miller (1974) and At Long Last Love (1975). At least, the latter movie allowed her to show off her singing voice. Her comedic instincts were on full display too in the all-star mystery spoofs Murder by Death (1976) and The Cheap Detective (1978) where she fared quite well playing take-it-on-the-chin dames.
Eileen hit the apex of her comic fame playing the spiky and spiteful drill captain who mercilessly taunts and torments tenderfoot Goldie Hawn in the huge box-office hit Private Benjamin (1980). She deservedly earned a "best supporting actress" Oscar nomination for her scene-stealing contribution and was given the chance to reprise the role on the television series that followed. Starring Lorna Patterson in the Hawn role, Private Benjamin (1981) was less successful in its adaptation to the smaller screen but Eileen was better than great and earned both Emmy and Golden Globe Awards in the process.
During the show's run in 1982, Brennan had dinner one evening with good friend Goldie Hawn at a Los Angeles restaurant. They had already parted ways when Brennan was hit and critically injured by a car while crossing a street. Replaced in the television series (by "Alice" co-star Polly Holliday), her recovery and rehabilitation lasted three years, which included an addiction to painkillers. She returned to the screen in another amusing all-star comedy whodunit, Clue (1985), in which she played one of the popular game board suspects, Mrs. Peacock. While looking weaker and less mobile, she showed she had lost none of the disarming causticity that made her a character star.
Forging ahead, Eileen went on to recreate her tough luck waitress character in Texasville (1990), the sequel to The Last Picture Show (1971), and also appeared with Bette Midler in the overly mawkish Stella (1990). However, for the most part, she lent herself to playing eccentric crab apples in such lightweight fare as Rented Lips (1987), Sticky Fingers (1988), Changing Habits (1997), Pants on Fire (1998), Jeepers Creepers (2001), Miss Congeniality 2: Armed & Fabulous (2005) and Naked Run (2011). She has also provided crotchety animated voices for series cartoons.
Eileen Brennan died at age 80 on July 28, 2013 at her Burbank, California home after a battle with bladder cancer. She is survived by her two sons, Patrick (formerly a basketball player, now an actor) and Sam (a singer), from her first and only marriage in the late 1960s to mid-1970s.- Actress
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One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1999. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.
Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).
Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.- Actor
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A masculine and enigmatic actor whose life and movie career have had more ups and downs than the average rollercoaster and whose selection of roles has arguably derailed him from achieving true superstar status, James Caan is New York-born and bred.
He was born in the Bronx, to Sophie (Falkenstein) and Arthur Caan, Jewish immigrants from Germany. His father was a meat dealer and butcher. The athletically gifted Caan played football at Michigan State University while studying economics, holds a black belt in karate and for several years was even a regular on the rodeo circuit, where he was nicknamed "The Jewish Cowboy". However, while studying at Hofstra University, he became intrigued by acting and was interviewed and accepted at Sanford Meisner's Neighborhood Playhouse. He then won a scholarship to study under acting coach Wynn Handman and began to appear in several off-Broadway productions, including "I Roam" and "Mandingo".
He made his screen debut as a sailor in Irma la Douce (1963) and began to impress audiences with his work in Red Line 7000 (1965) and the western El Dorado (1966) alongside John Wayne and Robert Mitchum. Further work followed in Journey to Shiloh (1968) and in the sensitive The Rain People (1969). However, audiences were moved to tears as he put in a heart-rending performance as cancer-stricken Chicago Bears running back Brian Piccolo in the highly rated made-for-TV film Brian's Song (1971).
With these strong performances under his belt, Francis Ford Coppola then cast him as hot-tempered gangster Santino "Sonny" Corleone in the Mafia epic The Godfather (1972). The film was an enormous success, Caan scored a Best Supporting Actor nomination and, in the years since, the role has proven to be the one most fondly remembered by his legion of fans. He reprised the role for several flashback scenes in the sequel The Godfather Part II (1974) and then moved on to several very diverse projects. These included a cop-buddy crime partnership with Alan Arkin in the uneven Freebie and the Bean (1974), a superb performance as a man playing for his life in The Gambler (1974) alongside Lauren Hutton, and pairing with Barbra Streisand in Funny Lady (1975). Two further strong lead roles came up for him in 1975, first as futuristic sports star "Jonathon E" questioning the moral fiber of a sterile society in Rollerball (1975) and teaming up with Robert Duvall in the Sam Peckinpah spy thriller The Killer Elite (1975).
Unfortunately, Caan's rising star sputtered badly at this stage of his career, and several film projects failed to find fire with either critics or audiences. These included such failures as the hokey Harry and Walter Go to New York (1976), the quasi-western Comes a Horseman (1978) and the saccharine Chapter Two (1979). However, he did score again with the stylish Michael Mann-directed heist movie Thief (1981). He followed this with a supernatural romantic comedy titled Kiss Me Goodbye (1982) and then, due to personal conflicts, dropped out of the spotlight for several years before returning with a stellar performance under old friend Francis Ford Coppola in the moving Gardens of Stone (1987).
Caan appeared back in favor with fans and critics alike and raised his visibility with the sci-fi hit Alien Nation (1988) and Dick Tracy (1990), then surprised everyone by playing a meek romance novelist held captive after a car accident by a deranged fan in the dynamic Misery (1990). The 1990s were kind to him and he notched up roles as a band leader in For the Boys (1991), another gangster in Honeymoon in Vegas (1992), appeared in the indie hit Bottle Rocket (1996) and pursued Arnold Schwarzenegger in Eraser (1996).
The demand on Caan's talents seems to have increased steadily over the past few years as he is making himself known to a new generation of fans. Recent hot onscreen roles have included The Yards (2000), City of Ghosts (2002) and Dogville (2003). In addition, he finds himself at the helm of the hit TV series Las Vegas (2003) as casino security chief "Big Ed" Deline. An actor of undeniably manly appeal, James Caan continued to surprise and delight audiences with his invigorating performances up until his death in July 2022 at the age of 82.- Producer
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Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.- Actress
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Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.- Actor
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Robert Peter Williams Guillaume was an actor from St. Louis, Missouri who was known for playing Rafiki from The Lion King, Benson DuBois from Soap and Benson, and Nathan Detroit from Guys and Dolls. He had five children from two marriages. He passed away in October 24, 2017 due to prostate cancer complications.- Actress
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Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.
Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.- Born in Birmingham, Alabama, to Episcopal minister Robert Fletcher and his wife Estelle, both of whom were deaf, Louise Fletcher was introduced to performing at a young age by the aunt who taught her to speak. After graduating from the University of North Carolina, she took a trip out west with her roommates, finding herself in Los Angeles without enough money to return home. She took a temporary job as a receptionist and signed up for acting classes at night. Soon she was working regularly in television and film, but after marrying producer Jerry Bick and having two sons, the actress took a long hiatus to raise her children.
Returning to work in 1974 in Robert Altman's Thieves Like Us (1974), Fletcher came to the attention of director Milos Forman, who was casting the difficult role of the nurse in One Flew Over the Cuckoo's Nest (1975). She won the role -- and then the Academy Award -- portraying deadly, inflexible Nurse Ratched, who has since become a cultural icon. Numerous film roles followed, including co-starring turns with Peter Falk in The Cheap Detective (1978) and with Richard Burton in Exorcist II: The Heretic (1977). Fletcher has appeared in a number of science fiction and horror classics such as Firestarter (1984), Brainstorm (1983), and Flowers in the Attic (1987).
Though she earned an Emmy Award nomination for her recurring role on Picket Fences (1992), Fletcher is perhaps best known to recent television audiences as Kai Winn from Star Trek: Deep Space Nine (1993) and as Nora Bloom from the cult classic VR.5 (1995). - Actress
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One of Broadway and Hollywood's perennial and cleverer talents who tends to shine a smart, cynical light on her surroundings, Stockard Channing was born Susan Williams Antonia Stockard on February 13, 1944 in New York City to a Protestant father and a Catholic mother of Irish descent. Her parents were Mary Alice (née English) and well-to-do shipping executive Lester Napier Stockard; the latter died when his daughter was 16 and left her a sizable estate.
Channing attended the eminent Chapin School in NYC, then later attended the Madeira School, a girls' boarding school in Virginia. She majored in both literature and history at Radcliffe College, from which she graduated summa cum laude in 1965. In 1964 she married Walter Channing Jr., a businessman whose surname she kept for part of her own stage moniker after their divorce four years later.
Interested in acting, she made her stage debut in a production of "The Investigation" at the experimental Theatre Company of Boston in 1966. She went on to play a number of offbeat roles with the company. She eventually migrated to New York where she took her first Broadway bow as a chorus member and understudy in the musical version of 'Two Gentlemen of Verona' in 1971. Two years later she would take over the prime role of Julia in the L.A. national company. Other theater roles during this time included 'Adaptation/Next' (1970) 'Arsenic and Old Lace' (1970), 'Play Strindberg' (1971), and 'No Hard Feelings' (1973).
Somewhat plaintive yet magnetic and unique-looking, the dark-haired actress began first appearing in pictures with small parts in the dark comedy The Hospital (1971) and the edgy Barbra Streisand fantasy-drama Up the Sandbox (1972). Taking on the top female lead as an heiress and potential victim of shysters Jack Nicholson and Warren Beatty in Mike Nichols' comedy The Fortune (1975), the film, despite its male star power and her Golden Globe nomination, would not become the star-making hit for Channing as initially predicted.
While her next two films, (The Big Bus (1976) and Sweet Revenge (1976)), didn't get her to first base with the public either, Channing hit a major home run with the TV-movie The Girl Most Likely to... (1973), a clever black comedy written by Joan Rivers wherein she played a former ugly duckling-turned-beauty (à la plastic surgery) who decides to attract and knock off the men who cruelly cast her aside earlier. Channing found her niche with this smart, sardonic character and it would take her quite far in Hollywood.
At age 33(!), Stockard was handed the feisty role of high-school "tough girl" Betty Rizzo in the box-office film version of the hit musical Grease (1978), starring Olivia Newton-John and John Travolta. While long in the tooth for such a role (as were most of the others in the lead cast), she compelled the audience to suspend disbelief in her sly performance, which earned her a People's Choice Award (Favorite Motion Picture Supporting Actress). This blockbuster clinched her place as a top-ranking star contender.
Handed two sitcom vehicles of her own within a year on CBS, Stockard Channing in Just Friends (1979) had her playing a newly-separated wife starting life anew in another city (L.A.) while The Stockard Channing Show (1980) starred her as a divorced lady again trying to find herself in L.A. Neither caught on and lasted but a few months. Stalled at a critical juncture in her career, she decided to return to her first love -- the theater. With 'Vanities', 'Absurd Person Singular', and 'As You Like It' (as Rosalind) already on her resume, she earned fine notices on Broadway with the musical 'They're Playing Our Song', succeeding Lucie Arnaz in 1980, then garnered rave reviews as the mother of a developmentally disabled child in the New Haven production of Peter Nichols' 'A Day in the Death of Joe Egg' in 1982. The actress repeated her role on Broadway a few years later (the title now shortened to "Joe Egg") and copped the 1985 Tony Award for Best Actress in a Play. Subsequent Tony nominations came her way for her offbeat work in 'The House of Blue Leaves' (1986); 'Six Degrees of Separation' (for which she also won an Off-Broadway Obie), 'Four Baboons Adoring the Sun' (1992); and for her Eleanor of Aquitaine in 'The Lion in Winter' in 1999.
Award-worthy projects again came her way on TV. Nominated for an Emmy for the CBS miniseries Echoes in the Darkness (1987), she also won a CableACE Award for her work in Tidy Endings (1988). In film, she received Oscar and Golden Globe nominations when her stage triumph, Six Degrees of Separation (1993), was turned into a film. This was followed by a rare vulnerable role as an abused, small-town housewife in the popular drag queen dramedy To Wong Foo, Thanks for Everything! Julie Newmar (1995), a co-star role alongside Jennifer Tilly as two divorce-bound women who meet in Reno in Edie & Pen (1996), a prime role in the remake of Moll Flanders (1996) and as an eccentric aunt in the comedy/fantasy Practical Magic (1998). She also provided the voice of Barbara Gordon in several episodes of Batman Beyond (1999).
Channing has remained a highly productive, award-winning presence into the millennium on film, TV and the occasional stage. Beginning with a London Film Critics Circle Award for Best Actress in the film The Business of Strangers (2001), her other movies have included co-star or featured roles in Life or Something Like It (2002), Behind the Red Door (2003), The Divorce (2003), Must Love Dogs (2005), Sparkle (2007), Multiple Sarcasms (2010), and Pulling Strings (2013).
As part of the acclaimed cast of The West Wing (1999) as "First Lady" Abigail Bartlet, audiences were so drawn to her shrewd, classy character that producers wisely started featuring her regularly into the third season, winning both Emmy and SAG awards and a slew of nominations for this long-running role. Other awards came for social dramas. She received a second Emmy for her supporting turn as mother Judy Sheppard in The Matthew Shepard Story (2002), a docudrama about the gay-bashing murder of young Matthew Shepard, a Daytime Emmy for her role in the TV movie Jack (2004) in which she plays a wife who finds out her husband is gay, and a SAG nomination as a mother who discovers her teenage daughter is lesbian in The Truth About Jane (2000).
Stockard thought she finally found sitcom success with the series Out of Practice (2005) and was even Emmy-nominated for her role as a sharp-tongued but caring doctor. As luck would have it, however, a core audience was not to be found and the show lasted but a mere season. She fared better in a recurring part as Julianna Margulies' mother on the popular dramatic series The Good Wife (2009).
Returning to the stage, Stockard played "Lady Bracknell" in a 2010 Dublin production of 'The Importance of Being Earnest', and the following year was nominated for a Tony and Drama Desk for 'Other Desert Cities'. In 2018, she appeared in the play 'Apologia', co-starring Hugh Dancy in London.
Divorced four times, including to actor Paul Schmidt and writer/producer David Debin, she has no children. She has been in a three-decade-long relationship with cinematographer/gaffer Dan Gillham.- Actor
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Academy Award-winning actor John Houseman's main contribution to American culture was not his own performances on film but rather, his role as a midwife to one of the greatest actor-directors-cinematic geniuses his adopted country ever produced (Orson Welles) and as a midwife to a whole generation of actors as head of the drama division of the Juilliard School.
Houseman was born Jacques Haussmann on September 22, 1902 in Bucharest, Romania, to May (Davies) and Georges Haussmann, who ran a grain business. His father was from an Alsatian Jewish family, and his mother, who was British, was of Welsh and Irish descent. John was raised in England, where he was educated. He emigrated to America in 1925, establishing himself in New York City, where he directed "Four Saints in Three Acts" for the theater in 1934. He founded the Mercury Theatre along with Orson Welles (whom he affectionately called "The Dog-Faced Boy"). Their most important success was a modern-dress version of Shakespeare's "Julius Caesar", in which the spectre of Hitler and Mussolini's Fascist states were evoked.
As a producer assigned to Unit 891 of the Federal Theater Project funded by the government's Works Progress Administration, he produced the legendary production "Cradle Will Rock", a musical about the tyranny of capitalism, with music by Marc Blitzstein, creative input from Welles, and starring leftists Howard Da Silva and Will Geer. The production was so controversial, it was banned before its debut, although the did manage to stage one performance. On Broadway, apart from the Mercury Theatre and the WPA, Houseman directed "The Devil and Daniel Webster" (1939) and "Liberty Jones" and produced "Native Son" (1941). During World War II, Houseman went to work for the Office of War Information and was involved in broadcasting radio propaganda for the Voice of America. After the war, Houseman returned to directing and produced Metro-Goldwyn-Mayer's version of Julius Caesar (1953).
He had produced his first film, Orson Welles' Too Much Johnson (1938), while with the Mercury Theatre. He was involved with the pre-production of Citizen Kane (1941) but fell out with Welles due to Welles' already legendary ego. He produced a score of major films and was involved in three television series before devoting his life to teaching. He helped establish the acting program at New York's famous Julliard School for the Arts, where he influenced a new generation of actors. Ironically, he had appeared in only one major movie, in a supporting role, before being tapped to replace James Mason in The Paper Chase (1973). He won an Academy Award for the role and began a 15-year career as a highly sought after supporting player.
John Houseman, who wrote three volumes of memoirs, "Run-Through" (1972), "Front and Center" (1979) and "Final Dress" (1983), died at age 86 on October 31, 1988 after making major contributions to the theater and film.- Tall, dour-faced and slouch-shouldered character actor Abe Vigoda proved himself in both gritty dramatic roles and as an actor with wonderful comedic timing.
Vigoda was born in Brooklyn, New York, to Lena (Moses) and Samuel Vigoda, a tailor -- both Russian Jewish immigrants. His father was a tailor on the Lower East Side. He made his first stage appearance at the age of 17 and plodded away in small theater shows for over 20 years. For the majority of film-goers, Vigoda first came to prominence in The Godfather (1972) as the double-crossing Tessio, pleading to no avail with Robert Duvall to save his life "for old times' sake". Vigoda had roles in a few nondescript TV films before landing the plum role of the dour, unsmiling, urinary tract-tormented Sgt. Phil Fish on the sitcom Barney Miller (1975), his best-known role. The character of Fish proved popular enough to be spun off to his own (albeit short-lived) series, Fish (1977).
With his long, blank, rarely smiling face, he remained in high demand in mafioso-type roles, and for a while in the mid-1980s, he was mistakenly believed to have been dead, leading a producer to remark, "I need an Abe Vigoda type actor", not realizing Vigoda was still alive. The 1990s and beyond became busy again for Vigoda, making appearances in North (1994), The Misery Brothers (1995), A Brooklyn State of Mind (1998), and Crime Spree (2003). He continued acting into his 90s, surprising audiences with his entertaining style.
Vigoda died in his sleep on January 26, 2016, , a month before his 95th birthday, in suburban Woodland Park, New Jersey. He was interred in Beth David Cemetery in Elmont, New York. - Actor
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Phil Silvers was a comedic actor of Russian-Jewish descent, nicknamed as "The King of Chutzpah." He was best known for his starring role as United States Army Master Sergeant Ernest "Ernie" Bilko in the very popular hit sitcom "The Phil Silvers Show" (1955-1959). He later had important roles in the comedy films "It's a Mad, Mad, Mad, Mad World" (1963), and "A Funny Thing Happened on the Way to the Forum" (1967), playing respectively the characters Otto Meyer and Marcus Lycus.
Silvers was a compulsive gambler, and suffered from chronic depression.
He was the 8th and youngest child to Russian-Jewish immigrants Saul Silver (alias Saul Silversmith) and Sarah Handler. Saul was a sheet metal worker who was employed in the building industry. He had helped build a number of New York City's major skyscrapers.
Silver started his career as an entertainer in 1922, at the age of 11.
A frequent accident at New York City's movie theaters was for their film projector to break down. Someone had to keep the audience entertained during repairs, so Silver was hired to sing to them. Part of his reward was to attend the movie theater free of charge.
By 1924, Silvers performed as a professional singer in the Gus Edwards Revue. His employer was theater company owner Gus Edwards (1878-1945). He then took to working in vaudeville and as a burlesque comic.
In the 1930s, Silvers started appearing in Vitaphone short films. In 1939, Silvers made his Broadway debut in "Yokel Boy." The show was considered mediocre by critics, but Silvers gained acclaim in the press. He made his feature film debut in "Hit Parade of 1941." Silvers worked primarily as a character actor over the following decades, appearing in films produced by 20th Century Fox, Columbia Pictures, and Metro-Goldwyn-Mayer. When the studio system declined, Silvers initially returned to the theater.
He had a hit as a songwriter when he composed the lyrics of "Nancy (with the Laughing Face)" (1942) for singer Frank Sinatra (1915-1998). The song was apparently named after Frank's young daughter Nancy Sinatra (1940-).
Silvers did not become a household name until his starring role in the sitcom "The Phil Silvers Show" (1955-1959). It was a military comedy, starring Ernest "Ernie" Bilko as a United States Army Master Sergeant. The character of Bilko was depicted as a con-artist and inveterate gambler who could fast-talk people into complying with his schemes. The show lasted for 4 seasons, and 144 episodes. It found further success in syndication to this very day, and often ranks high in lists of popular sitcoms.
Silvers returned to television stardom with "The New Phil Silvers Show" (1963-1964), where he played factory foreman Harry Grafton. Like Bilko, Grafton was depicted as a con-artist who owned his own company and ran many and various schemes on the side. Not as successful as its predecessor, the series lasted for a single season and 30 episodes.
Silvers enjoyed film stardom in the 1960s, though mostly playing supporting roles. He appeared mainly in American productions, although guest-starred in the British comedy film "On Follow That Came." (1967). It was the 14th film in the popular long-running "Carry On" film series (1958-1992). The film was a parody depicting life in the French Foreign Legion, and Silvers played the Bilko-like character of Sergeant Ernie Nocker. He earned a salary of 30,000 pounds, making him the highest-paid actor of the "Carry On" film series up to that point.
Silvers appeared frequently as a guest-star in then-popular sitcoms, such as "The Beverly Hillbillies" and "Gilligan's Island." In 1972, Silvers survived a stroke, although was left with permanently slurred speech. This effectively ended his theatrical career, although did not prevent him from appearing in further film and television roles.
Silvers made his last television appearance in an 1983 episode of the crime drama "CHiPs." He then went into retirement.
He died in his sleep in 1985, while in Century City, California. His family attributed the death to unspecified natural causes. He was interred at Mount Sinai Memorial Park Cemetery in Los Angeles.
Silvers is still well-remembered as a great comic actor.
In 1996, TV Guide ranked him number 31 on its 50 Greatest TV Stars of All Time list.
The Hanna-Barbera characters Hokey Wolf and Top Cat were loosely based on his screen persona.- Actor
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Handsome, dapper Argentine-born actor who came to Hollywood as a romantic lead in several colourful MGM extravaganzas and then succeeded in living up to his Latin Lover image in real life. Lamas studied drama at school in his native country and later enrolled in a law course at college. His strong leaning towards athletic pursuits prevailed and he abandoned his studies to take up horse riding, winning trophies fencing and boxing (middleweight amateur title) and becoming the South American Freestyle Swimming Champion of 1937. While still in his teens he appeared on stage, then on radio, and by the age of 24 in his first motion picture.
All this sporting publicity aroused interest in Hollywood and, in 1951, Lamas was signed by MGM to charm the likes of Lana Turner and Esther Williams in A-grade productions like The Merry Widow (1952) and Dangerous When Wet (1953). He also spent time 'on loan' to Paramount who featured him in several Pine-Thomas B-movies, such as the 3-D Technicolour Sangaree (1953) and Jivaro (1954). His sole appearance on Broadway was in the 1957 play 'Happy Hunting'. There was considerable friction between him and co-star Ethel Merman, both on and off-stage. Lamas was nonetheless nominated for a Tony Award as Best Actor, but had the misfortune of coming up against Rex Harrison's Professor Higgins in 'My Fair Lady'.
In real life, Lamas proudly lived up to his reputation as a ladies man. With two ex-wives back in Argentina, he conducted well-publicised affairs with most of his female co-stars, including one with Lana Turner which began while filming 'The Merry Widow'. Actress Arlene Dahl, who appeared with him in 'Sangaree' and The Diamond Queen (1953), became his third wife, and fellow swimming champion Esther Williams his fourth.
In 1963, Lamas directed the Spanish film Magic Fountain (1963), with himself and wife Esther Williams playing the lead roles. From then on, he began to concentrate on television, alternating between acting (notable in a recurring role as playboy Ramon de Vega in Run for Your Life (1965) and directing episodes of shows like Mannix (1967), Alias Smith and Jones (1971), The Rookies (1972) and House Calls (1979).- Actor
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Nicol Williamson was an enormously talented actor who was considered by some critics to be the finest actor of his generation in the late 1960s and the 1970s, rivaled only by Albert Finney, whom Williamson bested in the classics. Williamson's 1969 "Hamlet" at the Roundhouse Theatre was a sensation in London, considered by many to be the best limning of The Dane since the definitive 20th-century portrayal by John Gielgud, a performance in that period, rivaled in kudos only by Richard Burton's 1964 Broadway performance. In a sense, Williamson and Burton were the last two great Hamlets of the century. Finney's Hamlet was a failure, and while Derek Jacobi's turn as The Dane was widely hailed by English critics, he lacked the charisma and magnetism -- the star power -- of a Williamson or Burton.
Playwright John Osborne, whose play "Inadmissible Evidence" was a star vehicle for Williamson in London's West End and on Broadway, called him "the greatest actor since Marlon Brando." While it was unlikely that Williamson could ever achieved the film reputation of Brando (who but Brando did?) or the superstar status that Burton obtained and then lost, his inability to maintain a consistent film career most likely is a result of his own well-noted eccentricities than it is from any deficiency in acting skills.
The great critic and raconteur Kenneth Tynan (Laurence Olivier's first dramaturg at the National Theatre) wrote a 1971 profile of Williamson that elucidated the problem with this potentially great performer. Williamson's Hamlet had wowed Prime Minister Harold Wilson, and Wilson in turn raved about his performance to President Richard Nixon. Nixon invited Williamson to stage a one-man show at the White House, which was a success. However, in the same time period, Williamson's reputation was tarred by his erratic behavior during the North American tour of "Hamlet". In Boston he stopped during a performance and berated the audience, which led one cast member to publicly apologize to the Boston audience. Williamson would be involved in an even more famous incident on Broadway a generation later.
Even before the Boston incident, Williamson had made headlines when, during the Philadelphia tryout of "Inadmissible Evidence," he struck producer David Merrick whilst defending Anthony Page. In 1976 he slapped a fellow actor during the curtain call for the Broadway musical "Rex." Fifteen years later, his co-star in the Broadway production of "I Hate Hamlet" was terrified of him after Williamson whacked the actor on his buttocks with a sword, after the actor had abandoned the choreography.
A great stage actor, who also did a memorable "Macbeth" in London and on Broadway, Williamson was twice nominated for Tony Awards as Best Actor (Dramatic), in 1966 for Osborne's "Inadmissible Evidence" (a performance he recreated in the film version) and in 1974 for a revival of "Uncle Vanya." On film, Williamson was superb in many roles, such as the suicidal Irish soldier in The Bofors Gun (1968) and Tony Richardson's Hamlet (1969). He got his chance playing leads, such as Sherlock Holmes in The Seven-Per-Cent Solution (1976) and Castle in Otto Preminger's The Human Factor (1979), and was competent if not spectacular, likely diminished by deficiencies in the scripts rather than his own talent. Richardson also replaced Williamson's rival as Hamlet, Burton, in his adaptation of Vladimir Nabokov's Laughter in the Dark (1969).
It was in supporting work that he excelled in film in the 1970s and 1980s. He was quite effective as a supporting actor, such as his Little John to Sean Connery's Robin Hood in Richard Lester's Robin and Marian (1976), was brilliant in I'm Dancing as Fast as I Can (1982) and gave a performance for the ages (albeit in the scenery-chewing category as Merlin) in Excalibur (1981). His Merlin lives on as one of the most enjoyable performances ever caught on film.
Then it was over. While the film work didn't dry up, it didn't reach the heights anymore. He failed to harness that enormous talent and convert it into memorable film performances. He did good work as Louis Mountbatten in a 1986 TV-movie, but the roles became more sporadic, and after 1997 this great actor no longer appeared in motion pictures.
Williamson's eccentricities showed themselves again in the early 1990s. When appearing as the ghost of John Barrymore in the 1991 Broadway production of Paul Rudnick's "I Hate Hamlet" on Broadway in 1991, Williamson's co-star quit the play after being thumped on the buttocks with a sword during a stage fight. Although critics hailed the performances of the understudy as a "vast improvement" it caused a sensation in the press. Despite good reviews, the play lasted only 100 performances.
Surprisingly, Williamson never won an Oscar nomination, yet that never was a game he seemed to play. In 1970, after his Hamlet triumph, he turned down a six-figure salary to appear as Enobarbus in Charlton Heston's film of Shakespeare's Antony and Cleopatra (1972)_. The role was played by Eric Porter, but his choice was justified in that the film was derided as a vanity production and savaged by critics).
Williamson had been a staple on Broadway, even using his fine singing voice to appear as Henry VIII in the Broadway musical "Rex" In 1976. He has not appeared on the Great White Way since his own one-man show about John Barrymore that he himself crafted, "Jack: A Night on the Town with John Barrymore," which had enormously successful runs, both at the Criterion Theater in London, and The Geffen Theater in Los Angeles playing to packed houses, before closing on Broadway after only 12 performances in 1996.
The "I Hate Hamlet" and "Jack" shows are still talked about on Broadway. Williamson has joined the ranks of Barrymore, Burton, and Brando, in that they have become phantoms who haunt the theater and film that they they served so admirably on the one hand but failed on the other. All enormously gifted artists, perhaps possessed of genius, they were discombobulated by that gift that became their curse, the burden of dreams -- the dreams of their audiences, their collaborators, their critics. While there is a wistfulness over the loss of such greatness, there is a relief offered, not so much from a moral tale, but as a release from guilt for the run-of-the-mill artists lacking such genius. One can be comforted by the fact that while one lacks the pearl of such a talent, they also lack the irritating genius that engenders that pearl.- Actor
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Scatman Crothers was born Benjamin Sherman Crothers on May 23, 1910 in Terre Haute, Indiana. Songwriter ("Dearest One"), actor, composer, singer, comedian, and guitarist who, after high school, appeared in nightclubs, hotels, and films, and on television. He made many records, including his own compositions. He joined ASCAP in 1959, and his popular-song compositions also include "The Gal Looks Good", "Nobody Knows Why", "I Was There", "A Man's Gotta Eat", and "When, Oh When". Scatman Crothers died at age 76 of pneumonia and lung cancer at his home in Van Nuys, California on November 22, 1986.- Actor
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Vic Tayback was born on 6 January 1930 in New York City, New York, USA. He was an actor and director, known for Alice (1976), Alice Doesn't Live Here Anymore (1974) and All Dogs Go to Heaven (1989). He was married to Sheila McKay Barnard. He died on 25 May 1990 in Glendale, California, USA.- Actor
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Harold Gould earned a Ph.D. in theater and taught speech and drama at Cornell University.
Pursuing off-Broadway work in the 1950s, he decided to practice what he preached and became a full-time professional actor in the 1960s.
He appeared in hundreds of TV programs during his distinguished performing career, usually playing a father, grandfather, or other varieties of authority figures.- Actress
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Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.- Actor
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David Ogden Stiers was born in Peoria, Illinois, to Margaret Elizabeth (Ogden) and Kenneth Truman Stiers. He moved with his family to Eugene, Oregon, where he graduated from North Eugene High School in 1960. At the age of twenty, he was offered $200 to join the company of the Santa Clara Shakespeare Festival for three months. He ended up staying for seven years, in due course playing both King Lear and Richard III. In 1969, he moved to New York to study drama at Juilliard where he also trained his voice as a dramatic baritone. He joined the Houseman City Center Acting Company at its outset, working on such productions as The Beggar's Opera, Measure for Measure, The Hostage and the hit Broadway musical The Magic Show for which he created the character 'Feldman the Magnificent'. He lent his voice to animated films, with Lilo & Stitch (2002) being his 25th theatrically-released Disney animated film. He was also an avid fan of classical music and conducted a number of orchestras, including the Yaquina Chamber Orchestra in Newport, Oregon, where was the principal guest conductor.
His other theatrical work included performances with the Committee Revue and Theatre, the San Francisco Actor's Workshop, The Old Globe Theatre Festival in San Diego and at the Pasadena Playhouse in Love Letters with Meredith Baxter. As a drama instructor, he worked at Santa Clara University and also taught improvisation at Harvard. In addition to his long-running role in M*A*S*H (1972), Stiers' work on television also included the excellent mini-series North & South: Book 1, North & South (1985), North & South: Book 2, Love & War (1986), The First Olympics: Athens 1896 (1984) and roles in such productions as Anatomy of an Illness (1984), The Bad Seed (1985), J. Edgar Hoover (1987), The Final Days (1989), Father Damien: The Leper Priest (1980) and Mrs. Delafield Wants to Marry (1986). Among his screen credits were The Accidental Tourist (1988), The Man with One Red Shoe (1985), Creator (1985), Harry's War (1981), Magic (1978) and Oh, God! (1977).
Above all, the prodigious talent that was David Ogden Stiers will be most fondly remembered as the pompous, ever-so articulate Major Charles Emerson Winchester III in M*A*S*H. He had found that taking on the role was -- from the beginning -- an easy choice. Stiers saw and loved the movie version. Moreover, he had a fond regard of fellow actor Harry Morgan (who played the character of Colonel Potter) as a kind of fatherly role model. In retrospect, Stiers viewed his experiences with the show as a career highlight, saying "No matter how much you read about the M*A*S*H company, the evolution of it, the quite beautiful human stance it takes, you will not know how much it means ". In his spare time on the set he often annoyed the security guards by skateboarding at 25 miles an hour and "cheerfully thumbing his nose at them".
David died of bladder cancer on March 3, 2018, in Newport, Oregon. He was 75.- Actor
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Alan Alda (born under the name Alphonso Joseph D'Abruzzo) is an American actor, comedian, film director, and screenwriter from New York City. His father was the Italian-American actor Robert Alda. Alda's best known role was playing chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983) for 11 seasons. He twice won the "Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series" for this role. Alda was later nominated for the "Academy Award for Best Supporting Actor", for his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). The film depicted Brewster's opposition to the commercial interests of Howard Hughes, and the alleged political corruption which caused the end of Brewster's career.
In 1936, Alda was born in the Bronx, New York City. By that time, his father Robert Alda (1914-1986) had already started performing in vaudeville and burlesque theaters. Alda's mother was former beauty queen Joan Browne. Alda had Italian ancestry on his father's side of the family, and Irish ancestry on his mother's side of the family. Alda spend much of his childhood touring the United States with his father, as his father's acting job required frequent travel.
In 1943, Alda contracted polio. His parents chose to administer a painful treatment regimen, "consisting of applying hot woolen blankets to his limbs and stretching his muscles". This treatment had been developed by the Australian nurse Elizabeth Kenny (1880-1952), and was based on the principle of muscle rehabilitation. Though the treatment was considered controversial, it seemingly helped Alda to recover his mobility.
Alda received his secondary education at Archbishop Stepinac High School, an all-boys Roman Catholic high school located in White Plains, New York, United States. The school was named in honor of Aloysius Stepinac (1898 - 1960), the Archbishop of Zagreb who was hero-worshiped for his conviction for treason by communist Yugoslavia. Alda received his college education at Fordham University, a Jesuit research university located in New York City. He graduated In 1956 with a Bachelor of Arts degree.
During his college years, Alda worked for the radio station WFUV. The station was owned by Fordham University, and was operated by its students. Alda joined the Reserve Officers' Training Corps (ROTC) , a training program intended for prospective commissioned officers of the United States Armed Forces. He subsequently entered the United States Army Reserve. He served for a year at Fort Benning, a United States Army post straddling the Alabama-Georgia border . He then spend 6 months stationed in Korea. His official rank at that time was that of a gunnery officer, though Alda claims that he was placed in charge of a mess tent.
In 1956, Alda was introduced to Jewish-American musician Arlene Weiss (a clarinetist). They soon bonded due to their similar tastes in humor, and started dating each other. They were married on March 15, 1957. They had three daughters, born between 1958 and 1961.
Alda started his acting career in the mid-1950s, as a theatrical actor. He joined the Compass Players (1955-1958), a short-lived improvisational theatre revue which was based in Chicago. He subsequently joined the improvisational group Second City, and the regional theater company Cleveland Play House for its 1958-1959 season. In 1958, he had his first guest star role in television. He appeared in an episode of "The Phil Silvers Show", a military-themed sitcom about a swindler operating within the United States Army.
Alda made his film debut in the comedy-drama film "Gone Are the Days!" (1963). The film was a satire of segregation and bigotry, based on a play written by Ossie Davis (1917-2005). Alda was part of the recurring cast of "That Was the Week That Was" (1963-1965), a political satire series which targeted various political figures of the era. It was based on a British satire series of the same name. Most episodes of the American version are considered lost, though there are surviving audio recordings.
In 1968, Alda had his first starring role in a film. He portrayed sports journalist George Plimpton (1927-2003) in the sports comedy "Paper Lion". The film depicted Plimpton's brief term as a player of the Detroit Lions, and focused on his inexperience and ineptitude as a football player.
Alda played the accountant Morton Krim in the World War II-themed war comedy "The Extraordinary Seaman" (1969). The film depicts four sailors of the United States Navy who have been stranded on an island of the Philippines. They encounter the ghost of a British naval officer who was killed in World War I, and he encourages them to launch an attack on Japanese positions. Due to the ghost's perpetual bad luck, their attack is ill-fated.
Alda next played the male lead in the drama film "Jenny" (1970). In the film, main character Jenny Marsh (played by Marlo Thomas) was impregnated in a one-night-stand and has few options in life. Her acquaintance Delano (played by Alda) agrees to marry her and to claim the child's paternity, in an effort to avoid being drafted for war service. The film depicts the problems of a typical "marriage of convenience" (a marriage contracted for reasons other than that of love and commitment), and Delano's attempts to maintain both his marriage and his long-term relationship with another woman. The film earned 2,825,000 million dollars at the worldwide box office.
Alda also played the main character in the crime film "The Moonshine War" (1970), which was set in Prohibition-era Kentucky. He played John "Son" Martin, a man whose main source of income is the production of moonshine whiskey. An acquaintance in the Internal Revenue Service starts pressuring him for a cut on the profits. When Son refuses, the acquaintance reports his activities to a violent gang leader and his henchmen. Son has to outwit the gang in order to survive. The film was one of several films greenlit by Louis Polk and Herb Solow, the then-new co-leaders of Metro-Goldwyn-Mayer.
Alda had his first role in a horror film, when he played the main character in the occult-themed horror film "The Mephisto Waltz" (1971). He played music journalist Myles Clarkson, who unexpectedly befriends piano virtuoso Duncan Ely (played by Curd Jürgens). He does not realize that Ely is dying due to cancer, and that he intends to perform a body-swapping spell to take over Clarkson's body. Once the spell succeeds, Ely starts a new career in Clarkson's body and kills Clarkson's daughter. Ely fails to realize that his new "wife" Paula Clarkson (played by Jacqueline Bisset) intends to use the same spell to swap bodies with Ely's adult daughter. Bisset was praised for her "chillingly effective" performance, but film critics argued that Alda had been miscast in this role.
Alda had a scarier role in the psychological thriller "To Kill a Clown" (1972), playing disturbed Vietnam War veteran Evelyn Ritchie. Ritchie was once a military officer, but retired after having one of his legs amputated. He agrees to become the landlord of a young married couple, despite his intense dislike for the artistic lifestyle of his tenant Timothy Frischer (played by Heath Lamberts). He starts treating Frischer as a military subordinate, and insists on keeping both of his tenants as prisoners in their residence. The young couple soon learn that Ritchie has sadistic tendencies, and that he had a history of tormenting his subordinates throughout his military career.
Alda had the big break in his career when cast to play chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983). The series depicted life within a "Mobile Army Surgical Hospital" (MASH) during the Korean War (1950-1953). It was based on the novel "MASH: A Novel About Three Army Doctors" (1968) by military surgeon H. Richard Hornberger. The series often questioned the United States' role in the Cold War, and satirized authority figures. Its ratings placed it among the top 10 most viewed shows throughout most of its run, and it was critically acclaimed. Alda appeared in all 256 episodes of the series, which helped him become a household name in the United States. Alda eventually served as the series' producer, creative consultant, and co-writer.
Alda played the male lead in the romantic comedy "Same Time, Next Year" (1978), which was his first film role since the early 1970s. The film depicts an extramarital affair which lasts for 26 years (1951-1977), despite the two lovers only meeting once per year. The film also covers the effects time has on the couple's political ideologies, and how they react to the deaths of various family members. The film was partially shot at the Heritage House Inn in Little River, California. The inn became a popular romantic getaway due to the film's enduring popularity. Alda was nominated for the Golden Globe Award for "Best Actor in a Motion Picture - Musical or Comedy", but the award was instead won by rival actor Warren Beatty.
Alda was part of the ensemble cast in the comedy film "California Suite" (1978). He played successful screenwriter Bill Warren, who is involved in a custody dispute with his ex-wife, the workaholic Hannah Warren (played by Jane Fonda). Both parents claim custody over their adolescent daughter Jenny Warren (played by Dana Plato), and have little regard for Jenny's plans about her own life. The film's cast was nominated for several awards, but Alda was overshadowed by his co-stars.
Alda received his first screenwriting credit for the political drama film "The Seduction of Joe Tynan" (1979). He also played the film's eponymous character. He portrayed an ambitious American senator, whose marriage seems to be deteriorating. He briefly has an extramarital affair with labor lawyer Karen Traynor (played by Meryl Streep), but decides against seeking a divorce. The film earned about 19.6 million dollars at the worldwide box office. Alda was praised more for his ability as a screenwriter than his acting in this film. Streep was nominated for several acting awards for her supporting role, having a breakthrough in her career.
Alda made his directorial debut with the romantic comedy film "The Four Seasons" (1981), depicting the relationships between three upper middle-class married couples. Alda kept for himself the role of Jack Burroughs, a lawyer who has a tendency towards expressing narrow moral attitudes. The film was an unexpected box office hit, earning about 50,4 million dollars at the box office. It was the ninth highest-grossing film of 1981, and won the "Bodil Award for Best Non-European Film". Alda was again nominated for the "Golden Globe Award for Best Actor - Motion Picture Musical or Comedy", but the award was instead won by rival actor Dudley Moore.
Alda had a hiatus in his acting and directing career during the early 1980s, as he had to take care of his terminally-ill parents. He attempted a comeback by directing the comedy film "Sweet Liberty" (1986), which parodies Hollywood filmmaking. Alda kept for himself the role of Michael Burgess, a college professor and historical novelist. Burgess wants to oversee the adaptation of his historically-accurate and realistic novel into a Hollywood film, but soon realizes that the film's screenwriter has turned the film into a historically inaccurate soap opera. He then sets out to sabotage the film. The film only earned 14.2 million dollars at the box office, despite the critical praise for its leading actors. The poor box office performance was attributed to its release time at movie theaters. It was directly competing with two more lucrative films, "Top Gun" and "Short Circuit".
Alda's next directing effort was the romantic comedy "A New Life" (1988), which depicted the problems faced by middle-aged divorced people. Alda played Steve Giardino, a workaholic businessman who received a divorce after more than 25 years of marriage. His attempts to pursue a new romance are complicated by his inexperience at dating and his unwillingness to father children again. Giardino soon suffers a heart attack due to his poor eating habits. He falls in love with the female physician attending to his problem, Dr. Kay Hutton (played by Veronica Hamel). The film was a box-office flop, only earning 7,7 million dollars at the box office. Critics found the film pleasant, but predictable.
Alda played pompous television producer Lester in the comedy-drama film "Crimes and Misdemeanors" (1989). In the film, Lester wants to finance a documentary celebrating his own life and work. He hires his brother-in-law to direct it, documentary filmmaker Clifford "Cliff" Stern (played by Woody Allen). He is unaware that Stern despises him. Stern uses the film to expose Lester's mistreatment of his employees, and Lester's sexual harassment towards actresses. The film earned 18,2 million dollars at the box office. For his role, Alda won the "National Board of Review Award for Best Supporting Actor".
Alda had his final directing credit with the romantic comedy "Betsy's Wedding" (1990). Alda played the main role of Eddie Hopper, a construction contractor who insists on organizing a lavish wedding for his beloved daughter Betsy Hopper (played by Molly Ringwald). Since Eddie can not actually afford the wedding expenses, he requests financial assistance from loan sharks. The film earned 19.7 million dollars at the box office, but its leading actresses (Molly Ringwald and Ally Sheedy) were both nominated for Golden Raspberry Awards. Unlike Alda's previous directing efforts, critics were mostly hostile towards the film.
Alda played the evil mentor Leo Green in the erotic thriller "Whispers in the Dark" (1992). In the film, main character Ann Hecker (a psychiatrist, played by Annabella Sciorra) seeks help from her mentor Leo Green due to suffering from disturbing dreams. Hecker is soon implicated in the murder of her female patient Eve Abergray (played by Deborah Unger), and then in the murder of the police detective investigating the case. She eventually realizes that her mentor has been obsessed with her for years. He committed both murders in a misguided attempt to protect her. This was Alda's first villainous role in a film since the early 1970s. The film only earned 11.1 million dollars at the box office.
In 1993, Alda became the new host of the science-themed television program "Scientific American Frontiers" (1990-2005). The series was a spin-off of the popular science magazine "Scientific American" (1845-). The show typically focused on new technology, and on scientific and medical discoveries. Alda remained the host for 12 years, and was credited with inspiring youngsters to follow scientific careers.
Alda was reduced to the supporting role of the protagonist's confidant in the black comedy film "Manhattan Murder Mystery" (1993). The main plot involved amateur detectives who were investigating the mysterious death of a neighbor, who seemed to have died twice and on two entirely different locations. They eventually realize that they have stumbled on the deaths of two sisters with a close family resemblance, and that the motive for the murders was their family fortune. The film only earned 11.2 million dollars at the box office. Its perceived failure led to the termination of a long-term deal between director Woody Allen and the film studio TriStar Pictures.
Alda had a more comedic role in the political satire film "Canadian Bacon" (1995). The film satirized international relations between Canada and the United States. Alda played an unnamed President of the United States who wants to start a new war to boost his sagging poll numbers, but lacks a credible enemy to serve as an opponent. He finds that Russia is not interested in renewed hostilities, and a proposal to declare war on international terrorism is rejected as absurd. So he uses a flimsy excuse to declare war on Canada, and uses television channels to transmit anti-Canada propaganda to the gullible American population. The film was a box office flop, despite featuring a large cast of Canadian actors. It is mostly remembered as the final film appearance for actor John Candy.
Alda next had a supporting role in the black comedy "Flirting with Disaster" (1996). In the film, an adult, married man searches throughout the United States for the biological parents who gave him up for adoption. He eventually learns that his biological father is Richard Schlichting (played by Alda), a man who has devoted the last 30 years in producing and distributing "lysergic acid diethylamide" (LSD). The family reunion is less than happy, and the protagonist is introduced to a biological brother who despises him. The film earned 14,7 million dollars at the box office.
Alda had another villainous role in the action thriller film "Murder at 1600" (1997), playing national security adviser Alvin Jordan. In the film, Jordan has organized a conspiracy in order to blackmail the President of the United States into resigning, and to start a second Korean War. The conspiracy involved murdering a White House secretary (who had a brief affair with the president) and framing the President for murdering her. The film earned 41,1 million dollars at the worldwide box office, Alda's most profitable film in a decade.
Alda played news anchorman Kevin Hollander in the media-themed thriller "Mad City" (1997). In the film, a fired museum guard takes several people hostage at his former workplace. The news media decides to exploit the situation for profit, and several reporters compete in trying to get the lion's share of the publicity. The situation escalates until the museum guard becomes a suicide bomber. The film only earned 10.5 million dollars at the box office.
Alda's career had declined in the early 2000s, but this situation was only temporary. In 2004, Alda joined the recurring cast of the political television series "The West Wing" (1999-2006). The series depicted the administration of a fictional United States president and his staff. Alda played Republican senator Arnold Vinick for 28 episodes. His character was depicted as a fiscal conservative, who was opposed to corporate welfare and resented to Christian' right's influence on his political party. Vinick became the new Secretary of State in the finale of the series. For his role, Alda won a Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2006.
Alda's film career experienced a revival with his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). He was nominated for the "Academy Award for Best Supporting Actor", the first Academy Award nomination in Alda's career. The award was instead won by rival actor Morgan Freeman. The critical acclaim for his role went against years of criticism for his acting abilities. Alda received several new offers for film roles.
Alda remained active as an actor throughout the 2000s and 2010s. He published three different memoirs between 2005 and 2017, covering different aspects of his life and career. In July 2018, he announced in an interview that he had been diagnosed with Parkinson's disease in 2015. While this has not ended his acting career, he feared that the effects could be distracting to viewers of his work.
From 2018 to 2020, Alda had a recurring role in the crime drama television series "Ray Donovan" (2013-2020). The series depicted the life and career of a professional "fixer" of the entertainment industry, in charge of bribes, payoffs, threats, crime-scene clean-up, and other illegal activities. Alda also appeared in the spin-off film "Ray Donovan: The Movie" (2022), which concluded remaining plot-lines from the series. By 2022, Alda was 86-years-old. He may no longer be in his prime, but the aging actor seems to have no plans to retire yet.- Actor
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Bill Cosby is one of the world's most well-known entertainers and comedians. William Henry Cosby, Jr. was born on July 12, 1937, in Philadelphia, Pennsylvania, to Anna Pearl (Hite), a maid and William Henry Cosby, Sr., a U.S. Navy sailor. After 10th grade, Cosby joined the Navy and completed high school through a correspondence course. He later took up an athletics scholarship at Temple University, supporting himself during his studies by tending bar, where his easy going style and witty joking with the clientèle prompted suggestions that he try stand-up comedy. This he did and was soon to be discovered by the legendary Carl Reiner.
In his early twenties, he appeared on many well-known variety programs including The Ed Sullivan Show (1948). His big break came in 1965 when he appeared as "Alexander Scott" in I Spy (1965), winning numerous Emmys for his performance. He later appeared in The Bill Cosby Show (1969), playing a teacher, although originally the show only lasted for two years. He then created a Filmation cartoon based on many of his high school buddies including Weird Harold, Dumb Donald, Mushmouth, and others: the show was, of course, Fat Albert and the Cosby Kids (1972). The theme was humorous but also focused on Cosby's more educational side. He studied for many years during his career in the 1960s and 1970s, and he received a doctorate in Education from the University of Massachusetts. Cosby also starred in some highly successful movies such as Uptown Saturday Night (1974), Let's Do It Again (1975), A Piece of the Action (1977), Mother, Jugs & Speed (1976), and California Suite (1978). During his early years he also made some comedy albums that sold very well; his most notable comedy song being "Little Old Man." He was one of the original cast members of The Electric Company (1971), and he was featured in the series Pinwheel (1976) during the late 1970s and then appeared in the mediocre The Devil and Max Devlin (1981).
In 1984, 'Fat Albert and the Cosby Kids' stopped production, and The Cosby Show (1984) commenced. The show was originally intended to follow a blue-collar family, but finally ended up portraying a white-collar family. It was originally rejected by ABC, accepted by a then-floundering NBC, and was an almost instant success. From 1985 to 1987 the show broke viewing records, with Cosby becoming perhaps the strongest driving force in television during the eighties. Despite this great success, he arguably created his own downfall. The Cosby Show led what was considered by many at that time to be the best night of television: the line-up included Night Court (1984), Hill Street Blues (1981), and Family Ties (1982), which all followed The Cosby Show.
Cosby was dissatisfied with the way minorities were portrayed on television. He produced the TV series A Different World (1987) and insisted that this program should follow the Cosby Show, rather than Family Ties. A Different World was set in an historically Black college and concentrated on young people and education. Impact was felt on the show immediately; at its peak, the Cosby Show logged an estimated 70 million viewers. However, after the scheduling reshuffle, the show lost roughly 20% of its massive audience. However, Cosby was still riding high in the early nineties until massive competition from The Simpsons (1989).
The Cosby Show finally ended in 1992, conceding to The Simpsons (1989), with the final production considered to be one of the highest-rated shows of the season and featured a pleading Cosby asking for peace in riot-torn Los Angeles during the height of the Rodney King riots. Cosby never seemed able to top the success of the Cosby Show; his film Leonard Part 6 (1987) was considered to be one of the worst American films in history and may have contributed in part to his downfall as a film actor, along with his performance in Ghost Dad (1990). He did attempt a minor comeback in 1996 starring in the Robin Williams film Jack (1996), which was directed by Francis Ford Coppola; and in another show, Cosby (1996), (starring Phylicia Rashad, who appeared as his wife in the previous Cosby Show). Since then he has produced films such as Men of Honor (2000), and shows including Little Bill (1999).
Sadly, his son Ennis was murdered in 1997. Throughout the years, Bill Cosby has taken a socially conscious tone, often associated with family values, coupled with a distinctly urban spin on his style.- Actress
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Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actor
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George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.- Lee Meredith was born on 22 October 1947 in River Edge, New Jersey, USA. She is an actress, known for The Producers (1967), Great Performances (1971) and The Sunshine Boys (1975). She has been married to Bert Stratford since 1969. They have two children.
- Actor
- Additional Crew
- Production Manager
Fritz Feld was born on 15 October 1900 in Berlin, Germany. He was an actor and production manager, known for Bringing Up Baby (1938), Hello, Dolly! (1969) and Out Where the Stars Begin (1938). He was married to Virginia Christine and Idea Wickham Von Koppen. He died on 18 November 1993 in Los Angeles, California, USA.- Carol Arthur was born on 4 August 1935 in Hackensack, New Jersey, USA. She was an actress, known for Blazing Saddles (1974), Intrepid (2000) and Robin Hood: Men in Tights (1993). She was married to Dom DeLuise. She died on 1 November 2020 in Woodland Hills, California, USA.
- Actor
- Director
- Second Unit Director or Assistant Director
Gene Saks was born on 8 November 1921 in New York City, New York, USA. He was an actor and director, known for Deconstructing Harry (1997), The Odd Couple (1968) and I.Q. (1994). He was married to Keren Victoria Ettlinger and Bea Arthur. He died on 28 March 2015 in East Hampton, New York, USA.- Producer
- Additional Crew
Soon after World War II he started selling Red Ryder radio scripts written by his Shakespeare professor at Rutgers university. He was soon handling literary talent such as Raymond Chandler and Ben Hecht. He later joined Famous Artists Agency representing Lana Turner, Kirk Douglas, Richard Burton and many others. He resigned in '57 to form Seven Arts Productions with Elliot Hyman and supervised over 50 films including 'Night of the Iguana'and 'Reflections in a Golden Eye'.In 1966 he formed Rastar Productions to produce film versions of Broadway plays such as 'Funny Girl', winning an Oscar nomination for Best Picture, 'The Way We Were', 'Sunshine Boys', 'California Suite' and 'Robin and Marion'.- Additional Crew
- Director
- Producer
Herbert Ross was born on 13 May 1927 in Brooklyn, New York City, New York, USA. He was a director and producer, known for The Turning Point (1977), The Goodbye Girl (1977) and The Secret of My Success (1987). He was married to Lee Radziwill and Nora Kaye. He died on 9 October 2001 in New York City, New York, USA.- Director
- Actor
Robert Moore was born on 7 August 1927 in Detroit, Michigan, USA. He was a director and actor, known for Murder by Death (1976), The Cheap Detective (1978) and Rhoda (1974). He died on 10 May 1984 in New York City, New York, USA.