Best Performance by an Actress in a Supporting Role 1920
The 10 best performances by an actress in a supporting role among surviving American films of the year 1920
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Pioneer silver screen star Kathlyn Williams is primarily known as the spry blonde of the very first Hollywood cliffhanger, The Adventures of Kathlyn (1913), in which her real first name was used in the title. This accomplishment has resulted in many reference works mistakenly referring to her as an adventurous Pearl White-type silent serial queen. While Kathlyn did, in fact, go on to perform in a few other adventure-type pictures, including westerns, she was actually quite gentile and dignified in nature and primarily graced heavier drama on the screen. Having once been dubbed the Sarah Bernhardt of the screen, she never did appear in another serial.
She was born in Butte, Montana, on May 31, 1879 (most sources incorrectly list 1888) of Norwegian and Welsh descent, Kathlyn was born to Joseph E. and Mary C. Williams. With early interest and experience as a vocal recitalist, she eventually attended the Sargent School of Acting and studied at Wesleyan University (1899). Following stage experience in local stock and touring companies (from 1902) she began to develop a solid name for herself in such plays as "When We Were Twenty One". Her early career was generously sponsored by Sen. W.A. Clarke after Kathlyn's family lost their fortunes. She eventually went to Hollywood while performing with the Belasco Stock Company and began making films as early as 1908 with D.W. Griffith at the Biograph Studio.
A popular star at the Selig Polyscope Company in 1910 (she was at first publicized as "The Selig Girl"), she appeared in assorted jungle adventures for the studio as well as a number of westerns opposite cowboy star Tom Mix. She made history, however, with the very first serial adventure, which contained a number of wild animals, and it saved the faltering studio from bankruptcy. She proceeded to remain a popular item after being handed the lead in the Selig epic The Spoilers (1914), playing her signature role of Cherry Marlotte.
Once the Selig Studio folded, Kathlyn signed with Paramount Pictures following her marriage to Paramount executive Charles F. Eyton in 1916 (a former actor, he later became the studio's General Manager), and while there appeared as the star of several early dramas for both Cecil B. DeMille and his brother William C. de Mille, including The Whispering Chorus (1918), We Can't Have Everything (1918), The Tree of Knowledge (1920) and Conrad in Quest of His Youth (1920). Her numerous co-stars included veteran matinée idols (Thomas Meighan, Theodore Roberts, Tyrone Power Sr.), young established stars (Wallace Reid) and western heroes (Roy Stewart.
Kathlyn's fair, spunky, coquettish looks grew suddenly grim and matronly by the early 1920s and she moved swiftly into stately dramatic efforts, backing up such celebrity femmes of the day as May McAvoy, Betty Compson, Anita Page, Greta Garbo and even Joan Crawford before the advent of sound. She retired from films in 1935 after only a handful of talkies and, though comebacks were bantered about from time to time in the gossip mill, nothing came of it. A tragic car accident in 1949 resulted in the loss of a leg, ending any chances whatsoever of revitalizing her career. She was confined to a wheelchair for the remainder of her life.
Married and divorced three times, her only child, Victor Hugo Kainer, from her first marriage to import/export businessman Otto Kainer, was born in 1905 but died a young teenager after developing influenza and succumbing to septic poisoning in 1922. After a brief marriage to actor Frank R. Allen, she married Eyton. That marriage ended in 1931.
Due to the loss of her leg, Kathlyn became a wheelchair-bound invalid in the last decade of her life. She succumbed to massive heart attack in her Hollywood apartment on September 23, 1960, at age 81. She was cremated and her ashes interred in the Deodora Hall, South Columbarium in the Chapel of the Pines Crematory in Los Angeles."CONRAD IN QUEST OF HIS YOUTH"- Actress
- Writer
- Producer
Bebe Daniels already had toured as an actor by the age of four in a stage production of "Richard III". She had her first leading role at the age of seven and started her film career shortly after this in movies for Imperial, Pathe and others. At 14 she was already a film veteran, and was enlisted by Hal Roach to star as Harold Lloyd's leading lady in his "Lonesome Luke" shorts, distributed by Pathe. Lloyd fell hard for Bebe and seriously considered marrying her, but her drive to pursue a film career along with her sense of independence clashed with Lloyd's Victorian definition of a wife. The two eventually broke up but would remain lifelong friends. Bebe was sought out for stardom by Cecil B. DeMille, who literally pestered her into signing with Paramount. Unlike many actors, the arrival of sound posed no problem for her; she had a beautiful singing voice and became a major musical star, with such hits as Rio Rita (1929) and 42nd Street (1933). In 1930 she married Ben Lyon, with whom she went to England in the mid-'30s, where she became a successful West End stage star. She and her husband also had their own radio show in London, and became the most popular radio team in the country--especially during World War II, when they refused to return to the US and stayed in London, broadcasting even during the worst of the "blitz".
They later appeared in several British films together as their radio characters. Her final film was one in that series, The Lyons Abroad (1955)."WHY CHANGE YOUR WIFE"- A graduate of the Notre Dame academy at Roxbury, Massachusetts, Ethel began her career as a classical dancer working under the direction of Belasco and the Shuberts. She began her career on the stage at two years of age, later being going to New York to pursue a career on the stage. On Broadway she appeared in "The Lily" with Julia Dean, "The Only Son," "Search Me" with Montagu Love and "Honor Be Damned!" with William Courtleigh. Ethel made her screen debut in 1914 and went on to play roles as society women. Although in 1922 she did play the role of Calamity Jane opposite William S. Hart and it was around this time, her career started to slip. She died from an illness she'd suffered for over a year."THE PENALTY"
- Stunning silent screen actress Martha Mansfield was a musical comedy star in New York City by the time she entered films in 1916 for Max Linder. Before long she advanced to second leads in features, including the role of Millicent Carew in the John Barrymore starrer Dr. Jekyll and Mr. Hyde (1920), which to this day remains her best known. The promising beauty was signed by Fox Studios in 1923 and began work on a new picture The Warrens of Virginia (1924). Nearing the completion of the film, Martha had just finished a scene and was returning to her automobile when her dress caught fire from a carelessly strewn match. Engulfed in flames, co-star Wilfred Lytell managed to throw his coat around her and extinguish the fire, but it was too late. She died the next day of severe burns at age 24."DR. JEKYLL AND MR. HYDE"
- Edythe Chapman was born in Rochester, New York on October 8, 1863. A stage actress who came upon movies late in life, she nonetheless made 97 motion pictures. She was 51 years old when she played in _Richelieu (1914)_. Edythe was one of the busier actresses in the early silent era appearing in as many as nine films a year. She didn't achieve the fame as some of her counterparts such as Mary Miles Minter, Clara Bow, or Colleen Moore, but she was a commodity that movie moguls wanted because of her fine character performances. In 1920, Edythe appeared as Aunt Polly in Huckleberry Finn (1920), followed by 'The County Fair' (1920). Throughout the twenties she stayed busy. She was even lucky enough to make the successful transition into the "talkie" era when other performers were finished because their voices didn't lend themselves well to sound. Edythe made her final film 'Up the River' (1930) when she was 67. She was 85 years old when she died in Glendale, California on October 15, 1948."THE COUNTY FAIR"
- Jean Calhoun was born on 1 April 1891 in Georgia, USA. She was an actress, known for The Cub Reporter (1922), The Fighting Lover (1921) and The Winning Girl (1919). She was married to John K. Fahey. She died on 25 August 1958 in Los Angeles, California, USA."HIS OWN LAW"
- Claire Adams was born in Winnipeg, Canada (her brother was prolific screenwriter Gerald Drayson Adams), and after her education in that country she was sent to a private school in England, where she studied drama. At the outbreak of World War I, however, she joined the nursing corps and spent the war years as a nurse. At war's end she returned to Canada, but soon left for California to break into films. She made quite a few pictures for producer Benjamin B. Hampton, whom she later married. She had a long career in silents, appearing with such major stars as John Gilbert, Tom Mix and Lon Chaney, but when sound came along she made one picture in 1934, What a Mother-in-Law! (1934), and then retired (Hampton had died in 1932).
She died in Melbourne, Australia, on September 25, 1978."THE PENALTY" - Gertrude Claire was born on 16 July 1852 in Chicago, Illinois, USA. She was an actress, known for Oliver Twist (1922), The Little Irish Girl (1926) and The Female of the Species (1916). She died on 28 April 1928 in Los Angeles, California, USA."THE CRADLE OF COURAGE"
- Actress
- Writer
Lillian Leighton was born on 17 May 1874 in Auroraville, Wisconsin, USA. She was an actress and writer, known for Parisian Love (1925), Secret Service (1919) and Castles for Two (1917). She died on 19 March 1956 in Woodland Hills, Los Angeles, California, USA."THE JACK-KNIFE MAN"- Actress
- Writer
Born in Chicago in 1885, silent screen actress Myrtle Stedman's (née Lincoln) musical talents developed quite early, finding herself on stage at age 12 singing light opera in the chorus. She had progressed to singing leads in shows by the time she decided to abandon her music career altogether for the movies.
She and actor-husband Marshall Stedman were signed by the Selig Polyscope Co. in 1911 and Myrtle's first credit was The Two Orphans (1911), a three-reeler. She was often directed or paired up with Marshall during those early years, but Myrtle was the one who stood out with moviegoers. Known as "the girl with the pearly eyes," she was not only an adorably enchanting and enigmatic presence in film drama, her athletic abilities also complemented westerns and action adventures.
She moved to the Bosworth Company in 1914 and appeared in such noteworthy silents as The Country Mouse (1914), Jane (1915), Peer Gynt (1915), and, most notably, the classic Hypocrites (1915), the last helmed by pioneer lady director Lois Weber. She increased her reputation as a fine actress with The American Beauty (1916), As Men Love (1917), In the Hollow of Her Hand (1918) and The Teeth of the Tiger (1919). Her son, Lincoln Stedman, made his debut as a juvenile player about this time. She and her husband divorced in 1919.
Following her rich roles in Reckless Youth (1922) and The Famous Mrs. Fair (1923), which was considered one of her finest, her star began to fade and she began to support other stars such as Colleen Moore in Flaming Youth (1923); May McAvoy in Tessie (1925); and Mary Astor in No Place to Go (1927).
Come the advent of sound, Myrtle seemed to move with ease into matronly secondary roles in such films as The Jazz Age (1929), Little Accident (1930), Beau Ideal (1931), Klondike (1932) and The Widow in Scarlet (1932), but by 1933, she had regressed to unbilled roles and pretty much stayed in that capacity up until the time of her death. Myrtle suffered a heart attack in late 1937 and declined quickly, dying on January 8, 1938 at age 52. Her ex-husband died in 1943 and her son, Lincoln, died in 1948."SEX"