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- Alan Feinstein has appeared in over 100 television productions, co-starring on "Nip Tuck," "Crossing Jordan," and "N.Y.P.D. Blue." Series leads in "The Runaways," "Jigsaw John," "Berrengers," Second Family Tree," and more than 800 episodes of daytime drama. He co-starred opposite Peter Strauss and Peter O'Toole in "Masada," Lindsay Wagner in "The Two Worlds of Jenny Logan," Vanessa Redgrave in "Second Serve," as well as opposite Diane Keaton in the feature film "Looking For Mr. Goodbar."
Winner of the New York Drama Desk Award for his portrayal of "Marco" in Arthur Miller's 'A View From the Bridge'.
3 Los Angeles Drama-logue awards for his performances in 'Cold Storage', 'Dancing in the End Zone', and as "Jamie" in 'Long Days Journey Into Night'.
Alan's roles on Broadway include his debut in Edward Albee's 'Malcolm,' and was picked by Tennessee Williams for the role of "Stanley Kowalski" in the 25th anniversary Broadway revival of 'A Streecar Named Desire'. He starred on stage at the Guthrie Theatre in 'The Price' after having auditioned for playwright Arthur Miller.
He also starred in productions of Herb Gardner's 'Conversations With My Father' at Philidelphia's Walnut Street Theatre and the Pioneer Theatre Company of Salt Lake City.
Other performances include productions at The Old Globe, The Long Wharf Theatre, The Williamstown Summer Festival, The Alley Theatre, The Philidelphia Theatre Company, and was a member of New York's famed Circle Repertory Company.
Los Angeles stage appearances include 'Talley's Folly' at the Grove Theatre Center, David Mamet's 'Lakeboat', directed by Joe Montegna at the Tiffany Theatre, Tina Howe's 'One Shoe Off', the world premiere of 'The Sisters' at the historic Pasadena Playhouse, and 'Ghetto' at the Mark Taper Forum. - Actress
- Producer
- Additional Crew
Provocative and ever the temptress in her prime, the dark-maned, gorgeous Lana Wood was born Svetlana Gurdin on March 1, 1946, in Santa Monica, California, to Nick Gurdin (née Nikolai Zacharenko) and Maria Gurdin (known by countless aliases, usually Mary Zudilova), émigrés of Ukrainian and Russian descent. Both her parents' families fled their Russian homeland following the Communist takeover and the couple met and married in San Francisco. Lana's more famous acting sister was christened Natalia eight years earlier and the eldest girl in the family was an Armenian half-sister named Olga Tatuloff, their mother's child from a 1920s marriage.
Young Natalia (renamed Natalie Wood, out of respect to director Sam Wood) became a child star in the late 1940s, with such classics as Miracle on 34th Street (1947), and younger sis Lana would inevitably be drawn into films as a result of Natalie's overwhelming success. She made her "debut" as a baby in Natalie's "B" film Driftwood (1947) only to have her cute bit cut from the picture. Her first screen credit actually came with the John Ford classic The Searchers (1956) as a younger version of Natalie's character, and she was off and running.
In an effort to break away from her sister's looming shadow and find her own place in Hollywood, Lana set out to secure TV roles and did quite well on such popular programs as Playhouse 90 (1956), Have Gun - Will Travel (1957), Dr. Kildare (1961) and The Fugitive (1963), while continuing her minor appearances in such films as Marjorie Morningstar (1958) (again with Natalie), Five Finger Exercise (1962) and the The Girls on the Beach (1965).
In 1965 she earned a contract at Twentieth Century-Fox and was cast in her first television series, The Long, Hot Summer (1965), playing the Southern belle role Lee Remick had played in the 1958 film (The Long, Hot Summer (1958)). Better yet was her 1966 breakthrough role as hash-slinging waitress "Sandy Webber" on the original prime-time soap opera smash Peyton Place (1964), which she played for two seasons. Unlike the glamorous and refined Natalie, Lana developed an earthier "bad girl" persona. Her character femmes bore typical hard-luck stories--tarnished girls from the wrong side of the tracks who were often more trouble than they were worth. Off-screen, she married Peyton Place (1964) co-star Steve Oliver, who played her abusive husband and jailbird "Lee Webber." The marriage lasted approximately one month.
After Peyton Place (1964), Lana continued to exude sex appeal in such films as For Singles Only (1968) and Scream Free! (1969), a drug tale that reunited Natalie's West Side Story (1961) co-stars Richard Beymer and Russ Tamblyn. She kept her name alive on TV as well, making the guest rounds on The Wild Wild West (1965), Bonanza (1959), The Felony Squad (1966) and Rowan & Martin's Laugh-In (1967).
In April 1971, Lana posed for Playboy in an attempt to gain added exposure. It worked. A major career boost presented itself in the form of producer Albert R. Broccoli (nicknamed "Cubby"), who caught the spread and offered her the role of Bondian femme fatale "Plenty O'Toole" in Diamonds Are Forever (1971) opposite Sean Connery. Following all this sexy publicity, Lana somehow nabbed an unexpected role in the Disney romp Justin Morgan Had a Horse (1972).
Although she stayed fairly active throughout the next decade or so with such TV movies as Black Water Gold (1970), QB VII (1974) and Nightmare in Badham County (1976), and the films Grayeagle (1977) and Demon Rage (1982), her star began to diminish.
Marriages during the 1970s included a union with actor/co-star Richard Smedley, whom she met on the set of A Place Called Today (1972). They produced her only child, daughter Evan, in 1974. She later married producer Allan Balter after meeting him during the filming of Captain America (1979). Six marriages would come and go before 1980.
In the mid-'80s she appeared for a time on the daytime soap opera Capitol (1982) but made a decision to move away from the acting arena after this period. Following the tragic drowning death of sister Natalie in 1981, Lana penned the controversial tell-all book "Natalie, A Memoir by Her Sister". What was meant as a candid, caring and cathartic expose on Lana's part was denounced by both critics and family alike as self-serving and hurtful. Later years included behind-the-camera work as a producer, which included co-producing the ABC-TV special The Mystery of Natalie Wood (2004). She also had her own casting company at one point.
After an extended absence, Lana was seen again on the screen into the millennium. Independent features include Deadly Renovations (2010), Donors (2014), Bestseller (2015), Killing Poe (2016), Subconscious Reality (2016), Wild Faith (2018) and The Marshal (2019). A devoted animal lover, the still-stunning grandmother-of-three occasionally appears at celebrity conventions and continues to work in films.- Actress
- Music Department
- Soundtrack
Cute as a button and with a petite, porcelain prettiness and vulnerability that endeared her to the American public, Sally Struthers nabbed a series role in the early 1970s and became a solid part of TV history as a member of a dysfunctional family quartet in the milestone sitcom, All in the Family (1971).
She was born Sally Ann Struthers, the daughter of a surgeon, on July 28, 1948, in Portland, Oregon. Raised there, she pursued an acting career following high school. She eventually moved to Los Angeles and trained at the Pasadena Playhouse College of Theatre Arts, earning a scholarship as its "most promising student." She performed briefly in regional stock plays until finding her break as both a commercial actress and dancer on TV.
A recurring dancer/performer on such variety shows as The Smothers Brothers Summer Show (1970) and The Tim Conway Comedy Hour (1970), the pert-nosed, blue-eyed, curly blonde cutie showed starlet promise in films, offering ditsy support in the Jack Nicholson starrer, Five Easy Pieces (1970), and the chase film, The Getaway (1972), top-lining Steve McQueen and Ali MacGraw.
And, then came the iconic series All in the Family (1971). Also starring Carroll O'Connor and Jean Stapleton as conservative parents Archie and Edith, and Rob Reiner as liberal husband Mike, Struthers went on to win two supporting Emmy Awards and four Golden Globe nominations as kewpie-doll Gloria Bunker Strivic, Archie Bunker's "little goil."
Seen occasionally guesting elsewhere on such popular TV programs as "Love, American Style," "The Courtship of Eddie's Father," "Ironside," "Laugh-In," "Sonny and Cher" and as the voice of teenage Pebbles Flintstone on the spin-off cartoon series The Pebbles and Bamm-Bamm Show (1971), Sally, along with Rob, finally left the popular family show after seven seasons, both eager to grow away from their strong TV images. While Reiner stepped away from the camera and became a noted director, Sally continued to act. She made her Broadway debut in "Wally's Cafe" in 1981 and returned, four years later, with a gender-bending version of "The Odd Couple" as neat-freak "Florence" opposite Rita Moreno's slovenly "Olive". In addition, she found steady work in both topical and light-hearted 70's TV movies with Aloha Means Goodbye (1974), Hey, I'm Alive (1975), The Great Houdini (1976), My Husband Is Missing (1978), ...and Your Name Is Jonah (1979), A Gun in the House (1981), to name a few.
When offers began to dry up for Sally, she returned to the TV series fold in the early 1980s spinning off her "Gloria" character, sans Rob Reiner, with the self-titled sitcom, Gloria (1982). Without Reiner (the plot had the couple split and her focusing on raising son Joey), the ensemble formula that worked so well for her earlier was missing here and the show died in its freshman year. To compensate, however, Sally's baby-doll voice worked extremely well for her in cartoons. She remained active off-camera, providing little girl voices for Saturday morning entertainment, notably her teenage "Pebbles Flintstone" character.
In addition to Yo Yogi! (1991) and Tiny Toon Adventures (1990), other TVanimated voice-over work included TaleSpin (1990) as "Rebecca 'Becky' Cunningham" and, notably, puppeteer Jim Henson's creative prehistoric sitcom, Dinosaurs (1991), playing dino-daughter "Charlene Sinclair."
As she grew older, Sally continued delighting fans with broader shtick in plus-sized parts. She showed that she had lost none of the fun for which she was known, by providing hearty comedy relief when she joined the prime-time series Nine to Five (1982) and as a guest in "Charles in Charge," "Sister Kate" and "Murder, She Wrote."
The musical stage was another popular venue. Over the years, she has patented the by-the-book principal "Miss Lynch", with her many "Grease" tours, and as the scheming orphanage operator "Miss Hannigan" in a number of road productions of "Annie." She went on to cop a 2002 Los Angeles "Ovation" award for her delightfully over-the-top "Agnes Gooch" in "Mame", starring Carol Lawrence and in 2012, she performed in both "Always...Patsy Cline" as Louise Segar, and "9 to 5: The Musical" as nosy Roz Klein. In 2014, Struthers toured in the 50th anniversary production in the title role of "Hello, Dolly!"
Into the millennium, Sally has guested on such series as "Sabrina, the Teenage Witch" and "The Division," had recurring roles on Still Standing (2002) and Gilmore Girls (2000), and was seen in featured or cameo roles in such independent films as the drama A Month of Sundays (2001), the mystery thriller Reeseville (2003), the Mario Van Peebles biopic Baadasssss! (2003), the comedy Monster Heroes (2010), and the musical comedies Waiting in the Wings: The Musical (2014), Hollywood Musical! (2015), Still Waiting in the Wings (2018) and Christmas Harmony (2018).
Divorced, Sally is the mother of one daughter who has made a career for herself as a clinical psychologist.
For years, Sally was a prime spokesperson for the Christian Children's Fund on TV, fervently (and often tearfully) appealing for viewer's monetary assistance in finding an end to starvation in under-developed countries.- Robert Burton, an Army brat, was born in Frankfurt, Germany. His parents were Robert Bentley Burton and Mary Klotz Burton. After his father's overseas Army assignment, they returned to the United States, finally settling in California. As a part of his education he attended the Ryan Preparatory College in Fresno, California studying to be a Roman Catholic priest. Because his mother was acting in the California First Theater company in Monterey, Robert decided to also become an actor. After graduating high school, in 1966 he continued his higher education at the University of Santa Clara, obtaining an Economics degree in 1968. During this period, in 1966 Robert did his first TV commercial with baseball legend Joe DiMaggio, at the Presidio in San Francisco.
Burton married actress Karen Black in 1973. In 1974 he was cast in one of the main roles in the feature film "Trilogy of Terror", which became a cult classic. At first Karen declined the lead role, which was a college English teacher. But Karen decided to do the picture when it was agreed to give Robert an important lead in one of the picture's three segments. In the film, Robert played a college student who was obsessed by his English teacher. As it turned out, Karen and Robert divorced by the time "Trilogy of Terror" was released, in March 1975. - Actress
- Director
Katherine Marie Helmond was born on July 5, 1929, in Galveston, Texas. After her parents divorced, she was raised by her mother, Thelma (nee Malone) Helmond, and her maternal grandmother, both of Irish Catholic descent. She attended Catholic school, and appeared in numerous school plays and pageants. She took a job at a local theater while still in high school, hammering and sawing the scenery, cleaning the bathrooms and pulling the curtain.
After her stage debut in "As You Like It", she worked in New York theatres during the 1950s and 1960s. She operated a summer theatre in the Catskills for three seasons and also taught acting in university theatre programs. She made her TV debut in 1962 but had to wait another 10 years until her breakthrough came in the 1970s. She stayed busy on TV as well as on stage and earned a Tony nomination for "The Great God Brown" (1973) on Broadway. She honed her acting abilities with Alfred Hitchcock in Family Plot (1976) and in numerous TV series, notably in ABC's cult sitcom Soap (1977), for which she had four Emmy nominations and a Golden Globe. On the big screen she starred in Brazil (1985) as Jonathan Pryce's mother who is addicted to plastic surgery and snooping in her son's messed-up life.
In 1983 she studied at the Directing Workshop of the American Film Institute and then directed four episodes of the series Benson (1979) as well as episodes of Who's the Boss? (1984). She also picked up Emmy nominations for her role as Mona Robinson, a liberated grandmother in "Who's the Boss?", and as Lois in Everybody Loves Raymond (1996). Although Helmond was a bona-fide TV star since her "Soap" days, she continued working on stage in the 2000s and was acclaimed for her performances in "The Vagina Monologues".
Katherine Helmond was married twice. She had no children. She turned to Buddhism in later years. She shared her time between her home in Los Angeles and homes in New York and London.- Actor
- Producer
- Director
A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.- Actor
- Producer
Peter Strauss has focused on theater for the last few years. He recently performed the role of Leonardo da Vinci in "Divine Rivalry" at Hartford Stage, Ben Bradlee in "Top Secret: The Battle for the Pentagon Papers" for the New York Theater Workshop, Sigmund Freud in "Sabina" for Primary Stages and in "The Outgoing Tide" as an Alzheimer's patient for the Delaware Theater and Primary Stages in NY. Recent film roles are Warner Brothers' feature "License to Wed" with Robin Williams and as the U.S. President in Columbia's "XXX: State of the Union," and two independent films "Drawing Home" and "Sugar Baby." He completed the English voiceover for Albert Lamorisse's 1953 French film "White Mane" and as the narrator for Tracey Ullman's "State of the Union" series for Showtime.
Strauss is well known for his long list of starring roles in motion pictures-for-television, including "The Jericho Mile" for which he won the Emmy Award for Outstanding Lead Actor in a Limited Series or Special. Strauss has also received Emmy Award nominations for his roles in the mini-series "Rich Man, Poor Man" and "Masada" as well as five Golden Globe Nominations.
Strauss was born in New York City and grew up in Croton-on-Hudson, New York, where he was introduced to the theatre via the Croton Shakespeare Festival. His summers were spent with stock companies including the Pocono Playhouse in Pennsylvania and Ogunquit Playhouse in Maine. He attended the Hackley School for Boys in Tarrytown, New York and graduated from Northwestern University in 1969, committed to an acting career.
He made his Broadway debut in Tom Griffin's "Einstein and the Polar Bear" in 1981. His other theatrical credits include the plays "The Dance Next Door", "The Mind with the Dirty Man" and "The Trial of the Catonsville Nine" at the Mark Taper Forum in Los Angeles and "A Cry of Players" at Baltimore's Center Stage.
His feature film credits include Soldier Blue (1970), The Trial of the Catonsville Nine (1972), The Last Tycoon (1976), The Secret of NIMH (1982), Flight of Black Angel (1991) and Nick of Time (1995).
Strauss' many television credits include starring in the TV films Young Joe, the Forgotten Kennedy (1977), Angel on My Shoulder (1980), A Whale for the Killing (1981), Heart of Steel (1983), Under Siege (1986), _ Penalty Phase (1986) (TV), Proud Men (1987), 83 Hours 'Til Dawn (1990), Fugitive Among Us (1992), Men Don't Tell (1993), Thicker Than Blood (1994), Reunion (1980), The Yearling (1994), In the Lake of the Woods (1996), My Father's Shadow: The Sam Sheppard Story (1998), A Father's Choice (2000) and Murder on the Orient Express (2001), as well as the miniseries Tender Is the Night (1985), Kane & Abel (1985), Brotherhood of the Rose (1989), Trial: The Price of Passion (1992) and Texas Justice (1995). His latest mini-series appearances were Seasons of Love (1999), with Rachel Ward and Hume Cronyn, (which he executive-produced) and as La Hire in the CBS four-hour mini-series Joan of Arc (2005).
Strauss starred for one season in the CBS drama series Moloney (1996) and the PAX drama series Body & Soul (2002).
Strauss is married to actress Rachel Ticotin and lives in Ojai, California, where he also operates a commercial citrus enterprise that produces 440 tons of citrus per year.- Actress
- Soundtrack
Barbara Carrera was born Barbara Kingsbury on December 31, 1945 in Bluefields, Nicaragua. This stunning former model became best known for her screen performances playing a sinister femme fatale. In doing so, she has achieved minor cult status and has quite a loyal fanbase. The tall and tanned Carrera first cropped up in minor roles taking advantage of her exotic features in The Master Gunfighter (1975), Embryo (1976) and The Island of Dr. Moreau (1977). She broke through with mainstream North American audiences playing Clay Basket in the miniseries Centennial (1978), and Lucia Flavius Silva's mistress in the miniseries Masada (1981).
She sizzled on screen with Armand Assante as the sexy yet evil doctor in I, the Jury (1982), was the love interest of Texas Ranger Chuck Norris in Lone Wolf McQuade (1983), and gave her best role to date as assassin Fatima Blush opposite Sean Connery in Never Say Never Again (1983), and then as Emma Forsayth in the miniseries Emma: Queen of the South Seas (1988). In 1985-86, she played the role of business executive turned serial killer Angelica Nero on the primetime soap opera Dallas (1978). Carrera has most recently been seen guest starring on the popular television series That '70s Show (1998) and Judging Amy (1999).- Actor
- Additional Crew
Anthony Quayle was born in Ainsdale, Southport, Lancashire, England in September 1913. He completed his education at Rugby School and had a brief spell at RADA, before treading the boards for the first time as the straight man in a music hall comedy act in 1931. Tall, burly, round-faced and possessed of a powerful and resonant voice, he was mentored early on in his career by the well-known stage director Tyrone Guthrie. Letters of introduction led to steady employment with the Old Vic Company by September 1932, and a succession of small roles in classical parts. Quayle's reputation as an actor grew steadily, and, in 1936, he appeared on Broadway opposite Ruth Gordon in 'The Country Wife'. For the next few years, he consolidated his position as a Shakespearean actor. When the Second World War began, he was among the first in his profession to enlist, serving with the Royal Artillery and rising to the rank of major. Some of his wartime experiences, such as coordinating operations with Albanian partisans as part of the secret Special Operations Executive, were destined to be paralleled by his fictional post-war screen exploits as incisive army officers or spies. With the war still fresh in his mind, he subsequently published two novels (respectively in 1945, and in 1947), 'Eight Hours from England' and 'On Such a Night'.
In 1946, Quayle also made his debut as a theatrical director with a London production of 'Crime and Punishment'. Between 1948 and 1956, he had a distinguished tenure as director of the Shakespeare Memorial Theatre in Stratford-upon-Avon, bringing into the company some of the biggest stars of the stage, including Laurence Olivier and John Gielgud. Though acting in films from 1938, the theatre remained his favorite medium. He played diverse roles with great intensity and professionalism, achieving critical acclaim as Petruchio and Falstaff, Tamburlaine and Galileo (on Broadway) and the original role of Andrew Wyke in Anthony Shaffer's play 'Sleuth' (played in the first screen version by Olivier). In motion pictures Quayle tended to portray tough, dependable authority figures. He was good value for money as Commodore Harwood in Pursuit of the Graf Spee (1956), as the enigmatic Afrikaner captain in Ice Cold in Alex (1958) and as the stuffy, by-the-book Colonel Harry Brighton, who nonetheless appears to have a degree of admiration for Lawrence of Arabia (1962). Due to his classical training, Quayle was often used in historical epics, giving one of his best performances as Cardinal Wolsey in Anne of the Thousand Days (1969), earning him an Academy Award nomination. His voice was heard as narrator of The Six Wives of Henry VIII (1970) and on radio in anything from 'The Ballad of Robin Hood' to Edgar Allan Poe's 'The Purloined Letter'.
The year prior to receiving his knighthood, Quayle founded the touring Compass Theatre Company, and served as its director until a few months before his death from cancer in October 1989.- Actor
- Producer
- Soundtrack
Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.- Actor
- Soundtrack
Nigel Davenport was born on 23 May 1928 in Shelford, Cambridge, Cambridgeshire, England, UK. He was an actor, known for A Man for All Seasons (1966), Chariots of Fire (1981) and The Island of Dr. Moreau (1977). He was married to Maria Aitken and Helena Margaret White. He died on 25 October 2013 in Gloucester, Gloucestershire, England, UK.- Actor
- Producer
- Soundtrack
A versatile British actor noted for his great power and command on the classical stage and in several other mediums including radio, film and television, Timothy West was born on October 20, 1934 in Bradford, West Yorkshire, England, the son of actors (Harry) Lockwood West and his wife Olive (Carleton-Crowe). Educated at John Lyon School and the Polytechnic, he first appeared on the stage in 1956 at the Wimbledon Theatre in a production of "Summertime". He then spent several seasons in repertory at such venues as Wimbledon, Newquay, Hull, Northampton, Worthing and Salisbury. He made his London debut at the Piccadilly Theatre in the comical farce "Caught Napping" in 1959.
For the Royal Shakespeare Company and the Aldwych (in 1964), he appeared in "Afore Night Come" and "The Marat-Sade", in addition to building up his Shakespeare repertoire with roles in "The Merry Wives of Windsor", "Love's Labour's Lost", "The Merchant of Venice", "The Comedy of Errors" and "Timon of Athens". For the Prospect Theatre Company, he appeared he took on the Shakespearean roles of Prospero ("The Tempest"), Claudius ("Hamlet"), Bolingbroke ("Richard II") and Mortimer ("Edward II"), among others. He also played the noted historical figure Samuel Johnson in two plays.
Along with definitive portrayals of Lear, Macbeth, Falstaff and Shylock, he became well-respected as a stage director. More recently, he directed a touring production of "H.M.S. Pinafore" while delightfully grandstanding in the role of Sir Joseph Porter. Other recent performances at age 70+ include "National Hero" and the title role in "The Life of Galileo".
Cutting a grand and imposing Wellesian figure, his acclaimed work on television has included recreating a number of his classical characters. He has played kingly roles, such as his superb Edward VII in the epic miniseries Edward the King (1975), and essayed a number of notable historical figures such as Cardinal Wolsey in Henry VIII (1979), Soviet Premier Mikhail Gorbechev in Breakthrough at Reykjavik (1987) and Martin Luther (2002). He has portrayed Winston Churchill a number of times in such master productions as Churchill and the Generals (1979), The Last Bastion (1984) and Hiroshima (1995), while his extended gallery of greats have gone on to include Sir Thomas Beecham and Joseph Stalin.
Although his star shines less bright on film, he has nevertheless contributed greatly over the years with marvelously stern and scowling character roles in such prestigious/box office fare as Nicholas and Alexandra (1971), The Day of the Jackal (1973), Hedda (1975) (as Judge Brack), Agatha (1979), Cry Freedom (1987), Ever After: A Cinderella Story (1998), 102 Dalmatians (2000), Iris (2001), Double Dragon III: The Sacred Stones (1990), Endgame (2009), Run for Your Wife (2012) and Delirium (2017).
Long married to second wife actress/comedienne Prunella Scales, the couple have appeared together on stage over the years in such productions as "When We Are Married", "A Long Day's Journey Into Night", "The Birthday Party" and "The External". They have two sons, Joseph West (Joe) and Samuel West, the latter also an actor of note. Timothy's daughter Juliet is from his first marriage. A gifted raconteur, he is the author of several books, including "I'm Here I Think, Where are You?", a collection of letters written while on tour, his autobiography "A Moment Towards the End of the Play," and, his most recent, "So You Want to Be an Actor?" co-written with wife Prunella. In 1984, he was made Commander of the Order of the British Empire for his services to the profession and has received honorary doctorates from six different universities.- Deep-voiced London-born stage and screen actor George Peter Innes was trained as a Shakespearean thesp at Toynbee Hall and at the London Academy of Music and Dramatic Art (LAMDA). He made his first theatrical appearances at the National Theatre under the direction of Laurence Olivier and at the Bristol Hippodrome in 1959. Innes appeared in Arnold Wesker's play Chips with Everything which premiered at the Royal Court Theatre in 1962 and went to Broadway the following year. He was also understudy to Frank Finlay as Iago in Othello at the National and played Archbishop Cranmer in A Man for all Seasons at the Nottingham Playhouse.
The son of a boxer, Innes has often portrayed tough, pugnacious characters. On screen from 1963, he is perhaps best remembered as Charlie Croker's right-hand man,'jobber' Bill Bailey in the original version of The Italian Job (1969). He also appeared with Michael Caine in The Last Valley (1971) and alongside Albert Finney in Charlie Bubbles (1968) and Gumshoe (1971). A natural go-to for period drama and literary adaptations, Innes has essayed Romans in I, Claudius (1976), Masada (1981) and Antony & Cleopatra (1981). He portrayed Cedric's loyal servant Wamba in Ivanhoe (1982), the dogsbody by day and 'resurrectionist' by night Jeremy Cruncher in A Tale of Two Cities (1980), the foolish but well-intentioned clerk Newman Noggs in The Life and Adventures of Nicholas Nickleby (2001) and a veteran sailor on the frigate HMS Surprise in Master and Commander: The Far Side of the World (2003).
For the small screen, Innes has acted in numerous iconic shows in Britain and the U.S. , ranging from The Avengers (1961), Open All Hours (1976) and Minder (1979) to Hill Street Blues (1981), Magnum, P.I. (1980) and M*A*S*H (1972) (one of his best roles, as a pompous visiting English doctor who somehow manages to 'out-snob' even the conceited Major Winchester). - Giulia Pagano was born on 8 July 1949 in New York City, New York, USA. She is an actress, known for As the World Turns (1956), Safe Haven (2013) and A Dance for Bethany (2007).
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Clive Francis was born on 26 June 1946 in Eastbourne, Sussex, England, UK. He is an actor, known for A Clockwork Orange (1971), Official Secrets (2019) and The Lost City of Z (2016). He has been married to Natalie Ogle since May 1989. They have two children. He was previously married to Polly James.- Actor
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Lancashire-born Warren Clarke was an actor of immense presence and considerable versatility who turned his wide-shouldered, robust appearance and lived-in, hangdog facial features into an asset. For more than two and a half decades he had toiled in a wide variety of supporting roles before finding international success as the often crude, irascible, heavy-drinking Superintendant Andy Dalziel in TV's Dalziel and Pascoe (1996). When the series began, Clarke had summed up Dalziel as 'a beer-swilling chauvinist pig', but the character evolved and became more complex and endearing (in a curmudgeonly sort of way) over the show's eleven-year duration. There were also commonalities between the actor and his creation: impatience, a reputation for not tolerating fools gladly; a humorous, irreverent nature and a shared dislike for political correctness. In private life, Clarke was passionate about football (a lifelong Manchester City supporter) and golf.
The son of a hard-working stained glass maker, Clarke developed his love for the performing arts while in his teens. A frequent visitor to the cinema for Saturday morning and matinée screenings ("Flash Gordon" seemed to have been a particular favourite), he was actively encouraged by his parents to follow his chosen vocation. He performed in amateur theatrics, meanwhile earning his money as a copy boy, running errands for the Manchester Evening News, then working in a fruit and vegetable market before securing his first acting gig with Huddersfield Rep at the age of eighteen. Clarke once recalled his first performance, as an elderly German academic, which was marred by a make-up malfunction when the self-raising flour he had put in his hair to make it appear white mixed with perspiration, turned to dough and ran down his face. He would eventually master the stage (enacting, among other parts, Caligula in John Mortimer's 1972 adaptation of "I, Claudius" and Winston Churchill in "Three Days in May" at the West End, a performance the reviewer of The Guardian described as "utterly persuasive").
From the late 1960's, Clarke found more or less regular television work, at first with Granada in series like The Avengers (1961) and Callan (1967). For years he remained a struggling actor, earning barely enough to make ends meet. He performed on stage at the Royal Court in London, and, to improve his situation, earned a second income as a van driver. He finally attracted attention on the big screen as a violent, bowler-hatted thug in Stanley Kubrick's A Clockwork Orange (1971). The turning point in Clarke's career was his role as a pig-headed manager of an engineering firm involved in a chalk-and-cheese relationship with a liberal-minded academic in Nice Work (1989). In the years between, his expressive features graced a succession of diverse leading and supporting parts in both comedy and drama: Churchill in ITV's Jennie: Lady Randolph Churchill (1974); Quasimodo in the 1976 television version of "The Hunchback of Notre Dame"; a mutinous Roman soldier in the epic miniseries Masada (1981); a surly East German STASI officer in the uproarious parody Top Secret! (1984); a pig-fixated Regency period industrialist in Blackadder the Third (1987); stalwart, bewhiskered Lawrence Boythorne in BBC's outstanding production of Bleak House (2005); "pathetically nice" market gardener Brian Addis in the first two seasons of Down to Earth (2000). Clarke's guest appearances were prolific: from Elsie Tanner's nephew in Coronation Street (1960) to a querulous diabetic patient in Call the Midwife (2012).
Always a welcome presence in period drama, he had been cast in Poldark (2015), a remake of the popular 1975 miniseries, based on the novels by Winston Graham. Filming had already begun in Bristol and Cornwall when Clarke died in his sleep at the age of 67.- Actor
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Once called "the patron saint of the acting profession" by Rupert Everett, Franco-British thespian Vernon Dobtcheff was born in Nîmes, to a family of Russian extraction, and educated at Ascham Preparatory School in Eastbourne, Sussex, where he was bitten by the acting bug and won the school's Acting Cup. He became a staple of British television dramas in the 1960s, including a historic episode of Doctor Who (1963) where he became the first actor to ever utter the phrase "Time Lord" in the series.
Often cast as clergymen, bureaucrats, and other authority figures; Dobtcheff has appeared in many high-profile films and television programmes throughout the following decades, starring opposite actors including Laurence Olivier, Richard Burton, Tom Courtenay, Julie Andrews, Vanessa Redgrave, Michael Caine, Albert Finney, Sean Connery, Meryl Streep, John Gielgud, Harrison Ford, Mel Gibson, Jeremy Irons, and Ethan Hawke. He has been equally at home on the theatrical stage, or in projects made in his native France.- Michael Elphick was a fantastic and very popular actor. He will be best remembered for his role as Ken Boon in the hit series Boon (1986). He died tragically at the early age of 55. He had been in ill-health for some years, caused by a long-running battle with alcohol, which was exacerbated by the early death of his partner of many years.
Best remembered for Boon (1986), his career was no one-hit wonder. Elphick had been working in television for the past 33 years and his many excellent performances included Dennis Potter's Blue Remembered Hills (1979), as the bully, Peter; The Knowledge (1979), when he played a would-be London cab driver driven almost to despair by the sadistic examiner (played by Nigel Hawthorne); Private Schulz (1981), Auf Wiedersehen, Pet (1983) and Three Up Two Down (1985).
His film career was arguably less successful but none-the-less featured a rich and varied vein of characterisations.
His final role proved to be the film Out of Bounds (2003), in which he unfortunately had quite a small role, and millions saw his final television role, in EastEnders (1985), where he excelled in a very different role, showing just what a fine actor he was. - Actor
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Christopher Biggins was born on 16 December 1948 in Oldham, Lancashire, England, UK. He is an actor and writer, known for The Rocky Horror Picture Show (1975), Masada (1981) and Revelations (2005). He has been married to Neil Sinclair since 30 December 2006. He was previously married to Beatrice Aston.- Nick (for Nicholas) Brimble is one of three brothers, all actors. The other two, twins, are Ian Brimble and Vincent Brimble. Their father, Roy Brimble, was a school teacher, which freed him in summers to travel around with and sometimes manage groups of performers. He acted with WEA and Bristol Arts Society and the sons grew up taking him through his lines and going to see him in plays.
When Roy did TV and radio from Bristol, the three children played parts in productions such as 'Children Of The New Forest'. Nick applied to the Italia Conti stage school when he was about ten, but wasn't allowed to go. Instead, he passed his scholarship to Bristol Grammar school, and his reward was a season ticket to Bristol Old Vic Theatre where he saw every show until he went to University in '62.
Nick graduated with a 2.1 degree (read "two-one" or Second Class Honours, Upper Division), which roughly equates to the American high 'B' range (3.0 - 3.3) as the minimum standard for entry into graduate school in England and Wales. He taught for a while after graduation. When he began acting, it was with a group of mostly young actors who learned and evaluated each other as they performed.
Nick's strong features enable him to adopt a forbidding appearance in so many of his tough-guy roles. However, he's an utterly charming, somewhat reserved gentleman with a wonderful smile and electrifying blue eyes. - Actor
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Joey Sagal was born on 12 February 1957 in Los Angeles, California, USA. He is an actor and writer, known for Elvis & Nixon (2016), Nightmares & Dreamscapes: From the Stories of Stephen King (2006) and Not Another Celebrity Movie (2013). He was previously married to Hanala Sagal.- Actor
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Paul L. Smith was born on 24 June 1936 in Everett, Massachusetts, USA. He was an actor and director, known for Maverick (1994), Popeye (1980) and Dune (1984). He was married to Eve Smith. He died on 25 April 2012 in Ra'anana, Israel.- Actor
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David Opatoshu was born on 30 January 1918 in New York City, New York, USA. He was an actor and writer, known for Exodus (1960), Torn Curtain (1966) and One Spy Too Many (1966). He was married to Nancy Judith Rigler, Peggy O'Shea and Lillian Weinberg. He died on 30 April 1996 in Los Angeles, California, USA.- Noted British classical theatre actor Denis Quilley distinguished himself on the Shakespearean stage alongside Laurence Olivier and John Gielgud, among others. His sturdy handsomeness was slightly offset by a relatively prominent proboscis. As in the case of Jeremy Northam and Liam Neeson, it only accentuated his individuality and added a decided uniqueness of his characters.
Born in London on December 26, 1927, Denis was educated at Bancroft's School in Essex. He made his London debut stage appearance in 1945 with the Birmingham Repertory Company and replaced Richard Burton in "The Lady's Not for Burning" in 1950. He followed this with roles in Shakespeare's "Twelfth Night" and "The Merchant of Venice." Quilley then took a marked departure from his classical reputation and made a resounding hit for himself in musicals and satirical revues, notably "Airs on a Shoestring" (1953) and "Grab Me a Gondola."(1956). In the early 60s Denis took his London role in "Irma La Douce" to Broadway and was met with great success.
Over his nearly six-decade career, Quilley would grace the Old Vic, Royal Shakespeare, Regent's Park and Drury Lane stages in a wide range of roles. Highlights have included his Lopakhim in "The Cherry Orchard" and Claudius in "Hamlet." In the 70s he joined Laurence Olivier's National Theatre Company for its last seasons at the Old Vic. He played Jamie to Olivier's James Tyrone in "Long Day's Journey Into Night" (also a TV version), Hildy Johnson in "The Front Page" and Caliban in "The Tempest" with John Gielgud. He continued impressively in musicals winning kudos for his "Sweeney Todd" and for "La Cage Aux Folles."
In 1951, Quilley was introduced to TV, with guest parts on such series as "The Black Arrow," "The March of the Peasants," "Dancers in Mourning," "The Vise" and the "BBC Sunday Night Theatre" where he portrayed Bassanio in a production of "The Merchant of Venice." In 1957, he made an uncredited movie debut in the war drama The Betrayal (1957), but did not return until given a featured role in Life at the Top (1965). Other intermittent film supports would include Show Boat (1951), The Black Windmill (1974), two Hercule Poirot whodunnits (Murder on the Orient Express (1974) and Evil Under the Sun (1982)), Privates on Parade (1983), Memed My Hawk (1984), King David (1985), Foreign Body (1986), Mister Johnson (1990) and Storia di una capinera (1993).
A familiar face on television, Quilley co-starred in three short-lived series: the crimer Contrabandits (1967), the sci-fi tale Timeslip (1970) and another crime series You're on Your Own (1975). He also appeared in a number of important mini-series: Masada (1981), A.D. (1985), Murder of a Moderate Man (1985) and his last, Cleopatra (1999).
The versatile Quilley was a gifted, cerebral player who could display strength as well as vulnerability and weakness. He ended his career with the musical "Anything Goes" in 2003, the year of his death. He was survived by his actress wife Stella Quilley (nee Chapman), who died in 2007, and three children. - Tall, rugged, red-haired character actor whose heavily lined face suggested a hard life. Started in show biz with his father, Nosmo King (real name Vernon Watson), as half of a music hall double act. Later worked as a monologuist and impersonator in radio. During the Second World War, he served as petty officer in the Royal Navy. An unlikely comedian during the first half of his career, he became a stalwart character actor in films of the 1960's and 70's, generally utilised as by-the-book police inspectors (Peeping Tom (1960), Konga (1961), or gruff, laconic soldiers (The Hill (1965), Tobruk (1967)). An avid sportsman in real life, he was effectively cast as Len Miller, captain of a Rugby League team, in Lindsay Anderson's This Sporting Life (1963). He also impressed in the villainous role of corrupt police officer Quince in The Strange Affair (1968).
Watson's career was rejuvenated in the 1970's, with strong parts in television, particularly as the star of The Rebellious Red Gauntlets (1970) and as Llud, right hand man to Oliver Tobias, in Arthur of the Britons (1972). He also made sporadic appearances on Coronation Street (1960) and Z Cars (1962). A man of few pretensions, Watson rejected offers from Hollywood, and remained firmly rooted to British screens.