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French director François Truffaut began to assiduously go to the movies at age seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who became his protector. Bazin helped the delinquent Truffaut and also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinema." In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1954, as a test, Truffaut directed his first short film. Two years afterwords he assisted Roberto Rossellini with some later abandoned projects.
The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (1952). He also directed The Mischief Makers (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, The 400 Blows (1959), was the beginning of the New Wave, a new way of making movies in France. This was also the year his first daughter, Laura Truffaut, was born.
From 1959 until his death, François Truffaut's life and films are mixed up. Let's only note he had two other daughters Eva Truffaut (b. 1961) and Josephine (b. 1982, with French actress Fanny Ardant). Truffaut was the most popular and successful French film director ever. His main themes were passion, women, childhood and faithfulness.- Director
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Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. During World War II Godard became a naturalized citizen of Switzerland and attended school in Nyons, Switzerland. His parents divorced in 1948, at which time he returned to Paris to attend the Lycée Rohmer. In 1949 he studied at the Sorbonne to prepare for a degree in ethnology. However, it was during this time that he began attending with François Truffaut, Jacques Rivette, and Éric Rohmer.
In 1950 Godard, with Rivette and Rohmer, founded "Gazette du cinéma", which published five issues between May and November. He wrote a number of articles for the journal, often using the pseudonym "Hans Lucas". After Godard worked on and financed two films by Rivette and Rohmer, Godard's family cut off their financial support in 1951, and he resorted to a Bohemian lifestyle that included stealing food and money when necessary. In January 1952 he began writing film criticism for "Les cahiers du cinéma". Later that year he traveled to North and South America with his father and attempted to make his first film (of which only a tracking shot from a car was ever accomplished).
In 1953 he returned to Paris briefly before securing a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film in 1954 about the building of the dam called Operation Concrete (1958). Later that year his mother was killed in a motor scooter accident in Switzerland. In 1956 Godard began writing again for "Les cahiers du cinéma" as well as for the journal "Arts". In 1957 Godard worked as the press attache for "Artistes Associés", and made his first French film, All Boys Are Called Patrick (1959).
In 1958 he shot Charlotte and Her Boyfriend (1958), his homage to Jean Cocteau. Later that year he took unused footage of a flood in Paris shot by Truffaut and edited it into a film called A Story of Water (1961), which was an homage to Mack Sennett. In 1959 he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a gossip column for the journal, but also spent much time writing scenarios for films and a body of critical writings which placed him firmly in the forefront of the "nouvelle vague" aesthetic, precursing the French New Wave.
It was also in that year Godard began work on Breathless (1960). In 1960 he married Anna Karina in Switzerland. In April and May he shot The Little Soldier (1963) in Geneva and was preparing the film for a fall release in Paris. However, French censors banned it due to its references to the Algerian war, and it was not shown until 1963. In March 1960 Breathless (1960) premiered in Paris. It was hugely successful both with the film critics and at the box office, and became a landmark film in the French New Wave with its references to American cinema, its jagged editing and overall romantic/cinephilia approach to filmmaking. The film propelled the popularity of male lead Jean-Paul Belmondo with European audiences.
In 1961 Godard shot A Woman Is a Woman (1961), his first film using color widescreen stock. Later that year he participated in the collective effort to remake the film The Seven Deadly Sins (1962), which was heralded as an important project in artistic collaboration. In 1962 Godard shot Vivre sa vie (1962) in Paris, his first commercial success since "Breathless". Later that year he shot a segment entitled "Le Nouveau Monde" for the collective film Ro.Go.Pa.G. (1963), another important work in the history of collaborative multiple-authored art.
In 1963 Godard completed a film in homage to Jean Vigo entitled The Carabineers (1963), which was a resounding failure with the public and stirred furious controversy with film critics. Also that year he worked on a couple of collective films: The World's Most Beautiful Swindlers (1964) (from which Godard's sequence was later cut) and Six in Paris (1965). In 1964 Godard and his wife Anna Karina formed their own production company, Anouchka Films. They shot a film called A Married Woman (1964), which censors forced them to re-edit due to a topless sunbathing scene shot by Jacques Rozier. The censors also made Godard change the title to "Une femme marié" so as to not give the impression that this "scandalous" woman was the typical French wife. Later in the year, two French television programs were produced in devotion to Godard's work.
In the spring of 1965 Godard shot Alphaville (1965) in Paris; in the summer he shot Pierrot the Fool (1965) in Paris and the south of France. Shortly thereafter he and Anna Karina separated. Following their divorce, Godard shot Made in U.S.A (1966), "Deux ou trois choses que je sais d'elle (1966)", "L'amour en l'an 2000" (1966) (a sequel to "Alphaville" shot as a sketch for the collective film "L'amour travers les ages" (1966)).
In 1967 Godard shot The Chinese (1967) in Paris with Anne Wiazemsky, who was the granddaughter of French novelist François Mauriac. During the making of the film Godard and Wiazemsky were married in Paris. Later in the year he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film Far from Vietnam (1967). He instead shot the sequence in Paris, entitled "Camera-Oeil". Also during 1967 Godard participated (as the only Frenchman) on an Italian collective film called Love and Anger (1969).
In 1968 Godard was commissioned by French television to make Joy of Learning (1969). However, television producers were so outraged by the product Godard produced that they refused to show it. In May of that year Henri Langlois was fired by the head of the French Jean-Pierre Gorin to form the Dziga-Vertov group, infuriating Godard. He became increasingly concerned with socialist solutions to an idealist cinema, especially in providing the proletariat with the means of production and distribution. Along with other militantly political filmmakers in the Dziga-Vertov group, Godard published a series of 'Ciné-Tracts' outlining these viewpoints. In the summer of 1968 Godard traveled to New York City and Berkeley, California, to shoot the film "One American Movie", which was never completed. In September he made a trip to Canada to start another film called "Communication(s)", which also went unfinished, and then made a visit to Cuba before returning to France.
In 1969 Godard traveled to England, where he made the film See You at Mao (1970) for BBC Weekend Television, but the network later refused to show it. In the late spring he traveled with the Dziga-Vertov group to Prague to secretly shoot the film "Pravda". Later that year he shot Lotte in Italia (1971) ("Struggle for Italy") for Italian television. It was never shown, either.
In 1970 Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled "Jusque à la victoire" (1970) ("Until Victory"). Later that year he traveled to dozens of American universities trying to raise money for the film. In spite of his efforts, it was never released.- Writer
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Krzysztof Kieslowski graduated from Lódz Film School in 1969, and became a documentary, TV and feature film director and scriptwriter. Before making his first film for TV, Przejscie podziemne (1974) (The Underground Passage), he made a number of short documentaries. His next TV title, Personnel (1975) (The Staff), took the Grand Prix at Mannheim Film Festival. His first full-length feature was The Scar (1976) (The Scar). In 1978 he made the famous documentary From a Night Porter's Point of View (1979) (Night Porter's Point of View), and in 1979 - a feature Camera Buff (1979) (Camera Buff), which was acclaimed in Poland and abroad. Everything he did from that point was of highest artistic quality.- Writer
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The father of cinematic Surrealism and one of the most original directors in the history of the film medium, Luis Buñuel was given a strict Jesuit education (which sowed the seeds of his obsession with both religion and subversive behavior), and subsequently moved to Madrid to study at the university there, where his close friends included Salvador Dalí and Federico García Lorca.
After moving to Paris, Buñuel did a variety of film-related odd jobs in Paris, including working as an assistant to director Jean Epstein. With financial assistance from his mother and creative assistance from Dalí, he made his first film, the 17-minute Un chien andalou (1929), in 1929, and immediately catapulted himself into film history thanks to its shocking imagery (much of which - like the sliced eyeball at the beginning - still packs a punch even today). It made a deep impression on the Surrealist Group, who welcomed Buñuel into their ranks.
The following year, sponsored by wealthy art patrons, he made his first feature, the scabrous witty and violent L'Age d'Or (1930), which mercilessly attacked the church and the middle classes, themes that would preoccupy Buñuel for the rest of his career. That career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War he emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros.
Moving to Mexico in the late 1940s, he teamed up with producer Óscar Dancigers and after a couple of unmemorable efforts shot back to international attention with the lacerating study of Mexican street urchins in The Young and the Damned (1950), winning him the Best Director award at the Cannes Film Festival.
But despite this new-found acclaim, Buñuel spent much of the next decade working on a variety of ultra-low-budget films, few of which made much impact outside Spanish-speaking countries (though many of them are well worth seeking out). But in 1961, General Franco, anxious to be seen to be supporting Spanish culture invited Buñuel back to his native country - and Bunuel promptly bit the hand that fed him by making Viridiana (1961), which was banned in Spain on the grounds of blasphemy, though it won the Palme d'Or at the Cannes Film Festival.
This inaugurated Buñuel's last great period when, in collaboration with producer Serge Silberman and writer Jean-Claude Carrière he made seven extraordinary late masterpieces, starting with Diary of a Chambermaid (1964). Although far glossier and more expensive, and often featuring major stars such as Jeanne Moreau and Catherine Deneuve, the films showed that even in old age Buñuel had lost none of his youthful vigour.
After saying that every one of his films from Belle de Jour (1967) onwards would be his last, he finally kept his promise with That Obscure Object of Desire (1977), after which he wrote a memorable (if factually dubious) autobiography, in which he said he'd be happy to burn all the prints of all his films- a classic Surrealist gesture if ever there was one.
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Abbas Kiarostami was born in Tehran, Iran, in 1940. He graduated from university with a degree in fine arts before starting work as a graphic designer. He then joined the Center for Intellectual Development of Children and Young Adults, where he started a film section, and this started his career as a filmmaker at the age of 30. Since then he has made many movies and has become one of the most important figures in contemporary Iranian film. He is also a major figure in the arts world, and has had numerous gallery exhibitions of his photography, short films and poetry. He is an iconic figure for what he has done, and he has achieved it all by believing in the arts and the creativity of his mind.- Writer
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After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha: The Shadow Warrior (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977).- Additional Crew
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The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.- Director
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Qaushiq Mukherjee was born in Kolkata, West Bengal, India. He is known for Gandu (2010), Garbage (2018) and Land of Cards (2012).- Director
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Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.- Director
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By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.
He began his career in Bombay, 1951, as an editor and assistant director to Bimal Roy, another great director himself. His first directorial venture, Musafir (1957), centering on an old house where three unrelated stories dealing with birth, marriage and death occur in a series, was a disaster. But director Raj Kapoor was impressed and strongly recommended Hrishida as director for Anari (1959). Starring Kapoor himself and Nutan, the film was a critical and commercial success.
His next film, Anuradha (1960), about an idealistic doctor who neglects his wife to focus on his work, got him the President's Medal Award. But from then on throughout the 1960s decade, none of Hrishida films were particularly distinguishable, barring Asli-Naqli (1962), a Muslim melodrama; Anupama (1966), which was based on a true incident; Aashirwad (1968), a family drama; and Satyakam (1969), about an idealist seeing his dreams crumble after Indian independence.
Then Hrishida made what is considered his masterpiece - Anand (1971). This classic film gave a complex but compassionate look at the balance between hope, fear, life and death and saw Rajesh Khanna's greatest performance as a terminally ill man who wishes to live life to the full before he dies. It was an auspicious beginning to the 1970s, for that time proved to be an exceptionally good time for Hrishida as he gave the public excellent films like Guddi (1971), a semi-satiric look at the film industry and generally considered as Jaya Bhaduri's debut film; Abhimaan (1973), the Bachchans' greatest ever performance together; and Chupke Chupke (1975), a comedy about a newlywed professor's joke on his pompous brother-in-law. These films gave an extremely skilled and detailed look at the middle-class mentality.
Few people understood human nature as well as Hrishida - in all his films he examined their aspects, particularly their failings and foibles and the outworn values people always seem to hold on to. However in the 1980s, the advent of the superstar Amitabh Bachchan and of larger-than-life films saw Hrishida's brand of filmmaking die out. Recently he attempted a comeback with _Jhooth Bole Kauwa Kaate (1999)_, but sadly it was a futile effort as the film was a commercial and critical failure. However, the magic of his films still lingers after three decades, and he will be best remembered for his film Anand (1971), which told that people who die but remain in heart and mind do not die, but become immortal. No one justifies this truth more than Hrishida.- Writer
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Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Director
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Shyam Benegal was born on 14 December 1934 in Tirumalagiri, Hyderabad State, British India. He is a director and producer, known for Ankur: The Seedling (1974), Bhumika (1977) and Trikal (Past, Present, Future) (1985). He is married to Nira Benegal.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Actor
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Barry John was born in 1946 in Coventry, England, UK. He is an actor and producer, known for Monsoon Wedding (2001), Gandhi (1982) and In Othello (2003).- Actor
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Ramy Youssef was born on 26 March 1991 in Queens, New York City, New York, USA. He is an actor and writer, known for Ramy (2019), Mr. Robot (2015) and Ramy Youssef: Feelings (2019).- Actor
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Jeremy Allen White (born 1991) is an American film and television actor. He is best known for his long-running role as Phillip "Lip" Gallagher on the Showtime dreamed series Shameless (2011-2021). He has also appeared in the first season of the thriller series Homecoming (2018) and in several films including Afterschool, Twelve, After Everything, and The Rental.- Writer
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Asghar Farhadi is an Iranian film director, screenwriter, and producer. He is considered one of the most prominent filmmakers of Iranian cinema as well as world cinema in the 21st century. His films have gained recognition for their focus on the human condition, and portrayals of intimate and challenging stories of internal family conflicts. In 2012, he was included on the annual Time 100 list of the most influential people in the world. That same year, he also received the Legion of Honour from France.
Farhadi was born in Isfahan, Iran. At the age of 15, in 1987, he joined the Isfahan branch office of the Iranian Youth Cinema Society, which had been established for 4 years earlier and he made several short films. He is also a graduate of theatre, with a BA in dramatic arts and MA in stage direction from University of Tehran and Tarbiat Modares University, respectively.
While completing his studies, he wrote a number of radio plays for Iran's national broadcasting service and directed several television programs. In 2001 Farhadi co-wrote the screenplay for the political satire Ertefa-e past (Low Heights, 2002), with famed war film director, Ebrahim Hatamikia.
Farhadi's first feature film, Dancing in the Dust (2003), tells the story of a young man who is forced to divorce his wife and go hunting snakes in the desert in order to repay his debts to his in-laws. His next film, The Beautiful City (2004), is about a young man who is sentenced to death for a crime he did not commit.
Farhadi's breakthrough came with his third film, About Elly (2009), which won the Golden Bear at the Berlin Film Festival. The film tells the story of a group of friends who go on a weekend trip to the Caspian Sea, and the secrets that are revealed over the course of the weekend.
Farhadi's next film, A Separation (2011), won the Academy Award for Best Foreign Language Film. The film tells the story of a middle-class Iranian couple who are going through a divorce, and the moral dilemmas they face as they try to decide what is best for their young daughter.
Farhadi's subsequent films, The Past (2013) and The Salesman (2016), were also critically acclaimed. The Salesman won a second Academy Award for Best Foreign Language Film.
Farhadi's latest film, A Hero (2021), was selected to compete for the Palme d'Or at the 2021 Cannes Film Festival. The film tells the story of a man who is released from prison and tries to win back his wife's trust.
Farhadi's films are known for their their complex and suspenseful plots, their realistic characters, and their exploration of moral dilemmas. His films often deal with themes of family, relationships, and social class.
Farhadi is a master of creating suspense, and his films are often compared to those of Alfred Hitchcock. He is also a skilled director of actors, and his films have featured some of the most celebrated Iranian actors, including Shahab Hosseini, Leila Hatami, and Taraneh Alidoosti.
In 2022, Farhadi was accused of plagiarism by a former student, who claimed that he had stolen the idea for his film A Hero from a documentary she had made. Farhadi denied the allegations, and a court in Iran eventually ruled in his favor. However, the allegations have tarnished Farhadi's reputation and raised questions about his creative process.
Asghar Farhadi is one of the most important filmmakers of our time. His films are both entertaining and thought-provoking, and they offer a unique insight into Iranian society and culture. He is a true auteur, and his work is sure to be studied and admired for many years to come.- Actor
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Pedro Pascal is a Chilean-born actor. He is best known for portraying the roles of Oberyn Martell in the fourth season of the HBO series Game of Thrones (2011), Javier Peña in the Netflix series Narcos (2015), the titular character in the Disney+ series The Mandalorian (2019) and Joel Miller in the HBO series The Last of Us (2023).
He's long-time friends with Triple Frontier (2019) co-star Oscar Isaac.- Actor
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Keanu Charles Reeves, whose first name means "cool breeze over the mountains" in Hawaiian, was born September 2, 1964 in Beirut, Lebanon. He is the son of Patric Reeves, a showgirl and costume designer, and Samuel Nowlin Reeves, a geologist. Keanu's father was born in Hawaii, of British, Portuguese, Native Hawaiian, and Chinese ancestry, and Keanu's mother is originally from Essex England. After his parents' marriage dissolved, Keanu moved with his mother and younger sister, Kim Reeves, to New York City, then Toronto. Stepfather #1 was Paul Aaron, a stage and film director - he and Patricia divorced within a year, after which she went on to marry (and divorce) rock promoter Robert Miller. Reeves never reconnected with his biological father. In high school, Reeves was lukewarm toward academics but took a keen interest in ice hockey (as team goalie, he earned the nickname "The Wall") and drama. He eventually dropped out of school to pursue an acting career.
After a few stage gigs and a handful of made-for-TV movies, he scored a supporting role in the Rob Lowe hockey flick Youngblood (1986), which was filmed in Canada. Shortly after the production wrapped, Reeves packed his bags and headed for Hollywood. Reeves popped up on critics' radar with his performance in the dark adolescent drama, River's Edge (1986), and landed a supporting role in the Oscar-nominated Dangerous Liaisons (1988) with director Stephen Frears.
His first popular success was the role of totally rad dude Ted "Theodore" Logan in Bill & Ted's Excellent Adventure (1989). The wacky time-travel movie became something of a cultural phenomenon, and audiences would forever confuse Reeves's real-life persona with that of his doofy on-screen counterpart. He then joined the casts of Ron Howard's comedy, Parenthood (1989) and Lawrence Kasdan's I Love You to Death (1990).
Over the next few years, Reeves tried to shake the Ted stigma with a series of highbrow projects. He played a slumming rich boy opposite River Phoenix's narcoleptic male hustler in My Own Private Idaho (1991), an unlucky lawyer who stumbles into the vampire's lair in Bram Stoker's Dracula (1992), and Shakespearean party-pooper Don John in Much Ado About Nothing (1993).
In 1994, the understated actor became a big-budget action star with the release of Speed (1994). Its success heralded an era of five years in which Reeves would alternate between small films, like Feeling Minnesota (1996) and The Last Time I Committed Suicide (1997), and big films like A Walk in the Clouds (1995) and The Devil's Advocate (1997). (There were a couple misfires, too: Johnny Mnemonic (1995) and Chain Reaction (1996).) After all this, Reeves did the unthinkable and passed on the Speed sequel, but he struck box-office gold again a few years later with the Wachowski siblings' cyberadventure, The Matrix (1999).
Now a bonafide box-office star, Keanu would appear in a string of smaller films -- among them The Replacements (2000), The Watcher (2000), The Gift (2000), Sweet November (2001), and Hardball (2001) - before The Matrix Reloaded (2003) and The Matrix Revolutions (2003) were both released in 2003.
Since the end of The Matrix trilogy, Keanu has divided his time between mainstream and indie fare, landing hits with Something's Gotta Give (2003), The Lake House (2006), and Street Kings (2008). He's kept Matrix fans satiated with films such as Constantine (2005), A Scanner Darkly (2006), and The Day the Earth Stood Still (2008). And he's waded back into art-house territory with Ellie Parker (2005), Thumbsucker (2005), The Private Lives of Pippa Lee (2009), and Henry's Crime (2010).
Most recently, as post-production on the samurai epic 47 Ronin (2013) waged on, Keanu appeared in front of the camera in Side by Side (2012), a documentary on celluloid and digital filmmaking, which he also produced. He also directed another Asian-influenced project, Man of Tai Chi (2013).
In 2014, Keanu played the title role in the action revenge film John Wick (2014), which became popular with critics and audiences alike. He reprised the role in John Wick: Chapter 2 (2017), taking the now-iconic character to a better opening weekend and even more enthusiastic reviews than the first go-around.- Producer
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William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Actor
- Writer
Vijay Varma began his acting journey as a theatre artist, who went on to work in both Hindi and Telegu films. He was nominated for a Filmfare award for his exceptional performance in Gully Boy (2019), a coming of age story about an aspiring street rapper from the Dharavi slums of Mumbai, directed by Zoya Akhtar. It was India's official entry at the Academy Awards, 2020.
Vijay was born in a Marwari family in Hyderabad, the youngest of three siblings. After finishing his postgraduate course in Hyderabad, he shifted base to Mumbai to become an actor against his family's wishes. He secretly did theatre and secured a seat at the Film and Television Institute of India (FTII) and for which he ran away to Pune. His friend paid the fees for the two year acting course and also helped with his monthly allowance.
Vijay's first acting job was a short film titled 'Shor', which was highly acclaimed at festivals and won the Best Short Film at the MIAAC festival, New York. He then went onto play the role of a young revolutionary in the critically acclaimed period drama 'Chittagong' (was shot in 2010, released in 2012), which won two National awards. He played the leading role in Monsoon Shootout (2013). The film was an official selection at Cannes Film Festival 2013, (however the film found theatrical release only in 2017). He captured the critics' and audience attention for his portrayal of a violent and abusive boy in the sleeper hit Pink (2016). Though it was Gully Boy (2019) that brought Vijay into the limelight! With a breakout performance of a cunning yet empathetic street hustler, he made it to the list of '100 best acting performances of the decade' by Film Companion. Soon after that he was seen playing a part of a narrator in Super 30 (2019). In 2020, Vijay saw more commercial success with Baaghi 3 (2020). He was also part of the Hindi-language anthology horror film Ghost Stories (2020), where he was paired opposite Janhvi Kapoor, the film was directed by Zoya Akhtar and was aired on Netflix. Vijay gave a tour de force performance of a psychopathic narcotics kingpin in the widely watched Netflix series She (2020). Vijay's portrayal of 'Sasya', impressed the audience and critics. He was recently seen in Tigmanshu Dhulia's Yaara (2020).
Vijay's upcoming projects include Mira Nair's A Suitable Boy (2020) (based on the novel by Vikram Seth) for the BBC, and Anand Gandhi's mini-series, a sci-fi mockumentary 'OK Computer'.
Vijay is an avid video gamer and lives on the mantra, 'watch one film every day'.- Producer
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The younger brother of Joel, Ethan Coen is an Academy Award and Golden Globe winning writer, producer and director coming from small independent films to big profile Hollywood films. He was born on September 21, 1957 in Minneapolis, Minnesota. In some films of the brothers- Ethan & Joel wrote, Joel directed and Ethan produced - with both editing under the name of Roderick Jaynes; but in 2004 they started to share the three main duties plus editing. Each film bring its own quality, creativity, art and with one project more daring the other.
His film debut was in 1984 dark humored thriller Blood Simple (1984) starring Frances McDormand (Joel's wife) and M. Emmet Walsh in a deep story revolving a couple of romantic lovers followed by an insisting private eye. The film received critical acclaim, some award nominations to Ethan (best writing at the Film Independent Spirit Awards) and became a cult following over the years. Their second work was the comedy Raising Arizona (1987) starring Nicolas Cage and Holly Hunter as a unusual couple trying to create their family by kidnapping babies from a rich family.
Miller's Crossing (1990) was the third film of the brothers, a mob drama with heavy influences from several criminal dramas and with a stellar cast that included Gabriel Byrne, Marcia Gay Harden, Albert Finney, Steve Buscemi, John Turturro and Jon Polito (the latter three would become regular actors in the Coen's films).
Their views on the Hollywood era of the 1930's was the central theme is the great Barton Fink (1991), created from a writers block both brothers suffered during the making of their previous film. John Turturro stars as a writer who suffers from a breakdown when he's commissioned to a big budget Hollywood project. The film was a breakthrough for the Coens marking their first win at the Cannes Film Festival (Joel got the Palme d'Or) and the first time a film of their received Oscar nominations. The underrated comedy The Hudsucker Proxy (1994) was what followed; but no one could predict their next big and boldest move that would definitely put Ethan and Joel on the spotlight once and for all.
The comedy of errors Fargo (1996) was a huge critical and commercial success. With its crazed story of a man who hires two loonies to kidnap his own wife and a pregnant policewoman tracking the leads to the crime, Ethan and Joel came at their greatest moment that couldn't be missed. The film received several awards during award season and the Coen's got their first Oscar in the Best Original Screenplay category. What came next was the underrated yet hilariously good The Big Lebowski (1998) starring Jeff Bridges, John Goodman, John Turturro and Steve Buscemi. Those masterpieces made their career in the late 1990's cementing the duo as one of the greatest writers and directors of their generation, if not, from all time.
The Odyssey retold for the 1930's in O Brother, Where Art Thou? (2000); the intelligent noir The Man Who Wasn't There (2001); the comedy Intolerable Cruelty (2003) and a remake The Ladykillers (2004) marked their way into the early 2000's. Certaintly of period of minor hits and some downer moments.
The big return was with the highly acclaimed No Country for Old Men (2007), where the brothers swooped at the Oscars with three wins: Best Picture, Screenplay and Writing, an adaptation from the Cormac McCarthy's novel.
A Serious Man (2009), Burn After Reading (2008), True Grit (2010), Inside Llewyn Davis (2013), Hail, Caesar! (2016) and The Ballad of Buster Scruggs (2018) were the subsequent films, all well received by audiences or got awards recognition, mostly nominations.
A shift from tone and career move was writing with other writers and for another directors: for Angelina Jolie's Unbroken (2014), for Spielberg in Bridge of Spies (2015) and George Clooney in Suburbicon (2017).
As for personal life, Ethan has been married to Tricia Cooke since 1990. Tricia works as an assistant editor in several of the Coen brothers films.- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Writer
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Avid reader Charlie Kaufman wrote plays and made short films as a young student. He moved from Massapequa, New York to West Hartford, Connecticut in 1972 where he attended high school. As a comedic actor, he performed in school plays and, after graduation, he enrolled at Boston University but soon transferred NYU to study film. Charlie worked in the circulation department of the Star Tribune, in Minneapolis, in the late 1980s and moved to Los Angeles in 1991, where he was hired to write for the TV sitcom Get a Life (1990). He went on to write comedy sketches and a variety of TV show episodes. Between writing assignments, he wrote the inventive screenplay Being John Malkovich (1999), which created Hollywood interest and the attention of producer Steve Golin. Charlie works at home in Pasadena, California, where he lives with his wife Denise and children.- Writer
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Chaitanya Tamhane was born on 1 March 1987 in Mumbai, Maharashtra, India. He is a writer and producer, known for The Disciple (2020), Court (2014) and Six Strands (2011).- Kay Kay Menon is a well-known Indian actor who has acted in numerous movies and web series. He was born in Thiruvananthapuram, Kerala, India, but raised in Ambarnath, Maharashtra, India.
Menon pursued his early education at St Joseph High School in Pune. After this, he went on to earn a degree in Physics from Mumbai University.
He then pursued an MBA from the University of Pune. After completing his education, he joined the advertising industry.
Menon began his acting career with a theatre break opposite Naseeruddin Shah in Mahatma vs Gandhi. After that, he started working in the TV industry with the television serial Darr (1995).
His debut movie was Naseem (1995) in 1995, but he got recognition for his role in the critically acclaimed movie Bhopal Express (1999) in 1999.
He has acted in numerous movies, including Hazaaron Khwaishein Aisi (2003), Black Friday (2004), Sarkar (2005), Corporate (2006), Life in a Metro (2007), ABCD (Any Body Can Dance) (2013), Ankur Arora Murder Case (2013), Haider (2014) and The Ghazi Attack (2017).
He is also known for his role in the Hotstar web series Special OPS (2020) and Special Ops 1.5: The Himmat Story (2021), where he played the role of RAW officer Himmat Singh.
He has played the role of Mansoor Dalal in the web series, Farzi (2023).
Some of his best performances are in the movies Black Friday (2004), where he played the role of DCP Rakesh Maria, Sarkar (2005), where he played the role of Vishnu Nagre, Gulaal (2009) where Menon played the role of Dukey Bana, and Haider (2014), where he played the role of Khurram Meer.
Kay Kay Menon has received several awards and nominations for his performances in movies and web series. He was nominated for the Filmfare Award for Best Performance in a Negative Role for his role in Sarkar (2005).
He won the Filmfare Award for Best Supporting Actor and the IIFA Award for Best Performance in a Negative Role for his role in Haider (2014). - Actor
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Rahul Bose, born in Kolkata, West Bengal, India, is a multi-talented Indian actor, director, screenwriter, social activist, and rugby player. Known for his versatility and intense performances, Rahul Bose has made significant contributions to Indian cinema and is recognized for his commitment to both artistic and social causes.
Rahul Bose began his acting career in the late 1990s with the critically acclaimed film "English, August" (1994), where he played the lead role of Agastya Sen. This marked the beginning of a career characterized by unconventional choices and a dedication to meaningful storytelling.
Throughout his career, Rahul Bose has been associated with a range of films that address diverse themes. Notable performances include his roles in "Mr. and Mrs. Iyer" (2002), "Chameli" (2003), and "15 Park Avenue" (2005), where he showcased his ability to portray complex and layered characters.
Apart from acting, Rahul Bose has ventured into directing and screenwriting. His directorial debut, "Everybody Says I'm Fine!" (2001), explored the lives of characters in a Mumbai hair salon and received positive reviews for its unique narrative.
In addition to his creative pursuits, Rahul Bose is actively involved in social activism. He is known for his work in areas such as education, healthcare, and disaster relief. He founded the NGO "The Foundation" in 2007, focusing on the development of rural India.
Rahul Bose's commitment to sports is also noteworthy. He has represented India in rugby and has been a vocal advocate for the promotion of sports at the grassroots level.
Rahul Bose continues to be a prominent figure in Indian cinema, balancing his acting career with social and sporting endeavors. His work reflects a dedication to diverse and meaningful storytelling, and he remains an influential personality in the realms of art and activism.- Director
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Anubhav Sinha was born on 22 June 1965 in Allahabad, Uttar Pradesh, India. He is a director and writer, known for Article 15 (2019), Mulk (2018) and Thappad (2020).- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actor
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Arshad Warsi was born on April 19, 1968 in Mumbai, Maharashtra, and did his schooling at a boarding school, Barnes School, Deolali in Nashik district, Maharashtra. He was orphaned at the age of 14 and struggled for a living in Mumbai during his early days. He is an actor, dancer, film producer, television personality, choreographer and playback singer.
Financial circumstances forced Warsi to start work as a door-to-door cosmetics salesman at age 17. Later he worked in a photo lab. Meanwhile, he had a keen interest in dancing and received an offer to join Akbar Sami's Dance group in Mumbai, which started his dancing and choreographing career. He also assisted Mahesh Bhatt in Thikana (1987) and Kaash (1987). Then in 1991, he won the Indian dance competition, followed by the fourth prize in the Modern Jazz category in 1992 World Dance championship, London, at the age of 21. Soon, he started his own dance studio, 'Awesome' with that money and also formed a dance troupe. It was here, his future wife, Maria Goretti, a St. Andrew's College student joined him, before she became a VJ. He was also associated with English theater group in Mumbai, choreographing shows for Bharat Dabholkar and got an opportunity to choreograph the title track for the film, Roop Ki Rani Choron Ka Raja (1993). He made his screen debut with the 1996-film Tere Mere Sapne where he starred opposite Simran & Chandrachur Singh.- Writer
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Aaron Sorkin grew up in Scarsdale, a suburb of New York City where he was very involved in his high school drama and theater club. After graduating from Syracuse University with a Bachelor of Fine Arts in Theater, Sorkin intended to pursue a career in acting. It took him only a short time to realize that his true love, and his true talent, lay in writing. His first play, "Removing All Doubt", was not an immediate success, but his second play, "Hidden in This Picture", debuted in 1988 at the West Bank Cafe Downstairs Theater Bar. A longer version of "Hidden in This Picture", called "Making Movies", opened at the Promenade Theater in 1990. Despite his youth and relative inexperience, Sorkin was about to break into the spotlight. In 1989, he received the prestigious Outer Critics Circle award as Outstanding American Playwright for the stage version of A Few Good Men (1992), which was later nominated for a Golden Globe. The idea for the plot of "A Few Good Men" came from a conversation with his older sister, Deborah. Deborah was a Navy Judge Advocate General lawyer sent to Guantanamo Bay on a case involving Marines accused of killing a fellow Marine. Deborah told Aaron of the case and he spent the next year and a half writing a Broadway play, which later led to the movie. Sorkin has gone on to write for many movies and TV shows. Besides A Few Good Men (1992), he has written The American President (1995) and Malice (1993), as well as cooperating on Enemy of the State (1998), The Rock (1996) and Excess Baggage (1997). In addition, he was invited by Steven Spielberg to "polish" the script of Schindler's List (1993). Sorkin's TV credits include the Golden Globe-nominated The West Wing (1999) and Sports Night (1998).- Jaideep Ahlawat is an Indian actor who is known for his acting skills and captivating performances.
He attended Govt. High School in Kharakara, Haryana, for his elementary and secondary studies. After that, he graduated from Jat H.M. College in Rohtak, Haryana. On completing his undergraduate degree; he went on to get a Master of Arts in English from Maharishi Dayanand University in Rohtak, Haryana.
When he was in college, he became a member of a theatre company. He participated in a number of stage plays around the states of Punjab and Haryana. It motivated him to get his degree in acting from the Film and Television Institute of India (FTII) in 2008. His fellow alumni from FTII (Film and Television Institute of India), such as Rajkummar Rao and Sunny Hinduja, are also accomplished actors in the industry.
Once he finished his FTII degree, he moved to Mumbai, intending to start a career in acting. In 2008, he played a supporting part in a Bollywood short film named Narmeen (2009), which marked the beginning of his career in the Indian film industry.
Later on, he was cast in the film Aakrosh (2010), and in the same year, he was cast in the satirical comedy Khatta Meetha (2010). Film critics praised him for playing a shady politician in this movie. In 2011, he made brief appearances in the films Chittagong (2012) and Rockstar (2011) as Jordan's brother, playing minor roles.
The success of Gangs of Wasseypur (2012) was a pivotal moment in Ahlawat's life. Ahlawat portrayed the part of Shahid Khan in this movie. Shahid Khan was a coal mine worker who was misled by his supervisor and later slain. Ahlawat's portrayal of this role earned him widespread acclaim and helped launch his career as a respected performer in India's film industry.
He was nominated for Best Actor at the Zee Cine Awards / Star Screen Awards in 2013 for his negative portrayal in Commando (2013).
Of the numerous successful films that Ahlawat has appeared in, some of the most well-known ones are Khatta Meetha (2010), Commando (2013), Gabbar Is Back (2015), Raees (2017), Raazi (2018), Baaghi 3 (2020), and so on - these are only some of the films that stand out.
He appeared in multiple series in 2022. His performance in series like Bloody Brothers (2022) and The Broken News (2022) has been appreciated by the critics.
It was Paatal Lok (2020) that garnered him his first Filmfare for best male actor in a drama series. By portraying the lead character of Delhi Police Inspector Hathiram Chaudhary in this Amazon Prime web series; he received widespread recognition and acclaim. He played the role of a cop who handles a high-profile case - in the middle of the investigation, several things drag him to the darker side of the underworld. He admitted that directors' faith in him had grown after the success of the series. His performance has also been lauded by other prominent actors like Varun Dhawan, Rajkummar Rao, and Vicky Kaushal.
Apart from that, Bard of Blood (2019) and Lust Stories (2018) are some of the Hindi web series in which he has appeared. - Actress
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Shefali is a National Award-winning actress with a career spanning over two decades across various genres and formats. She has given power packed performances in films such as Satya, Monsoon Wedding, Gandhi, My Father, Dil Dhadakne Do and Once Again. Shefali has won numerous awards including the Filmfare Award, Stardust Award, Tokyo International Film Festival Award and Asian Academy Creative Award. She received the National Award (Best Supporting Actress) at the 55th National Film Awards for her work in The Last Lear. Shefali was lauded for her restrained and layered performance in director Neeraj Ghaywan's short film Juice, which won multiple awards, including the Filmfare Best Actress Award. She also lent her voice for the character of Raksha in the Hindi version of Jon Favreau's The Jungle Book. Her performance in the Netflix Original Delhi Crime garnered wide critical acclaim with the show winning the Best Drama series at the 48th International Emmy Awards. Shefali recently donned the director's hat with her two short films Someday and Happy Birthday Mummy Ji both dealing with the theme of isolation. Audiences unanimously loved her characterizations of Natasha in Ankahi, part of the Ajeeb Daastaans anthology on Netflix; Gauri Nath in Human and Rukhsana in Jalsa. She was recently seen in multiple films and series such as Darlings, Doctor G and Delhi Crime Season 2 among others.- Producer
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Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, "Supermarket Sweep", starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn't make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren's script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010). Most recently, he completed the films Noah (2014) and Mother! (2017).- Writer
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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.- Producer
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Oprah Gail Winfrey , often known simply as Oprah, is an American talk show host, television producer, actress, author, and philanthropist. She is best known for her talk show, The Oprah Winfrey Show, broadcast from Chicago, which was the highest-rated television program of its kind in history and ran in national syndication for 25 years, from 1986 to 2011. Dubbed the "Queen of All Media", she was the richest African-American of the 20th century, was once the world's only black billionaire, and the greatest black philanthropist in U.S. history. By 2007, she was sometimes ranked as the most influential woman in the world- Actress
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Greta Gerwig is an American actress, playwright, screenwriter, and director. She has collaborated with Noah Baumbach on several films, including Greenberg (2010), Frances Ha (2012), for which she earned a Golden Globe nomination, and Mistress America (2015). Gerwig made her solo directorial debut with the critically acclaimed comedy-drama film Lady Bird (2017), which she also wrote, and has also had starring roles in the films Damsels in Distress (2011), Jackie (2016), and 20th Century Women (2016).
Greta Celeste Gerwig was born in Sacramento, California, to Christine Gerwig (née Sauer), a nurse, and Gordon Gerwig, a financial consultant and computer programmer. She has German, Irish, and English ancestry. Gerwig was raised as a Unitarian Universalist, but also attended an all-girls Catholic school. She has described herself as "an intense child". With an early interest in dance, she intended to get a degree in musical theatre in New York. She graduated from Barnard College in NY, where she studied English and philosophy, instead. Originally intending to become a playwright, after meeting young film director Joe Swanberg, she became the star of a series of intellectual low budget movies made by first-time filmmakers, a trend dubbed "mumblecore".
Gerwig was cast in a minor role in Swanberg's LOL (2006) in 2006, while still studying at Barnard. She then appeared in many of Swanberg's films, and personally co-directed, co-wrote and co-produced one entitled Nights and Weekends (2008). She has worked with good quality directors such as Ti West (The House of the Devil (2009)), Whit Stillman (Damsels in Distress (2011)), or Woody Allen (To Rome with Love (2012)) but success and (international) recognition did not come until Frances Ha (2012), directed by Noah Baumbach, a film she also co-wrote. Both tall and immature, awkward and graceful, blundering and candid, annoying and engaging, Greta has won all hearts in the title role of Frances Ha(liday).
In 2017, she wrote and directed the highly acclaimed, semi-autobiographical teen movie Lady Bird (2017), set in 2002-2003, and starring Saoirse Ronan, Laurie Metcalf, and Timothée Chalamet.
In 2011, Gerwig received an award for Acting from the Athena Film Festival for her artistry as one of Hollywood's definitive screen actresses of her generation.- Producer
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Self-taught writer-director Richard Stuart Linklater was born in Houston, Texas, to Diane Margaret (Krieger), who taught at a university, and Charles W. Linklater III. Richard was among the first and most successful talents to emerge during the American independent film renaissance of the 1990s. Typically setting each of his movies during one 24-hour period, Linklater's work explored what he dubbed "the youth rebellion continuum," focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood firmament. Born in Houston, Texas, Linklater suspended his educational career at Sam Houston State University in 1982, to work on an offshore oil rig in the Gulf of Mexico. He subsequently relocated to the state's capital of Austin, where he founded a film society and began work on his debut film, 1987's It's Impossible to Learn to Plow by Reading Books (1988). Three years later he released the sprawling Slacker (1990), an insightful, virtually plotless look at 1990s youth culture that became a favorite on the festival circuit prior to earning vast acclaim at Sundance in 1991. Upon its commercial release, the movie, made for less than $23,000, became the subject of considerable mainstream media attention, with the term "slacker" becoming a much-overused catch-all tag employed to affix a name and identity to America's disaffected youth culture.- Actor
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In 1995 he began his first one man show, the same year he met Bruno Salomone, Eric Collado, Emmanuel Joucla and Eric Massot with whom he created the "Nous Ç Nous". In 1999, he became "Loulou" in Un gars, une fille (1999). This part permitted him to show his talent to a larger public. Since the end of "Un gars, une fille" in 2003, he has appeared in many films.- Director
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He started off by making short films for television on which he was producer,screenwriter and cameraman. This was interrupted by military service in the army but only partly as he was put into the army film unit where he made over 100 films. Demobbed in 1960 he used family money for his first feature Le propre de l'homme (1961) which was a total flop. In '61 he started filming 'La Vie de Chateau' but was forced to close down after one week due to lack of finance. In 1964 he made L'amour avec des si (1964) which was a success in Sweden but a flop everywhere else. In 1963 his film Night Women (1964) had 40 minutes cut by the censor so it was never shown publicly. His film Une fille et des fusils (1965) was his first to recover production costs. In 1965 came his 5th completed film Les grands moments (1966) but he thought it so bad that he bought the film himself so that it would never be seen. Things changed round completely the following year with what became a classic - A Man and a Woman (1966) which won the 'Grand Prix at Cannes, an Oscar for Best Picture numerous other awards.- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).- Actor
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In 1976, if you had told fourteen-year-old Franciscan seminary student Thomas Cruise Mapother IV that one day in the not too distant future he would be Tom Cruise, one of the top 100 movie stars of all time, he would have probably grinned and told you that his ambition was to join the priesthood. Nonetheless, this sensitive, deeply religious youngster who was born in 1962 in Syracuse, New York, was destined to become one of the highest paid and most sought after actors in screen history.
Tom is the only son (among four children) of nomadic parents, Mary Lee (Pfeiffer), a special education teacher, and Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, and he has German, Irish, and English ancestry. Young Tom spent his boyhood always on the move, and by the time he was 14 he had attended 15 different schools in the U.S. and Canada. He finally settled in Glen Ridge, New Jersey with his mother and her new husband. While in high school, Tom wanted to become a priest but pretty soon he developed an interest in acting and abandoned his plans of becoming a priest, dropped out of school, and at age 18 headed for New York and a possible acting career. The next 15 years of his life are the stuff of legends. He made his film debut with a small part in Endless Love (1981) and from the outset exhibited an undeniable box office appeal to both male and female audiences.
With handsome movie star looks and a charismatic smile, within 5 years Tom Cruise was starring in some of the top-grossing films of the 1980s including Top Gun (1986); The Color of Money (1986), Rain Man (1988) and Born on the Fourth of July (1989). By the 1990s he was one of the highest-paid actors in the world earning an average 15 million dollars a picture in such blockbuster hits as Interview with the Vampire: The Vampire Chronicles (1994), Mission: Impossible (1996) and Jerry Maguire (1996), for which he received an Academy Award Nomination for best actor. Tom Cruise's biggest franchise, Mission Impossible, has also earned a total of 3 billion dollars worldwide. Tom Cruise has also shown lots of interest in producing, with his biggest producer credits being the Mission Impossible franchise.
In 1990 he renounced his devout Catholic beliefs and embraced The Church of Scientology claiming that Scientology teachings had cured him of the dyslexia that had plagued him all of his life. A kind and thoughtful man well known for his compassion and generosity, Tom Cruise is one of the best liked members of the movie community. He was married to actress Nicole Kidman until 2001. Thomas Cruise Mapother IV has indeed come a long way from the lonely wanderings of his youth to become one of the biggest movie stars ever.- Director
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Tigmanshu Dhulia was born on 3 July 1967 in Allahabad, Uttar Pradesh, India. He is a director and actor, known for Gangs of Wasseypur (2012), Paan Singh Tomar (2012) and Saheb Biwi Aur Gangster (2011).- Actor
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Joaquin Phoenix was born Joaquin Rafael Bottom in San Juan, Puerto Rico, to Arlyn (Dunetz) and John Bottom, and is the middle child in a brood of five. His parents, from the continental United States, were then serving as Children of God missionaries. His mother is from a Jewish family from New York, while his father, from California, is of mostly British Isles descent. As a youngster, Joaquin took his cues from older siblings River Phoenix and Rain Phoenix, changing his name to Leaf to match their earthier monikers. When the children were encouraged to develop their creative instincts, he followed their lead into acting. Younger sisters Liberty Phoenix and Summer Phoenix rounded out the talented troupe.
The family moved often, traveling through Central and South America (and adopting the surname "Phoenix" to celebrate their new beginnings) but, by the time Joaquin was age 6, they had more or less settled in the Los Angeles area. Arlyn found work as a secretary at NBC, and John turned his talents to landscaping. They eventually found an agent who was willing to represent all five children, and the younger generation dove into television work. Commercials for meat, milk, and junk food were off-limits (the kids were all raised as strict vegans), but they managed to find plenty of work pushing other products. Joaquin's first real acting gig was a guest appearance on River's sitcom, Seven Brides for Seven Brothers (1982).
He worked with his brother again on the afterschool special Backwards: The Riddle of Dyslexia (1984), then struck out on his own in other made-for-TV productions. He made his big-screen debut as the youngest crew member in the interstellar romp SpaceCamp (1986), then won his first starring turn in the Cold War-era drama Russkies (1987). In the late '80s, the Phoenix clan decided to pull up stakes and relocate again--this time to Florida. River's film career had enough momentum to sustain the move, but Joaquin wasn't sure what lay in store for him in the Sunshine State. As it happened, Universal Pictures had just opened a new studio in the area and he was cast almost immediately as an angst-ridden adolescent in Parenthood (1989). His performance was very well-received, but Joaquin decided to withdraw from acting for a while--he was frustrated with the dearth of interesting roles for actors his age, and he wanted to see more of the world.
His parents were in the process of separating, so he struck out for Mexico with his father. Joaquin returned to the public eye three years later under tragic circumstances. On October 31, 1993, he was at The Viper Room (a Los Angeles nightclub partly-owned by Johnny Depp) when his brother River collapsed from a drug overdose and later died. Joaquin made the call to 911, which was rebroadcast on radio and television the world over. Months later, at the insistence of friends and colleagues, Joaquin began reading through scripts again, but he was reluctant to re-enter the acting life until he found just the right part. He finally signed up to work with Gus Van Sant (who had directed River in My Own Private Idaho (1991) and Even Cowgirls Get the Blues (1993)) to star as Nicole Kidman's obsessive devotee in To Die For (1995). The performance made Joaquin (who had dropped Leaf and reverted to his birth name) a critics' darling in his own right.
His follow-up turn in Inventing the Abbotts (1997) scored more critical kudos and, perhaps more importantly, introduced him to his one-time fiancée Liv Tyler. (The pair dated for almost three years.) He returned to the big screen later that year with a supporting role in Oliver Stone's U Turn (1997), then played a locked-up drug scapegoat in Return to Paradise (1998). He and "Paradise" co-star Vince Vaughn re-teamed almost immediately for the small-town murder caper Clay Pigeons (1998), which Joaquin followed with a turn as a porn store clerk in 8MM (1999). The film that confirmed Phoenix as a star was the historical epic Gladiator (2000). The Roman epic cast him as the selfish, paranoid young emperor Commodus opposite Russell Crowe's swarthy hero. Determined to make his character as real as possible, Phoenix gained weight and cultivated a pasty complexion during the shoot. He received international attention and an Academy Award nomination for Best Supporting Actor for that role.
Later that year, he appeared in two indies, playing a dock worker in The Yards (2000) (which he counts among his favorite experiences--and one of the only films of his that he can sit through) and the priest in charge of the Marquis de Sade's asylum in Quills (2000). He received an Academy Award nomination for Best Actor as the legendary musician Johnny Cash in the biography Walk the Line (2005). He also recorded an album, the film's soundtrack, for which he received the Grammy Award for Best Compilation Soundtrack for Visual Media.- Producer
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He did his B.Tech from department of Electrical Engineering, Indian Institute of Technology Kharagpur (IIT Kgp) and a boarder of Nehru Hall of Residence, IIT Kharagpur. He has participated in interhall Drama competitions through out his student life and won accolades and prizes for his superb acting skills. He hails from Muzaffarpur (Bihar).- Director
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Apoorv Singh Karki was born on 1 November 1988 in Nainital, Uttarakhand, India. He is a director and assistant director, known for Sirf Ek Bandaa Kaafi Hai (2023), The Hundred-Foot Journey (2014) and OMG: Oh My God! (2012).- Actor
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Sylvester Stallone is an athletically built, dark-haired American actor/screenwriter/director/producer, the movie fans worldwide have been flocking to see Stallone's films for over 40 years, making "Sly" one of Hollywood's biggest-ever box office draws.
Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and The University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie series in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star.
Stallone followed Rocky (1976) with F.I.S.T. (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky", however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another series was about to commence for the busy actor.
The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plot line about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express".
Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell.
Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3: Game Over (2003). Showing that age had not wearied his two most popular series, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand.
Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood, plus, he has considerably influenced modern popular culture through several of his iconic film characters.- Producer
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Anurag Singh Kashyap (born 10 September 1972) is an Indian film director, producer and screenwriter. Kashyap made his directorial debut with as yet unreleased Paanch, with Kay Kay Menon as the lead. As a filmmaker, he is known for Black Friday (2004), a controversial and award-winning Hindi film about the 1993 Mumbai bombings, followed by No Smoking (2007), Dev D (2009), Gulaal (2009), That Girl in Yellow Boots (2011) and Gangs of Wasseypur (2012). As a screenwriter, he wrote the scripts for the Filmfare Award-winning Satya (1998) and the Academy Award-nominated Canadian film Water (2005). He founded his film production company, Anurag Kashyap Films Pvt. Ltd. in 2009.- Director
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Meghna Gulzar was born on 13 December 1973 in Bombay, Maharashtra, India. She is a director and writer, known for Raazi (2018), Talvar (2015) and Chhapaak (2020).- Director
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Prakash Jha is an Indian film director, producer, and screenwriter who is primarily known for his socially and politically relevant films like Apaharan (2005), Aarakshan (2011), and Raajneeti (2010), among others.
Jha went to Sainik School Tilaya in his hometown of Bettiah in Bihar, India. After finishing his schooling, he attended Ramjas College, Delhi University. During his college days, he went on to work as an assistant manager in a restaurant.
Jha was inspired to enter the film industry after he met an art director during the shooting of the film Dharma (1973). Later, he went on to enrol at the Film and Television Institute of India in Pune, Maharashtra, to study filmmaking.
He worked on a biographical film called Sonal (1973) in the 1980s, which explored the life of the dancer Sonal Singh. He made another documentary called Faces After the Storm (1981), which was based on the communal riots of Bihar, India, focusing on the incident where Hindu extremists massacred numerous Muslims. However, the award-winning documentary was banned soon after its release.
In 1984, Jha made his directorial debut with the film Hip Hip Hurray (1984), which revolves around the lives of a group of high school students. The film was critically acclaimed and was featured in a book 40 Retakes: Bollywood Classics You May Have Missed.
He founded a cultural society called Anubhooti in 1991 to work on social issues like health care, disaster management, upliftment of the poor, and much more.
His 2001 film Gangaajal (2003) marked a turning point in his career- renowned actors like Ajay Devgn and Gracy Singh were cast in this film.
Jha has received several awards and accolades for his work in the film industry, like the National Film Award for Best Feature Film in Hindi for Damul (1985), the Filmfare Award for Best Screenplay for Apaharan (2005), the apsara award for best dialogue for Aarakshan (2011), etc. He has also achieved great international acclaim for his films like Lipstick Under My Burkha (2016), Parampara (1986), Parinati Parinati (2020) (2020), etc. Lipstick Under My Burkha Lipstick Under My Burkha (2016) (2016) premiered at the Stockholm International Film Festival. Aparahan was the opening film at the Indian Film Festival in Israel.
Jha has also been involved in Indian politics. He started his political career by joining the Janta Dal in the early 1990s. He contested the Lok Sabha elections in 2009 as a Janta Dal candidate from his hometown, Bettiah, in Bihar.- Writer
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Hansal Mehta is a film director best known for Shahid (2013), Citylights (2014), Aligarh (2016), Omertà (2018) and Scam 1992 (2020). He is known for films that depict social and political realities in deeply polarised and troubled times. His films are remarkable for their understanding of characters and their worlds, while telling important stories. His films Shahid (2013) and Omertà(2018) premiered as official selections at different editions of the Toronto International Film Festival (TIFF). Aligarh (2016) a moving tale about a professor suspended by university for being gay premiered at the BFI London Film Festival in 2015. His films have traveled to festivals around the world and have been extensively written about and discussed in both international and local forums. He won the National Award for Best Direction in 2014 for his film Shahid.- Actor
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British actor and comedian Sacha Baron Cohen was born in Hammersmith, London. He is the son of Daniella (Weiser), a movement instructor, and Gerald Baron Cohen, a clothing store owner. His father, born in England and raised in Wales, was of Eastern European Jewish descent, while his mother was born in Israel, to German Jewish parents. He was educated at a private school, Haberdashers' Aske's Boys' School in Hertfordshire, and went on to read History at Christ's College, Cambridge. Baron Cohen had an interest in performing from an early age, forming a breakdancing group as a teenager and acting in amateur plays with a Jewish youth group. While at university he joined the Cambridge University Amateur Dramatic Club, and took part in such plays as "Cyrano de Bergerac" and "Fiddler on the Roof".
Upon leaving University, Baron Cohen briefly worked as a model, before moving on to work as a host on a satellite TV station. In 1995, Channel 4 put out an open call for new presenters, and Baron Cohen sent in a tape featuring himself in character as an Albania TV reporter (an early prototype for Borat). He was hired and worked on various 'youth TV' projects before, in 1998, appearing in The 11 O'Clock Show (1998) which became a cult hit thanks to his character, Ali G. Ali G proved so popular that a spin-off show Da Ali G Show (2000) and film Ali G Indahouse (2002) where produced.
America soon beckoned with a stateside version of Da Ali G Show. Feature film work followed with Baron Cohen providing the voice of Julien in Madagascar (2005) and appearing as Jean Girard alongside Will Ferrell in Talladega Nights: The Ballad of Ricky Bobby (2006). He followed this with the smash-hit Borat (2006), for which he won a Golden Globe and was nominated for a writing Oscar. His other film work includes supporting roles in Sweeney Todd: The Demon Barber of Fleet Street (2007) and Hugo (2011), and starring in the title roles of Brüno (2009), The Dictator (2012), and The Brothers Grimsby (2016).- Composer
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Vishal Bhardwaj is an Indian film director, writer, composer, singer and producer. He has directed ten feature films, produced five and composed music for more than forty. His directorial work includes Makdee, The Blue Umbrella, Kaminey, 7 Khoon Maaf, Matru Ki Bijli Ka Mandola, Rangoon, Pataakha as well as the internationally acclaimed Shakespeare Trilogy - Maqbool, Omkara and Haider (adapted from Macbeth, Othello and Hamlet, respectively). Prominent films written and produced by him are Ishqiya, Dedh Ishqiya and Talvar (based on the Noida double murder case).
He has received 3 international awards: Makdee (2002) received the Best Film award at the Chicago International Children's Film Festival, Omkara (2006) won the Best Artistic Contribution in Cinema award at the Cairo International Film Festival and Haider (2014) won the People's Choice award at the Rome Film Festival. He has also received 7 National Awards: Best Music Direction for Godmother (1999), Best Children's Film for The Blue Umbrella (2005), Special Jury Award for Omkara (2006), Best Music Direction for Ishqiya (2010), Best Dialogues and Best Music Direction for Haider (2014) and Best Screenplay for Talvar (2015).- Actor
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Rajat Kapoor, born in Delhi, India, is a multifaceted artist known for his contributions as an actor, director, and writer in Indian cinema. He has established himself as a versatile performer, equally adept at portraying intense and comedic roles.
Rajat Kapoor began his career in the world of theater, where he gained recognition for his talent and passion for storytelling. His transition to the silver screen happened with films like "Khayal Gatha" (1989) and "Raat Ki Lekin" (1992). However, he rose to prominence in the late 1990s and early 2000s with critically acclaimed films like "Private Detective: Two Plus Two Plus One" (1997), "Mudh Mudh Ke Na Dekh Mudh Mudh Ke" (1997), and "Bhopal Express" (1999).
Known for his distinctive style and unconventional choices, Rajat Kapoor carved a niche for himself in the industry. One of his notable directorial ventures is the film "Raghu Romeo" (2003), which received widespread acclaim for its unique narrative and won the National Film Award for Best Feature Film in Hindi. He continued to make a mark as a director with films like "Mixed Doubles" (2006), "Mithya" (2008), and "Ankhon Dekhi" (2014).
Rajat Kapoor's acting prowess shines through in films such as "Dil Chahta Hai" (2001), where he played a memorable supporting role. He also appeared in critically acclaimed movies like "Bheja Fry" (2007), "Kapoor & Sons" (2016), and "Lipstick Under My Burkha" (2016).
Apart from his contributions to cinema, Rajat Kapoor is recognized for his work in the theater circuit. His distinctive approach to storytelling, often blending humor with thought-provoking themes, has garnered him a dedicated fan base.- Director
- Writer
- Editor
Ruben Östlund was born on 13 April 1974 in Styrsö, Västra Götalands län, Sweden. He is a director and writer, known for Triangle of Sadness (2022), Force Majeure (2014) and The Square (2017). He was previously married to Andrea Östlund.- Actor
- Producer
Adil Hussain is known for his critically acclaimed performances in award winning theater and film. "Othello- A Play in Black and White" directed by Roysten Abel received international acclaim and was awarded the Fringe First in Edinburgh. His role in this play received rave reviews from "The Scotsman" and "The Independent" in the UK. This play was performed across Western Europe, Africa and India for 10 years. Having acted in more than 80 films, he is known for his work in films such as Ang Lee's Oscar winning 'Life of Pi', Subhashish Bhutiani's 'Hotel Salvation/Mukti Bhavan', Iram Haq's 'What Will People Say', Prakash Jha's 'Pareeksha', Gautam Ghosh's 'The Wayfarer', Danis Tanovic's 'Tigers', Mira Nair's 'The Reluctant Fundamentalist', Pan Nalin's 'Angry Indian Goddesses', Partho Sen-Gupta's 'Sunrise', Italo Spinelli's 'Gangor', Prashant Nair's 'Umrika', Leena Yadav's 'Parched' and Bauddhayan Mukherji's 'The Violin Player' . For his lead role in 'Hotel Salvation' and 'Maj Rati Ketaki', he received a National Award in India in 2017. He received the Norwegian National Award, the 'Amanda', in the Best Actor Category for his work in 'What Will People Say' as well as the Kanon Prisen award for Best Supporting actor in 2018. For 'Mukti Bhavan' which has received over 25 International awards, he has been nominated for numerous Best actor awards and won at the 'Washington DC South Asian Film Festival' and 'Rajasthan International Film Festival' . He received Best Actor Award for his work in 'Lessons in Forgetting' at the New Jersey Independent South Asian Cine Fest and the Critic's Choice award for Best Actor 2021 for his performance in the short film 'Meal'. He received the London Indian International Film Festival's 'Outstanding Achievement Award 2020' for his contribution to global cinema. He also has been acknowledged by his home state in receiving 'Best Assamese Person of the Year Award 2015' by Newslive Tv Channel and 'Global Icon Award 2021' by the Prag Television Channel. His is widely known for his roles in 'English Vinglish', 'Lootera', 'Main aur Charles', 'Dobaara', 'Aiyaary' etc. and has acted in numerous independent as well as commercial films in the Hindi, Bengali , Assamese, Malayali, Tamil film industries as well as in many Indo-European art house films. He also played 'Jasoos Vijay' in the well known BBC World Service Trust television series by the same name. His latest work portraying Lt. Aditya Sahil in 'Star Trek' the iconic international science fiction series has received unprecedented admiration from the Star Trek global fandom. He also was one the main actors in the Netflix series 'Delhi Crime' which was the first ever Indian production to receive an international Emmy award.
Born in Goalpara in the the mid 60's, Adil started his adventure in acting as a young stand up comedian as one of the founding members of the Bhaya Mama Group and performed political satires for 6 years all across Assam. During this period he also acted in several Assamese TV Films and Series, Street and Radio plays and video films. He then received a scholarship to study acting at the National School of Drama from 1990-1993 after which he took a short course at the Drama Studio London as a recipient of the Charles Wallace Trust Scholarship. Following this he performed for one year in the Hengul theater in Assam and then for another 2 years with the International Danstheater in Amsterdam. After years of work on the stage spanning dozens of productions and thousands of performances, Adil undertook his own personal research into the craft of acting when he spent two and a half years on a river island in Karnataka researching the craft of acting with a international group of performing artists. He has taught acting at the National School of Drama, Film and Television Institute Pune, Royal Conservatory of Performing Arts in the Hague, and Drama School Amsterdam.- Actor
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- Writer
Amol Palekar is a well-known theatre personality and an acclaimed Indian actor and filmmaker who mainly works in Hindi and Marathi cinema. He has acted in about 50 films in five languages and has directed several feature films and TV shows.
Palekar was born in a lower-middle-class family. His father was employed with the General Post Office, while his mother worked in a private company.
He completed his schooling at Bal Mohan Vidya Mandir in Mumbai. After clearing his SSC exams, he studied fine arts at Sir J. J. School of Art in Mumbai and graduated in 1965. He had to do several "odd jobs" to sustain himself during this period.
After graduation, he worked as a clerk with the Bank of India by day and pursued his passion for painting at night. In 1967, he held his first solo painting exhibition at the Taj Art Gallery. Around this time, he ventured into theatre and started doing stage shows. An opportunity to work in the movies soon followed, and Palekar switched to acting.
Palekar made his acting debut in Bajiraocha Beta (1971), a Marathi film directed by Raja Thakur.
His first Hindi film was Rajnigandha (1974), helmed by Basu Chatterjee. The film went on to become a sleeper hit.
In 1976, he acted in Basu Chatterjee's romantic comedy Chhoti Si Baat (1976). This low-budget coming-of-age film turned out to be a box office hit.
In the same year, he acted in the romantic musical film Chitchor (1976), once again directed by Basu Chatterjee. It marked Palekar's third association with the director. With this film, Palekar scored a hat-trick of hits at the box office, which helped him to carve out a space for himself in the Hindi film industry.
In Gharaonda (1977), helmed by Bhimsain, Palekar played the role of a middle-class man looking for a house in Mumbai.
He essayed a negative role in Shyam Benegal's Bhumika (1977), starring Smita Patil, Naseeruddin Shah, and Anant Nag. The film revolves around an individual's quest for identity and self-fulfilment.
In 1979, Palekar acted in Hrishikesh Mukherjee's comedy film Gol Maal (1979). The story was about a middle-class man's quest to get a job. In this movie, he essayed the roles of Ram Prasad Sharma and Lakshman Prasad Sharma (Lucky), which became a big hit. He won the Filmfare Award for Best Actor in 1980 for Gol Maal.
He played the lead role in Baton Baton Mein (1979), directed by Basu Chatterjee, which was also released in 1979. The film revolves around the protagonist's struggle to get a girlfriend or wife, and it became a commercial and critical success.
In 1986, Palekar appeared in a leading role in the thriller Khamosh (1986), directed by Vidhu Vinod Chopra. Palekar portrayed a fictional version of himself in this movie.
He acted in the supernatural action thriller Aks (2001), helmed by Rakeysh Omprakash Mehra, which starred Amitabh Bachchan, Raveena Tandon, and Manoj Bajpayee. The same year, Palekar married Chitra Palekar in 1969, and the couple divorced in 2001. Later that year, he married Sandhya Gokhale in 2001.
Palekar appeared in Gulmohar (2023), directed by Rahul V. Chittella.
One of his directorial ventures Paheli (2005), starring Shah Rukh Khan and Rani Mukerji, was the official entry of India for the 78th Academy Awards for Best Foreign Language Film.- Actress
- Producer
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Olivia Colman was born on 30 January 1974 in Norwich, Norfolk, England, UK. She is an actress and producer, known for The Favourite (2018), Tyrannosaur (2011) and The Lost Daughter (2021). She has been married to Ed Sinclair since August 2001. They have three children.- Actress
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Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."- Writer
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The most internationally acclaimed Spanish filmmaker since Luis Buñuel was born in a small town (Calzada de Calatrava) in the impoverished Spanish region of La Mancha. He arrived in Madrid in 1968, and survived by selling used items in the flea-market called El Rastro. Almodóvar couldn't study filmmaking because he didn't have the money to afford it. Besides, the filmmaking schools were closed in early 70s by Franco's government. Instead, he found a job in the Spanish phone company and saved his salary to buy a Super 8 camera. From 1972 to 1978, he devoted himself to make short films with the help of of his friends. The "premieres" of those early films were famous in the rapidly growing world of the Spanish counter-culture. In few years, Almodóvar became a star of "La Movida", the pop cultural movement of late 70s Madrid. His first feature film, Pepi, Luci, Bom and Other Girls Like Mom (1980), was made in 16 mm and blown-up to 35 mm for public release. In 1987, he and his brother Agustín Almodóvar established their own production company: El Deseo, S. A. The "Almodóvar phenomenon" has reached all over the world, making his films very popular in many countries.- Writer
- Actor
- Producer
Robert John Odenkirk was born in Berwyn, Illinois, to Barbara (Baier) and Walter Odenkirk, who worked in printing. His ancestry includes German and Irish. He grew up in Naperville, IL, the second of seven children. He worked as a DJ for WIDB, his college radio station at Southern Illinois University Carbondale. Three credits shy of graduation, he moved to Chicago. He began work there in local improv workshops. He also did open-mic stand-up comedy for several years. In Chicago, he became friends with Robert Smigel, who would later help him become a writer for Saturday Night Live (1975).
In 1987, Bob was hired as a writer for Saturday Night Live (1975) and in 1989 he went on to win an Emmy for his writing work. He worked on the show from season 13 to 20 (1987-1995). However, he had trouble getting his work on the air, so he began work as a writer for Get a Life (1990) starring Chris Elliott. The show was quickly canceled, but he was soon hired as writer for The Dennis Miller Show (1992). On that show he made his acting debut and was noticed by Ben Stiller, who later hired him as a writer and actor for The Ben Stiller Show (1992). The show only lasted for 13 episodes, but Bob won another Emmy for his writing.
After The Ben Stiller Show (1992) was canceled, Bob made recurring appearances (1993-1998) on The Larry Sanders Show (1992) as Stevie Grant, Larry's hyperactive agent. He also wrote for Late Night with Conan O'Brien (1993) during 1993-94. During this time Bob hooked up with fellow The Ben Stiller Show (1992) writer David Cross, also a stand-up comedian. They started doing sketch-comedy shows together in Los Angeles. In 1995, they got their own show on HBO (Mr. Show with Bob and David (1995)). The show lasted for four seasons and 30 episodes.
After Mr. Show with Bob and David (1995) ended, Bob wrote Run Ronnie Run (2002) and directed three feature films (Melvin Goes to Dinner (2003), Let's Go to Prison (2006) and The Brothers Solomon (2007)), and appeared in . After 1998, he also made many guest appearances on TV shows like Just Shoot Me! (1997), 3rd Rock from the Sun (1996), Curb Your Enthusiasm (2000), Ed (2000), Everybody Loves Raymond (1996), Less Than Perfect (2002), Arrested Development (2003), How I Met Your Mother (2005) and Weeds (2005). From 2009 to 2013, he appeared on 43 episodes of Breaking Bad (2008) as Saul Goodman, a shyster lawyer, and, starting in 2015, he reprised that role as the main character in Better Call Saul (2015).- Producer
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Douglas Eric Liman is a Jewish-American filmmaker and producer who directed Swingers, The Bourne Identity, Chaos Walking, Jumper, Go, Mr. & Mrs. Smith, Fair Game, Locked Down, Edge of Tomorrow, The Wall and American Made. He executive produced the Bourne sequels except The Bourne Legacy, The Phantom and The Killing Floor.- Director
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- Actor
Moved to New York City at the age of seventeen from Akron, Ohio. Graduated from Columbia University with a B.A. in English, class of '75. Without any prior film experience, he was accepted into the Tisch School of the Arts, New York.- Producer
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Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard's Alphaville (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki's work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around '50s rock'n'roll.
In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (The Bohemian Life (1992)).- Actor
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A legendary actor with 50 celebrated years of film, television and producing experience, Michael Douglas is known for his era-defining roles and enduring cultural impact.
In addition to his career accomplishments, Douglas has remained a steadfast public servant, activist and philanthropist dedicated to peace and human welfare, democracy, gun control advocacy, support of the arts and support of nuclear disarmament. In 1998, former United Nations Secretary-General Kofi Annan appointed Douglas as a Messenger of Peace for his commitment on disarmament issues, including nuclear non-proliferation and halting the illicit trade in small arms and light weapons.
Since his earliest acting work on Hail, Hero! (1969) and The Streets of San Francisco (1972) Douglas has played some of the most memorable and enigmatic American anti-heroes of the last half century. He is most known for his iconic screen roles, like his Academy Award-winning turn as Gordon Gekko Wall Street (1987) as well as the critically and commercially acclaimed films Fatal Attraction (1987), The American President (1995), Basic Instinct (1992), Traffic (2000) and Romancing the Stone (1984). He is also a prolific producer with credits on politically relevant and socially influential motion pictures like One Flew Over the Cuckoo's Nest (1975), The China Syndrome (1979), Traffic (2000) the television series: The Kominsky Method (2018) and an upcoming limited series where Douglas portrays Benjamin Franklin (2024) during his nine years in France lobbying for French aid for the American Revolution.
With a passion for complex protagonists and darkly humorous undercurrents, Douglas has received numerous accolades for his work, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, AFI Life Achievement Award, two French César Awards for Career Achievement and, most recently, the Palme d'or d'honneur for lifetime achievement at the 76th Annual Festival de Cannes as well as the Satyajit Ray Lifetime Achievement Award for Excellence in Cinema at the Goa Film Festival in India.
Michael Douglas was born in New Brunswick, New Jersey, to actors Diana Douglas (Diana Love Dill) and Kirk Douglas (born Issur Danielovitch). His paternal grandparents were Belarusian Jewish immigrants, while his mother was born in Bermuda, the daughter of a local Attorney General, Lieutenant Colonel Thomas Melville Dill; Diana's family had long been established in both Bermuda and the United States. Douglas's parents divorced when he was six, and he went to live with his mother and her new husband. Only seeing Kirk on holidays, Michael attended Eaglebrook School in Deerfield, Massachusetts, where he was about a year younger than all of his classmates.
Douglas attended the elite preparatory Choate School and spent his summers with his father on movie sets. Although accepted at Yale, Douglas attended the University of California, Santa Barbara. Deciding he wanted to be an actor in his teenage years, Michael often asked his father about getting a "foot in the door" Kirk was strongly opposed to Michael pursuing an acting career, saying that it was an industry with many downs and few ups, and that he wanted all four of his sons to stay out of it. Michael, however, was persistent, and made his film debut in his father's film Cast a Giant Shadow (1966).
After receiving his B.A. degree in 1968, Douglas moved to New York City to continue his dramatic training, studying at the American Place Theatre with Wynn Handman, and at the Neighborhood Playhouse, where he appeared in workshop productions of Pirandello's Six Characters in Search of an Author (1976) and Thornton Wilder's Happy Journey (1963). A few months after he arrived in New York, Douglas got his first big break, when he was cast in the pivotal role of the free-spirited scientist who compromises his liberal views to accept a lucrative job with a high-tech chemical corporation in the CBS Playhouse production of Ellen M. Violett's drama, The Experiment, which was televised nationwide on February 25, 1969.
Douglas' convincing portrayal won him the leading role in the adaptation of John Weston's controversial novel, Hail, Hero! (1969), which was the initial project of CBS's newly organized theatrical film production company, Cinema Center Films. Douglas starred as a well-meaning, almost saintly young pacifist determined not only to justify his beliefs to his conservative parents but also to test them under fire in the jungles of Indochina. His second feature, Adam at Six A.M. (1970) concerned a young man's search for his roots. Douglas next appeared in the film version of Ron Cowen's play Summertree (1971), produced by 'Kirk Douglas'' Bryna Company, and then Napoleon and Samantha (1972), a sentimental children's melodrama from the Walt Disney studio.
In between film assignments, he worked in summer stock and off-Broadway productions, among them "City Scenes," Frank Gagliano's surrealistic vignettes of contemporary life in New York, John Patrick Shanley's short-lived romance "Love is a Time of Day" and George Tabori's "Pinkville," in which he played a young innocent brutalized by his military training. He also appeared in the made-for-television thriller, "When Michael Calls," broadcast by ABC-TV on February 5, 1972 and in episodes of the popular series "Medical Center" and "The F.B.I."
Impressed by Douglas' performance in a segment of The F.B.I. (1965), producer 'Quinn Martin' signed the actor for the part of Karl Malden's sidekick in the police series "The Streets of San Francisco", which premiered in September 1972 and became one of ABC's highest-rated prime-time programs in the mid-1970s. Douglas earned three successive Emmy Award nominations for his performance and he directed two episodes of the series.
During the annual breaks in the shooting schedule for The Streets of San Francisco (1972), Douglas devoted most of his time to his film production company, Big Stick Productions, Ltd., which produced several short subjects in the early 1970s. Long interested in producing a film version of Ken Kesey's grimly humorous novel One Flew Over the Cuckoo's Nest (1975), Douglas purchased the movie rights from his father and began looking for financial backing. After a number of major motion picture studios turned him down, Douglas formed a partnership with Saul Zaentz, a record industry executive, and the two set about recruiting the cast and crew. Douglas still had a year to go on his contract for "The Streets of San Francisco," but the producers agreed to write his character out of the story so that he could concentrate on filming "Cuckoo's Nest."
A critical and commercial success, One Flew Over the Cuckoo's Nest (1975) won five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor and Best Actress, and went on to gross more than $180 million at the box office. Douglas suddenly found himself in demand as an independent producer. One of the many scripts submitted to him for consideration was Mike Gray's chilling account of the attempted cover-up of an accident at a nuclear power plant. Attracted by the combination of social relevance and suspense, Douglas immediately bought the property. Deemed not commercial by most investors, Douglas teamed up with Jane Fonda and her own motion picture production company, IPC Films.
A Michael Douglas-IPC Films co-production, The China Syndrome (1979) starred Jack Lemmon, Jane Fonda, and Michael Douglas and received Academy Award nominations for Lemmon and Fonda, as well as for Best Screenplay. The National Board of Review named the film one of the best films of the year.
Despite his success as a producer, Douglas resumed his acting career in the late 1970s, starring in Michael Crichton's medical thriller Coma (1978) with Genevieve Bujold, Claudia Weill's feminist comedy It's My Turn (1980) starring Jill Clayburgh, and Peter Hyams' gripping tale of modern-day vigilante justice, "The Star Chamber" (1983). Douglas also starred in Running (1979), as a compulsive quitter who sacrifices everything to take one last shot at the Olympics, and as Zach the dictatorial director/choreographer in Richard Attenborough's screen version of the Broadway's longest running musical A Chorus Line (1985).
Douglas' career as an actor/producer came together again in 1984 with the release of the tongue-in-cheek romantic fantasy "Romancing the Stone." Douglas had begun developing the project several years earlier, and with Kathleen Turner as Joan Wilder, the dowdy writer of gothic romances, Danny DeVito as the feisty comic foil Ralphie and Douglas as Jack Colton, the reluctant soldier of fortune. "Romancing the Stone" was a resounding hit and grossed more than $100 million at the box office. Douglas was named Producer of the Year in 1984 by the National Association of Theater Owners. Douglas, Turner and DeVito teamed up in 1985 for the successful sequel The Jewel of the Nile (1985).
It took Douglas nearly two years to convince Columbia Pictures executives to approve the production of Starman (1984), an unlikely tale of romance between an extraterrestrial, played by Jeff Bridges, and a young widow, played by Karen Allen. Starman (1984) was the sleeper hit of the 1984 Christmas season and earned an Oscar nomination for Best Actor for Jeff Bridges. In 1986 Douglas created a television series based on the film for ABC which starred Robert Hays.
After a lengthy break from acting, Douglas returned to the screen in 1987 appearing in two of the year's biggest hits. He starred opposite Glenn Close in the phenomenally successful psychological thriller, "Fatal Attraction," which was followed by his performance as ruthless corporate raider Gordon Gekko in Oliver Stone's Wall Street (1987), earning him the Academy Award for Best Actor.
Douglas next starred in Ridley Scott's thriller Black Rain (1989) and then teamed up again with Kathleen Turner and Danny DeVito in the black comedy The War of the Roses (1989).
In 1988, Douglas formed Stonebridge Entertainment, Inc., which produced Flatliners (1990), directed by Joel Schumacher and starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and Radio Flyer (1992) starring Lorraine Bracco and directed by Richard Donner. Douglas followed with David Seltzer's adaptation of Susan Isaacs' best-selling novel, "Shining Through," opposite Melanie Griffith. In 1992 he starred with Sharon Stone in the erotic thriller from Paul Verhoeven Basic Instinct (1992), one of the year's top grossing films.
Douglas gave one of his most powerful performances opposite Robert Duvall in Joel Schumacher's controversial drama Falling Down (1993). That year he also produced the hit comedy "Made in America" starring Whoopi Goldberg, Ted Danson and Will Smith. In 1994-95 he starred with Demi Moore in Barry Levinson's "Disclosure," based on the best seller by Michael Crichton. In 1995, Douglas portrayed the title role in Rob Reiner's romantic comedy The American President (1995) opposite Annette Bening, and in 1997, starred in The Game (1997) directed by David Fincher and co-starring Sean Penn.
Douglas formed Douglas/Reuther Productions with partner Steven Reuther in May 1994. The company, under the banner of Constellation Films, produced The Ghost and the Darkness (1996), starring Douglas and Val Kilmer, and John Grisham's The Rainmaker (1997), based on John Grisham's best selling novel, directed by Francis Ford Coppola and starring Matt Damon,Claire Danes, Danny DeVito, Jon Voight, Mickey Rourke, Mary Kay Place, Virginia Madsen, Andrew Shue, Teresa Wright, Johnny Whitworth and Randy Travis.
Michael Douglas and Steve Reuther also produced John Woo's action thriller Face/Off (1997) starring John Travolta and Nicolas Cage, which proved to be one of '97's major hits.
In 1998, Michael Douglas starred with Gwyneth Paltrow and Viggo Mortensen in the mystery thriller A Perfect Murder (1998), and formed a new production company, Furthur Films. 2000 was a milestone year for Douglas. "Wonder Boys" opened in February 2000 to much critical acclaim. Directed by Curtis Hanson and co-starring Tobey Maguire, Frances McDormand, Robert Downey Jr. and Katie Holmes, Douglas starred in the film as troubled college professor Grady Tripp. Michael was nominated for a Golden Globe and a BAFTA Film Award for his performance.
"Traffic" was released by USA Films on December 22, 2000 in New York and Los Angeles and went nationwide in January 2001. Douglas played the role of Robert Wakefield, a newly appointed drug czar confronted by the drug war both at home and abroad. Directed by Steven Soderbergh and co-starring Don Cheadle, Benicio del Toro, Amy Irving, Dennis Quaid and Catherine Zeta-Jones, "Traffic" was named Best Picture by New York Film Critics, won Best Ensemble Cast at the SAG Awards, won four Academy Awards (Best Screenplay, Best Editing, Best Director, and Best Supporting Actor for Benicio del Toro) and has been recognized on more than 175 top ten lists.
In 2001, Douglas produced and played a small role in USA Films' outrageous comedy "One Night at McCool's" starring Liv Tyler, Matt Dillon, John Goodman and Paul Reiser and directed by Harald Zwart. "McCool's" was the first film by Douglas' company Furthur Films. Also in 2001, Douglas starred in "Don't Say A Word" for 20th Century Fox. The psychological thriller, directed by Gary Fleder, also starred Sean Bean, Famke Janseen and Brittany Murphy.
In 2002, Douglas appeared in a guest role on the hit NBC comedy "Will & Grace," and received an Emmy Nomination for his performance.
Douglas starred in two films in 2003. MGM/BVI released the family drama "It Runs in the Family," which Douglas produced and starred with his father Kirk Douglas, his mother Diana Douglas his son Cameron Douglas, Rory Culkin and Bernadette Peters. He also starred in the Warner Bros. comedy "The-In Laws," with Albert Brooks, Candice Bergen and Ryan Reynolds.
In 2004, Douglas, along with his father Kirk, filmed the intimate HBO documentary "A Father, A Son... Once Upon a Time in Hollywood". Directed by award-winning filmmaker Lee Grant, the documentary examines the professional and personal lives of both men, and the impacts they each made on the motion picture industry.
In 2005, Douglas produced and starred in "The Sentinel", which was released by 20th Century Fox in April 2006. Based on the Gerald Petievich novel and directed by Clark Johnson, "The Sentinel" is a political thriller set in the intriguing world of the Secret Service. Douglas stars with Keifer Sutherland, Eva Longoria and Kim Bassinger. Douglas then filmed "You, Me & Dupree," starring with Owen Wilson, Kate Hudson and Matt Dillon. The comedy, directed by Anthony and Joe Russo, was released by Universal Pictures during the summer of 2006. In 2007 Douglas made "King of California," co-starring Evan Rachel Wood and is written and directed by Michael Cahill, and produced by Alexander Payne and Michael London.
Michael had two films released in early 2009, "Beyond A Reasonable Doubt" directed by Peter Hyams and "Ghosts of Girlfriends Past" starring Matthew McConaughey and Jennifer Garner and directed by Mark Waters. He followed with the drama "Solitary Man" directed by Brian Koppelman and David Levien, co-starring Susan Sarandon, Danny DeVito, Mary Louise-Parker, and Jenna Fischer, produced by Paul Schiff and Steven Soderbergh. In 2010, Douglas reprised his Oscar-winning role as Gordon Gekko in "Wall Street 2: Money Never Sleeps," earning a Golden Globe for his performance. Again directed by Oliver Stone, he co-starred with Shia Labeouf, Cary Mulligan, Josh Brolin, Frank Langella and Susan Sarandon.
In 2011, Douglas had a cameo role in Steven Soderbergh's action thriller "Haywire."
"Behind the Candelabra," based on the life of '70's/80's musical icon Liberace and his partner Scott Thorson, directed by Steven Soderbergh and costarring Matt Damon, premiered on HBO in May 2013. Douglas won an Emmy, Golden Globe and SAG Award for Best Actor in a television movie or mini series for his performance as the famed entertainer. He followed with the buddy comedy "Last Vegas," directed by John Turtletaub co-starring Robert DeNiro, Morgan Freeman and Kevin Kline and the romantic comedy "And So It Goes," co-starring Diane Keaton directed by Rob Reiner.
Douglas recently starred in and produced the thriller "Beyond The Reach," directed by Jean-Baptiste Leonetti and costarring Jeremy Irvine. He and portrayed Dr. Hank Pym in Marvel's Ant-Man and the Wasp (2018) and Ant-Man and the Wasp: Quantumania (2023) opposite Paul Rudd. The franchise was his first venture into the realm of comic book action adventure.
In 2017, he starred in the spy thriller "Unlocked" starring with Noomi Rapace, Orlando Bloom, John Malkovich and directed by Michael Apted.
In 1998 Douglas was made a United Nations Messenger of Peace by Kofi Annan. His main concentrations are nuclear non-proliferation and the control of small arms. He is on the Board of Ploughshares Foundation and The Nuclear Threat Initiative.
Michael Douglas was recipient of the 2009 AFI Lifetime Achievement as well as the Producers Guild Award that year. In Spring '10 he received the New York Film Society's Charlie Chaplin Award.
Douglas has hosted 11 years of "Michael Douglas and Friends" Celebrity Golf Event which has raised over $6 million for the Motion Picture and Television Fund. Douglas is very passionate about the organization, and each year he asks his fellow actors and to come out and show that "we are an industry that takes care of own".
Douglas is married to Catherine Zeta-Jones. The couple has one son, Dylan, and one daughter, Carys. Douglas also has one son, Cameron, from a previous marriage.- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Producer
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Kabir Khan is presently one of the most sought after Bollywood directors. His beat of cinema is very different from the rest of his league. He comes from documentary style of film making. He is known for his brilliant cinematographic skills. He graduated from Delhi University's Kirori Mal College. He was first noticed for his cinematography in the reputed documentary "Beyond the Himalayas" which released in 1995. The documentary earned significant popularity, and went on to be telecast in Discovery channel too. This movie was directed by the veteran director Gautam Ghose. He made his directorial debut with another famous documentary film "The Forgotten Army" in the year 1999. This documentary was based on Netaji Subhas Chandra Bose's role in the Indian Freedom Struggle and his Azad Hind Fauj, also popularly known as the Indian National Army. In 2001, Kabir Khan came up with his brilliant work in films like "Taliban years and Beyond" and "The Titanic Sinks in Kabul".
His work and interest on the Taliban and Afghanistan was the cue why he made a film like "Kabul Express" for mainstream Bollywood cinema in the year 2006. The movie performed averagely but he was noticed for his obviously nascent cinematic style.
In 2009, he worked on the movie "New York" which dealt with a topic as sensitive as Islam and Terrorism. Set in the backdrop of 9/11, this movie goes on to talk about the other side of the 9/11 story when Americans retaliated to the attack rather ridiculously. The film fared decently at the box-office.
In 2012, he came up with the blockbuster hit of the year so far, "Ek Tha Tiger". The movie stars Salman Khan and Katrina Kaif, and was scheduled for a Eid release which garnered in a great deal of its audience. The movie has been doing very well. The critics have signed off Kabir's previously journalistic style of directing. It seems to have withered away the Bollywood way under the Yash Raj Films Banner. Trade Analysts still confirm he has merely deviated from his style of work but not lost his previous charm at all.- Writer
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Ladj Ly was born on 3 January 1978 in Mali. He is a writer and director, known for Les Misérables (2019), The Pitiful (2017) and Athena (2022).- Director
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Kleber Mendonça Filho is a Brazilian film director, screenwriter, producer, and critic. With a degree in journalism from the Federal University of Pernambuco, Kleber Mendonça Filho began his career as a film critic and journalist. He wrote for newspapers such as Jornal do Commercio and Folha DE S. Paulo, for magazines such as Continente and Cinética, and for his own site, CinemaScópio.- Actor
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Jake Gyllenhaal was born on December 19, 1980 in Los Angeles, California as Jacob Benjamin Gyllenhaal, the son of producer/screenwriter Naomi Foner and director Stephen Gyllenhaal, and the younger brother of actress Maggie Gyllenhaal. He is of Ashkenazi Jewish (mother) and Swedish, English, and German (father) descent.
He made his movie debut at 11 in City Slickers (1991). From the late 1990s through the early 2000s, he starred in October Sky (1999) & Donnie Darko (2001), receiving an Independent Spirit Award Best Actor nomination for the latter. He followed up w/ roles in Bubble Boy (2001), The Good Girl (2002), Moonlight Mile (2002) & The Day After Tomorrow (2004).
He made his theater debut in a revival of This Is Our Youth in London. The play was well-received & played for 8 weeks on West End. He then starred in Jarhead (2005) & Proof (2005). However, it was his performance in Brokeback Mountain (2005) that won him critical acclaim. He won the BAFTA Award for Best Actor in a Supporting Role while also being nominated for the Outstanding Performance by a Male Actor in a Supporting Role SAG Award, the Best Supporting Actor-Motion Picture Satellite Award & the Best Supporting Actor Academy Award. Afterwards, he starred in Zodiac (2007), Brothers (2009), Prince of Persia: The Sands of Time (2010) & Love & Other Drugs (2010). For Love & Other Drugs (2010), he was nominated for the Best Actor-Motion Picture Musical or Comedy Golden Globe Award.
In the 2010s, he starred in Source Code (2011), End of Watch (2012), Prisoners (2013), Nightcrawler (2014), Southpaw (2015) & Demolition (2015). For Nightcrawler (2014), he was nominated for the Best Actor in a Motion Picture Drama Golden Globe, the Outstanding Performance by a Male Actor in a Leading Role SAG & the Best Actor in a Leading Role BAFTA Award. Leading Role BAFTA Award.- Director
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Jean-Marc Vallée was a Canadian filmmaker, editor and screenwriter from Montreal. He directed Black List, C.R.A.Z.Y., The Young Victoria, Wild, Dallas Buyers Club, Los Locos, Loser Love and Café de Flore. He also created the HBO shows Big Little Lies and Sharp Objects. He was married to Chantal Cadieux and had two sons. He passed away on Christmas Day 2021.- Upendra Limaye was born on 8 November 1969 in Pune, Maharashtra, India. He is an actor, known for Jogwa (2009), Animal (2023) and Antim: The Final Truth (2021). He is married to Swati Limaye .
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Jessie Buckley is an Irish singer and actress, who came in second place in the BBC talent show-themed television series I'd Do Anything, and subsequently played Anne Egermann in the West End revival of Stephen Sondheim's A Little Night Music. Most recently, Buckley played Lyudmilla Ignatenko in the HBO drama miniseries, Chernobyl. She also appeared on three BBC television series, as Marya Bolkonskaya in BBC's adaptation of Leo Tolstoy's War and Peace, as Lorna Bow in Taboo and as Honor Martin in The Last Post.
Buckley was born in Killarney, County Kerry, the eldest of five children. Her mother, Marina Cassidy, encouraged her to sing and coached her. She has a brother and three sisters. Buckley went to Ursuline Secondary School, an all-girls convent school in Thurles, County Tipperary, where her mother works as a vocal coach and where she performed in school productions. She played a number of male roles at school, including the male lead role of Jets gang founder Tony in the musical West Side Story and Freddie Trumper in Chess.
She has achieved Grade eight in piano, clarinet and harp with the Royal Irish Academy of Music. She is also a member of the Tipperary Millennium Orchestra. Buckley also attended The Association of Irish Musical Societies (AIMS) workshops during the summer, to help improve her singing and acting; it was where she was then recognized as a talented actress and was encouraged to apply for Drama School in London. Just before she auditioned for I'd Do Anything, she was turned down by two drama schools, including one the day before her first audition for the show. In 2008, Buckley won the AIMS Best Actress award for her portrayal of Julie Jordan in the Killarney Musical Society production of Carousel.
Buckley competed in I'd Do Anything, a search for a new, unknown lead to play Nancy in a London West End stage revival of the British musical Oliver. Buckley reached the final on 31 May 2008, finishing in second place behind Jodie Prenger. Before the final vote was announced in Show two of the final, Graham Norton asked the panel who they each thought was Nancy. Three of the panel said Buckley and two Prenger. John Barrowman and Denise van Outen said "Jodie", while Barry Humphries, Cameron Mackintosh and Andrew Lloyd Webber said "Jessie". However, the public voted for Jodie.
Buckley performed at the Andrew Lloyd Webber's Birthday in the Park show in Hyde Park, London on 14 September 2008, singing "I Don't Know How To Love Him" as a solo and "Light at the End of the Tunnel" from Starlight Express with fellow I'd Do Anything finalists Keisha Amponsa-Banson, Niamh Perry, Rachel Tucker as well as Any Dream Will Do finalists Daniel Boys, Lewis Bradley, Ben James-Ellis and Keith Jack. On 18 September she and Aoife Mulholland performed with the RTÉ Concert Orchestra at an Andrew Lloyd Webber evening at the National Concert Hall in Dublin. On 26 August 2008 Buckley performed on Denny Street in Tralee, Co. Kerry where the first ever Millionaire raffle was broadcast live on RTÉ Radio 1. After this, Jessie performed at a charity concert in Tipperary, where she announced that she would be starting rehearsals for A Little Night Music in London the following Monday.
Buckley was offered the opportunity to understudy Nancy, but turned it down in favour of another production: on 10 October 2008 it was announced that Buckley would be appearing in a revival of the Stephen Sondheim musical A Little Night Music, in the role of Anne Egerman, at the Menier Chocolate Factory, a fringe Studio Theatre, in London from 22 November 2008 to 8 March 2009. She appeared alongside Maureen Lipman and Hannah Waddingham in the production, which was directed by Trevor Nunn. A Little Night Music transferred from the Menier Chocolate Factory to the Garrick Theatre in London's West End on 7 April 2009 (previews from 28 March - 6 April). A Little Night Music was Buckley's West End debut. The show closed on 25 July 2009. Since then, she has appeared in a number of concerts nationally, including a Christmas concert alongside Maria Friedman, Cantabile - the London Quartet and Tim Rice, and in February 2010 appeared alongside Daniel Boys (and Night Music co-star Kelly Price) in a series of Valentine musical concerts.- Actress
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Annie Murphy's past projects have included Rookie Blue, Flashpoint, Good God, The Story of Jen, Beauty and the Beast, and Blue Mountain State and has also worked in theatre in Montreal and Toronto.
Murphy made her major breakthrough on "Schitt's Creek," where she starred alongside Eugene Levy, Daniel Levy, Catherine O'Hara, and Chris Elliott as Alexis Rose, the daughter of Levy and O'Hara. Murphy was nominated for a Canadian Screen Award for Best Actress in a Comedy, won a Primetime Emmy Award for Outstanding Supporting Actress in 2020, and won a Screen Actors Guild Award for Outstanding Performance by a Cast in a Comedy Series in 2021.
Murphy wrote, produced, and acted in The Plateaus, a CBC web series, which also features Elisha Cuthbert, Jay Baruchel, Sam Roberts, and Kevin MacDonald. She is a graduate of both the Canadian Film Centre Actors' Conservatory and the Theatre Performance Program at Concordia University. She resides in Toronto, Ontario and was born in Ottawa.- Amanda Arcuri was born in Toronto, Ontario, Canada. She is an actress, known for Fingernails (2023), Party of Five (2020) and Do Not Reply (2019).
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Handsome Texan Luke Cunningham Wilson was born in Dallas in 1971 to Irish-American parents originally from Massachusetts. The son of Laura (Cunningham), a photographer, and Robert Andrew Wilson, an advertising executive, he was raised with two brothers, Owen Wilson (the middle one) and Andrew Wilson (the eldest one). The three would all go on to make their careers in film, with Luke Wilson discovering his love of acting while a student at Occidental College. In 1993, the brothers Wilson collaborated with Wes Anderson to make Bottle Rocket (1993), which was initially a 13-minute short. The gleefully optimistic story of three Texans who aspire to become successful thieves Bottle Rocket (1993) premiered at the 1993 Sundance Festival where it attracted the attention of director James L. Brooks. With Brooks' help, the short became a full-length feature film released in 1996 under the same name, Bottle Rocket (1996). Afterwards, Wilson moved to Hollywood, setting up house with his two brothers and Anderson. The same year, Wilson also appeared in the coming-of-age drama Telling Lies in America (1997). After large roles in three 1998 comedies, Best Men (1997), Bongwater (1998), and Home Fries (1998) (the latter two co-starring Drew Barrymore), Wilson went on to star in another three comedies the following year. The first, Dog Park (1998), was a Canadian film directed by link=tt0096626] alum Bruce McCulloch and featured Wilson as one of a group of twenty-something's undergoing the trials and tribulations of love. Blue Streak (1999) starred the actor as the sidekick of robber-turned-policeman Martin Lawrence, while Kill the Man (1999) (which premiered at the 1999 Sundance Festival) cast him as the owner of a small copy center competing with a large chain store across the street. Though he would stick closely to comedy through 2001 with roles in Charlie's Angels (2000) and Legally Blonde (2001), Wilson took a turn for the sinister in the thrillers Bad Seed (2000) and Soul Survivors (2001) before teaming again with his brother Owen Wilson and Wes Anderson to give one of his most memorable performances as Richie in The Royal Tenenbaums (2001). In 2003, Wilson reprised two past roles, appearing in both Charlie's Angels: Full Throttle (2003) and Legally Blonde 2: Red, White & Blonde (2003). That same year, he also scored a hit as one of the stars of Todd Phillips' Old School (2003). The year 2004 saw Wilson embark on The Wendell Baker Story (2005), a film he starred in, co-directed with brother Andrew Wilson.
Although he made his film debut in the acclaimed independent film Bottle Rocket (1996), he initially got more recognition for his real-life role as Drew Barrymore's boyfriend than for his acting. Fortunately for Wilson, his onscreen talents outlasted his relationship with Barrymore, and he has enjoyed steady employment and increasing visibility through substantial roles in a number of films.- Writer
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Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history.
All of Bong's films have been South Korean productions, although both Snowpiercer and Okja (2017) are mostly in the English language. Two of his films have screened in competition at the Cannes Film Festival-Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, which was a first for a South Korean film. Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50.- Director
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Avinash Arun Dhaware is a Director-Cinematographer from Maharashtra, India. Being a film enthusiast throughout his childhood, Avinash started assisting in FTII Diploma films at the age of 16. He graduated in Cinematography from FTII, Pune, in 2011. His school project 'The Light and Her Shadows' won him the cinematography award in Kodak Film School Competition. His diploma film 'Allah Is Great' won the National award in 2012 and was also the official entry from India for Student Oscars.
His directorial debut 'Killa' won the Crystal Bear for the Best Film at Berlin Film Festival in 2014. It also won the National Award for Best Marathi Film. After working as a cinematographer on landmark films like Masaan, Madaari, Kaarwan, Love per Square Foot, Drishyam, and Hichki, he moved on to shoot and direct short films such as 'Vishaanu' (2020) which was part of the 'Unpaused' series on PrimeVideo and 'Monsoon Walk' (2023) produced by Macguffin Pictures and Colosceum Media.
His first directorial venture in web series, 'Paatal Lok' (2020) on Amazon PrimeVideo, garnered nationwide praise. The second season of the acclaimed series is in post-production and slated to release in 2024. The Disney+Hotstar show, 'School of Lies' (2022), marks another OTT venture directed, shot and co-created by Avinash.
His feature film, 'Three of Us' (2021), which premiered at IFFI Goa, won him the Best Director award at the prestigious New York Indian Film Festival, and the Filmfare Award for Best Cinematography in 2023.- Writer
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Celine Song was born in 1988 in South Korea. She is a writer and director, known for Past Lives (2023), The Wheel of Time (2021) and Working in the Theatre (1976). She has been married to Justin Kuritzkes since 11 June 2016.- Writer
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Sriram Raghavan is an Indian filmmaker who works in the Hindi film industry. He is regarded as a writer of neo-noir thrillers that fall under the action genre. He was brought up in Pune, where he attended St. Vincent's High School. He went to Fergusson College in Pune to study economics.
After finishing college, Raghavan first wished to build a career in journalism. He took up a job at Stardust magazine but moved on to join the Film and Television Institute of India (FTII) in Pune to pursue a course in direction.
After completing his studies, Raghavan worked on a short feature, Raman Raghav - A City, A Killer. It was based on the crimes of Raman Raghav (a serial killer of Bombay) and his arrest. Raghavan cast Raghubir Yadav to play the character of Raman. The feature was made on a low budget and was never released.
Raghavan later started writing for television serials. He wrote several episodes of Aahat (1995) and C.I.D. (1998). He also wrote and directed an episode in First Kill.
Raghavan's career took a new turn after Ram Gopal Varma liked his work in Raman Raghav - A City, A Killer. and signed him up to direct Ek Hasina Thi (2004). The film starred Saif Ali Khan and Urmila Matondkar in the lead roles. This thriller received positive reviews from critics. It was shown at the New York Asian Film Festival.
Raghavan's next directorial venture was another thriller, Johnny Gaddaar (2007). It was the debut film of Neil Nitin Mukesh. The story revolves around a group of five individuals who want to make a fortune through a shortcut. But things go out of hand suddenly when one of the group members gets killed, and the money he was holding goes missing. Though the film wasn't a commercial success, it succeeded in impressing the critics.
In 2012, Raghavan released his third film, Agent Vinod (2012), a spy thriller starring Kareena Kapoor and Saif Ali Khan. The story revolves around the secret mission of Agent Vinod to discover the reason behind his colleague's death. The film received mixed reviews from critics and failed to make a mark at the box office.
Raghavan's fourth film was Badlapur (2015), a revenge action thriller that features Varun Dhawan, Nawazuddin Siddiqui, and Yami Gautam in lead roles. The storyline is based on Death's Dark Abyss, a novel written by Massimo Carlotto. The story is based on the theme of revenge and shows a devastated man out to avenge the death of his family. The movie got positive reviews from critics. It also earned him a nomination for Best Director at the 61st Filmfare awards.
Raghavan explored the genre of black comedy in his crime thriller Andhadhun (2018). The film stars Ayushmann Khurrana, Tabu, and Radhika Apte. The movie's storyline revolves around a blind piano player involved in the murder of a former actor. The film earned rave reviews from critics. The worldwide collection for the film surpassed Rs. 450 crores, which made it a huge hit. The movie is also one of Indian cinema's biggest-grossing movies.
Raghavan won several awards for Andhadhun (2018), including the National Film Award 2018 for Best Feature Film in Hindi, IIFA Award 2019 for Best Director, Best Story, and Best Screenplay, and Screen Award 2018 for Best Director and Best Film Writing (Story and Screenplay).- Director
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Wim Wenders is an Oscar-nominated German filmmaker who was born Ernst Wilhelm Wenders on August 14, 1945 in Düsseldorf, which then was located in the British Occupation Zone of what became the Bundesrepublik Deutschland (Federal Republic of Germany, known colloquially as West Germany until reunification). At university, Wenders originally studied to become a physician before switching to philosophy before terminating his studies in 1965. Moving to Paris, he intended to become a painter.
He fell in love with the cinema but failed to gain admission to the French national film school. He supported himself as an engraver while attending movie houses. Upon his return to West Germany in 1967, he was employed by United Artists at its Düsseldorf office before he was accepted by the University of Television and Film Munich school for its autumn 1967 semester, where he remained until 1970. While attending film school, he worked as a newspaper film critic. In addition to shorts, he made a feature film as part of his studies, Summer in the City (1971).
Wenders gained recognition as part of the German New Wave of the 1970s. Other directors that were part of the New German Cinema were Rainer Werner Fassbinder and Werner Herzog. His second feature, a film made from Peter Handke's novel The Goalie's Anxiety at the Penalty Kick (1972), brought him acclaim, as did Alice in the Cities (1974) and Kings of the Road (1976). It was his 1977 feature The American Friend (1977) ("The American Friend"), starring Dennis Hopper as Patricia Highsmith's anti-hero Tom Ripley, that represented his international breakthrough. He was nominated for the Palme d'Or at the 1977 Cannes Film Festival for "The American Friend", which was cited as Best Foreign Film by the National Board of Review in the United States.
Francis Ford Coppola, as producer, gave Wenders the chance to direct in America, but Hammett (1982) (1982) was a critical and commercial failure. However, his American-made Paris, Texas (1984) (1984) received critical hosannas, winning three awards at Cannes, including the Palme d'Or, and Wenders won a BAFTA for best director. "Paris, Texas" was a prelude to his greatest success, 1987's Wings of Desire (1987) ("Wings of Desire"), which he made back in Germany. The film brought him the best director award at Cannes and was a solid hit, even spawning an egregious Hollywood remake.
Wenders followed it up with a critical and commercial flop in 1991, Until the End of the World (1991) ("Until the End of the World"), though Faraway, So Close! (1993) won the Grand Prize of the Jury at Cannes. Still, is reputation as a feature film director never quite recovered in the United States after the bomb that was "Until the End of the World." Since the mid-1990s, Wenders has distinguished himself as a non-fiction filmmaker, directing several highly acclaimed documentaries, most notably Buena Vista Social Club (1999) and Pina (2011), both of which brought him Oscar nominations.- Producer
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Tom McCarthy is an American film director, screenwriter, and actor. He is best known for direct and write The Station Agent (2003), The Visitor (2007), Win Win (2011), and Spotlight (2015), for which he won the Academy Award for Best Original Screenplay, and was nominated for Best Director.
McCarthy co-wrote the film Up (2009) with Bob Peterson and Pete Docter, for which they received an Academy Award nomination for Best Original Screenplay. He also served as a director and executive producer for the Netflix television series 13 Reasons Why (2017).- Producer
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Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."- Director
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Yorgos Lanthimos was born in Athens, Greece. He studied directing for Film and Television at the Stavrakos Film School in Athens. He has directed a number of dance videos in collaboration with Greek choreographers, in addition to TV commercials, music videos, short films and theater plays. Kinetta, his first feature film, played at Toronto and Berlin film festivals to critical acclaim. His second feature Dogtooth, won the "Un Certain Regard prize" at the 2009 Cannes film festival, followed by numerous awards at festivals worldwide. It was nominated for a Best Foreign Language Film Academy Award (Oscar) in 2011. Alps won the "Osella for best screenplay" at the 2011 Venice film festival and Best Film at the Sydney film festival in 2012. His first English language film The Lobster was presented in Competition at the 68th Cannes Film Festival. Moreover, "The Lobster" was nominated for the (Oscar about the) Best Original Screenplay by the Academy and won Best Screenplay and Best Costume Design at the European Film Awards of 2015. His fifth project "The Killing of a Sacred Deer" was also presented in Competition at the 70th Cannes Film Festival where it won the award for the best Screenplay. Lanthimos's last film "The Favorite" is a historical Drama about the British Queen Anne.- Producer
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Damien Sayre Chazelle is an American director and screenwriter. He was born in Providence, Rhode Island. His mother, Celia Sayre (Martin) Chazelle, is an American-Canadian writer and professor of history at The College of New Jersey. His father, Bernard Chazelle, is a French-American Eugene Higgins Professor of computer science at Princeton University, originally from Clamart, France. Chazelle has a sister, Anna, who is an actress and circus performer.- Actor
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Hasan Minhaj was born on 23 September 1985 in Davis, California, USA. He is an actor and writer, known for The Daily Show (1996), 2017 White House Correspondents' Association Dinner (2017) and Hasan Minhaj: Homecoming King (2017). He has been married to Beena Minhaj since 2 January 2015. They have one child.- Actor
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Riz Ahmed (born 1 December 1982), also known by his stage name Riz MC and birth name Rizwan Ahmed, is a British Pakistani actor, rapper, and activist. As an actor, he has won one Emmy Award, out of two Emmy nominations, and was also nominated for a Golden Globe, Screen Actors Guild Award, and three British Independent Film Awards.- Actress
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Lilly Singh is a successful, famous Canadian YouTuber, known as Superwoman. She is also known for her role in the movie "Dr. Cabbie" (2014) and the YouTube series "Giving Back Glam" (2014) ; "The Tube's Hautest" (2014) and "Lana Steele : Make Up Spy" (2015). She is also known for her rapping skills and has a few songs : #LEH feat. Humble The Poet (2014); IVIVI feat. Humble The Poet (2015) and she is featured in Jassi Sidhu's song "Hipshaker" (2013).- Actress
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Vera Mindy Chokalingam is an Indian-American actress, comedienne, producer, writer and director from Cambridge, Massachusetts known for playing Kelly Kapoor in The Office, Disgust in Inside Out, and creating The Mindy Project. She also appeared in Wreck-It Ralph, Despicable Me, The 40-Year-Old Virgin, Ocean's 8, and Monsters at Work. She has two children.- Director
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Jonathan first found fame for his revolutionary work on Radiohead's 'Street Spirit' and Jamiroquai's multi-MTV award winning 'Virtual Insanity' video.
In 1999 he directed the ground-breaking Guinness 'Surfer', which picked up 2 D&AD Black Pencils and the top spot at most of the other awards festivals that year. The film still heads many lists as one of the best commercials of all time. He has made iconic commercials for Stella Artois, Levis, Nike, Sony, Volkswagen, Channel 4, Wrangler, Apple and many others. His film for Alexander McQueen won a Grand Prix at the Ciclope Festival in Berlin.
In 2000 Jonathan directed Sexy Beast which was nominated for Best British Film by BAFTA. This was followed 4 years later with Birth, staring Nicole Kidman and Lauren Bacall. His 2014 film, Under The Skin stars Scarlett Johansson and is an adaptation of Michel Faber's 2000 novel of the same name. Under The Skin received 2 BAFTA nominations and won critical acclaim as a 'landmark in filmmaking'.
Later on, Jonathan directed work for the BBC in the form of 2019's 'The Fall', a short film influenced by Goya's 'The Sleep of Reason Produces Monsters' and a hunting photograph of Donald Trump's two sons posing with a dead leopard; and 2020's Strasbourg 1518, a collaboration in isolation created during Covid, inspired by a unique plague striking inhabitants of the city who danced until their ultimate demise.- Director
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Larisa Shepitko was born on 6 January 1938 in Bakhmut, Ukrainian SSR, USSR [now Bakhmut, Donetsk Oblast, Ukraine]. She was a director and writer, known for The Ascent (1977), Heat (1963) and You and Me (1971). She was married to Elem Klimov. She died on 2 July 1979 in near Redkino, Kalinin Oblast, Russian SFSR, USSR.- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Producer
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Taika Waititi, also known as Taika Cohen, hails from the Raukokore region of the East Coast of the North Island of New Zealand, and is the son of Robin (Cohen), a teacher, and Taika Waititi, an artist and farmer. His father is Maori (Te-Whanau-a-Apanui), and his mother is of Ashkenazi Jewish, Irish, Scottish, and English descent. Taika has been involved in the film industry for several years, initially as an actor, and now focusing on writing and directing.
Two Cars, One Night is Taika's first professional film-making effort and since its completion in 2003 he has finished another short "Tama Tu" about a group of Maori Soldiers in Italy during World War 2. As a performer and comedian, Taika has been involved in some of the most innovative and successful original productions seen in New Zealand. He regularly does stand-up gigs in and around the country and in 2004 launched his solo production, "Taika's Incredible Show". In 2005 he staged the sequel, "Taika's Incrediblerer Show". As an actor, Taika has been critically acclaimed for both his Comedic and Dramatic abilities. In 2000 he was nominated for Best Actor at the Nokia Film Awards for his role in the Sarkies Brother's film "Scarfies".
Taika is also an experienced painter and photographer, having exhibited both mediums in Wellington and Berlin, and a fashion designer. He attended the Sundance Writers Lab with "Choice", a feature loosely based on "Two Cars, One Night".
Taika became a blockbuster director with his film Thor: Ragnarok (2017), and received critical acclaim, and a Best Adapted Screenplay Oscar, for his film Jojo Rabbit (2019).- Actress
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Sandra Hüller was born in Suhl. She studied acting at the Ernst Busch Academy of Dramatic Arts in Berlin. For her performance of Anneliese Michel in Hans-Christian Schmid's drama Requiem she won The Silver Bear for Best Actress. She is internationally known for her starring role in Maren Ade's Toni Erdmann, for which she won among others the European Film Award and the Toronto Film Critics Association Award for Best Actress.- Director
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Denis Villeneuve is a French Canadian film director and writer. He was born in 1967, in Trois-Rivières, Québec, Canada. He started his career as a filmmaker at the National Film Board of Canada. He is best known for his feature films Arrival (2016), Sicario (2015), Prisoners (2013), Enemy (2013), and Incendies (2010). He is married to Tanya Lapointe.