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- Writer
- Animation Department
- Costume Designer
Akira Toriyama is a Japanese manga writer, manga artist, and character designer for video games. He has been a working artist since 1978. In manga, he is better known for creating the science fiction comedy series "Dr. Slump" (1980-1984) and the martial-arts-themed series "Dragon Ball" (1984-1995). "Dragon Ball" has been adapted into four animated series: "Dragon Ball" (1986-1989), "Dragon Ball Z" (1989-1996), "Dragon Ball GT" (1996-1997), and "Dragon Ball Super" (2015-2018). Toriyama has provided character designs for several of the adaptations. As a video game designer, Toriyama is primarily known for co-creating the long-running series "Dragon Quest" (1986-). He has continued to work in most of the series' games. Toriyama's works are credited with boosting the popularity of Japanese animation in the Western world. In 2019, Toriyama was named as a Chevalier (knight) of the "Ordre des Arts et des Lettres" ("Order of the Arts and the Letters") by France. It is a French order of merit, awarded to writers and artists.
During the 20th century, Nagoya became a center for automotive, Several manufacturing companies of the industry have their headquarters in Nagoya. By 1961, Toriyama started drawing pictures of animals and vehicles as a hobby. He was reportedly inspired by the animated film "One Hundred and One Dalmatians"(1961), as he was impressed by the film's art style.
During his elementary school years, Toriyama has access to the manga collection owned by the older brother of a friend. He was fascinated by the science fiction series "Astro Boy" (1952-1968), which featured the adventures of a sentient android with superpowers. During his middle school years, Toriyama was increasingly fascinated with live-action film and television. He was a fan of the tokusatsu series (science fantasy series, using special effects) "Ultraman" (1966-1967). The series focused on the adventures of a gigantic superhero, who regularly defended the Earth from aliens and monsters. He also enjoyed kaiju films (films about giant monsters). His favorite film series was "Gamera" (1965-2006), which featured the adventures of a fire-breathing turtle.
Toriyama attended a high school which focused on teaching creative design to its students. Against the wishes of his parents, he decided to not pursue a college education. Shortly after graduating high school, Toriyama used his art skills to get hired at an advertising agency in Nagoya. He spend several years in designing posters, but was increasingly fed up with his job. He was repeatedly reprimanded for dressing casually at work. He quit his job at age 23, and started considering a professional career as a manga artist.
Trying to get an entry into the manga industry, Toriyama created a manga story which parodied the recent film "Star Wars" (1977). He submitted the story to a contest organized by the magazine "Weekly Shonen Jump", hoping to win the magazine's "Newcomer Award". The story was rejected because it was a derivative work, and the contest was for original works. But magazine editor Kazuhiko Torishima (1952-) liked Toriyama's art style. He encouraged him to send more original material to the magazine.
Toriyama's first published work was the story "Wonder Island" (1978). It featured a kamikaze pilot who had been stranded on an island for 35 years, and was trying to find a way to escape. The story came last in a popularity contest, disappointing Toriyama. The sequel "Wonder Island 2" (1979) focused on the police searching for a missing criminal. It parodied elements from the film "Dirty Harry" (1971). This story was also considered a flop. Most of Toriyama's early stories failed to impress his readers. He had more success with "Tomato the Cutesy Gumshoe" (1979), a story about a rookie detective. It was his first work featuring a female lead, and was well-liked by the readers.
Toriyama decided to use a female lead in next major effort. The result was the best-selling series "Dr. Slump". (1980-1984) It focused on Arale Norimaki, a sentient robot in the form of a little girl. She had superhuman strength, but her naivety and inexperience landed her in trouble. The series also featured a cast of eccentric supporting characters. Among them was the shape-shifting superhero Suppaman, a parody version of Superman who was depicted as a pompous buffoon. The series became one of the most popular manga of its era, and received an animated adaption (which lasted from 1981 to 1986). Toriyama wanted to end the series after its first six months, but his publisher insisted that the story should be continued. In 1981, Toriyama won a "Shogakukan Manga Award" for his work on "Dr. Slump".
Despite his success with a long-term series in the early 1980s, Toriyama continued to regularly submit one-shot stories for publication. He was frustrated when several of these stories met with lukewarm response by his readers. At about this point in his career, he created his own artist's studio, under the name "Bird Studio". The name was a pun on his own last name, as "tori" means "bird". He started employing assistants to work on the background details of his stories.
Kazuhiko Torishima (Toriyama's editor) noted that Toriyama enjoyed viewing kung fu films, but had never used martial arts elements in his stories. He suggested that Toriyama should try creating a kung-fu manga. Toriyama responded by creating the two-part story "Dragon Boy" (1983). It depicted a young martial artist who escorts a princess on a return journey to her home country. The story was warmly received, and Toriyama would later incorporate aspects of this story in "Dragon Ball".
In 1984, Toriyama finally concluded the "Dr. Slump". He had to promise his editor and publisher that he would soon start work on a replacement series. This new series was "Dragon Ball", which lasted for 11 years. Toriyama produced 519 chapters of the manga, which were collected into 42 volumes. The story focused on the life of martial artist Son Goku from childhood to adulthood, and gradually introduced the character's wife and descendants. The series gained in popularity due to its large cast of colorful characters, and its exciting use of combat scenes. Toriyama reportedly used Jackie Chan's films as the main inspiration for the fighting scenes.
Despite a busy working schedule due to long-term commitment to "Dragon Ball", Toriyama continued submitting one-shot stories for publication. In 1986, he was recruited as a character designer for the role-playing video game "Dragon Quest". He later admitted that he had never even heard of role-playing games before being offered the job, and he was not certain what the demands of the job were. He was created as the co-creator of the game, and the initial game launched a long-running franchise. Based on this success, Toriyama was later hired as a character designer on the role-playing game "Chrono Trigger" (1995) and on the fighting games "Tobal No. 1" (1996) and "Tobal 2" (1997).
Until the late 1980s, Toriyama had never worked in animation. His first substantial effort in the field was the animated film "Kosuke & Rikimaru: The Dragon of Konpei Island" (1988). He wrote the initial concept for the film, he co-wrote its screenplay, and designed all of its characters.
In 1995, Toriyama decided to conclude the "Dragon Ball" manga with a low-key ending. Son Goku left the planet Earth to serve as the mentor to a reincarnated former foe, leaving room for a new generation of heroes. Toriyama wanted to imply that the story would continue, though he had no actual intention to write a sequel at that point. When the animated series "Dragon Ball GT" (1996-1997) was conceived as a sequel, Toriyama was hired as a character designer. For the following few years, Toriyama primarily produced short-lived manga series. Among them were "Cowa!"(1997-1998), "Kajika" (1998), and "Sand Land" (2000). In 2002, Toriyama made a promotional visit to the United States, as a number of his works were about to be reprinted in the American magazine "Shonen Jump".
In 2005, Toriyama served as the main designer of an electric car for CQ Motors. It was not a commercial success, with only 9 vehicles being produced. In 2006, Toriyama and Eiichiro Oda created the crossover story "Cross Epoch". It featured characters from "Dragon Ball" co-existing with fantasy characters from the series "One Piece" (1997-). Also in 2006, Toriyama served as a character designer for the video game "Blue Dragon". The story featured a small group of heroes trying to stop the villain Nene's efforts to massacre villagers.
In 2009, Toriyama was credited as both a creative consultant and an executive producer for the live-action film "Dragonball Evolution". He reportedly cautioned the film's producers that the film's script was "bland" and uninteresting, but his suggestions to alter the script were ignored. The film was a commercial flop. Also in 2009, Toriyama created a promotional manga for the environmental organization "Rural Society Project". In 2011, Toriyama helped raise awareness for the victims of the Tohoku earthquake and the subsequent tsunami.
From 2012 to 2013, Toriyama was part of the film crew for the animated feature film "Dragon Ball Z: Battle of Gods" (2013). It was the first theatrical animated film based on "Dragon Ball" since 1996. In the film, the god Beerus threatens to destroy the planet Earth. He only backs down when one of the heroes achieves godhood. Also in 2013, a touring exhibition displayed Toriyama's manga manuscripts from "Dragon Ball".
Toriyama served as the main screenwriter for the animated film "Dragon Ball Z: Resurrection F" (2015). The film featured the resurrection of the long-dead villain Frieza, who tries to improve his skills before seeking revenge. Toriyama continued to work on the film's sequels until 2022. He also provided the scripts for the sequel manga "Dragon Ball Super" (2015-), though the artwork was provided by the younger artist Toyotarou (1978-). There were 18 volumes of the manga published between 2016 and 2022.
By 2022, Toriyama was 67-years-old. He has been married to the retired manga artist Yoshimi Kato since 1982, and they have two adult children. He works from his home studio in Kiyosu, and reportedly lives a reclusive life. He rarely appears in public or offers interviews. He has never retired, and seems to have no intention to do so.
Akira Toriyama died at the age of 68 on march 1, 2024.- Actor
- Producer
- Additional Crew
Paul William Walker IV was born in Glendale, California. He grew up together with his brothers, Caleb and Cody, and sisters, Ashlie and Amie. Their parents, Paul William Walker III, a sewer contractor, and Cheryl (Crabtree) Walker, a model, separated around September 2004. His grandfather, William Walker, was a Pearl Harbor survivor and a Navy middleweight boxing champion, while his maternal grandfather commanded a tank battalion in Italy under General Patton during World War II. Paul grew up active in sports like soccer and surfing. He had English and German ancestry.
Paul was cast for the first season of the family sitcom, Throb (1986) and began modeling until he received a script for the 1994 movie, Tammy and the T-Rex (1994). He attended high school at Village Christian High School in Sun Valley, California, graduating in 1991. With encouragement from friends and an old casting agent who remembered him as a child, he decided to try his luck again with acting shortly after returning from College.
He starred in Meet the Deedles (1998), a campy, silly but surprisingly fun film which failed to garner much attention. However, lack of attention would not be a problem for Paul Walker for long. With Pleasantville (1998), he appeared in his first hit. As the town stud (a la 1950s) who more than meets his match in modern day Reese Witherspoon, he was one of the most memorable characters of the film. That same year, Paul and his then-girlfriend Rebecca had a baby girl named Meadow Walker (Meadow Rain Walker). Even though Paul publicly admitted that Meadow was not planned, he said that she is his number one priority. Paul and Rebecca separated and Meadow lives with her mother in Hawaii. She often visited with Paul as his homes in Santa Barbara and Huntington Beach, California.
Roles in the teen hits Varsity Blues (1999), She's All That (1999) and The Skulls (2000) cemented Walker's continued rise to celebrity. He was chosen to be one of the young stars featured on the cover of Vanity Fair's annual Hollywood issue in April 2000. While the other stars on the cover, brooded and tried their best to look sexy and serious, Paul smiled brightly and showed why he is not part of the norm. This is one young actor who certainly stood apart from the rest of the crowd, not only with his talent but with his attitude. The Dallas Morning News commented in March of 2000 that, "Paul is one of the rarest birds in Hollywood- a pretension free movie star." The latest blockbuster hit, The Fast and the Furious (2001), had raised his stardom to an even higher level.
His fighting scenes in movies lead to a passion for martial arts. He has studied various forms of Jujitsu, Taekwondo, Jeet Kune Do and Eskrima. Paul mentioned in a magazine interview that he had hoped enroll in the Keysi Fighting Method when it comes to the United States. Other than practicing martial arts, Paul enjoyed relaxing at home with his daughter, Meadow Rain, surfing near his Huntington Beach abode, walking his dogs and just driving.
When Paul seriously did get a break from the entertainment business, he said he loved traveling. Paul had traveled to India, Fiji, Costa Rica, Sarawak, Brunei, Borneo and other parts of the Asian continent. Tragically, Paul Walker died in a car crash on Saturday November 30, 2013, after attending a charity event for "Reach Out Worldwide".
Several of Paul's films were released after his death, include Hours (2013), Brick Mansions (2014), and his final starring role in The Fast and the Furious series, Furious 7 (2015), part of which was completed after his death. The film's closing scenes paid tribute to Walker, whose character met with a happy ending, and rode off into the sunset. He appeared archival footage in Fast X (2023).- Actor
- Soundtrack
Scatman Crothers was born Benjamin Sherman Crothers on May 23, 1910 in Terre Haute, Indiana. Songwriter ("Dearest One"), actor, composer, singer, comedian, and guitarist who, after high school, appeared in nightclubs, hotels, and films, and on television. He made many records, including his own compositions. He joined ASCAP in 1959, and his popular-song compositions also include "The Gal Looks Good", "Nobody Knows Why", "I Was There", "A Man's Gotta Eat", and "When, Oh When". Scatman Crothers died at age 76 of pneumonia and lung cancer at his home in Van Nuys, California on November 22, 1986.- Actor
- Producer
- Director
Roderick Andrew Anthony Jude McDowall was born in Herne Hill, London, to Winifriede Lucinda (Corcoran), an Irish-born aspiring actress, and Thomas Andrew McDowall, a merchant seaman of Scottish descent. Young Roddy was enrolled in elocution courses at age five. By age 10, he had appeared in his first film, Murder in the Family (1938), playing Peter Osborne, the younger brother of sisters played by Jessica Tandy and Glynis Johns.
His mother brought Roddy and his sister to the U.S. at the beginning of World War II, and he soon got the part of "Huw", the youngest child in a family of Welsh coal miners, in John Ford's How Green Was My Valley (1941), acting alongside Walter Pidgeon, Maureen O'Hara and Donald Crisp in the film that won that year's best film Oscar. He went on to many other child roles, in films like My Friend Flicka (1943) and Lassie Come Home (1943) until, at age eighteen, he moved to New York, where he played a long series of successful stage roles, both on Broadway and in such venues as Connecticut's Stratford Festival, where he did Shakespeare. He became a naturalized United States citizen in 1949.
In addition to making many more movies (over 150), McDowall acted in television, developed an extensive collection of movies and Hollywood memorabilia, and published five acclaimed books of his own photography. He died at his Los Angeles home, aged 70, of cancer. He never married and had no children.- Actor
- Music Department
- Writer
Suave and handsome Australian actor arrived in Hollywood in the 1950s, and built himself up from a supporting actor into taking the lead in several well-remembered movies. Arguably his most fondly remembered role was that as George (Herbert George Wells), the inventor, in George Pal's spectacular The Time Machine (1960). As the movie finished with George, and his best friend Filby Alan Young seemingly parting forever, both actors were brought back together in 1993 to film a 30-minute epilogue to the original movie! Taylor's virile, matinée idol looks also assisted him in scoring the lead of Mitch Brenner in Alfred Hitchcock's creepy thriller The Birds (1963), the role of Jane Fonda's love interest in Sunday in New York (1963), the title role in John Ford's biopic of Irish playwright Sean O'Casey in Young Cassidy (1965), and a co-starring role in The Train Robbers (1973) with John Wayne. Taylor also appeared as Bette Davis future son-in-law in the well-received film The Catered Affair (1956). He also gave a sterling performance as the German-American Nazi Major trying to fool James Garner in 36 Hours (1964). Later, Taylor made many westerns and action movies during the 1960s and 1970s; however, none of these were much better than "B" pictures and failed to push his star to the next level. Additionally, Taylor was cast as the lead in several TV series including Bearcats! (1971), Masquerade (1983), and Outlaws (1986); however, none of them truly ignited viewer interest, and they were cancelled after only one or two seasons. Most fans would agree that Rod Taylor's last great role was in the wonderful Australian film The Picture Show Man (1977), about a travelling sideshow bringing "moving pictures" to remote towns in the Australian outback.- Actor
- Soundtrack
Ralph Morgan was born on 6 July 1883 in New York City, New York, USA. He was an actor, known for Strange Interlude (1932), Rasputin and the Empress (1932) and The Power and the Glory (1933). He was married to Grace Arnold. He died on 11 June 1956 in New York City, New York, USA.- For over two decades, Porter Hall made a career out of playing villains and pompous, unpleasant people. His movie career was not a mirror of his real life, however. Mr. Hall was well known as a generous and outgoing person who was well-liked by almost everybody he knew. It is ironic that the role he is most often seen in today is that of an atheist in Going My Way (1944) - ironic because Hall was a deacon in his church. Hall, who didn't make his first movie until he was 43, remained active until his death in 1953.
- Pierre Watkin was one of a stable of tall, distinguished-looking and sophisticated character actors (such as Russell Hicks, Jonathan Hale, Selmer Jackson and Samuel S. Hinds) whom Hollywood kept steadily employed playing political leaders, army officers, lawyers, wealthy businessmen and the like. Unlike many of his colleagues in that category, however, Watkin is notable for his (relatively) soft voice and precisely articulated speech. He is probably best remembered by film enthusiasts as Mr. Skinner, the unctuous, self-important bank president, in the W.C. Fields comedy The Bank Dick (1940), in which he uttered the now-classic line, "Allow me to give you a hearty handclasp".
He was the third of four sons of C.H. and Elizabeth J. Watkin, who operated a lodging house for "theater people" in Sioux City, IA. After completing high school he entered the acting profession, and by the time he registered for the draft in WWI he was working with an acting troupe--headed by Sidney Toler--and married. He requested a deferment from military service because he was the sole support of his wife. His wife's name is unknown, however, and it's also unknown if they had any children; this information does not appear in the draft registration, and the name Pierre Watkin(s) is completely missing from both the 1920 and 1930 federal censuses. - Actress
- Soundtrack
Bea Benaderet had a remarkable career in radio and television. In the earlier days of radio, before television, she provided the voice for numerous names of characters on the radio, on shows like "Fibber McGee and Molly," "My Favorite Husband" with Lucille Ball & "The Jack Benny Show. She was born in New York City but raised in San Francisco and made her radio debut when she was 12 years young. After doing voice-overs and various roles, Orson Welles gave her a regular role on "Campbell Playhouse." Bea made a smooth move from radio to television as she was cast in the role as Blanche Morton in The George Burns and Gracie Allen Show (1950). It was because of her role as Blanche that she could not accept the part of Ethel Mertz in I Love Lucy (1951), which was offered to her by Lucille Ball and Desi Arnaz. She also provided the voice for several Warner Brothers cartoons, usually for females (those Mel Blanc could not do), like Tweety's owner, "Granny". Later, she worked with Blanc again on one of the most famous cartoons, Tweetie Pie (1947). It was 1947's Academy Award winning animation short of the year, featuring "Tweety", (the yellow Canary) & "Sylvester, the Siamese Cat".- Actor
- Soundtrack
Phillip Reed was born on 25 March 1908 in New York City, New York, USA. He was an actor, known for Unknown Island (1948), Tripoli (1950) and Song of the Thin Man (1947). He was married to Audrey Gillin. He died on 7 December 1996 in Los Angeles, California, USA.- Actor
- Additional Crew
Paul Wexler was born on 23 May 1929 in Portland, Oregon, USA. He was an actor, known for Doc Savage: The Man of Bronze (1975), Suddenly (1954) and One Hundred and One Dalmatians (1961). He was married to Susan M. McAndie Wexler. He died on 21 November 1979 in Los Angeles, California, USA.- Actress
- Soundtrack
Jessie Ralph was a sailor's daughter, who first came to the stage at the age of 16, performing with a stock company in either Boston, Massachusetts, or Providence, Rhode Island (accounts differ). The year was 1880, and it took Jessie another 26 years to make her debut on the Great White Way in "The Kreutzer Sonata". Already a seasoned actress, she enjoying third billing. Her screen career started with one and two reelers as early as 1915, but her proper entry into Hollywood did not come about until 1933.
For more than 20 years, plump, down-to-earth Jessie made her reputation as a character actress on Broadway playing an assortment of nurses, maids and aunts. She was used in musicals by George M. Cohan and acted in Shakespearean roles, from "Twelfth Night" to "Romeo and Juliet". She was nurse to Jane Cowl's Juliet in the 1923 play which ran for an unprecedented 174 performances and co-starred Eva Le Gallienne and Katharine Cornell (amazing, when considering that the star was already 39 years old!). Like other successful actresses of the stage, Jessie was brought to Hollywood to reprise a Broadway hit role, in this case her Aunt Minnie in Child of Manhattan (1933).
After half a lifetime in the theatre, Jessie's sojourn in Hollywood was relatively brief but marked by a series of memorable performances. She was the definitive incarnation of the endearing nurse Peggotty in David Copperfield (1935) and played Greta Garbo's loyal maid Nanine in Camille (1936). She was the matriarch of the Whiteoaks of Jalna (1935), an adaptable society matron in San Francisco (1936) and harridan of a mother-in-law to W.C. Fields, Hermisillo Brunch, in The Bank Dick (1940). Whether in comedy or drama, as a Chinese aunt in both stage and screen versions of The Good Earth (1937), or a kindly sorceress in The Blue Bird (1940), Jessie gave consistently good value for money. The New York Times review of October 12, 1935, wrote of her performance in I Live My Life (1935): "Jessie Ralph as the tyrannical head of the family, proves again that she is the best of the screen grandmothers".
Jessie retired from acting in 1941 after having a leg amputated and died three years later.- Matronly or grandmotherly, Alma Kruger appeared onscreen between 1935-47. She was 64 years old when she made her film debut in William Wyler's These Three (1936). She then proceeded to appear in over 40 films in the space of little more than a decade, appearing in, among others, Mother Carey's Chickens (1938), His Girl Friday (1940), Our Hearts Were Young and Gay (1944), and Saboteur (1942). She was likely best-known as head nurse "Molly Byrd" in the Dr. Kildare and Dr. Gillespie films of the 1930s/40s. She died at age 88 in 1960.
- Actor
- Soundtrack
Movie roles are sometimes based upon what the audience expects to see. If the role called for the tall stereotypical Englishmen with the stiff upper lip and stern determination, that man would be C. Aubrey Smith, graduate of Cambridge University, a leading Freemason and a test cricketer for England. Smith was 30 by the time he embarked upon a career on the stage. It took another 20 plus years before he entered the flickering images of the movies. By 1915, Smith was over 50 in a medium that demanded young actors and starlets. For the next ten years, he appeared in a rather small number of silent movies, and after that, he faded from the scene. It was in 1930, with the advent of sound, that Smith found his position in the movies and that position would be distinguished roles. He played military officers, successful business men, ministers of the cloth and ministers of government. With the bushy eyebrows and stoic face, he played men who know about honour, tradition, and the correct path. He worked with big stars such as Greta Garbo, Douglas Fairbanks Jr. and Shirley Temple. As for honours, Smith received the Order of the British Empire in 1938 and was knighted in 1944. He continued to work up to the time of his death.- Actor
- Writer
Character actor in films, often portraying strident types, he is best remembered cast as "The Thin Man" (actually, "Wynant") of the hit 1934 MGM film. He Ellis was active on Broadway as an actor, producer and playwright from 1905-32 (see "Other Works"). He died in Beverly Hills, CA at age 81 in 1952.- Actor
- Additional Crew
Ivan F. Simpson was born on 4 February 1875 in Glasgow, Scotland, UK. He was an actor, known for The Adventures of Robin Hood (1938), Captain Blood (1935) and Maid of Salem (1937). He died on 12 October 1951 in New York City, New York, USA.- Actor
- Soundtrack
A respected stage actor -- he trained at the New York Academy of Dramatic Arts -- since the 1920s, birdlike Charles Halton's thinning hair, rimless glasses and officious manner were familiar to generations of moviegoers. Whether playing the neighborhood busybody, a stern government bureaucrat or weaselly attorney, you could count on Halton to try to drive the "immoral influences" out of the neighborhood, foreclose on the orphanage, evict the poor widow and her children from their apartment, or any other number of dastardly deeds, all justified by "I'm sorry but that's my job." His 40-year film career ended with High School Confidential! (1958), after which he retired.- Actor
- Soundtrack
One Hollywood stalwart whose screen incarnations more than lived up to his name was bald-domed character actor Donald Meek, forever typecast as mousy, timorous or browbeaten Casper Milquetoasts. He stood at 5 ft. 6 in. in his boots and weighed a mere 81 pounds. However, the little Glaswegian's personal history rather belied his gormless image on the silver screen. By the age of fourteen, Donald had joined an acrobatic team ("The Marvells") on the piano wire as a top mounter. He accompanied the troupe on their tour of the U.S. but sustained several compound fractures in a fall and had to quit. After spending six months on crutches, he joined the U.S. 6th Pennsylvania Regiment and saw action during the Spanish-American War in Cuba, was wounded and lost his hair after a bout of yellow fever. This did not deter him from re-enlisting at the onset of World War I. He went on to serve with the Canadian Highlanders as a corporal, but, to his consternation, never got any further than Toronto.
Donald had been infatuated with acting since early childhood. At the age of eight, he first performed publicly in the comic pantomime "Le Voyage en Suisse". Later, he toured Australia, South Africa, India and England in "Little Lord Fauntleroy". During his wartime sojourn in Cuba he had learned to "listen to those Yankees" and imitated their manner of speech, losing his Scottish accent in the process. When he was forced to abandon his career as an acrobat, he devoted more time to acting with various traveling stock companies and in New York. He made the first (of many) appearances on Broadway in 1903. Until the late 1920s, Donald remained quite gainfully employed in droll comical roles. Having flirted with screen acting since 1923, he made the move to the celluloid media by the end of the decade. Filmed at the Warner Brothers Eastern Vitaphone Studio in Brooklyn, he found himself an unlikely star, as amateur sleuth Dr. Amos Crabtree in The Clyde Mystery (1931), the first of eleven detective two-reelers, averaging just over twenty minutes in length. In 1933, Donald and wife Belle relocated to Hollywood.
Moving from studio to studio (his only long-tern tenure was at MGM from 1940 to 1944), Donald Meek quickly emerged as one of the most prolific, sought-after character players in the business. Invariably, he was respectability personified, all prim and proper. The role of eccentric toy maker Mr. Poppins in You Can't Take It with You (1938) was specially written for him. Other memorable performances included the nervy little whiskey salesman Samuel Peacock, losing his samples to Thomas Mitchell in Stagecoach (1939) ("the cutest coach rider in the wagon", according to a New York Times review); shady gambler Amos Budge in My Little Chickadee (1940); Mr. Wiggs thinking himself to sleep in Mrs. Wiggs of the Cabbage Patch (1934); the eccentric little bee-keeper Bartholomew, helping the crime fighting exploits of Nick Carter, Master Detective (1939); and the intoxicated food taster and mince-meat enthusiast Hippenstahl of State Fair (1945). On odd occasions, Donald managed to step out of character, notably as the courageous Scottish prospector McTavish standing up to the villains of Barbary Coast (1935); scene-stealing, as miserly financier Daniel Drew in The Toast of New York (1937); as a rather loony citizen determined to collect a reward by unmasking Edward G. Robinson in The Whole Town's Talking (1935); or as tough railroad executive McCoy in Jesse James (1939) and The Return of Frank James (1940).
Donald Meek crammed more than 120 screen roles into a mere one and a half decades. His performances were consistently a joy to watch. He was never able to realise his ambition of retiring to raise hybrid roses, dying in November 1946 at the age of 68. Fourteen years later, he was awarded a star on the Hollywood Walk of Fame.- Actor
- Soundtrack
Montague Love - certainly an intriguing name - but his own - started his working life as a newspaper man in London. His primary expertise centered on being a field illustrator and cartoonist who covered the Boer War (1899-1902). His realistic battle sketches gained him popularity among readers, but he was bound for a different career. He decided to become an actor. A robust man with a massive head of noble bearing and brooding lower lip, these were ingredients well suited to this goal. Love honed basic stage talents in London, and then made an early departure for the US in 1913 with a road-company production of Cyril Maude's "Grumpy." An early stop was Broadway, and he returned many times to appear in a laundry list of important plays from 1913 to 1934.
Silent film studios of the early days were originally based in the East, and Love started his film career at World Studios, New Jersey in 1914. His silent career alone was prodigious-nearly a hundred films. His look and bearing were perfect for authoritative figures. And, though certainly taking on a whole spectrum of roles (sultan, native chiefs, many a doctor and military officer, among many others) he became famous for his bad guy characterizations through the 1920s. Some historians credit him as the best villain of the silent era.
In 1926 he was nemesis to Rudolf Valentino in The Son of the Sheik (1926) and 'John Barrymore' in Don Juan (1926). The latter movie had the particular fame of sporting the longest sword duel in silent history between Love's Count Giano Donati and Barrymore's Don Juan. The fight filming was unique and realistic with middle and close shots looking directly at the individual combatants-with the appropriate blood in their eyes. The duel was all the more complex choreography for being one with swords and daggers (historically correct but rarely seen in film history). But Love was just as effective as the Roman centurion in The King of Kings (1927) by 'Cecil B DeMille'. Starting with Synthetic Sin (1929), Love's movies followed the trend of an increasing number of silent films using recorded music and some snatches of dialogue or background sound with the several incipient audio systems. Some movies originally issued as silent were released again with the process added. `Sin' was one of 11 films of 1929 featuring Love given the semi-sound treatment. The last of these was Jules Verne's The Mysterious Island (1929), very loosely adapted to the point of being hokey, but one of the first films also using the primitive two-color process.
Love had a commanding, puckered-lip British delivery of speech which he could believably weld to any part, but it particularly fit characters of authority, as in the silent era. Into the 1930s, these were increasingly benign rather than despotic-always colonels and generals, prime ministers, American presidents - even Zorro's father. Perhaps his best known character tour de force displaying his genuine acting power was his Henry VIII in Prince and the Pauper (1937). It is hard to forget him in purple as the Bishop of the Black Canons in The Adventures of Robin Hood (1938). Sometimes, as with other veteran character actors, his roles were almost as featured extra-but his very costumed presence was all that was needed to lend realism. A very apt example was his Detchard, noble henchmen to 'Raymond Massey', in The Prisoner of Zenda (1937), in which he has little more than one line. He was still in demand in the early 1940s - ten roles in 1940 alone. But these slowed into the war years. By his passing in 1943, an actor who was considered as noble on screen as off, he had lent his voice as well as virtuoso acting skills to eighty-one additional films.- Actor
- Director
Morgan Wallace was born on 26 July 1881 in Lompoc, California, USA. He was an actor and director, known for Wild Girl (1932), The Mouthpiece (1932) and Dream Street (1921). He was married to Louise Chapman Wallace. He died on 12 December 1953 in Tarzana, California, USA.- Paul Stanton was born on 21 December 1884 in Sterling, Illinois, USA. He was an actor, known for Bachelor Mother (1939), Across the Pacific (1942) and It Could Happen to You (1937). He died on 9 October 1955 in Los Angeles, California, USA.
- Actor
- Soundtrack
The grandnephew of South African pioneer and former president Paul Krüger, Otto Kruger trained for a musical career from childhood, but after enrolling in Columbia University he switched his career choice to acting. Making his Broadway debut in 1915, at 30, he shortly became a matinée idol of the day, specializing in sophisticated leading roles. He made his film debut in 1915 in The Runaway Wife (1915), but it was in the 1930s that Kruger's polished, urbane characterizations came into full swing. Although he occasionally played a hero, as in Corregidor (1943) he was often cast as the amoral villain or a charming but corrupt businessman (usually a banker), a task at which he excelled. Kruger was one of the industry's busiest character actors until a series of strokes brought about his retirement in the mid-1960s.- At 22, George Zucco decided to begin his stage career in earnest in the Canadian provinces in 1908. In the course of the following decade, he also performed in an American vaudeville tour with his young wife, Frances, in a routine called "The Suffragette." As World War I grew in scale, Zucco returned to England to join the army. He saw action and was wounded in his right arm by gunfire. Subsequent surgery partially handicapped the use of two fingers and a thumb. However, having honed his theatrical talents, he proceeded to enter the London stage scene and was rewarded with a developing career that made him a leading man as the 1920s progressed. By 1931 he began working in British sound films, his first being The Dreyfus Case (1931) with Cedric Hardwicke. What followed were 13 B-grade movies through 1935, until The Man Who Could Work Miracles (1936) with Roland Young and Ralph Richardson. Zucco was on his way to America and Broadway by late 1935. He had signed to play Disraeli opposite Helen Hayes in the original play "Victoria Regina," which ran from December 1935 to June 1936. After that came a Hollywood contract and his first American picture, Sinner Take All (1936). Zucco had a sharp hawk nose, magnetic dark eyes, and an arching brow that fit well with authoritative and intimidating characters. That same year, he was in the second installment of the "Thin Man" series, followed by a series of supporting roles in nine films in 1937, usually typed as an English doctor or lord character. They were good supporting roles in "A" films, but he was also taking on darker characters. This was evident in Charlie Chan in Honolulu (1938) and more so with Arrest Bulldog Drummond (1938). Here, he was Rolf Alferson, alias the criminal mastermind "The Stinger," who could administer a poisonous sting from a needle at the tip of his cane. It was a typical pop movie in the pulp mystery/horror genre with the usual sort of ending, but it started him on the road as a Hollywood arch villain. That same year, he was cast as Professor Moriarty, the brilliant archenemy of the world's most famous detective in The Adventures of Sherlock Holmes (1939). Also that year, he and Hardwicke reunited to play the dark clerical heavies in the classic The Hunchback of Notre Dame (1939). Although into the early 1940s Zucco was still getting some variety in shady roles, he was increasingly accepting parts as mad doctors--ancient and otherwise--starting with The Mummy's Hand (1940), the sequel to the original The Mummy (1932). Although this was made by the relatively major Universal Pictures, Zucco began grinding out outlandish horror stuff for bottom-of-the-barrel Producers Releasing Corp. (PRC). It would be incorrect to say he sold out to the horror genre, though, even if horror buffs have made him their own. Into the later 1940s, he was still giving good accounts as nobles, judges and not-so-mad doctors in such "A" hits as Captain from Castile (1947), Joan of Arc (1948), and Madame Bovary (1949). Zucco was in real life an engaging personality and was also known as a very dependable actor. He suffered a stroke not long after his final film, David and Bathsheba (1951), once more in Egyptian garb but this time not even credited. He retired and lived on in fragile health. He evidently recovered his health enough to be offered the role of the mad scientist in Voodoo Woman (1957), but he declined. About that time, his health required a move to a nursing home, where he lived out his last years with dignity.
- Frederick Worlock was born on 14 December 1886 in London, England, UK. He was an actor, known for One Hundred and One Dalmatians (1961), How Green Was My Valley (1941) and Spartacus (1960). He was married to Elsie Ferguson and Olive Noble. He died on 1 August 1973 in Woodland Hills, Los Angeles, California, USA.
- Actor
- Soundtrack
Best known for his work in slapstick comedy and detective whodunits, character actor Donald MacBride lent his serious, craggy mug and determined professionalism to scores of 30s and 40s crimers. Born in Brooklyn, he first appeared on the vaudeville and Broadway stages as a teenage singer in such shows as "George White's Scandals" and "Room Service." Taking a chance on Hollywood, he appeared in a few silents, then returned full time to films again in the 30s with a variety of interesting parts in over 100 comedies and dramas. These included the movie version of Room Service (1938) with the Marx Brothers, the flustered hotel manager in My Favorite Wife (1940), an ex-con and ringleader in High Sierra (1940) and an Irish politico in The Dark Horse (1946). However, his real prowess was playing by-the-book police inspectors and, while looking slightly less capable when at odds with a Charlie Chan, a Michael Shayne, or the Saint, he came off much more capable on his own in tracking down such hardened criminals as The Creeper. In the 50s he turned to TV as well, until his death in 1957.- Actor
- Soundtrack
This eminently recognizable, bulbous, beetle-browed character actor left Culver Military Academy and began acting in repertory companies before becoming a Hollywood extra and stunt man. Eugene's father had also been a thespian at one time but eventually ended his career as an insurance salesman. In his younger days, Eugene was apparently of the more slender build since he once managed to hold down a job as a jockey! He spent in total six years with touring companies, briefly worked as a streetcar conductor in Portland and finally found his way to motion pictures. By his own account, he began in films on the East Coast around 1910 or 1911, gravitating to Hollywood by 1913 and appeared in some 100 productions each year for the first four years of his tenure. The majority of this prodigious output was undoubtedly made up of one-reel shorts. Eugene initially played leads in silent feature films and was described as relatively athletic by the time he appeared in D.W. Griffith's The Birth of a Nation (1915) and Intolerance (1916). His career was put on hold while he served with the Flying Corps during the First World War, but just a couple of years after his return to films he started to turn into a compulsive gourmand. His vast appetite for food increased his girth manifold and he steadfastly refused to go on a diet. Consequently, he found himself demoted to supporting roles but still managed to make a decent living out of his unusual appearance and his trademark gravelly bullfrog voice. Sometime in the early 1920s, he began to dabble in Texas oil and first amassed and then lost a fortune within the space of a year.
Eugene remained gainfully employed all through the '20s, '30s, and '40s. He played Aramis to Douglas Fairbankss's D'Artagnan in The Three Musketeers (1921) and appeared as a Hal Roach contract player in the classic Laurel & Hardy short The Battle of the Century (1927). In talkies, he was the truculent police sergeant Heath in five installments of the Philo Vance series at Paramount, starring William Powell. When not used as pinstripe-suited authority figures or Runyonesque characters (Nicely-Nicely Johnson in The Big Street (1942)), he was always diverting in screwball comedies, notably in My Man Godfrey (1936) and Topper (1937). A truly versatile, his gallery of characters ranged from garrulous and witty and ingratiating, to brooding loners, from avuncular to cantankerous. Under contract at Warners, he proved to be the very best ever incarnation of Friar Tuck in The Adventures of Robin Hood (1938) and followed this with another priestly effort as Father Felipe in The Mark of Zorro (1940).
Near the end of World War II, Eugene and a business partner acquired a 3500-acre estate and ranch along the Imnaha River in remote Wallowa County, Oregon, complete with a fallout shelter. Allegedly, he lived the life of a semi-recluse for the next four years, anticipating a nuclear attack by stockpiling all manner of essential items in order to become fully self-sufficient. The aforementioned business partner later denied this as a rumor, implying that the ranch was merely a place where Eugene entertained his actor friends (some came to hunt and fish). Whether true or not, Eugene was ultimately forced to sell the property in 1949 due to ill-health (throat cancer, as it turned out). He made his final return to the screen at Poverty Row studio Monogram in Suspense (1946), rounding out his career with a minor film noir set in the skating rink, starring the 'Ice Maiden' Belita. Eugene died eight years later in Los Angeles at the age of 65.- Minor Watson was a jovial, grandfatherly actor specializing in playing warm-hearted doctors, affable small-town businessmen, concerned army officers and other such characters. Watson wasn't as prolific as many other actors of his type; while he made slightly more than 100 films, his colleagues such as Russell Hicks and Pierre Watkin had over 300 to their credit, although Watson usually brought a warmth and a good humor to his roles that the others often didn't. While Hicks' and Watkin's characters commanded respect, Watson's soft Southern drawl (he was from Arkansas), engaging manner and soothing demeanor made his characters both liked and respected. He was especially effective as Col. Grayson, the commander of the Marines hitting the beach, in Guadalcanal Diary (1943).
- Actor
- Soundtrack
Jovial, somewhat flamboyant Frank Morgan (born Francis Wuppermann) will forever be remembered as the title character in The Wizard of Oz (1939), but he was a veteran and respected actor long before he played that part, and turned in outstanding performances both before and after that film. One of 11 children of a wealthy manufacturer, Morgan followed his older brother, Ralph Morgan (born Raphael Wuppermann) into the acting profession, making his Broadway debut in 1914 and his film debut two years later. Morgan specialized in playing courtly, sometimes eccentric or befuddled but ultimately sympathetic characters, such as the alcoholic telegraph operator in The Human Comedy (1943) or the shop owner in The Shop Around the Corner (1940). He was nominated for an Academy Award for Best Actor for The Affairs of Cellini (1934). Frank Morgan died at age 59 of a heart attack on September 18, 1949 in Beverly Hills, California.- Loring Smith was born on 18 November 1890 in Stratford, Connecticut, USA. He was an actor, known for Shadow of the Thin Man (1941), Close-Up (1948) and Pat and Mike (1952). He was married to Natalie Sawyer. He died on 8 July 1981 in Fairfield, Connecticut, USA.
- Actor
- Soundtrack
Harry Cording was born on 26 April 1891 in Wellington, Somerset, England, UK. He was an actor, known for The Adventures of Robin Hood (1938), Narcotic (1933) and Gypsy Wildcat (1944). He was married to Margaret Fiero. He died on 1 September 1954 in Sun Valley, California, USA.- Actor
- Soundtrack
Suave, well-mannered, silvery-haired character actor Henry (Joseph) O'Neill played top supports in hundreds of films, often as a benign, wise, sensible father, judge, doctor, minister, general, executive or lawyer. Much of his patrician career was split between two studios: Warner Bros in the 1930s and MGM in the 1940s.
O'Neill was born in Orange, New Jersey on August 10, 1891, and dropped out of college to join a traveling theatre troupe. World War I military service intervened but he quickly returned to acting in 1919 upon his discharge and joined, at different times, the Provincetown Players and the Celtic Players acting companies. Making his Broadway debut at age 30 with "The Spring," he continued on Broadway for over a decade in such plays as Mr. Faust (as the Holy One) 22, "The Hairy Ape" (1922), "The Ancient Mariner" (1924), "The Fountain" (1925), "The Squall" (1926), "Jarnegan" (1928), "The Last Mile" (1930), "Old Man Murphy" (1931), "I Loved You Wednesday (1932) and, his last, "Shooting Star" (1933). His prematurely gray hair lent an air of pride and confidence in his many distinctive stage roles, particularly the works of playwright Eugene O'Neill.
In 1933, O'Neill made a solid, unerring switch to feature films and settled in for the duration of his career as a minor character. Although he was typically cast in agreeable roles, he certainly had it in him to be an urbane villain when the call came in. Films on both sides of the fence included his debut, the romantic drama I Loved a Woman (1933) starring Kay Francis and Edward G. Robinson, as well as many others, the more popular being. -- Fog Over Frisco (1934), Madame Du Barry (1934), The Man Who Reclaimed His Head (1934), Oil for the Lamps of China (1935), The Story of Louis Pasteur (1936), Anthony Adverse (1936), The Great O'Malley (1937), The Life of Emile Zola (1937), The Amazing Dr. Clitterhouse (1938), Brother Rat (1938), Dodge City (1939), Juarez (1939), Confessions of a Nazi Spy (1939), Four Wives (1939), Dr. Ehrlich's Magic Bullet (1940), Billy the Kid (1941), Shadow of the Thin Man (1941), Two Girls and a Sailor (1944), Anchors Aweigh (1945), The Beginning or the End (1947) and Alias Nick Beal (1949)
In the 1950's due to failing health, Henry spaced out his feature work with sporadic filming in such movies as The People Against O'Hara (1951), Scarlet Angel (1952), The Wings of Eagles (1957) and, his last, an uncredited bit in Alfred Hitchcock's North by Northwest (1959). A one-time member of the board of directors of the Screen Actors Guild, he later earned a star on the Hollywood Walk of Fame.
He died on May 18, 1961, and was survived by his longtime wife (since 1924) Anna and one child, Patricia He was interred at San Fernando Mission Cemetery in Mission Hills, California.- Actor
- Additional Crew
- Soundtrack
Besides being a zany comedian, Don Barclay ( born Donn Van Tassel Barclay) was an innovative caricaturist whose humorous depictions of celebrities can be found in countless art galleries, museums, bars and restaurants across the United States. His most famous drawing (entitled 'SkiNose', displayed at the Library of Congress) has a cherubic-faced, red jump-suited skier jumping off Bob Hope's nose. During World War II, Don toured North Africa, the Middle East, China and the Pacific as part of a USO one-man show, drawing caricatures of more than 10,000 servicemen as well as of high ranking military brass.
Don began his career as a cartoonist for the San Francisco Examiner then segued into comedy and burlesque. He was featured in the Ziegfeld Follies and Greenwich Village Follies of 1924, having previously worked on screen in silent comedies. He was a Keystone Kop sometime around 1914 to 1915. In 1918, he appeared in a series of one-reelers for Essanay which are now believed to be lost. His output in the 20s was sporadic at best, but in the 30s he was occasionally featured in short comedies for Hal Roach, including Air Fright (1933) (with Thelma Todd) and Mixed Nuts (1934). His remaining filmography consisted primarily of bit parts. From the early 50s, he was a voice actor for Walt Disney who apparently regarded him as something of a 'good luck charm'. His last featured appearance was as Mr. Binnacle in Mary Poppins (1964). Don retired to Scottsdale, Arizona, where he became a regular visitor to the local hangout, the Pink Pony, drawing caricatures of the regular patrons. He died in Palm Springs in October 1975, aged 82.- Actor
- Soundtrack
A minor character actor who appeared in literally hundreds of films, actor Irving Bacon could always be counted on for expressing bug-eyed bewilderment or cautious frustration in small-town settings with his revolving door of friendly, servile parts - mailmen, milkmen, clerks, chauffeurs, cab drivers, bartenders, soda jerks, carnival operators, handymen and docs. Born September 6, 1893 in the heart of the Midwest (St. Joseph, Missouri), he was the son of Millar and Myrtle (Vane) Bacon. Irving first found work in silent comedy shorts at Keystone Studios usually playing older than he was and, for a time, was a utility player for Mack Sennett in such slapstick as A Favorite Fool (1915). Irving made an easy adjustment when sound entered the pictures and after appearing in the Karl Dane and George K. Arthur two-reel comedy shorts such as Knights Before Christmas (1930), began to show up in feature-length films. He played higher-ups on occasion, such as the Secretary of the Navy in Million Dollar Legs (1932), police inspector in The House of Mystery (1934), mayor in Room for One More (1952), and judge in Ambush at Cimarron Pass (1958), but those were exceptions to the rule. Blending in with the town crowd was what Irving was accustomed to and, over the years, he would be glimpsed in some of Hollywood's most beloved classics such as Capra's Mr. Deeds Goes to Town (1936), San Francisco (1936), You Can't Take It with You (1938) and A Star Is Born (1954). Trivia nuts will fondly recall his beleaguered postman in the Blondie (1938) film series that ran over a decade.
Irving could also be spotted on popular '50s and '60s TV programs such as the westerns Laramie (1959) and Wagon Train (1957), and "comedies December Bride (1954) and The Real McCoys (1957). He can still be seen in a couple of old codger roles on I Love Lucy (1951). One was as a marriage license proprietor and the other as Vivian Vance's doting dad from Albuquerque, to whom she paid a visit on her way to Hollywood with the Ricardos. Irving died on February 5, 1965, having clocked in over 400 features.- Actor
- Second Unit Director or Assistant Director
- Production Manager
Edward S. Brophy was born on February 27, 1895 in New York City and educated at the University of Virginia. He became a bit and small-part in the movies starting in 1919, but switched to behind-the-scenes work for job security, though he continued appearing in small parts. While serving as a property master for Buster Keaton's production unit at Metro-Goldwyn-Mayer, Brophy appeared in a memorable sequence in Keaton's classic The Cameraman (1928), in which Buster and Brophy both try to undress simultaneously in a tiny wardrobe room. Keaton cast Brophy in larger parts in two of his talkies, and by 1934, Brophy abandoned the production end of the movies altogether and was acting full-time.
Possessed of a chubby, bald-headed face with pop-eyes, and blessed with (for a comic) a high-pitched voice, Brophy appeared in scores of comic roles. He also played straight dramatic parts, but was less effective in them. Typical of his work was his memorable turn providing comic relief in the small supporting role of the Marine in Manila who adopts the dog "Tripoli" in Howard Hawks' war propaganda masterpiece Air Force (1943).
In the 1950s, Brophy began taking fewer roles. His last role was in director John Ford's Western Two Rode Together (1961), during the production of which, he died on May 27, 1960 in Pacific Palisades, California. He will always be remembered to film-lovers as the voice of Timothy Mouse in Walt Disney's classic 1941 cartoon Dumbo (1941).- Actor
- Writer
- Soundtrack
Brawn won out over brain as well when it came to wrestler athlete Nat Pendleton's professional movie career. For two decades, this massively-built, dark-haired, good-looking lug played a number of kind-hearted lunkheads, goons, henchmen and Joe Palooka-like buffoons.
Nathaniel Greene Pendleton was born on August 9, 1895 on a farm close to Davenport, Iowa. The son of Nathaniel G. Pendleton, a lawyer, and mother Adelaide Elizabeth Johnson, the family moved to Cincinnati, Ohio when Nat was a mere two months of age. His uncle was well-known Cincinnati-born D.W. Griffith silent player Arthur V. Johnson.
After the family's move from Ohio to New York, Nat became star of Brooklyn's Poly Prep High School wrestling team and later went to Collumbia University where he became a popular athletic presence, never losing a match in college and serving on the 1915 team as their captain. Following a couple of national titles, he competed at the Olympics in Antwerp, Belgium in 1920 and won the heavyweight silver medal in what many say was a controversial decision (to Pendleton's advantage). Nat turned pro after this and was undefeated in his two years of competition. He grew disillusioned when he was unable to arrange money bouts with Jack Dempsey and Ed Lewis aka "Strangler" reportedly due to his lack of a flashy enough reputation.
With his athletic image intact, Nat decided to follow his Uncle Arthur into acting in the mid-20s, making his debut in the film The Hoosier Schoolmaster (1924). Several other films followed, mostly in sports-minded themes. He also set his powerful frame on the Broadway stage, with roles in "Naughty Cinderella" (1925), "The Grey Fox" (1928) and as Marcel the Great in the hit comedy "His Girl Friday" (1929). A truckload of films came his way by the early 1930s, including The Spirit of Notre Dame (1931) in which he played an assistant coach, and in both the Marx Bros.' farcical comedy Horse Feathers (1932) with Thelma Todd, and Deception (1932), again with Todd, based on a story Pendleton himself wrote. He played football stars in both. In addition, he and Ward Bond played wrestlers in the Wallace Beery starrer Flesh (1932).
Among Pendleton's other film highlights include his gangsters in Sing and Like It (1934) with Zasu Pitts and The Gay Bride (1934) with Carole Lombard; his policemen in The Thin Man (1934) and Another Thin Man (1939); strongman Sandow in The Great Ziegfeld (1936); another dimbulb wrestler in Swing Your Lady (1938) starring Humphrey Bogart and Louise Fazenda; a barkeep in Northwest Passage (1940) starring Spencer Tracy; _a haranguing officer/nemesis to Abbott and Costello in Buck Privates (1941) and several Dr. Kildare medical dramas as hunky ambulance driver/comedy relief Joe Wayman. A rare prime starring role was the title part as Top Sergeant Mulligan (1941) for Poverty Row's Monogram Pictures.
Following his final film part reprising the badgering sergeant in Buck Privates Come Home (1947), Nat turned to TV before retiring in 1956. The twice-married actor/wrestler died of a heart attack on October 12, 1967 at age 72.- Actor
- Producer
- Writer
George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.- Actor
- Soundtrack
An imposing Austrian import-turned-matinée idol on the silent screen, Hollywood actor Joseph Schildkraut went on to conquer talking films as well -- with Oscar-winning results. Inclined towards smooth, cunning villainy, his Oscar came instead for his sympathetic portrayal of Captain Alfred Dreyfus in The Life of Emile Zola (1937). His most touching role on both stage and screen would come as the Jewish father-in-hiding, Otto Frank, in The Diary of Anne Frank (1959).
Born on March 22, 1895, in Vienna, Austria, Joseph was the son of famed European/Yiddish stage actor Rudolph Schildkraut and his wife, the former Erna Weinstein. Nicknamed "Pepi" as a boy, the affectionate tag remained with him throughout his life. The family moved to Hamburg, Germany, when Joseph was 4. Joseph studied the piano and violin and grew inspired with his father's profession. On stage (with his father) from age 6, the family again relocated to Berlin where his father built a strong association with famed theatrical director Max Reinhardt.
Following Joseph's graduation from Berlin's Royal Academy of Music in 1911, the family migrated to America and settled in New York in 1912. His father continued making his mark in America's Yiddish theater while Joseph was accepted into the American Academy of Dramatic Arts. Offered lucrative theatre work back in Germany, Rudolf and family returned to Europe where Joseph began to grow in stature on the stage with the help of mentor Albert Bassermann. Joseph, like his father, would become well known not only for his prodigious talents on stage, but his marriage-threatening, Lothario-like behavior off-stage.
World War I and a call to the Austrian Army could have interrupted his career but his theatrical connections helped exempt him from duty. A thriving member of the Deutsches Volkstheatre (1913-1920), work became difficult to find in the post-war years so once again the family returned to America in 1920. Now an established stage player, Joseph was handed the title role in the Guild Theatre production (and American premiere) of "Liliom" opposite his leading lady of choice Eva Le Gallienne. It made stars out of both actors and both revisited their parts together on stage many years later in 1932.
Having appeared in a few silent pictures in Germany and Austria, Joseph was handed a prime role in the silent screen classic Orphans of the Storm (1921) starring the Gish sisters. This alone established him as an exotic matinée figure along the lines of a Valentino and Navarro. Preferring the stage, he nevertheless continued making films while conquering (on screen) Hollywood's loveliest of actresses, including Norma Talmadge in The Song of Love (1923), Seena Owen in Shipwrecked (1926), Marguerite De La Motte in Meet the Prince (1926), Bessie Love in Young April (1926) (which also co-starred father Rudolf), Lya De Putti in The Heart Thief (1927), and Jetta Goudal in The Forbidden Woman (1927). Most notable was his participation in the Cecil B. DeMille epics The Road to Yesterday (1925) and The King of Kings (1927), the latter co-starring as Judas Iscariot, with father Rudolf playing the high priest Caiaphas.
Joseph met his first wife, aspiring actress Elise Bartlett, during a herald run as "Peer Gynt" (1923) on Broadway. The impulsive romantic swept her off her feet, proposed to her on the day he met her, and married her the following week. The couple separated a few years later and his first wife fell to drink, dying at a fairly young age of an alcohol-related illness. His second marriage to Marie McKay was much happier and lasted almost three decades.
The actor's sturdy voice and strong command of the stage led to an easy transition into talking films. Among others, Joseph won the role of Gaylord Ravenal in the Kern and Hammerstein musical Show Boat (1929) opposite Laura La Plante as Magnolia. Despite his preference for the theater, Depression-era finances forced him to relocate to Los Angeles for more job security. Throughout the 1930s and 1940s, Joseph evolved into one of Hollywood's most distinctive character actors.
He played Wallace Beery's nemesis, General Pascal in MGM's Viva Villa! (1934), King Herod opposite Claudette Colbert in DeMille's Cleopatra (1934), and stole scenes as the cunning and underhanded Conrad, Marquis of Montferratin, in DeMille's The Crusades (1935). Joseph received his Oscar for his portrayal of Captain Dreyfus, a proud and robust French Jew wrongly convicted of treason and subsequently exiled to Devil's Island, in the biopic The Life of Emile Zola (1937). He soon became a Hollywood fixture appearing in everything from sumptuous costumers (Marie Antoinette (1938), The Three Musketeers (1939), The Man in the Iron Mask (1939), Monsieur Beaucaire (1946)), to action adventure (Lancer Spy (1937), Suez (1938)) to potent drama (The Rains Came (1939), The Shop Around the Corner (1940)). His film output slowed down considerably at the outbreak of WWII in 1941, however; nevertheless he continued to show vitality on the stage with notable successes in "Clash by Night" (1941) with Tallulah Bankhead, "Uncle Harry" (1942) and "The Cherry Orchard" (1944) (again with Eva Le Gallienne).
His Hollywood downfall happened when he signed his career away to the low budget Republic Pictures studio...for financial reasons. The films were unworthy of his participation and his roles secondary in nature to the storyline. His final Broadway appearance and greatest stage triumph would occur in 1955 as Otto Frank and he repeated his role on film but The Diary of Anne Frank (1959). In one of Hollywood's bigger missteps, he was not even nominated for an Academy Award. Sporadic appearances followed on stage and film -- his last movie role wasted on the trivial role of Nicodemus in the epic failure The Greatest Story Ever Told (1965). The film was released posthumously. On TV, however, he played Claudius to Maurice Evans' Hamlet in 1953 and filmed a memorable "Twilight Zone" episode in 1961.
Following his beloved second wife's death in 1961, he married one more time, in 1963, to a much younger woman named Leonora Rogers. Joseph died of a heart attack only months later at his New York City home on January 21, 1964, He was 68, almost the exact same age his father Rudolf was when he too suffered a fatal heart attack. Joseph was interred in the Beth Olam Mausoleum of the Hollywood Forever Cemetery in Los Angeles.- Actor
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His full name was Joseph Alexander Caesar Herstall Vincent Calleja - but he was better known as Joseph or Joe Calleia, one of Hollywood's most recognized bad guys. But Calleia's roots and talents ran much deeper than character actor. He was Maltese, born on that barren but historically important island of Malta between Italy and Africa in the Mediterranean. The Maltese culture was a crossroads of peoples (partially Arabic) but as intrepid fisherman, navigators, and warriors-as they proved to the 16th century Turks - it was a proud one. But it could not hold Calleia, who, blessed with a good singing voice and a talent for composing, joined a harmonica band that left for the Continent in 1914. This was a Europe feeling the initial blows of World War I, and Calleia's band toured the length and breadth of it in music halls and cafes. He went to Paris and eventually came to London to perform some concert singing engagements. And from there the lure of the New World brought him to New York by 1926.
It was a natural enough transition for a talented singing performer to acting. Calleia did his first play on Broadway in an original drama suitably called "Broadway" for a long run from late 1926 early 1928. This was the first of seven plays he did into early 1935. He took a double role as actor and stage manager for the 1930-31 run of "Grand Hotel". He received good reviews (once called him a "bright light" on Broadway) and later recalled that his treading the boards were his best years as an actor. By 1931 he had yet another course to steer. Hollywood had noticed him, for his constrained intensity as an actor was matched by a singular visage - heavy-lidded eyes and dark features that gave him a disquieting and menacing appearance. Yet the sometime telltale lilt in his voice betrayed the fine singer. He had just enough accent to make him Latin or Greek or Middle Eastern - or indigenous sorts. Of course, his look meant early heavy roles as he went under contract to MGM, doing his first two films in that year of 1931.
By 1935 his looks landed him the role of Sonny Black, a mob boss with many facets, and with a characteristic clenched-teeth delivery, Calleia acquitted himself in fine fashion. Through the 1930s he was pretty much typed-cast as a mobster-with variations. Always with the lean and hungry look, he was a club owner in After the Thin Man (1936) and played a government cop in the atmospheric Algiers (1938). He even had time to help write a screenplay for the film Robin Hood of El Dorado (1936) with veteran Warner Baxter. Calleia ended the decade with roles at opposite ends of the character acting spectrum-somewhat center stage as a priest in the sometimes heavy-handed Full Confession (1939) and most memorable as Vasquez, the brought-to-justice criminal on the ill-fated DC-3 that crash lands in headhunter-infested Amazon highlands in Five Came Back (1939). This is a classic adventure drama -- remade with Rod Steiger -- with a great supporting cast that included everyone's favorite wisecracking redhead, Lucille Ball.
Into the 1940s, Calleia was cast in more ethnic roles - particularly as Hispanics of various sorts. But his roles were memorable nonetheless, as El Sordo in For Whom the Bell Tolls (1943) and Rodriguez in The Cross of Lorraine (1943). But two roles stand out. His Buldeo in the Alexander Korda classic production of The Jungle Book (1942) was a personal favorite, a double role, as trouble-making villager and the selfsame man now old and wise telling the story to the village children as narrator. The makeup is so good-and Calleia enjoyed character makeup-that most viewers are surprised when the old man reveals his identity. More mainstream Hollywood was his intriguing role as Detective Obregon in Gilda (1946). He's the good guy-right? - but he comes off so sly with his sidelong looks and the way he bates the principals - Glenn Ford and Rita Hayworth - that you just don't know. In the end he has the task, like the chorus in a Shakespearean play, to explain and summarize-perhaps not the best means of getting to the point - but that was the director's choice. His secondary parts receded a bit into the later 1940s and further into the 1950s with Calleia typed to retrace former roles but giving them new nuance just the same. He has little more than a cameo as Indian chief Cuyloga-Native American chiefs being the lot of no few elder actors in 1950s Hollywood - in the otherwise worthwhile Disney adaptation of The Light in the Forest (1958). Calleia ventured into the TV briefly about that time.
But also from that year was another of his favorite roles. Without doubt Touch of Evil (1958) is one of the strangest of Orson Welles later efforts as director/star. It borders on the uneven but is so off-the-wall that one cannot help watching and thoroughly enjoying all the antics of Welles still brilliant film techniques: shadow and light, wild camera angles, gringos playing Mexicans-Charlton Heston is a wow and stained darker than necessary-and over-the-top performances with veteran dramatis personae like Marlene Dietrich, Akim Tamiroff, Calleia, of course, and Welles himself looking like a police captain from skid row and using that funny character voice of his that pops up in his films as an aside. Calleia, with white hair, is tired old cop Sergeant Menzies, long associate of Welles' seedy character. Doing what he has always done, covering up and running interference, in the end Menzies has to face the truth about his crooked captain. Calleia enjoyed the role as going so against his usual type - showing a man harried by his past and haunted by dirty secrets - vulnerable - and very human. It's a great part.
By 1963 Calleia walked away - or, that is - sailed away from Hollywood. He returned to his native Malta for a well deserved retirement. The Maltese had followed the career of their native son, and he had made several visits during his film career. Not surprisingly his biggest fan club was right at home. He was a kind and generous man and very appreciative of his fans wherever they were - quick to read all their letters and quick to send autographed pictures. It was strictly tongue-in-cheek when he supposedly quipped: "Everyone recognizes my face, but no one knows my name." After his passing, the government of the island state of Malta issued two commemorative stamps (1997) to honor him. A bust was erected before the house in which he was born as a further memorial to this Maltese VIP who had made good.- Actor
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A graduate of the University of Southern California School of Law, Morris Ankrum was an attorney and an economics professor before switching careers and joining the theater. He was a veteran stage actor by the time he entered the film industry in the 1930s. His film career spanned 1933-64, during which time he played in 279 films and TV shows. Ankrum spent much time in westerns, playing everything from Indian chiefs to crooked bankers. Among his best remembered parts are his numerous villainous roles in Paramount's highly popular Hopalong Cassidy film series. The Hoppy films in which he appears include North of the Rio Grande (1937), Hills of Old Wyoming (1937), Pirates on Horseback (1941), Three Men from Texas (1940), Borderland (1937), and Hopalong Cassidy Returns (1936), among others.
He was cast in many other films throughout the '30s, '40s, and '50s, varying from small appearances to co-starring roles. He can be seen in low-budget "B" pictures and big-budget blockbusters alike. It was in the 1950s, though, that he hit his stride in the science-fiction genre, where his gruff, no-nonsense demeanor and authoritative voice perfectly fit the role of the military officer helping scientists fight off outer-space menaces, most memorably as Col. Fielding in the classic Invaders from Mars (1953).
Later in his career he did much TV work, in such series as Bonanza (1959), The Rifleman (1958), Rawhide (1959), Cheyenne (1955), Gunsmoke (1955), The 20th Century-Fox Hour (1955), Maverick (1957), Have Gun - Will Travel (1957), Sea Hunt (1958), and over a dozen more. At the end of his career from 1957-64, he had a recurring role as a judge in 22 episodes on the Perry Mason (1957) TV series.- Actor
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The parents of Frank McHugh ran their own stock company and he was on the stage as a child. When he was 10 he was part of an act that include his brother Matt McHugh and sister Kitty McHugh. After vaudeville and other stock companies, Frank debuted on Broadway "The Fall Guy" (1925). In 1930 he was hired at Warner Brothers as a contract player. Frank would usually play the sidekick to the lead actor and would provide the comedy relief in tense situations - if it were called for. With his nervous laugh and hangdog look, he appeared in over 90 movies in the first dozen years he worked at Warners. He would also appear with another very busy character actor, Allen Jenkins, in a dozen or so films. McHugh would be a mechanic, a song plugger, a pilot, a baseball player or a newspaperman, and would either be married or get the girl only if the girl was not the one the hero was interested in. Over the years he would work with most of the stars that Warners employed. By the early 1950s his film career started winding down. From 1964 to 1965 he played the role of Willis Walter on The Bing Crosby Show (1964).- Actor
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Herbert Mundin was born on 21 August 1898 in St. Helens, Merseyside, England, UK. He was an actor, known for The Adventures of Robin Hood (1938), David Copperfield (1935) and Mutiny on the Bounty (1935). He was married to Ann Shaw and Hilda Frances Hoyes. He died on 5 March 1939 in Van Nuys, California, USA.- Actor
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Lester Matthews was born on 6 June 1900 in Nottingham, England, UK. He was an actor, known for The Adventures of Robin Hood (1938), Werewolf of London (1935) and The Three Musketeers (1939). He was married to Cicely Walper and Anne Grey. He died on 6 June 1975 in Los Angeles, California, USA.- Actor
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Lloyd Corrigan was born on 16 October 1900 in San Francisco, California, USA. He was an actor and writer, known for It's a Mad Mad Mad Mad World (1963), The Manchurian Candidate (1962) and The Chase (1946). He died on 5 November 1969 in Woodland Hills, Los Angeles, California, USA.- Actor
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Paul Fix, the well-known movie and TV character actor who played "Marshal Micah Torrance" on the TV series The Rifleman (1958), was born Peter Paul Fix on March 13, 1901 in Dobbs Ferry, New York to brew-master Wilhelm Fix and his wife, the former Louise C. Walz. His mother and father were German immigrants who had left their Black Forest home and arrived in New York City in the 1870s. (The name "Fix" is of Latin/Germanic origin, and is derived from St. Vitus and means "animated" or "vital").
Besides Peter Paul, the Fix family consisted of two girls and three boys, the youngest of whom was six years older than the future actor. Peter Paul's childhood was a happy one. He and his family lived on the 200-acre property on which the Manilla Anchor Brewery, where his father was brew-master, was situated. Such was the importance of the senior Fix to the brewery that when he died at the age of 62 on the eve of America's entry into the First World War (two years after his 54-year old wife had died), the brewery closed.
The orphaned Peter Paul, who kept to himself a lot and had a vivid imagination, was sent to live with his married sisters, first one who lived nearby in Yonkers, and then to another in Zanesville, Ohio. The just-turned-17-year-old Peter Paul Fix joined the U.S. Navy on March 12, 1918, and spent his state-side service time during World War I in Newport, Rhode Island and Charleston, South Carolina. He first tread the boards as an actor while a sailor stationed in Newport, when the baby-faced salt (who looked much younger than his age) was one of six gobs chosen to play female roles in the Navy Relief Show "HMS Pinafore". The Navy staging of the Gilbert and Sullivan operetta was a big hit and chalked up a run of several weeks in Providence and Boston.
Fix was assigned as an able-bodied seaman to the troopship U.S.S. Mount Vernon, which was torpedoed by a German U-boat off the coast of France but did not sink as it was run aground. The rest of Fix's naval career was less exciting, and he was demobilized on September 5, 1919. After his discharge, Fix went back to his girlfriend Frances (Taddy) Harvey, whom he had left behind in Zanesville. He and Taddy were married in 1922 and they moved to California as Fix had always wanted to live in a warm climate.
Fix and his bride settled in Hollywood, not so much because he had set ideas about becoming an actor but because he didn't know what he wanted to do with the rest of his life. He liked writing and acting in local plays, and soon became friends with the fellow tyro actor Clark Gable, who was his own age. Fix and Gable were discovered by the stage actress Pauline Frederick, who hired them to be members of her touring troupe that traveled by train the length of the West Coast putting on plays. In all, Fix - who had informally renamed himself Paul Peter - appeared in 20 plays with Gable.
Paul Fix had one of his earliest acting roles on celluloid in the mid-1920s, appearing in a silent Western starring William S. Hart. The Western genre eventually would become the one he was most identified with. He played uncredited bit parts and small roles in silents before getting his first credited role in an early talkie (which was part-silent and part-talking), The First Kiss (1928), which starred future Hollywood superstar Gary Cooper and the dame that drove King Kong ape, Fay Wray. In all, Fix appeared in 300-400 films. The Western programmers of the silent and early talkie days could be shot in less than a week.
In 1925, Taddy gave birth to their daughter Marilyn Carey, who eventually would marry Harry Carey Jr., the son of one of the first great Western superstars. They would have three more children and become part of the extended family gathered around the director John Ford. In his career, Paul Fix would appear with another Western legend, John Wayne, in 26 films, starting in 1931 with Three Girls Lost (1931). Urged on by Loretta Young, Fix became an acting coach for the young actor, and Wayne later paid him back when he became a star by having Fix appear in his movies. (The Duke also was a part of the close-knit group that collected around John Ford). With the Duke's patronage, the kinds of roles that Fix played changed. He had been typed as villains in the 1930s but, in the 40s, he began assaying a better class of character.
Paul Fix was also a screenwriter, and is credited as the writer on three films: Tall in the Saddle (1944), Ring of Fear (1954) and The Notorious Mr. Monks (1958). His favorites parts included playing the stricken passenger in the John Wayne picture The High and the Mighty (1954), Elizabeth Taylor's father in George Stevens' classic Giant (1956), the grandfather of the eponymous The Bad Seed (1956) and the judge in To Kill a Mockingbird (1962). His last screen appearance was in the Brooke Shields movie Wanda Nevada (1979), but he is most famous for appearing in the recurring role of "Marshal Micah Torrance" in the popular Western TV series The Rifleman (1958). As of 1981, the 80-year old Fix was still getting mail from all over the world from "Rifleman" fans.
Paul Fix died October 14, 1983 of kidney failure. He was survived by his daughter Marilyn Carey and son-in-law Harry "Dobe" Carey, three grandchildren and several great-grandchildren.- A Broadway stage actor, Costello entered films in 1935 and in 1939 was put under contract with MGM. Known for his wicked sense of humor, Costello often times played the role of a menace or a tough guy.
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Leon Ames was born Harry Wycoff in Portland, Indiana, to Cora Alice (DeMoss) and Charles Elmer Wycoff. He had always wanted to be an actor and he did it the hard way, serving a long apprenticeship in touring amateur theatre companies -- even selling shoes for a while on 42nd Street in the 1920s. It took him until 1933 to make his debut on Broadway. His play at the Morosco Theatre, "It Pays to Sin," lasted for only three performances after receiving disastrous critical reviews. By then he had already appeared in his first movie, the sombre, expressionistic Murders in the Rue Morgue (1932), an Edgar Allan Poe adaptation, in which Leon played the dependable love interest of heroine Sidney Fox.
For the next three year, he appeared under his birth name (Leon Waycoff) in a variety of B-movies for "Poverty Row" studios like Mayfair, Showmen's Pictures, World-Wide, Empire and Majestic. His first film as 'Leon Ames' was the Shirley Temple vehicle, Stowaway (1932). For the next few years he served yet another apprenticeship, playing a variety of stalwart characters and the occasional bad guy in such cheerful potboilers as the anemic Murder in Greenwich Village (1937), the amusing Mysterious Mr. Moto (1938) and the eminently forgettable Secrets of a Nurse (1938). There were also occasional highlights: he popped up in Ernst Lubitsch's last film at Paramount, Bluebeard's Eighth Wife (1938), with Gary Cooper and Myrna Loy, and even starred as the leading man of Cipher Bureau (1938) and Panama Patrol (1939), albeit at Grand National.
Leon's career improved dramatically after playing Judy Garland's father Alonzo (along with Mary Astor as the matriarch of the family) in MGM's classic, Meet Me in St. Louis (1944), directed by Vincente Minnelli. For the first time, Leon's acting abilities were well employed, especially his ability to deliver dryly humorous one-liners. Signed to a contract at MGM, Leon was now cast in pivotal character roles in more important A-grade output, usually as put-upon, loving fathers: A Date with Judy (1948), Little Women (1949), (where he again teamed up with Mary Astor), By the Light of the Silvery Moon (1953), to name but a few. For something completely different, he also played district attorney Kyle Sackett in the film noir, The Postman Always Rings Twice (1946) and, against type, portrayed Paul Newman's thoroughly unpleasant father in From the Terrace (1960).
Leon continued in films well until his twilight years and was last seen as Kathleen Turner's grandfather in Peggy Sue Got Married (1986). On television, he had a popular run starring in Life with Father (1953) and Father of the Bride (1961) (played by Spencer Tracy on the big screen) as well as playing Wilbur Post's neighbor Gordon Kirkwood in Mister Ed (1961).
Leon had another claim to fame in being one of 19 actors, who -- after a clandestine meeting in June 1933 -- established the Screen Actor's Guild. For thirty years (commencing in 1945) he held a senior executive position as recording secretary and served as national president of the organization between 1957 and 1979. He also served on the board of governors of the Academy of Motion Picture Arts and Sciences. The dapper actor and avid unionist died at a Laguna Beach nursing home at the ripe old age of 91 on October 12, 1993.- Actor
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Edward Asner was born of Russian Jewish parentage in Kansas City, to Morris David Asner (founder and owner of the Kansas City-based Asner Iron & Metal Company) and his wife Elizabeth "Lizzie" (Seliger). After attending college, Ed worked various jobs, including in a steel mill, as a door-to-door salesman and on an assembly line for General Motors. Between 1947 and 1949, he attended the University of Chicago. The onset of the Korean War saw him drafted into the U.S. Army Signals Corps and posted to France where he was primarily assigned clerical tasks. Upon demobilization, Asner joined the Playwrights Theatre Company in Chicago but soon progressed to New York. In 1955, he appeared off-Broadway in the leading role of the beggar king Jonathan Peachum in Brecht's Threepenny Opera. Five years later, he made his debut on the Great White Way in the courtroom drama Face of a Hero, co-starring alongside Jack Lemmon. He also began regular TV work in anthology drama.
From the early '60s, Asner, now based in California, earned his living as a busy supporting actor. His many noted guest appearances included turns in Route 66 (1960), The Untouchables (1959), The Fugitive (1963), Voyage to the Bottom of the Sea (1964) (sinister dictator-in-exile Brynov), The Invaders (1967) (twice -- as aliens) and How the Ghosts Stole Christmas (1998) (one of a couple of ghostly residents in a haunted mansion). Heavy-set and distinctively gravelly-voiced, Asner established his reputation as tough, robust and uncompromising (though, on occasion, good-hearted) authority figures. Excellent at conveying menace, he was memorably cast as the brutish patriarch Axel Jordache in Rich Man, Poor Man (1976) and as the slave ship's morally conflicted master, Captain Thomas Davies, in Roots (1977), which earned him a Primetime Emmy Award in 1977. The immensely prolific Asner (417 IMDB screen credits!) would receive seven Emmys in total (from 21 nominations), all Primetime, and become the only actor to win in both the comedy and drama category for the same role. That was also the part which made Asner a household name: the gruff, snarky newspaper editor Lou Grant (1977). Grant began as a mainstay on The Mary Tyler Moore Show (1970), a 30-minute sitcom.
When the character was promoted to West Coast editor of The Los Angeles Tribune, Asner went on to star in his own much acclaimed drama series. Despite consistently high ratings, the show was axed after five seasons amid rumours of disharmony between the star and producers, possibly due to the former's outspoken political views. Indeed, Asner has been a controversial figure as an activist and campaigner, engaged in a variety of humanitarian and political issues. A self-proclaimed liberal Democrat, he published a book in 2017, amusingly titled "The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs."
Between 1981 and 1985, Asner served twice as President of the Screen Actors Guild, during which time he was critical of former SAG President Ronald Reagan -- then the president of a greater concern -- for his Central American policy. In 1996, he was inducted into the Television Hall of Fame and in 2002 received the Screen Actors Guild's Life Achievement Award. In addition to appearing on screen and stage, he performed extensive work for radio, video games and animated TV series. He voiced the lead character Carl Fredricksen in Pixar's Oscar-winning production of Up (2009), starred as Santa in Elf (2003), and played Nicholas Drago in The Games Maker (2014). Ed passed away in Los Angeles at the age of 91 on August 29, 2021.- Actor
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David Fitzgerald Doyle was born in Lincoln, Nebraska December 1, 1929. He was the son of Mary Ruth Fitzgerald and Lewis Raymond (Lum) Doyle, a prominent Lincoln attorney. His maternal grandfather was John Fitzgerald, a prominent banker and railroad builder in Nebraska. His paternal grandfather was T. J. Doyle, also an attorney. He was one of three children, including brother John, an attorney, and sister Mary, an actress. He grew up in Lincoln and attended Cathedral grade school. He then went to Campion, a Jesuit prep school in Wisconsin. He made his acting debut at age six and played children's roles in local productions. He was a member of the Community Theater in Lincoln. He was in Life with Father (1947). Doyle entered the University of Nebraska in 1945 and he was expected to become a lawyer, as had four generations of Doyles. But the young Doyle preferred to spend him time in the theater department. A fellow classmate at the University of Nebraska was Johnny Carson. Doyle appeared frequently on his college buddy's late night talk show during the 1960s. Doyle ranked sixth in the state on his law school entrance exams. But the theater still called him and he chose acting over a career in law. He moved to New York after college. He got his break in 1956 when he replaced Walter Matthau in the Broadway production of Will Success Spoil Rock Hunter? (1957). His first wife, Rachel, died after injuries in a freak fall from a stairway in 1968. While doing a revival of "South Pacific" a year later, he met Anne Nathan and they were married. After Broadway, Doyle moved to California and was cast as Walt Fitzgerald in the television series, Bridget Loves Bernie (1972). A string of character roles followed, and Doyle is probably best remembered as the lovable private detective, Bosley, on the Charlie's Angels (1976) series. Doyle couldn't escape the legal profession and portrayed an attorney, Ted Holmes, on the daytime soap opera, General Hospital (1963) during 1986. Doyle is best remembered for his distinctive, raspy voice which earned him the voice role in several animated series and movies. He died of a heart attack in Los Angeles on February 26, 1997 at age 67.- Actor
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Edward Herrmann was born on 21 July 1943 in Washington, District of Columbia, USA. He was an actor, known for Overboard (1987), The Lost Boys (1987) and Nixon (1995). He was married to Star Herrmann and Leigh Curran. He died on 31 December 2014 in New York City, New York, USA.- Producer
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Jerry Springer was born on 13 February 1944 in Highgate, London, England, UK. He was a producer and writer, known for Domino (2005), Austin Powers: The Spy Who Shagged Me (1999) and Ringmaster (1998). He was married to Margaret 'Micki' JoAnn Velten. He died on 27 April 2023 in Evanston, Illinois, USA.- Actor
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John Witherspoon was an African-American actor from Detroit, Michigan known for playing Granddad from The Boondocks and Willie Jones from the Friday trilogy. He also acted in Boomerang, Little Nicky, Soul Plane, Vampire in Brooklyn, Black Jesus and The Fresh Prince of Bel-Air. He passed away in October 29, 2019 due to a heart attack.- Actor
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Kip King was born on 11 August 1937 in Chicago, Illinois, USA. He was an actor and writer, known for Westworld (1973), Meet the Fockers (2004) and A Night at the Roxbury (1998). He was married to Ann Bamford and Hajnalka Elisabeth Biro. He died on 15 July 2010 in Los Angeles, California, USA.- Actor
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Henry Wadsworth was born on 18 June 1903 in Maysville, Kentucky, USA. He was an actor, known for The Thin Man (1934), Applause (1929) and The Show-Off (1934). He died on 5 December 1974 in New York City, New York, USA.- Actor
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Actor
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Harry Bellaver was born on 12 February 1905 in Hillsboro, Illinois, USA. He was an actor, known for From Here to Eternity (1953), Another Thin Man (1939) and Miss Sadie Thompson (1953). He was married to Gertrude Dudley Vaughan Smith. He died on 8 August 1993 in Nyack, New York, USA.- Cyril Thornton was born on 6 August 1905 in New York, USA. He was an actor, known for The Thin Man (1934), The Case of the Black Parrot (1941) and Name the Woman (1934). He died on 8 February 1990 in Lee, Florida, USA.
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Charles Arnt was born on 20 August 1906 in Michigan City, Indiana, USA. He was an actor, known for Sudan (1945), The Great Gildersleeve (1942) and Dangerous Intruder (1945). He died on 6 August 1990 in Orcas Island, Washington, USA.- Actor
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Character player Alan Reed was a strong, gruff, burly presence on '40s and '50s film and TV but he would be best remembered for his equally strong, gruff, distinctive voice on radio and TV. In 1960, he gave vocal life to the bombastic prehistoric cartoon character Fred Flintstone on the prime-time TV series The Flintstones (1960), the character being inspired by the Ralph Cramden husband on the popular earlier sitcom The Honeymooners (1955). It is this direct association that continues to keep his name alive today. Reed himself thought up and introduced the Flintstonian catchphrase "Yabba dabba doo!" (improvised from a script calling for Fred to say "Yahoo!") for his beloved animated character to the delight of children everywhere.
Born Herbert Theodore Bergman on August 20, 1907 in New York City, to Jewish parents of Lithuanian/Ukrainian descent, he received his early education at Washington High School and studied theatre at the American Academy of Dramatic Arts. After majoring in journalism at Columbia University, he decided to pursue to acting at such places as Provincetown Playhouse and toured in vaudeville shows. He supplemented his income operating a candy factory and worked as a social director at a country club.
A master of over 22 foreign dialects, Reed also worked steadily on Broadway with the Theatre Guild. His vocal talents were well suited for radio, becoming a prime announcer for that medium. In addition to billing himself as Teddy Bergman, he sometimes was credited under the moniker Alan Reed for more dramatic parts, eventually settling in on the Reed name. Reed was featured on the best radio shows of the time including "The Shadow," "Crime Doctor," "Abie's Irish Rose," "The Life of Riley," "The Fred Allen Show," "Life with Luigi" (which he later took to TV), and "My Friend Irma."
Once in Hollywood, Reed deserted the Bergman name completely. Sporting a comic Runyonesque appeal, he played in such fare as The Redhead and the Cowboy (1951), Emergency Wedding (1950), and Here Comes the Groom (1951). His more dramatic roles came with The Postman Always Rings Twice (1946) and The Desperate Hours (1955). One of his most unusual parts was his portrayal of Pancho Villa in Viva Zapata! (1952) starring Marlon Brando. He also supplied the voice of "Boris" in Disney's Lady and the Tramp (1955). Featured in many TV shows, the popular prehistoric cartoon and its various offshoots made up most of Reed's later work after The Flintstones (1960) premiered.
Long married to a former Broadway actress, Finette Walker, one of their three children, actor/producer Alan Reed Jr., entered show business as a teenager. Reed started billing himself as Alan Reed, Sr. to avoid any confusion. Working up until his death, Reed died in Los Angeles from heart disease and emphysema at age 69 on June 14, 1977. Reed's incomplete autobiography was extensively used to publish his son's own biographical tribute: Yabba Dabba Doo: The Alan Reed Story.- Actor
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As a nine-year-old boy, Leon Askin recited a 17-stanza eulogy for Emperor Franz Josef in front of the city hall in Vienna's 9th District. Little did the son of a salesman know then that he would one day be the student of Max Reinhardt and Louise Dumont, and discover Jura Soyfer while directing the political cabaret "ABC". Emigration brought him into contact with even more 20th-century luminaries: in 1938 he met Erwin Piscator, the founder of the school of Epic Realism, and worked with him for the next 30 years. On the set of Billy Wilder's One, Two, Three (1961), Wilder once exclaimed, "Here comes my professional!" Askin, who was often cast as the "funny villain", performed alongside Richard Burton, Doris Day and James Cagney. It is not merely exposure to big stars that distinguishes Leon Askin, though. He captured the hearts of critics and audiences with his impressive stage performances of "Faust" and "Shylock" on Broadway, which he also directed, and "Othello" in Hamburg. In addition, Askin made TV history as Gen. Burkhalter in the series Hogan's Heroes (1965).- Actor
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Actor
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Alexander D'Arcy was born on 10 August 1908 in Cairo, Egypt. He was an actor, known for The Awful Truth (1937), Blood of Dracula's Castle (1969) and Horrors of Spider Island (1960). He was married to Arleen Whelan. He died on 20 April 1996 in West Hollywood, California, USA.- Actor
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Harold Huber was born on 5 December 1909 in New York City, New York, USA. He was an actor and producer, known for The Thin Man (1934), Charlie Chan on Broadway (1937) and The Lady and the Mob (1939). He was married to Ethel Silverberg. He died on 29 September 1959 in New York City, New York, USA.- Actor
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Fourteen-year-old Reginald Lawrence Knowles was being readied to take his place with other relatives in the family bookbinding business (in Leeds) when he ran off to become an actor. He was inevitably brought back home, but he made good his second escape a few years later - his willful Knowles Yorkshire origin would not be denied. What stage experience he had amounted to a few seasons in regional theater, but he started in British sound films early (1932), calling himself Patric Knowles. He was the proverbial tall, dark and handsome type and headed for romantic lead roles. He rose slowly rose up the ranks of featured players in an array of 14 British films that included one of director Michael Powell's early successes, The Girl in the Crowd (1934). The last of his British efforts was Crown v. Stevens (1936) which, being a British Warner Bros. production, was scouted for the studio's Hollywood home base. This and a few previous films that year were lead vehicles for Knowles, and for this last he was recommended for a Hollywood contract. His first American effort was the big-screen soap opera Give Me Your Heart (1936) with notable Warner players, in which he played a noble cad. His chance for a more romantic introduction came later in the year with The Charge of the Light Brigade (1936), where he joined an already popular new Angle face, Errol Flynn. Knowles played his younger brother in this well received bit of revisionist historical drama.
Through the remainder of the 1930s Knowles had a few leads with second-tier featured stars, but more often he was second lead as strait-laced but engaging in comedies as well as dramas. There were other films with Flynn, most notably the classic The Adventures of Robin Hood (1938) in which he played Will Scarlett (in bright red jerkin). Knowles was a licensed private pilot and during free time provided some white-knuckle moments for Flynn, whose on-screen derring-do cloaked several phobias including vertigo. Knowles preferred freelancing to the confinement of long contract associations--one means of dodging the pitfall of being typecast. He was at RKO to play - with great verve - the shallow and rich playboy on the ill-fated plane of Five Came Back (1939). At Twentieth Century-Fox he played - very effectively - one of the big brothers of the Morgan family in the classic How Green Was My Valley (1941). Of course, freelancing could also lead to typecasting. Knowles parked himself at Universal in 1943, condemned to play clean-up hero in its formula horror films, such as The Wolf Man (1941) and the less engaging Frankenstein Meets the Wolf Man (1943). He also had to endure straight man duty to the insipid antics of Bud Abbott and Lou Costello, among other indignities suffered as a utility player at Universal.
He continued through the 1940s to 1951 with a mix of capable first and second lead roles with other studios, but that somewhat bored and deepening grimness on his face perhaps reflected frustration with typecast characters, as well as the realization that big fame would never come his way. He continued to be game, though, and fairly leaped at the new live playhouse theater phenomenon of early television. Along with one or two movies a year, he worked in this pioneering small screen theater starting in 1951. He also embraced episodic TV and made the rounds of the popular western and private eye shows of the period. Big- and small-screen work gradually tapered off for him through the 1960s. In the late part of the decade he was playing dignified military officers, such as Lord Mountbatten in the hit The Devil's Brigade (1968). He spent time doing college lecturing, commercials, and wrote a novel called "Even Steven." Retiring to the north end of the San Fernando Valley in Woodland Hills, Knowles was close to the Motion Picture Country Home in Calabasas, where he spent much time volunteering to help with the various functions provided for the many elderly show business people, many of whom had not been as fortunate as Knowles to have graced nearly 125 film efforts.- Actor
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Max Smith was born on 23 January 1913 in Des Moines, Iowa, USA. He was an actor, known for One Hundred and One Dalmatians (1961), Puddin' Head (1941) and Jingle Belles (1941). He was married to Helen Leyser. He died on 23 July 1999 in San Luis Obispo, California, USA.- Actor
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Christmas trained at the Royal Academy of Dramatic Art, gained experience in English repertory theatre in 1936, and had a principal role in the London production of Noël Coward's "Bitter Sweet" in the 1930s. During the Second World War, he was a member of Royal Air Force production units and performed in the RAF's Gang Show. After moving to Canada in 1948, he started a long association with television comedians Johnny Wayne and Frank Shuster, playing the character Madam Hooperdink. His own show "Christmas is Coming" toured Canada in the 1950s. He was artistic director at the Ottawa Repertory Company in 1954 and ran the Peterborough Summer Theatre that year. He began a long association with Canada's Stratford Festival in 1957, performing in 12 seasons and 21 Shakespearean productions until 1970. It was Christmas and a group of veteran actors like William Hutt, Tony Van Bridge, Jean Gascon, Douglas Rain, Amelia Hall, and Mervyn Blake (among others) who helped define Stratford in its early years. His final appearance at Stratford was 1987, when he played Dogberry in "Much Ado About Nothing." Christmas also had associations over the years with the Canadian Players, San Diego's Globe Theatre, and the drama department at the University of California at San Diego. He and his first wife had two children (Robin and Stephen) two children with his second wife, six grandchildren.- The talented scion of a show-business family, Keenan Wynn's father was the great burlesque and television buffoon Ed Wynn while his maternal grandfather, Frank Keenan, earned distinction on the other side of the entertainment ladder as a Shakespearean tragedian. Mother Hilda Keenan was also a minor actress. Born in New York City on July 27, 1916, during the height of his father's Broadway popularity, Keenan grew up in the lap of luxury and was educated at St. John's Military Academy. He initially followed in his grandfather's dramatic footsteps as opposed to his father's clown shoes, making his professional bow in Maine with the Lakewood Players in a production of "Accent of Youth". By 1937, he was on Broadway with "Hitch Your Wagon" in two small roles. During the run of the show, he met first wife, actress Evie Wynn Johnson, who became his coach, manager and advisor. At the same time, he began to get steady radio work.
Through the aid and encouragement of his wife and her contacts, he eventually wrangled screen tests for both 20th Century-Fox and MGM. Turned down by the first studio, he signed with Metro-Goldwyn-Mayer at a rather low pay scale of $300 a week. At MGM, Keenan became the utilitarian character player, adept at playing almost anything handed to him. Balding, homely but with real distinctive, imposing features, he made his unbilled debut in Somewhere I'll Find You (1942), and went on to play a grab-bag of shady brutes, usually in comic relief style. He was Gene Kelly's agent in For Me and My Gal (1942), a gangster in Lost Angel (1943), a soldier buddy to Robert Walker in See Here, Private Hargrove (1944) and its sequel; a drunk in a diner in The Clock (1945); Lucille Ball's tipsy beau in the Katharine Hepburn / Spencer Tracy vehicle Without Love (1945); and a news editor paired up with Ms. Ball again in Easy to Wed (1946). Moreover, he was given "B" co-star assignments in lesser material such as The Thrill of Brazil (1946), No Leave, No Love (1946) and The Cockeyed Miracle (1946).
Two sons were born to Keenan and Eve during the war years but he and Eve soon drifted apart. In 1946, the couple filed divorce papers with a third-party involvement in the form of family close friend and MGM star Van Johnson. Eve went on to marry Johnson the day after the couple's divorce was decreed in 1947. Keenan's second marriage in 1949 to Betty Jane Butler lasted only four years.
He resigned with Metro-Goldwyn-Mayer in the postwar years and ventured on as one of Hollywood's strongest character players. The drawback was that not many of his roles were high-quality challenges, roles that might have moved him toward the top of the MGM hierarchy. The more scene-stealing roles that came to him were his disagreeable, self-important burlesque star in the Clark Gable starrer The Hucksters (1947); his jazz reedman in Song of the Thin Man (1947); and the songwriter friend to Kirk Douglas in My Dear Secretary (1948). He was also given his quota of vulgar, blunt-talking villains to play, both comically and dramatically, in such films as Love That Brute (1950), Kind Lady (1951) and, in particular, his Runyonesque gangster in the musical classic Kiss Me Kate (1953). Partnered with co-hort James Whitmore, their rendering of "Brush Up Your Shakespeare" was one of many comedy highlights. He also doled out a number of brash soldier types in such films as Fearless Fagan (1952), Battle Circus (1953), Code Two (1953) and Men of the Fighting Lady (1954).
After leaving Metro-Goldwyn-Mayer in 1954, he set his sights on television, but the lure of films (and steady work) never stopped. In The Great Man (1956), Keenan finally appeared with father Ed Wynn, who had suffered a major career slide and subsequent nervous breakdown. Keenan, who at one time had gone to great lengths to extricate himself from his father's famous shadow, was now an instrument of encouragement. He suggested the elder Wynn abandon his old-styled clowning in favor of a serious character acting. His father agreed to try and appeared in a small role in the film but they had no scenes together. The risk worked. The following year both were being hailed for their superlative work together in the dramatic television production Requiem for a Heavyweight (1956).
Disney employed both father and son in the 1960s with a mustachioed Keenan as an exceptionally hissable villain in the studio's comedy feature The Absent Minded Professor (1961) and its sequel, Son of Flubber (1962). His hammy antics were spurred on in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The Great Race (1965), Viva Max (1969) and Pretty Maids All in a Row (1971), along with standard, if not always stand-out, television work. His annoying, fast-talking conmen, scheming tycoons and other unappetizing cronies never lost their demand. In 1975, he earned an Emmy Award nomination for his guest-starring role on Police Woman (1974).
Though his later years were marred by a severe case of tinnitus (a ringing in the ear that blocks out exterior sound), he was able to continue acting until the very end. One of his last roles was as a regular on the short-lived television series The Last Precinct (1986). Sons Ned Wynn ("Edmund") and Tracy Keenan Wynn became successful writers in the business. On October 14, 1986, Keenan Wynn died of pancreatic cancer at age 70 and was survived by third wife Sharley Jean Hudson, who had three daughters by him: Hilda, Emily and Edwina. His granddaughter Jessica Keenan Wynn (Edwina's daughter) is also a Broadway singer and actress. - Actor
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Bill Lee was born on 21 August 1916 in Johnson, Nebraska, USA. He was an actor, known for One Hundred and One Dalmatians (1961), Give a Girl a Break (1953) and Snow White and the Three Stooges (1961). He died on 15 November 1980 in Los Angeles, California, USA.- Tony Award-winning English actor Michael Gough, best known for playing the butler Alfred Pennyworth in the first four Batman (1989, 1992, 1995 & 1997) movies and for playing the arch-criminal Dr. Clement Armstrong in The Avengers (1961) episode "The Cybernauts", was an accomplished performer on both stage and screen. He was nominated twice for Tony Awards, in 1979 for Best Featured Actor in a Play for Alan Ayckbourn's "Bedroom Farce" and in 1988 in the same category for Hugh Whitemore's "Breaking the Code", winning in 1979. Though he never achieved on the small screen and silver screen what he did in the theater, Gough's career in television and movies spanned sixty-plus years over eight decades. Michael Gough died at age 94 on March 17, 2011 at his home near Salisbury, Wiltshire, England.
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A genial, well-respected, all-around "nice guy", the breezily handsome Barry Nelson was born Haakon Robert Nielsen on April 16, 1917, in San Francisco, California, to Betsy (Christophersen) and Trygve "Ted" Nielsen, both Norwegian immigrants. He was raised in nearby Oakland and graduated from the University of California at Berkeley in 1941. A talent scout from MGM caught Barry in a college production of "Macbeth" and quickly sized up his potential. Cast in earnest secondary roles including Shadow of the Thin Man (1941) and Dr. Kildare's Victory (1942), he was assigned the lead in the war film A Yank on the Burma Road (1942). Serving in WWII, he appeared in the Moss Hart play "Winged Victory", in what would become his Broadway debut, in 1943 and a year later he appeared as "Corporal Barry Nelson" in the 1944 film version of the play. Barry lost major ground in films during the post-war years, but certainly made up for it on the live stage by appearing in a string of New York successes ranging from "The Rat Race" to "The Moon Is Blue."
On TV, in addition to becoming a trivia statistic in the Hollywood annals as being the first to give video life to Ian Fleming's "007" agent James ("Jimmy") Bond in a one-hour production of "Casino Royale" in Climax! (1954), Barry lit up the small screen in such dramatic programs as Alfred Hitchcock Presents (1955) and, in particular, a memorable episode of The Twilight Zone (1959). He also starred in the series The Hunter (1952), a Cold War adventure, and My Favorite Husband (1953), in which he played the level-headed mate and "straight man" to daffy blonde Joan Caulfield. In the 1960s he continued to demonstrate his acting muscle on stage and TV, although he did manage to preserve on film his starring role in Mary, Mary (1963), a huge Broadway hit with Debbie Reynolds co-starring in place of stage partner Barbara Bel Geddes. The lightweight play "Cactus Flower" with Lauren Bacall was another bright vehicle, but star Walter Matthau's clout cost Barry the part when it went to film. Through it all Barry remained a thoroughly solid professional, particularly in the realm of TV-movies. Such standouts include his neighbor/undercover agent to criminals-on-the-run Don Murray and Inger Stevens in The Borgia Stick (1967) and his blind plane crash survivor in Seven in Darkness (1969).
The 1970s proved a very good decade indeed for Barry theater-wise with "Seascape," "The Norman Conquests" and Liza Minnelli's "The Act" among his pleasures, the last-mentioned earning him a Tony nomination. Despite co-starring roles in the blockbuster hit Airport (1970) and comedy Pete 'n' Tillie (1972), the silver screen would not become his strong suit in later years. By the early 1990s he had fully retired.
A popular, clean-cut, down-to-earth "Average Joe" with a charmingly sly side, you just couldn't help but like Barry Nelson. Although he certainly could play the deceptive villain when called upon, he was usually the kind of guy you'd root for having as a neighbor, pal or business partner. Divorced from actress Teresa Celli for quite some time and completely retired now, he and second wife Nansilee (they married in 1992) traveled extensively and enjoyed antique shopping in particular. In 2007, during one of their many excursions, Barry passed away quietly at age 89 at a hotel in Bucks County, Pennesylvania.- Howard Culver's first radio shows were for CBS when he was in High School; worked most Hollywood-based radio shows, and many in San Francisco, including starring role as "Straight Arrow", and co-star with Mercedes McCambridge in "Defense Attorney". TV credits are many, including the entire 20 years of "Gunsmoke", a part of Jack Webb's stable, and one of Irwin Allen's regulars. He died in 1984 in Hong Kong after a vacation in China.
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Dal McKennon was born on 19 July 1919 in La Grande, Oregon, USA. He was an actor, known for Lady and the Tramp (1955), Bedknobs and Broomsticks (1971) and Gumby: The Movie (1995). He was married to Betty Warner. He died on 14 July 2009 in Raymond, Washington, USA.- Bruce Cowling was born on 30 October 1919 in Coweta, Oklahoma, USA. He was an actor, known for Song of the Thin Man (1947), Cause for Alarm! (1951) and Battleground (1949). He died on 22 August 1986 in Los Angeles, California, USA.
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Alan Young was born in Northern England in 1919, but his Scots father moved the family to Edinburgh, Scotland, when Young was a toddler and then to Canada when Young was about 6 years old. As a boy, he suffered from severe asthma, which kept him bedridden for long periods of time but encouraged his love of radio. By age 13, Young had become a radio performer, and by age 17, he was writing and performing in his own radio show for the Canadian Broadcasting Corporation. The show was broadcast in the U.S. and led to an invitation to New York, initiating Young's career as an "All-American boy," despite his non-American origins and a vestigial Scots accent. He became popular on American radio from 1944 to 1949 with his "Alan Young Radio Show," but when radio began to lose its popularity and his show was canceled, Young decided to put together a comedy act and tour the U.S. theater circuit. After this experience, he wrote a television pilot for CBS in 1950, which resulted in The Alan Young Show (1950). The show was a well-received live revue that ran for 3 years, earned a couple of Emmy Awards, and garnered Young a star on the "Walk of Fame." However, the strain of writing and performing a weekly show got to Young, and the quality of the show declined, leading to his departure from the show and its cancellation. In the meantime, based on his popularity on radio and television, Young had established a film career, starting with his debut in Margie (1946) followed by Chicken Every Sunday (1949), Mr. Belvedere Goes to College (1949), Aaron Slick from Punkin Crick (1952), Androcles and the Lion (1952), Gentlemen Marry Brunettes (1955), Tom Thumb (1958), and The Time Machine (1960).
In the early 1960s, Young landed his best-known role, Wilbur Post, in the popular television series Mister Ed (1961), which ran for 5 years. Since then, Young has made a number of television and film appearances but is known primarily for his voice characterizations in cartoons, especially as Scrooge McDuck in DuckTales (1987).- Actor
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Charles Smith was born on 13 September 1920 in Flint, Michigan, USA. He was an actor and writer, known for The Shop Around the Corner (1940), Everglades! (1961) and Target (1958). He died on 26 December 1988 in Burbank, California, USA.- Director
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Born in Freeport, Pennsylvania, Don Taylor studied law, then speech and drama at Penn State University, where as a freshman he began taking part in college stage productions. Hitchhiking to Hollywood in 1942, the youthful Taylor screen-tested at Warner Brothers but was rejected because of his draft status. MGM, not as fussy, signed him to a contract and immediately put him to work, assigning him the minuscule role of a soldier in director Clarence Brown's sentimental slice of Americana, The Human Comedy (1943). More minor roles followed before Taylor enlisted in the Army; but even there he continued to act: Playwright/screenwriter Moss Hart chose him to play one of the leads in the United States Army Air Forces' production of Hart's play, "Winged Victory." Taylor met his first wife, actress Phyllis Avery, when she was also in Winged Victory. Returning to civilian life, Taylor resumed his work in pictures with a top role in the trend-setting crime drama The Naked City (1948). In later years Taylor became a film and TV director, being nominated for an Emmy for his direction of an episode of The Farmer's Daughter. Taylor met his second wife Hazel Court when he directed her in a 1958 episode of Alfred Hitchcock Presents (1955).- Actor
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Son of character actor Robert Keith and stage actress Helena Shipman. He grew up on the road with his parents while they toured in plays. First appeared at age 3 in film Pied Piper Malone (1924) with his father. Began acting in radio programs and on stage before World War II. Joined the Marines and served as a machine gunner. Returned to Broadway stage after the war and branched out into television and film. Worked as an extra in several films before achieving speaking roles and subsequent stardom.- Actor
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As a kid in the 1930s growing up in a tough New York neighborhood, kinetic wiseguy Larry Storch took in the multi-ethnic flavor of his surroundings and started blurting out various accents as a juvenile to provoke laughs and earn attention. Little did he know that this early talent would take him on a six-decade journey as a prime actor and comedian.
The 5'8" actor was born on January 8, 1923, in New York City, the son of a realtor and telephone operator. Although he attended DeWitt Clinton High School in the Bronx, he never graduated, earning money as a stand-up comic. Larry's gift as an impressionist paid off early during those teen years in vaudeville houses. Following military duty during WWII as a seaman (1942-1946), a happenstance meeting with comedian Phil Harris in Palm Springs led to an opening act gig at Ciro's for Lucille Ball's and Desi Arnaz' show.
Larry received his biggest break on radio with "The Kraft Music Hall" when he was asked to sub for an ailing Frank Morgan. He not only delivered his patented star impersonations, he did a devastating one of Morgan himself that went over famously.
Moving to the small screen, a summer hosting replacement on the TV variety show Cavalcade of Stars (1949) was followed by Larry's own variety series, The Larry Storch Show (1953). In musical revues from the early 1950s with such showcases as "Red, Hot and Blue" and "Curtain Going Up," he also became a fixture on the nightclub circuit. He made a leap into legit acting with the musical "You Never Know" (1955) and comedies "The Tender Trap" (1956) and "Who Was that Lady I Saw You With?" (1958), in which he played a hyper Russian spy.
A long-lasting friendship with Tony Curtis that formulated during his Navy days paid off in spades. Curtis started finding work for his buddy in his films, beginning with an unbilled bit in the Universal costumer The Prince Who Was a Thief (1951). When Larry's career was going through a noticeable lull in the early 1960s, Curtis again came to the rescue by giving him top supporting roles in some of his prime cinematic fluff--Who Was That Lady? (1960) (in which he recreated his stage role), 40 Pounds of Trouble (1962), Sex and the Single Girl (1964) and Wild and Wonderful (1964).
TV audiences soon started seeing his manic-looking mug regularly on episodic TV, including The Phil Silvers Show (1955) and Car 54, Where Are You? (1961). Larry's biggest claim to fame would come via his Emmy-nominated role as Forrest Tucker's loyal but not particularly bright sidekick Cpl. Randolph Agarn in the western comedy F Troop (1965).
While continuing to make an "impression" in nightclubs, Larry found a lucrative outlet in animation, too, giving vocal life to four decades' worth of cartoons, including the series Tennessee Tuxedo and His Tales (1963), Underdog (1964), The Pink Panther Show (1969) and Scooby Doo, Where Are You! (1969). He also provided the voice of Koko the Clown in the syndicated cartoon show Out of the Inkwell (1961).
Beginning in the 1980s Storch made a comic resurgence of sorts under the theater lights with a healthy run opposite Jean Stapleton and Marion Ross in "Arsenic and Old Lace" from 1986-1988, and in the musicals "Oklahoma!" (1990) and "Annie Get Your Gun" (2000), the latter as Chief Sitting Bull. He also appeared with his friend Curtis again, this time in a musical stage version of Curtis' classic film Some Like It Hot (1959).
Larry went on to appear in typical oddball form in such films as Airport 1975 (1974), The Happy Hooker Goes to Washington (1977), Record City (1977), Without Warning (1980) (as a scoutmaster), S.O.B. (1981) (as a guru), Fake-Out (1982), Sweet Sixteen (1983), A Fine Mess (1986), The Perils of P.K. (1986), The Silence of the Hams (1994), Funny Valentine (2005) and Bittersweet Place (2005). TV guest appearances included "The Fall Guy," "Knight Rider," "Out of This World," "Married ... with Children," "Days of Our Lives," and his last, a 2010 appearance on "Medium Rare."
He was married to actress Norma Storch from 1961 until her death from cancer in 2003.- Actor
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A 1941 graduate of Mary D. Bradford High School in Kenosha, where he served on the student council and participated in forensics under dramatic coach John Davies, he took second place in the National Forensics League national contest in Lexington, Kentucky in dramatic declaration and oratorical declamation. (The Kenosha team won the meet that year over 800-plus contestants.) By 1948, he was working in radio and joined television in its infancy, becoming the commercial announcer for "I Love Lucy" in 1951. He was married for sixty years.- Actor
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Harold Gould earned a Ph.D. in theater and taught speech and drama at Cornell University.
Pursuing off-Broadway work in the 1950s, he decided to practice what he preached and became a full-time professional actor in the 1960s.
He appeared in hundreds of TV programs during his distinguished performing career, usually playing a father, grandfather, or other varieties of authority figures.- Actor
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Dennis Weaver first became familiar to television audiences as Matt Dillon's assistant Chester Goode in Gunsmoke (1955). After playing the part for nine years, he moved on to star in his own series, Kentucky Jones (1964). However, the show failed to find mass appeal and was cancelled after just one season. Weaver had to wait another five years before finally emerging as a TV star in his own right. Beginning in 1971, he portrayed the titular Marshal Sam McCloud, a lawman from Taos, New Mexico, working in New York to learn the ways of policing in Manhattan's 27th Precinct under the auspices of a frequently apoplectic Chief of Detectives, Peter Clifford (J.D. Cannon). Accented in a slow Texan drawl (his regular catchphrase was "There you go..") and decked out with cowboy hat, lasso and sheepskin jacket, McCloud went about his tasks pretty much the same way he would have done out in the West -- often to the chagrin of his boss, nevertheless always apprehending the villain in the end (sometimes on horseback). His fractious relationship with Clifford provided much of the enjoyment inherent in the show. Weaver later recalled "McCloud was the kind of role I left Gunsmoke to get... I wanted to be a leading man instead of a second banana." Between 1971 and 1977, McCloud (1970) (based in part on the Clint Eastwood film Coogan's Bluff (1968)) was part of Universal's "Mystery Movie" which filled a slot at NBC with films lasting from 74 to 97 minutes (longer than your average TV episode) and which rotated several productions, the most important being Columbo (1971) (Peter Falk), Banacek (1972) (George Peppard), McMillan & Wife (1971) (Rock Hudson) and Hec Ramsey (1972) (Richard Boone).
Weaver hailed from Joplin, Missouri, where his father (who was of mixed English, Irish, Scottish, Cherokee, and Osage ancestry) worked for the local electric company. Young Dennis proved himself a gifted track and field athlete while studying for a degree in fine arts at the University of Oklahoma. During World War II, he served as a fighter pilot in the U.S. Navy. After the war, Weaver forsook sports for a career on the stage, undertaking further drama classes at the Actor's Studio in New York. One of his fellow alumni was actress Shelley Winters who later helped him to get into films. Following his Broadway debut in "Come Back, Little Sheba", Weaver found work in plays by Tennessee Williams off-Broadway and then made his movie debut at Universal in the western Horizons West (1952). He made several more pictures, mostly westerns, but was largely cast in minor roles. He languished in relative obscurity until he landed several guest spots on Jack Webb's Dragnet (1951). His career really took off with McCloud and with the Steven Spielberg-directed Duel (1971), a thriller made for the small screen (essentially a one-man show) in which a lone driver is menaced by a sinister petrol tanker driven by an unseen force. He later found other regular television work (Stone (1979), Emerald Point N.A.S. (1983) and Buck James (1987)), but none of these managed to recapture his earlier successes. In Lonesome Dove: The Series (1994), he was true to his colors, playing western hero Buffalo Bill Cody, a.k.a. Buffalo Bill.
Weaver served as President of the Screen Actors Guild from 1973 to 1975. He was in the forefront of environmental activism, a proponent of alternative energy and recycling (his Colorado home, called "Earthship", was primarily constructed from recycled tires and aluminium cans).- Actor
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Don Messick is a legendary voice actor who spent his entire adult-hood in entertainment. He started out wanting to be a ventriloquist. Thankfully for cartoon lovers that career didn't pan out. How do you think his potential career would've stacked up against Edgar Bergen and later, Paul Winchell? No matter, Messick made his way to the hallowed halls of MGM in the early '50s on the recommendation of another voice actor, Daws Butler. At the time, MGM/Tex Avery were doing the theatrical "Droopy" cartoons. Bill Thompson, known for his hilarious voices on the radio show 'Fibber McGee and Molly', borrowed his Wallace Wimple voice and applied it to Droopy. Whenever Thompson couldn't make it to a session, MGM would ask Daws Butler to fill-in. Daws had been working for MGM since the mid '40s. Later, Daws apparently grew tired of the role and suggested Don Messick be Bill Thompson's fill-in. Butler, it's been said, literally squeezed his cheeks together to try and get that sound for Droopy while Messick simply thickened his tongue and loosened his jaws. Messick made the rounds and did every voice-over role large and small in this era. In 1957 Hanna-Barbera started their own company after departing from MGM...Daws Butler and Don Messick were the two voice actors the animation titans employed during the early days. Don was always heard as the "second banana" character or a walk-on. At various times he was the villain. His voice was heard as the 'narrator' on all of the early Hanna-Barbera cartoons. On "Ruff and Reddy", the duo's first made-for-TV cartoon series, Don was heard as "Ruff" the cat and as the Droopy-sounding "Professor Gizmo". Messick was also the narrator who interracted with the duo and got caught up in the action much like a soap opera announcer on radio. Daws was "Reddy", the dog, among other nameless characters in the show. In this 1957-1966 time span, Don Messick was cast as Daws Butler's voice partner and as the cartoon narrator. "Boo-Boo" was the little friend of "Yogi Bear" who lived in Jellystone Park. Yogi stole "pic-a-nic" baskets while Boo-Boo always tried, unsuccessfully, to steer Yogi to a more safer life always reminding him "the Ranger isn't going to like it, Yogi". The Ranger in question was "Ranger Smith", the park ranger who always chased and stopped Yogi's latest schemes. Messick gave voice to the Ranger. Daws was Yogi. In other programs, Messick was heard as "Pixie Mouse" to Daws Butler's "Dixie Mouse" and "Mr. Jinx". On "Snagglepuss", Messick was always heard as the villain, mostly the befuddled "Major Minor". Daws was Snagglepuss. In Huckleberry Hound, Daws was the star character while Messick usually did the narration as well as played a villain. Messick would later provide the voices of "Astro" and "RUDI" on the Jetsons. As a versatile voice actor, Messick performed a dozen wacky space aliens on the space cartoons of the mid '60s. The gibberish of "Gloop" and "Gleep" on the Herculoids cartoon was Messick. "Blip", "Igoo", "Zorak", "Tundra", and "Zoc" are just a few of the characters that Messick groaned or grunted for in the outer space cartoons...his most famous non-verbal voice is the snickering dog, "Muttley"...later called "Mumbley". "Richochet Rabbit", "Vapor Man", "Falcon 7", "Dr. Benton Quest", and "Multi-Man" are other voices from Messick in that era. In 1969 he provided the voice for his most famous role, "Scooby-Doo". Throughout the '70s and beyond, Messick gave voice to this cowardly great dane. In 1980 he became the voice of nephew, "Scrappy-Doo", while in later versions Daws Butler was on hand as "Scooby-Dum". On the 1977 Laff-a-Lympics cartoon, Messick not only announced the show but he performed some of the characters too. "Papa Smurf" became Messick's biggest original character in the '80s but he remained busy providing voices for his older characters in new Hanna-Barbera productions. Daws Butler and Mel Blanc were also living off their famed characters by reprising the voices in numerous made-for-TV cartoon movies and Saturday morning TV in the late '70s on into the next decade. Messick remained a much-used voice actor and in 1988 ABC announced "A Pup Named Scooby-Doo". Messick was back in the role and voiced the character until it's demise in 1990. His friend and voice partner, Daws Butler, passed away in 1988. In 1989 Mel Blanc passed away leaving Don Messick, June Foray, Stan Freberg, and Paul Winchell as the remaining link to the classic era. In 1989 The Smurfs went out of production. On the new Tiny Toon Adventures, Messick was heard as "Hamton Pig", a role he remained with until his mysterious retirement in 1996 at the age of 69 which was later revealed to be a result of a stroke. Don Messick died in 1997, closing a chapter in animation history in the process.- Actor
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Bob Holt started his career in front of the cameras with a film role in 1950, playing Octavius Caesar in Julius Caesar followed by another role in 1959 in The Great St. Louis Bank Robbery. He moved on to primarily voice acting in 1968 providing all of the voices for a film short called Johnny Learns His Manners. Throughout the 1960's, 1970's, and 1980's, Bob provided voices for main and supporting characters in numerous animated television series and films including many based on the works of Dr. Seuss. Arguably the most enchanting work of this period was his providing the main voice in 1976 of Avatar in Ralph Bakshi's film Wizards and in the 1984 Joe Dante film Gremlins where Bob provided the voices of Mogwai and other various Gremlins. Bob past away from a heart attack on August 2, 1985. His last full performance, not including samples taken from previous projects, was as the voice of Rodney in The Adventures of the American Rabbit which was released in 1986 after his passing.- Claude De Martino was born on 24 February 1929 in Montreal, Canada. He was an actor, known for The Sentinel (1996), The X-Files (1993) and Viper (1994). He died on 30 June 2005 in Salt Spring Island, British Columbia, Canada.
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Jack Angel was born on 24 October 1930 in Modesto, California, USA. He was an actor and producer, known for A.I. Artificial Intelligence (2001), Balto (1995) and The Iron Giant (1999). He was married to Arlene Thornton and Barbara Champion. He died on 18 October 2021 in Malibu, California, USA.- Actor
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Born in Decatur, Alabama and christened Dean Carroll Jones, the actor's father worked for a railroad company and the family moved often, living in Washington, DC, Nashville, and New Orleans. "It was in New Orleans I really learned how to sing", Jones told the Pittsburgh Press in 1969. Dropping out of school at 15, he worked for a short time singing in a club in that city, but when the club closed, he returned to Decatur and got his degree but Jones had gotten the show business bug.
After serving in the U.S. Navy during the Korean War, Jones got a job acting in a melodrama at Knott's Berry Farm. He was spotted by veteran composer Vernon Duke, who was planning a musical. The musical project fell through, but Duke enabled Jones an audition with Arthur Freed, the famous producer of MGM feature film musicals such as "Singin' In the Rain". It did not go as planned. "He's an actor, not singer!", Freed exclaimed as related by Jones in a 1966 L.A. Times interview.
Still, the studio signed Jones, and in his first credited role, he found himself acting opposite James Cagney in the 1956 drama "These Wilder Years." The veteran actor helped him through their scene. "There I was, just out of the U.S. Navy without an acting lesson to my name," Jones told the Christianity Today. "In walks Cagney and says, 'Walk to your mark and remember your lines.' That's all I've been doing for 50 years."
Jones had mostly small roles of a far grittier nature than his later Disney fare. "I played drug addicts, pimps, hard-cased killers, ex-cons and angry young men," he told The Times in 1995. And he reveled in the movie life. In a 2007 interview with the Pantagraph newspaper in Bloomington, Illinois, he recalled being on the MGM Culver City studio back-lot, with "Liz Taylor yelling, 'Hey Dean-O, let's go down to Stage 22 and watch Bing and Frank sing!'" Jones would appear with Elvis Presley in 1957 in "Jailhouse Rock".
He made his debut on Broadway in 1960 opposite Jane Fonda in "There Was a Little Girl", which flopped. Jones went on to the more successful "Under the Yum-Yum Tree" later that same year. He appeared in the title role of the Disney television series "Ensign O'Toole", a military comedy, which debuted in 1962 on NBC on Sunday evenings. The show was followed by Disney's anthology television show, so Disney caught the end of some episodes of Jones series, and liked what he saw.
Beginning in 1965 with "That Darn Cat!", Jones became closely identified with Disney family fare. In addition to the "Love Bug" and "The Ugly Dachshund", he was the leading man in "Monkeys, Go Home", "The Horse in the Gray Flannel Suit", "The Million Dollar Duck", "The Shaggy D.A.", "Herbie Goes to Monte Carlo", and other Disney feature films.
But in the late 1960s and early 1970s, he was leading an off-screen life contrary to his wholesome image. He had numerous affairs and was drinking heavily. "I had thought if I became a star I'd be happy," he said in a 1976 L.A. Times interview. "I had thought if I had a fairly large amount of money I'd be happy. I thought if I had a house on a hill I'd be happy. I thought if I had a Ferrari I'd be happy. One goal after another was accomplished. And with no fulfillment." Jones was able to keep his torment largely separated from his work life. Even the head of the studio was fooled. "I remember having lunch with Walt one day, and he told me, 'Dean, you're a perfect fit for these pictures. You're such a good family man!'" Jones told the Pantagraph. "I wasn't a good family man", Jones acknowledged. "I was showing up at home smelling of perfume that wasn't my wife's".
Jones' first marriage to Mae Inez Entwisle ended in divorce in 1970. They had two daughters. He was married to actress Lory Patrick from 1973 until his death in 2015. Lory had a son, Michael Patrick, whom Jones adopted.- Actor
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Gary Owens was an American voice actor, radio announcer and narrator who was known for being the original voice actor of Hanna-Barbera's Space Ghost, Powdered Toast Man from The Ren & Stimpy Show and Blue Falcon from Dynomutt, Dog Wonder. George Lowe became Owens' successor as the voice of Space Ghost since 1994. He passed away from diabetes complications in February 2015.- Music Artist
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Elvis Aaron Presley was born on January 8, 1935 in East Tupelo, Mississippi, to Gladys Presley (née Gladys Love Smith) and Vernon Presley (Vernon Elvis Presley). He had a twin brother who was stillborn. In 1948, Elvis and his parents moved to Memphis, Tennessee where he attended Humes High School. In 1953, he attended the senior prom with the current girl he was courting, Regis Wilson. After graduating from high school in Memphis, Elvis took odd jobs working as a movie theater usher and a truck driver for Crown Electric Company. He began singing locally as "The Hillbilly Cat", then signed with a local recording company, and then with RCA in 1955.
Elvis did much to establish early rock and roll music. He began his career as a performer of rockabilly, an up-tempo fusion of country music and rhythm and blues, with a strong backbeat. His novel versions of existing songs, mixing 'black' and 'white' sounds, made him popular - and controversial - as did his uninhibited stage and television performances. He recorded songs in the rock and roll genre, with tracks like "Jailhouse Rock" and "Hound Dog" later embodying the style. Presley had a versatile voice and had unusually wide success encompassing other genres, including gospel, blues, ballads and pop music. Teenage girls became hysterical over his blatantly sexual gyrations, particularly the one that got him nicknamed "Elvis the Pelvis" (television cameras were not permitted to film below his waist).
In 1956, following his six television appearances on The Dorsey Brothers' "Stage Show", Elvis was cast in his first acting role, in a supporting part in Love Me Tender (1956), the first of 33 movies he starred in.
In 1958, Elvis was drafted into the military, and relocated to Bad Nauheim, Germany. There he met 14-year old army damsel Priscilla Ann Wagner (Priscilla Presley), whom he would eventually marry after an eight-year courtship, and by whom he had his only child, Lisa Marie Presley. Elvis' military service and the "British Invasion" of the 1960s reduced his concerts, though not his movie/recording income.
Through the 1960s, Elvis settled in Hollywood, where he starred in the majority of his thirty-three movies, mainly musicals, acting alongside some of the most well known actors in Hollywood. Critics panned most of his films, but they did very well at the box office, earning upwards of $150 million total. His last fiction film, Change of Habit (1969), deals with several social issues; romance within the clergy, an autistic child, almost unheard of in 1969, rape, and mob violence. It has recently received critical acclaim.
Elvis made a comeback in the 1970s with live concert appearances starting in early 1970 in Las Vegas with over 57 sold-out shows. He toured throughout the United States, appearing on-stage in over 500 live appearances, many of them sold out shows. His marriage ended in divorce, and the stress of constantly traveling as well as his increasing weight gain and dependence upon stimulants and depressants took their toll.
Elvis Presley died at age 42 on August 16, 1977 at his mansion in Graceland, near Memphis, shocking his fans worldwide. At the time of his death, he had sold more than 600 million singles and albums. Since his death, Graceland has become a shrine for millions of followers worldwide. Elvis impersonators and purported sightings have become stock subjects for humorists. To date, Elvis Presley is the only performer to have been inducted into three separate music 'Halls of Fame'. Throughout his career, he set records for concert attendance, television ratings and recordings sales, and remains one of the best-selling and most influential artists in the history of popular music.- Actor
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Lennie Weinrib was born on 29 April 1935 in The Bronx, New York, USA. He was an actor and writer, known for Bedknobs and Broomsticks (1971), H.R. Pufnstuf (1969) and Shogun Assassin (1980). He was married to Sonia Iris Dagach. He died on 28 June 2006 in Santiago, Chile.- Actor
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Dean Robert Stockwell grew up in North Hollywood, the son of Broadway performers Harry Stockwell and Elizabeth "Betty" Stockwell (née Veronica). His vaudevillian father was a replacement Curly in the original production of "Oklahoma!". He was also a decent tenor whose voice was used for the part of Prince Charming in Disney's Snow White and the Seven Dwarfs (1937). Dean's mother was a one-time Broadway chorine who used the stage moniker "Betty Veronica." His older brother was the actor Guy Stockwell.
At the age of seven, Dean made his stage debut in a Theater Guild production of Paul Osborn's The Innocent Voyage, in which his brother was also cast. The play ran for nine month. Dean was eventually spotted by a talent scout, and, on the strength of his performance, was signed by MGM in 1945. Under contract until 1947 (and again from 1949 to 1950), Stockwell became a highly sought-after child star in films like Anchors Aweigh (1945), with Gene Kelly and Frank Sinatra, The Green Years (1946) and Song of the Thin Man (1947). His impish, dimpled looks and tousled brown hair combined with genuine acting talent kept him on the box office front line for more than a decade. Having won a Golden Globe Award as Best Juvenile Actor for Gentleman's Agreement (1947) (on loan-out to 20th Century Fox), Stockwell went on to play the title role in an adaptation of Rudyard Kipling's Kim (1950). He came to admire his co-star Errol Flynn as a sort of role model. Thereafter, Stockwell segued into television for several years until resurfacing as a mature actor in Richard Fleischer's Compulsion (1959), (based on the infamous Leopold & Loeb murder case), co-starring with Bradford Dillman as one of the two young killers, and Orson Welles. He had already played the part on Broadway in 1957, on this occasion partnering Roddy McDowall. His last film role of note in the early 60s was as Edmund Tyrone in Eugene O'Neill's Long Day's Journey Into Night (1962). Despite developing a drinking problem on the set (for which he was chastised by Katharine Hepburn), Stockwell gave a solid performance which he later described as a career highlight.
Stockwell dropped out of show biz for some time in the 60s to join the hippie scene at which time he befriended Neil Young and Dennis Hopper. Later in the decade, he made a gleeful comeback in low budget psychedelic counterculture (Psych-Out (1968)) biker films (The Loners (1972)) and horror comedies (The Werewolf of Washington (1973)). Keeping a considerably lower profile during the 70s, he became a frequent TV guest star in popular crime dramas like Mannix (1967), Columbo (1971) The Streets of San Francisco (1972) and Police Story (1973). By the early 80s, work opportunities had become scarcer and Stockwell was compelled to briefly sideline as a real estate broker. He nonetheless managed to make a comeback with a co-starring role in the Wim Wenders road movie Paris, Texas (1984). New York Times reviewer Vincent Canby wrote of his performance "Mr. Stockwell, the former child star, has aged very well, becoming an exceptionally interesting, mature actor." Stockwell subsequently enjoyed high billing in David Lynch's noirish psycho-thriller Blue Velvet (1986) and received an Oscar nomination for his Mafia don Tony "The Tiger" Russo in Married to the Mob (1988). His television career also flourished, as cigar-smoking, womanizing rear admiral Al Calavicci in the popular science fiction series Quantum Leap (1989). The role won him a Golden Globe Award in 1990 and a new generation of fans. When the show ended after five seasons, Stockwell remained gainfully employed for another decade, still frequently seen as political or military authority figures (Navy Secretary Edward Sheffield in JAG (1995), Defence Secretary Walter Dean in Air Force One (1997)) or evil alien antagonists (Colonel Grat in Star Trek: Enterprise (2001), humanoid Cylon John Cavil in Battlestar Galactica (2004)).
Outside of acting, Stockwell embraced environmental issues and exhibited works of art, notably collages and sculptures. In 2015, he was forced to retire from acting after suffering a stroke. Stockwell died on November 7, 2021 due to natural causes at the age of 85.- Actor
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Although known as the uncle/patriarch and judge "Philip Banks" on The Fresh Prince of Bel-Air (1990), James Avery was a classically trained actor and scholar. A native of Atlantic City, New Jersey, USA, he joined the US Navy after graduating high school and served in Vietnam from 1968 to 1969. Upon leaving the military, he moved to San Diego, California and began writing TV scripts and poetry for PBS. He won an Emmy for production during his tenure there and deservedly won a scholarship to the University of California at San Diego, from which he earned a Bachelor of Arts Degree in Drama and Literature. (Sidenote: His wife Barbara is the Dean of Student Life at California's Loyola Marymount University.) In addition to his sitcom popularity, he lent his voice to over a dozen animated television series and features. He was also the primary host of the popular PBS travel and adventure series Going Places (1997). Armed with a diverse resume of credits, James Avery remained a unique creative force as convincing a comedian as he was a Shakespearean character.- Actor
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The award-winning Canadian-American character actor Maury Chaykin was born on July 27, 1949 in Brooklyn, New York, the son of Professor Irving J. Chaykin and his wife Clarice. Irving Chaykin, an American citizen, taught accountancy at the City College of New York. The former Clarice Bloomfield, his mother, was born in Winnipeg, raised in Montreal, and educated at the Beth Israel Hospital nursing school in Newark, New Jersey. Because of his parents, Maury held dual Canadian and American citizenship.
He was raised in New York City but moved to Toronto after graduating from the State University of New York, Buffalo, where he studied drama. His uncle, George Bloomfield, made his name in Canada as a movie and television writer, director and producer. Maury would later star in two theatrical movies, one TV movie and 14 TV episodes directed by his uncle.
Maury made his debut in the 1975 Canadian film Me (1975). In his 35-year-long career, he appeared in over 150 parts in films and TV series shot in Canada and the U.S. He was best known for his eccentric role as Kevin Costner's commanding officer in the Oscar-winning Dances with Wolves (1990), three films of Atom Egoyan, including The Sweet Hereafter (1997), and his role as Nero Wolfe on cable TV. (His uncle George Bloomfield directed some of the Nero Wolfe episodes.)
He won a Genie Award, the Canadian equivalent of the Oscar, as Best Supporting Actor for his performance as a has-been rock star in Whale Music (1994) and two Gemini Awards, the Canadian equivalent of the Emmy. Recently, he had a semi-recurring role as a movie producer based on Harvey Weinstein in the cable-TV series Entourage (2004) and a regular role on the Canadian TV series Less Than Kind (2008).
Chaykin was suffering from kidney disease in the last years of his life. He died on his 61st birthday, July 27, 2010, at Toronto General Hospital, surrounded by members of his family. He was married to the Canadian actress Susannah Hoffmann, by whom he had a daughter, Rose.- Actor
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Michael Jeter was an American actor from Tennessee. His best known roles were that of math teacher and assistant football coach Herman Stiles in the sitcom "Evening Shade" (1990-1994) and "Mr. Noodle's brother, Mister Noodle" in "Sesame Street", a role he played from 2000 to 2003. He specialized in playing "eccentric, pretentious, or wimpy characters".
In 1952, Jeter was born in Lawrenceburg, Tennessee, located between Chattanooga and Memphis. The town is mostly associated with local hero Davy Crockett (1786-1836), who owned a powder mill there in the early 19th century. The area is home to the David Crockett State Park.
Jeter's father was dentist William Claud Jeter (1922-2010), and his mother was housewife Virginia Raines (1927-2019). The Jeters were a large family, and Jeter had one brother and four sisters. Jeter enrolled at the Memphis State University (later renamed to the University of Memphis) with the intention to follow a medical career. His interests changed, and he pursued an acting education instead.
Jeter started his career as a theatrical actor, regularly performing at the Circuit Theatre and Playhouse on the Square, both located in Memphis. He made his film debut in the anti-war film "Hair" (1979), playing Woodrow Sheldon. The film depicted the hippie counterculture and the Vietnam War.
Jeter's early film roles included appearing in the historical drama "Ragtime" (1981), the sex comedy "Soup for One" (1982), the mockumentary "Zelig" (1983), the comedy film "The Money Pit" (1986), the action thriller "Dead Bang" (1989), and the action comedy "Tango & Cash" (1989). Meanwhile he appeared in guest-star roles in then-popular television series, such as "Night Court" and "Designing Women". His first recurring role in television was that of Dr. Art Makter in the short-lived medical drama "Hothouse". He appeared in all 7 episodes of the series.
Jeter found fame and critical success when playing the nerdy Herman Stiles in the sitcom "Evening Shade". He won a Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series and the Viewers for Quality Television Award for Best Supporting Actor in a Quality Comedy Series. The series lasted for 4 seasons, and a total of 98 episodes
Jeter guest starred as Peter Lebeck in three episodes of "Picket Fences". For this role he was nominated for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series in 1993, but the award was won by rival actor Laurence Fishburne (1961-). Jeter had another notable television role as Bob Ryan in an episode of "Chicago Hope". He was again nominated for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series in 1996 for this role, but the award was instead won by rival actor Peter Boyle (1935-2006).
Jeter played mostly supporting roles in 1990s film. He played (amon others_ a homeless cabaret singer in "The Fisher King" (1991), Father Ignatius in the Catholic nun-themed comedy "Sister Act 2: Back in the Habit" (1993), the inventor Old Gregor in the post-apocalyptic film "Waterworld" (1995), alcoholic clown Norm Snively in the sports comedy "Air Bud" (1997), and sympathetic prisoner Eduard 'Del' Delacroix in "The Green Mile" (1999).
Jeter next earned the recurring role of "Mr. Noodle's brother, Mister Noodle" in "Sesame Street", His character replaced Mr. Noodle (played by Bill Irwin) in the "Elmo's World" segments of the series. Both character were silent mimes who made mistakes, but were able to correct them with the help of "enthusiastic kid voice overs". Jeter was enthusiastic about his role, and called it a career favorite. He played the role until his death.
The openly gay Jeter was HIV positive, but had been in good health for many years. In March 2003, Jeter was found dead at his home in Los Angeles. According to his life partner Sean Blue, the death was caused by an epileptic seizure. Jeter was 50-years-old at the time of death.- Actor
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Kevin Conroy was born on November 30, 1955 in Westbury, New York. At age 17, Kevin earned a full scholarship to attend Juilliard's drama division, where he studied under actor John Houseman. In 1978, after graduating from Juilliard, he toured with "The Acting Company", Houseman's acting group, and in 1979, he went on the national tour of "Deathtrap". In 1980, he was cast in the daytime soap opera Another World (1964). However, he soon missed the theatre, and so he became associated with the Old Globe Theatre in San Diego, California, where he performed in "Hamlet" and "A Midsummer Night's Dream". From 1980 to 1985, he acted in a variety of contemporary and classic theatre pieces, including the Broadway production of "Eastern Standard" and "Lolita". He is very respected in theatre circles for his interpretation of Shakespearean characters, and in 1984, he played the title role in "Hamlet" in the New York Shakespeare Festival. Kevin returned to television in the television movie Covenant (1985). He was a series regular on Ohara (1987) in 1987, and on Tour of Duty (1987) from 1987 to 1988, before starring in a series of television movies. He is best known for providing the title role in the animated Batman: The Animated Series (1992) series.- Actor
- Producer
- Soundtrack
Michael Clarke Duncan was born on December 10, 1957 in Chicago, Illinois. Raised on Chicago's South Side by his single mother, Jean, a house cleaner, Duncan grew up resisting drugs and alcohol, instead concentrating on school. He wanted to play football in high school, but his mother wouldn't let him, afraid that he would get hurt. He then turned to acting and dreamed of becoming a famous actor.
After graduating from high school and attending community college, he worked digging ditches at People's Gas Company in Chicago. When he quit his job and headed to Hollywood, he landed small roles while working as a bodyguard. Duncan's role in the movie Armageddon (1998) led to his breakthrough performance in The Green Mile (1999), when his Armageddon co-star Bruce Willis called director Frank Darabont, suggesting Duncan for the part of convict John Coffey. He landed the role and won critical acclaim as well as many other Awards and Nominations, including an Academy Award Nomination for Best Actor in a Supporting Role.
After suffering a heart attack on July 13, 2012, he was taken to a Los Angeles hospital, in which his girlfriend Omarosa Manigault-Stallworth tried to save his life with CPR. Unfortunately, on September 3, 2012, Michael Clarke Duncan died at age 54 from respiratory failure.- Actor
- Second Unit Director or Assistant Director
- Soundtrack
Tall, gaunt, and particularly effective in horror and drama films, British actor Julian Sands was born in Otley, Leeds, West Yorkshire, to Brenda and William Sands. He came to the attention of NBC when the network cast him in the TV miniseries The Sun Also Rises (1984) and then with Anthony Hopkins in the television film A Married Man (1983). Sands also got noticed for his very small roles in Privates on Parade (1983) and The Killing Fields (1984). It wasn't until his funny and romantic role opposite Denholm Elliott in A Room with a View (1985) and then his unusual role in Gothic (1986) that he garnered audience acclaim.
He continued work on screen in Vibes (1988), Impromptu (1991) and Steven Spielberg's Arachnophobia (1990), until his most remembered role as Warlock (1989), directed by Steve Miner. The film was a major success and he returned for the sequel, Warlock: The Armageddon (1993). Other credits include Naked Lunch (1991), Tale of a Vampire (1992) and the title role in Dario Argento's The Phantom of the Opera (1998). Sands has more recently been in Stephen King's Rose Red (2002) and was occasionally seen on the English stage.
Sands disappeared on January 13, 2023 after going for a hike near the Mount Baldy area of California's San Bernardino Mountains. Local authorities and search and rescue teams conducted over six weeks of multiple ground and aerial searches, which were unsuccessful. On June 24, 2023, hikers near Mount Baldy discovered human remains. On June 27, 2023, local authorities confirmed the remains to be those of Sands. He was 65 years old.- Actor
- Additional Crew
Born on February 1, 1965 to Bruce Lee (Martial Arts idol) and Linda Lee Cadwell. Brother to Shannon Lee. In 1970-71, they moved to Hong Kong, where Brandon lived until age eight, becoming fluent in Cantonese. By the time he was able to walk, he was already involved in learning about martial arts from his father.
Brandon attended high school in Los Angeles, where he realized that he had also inherited acting ability along with his martial arts skills. In 1983, he was expelled from school because of misbehavior, but received his diploma at Miraleste High School. He continued his education and interest in acting at Emerson College in Massachusetts, where he majored in theatre. Having chosen an acting career, he studied at the Strasberg Academy, with Eric Morris in New York and in Los Angeles, and in Lynette Katselas' class in Los Angeles.
His first professional job as an actor came at age twenty, when casting director Lynn Stalmaster asked him to read for a CBS television film, Kung Fu: The Movie (1986). Lee's first role in a feature film was Legacy of Rage (1986) (aka "Legacy of Rage" (1986)) for D.M. Films of Hong Kong, followed by a co-starring role in Showdown in Little Tokyo (1991). He was also in Rapid Fire (1992), and The Crow (1994). He turned down offers to be in Dragon: The Bruce Lee Story (1993).
Brandon died (while filming) at the age of 28, of what is to be believed, a brain hemorrhage on the set of The Crow (1994). The film crew shot a scene in which it was decided to use a gun without consent from the weapons coordinator, who had been sent home early that night. They handed Michael Massee the gun loaded with full power blanks and shot the scene, unaware that a bullet had become dislodged from a previous shot and had lodged itself in the barrel. Upon shooting of the scene the blank round forced the bullet out the barrel striking Brandon Lee. The crew only noticed when Lee was slow getting up. The doctors worked desperately for five hours, but it was no use. The bullet had lodged itself in Mr Lee's lower spine. He was pronounced dead at 1:04 P.M. the next day. He was supposed to marry Eliza Hutton on April 17, 1993. His body was flown to Seattle to be buried beside his father in Lake View Cemetery.- Nora Cecil was born on 26 September 1878 in London, England, UK. She was an actress, known for Street Scene (1931), Seven Days Leave (1930) and Midnight Faces (1926). She died on 1 May 1951 in Los Angeles, California, USA.
- Actress
- Soundtrack
Unsmiling character player Lucile Watson was one of Hollywood's most indomitable mothers of the 1930s and 1940s...and you can take that both ways. The archetypal matriarch who enhanced scores of plush, soapy, Victorian-styled drama, her prickly pears could be insufferable indeed and heaven help anyone who gathered up the courage to take them on. A fiercely protective mother usually to everyone's detriment, her narrow-minded characters were overt and opinionated, customarily equipped with a withering look and slivered tongue as weapons. Having no trouble whatsoever situating themselves into any and all's business, Lucile played imperious mother to filmdom's top stars including James Stewart and Robert Taylor, and often stole a bit of the thunder from under them.
She was born on May 27, 1879 in Quebec, Canada and trained at New York's Academy of Dramatic Arts, making her first professional stage appearance in "The Wisdom of the Wise" in 1902 at the age of 23. For the next three decades plus, she played, in stark contrast to her later stereotype, frothy ladies in witty, sparkling comedy. Her superlative performance on Broadway in "The City" in 1909 guaranteed her position as a stage star. Playwright Clyde Fitch went on to use her quite frequently in his productions. Other stage successes over the years included "Under Cover" (1913), "Heartbreak House" (1920), "Ghosts" (1926), The Importance of Being Earnest (1926), "No More Ladies" (1934), "Pride and Prejudice" (1935) and "Yes, My Darling Daughter" (1936). She blossomed in both chic lead and support roles.
It took her longer, however, to bloom on film... and it was not as a leading lady. She didn't make her film bow until age 55 in the Helen Hayes vehicle What Every Woman Knows (1934). She then slowly moved up the credits list after playing minor servile roles at first. Her first noticeable support was as Norma Shearer's advice-spouting mom in the classic Clare Boothe Luce film adaptation of The Women (1939) in which she expounds on the inescapable infidelities of husbands and the importance of saving face in high society. Better yet was her thorny, smothering mother to James Stewart in Made for Each Other (1939) in which she squares off with Carole Lombard who poses a threat as a possible daughter-in-law. So too was her cool-as-ice matriarch in Waterloo Bridge (1940) as she tries to separate son Robert Taylor from Vivien Leigh's fiancé with a sordid past.
Lucile reached the apex of her adult career with Lillian Hellman's anti-fascist war drama "Watch on the Rhine" (1941) starring Paul Lukas on Broadway. Two years later she and Lukas preserved their brilliance on film. Co-starring Bette Davis, Watch on the Rhine (1943) won Lukas the Academy Award for "best actor" and Lucile was acknowledged for her matriarchal supporting turn, but lost to Katina Paxinou for her work in For Whom the Bell Tolls (1943).
Lucile continued to set a pattern of excellence in the post-war years with arch supports in such films as My Reputation (1946) as Barbara Stanwyck iron-willed mom, the class Disney film Song of the South (1946) and cranky Aunt March in the MGM remake of Little Women (1949). She wound up her film career wreaking havoc in the musical Let's Dance (1950) as Betty Hutton's maligning mother-in-law and in the overly melodramatic My Forbidden Past (1951) as newly-rich Ava Gardner's scheming great aunt. Following a return to the stage and some scattered work in television anthologies, Lucile retired in 1954 at the age of 75 to live out her last years in New York.
Lucile's first marriage somewhere around 1910 to actor Rockliffe Fellowes was brief. She subsequently married playwright Louis Evan Shipman in 1928, a union that lasted until his death in 1933. The character veteran passed away on June 25, 1962, after suffering a heart attack at age 83.- Actress
- Additional Crew
Nella Walker was born on 6 March 1886 in Chicago, Illinois, USA. She was an actress, known for Sabrina (1954), Two Sisters from Boston (1946) and Three Smart Girls (1936). She was married to Wilbur Mack. She died on 22 March 1971 in Los Angeles, California, USA.- Genteel Cathleen Nesbitt was a grand dame of the theatre on both sides of the Atlantic in a career spanning seven decades. Among almost 300 roles on stage, she excelled at comic portrayals of sophisticated socialites and elegant mothers. Hollywood used her, whenever a gentler, sweeter version of Gladys Cooper was needed, yet someone still possessed of a subtly sarcastic wit and turn of phrase. She attended Queen's University in Belfast and the Sorbonne in Paris.
Encouraged by a friend of her father - none other than the legendary Sarah Bernhardt - to enter the acting profession, she was taken on by Victorian actress and drama teacher Rosina Filippi (1866-1930). Cathleen's first appearance on stage was in 1910 at the Royalty Theatre in London. This was followed in November 1911 by her Broadway debut with the touring Abbey Theatre Players in 'The Well of the Saints'. From here on, and for the rest of her long life, she was never out of a job, demonstrating her range and versatility by playing everything from villainesses to being a much acclaimed Kate in Shakespeare's 'The Taming of the Shrew', Perdita in Shakespeare's 'The Winter's Tale', the great-aunt and tutor in the art of courtesanship of the title character in 'Gigi', the Dowager Empress in 'Anastasia', and the gossipy 'humorously animated' Julia Shuttlethwaite of T.S. Eliot's 'The Cocktail Party'. Her Mrs. Higgins in 'My Fair Lady', Brooks Atkinson described as played with 'grace and elegance', which also pretty much sums up Cathleen's career in films.
Her first motion picture role was a lead in the drama The Faithful Heart (1922), adapted from an Irish play. She then absented herself from the screen for the next decade, resurfacing in supporting roles in British films, though rarely cast in worthy parts, possible exceptions being Man of Evil (1944) and Jassy (1947). Her strengths were rather better showcased during her sojourn in Hollywood, which began in 1952. In addition to prolific appearances in anthology television, she also appeared in several big budget films, most memorably as Cary Grant's perspicacious grandmother in An Affair to Remember (1957) and as gossipy Lady Matheson (alongside Gladys Cooper ) in Separate Tables (1958). One of her last roles of note was as the elderly wealthy Julia Rainbird, who instigates the plot in Alfred Hitchcock's final film, Family Plot (1976).
At the instigation of her friend, Anita Loos, author of "Gentlemen Prefer Blondes", Nesbitt wrote her memoir, 'A Little Love and Good Company', in 1977. For her extraordinarily long career in the acting profession, she was awarded a CBE in the Queen's Honours List the following year. She retired just two years prior to her death in 1983 at the age of 94.