ICM Forum's Favorite Performers, 2015 Edition (Full List)
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Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.- Actor
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Actor
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Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China, to Japanese parents and grew up in Dalian. He did not set foot in Japan until he was 21. His father was an importer and a commercial photographer, and young Toshiro worked in his father's studio for a time after graduating from Dalian Middle School. He was automatically drafted into the Japanese army when he turned 20, and enlisted in the Air Force where he was attached to the Aerial Photography Unit for the duration of the World War II. In 1947 he took a test for Kajirô Yamamoto, who recommended him to director Senkichi Taniguchi, thus leading to Mifune's first film role in These Foolish Times II (1947). Mifune then met and bonded with director Akira Kurosawa, and the two joined to become the most prominent actor-director pairing in all Japanese cinema. Beginning with Drunken Angel (1948), Mifune appeared in 16 of Kurosawa's films, most of which have become world-renowned classics. In Kurosawa's pictures, especially Rashomon (1950), Mifune would become the most famous Japanese actor in the world. A dynamic and ferocious actor, he excelled in action roles, but also had the depth to plumb intricate and subtle dramatic parts. A personal rift during the filming of Red Beard (1965) ended the Mifune-Kurosawa collaboration, but Mifune continued to perform leading roles in major films both in Japan and in foreign countries. He was twice named Best Actor at the Venice Film Festival (for Yojimbo (1961) and Red Beard (1965)). In 1963 he formed his own production company, directing one film and producing several others. In his later years he gained new fame in the title role of the American TV miniseries Shogun (1980), and appeared infrequently in cameo roles after that. His last years were plagued with Alzheimer's Syndrome and he died of organ failure in 1997, a few months before the death of the director with whose name he will forever be linked, Akira Kurosawa.- Actor
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actress
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Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985). But she was known to millions of other fans for her movie career, which spanned the period from 1927 until 1964, after which she appeared on television until 1986. It was a career that lasted for 59 years.
Barbara Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York, to working class parents Catherine Ann (McPhee) and Byron E. Stevens. Her father, from Massachusetts, had English ancestry, and her Canadian mother, from Nova Scotia, was of Scottish and Irish descent. Stanwyck went to work at the local telephone company for fourteen dollars a week, but she had the urge (a dream--that was all it was) somehow to enter show business. When not working, she pounded the pavement in search of dancing jobs. The persistence paid off. Barbara was hired as a chorus girl for the princely sum of $40 a week, much better than the wages she was getting from the phone company. She was seventeen, and was going to make the most of the opportunity that had been given her.
In 1928 Barbara moved to Hollywood, where she was to start one of the most lucrative careers filmdom had ever seen. She was an extremely versatile actress who could adapt to any role. Barbara was equally at home in all genres, from melodramas, such as Forbidden (1932) and Stella Dallas (1937), to thrillers, such as Double Indemnity (1944), one of her best films, also starring Fred MacMurray (as you have never seen him before). She also excelled in comedies such as Remember the Night (1939) and The Lady Eve (1941). Another genre she excelled in was westerns, Union Pacific (1939) being one of her first and TV's The Big Valley (1965) (her most memorable role) being her last. In 1983, she played in the ABC hit mini-series The Thorn Birds (1983), which did much to keep her in the eye of the public. She turned in an outstanding performance as Mary Carson.
Barbara was considered a gem to work with for her serious but easygoing attitude on the set. She worked hard at being an actress, and she never allowed her star quality to go to her head. She was nominated for four Academy Awards, though she never won. She turned in magnificent performances for all the roles she was nominated for, but the "powers that be" always awarded the Oscar to someone else. However, in 1982 she was awarded an honorary Academy Award for "superlative creativity and unique contribution to the art of screen acting." Sadly, Barbara died on January 20, 1990, leaving 93 movies and a host of TV appearances as her legacy to us.- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actress
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Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.
After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.
In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.
In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.
Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.
She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.
She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.
In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.
Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.
Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Actor
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Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.
He made his feature film debut in the indie production Triple Bogey on a Par Five Hole (1991) as Phil Hoffman, and his first role in a major release came the next year in My New Gun (1992). While he had supporting roles in some other major productions like Scent of a Woman (1992) and Twister (1996), his breakthrough role came in Paul Thomas Anderson's Boogie Nights (1997).
He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including Todd Solondz's Happiness (1998), Flawless (1999), The Talented Mr. Ripley (1999), Paul Thomas Anderson's Magnolia (1999), Almost Famous (2000) and State and Main (2000). He also appeared in supporting roles in such mainstream, big-budget features as Red Dragon (2002), Cold Mountain (2003) and Mission: Impossible III (2006).
Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of Sam Shepard's "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night". His other acting credits in the New York theater include "The Seagull" (directed by Mike Nichols for The New York Shakespeare Festival), "Defying Gravity", "The Merchant of Venice" (directed by Peter Sellars), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).
He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by Stephen Adly Guirgis. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by Rebecca Gilman at the Manhattan Class Company.
Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of Capote (2005), for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.
On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.- Actress
- Art Department
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Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).- Actor
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This remarkable, soft-spoken American began in films as a diffident juvenile. With passing years, he matured into a star character actor who exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He was born in Grand Island, Hall, Nebraska, the son of Herberta Elma (Jaynes) and William Brace Fonda, who was a commercial printer, and proprietor of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country and moved to Holland, presumably because of political or religious persecution. In the mid-1600s, they crossed the Atlantic and settled in upstate New York where they founded a community with the Fonda name.
Growing up, Henry developed an early interest in journalism after having a story published in a local newspaper. At the age of twelve, he helped in his father's printing business for $2 a week. Following graduation from high school in 1923, he got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. As it became difficult to juggle his working hours with his academic roster, he obtained another position as a physical education instructor at $30 a week, including room and board. By this time, he had grown to a height of six foot one and was a natural for basketball.
In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. Then, despite opposition from his parents, Henry accepted an offer from Gregory Foley, director of the Omaha Playhouse, to play the title role in 'Merton of the Movies'. His father would not speak to him for a month. The play and its star received fairly good notices in the local press. It ran for a week, after which Henry observed "the idea of being Merton and not myself taught me that I could hide behind a mask". For the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway.
In 1928, he headed east and briefly played in summer stock before joining the University Players, a group of talented Princeton and Harvard graduates among whose number were such future luminaries as James Stewart (who would remain his closest lifelong friend), Joshua Logan and Kent Smith. Before long, Henry played leads opposite Margaret Sullavan, soon to become the first of his five wives. Both marriage and the players broke up four years later. In 1932, Henry found himself sharing a two-room New York apartment with Jimmy Stewart and Joshua Logan. For the next two years, he alternated scenic design with acting at various repertory companies. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely.
It was Hayward who persuaded the 29-year old to become a motion picture actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (1935). With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit. Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor western The Trail of the Lonesome Pine (1936), the gritty Depression-era drama You Only Live Once (1937) (with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance), the screwball comedy The Moon's Our Home (1936) (with ex-wife Sullavan), the excellent pre-civil war-era romantic drama Jezebel (1938) and the equally superb Young Mr. Lincoln (1939), in which Henry gave his best screen performance to date as the 'jackleg lawyer from Springfield'. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) and The Grapes of Wrath (1940), with Henry as Tom Joad, often regarded his career-defining role as the archetypal grassroots American trying to stand up against oppression. It also set the tone for his subsequent career. Whether he played a lawman (Wyatt Earp in My Darling Clementine (1946)), a reluctant posse member (The Ox-Bow Incident (1942), a juror committed to the ideal of total justice in (12 Angry Men (1957)) or a nightclub musician wrongly accused of murder (The Wrong Man (1956)), his characters were alike in projecting integrity and quiet authority. In this vein, he also gave a totally convincing (though historically inaccurate) portrayal in the titular role of The Return of Frank James (1940), a rare example of a sequel improving upon the original.
Henry rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck -- with whom he shared an excellent on-screen chemistry -- in The Mad Miss Manton (1938) and The Lady Eve (1941). He was also good value as a poker-playing grifter in the western comedy A Big Hand for the Little Lady (1966). Finally, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's classic Once Upon a Time in the West (1968). Illness curtailed his work in the 1970s. His final screen role was as an octogenarian in On Golden Pond (1981), in which he was joined by his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, he died soon after at the age of 77, having left a lasting legacy matched by few of his peers.- Actor
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Japanese leading man, an important star and one of the handful of Japanese actors well known outside Japan. Nakadai was a tall handsome clerk in a Tokyo shop when director Masaki Kobayashi encountered him and cast him in The Thick-Walled Room (1956). Nakadai was subsequently cast in the lead role in Kobayashi's monumental trilogy 'Ningen no joken' and became a star whose international acclaim rivaled that of countryman Toshirô Mifune. Like Mifune, Nakadai worked frequently with director Akira Kurosawa and indeed more or less replaced Mifune as Kurosawa's principal leading man after the well-known falling out between Mifune and Kurosawa. His appearances for Kurosawa in Kagemusha: The Shadow Warrior (1980) and Ran (1985) are among the most indelible in the director's oeuvre.- Actress
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Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Vice and Virtue (1963). Her breakthrough came with the excellent musical The Umbrellas of Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful The Young Girls of Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Repulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de Jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in Mississippi Mermaid (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's The Last Metro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.- Actress
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Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".- Actor
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Bill Murray is an American actor, comedian, and writer. The fifth of nine children, he was born William James Murray in Wilmette, Illinois, to Lucille (Collins), a mailroom clerk, and Edward Joseph Murray II, who sold lumber. He is of Irish descent. Among his siblings are actors Brian Doyle-Murray, Joel Murray, and John Murray. He and most of his siblings worked as caddies, which paid his tuition to Loyola Academy, a Jesuit school. He played sports and did some acting while in that school, but in his words, mostly "screwed off." He enrolled at Regis College in Denver to study pre-med but dropped out after being arrested for marijuana possession. He then joined the National Lampoon Radio Hour with fellow members Dan Aykroyd, Gilda Radner, and John Belushi. However, while those three became the original members of Saturday Night Live (1975), he joined Saturday Night Live with Howard Cosell (1975), which premiered that same year. After that show failed, he later got the opportunity to join Saturday Night Live (1975), for which he earned his first Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series. He later went on to star in comedy films, including Meatballs (1979), Caddyshack (1980), Stripes (1981), Tootsie (1982), Ghostbusters (1984), Ghostbusters II (1989), Scrooged (1988), What About Bob? (1991), and Groundhog Day (1993). He also co-directed Quick Change (1990). Murray garnered additional critical acclaim later in his career, starring in Lost in Translation (2003), which earned him a Golden Globe and a BAFTA Award for Best Actor, as well as an Academy Award nomination for Best Actor. He also received Golden Globe nominations for his roles in Ghostbusters, Rushmore (1998), Hyde Park on Hudson (2012), St. Vincent (2014), and the HBO miniseries Olive Kitteridge (2014), for which he later won his second Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or a Movie.- Actor
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James Mason was born in Huddersfield and had a film career spanning over 50 years during which he appeared in over 100 films in England and America but never won an Oscar. Whatever role he played, from the wounded Belfast gunman in Odd Man Out to Rommel in The Desert Fox, his creamy velvet voice gave him away. Like Charlie Chaplin James left the screen to spend his later life living in Switzerland. His first marriage had been to Pamela Kellino, a Yorkshire mill owner's daughter and his second to Australian actress Clarissa Kaye.- Actor
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Tony Leung Chiu Wai was born in Hong Kong on 27 June 1962. He and his younger sister were raised by their mother after his father left them. In 1982, after passing the training courses of TVB, Tony became a TV actor and became famous for his comedy style in such TV shows as Tales of a Eunuch (1983) or The Proud Twins (1979). However, he didn't limit himself to television and began showing his versatility in films like My Heart Is That Eternal Rose (1989) and A City of Sadness (1989). After he starred in several movies directed by 'Kar wai Wong'; such as Chungking Express (1994) and Happy Together (1997), he gained more respect as an actor and finally received the Best Actor Award at the Cannes International Film Festival for his outstanding performance in In the Mood for Love (2000). In addition to his acting career, he is also known as a singer.- Actress
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Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Actor
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Born in London, England, Daniel Michael Blake Day-Lewis is the second child of Cecil Day-Lewis, Poet Laureate of the U.K., and his second wife, actress Jill Balcon. His maternal grandfather was Sir Michael Balcon, an important figure in the history of British cinema and head of the famous Ealing Studios. His older sister, Tamasin Day-Lewis, is a documentarian. His father was of Northern Irish and English descent, and his mother was Jewish (from a family from Latvia and Poland). Daniel was educated at Sevenoaks School in Kent, which he despised, and the more progressive Bedales in Petersfield, which he adored. He studied acting at the Bristol Old Vic School. Daniel made his film debut in Sunday Bloody Sunday (1971), but then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies and did not appear on screen again until 1982, when he landed his first adult role, a bit part in Gandhi (1982). He also appeared on British television that year in Frost in May (1982) and How Many Miles to Babylon? (1982). Notable theatrical performances include Another Country (1982-83), Dracula (1984) and The Futurists (1986).
His first major supporting role in a feature film was in The Bounty (1984), quickly followed by My Beautiful Laundrette (1985) and A Room with a View (1985). The latter two films opened in New York on the same day, offering audiences and critics evidence of his remarkable range and establishing him as a major talent. The New York Film Critics named him Best Supporting Actor for those performances. In 1986, he appeared on stage in Richard Eyre's "The Futurists" and on television in Eyre's production of The Insurance Man (1986). He also had a small role in a British/French film, Nanou (1986). In 1987, he assumed leading-man status in Philip Kaufman's The Unbearable Lightness of Being (1988), followed by a comedic role in the unsuccessful Stars and Bars (1988). His brilliant performance as Christy Brown in Jim Sheridan's My Left Foot (1989) won him numerous awards, including the Academy Award for Best Actor.
He returned to the stage to work again with Eyre, as Hamlet at the National Theater, but was forced to leave the production close to the end of its run because of exhaustion, and has not appeared on stage since. He took a hiatus from film as well until 1992, when he starred in The Last of the Mohicans (1992), a film that met with mixed reviews but was a great success at the box office. He worked with American director Martin Scorsese in The Age of Innocence (1993), based on Edith Wharton's novel. Subsequently, he teamed again with Jim Sheridan to star in In the Name of the Father (1993), a critically acclaimed performance that earned him another Academy Award nomination. His next project was in the role of John Proctor in father-in-law Arthur Miller's play The Crucible (1996), directed by Nicholas Hytner. He worked with Scorsese again to star in Gangs of New York (2002), another critically acclaimed performance that earned him another Academy Award nomination for Best Actor.
Day-Lewis's wife, Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose (2005), in which he played a dying man with regrets over how his wife had evolved and over how he had brought up his teenage daughter. During filming, he arranged to live separate from his wife to achieve the "isolation" needed to focus on his own character's reality. The film received mixed reviews. In 2007, he starred in director Paul Thomas Anderson's loose adaptation of Upton Sinclair's novel "Oil!", titled There Will Be Blood (2007). Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor - Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, and a variety of film critics' circle awards for the role. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. He was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the Satellite Award for Best Actor - Motion Picture Musical or Comedy.- Actor
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Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. One of his most popular personalities was inspector Maigret. But he was also able to play all other kind of people: aristocrats, farmers, thieves and managers. He never stopped working and when death surprised him in 1976 he was still an institution for the French audience.- Actress
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Setsuko Hara became one of Japan's best-loved stars over her 30-year film career. Her signature character type, variations on a daughter devoted to her parents and home, inspired the nickname that stayed with her until retirement: the Eternal Virgin. To some extent, reality mirrored her roles in these films. In a society that considers marriage and parenting almost obligatory, she remained single and childless, something of a controversy in Japan in the 1950s. Fortunately she was popular enough to avoid criticism, but the 1950s were still a hard decade. She was plagued by ill health, missing out on several top roles as a result, and she witnessed the death of her camera-man brother in a freak train accident on set.
In 1963, shortly after the death of her mentor, director Yasujirô Ozu, she suddenly walked away from the film industry. At age 43, and at the height of her popularity, she bluntly refused to perform again, angering her fans, the industry, and the press. She implied acting had never been a pleasure and that she had only pursued a career in order to provide for her large family; this explanation is seen as the cause of her popularity backlash. She moved to a small house in picturesque Kamakura where she remained, living alone (though apparently sociable with friends), and refusing all roles offered.
She is undoubtedly known mostly for her work with Yasujiro Ozu, making six films with the great director, including the so-called Noriko trilogy, of which Tokyo Story (1953) is probably the best-known. She also worked with Akira Kurosawa, Mikio Naruse, Hiroshi Inagaki, and many others.- Actor
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Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actress
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Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.- Actress
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Liv Ullmann's father was a Norwegian engineer who used to work abroad, so as a child she lived in Tokyo, Canada, New York and Oslo. In the mid-1950s she made her stage debut and in 1957 made her film debut. She really became successful, however, when she began to work for Swedish director Ingmar Bergman in such films as Persona (1966), The Passion of Anna (1969) and Face to Face (1976). She also had a successful film career away from Bergman (The Abdication (1974), Dangerous Moves (1984).- Actor
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Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).- Actor
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Steve Buscemi was born in Brooklyn, New York, to Dorothy (Wilson), a restaurant hostess, and John Buscemi, a sanitation worker. He is of Italian (father) and English, Dutch, and Irish (mother) descent. He became interested in acting during his last year of high school. After graduating, he moved to Manhattan to study acting with John Strasberg. He began writing and performing original theatre pieces with fellow actor/writer Mark Boone Junior. This led to his being cast in his first lead role in Parting Glances (1986). Since then, he has worked with many of the top filmmakers in Hollywood, including Quentin Tarantino, Jerry Bruckheimer, and The Coen Brothers. He is a highly respected actor.- Actor
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Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actress
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Born in Denmark, she came to Paris at 18. She met Coco Chanel and Pierre Cardin and started as a top model. She met Jean-Luc Godard about a cameo in Breathless (1960), but she had to be naked and she refused to play in the movie. One year later, they wed and she became famous with the "Nouvelle Vague" movies directed by him, Jacques Rivette, and Agnès Varda.
In 1967, Serge Gainsbourg wrote his only film musical Anna (1967) for her, with the hit "Sous le soleil exactement". Then, she went to Hollywood for a few movies and came back to Paris. She wrote and directed Vivre ensemble (1973) after her divorce from Pierre Fabre. She later remarried, to Dennis Berry.- Japanese character actor Takashi Shimura was one of the finest film actors of the 20th century and a leading member of the "stock company" of master director Akira Kurosawa. A native of southern Japan, Shimura was a descendant of the samurai warrior class. Following university training, he founded a theatre company, Shichigatsu-za ("July Theatre"). In 1930 he joined a professional company, Kindai-za ("Modern Theatre"). Four years later he signed with the Kinema Shinko film studio. He found a niche playing samurai roles for various studios, then signed a long-term contract with Toho Studios in 1943. He appeared in an average of six films a year for Toho over the next four decades. His greatest critical acclaim came in more than 20 roles for Kurosawa, though he is almost as well recognized outside Japan for his kindly doctor role in the original "Godzilla" (Godzilla (1954)). Shimura's triumph was his unforgettable performance as a dying bureaucrat in Kurosawa's Ikiru (1952). He continued to act steadily, in good films and bad, almost until his death, culminating with Kurosawa's Kagemusha: The Shadow Warrior (1980). He is often described as filling the spot for Kurosawa that Ward Bond filled for John Ford--an ever-present and reliable character player who consistently supplied a solidity and strength to whatever film he appeared in. Shimura was definitely a finer actor than Bond, of the most versatile "chameleons" in the world cinema, a great artist with enormous range in sublime interpretations, from Ikiru (1952)'s diffident clerk to the leader of the Seven Samurai in Kurosawa's Seven Samurai (1954). He died in 1982, a reluctant icon of Japanese cinema.
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Isabelle Huppert was born March 16, 1953, in Paris, France, but spent her childhood in Ville d'Avray. Encouraged by her mother Annick Huppert (who was a teacher of English), she followed the Conservatory of Versailles and won an acting prize for her work in Alfred de Musset's "Un caprice". She then studied at the Conservatoire d'Art Dramatique and followed an illustrious theatrical career, which includes Ivan Turgenev's "A Month in the Country", Euripides' "Medea" (title role) etc. She made her movie debut in Le Prussien (1971) and soon became one of the top actresses of her generation, giving fine performances in important films, like Claude Goretta's The Lacemaker (1977), as a simple-minded girl who falls in love with - and is betrayed by - a student, Jean-Luc Godard's Every Man for Himself (1980), as a prostitute, and Maurice Pialat's Loulou (1980), as an upper-class woman who is physically attracted by a young vagabond. She made an inconsequential US debut in Otto Preminger's Rosebud (1975) before playing a brothel madam in Michael Cimino's disastrous Heaven's Gate (1980), but she fared better in Curtis Hanson's The Bedroom Window (1987) (as an adulteress who witnesses an attack). Huppert has an extremely productive collaboration with Claude Chabrol, who cast her in several movies, including Violette (1978), in which she played a woman who murders her parents, and Story of Women (1988), in which she gave an excellent performance as a shameless abortionist, the last woman to be executed in France. More recent good films include Patricia Mazuy's Saint-Cyr (2000) and Michael Haneke's controversial The Piano Teacher (2001), as a sexually repressed piano teacher.- Actor
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Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actress
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Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.
Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).
She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.
Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.
As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
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Marcello Mastroianni was born in Fontana Liri, Italy in 1924, but soon his family moved to Turin and then Rome. During WW2 he was sent to a German prison camp, but he managed to escape and hide in Venice. He debuted in films as an extra in Marionette (1939), then started working for the Italian department of "Eagle Lion Films" in Rome and joined a drama club, where he was discovered by director Luchino Visconti. In 1957 Visconti gave him the starring part in his Fyodor Dostoevsky adaptation White Nights (1957) and in 1958 he was fine as a little thief in Mario Monicelli's comedy Big Deal on Madonna Street (1958). But his real breakthrough came in 1960, when Federico Fellini cast him as an attractive, weary-eyed journalist of the Rome jet-set in La Dolce Vita (1960); that film was the genesis of his "Latin lover" persona, which Mastroianni himself often denied by accepting parts of passive and sensitive men. He would again work with Fellini in several major films, like the exquisite 8½ (1963) (as a movie director who finds himself at a point of crisis) and the touching Ginger & Fred (1986) (as an old entertainer who appears in a TV show). He also appeared as a tired novelist with marital problems in Michelangelo Antonioni's La Notte (1961), as an impotent young man in Mauro Bolognini's Bell' Antonio (1960) , as an exiled prince in John Boorman's Leo the Last (1970), as a traitor in Paolo and Vittorio Taviani's Allonsanfan (1974) and as a sensitive homosexual in love with a housewife in Ettore Scola's A Special Day (1977). He was nominated for the Academy Award for Best Actor three times, for Divorce Italian Style (1961), A Special Day (1977), and Oci ciornie (1987). During the last decade of his life he worked with directors, like Theodoros Angelopoulos, Bertrand Blier and Raúl Ruiz, who gave him three excellent parts in Three Lives and Only One Death (1996). He died of pancreatic cancer in 1996.- Actor
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.- Actress
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Naomi Ellen Watts was born on September 28, 1968 in Shoreham, England to Myfanwy Edwards "Miv" (Roberts), an antiques dealer and costume/set designer, and Peter Watts (Peter Anthony Watts), Pink Floyd's road manager. Her maternal grandfather was Welsh. Her father died when she was seven and she followed her mother and brother around England until she was 14 and they finally settled in Australia, homeland of her maternal grandmother. When they arrived, she coaxed her mother to let her take acting classes. After bit parts in commercials, she landed her first role in For Love Alone (1986). Naomi met her best friend Nicole Kidman when they both auditioned for a bikini commercial and shared a taxi ride home. In 1991, Naomi starred with Kidman in the sleeper hit Flirting (1991), directed by John Duigan. Naomi continued her career by starring in the Australian Brides of Christ (1991) co-starring Oscar-winners Russell Crowe and Brenda Fricker.
In 1993, she worked with John Duigan again in Wide Sargasso Sea (1993) and director George Miller in Gross Misconduct (1993). Tank Girl (1995), in 1995, an adaptation of the comic book was a cult hit, starred Naomi as "Jet Girl", but it didn't do at the box-office or do much for her career. Watts continued to take insignificant parts in movies including the much forgotten film Children of the Corn: The Gathering (1996). It wasn't until David Lynch cast her in the critically acclaimed film Mulholland Drive (2001) that she began to become noticed. Her part as an aspiring actress showed her strong acting ability and wide range and earned her much respect, as much as to say by some that she was overlooked for a Oscar nomination that year. Stardom finally came to Naomi in the surprise hit The Ring (2002), which grossed over $100,000,000 at the box-office and starred Watts as an investigative reporter hunting down the truth behind several mysterious deaths seemingly caused by a video tape. While the movie did not fare well with the critics, it launched her into the spotlight. In 2003, she starred in Alejandro González Iñárritu's 21 Grams (2003) which earned her - what some say is a much overdue Oscar nomination and brought others to call her one of the best in her generation of actors. The same year, she was nominated for 21 Grams (2003), Naomi was chosen to play "Ann Darrow" in director Peter Jackson's King Kong (2005) which took her to New Zealand for a five month shoot. Watts completed her first comedy in I Heart Huckabees (2004) for director David O. Russell, playing a superficial spokes model - a break from her usual intense and dramatic roles she is known for.
In 2005, she reprized her role as the protective-mother-reporter "Rachel Keller" in The Ring Two (2005). The movie, released in March, opened to $35,000,000 at the box office in the first weekend and established her as a box-office draw. Also in 2005, it was decided that her independent movie Ellie Parker (2001) would be re-released in late 2005 after its success at resurfacing at the Sundance Film Festival. The movie, which Naomi also produced, features her in the title role and is a bit biographical, but yet exaggerated take of the life of a struggling actress as she comes to Hollywood and encounters nightmares of the profession (it also features Watts' own beat-up Honda which she travels around in). In 2006, she starred with Edward Norton in The Painted Veil (2006). In July of 2007, Naomi gave birth to a boy, Alexander Pete (Sasha Schreiber) in Los Angeles with Liev Schreiber. Since then her career choices have gathered even more critical acclaim with starring roles roles in German director Michael Haneke's American remake of his thriller Funny Games (2007), David Cronenberg's Eastern Promises (2007), and the action-thriller, The International (2009), released in February 2009. In mid-2008, Watts announced she was expecting her second child with Schreiber and gave birth to second son Samuel Kai Schreiber, in New York on December 13.- Actress
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Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actor
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His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.- Actress
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Lillian Diana Gish was born on October 14, 1893, in Springfield, Ohio. Her father, James Lee Gish, was an alcoholic who caroused, was rarely at home, and left the family to, more or less, fend for themselves. To help make ends meet, Lillian, her sister Dorothy Gish, and their mother, Mary Gish, a.k.a. Mary Robinson McConnell, tried their hand at acting in local productions. Lillian was six years old when she first appeared in front of an audience. For the next 13 years, she and Dorothy appeared before stage audiences with great success. Had she not made her way into films, Lillian quite possibly could have been one of the great stage actresses of all time; however, she found her way onto the big screen when, in 1912, she met famed director D.W. Griffith. Impressed with what he saw, he immediately cast her in her first film, An Unseen Enemy (1912), followed by The One She Loved (1912) and My Baby (1912). She would make 12 films for Griffith in 1912. With 25 films in the next two years, Lillian's exposure to the public was so great that she fast became one of the top stars in the industry, right alongside Mary Pickford, "America's Sweetheart".
In 1915, Lillian starred as Elsie Stoneman in Griffith's most ambitious project to date, The Birth of a Nation (1915). She was not making the large number of films that she had been in the beginning because she was successful and popular enough to be able to pick and choose the right films to appear in. The following year, she appeared in another Griffith classic, Intolerance (1916). By the early 1920s, her career was on its way down. As with anything else, be it sports or politics, new faces appeared on the scene to replace the "old", and Lillian was no different. In fact, she did not appear at all on the screen in 1922, 1925 or 1929. However, 1926 was her busiest year of the decade with roles in La Bohème (1926) and The Scarlet Letter (1926). As the decade wound to a close, "talkies" were replacing silent films. However, Lillian was not idle during her time away from the screen. She appeared in stage productions, to the acclaim of the public and critics alike. In 1933, she filmed His Double Life (1933), but did not make another film for nine years.
When she returned in 1943, she appeared in two big-budget pictures, Commandos Strike at Dawn (1942) and Top Man (1943). Although these roles did not bring her the attention she had had in her early career, Lillian still proved she could hold her own with the best of them. She earned an Oscar nomination as Best Supporting Actress for her role of Laura Belle McCanles in Duel in the Sun (1946), but lost to Anne Baxter in The Razor's Edge (1946).
One of the most critically acclaimed roles of her career came in the thriller The Night of the Hunter (1955), also notable as the only film directed by actor Charles Laughton. In 1969, she published her autobiography, "The Movies, Mr. Griffith, and Me". In 1987, she made what was to be her last motion picture, The Whales of August (1987), a box-office success that exposed her to a new generation of fans. Her 75-year career is almost unbeatable in any field, let alone the film industry. On February 27, 1993, at age 99, Lillian Gish died peacefully in her sleep at her Manhattan apartment in New York City. She never married.- Actor
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Burt Lancaster, one of five children, was born in Manhattan, to Elizabeth (Roberts) and James Henry Lancaster, a postal worker. All his grandparents were immigrants from the north of Ireland. He was a tough street kid who took an early interest in gymnastics. He joined the circus as an acrobat and worked there until he was injured. In the Army during WWII he was introduced to the USO and to acting. His first film was The Killers (1946), and that made him a star. He was a self-taught actor who learned the business as he went along. He set up his own production company in 1948 with Harold Hecht and James Hill to direct his career. He played many different roles in pictures as varied as The Crimson Pirate (1952), From Here to Eternity (1953), Elmer Gantry (1960) and Atlantic City (1980).
His production company, Hecht-Hill-Lancaster, produced such films as Paddy Chayefsky's Marty (1955) (Oscar winner 1955) and The Catered Affair (1956). In the 1980s he appeared as a supporting player in a number of movies, such as Local Hero (1983) and Field of Dreams (1989). However, it will be the sound of his voice, the way that he laughed, and the larger-than-life characters he played that will always be remembered.- Actress
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Maggie Cheung was born on September 20, 1964, in Hong Kong, and moved at the age of eight with her family to England. After finishing secondary school, she returned to Hong Kong, where she began modeling and appearing in commercials. In 1983 she participated in the Ms. Hong Kong pageant, winning first runner-up, which proved not to be a detriment since she went on to become a star of both Hong Kong television and film.- Actress
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Cate Blanchett was born on May 14, 1969 in Melbourne, Victoria, Australia, to June (Gamble), an Australian teacher and property developer, and Robert DeWitt Blanchett, Jr., an American advertising executive, originally from Texas. She has an older brother and a younger sister. When she was ten years old, her 40-year-old father died of a sudden heart attack. Her mother never remarried, and her grandmother moved in to help her mother.
Cate graduated from Australia's National Institute of Dramatic Art in 1992 and, in a little over a year, had won both critical and popular acclaim. On graduating from NIDA, she joined the Sydney Theatre Company's production of Caryl Churchill's "Top Girls", then played Felice Bauer, the bride, in Tim Daly's "Kafka Dances", winning the 1993 Newcomer Award from the Sydney Theatre Critics Circle for her performance. From there, Blanchett moved to the role of Carol in David Mamet's searing polemic "Oleanna", also for the Sydney Theatre Company, and won the Rosemont Best Actress Award, her second award that year. She then co-starred in the ABC Television's prime time drama Heartland (1994), again winning critical acclaim. In 1995, she was nominated for Best Female Performance for her role as Ophelia in the Belvoir Street Theatre Company's production of "Hamlet". Other theatre credits include Helen in the Sydney Theatre Company's "Sweet Phoebe", Miranda in "The Tempest" and Rose in "The Blind Giant is Dancing", both for the Belvoir Street Theatre Company. In other television roles, Blanchett starred as Bianca in ABC's Bordertown (1995), as Janie Morris in G.P. (1989) and in ABC's popular series Police Rescue (1994). She made her feature film debut in Paradise Road (1997).
Cate married writer Andrew Upton in 1997. She had met him a year earlier on a movie set, and they didn't like each other at first. He thought she was aloof, and she thought he was arrogant, but then they connected over a poker game at a party, and she went home with him that night. Three weeks later he proposed marriage and they quickly married before she went off to England to play her breakthrough role in films: the title character in Elizabeth (1998) for which she won numerous awards for her performance, including the Golden Globe for Best Actress in a Drama. Cate was also nominated for an Academy Award for the role but lost out to Gwyneth Paltrow. 2001 was a particularly busy year, with starring roles in Bandits (2001), The Shipping News (2001), Charlotte Gray (2001) and playing Elf Queen Galadriel in the "Lord Of The Rings" trilogy. She also gave birth to her first child, son Dashiell, in 2001. In 2004, she gave birth to her second son Roman.
Also, in 2004, she played actress Katharine Hepburn in Martin Scorsese's film The Aviator (2004), for which she received an Academy Award as Best Supporting Actress. Two years later, she received an Academy Award nomination as Best Supporting Actress for playing a teacher having an affair with an underage student in Notes on a Scandal (2006). In 2007, she returned to the role that made her a star in Elizabeth: The Golden Age (2007). It earned her an Oscar nomination as Best Actress. She was nominated for another Oscar that same year as Best Supporting Actress for playing Bob Dylan in I'm Not There (2007). In 2008, she gave birth to her third child, son Ignatius. She and her husband became artistic directors of the Sydney Theatre Company, choosing to spend more time in Australia raising their three sons. She also purchased a multi-million dollar home in Sydney, Australia and named it Bulwarra and made extensive renovations to it. Because of her life in Australia, her film work became sporadic, until Woody Allen cast her in the title role in Blue Jasmine (2013), which won her the Academy Award as Best Actress. She ended her job as artistic director of the Sydney Theatre Company, while her husband continued there for two more years before he too resigned.
In 2015, she adopted her daughter Edith in her father's homeland of the United States. That same year, she and her husband sold their multi-million dollar home in Australia at a profit and moved to America. Reasons varied from her wanting to work more in America to wanting to familiarize herself with her late father's American heritage. She played the title role of Carol (2015), a 1950s American housewife in a lesbian affair with a younger woman, for which she received an Oscar nomination as Best Actress. While most actresses might slow down in their forties, Blanchett did the opposite by stretching her boundaries even further, such as when she played 13 different characters in Manifesto (2015) and then making her Broadway debut in 2017 in "The Present", which is her husband's adaptation of Chekhov's play "Platonov" for which she earned a Tony nomination as Best Actress in a Play. Also in 2017, she was selected for the highest honor in her birth country: the Companion of the Order of Australia (AC).- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.
In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).
Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.
After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in The Samurai (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.- Actor
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Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.
Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).- Actor
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One of Hollywood's preeminent male stars of all time, James Cagney was also an accomplished dancer and easily played light comedy. James Francis Cagney was born on the Lower East Side of Manhattan in New York City, to Carolyn (Nelson) and James Francis Cagney, Sr., who was a bartender and amateur boxer. Cagney was of Norwegian (from his maternal grandfather) and Irish descent. Ending three decades on the screen, he retired to his farm in Stanfordville, New York (some 77 miles/124 km. north of his New York City birthplace), after starring in Billy Wilder's One, Two, Three (1961). He emerged from retirement to star in the 1981 screen adaptation of E.L. Doctorow's novel "Ragtime" (Ragtime (1981)), in which he was reunited with his frequent co-star of the 1930s, Pat O'Brien, and which was his last theatrical film and O'Brien's as well). Cagney's final performance came in the title role of the made-for-TV movie Terrible Joe Moran (1984), in which he played opposite Art Carney.- Actor
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What an amazing career! Few can boast a longer one (64 years of activity). Few have been able to have to relate to three generations. And it is pretty sure that no one can compare with him in terms of faithfulness to a director: Chishu Ryu indeed appeared in no fewer than fifty-two out of fifty-four of his master Yasujirô Ozu. He played in 187 films or TV films and could be a very versatile actor: for instance in 1936, when he was thirty, he embodied a student in one film and an old man in another. However he was perfect in Ozu's films, most often, as a simple, unobtrusive man whose humanity is revealed through the hardships of everyday life. How could Japanese cinema have done without Chishu Ryu?- Actor
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Eugene Allen Hackman was born in San Bernardino, California, the son of Ann Lydia Elizabeth (Gray) and Eugene Ezra Hackman, who operated a newspaper printing press. He is of Pennsylvania Dutch (German), English, and Scottish ancestry, partly by way of Canada, where his mother was born. After several moves, his family settled in Danville, Illinois. Gene grew up in a broken home, which he left at the age of sixteen for a hitch with the US Marines.
Moving to New York after being discharged, he worked in a number of menial jobs before studying journalism and television production on the G.I. Bill at the University of Illinois. Hackman would be over 30 years old when he finally decided to take his chance at acting by enrolling at the Pasadena Playhouse. Legend says that Hackman and friend Dustin Hoffman were voted "least likely to succeed."
Hackman next moved back to New York, where he worked in summer stock and off-Broadway. In 1964 he was cast as the young suitor in the Broadway play "Any Wednesday." This role would lead to him being cast in the small role of Norman in Lilith (1964), starring Warren Beatty. When Beatty was casting for Bonnie and Clyde (1967), he cast Hackman as Buck Barrow, Clyde Barrow's brother. That role earned Hackman a nomination for the Academy Award for Best Supporting Actor, an award for which he would again be nominated in I Never Sang for My Father (1970). In 1972 he won the Oscar for his role as Detective Jimmy "Popeye" Doyle in The French Connection (1971). At 40 years old Hackman was a Hollywood star whose work would rise to new heights with Night Moves (1975) and Bite the Bullet (1975), or fall to new depths with The Poseidon Adventure (1972) and Eureka (1983). Hackman is a versatile actor who can play comedy (the blind man in Young Frankenstein (1974)) or villainy (the evil Lex Luthor in Superman (1978)). He is the doctor who puts his work above people in Extreme Measures (1996) and the captain on the edge of nuclear destruction in Crimson Tide (1995). After initially turning down the role of Little Bill Daggett in Clint Eastwood's Unforgiven (1992), Hackman finally accepted it, as its different slant on the western interested him. For his performance he won the Oscar and Golden Globe and decided that he wasn't tired of westerns after all. He has since appeared in Geronimo: An American Legend (1993), Wyatt Earp (1994), and The Quick and the Dead (1995).- Actor
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Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.- Actress
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The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically-lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.
She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.
During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).
In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).
Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.
Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.
Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).
Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).- Actress
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When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".
Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".
Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.
Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.- Actress
- Additional Crew
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Virginia Cathryn "Gena" Rowlands is an American film, stage, and television actress, whose career in the entertainment industry has spanned over six decades. A four-time Emmy and two-time Golden Globe winner, she is known for her collaborations with her late actor-director husband John Cassavetes in 10 films, including A Woman Under the Influence (1974) and Gloria (1980), which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.- Actor
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Having made over one hundred films in his legendary career, Willem Dafoe is internationally respected for bringing versatility, boldness, and daring to some of the most iconic films of our time. His artistic curiosity in exploring the human condition leads him to projects all over the world, large and small, Hollywood films as well as Independent cinema.
In 1979, he was given a role in Michael's Cimino's Heaven's Gate, from which he was fired. Since then, he has collaborated with directors who represent a virtual encyclopedia of modern cinema: James Wan, Robert Eggers, Sean Baker, Kenneth Branagh, Kathryn Bigelow, Sam Raimi, Alan Parker, Walter Hill, Mary Harron, Wim Wenders, Anton Corbijn, Zhang Yimou, Wes Anderson, Martin Scorsese, David Lynch, Oliver Stone, William Friedkin, Werner Herzog, Lars Von Trier, Abel Ferrara, Spike Lee, David Cronenberg, Paul Schrader, Anthony Minghella, Theo Angelopoulos, Robert Rodriguez, Phillip Noyce, Hector Babenco, John Milius, Paul Weitz, The Spierig Brothers, Andrew Stanton, Josh Boone, Dee Rees and Julian Schnabel.
Dafoe has been recognized with four Academy Award nominations: Best Actor in a Supporting Role for Platoon, Best Actor in a Supporting Role for Shadow Of The Vampire, for which he also received Golden Globe and Screen Actors Guild nominations, Best Actor in a Supporting Role for The Florida Project, for which he also received Golden Globe and Screen Actors Guild nominations, and most recently, Best Leading Actor for At Eternity's Gate, for which he also received a Golden Globe nomination. Among his other nominations and awards, he has received two Los Angeles Film Critics Awards, a New York Film Critics Circle Award, a National Board of Review Award, two Independent Spirit Awards, Venice Film Festival Volpi Cup, as well as a Berlinale Honorary Golden Bear for Lifetime Achievement.
Willem was born in Appleton, Wisconsin, to Muriel Isabel (Sprissler), a nurse, and William Alfred Dafoe, a surgeon. He is of mostly German, Irish, Scottish, and English descent. He and his wife, director Giada Colagrande, have made three films together: Padre, A Woman, and Before It Had A Name.
His natural adventurousness is evident in roles as diverse as Marcus, the elite assassin who is mentor to Keanu Reeves in the neo-noir John Wick; in his voice work as Gil the Moorish Idol in Finding Nemo and Ryuk the Death God in Death Note; as Paul Smecker, the obsessed FBI agent in the cult classic The Boondock Saints; and as real life hero Leonhard Seppala, who led the 1925 Alaskan dog sled diphtheria serum run in Ericson Core's Togo. That adventurous spirit continues with upcoming films including Wes Anderson's The French Dispatch, Abel Ferrara's Siberia, and Paul Schrader's The Card Counter.
Dafoe is one of the founding members of The Wooster Group, the New York based experimental theatre collective. He created and performed in all of the group's work from 1977 thru 2005, both in the U.S. and internationally. Since then, he worked with Richard Foreman in Idiot Savant at The Public Theatre (NYC), with Robert Wilson on two international productions: The Life & Death of Marina Abramovic and The Old Woman opposite Mikhail Baryshnikov and developed a new theatre piece, directed by Romeo Castellucci, based on Nathaniel Hawthorne's The Minister's Black Veil. He recently completed work on Marina Abramovic's opera 7 Deaths of Maria Callas.- Actress
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Her artistic dreams came early in life and were further supported by her older sister Gerd Andersson who became a ballet dancer at the Royal Opera and made her acting debut in 1951. Bibi, on the other side, had to make do with bit parts and commercials. She debuted in Dum-Bom (1953), playing against Nils Poppe. Eventually, she was able to start at the Royal Dramatic Theatre's acting school in 1954. A brief relationship with Ingmar Bergman made her quit school and follow him to the Malmö city theatre, where he was a director, performing in plays by August Strindberg and Hjalmar Bergman. Bergman also gave her a small part in his comedy Smiles of a Summer Night (1955), and larger roles in his Wild Strawberries (1957) and The Seventh Seal (1957). From the the 1960s she got offers from abroad, with best result in I Never Promised You a Rose Garden (1977). During the civil war in Yugoslavia she has worked with several initiatives to give the people of Sarajevo theatre and other forms of culture.- Actor
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Born 1930 in Piolenc in south France as son of a wealthy industrialist. Studied law in Aix-en-Provence. Started theatrical acting in 1950, but was regarded untalented at first, until Roger Vadim discovered him for the movies. When the press stalked him 1956 because of rumors of an affair with Brigitte Bardot his partner in ...And God Created Woman (1956), he fled into the army. Ten years later he had his first big success with A Man and a Woman (1966). Since then he has starred in more than 100 movies, with a special talent for the dark characters like murderers or jealous husbands. In his late career he preferred theater to movies.- Actor
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Joseph Cheshire Cotten, Jr. was born in Petersburg, Virginia, into a well-to-do Southern family. He was the eldest of three sons born to Sally Whitworth (Willson) and Joseph Cheshire Cotten, Sr., an assistant postmaster.
Jo (as he was known) and his brothers Whit and Sam spent their summers at their aunt and uncle's home at Virginia Beach. And there and at an early age he discovered a passion for story-telling, reciting, and performing acts for his family. Cotten studied acting at the Hickman School of Expression in Washington, D.C. and worked as an advertising agent afterward. But by 1924 tried to enter acting in New York. His money opportunities were limited to shipping clerk, and after a year of attempting stage work, he left with friends, heading for Miami. There he found a variety of jobs: lifeguard, salesman, a stint as entrepreneur -- making and selling 'Tip Top Potato Salad' - but more significantly, drama critic for the Miami Herald. That evidently led to appearance in plays at the Miami Civic Theater. Through a connection at the Miami Herald he managed to land an assistant stage manager job in New York. In 1929 he was engaged for a season at the Copley Theatre in Boston, and there he was able to expand his acting experience, appearing in 30 plays in a wide variety of parts. By 1930 he made his Broadway debut. In 1931 Cotten married Lenore LaMont (usually known as Kipp), a pianist, divorced with a four-year-old daughter.
To augment his income as an actor in the mid-30s, Cotten took on radio shows in addition to his theatre work. At one audition he met an ambitious, budding actor/writer/director/producer with a mission to make his name-Orson Welles. Cotten was 10 years his senior, but the two found a kindred spirit in one another. For Cotten, Welles association would completely redirect his serious acting life. Their early co-acting attempts boded ill for employment in formal acting vehicles. At a rehearsal for CBS radio the two destroyed a scene taking place on a rubber tree plantation. One or the other was supposed to say the line: "Barrels and barrels of pith...." They could not overcome uncontrolled laughter at each attempt. The director berated them as acting like 'school-children' and 'unprofessional', and thereafter both were considered unreliable. Welles's ambition put that quickly behind them when he formed The Mercury Theatre Players. Coming on board were later Hollywood stalwarts: Everett Sloane, Agnes Moorehead, Ruth Warrick, and Ray Collins. In 1937, Cotten starred in Welles's Mercury productions of "Julius Caesar" and "Shoemaker's Holiday". And he made his film debut in the Welles-directed short Too Much Johnson (1938), a comedy based on William Gillette's 1890 play. The short was occasionally screened before or after Mercury productions, but never received an official release. Cotten returned to Broadway in 1939, starring as C.K. Dexter Haven in the original production of Philip Barry's "The Philadelphia Story". The uproar over Welles's "War of the Worlds" radio broadcast, was rewarded with an impressive contract from RKO Pictures. The two-picture deal promised full creative control for the young director, and Welles brought his Mercury players on-board in feature roles in what he chose to bring to the screen. But after a year, nothing had germinated until Welles met with writer Herman J. Mankiewicz, resulting in the Citizen Kane (1941) idea - early 1940. The story of a slightly veiled William Randolph Hearst with Welles as Kane and Cotten, in his Hollywood debut, as his college friend turned confidant and theater critic, Jed Leland, would become film history, but at the time it caused little more than a ripple. Hearst owned the majority of the country's press outlets and so forbade advertisements for the film. The film was nominated for nine Academy Awards in 1942 but was largely ignored by the Academy, only winning for Best Screenplay for Welles and Mankiewicz.
The following year Cotten and Welles collaborated again in The Magnificent Ambersons (1942), acclaimed but again ignored at Oscar time, and the next year's Nazi thriller Journey Into Fear (1943). Cotten, along with some Welles ideas, wrote the screenplay. Welles with his notorious overrunning of budgeting was duly dropped by RKO thereafter. Later in 1943 Cotten's exposure and acquaintance with young producer David O. Selznick resulted in a movie contract and the launching of his mainstream and very successful movie career as a romantic leading man. Thereafter he appeared with some of the most leading of Hollywood leading ladies - a favorite being Jennifer Jones, Selznick's wife with the two of them being his most intimate friends. Cotten got the opportunity to play a good range of roles through the 1940s - the darkest being the blue beard-like killer in Alfred Hitchcock thriller Shadow of a Doubt (1943) with Teresa Wright. Perhaps the most fun was The Farmer's Daughter (1947) with a vivacious Loretta Young. Cotten starred with Jennifer Jones in four films: the wartime domestic drama Since You Went Away (1944), the romantic drama Love Letters (1945), the western Duel in the Sun (1946), and later in the critically acclaimed Portrait of Jennie (1948), from the haunting Robert Nathan book. Cotten is thoroughly convincing as a second-rate, unmotivated artist who finds inspiration from a chance acquaintance budding into love with an incarnation of a girl who died years before. Welles and Cotten did not work again until The Third Man (1949), directed by Carol Reed. For Cotten, the role as the hapless boyhood friend and second-rate novel writer Holly Martins would be a defining moment in a part both comedic and bittersweet, its range making it one of his best performances. Unfortunately, he was again overlooked for an Oscar.
Cotten was kept in relative demand into his mature acting years. Into the 1950s, he reunited with "Shadow Of A Doubt" co star Thereas Wright, to do the memorable bank caper "The Steel Trap"(1952).He co stared with Jean Peters in "Blueprint For A Murder"(1953). For the most part, the movie roles were becoming more B than A. He had a brief role as a member of the Roman Senate, reuniting with lifelong friend Welles in his Othello (1951). There were a few film-noir outings along with the usual fare of the older actor with fewer roles. However, he was much more successful in returning to theater roles in the new television playhouse format. He also did some episodic TV and some series ventures, as with On Trial, which was later called The Joseph Cotten Show. He had a memorable role in an Alfred Hitchcock Presents, "Breakdown", where he was a man in a lone and isolated car accident, trapped and unable to speak. He voices over and shows his great acting skill simply through facial expressions. His one last stint with Welles was uncredited and sort of Jed Leland-revisited as the hokey coroner early in Welles's over-the-top Touch of Evil (1958). Of his association with Welles, Cotten said: "Exasperating, yes. Sometimes eruptive, unreasonable, ferocious, yes. Eloquent, penetrating, exciting, and always - never failingly even at the sacrifice of accuracy and at times his own vanity - witty. Never, never, never dull."
With the passing of his first wife in 1960 Cotten met and married British actress Patricia Medina. The 1960s found him equally busy in TV and film. He made the circuit of the most popular detective and cowboy series of the period. By 1964 he returned to film with the money making old-Hollywood-dame- horror-movie genre hit Hush...Hush, Sweet Charlotte (1964) with other vintage Hollywood legends Bette Davis, Olivia de Havilland, and Agnes Moorehead. His other films of that decade were of the quick entertainment variety along with some foreign productions, and TV movies. There were also more TV series and guests appearances, especially The Ed Sullivan Show, a popular stop during its long run. In the 1970s Cotten was still in demand-for even more of the curiosity-appeal of the populace for an older star. Along with the new assortment of TV series, he anchored himself at Universal with small parts in forgettable movies, the sluggish Universal epic dud Tora! Tora! Tora! for instance, and the steady diet of TV series being cranked out there. Though older actors have laughed in public about their descent into cheap horror movies, one can only wonder at the impetus to do them -- by such greats, as Claude Rains -- besides a can't-pass-up alluring salary.
Cotten did the campy The Abominable Dr. Phibes (1971) with Vincent Price and about that time two second rate Italian horror outings where he was Baron Blood and Baron Frankenstein. Then again there was better exposure in the Universal minor sci-fi classic Soylent Green (1973). And in yet another Universal sequel, where the profit-logic was to gather a cast of veterans from the Hollywood spectrum in any situation spelling disaster and watch the ticket sales skyrocket, Cotten joined the all-star cast of Airport '77 (1977). He rounded out the decade with the ever faddish Fantasy Island and more Universal TV rounds. This contributor met and worked with Joseph Cotten during this latter evolution of one of Hollywood's greats. He wore his own double-breasted blue blazer and tan slacks in several roles - no need for wardrobe. His pride and joy was a blue 1939 Jaguar SS, something of a fixture on the Universal lot.
Cotten was not ready to turn his back on Hollywood until the beginning of the 1980s when he managed to appear in the epic flop Heaven's Gate (1980). After a Love Boat episode (1981), Cotten joined his wife and his love of gardening and entertaining friends in retirement. He also had the time to write an engaging autobiography Vanity Will Get You Somewhere (1987). Cotten's somewhat matter-of-fact and seemingly gruff acting voice served him well. Certainly his command of varied roles deserved more than the snub of never being nominated for an Academy Award. He was not the only actor to suffer being underrated, but that is largely forgotten in those memorable roles that speak for him. And for what it is worth, the Europeans had the very good sense to award him the Venice Film Festival Award for Best Actor for Portrait of Jennie, one of his favorite roles.- Producer
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William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Actor
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Gérard Depardieu was born in Châteauroux, Indre, France, to Anne Jeanne Josèphe (Marillier) and René Maxime Lionel Depardieu, who was a metal worker and fireman. Young delinquent and wanderer in the past, Depardieu started his acting career at the small traveling theatre "Café de la Gare", along with Patrick Dewaere and Miou-Miou. After minor roles in cinema, at last, he got his chance in Bertrand Blier's Going Places (1974). That film established a new type of hero in the French cinema and the actor's popularity grew enormously. Later, he diversified his screen image and became the leading French actor of the 80s and 90s. He was twice awarded a César as Best Actor for The Last Metro (1980) and Cyrano de Bergerac (1990), also received an Oscar nomination for "Cyrano" and a number of awards at international film festivals. In 1996, he was distinguished by the highest French title of "Chevalier de la Légion d'Honneur". He married Elisabeth Depardieu in 1971, and they divorced in 1996; she appeared with him in Jean de Florette (1986) and Manon of the Spring (1986); their children Guillaume Depardieu and Julie Depardieu are both actors.- Actress
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Gloria Grahame Hallward, an acting pupil of her mother (stage actress and teacher Jean Grahame), acted professionally while still in high school. In 1944 Louis B. Mayer saw her on Broadway and gave her an MGM contract under the name Gloria Grahame. Her debut in the title role of Blonde Fever (1944) was auspicious, but her first public recognition came on loan-out in It's a Wonderful Life (1946). Although her talent and sex appeal were of star quality, she did not fit the star pattern at MGM, who sold her contract to RKO in 1947. Here the same problem resurfaced; her best film in these years was made on loan-out, In a Lonely Place (1950). Soon after, she left RKO. The 1950s, her best period, brought her a Best Supporting Actress Oscar and typecast her as shady, inimitably sultry ladies in seven well-known film-noir classics.
Rumors of being difficult to work with on the set of Oklahoma! (1955) helped sideline her film career from 1956 onward. She also suffered from marital and child-custody troubles. Eight years after divorce from Nicholas Ray, who was 12 years her senior (and reportedly had discovered her in bed with his 13 year old son), and after a subsequent marriage to Cy Howard ended in divorce, in 1960 she married her former stepson Anthony Ray (who was almost 14 years younger than she was.) This led former husbands Nicholas Ray and Cy Howard to sue Grahame; each man seeking custody of his respective child, putting gossip columnists and scandal sheets into overdrive. Grahame herself underwent electroconvulsive therapy after the ensuing stress caused a nervous breakdown. Surprisingly, however, Grahame and Anthony "Tony" Ray proved a happy couple. The union would be Grahame's longest marriage, lasting almost 14 years (10 years longer than her previous union with Ray's father); the couple had two children, Anthony Jr. and James.
In 1960, Grahame resumed stage acting, combined with TV work and, from 1970, some mostly inferior films. She was described as a serious, skillful actress; spontaneous, honest, and strong-willed; imaginative and curious; incredibly sexy but insecure about her looks (prompting plastic surgery on her famous lips); loving appreciative male company; "a bit loony". In 1975, she was treated for breast cancer. Five years later, she was diagnosed with cancer again, although it is unclear if this was a new cancer or a metastasis of her breast cancer. Grahame eventually moved to England in 1978. Her busiest period of British and American stage work ended abruptly in 1981 when she collapsed from cancer symptoms during a rehearsal. She wished to remain in Liverpool with her partner, Peter Turner (almost 30 years her junior), but after Turner notified her children of her health condition and impending death, two of her children flew to England to retrieve her, insisting she return to the United States. She died a few hours later that same day of stomach cancer and peritonitis at St. Vincent's Hospital in Manhattan on October 5, 1981 at age 57.- Actress
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Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."- Actor
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Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.- Actor
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Emanuel Goldenberg arrived in the United States from Romania at age ten, and his family moved into New York's Lower East Side. He took up acting while attending City College, abandoning plans to become a rabbi or lawyer. The American Academy of Dramatic Arts awarded him a scholarship, and he began work in stock, with his new name, Edward G. Robinson (the "G" stood for his birth surname), in 1913. Broadway was two years later; he worked steadily there for 15 years. His work included "The Kibitzer", a comedy he co-wrote with Jo Swerling. His film debut was a small supporting part in the silent The Bright Shawl (1923), but it was with the coming of sound that he hit his stride. His stellar performance as snarling, murderous thug Rico Bandello in Little Caesar (1931)--all the more impressive since in real life Robinson was a sophisticated, cultured man with a passion for fine art--set the standard for movie gangsters, both for himself in many later films and for the industry. He portrayed the title character in several biographical works, such as Dr. Ehrlich's Magic Bullet (1940) and A Dispatch from Reuters (1940). Psychological dramas included Flesh and Fantasy (1943), Double Indemnity (1944), The Woman in the Window (1944)and Scarlet Street (1945). Another notable gangster role was in Key Largo (1948). He was "absolved" of allegations of Communist affiliation after testifying as a friendly witness for the House Un-American Activities Committee during the McCarthy hysteria of the early 1950s. In 1956 he had to sell off his extensive art collection in a divorce settlement and also had to deal with a psychologically troubled son. In 1956 he returned to Broadway in "Middle of the Night". In 1973 he was awarded a special, posthumous Oscar for lifetime achievement.- Actor
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The son of the renowned French sculptor Paul Belmondo, he studied at Conservatoire National Superieur d'Art Dramatique (CNSAD); after the minor stage performances he made his screen debut in À pied, à cheval et en voiture (1957) but the episodes with his participation were cut before release. However, the breakthrough role in Jean-Luc Godard's Breathless (1960) made him one of the key figures in the French New Wave. Since mid-60s he completely switched to commercial mainstream pictures and became a big comedy and action star in France. Following the example of Alain Delon he founded his own production company Cerito named after his grandmother's maiden name. In 1989 he was awarded Cesar for his performance in Itinerary of a Spoiled Child (1988) . Recently he returned to stage performing in the Théâtre Marigny, Paris, notably as Edmund Kean or Cyrano de Bergerac. He still appears in the movies but not so often as before preferring mostly dramatic roles. The president of France distinguished him with order of Legion of Honour. Belmondo had three children with his first spouse Elodie Constant: Patricia Belmondo ( who died in a fire in 1993), Florence Belmondo and Paul Belmondo. In 2003, he had another daughter, Stella Belmondo, with his second spouse Natty Belmondo. None of his children became actors though you could have seen his son Paul in an episodic role (the same as his father, at an earlier age) in Itinerary of a Spoiled Child (1988).- Actress
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Ask Kate Winslet what she likes about any of her characters, and the word "ballsy" is bound to pop up at least once. The British actress has made a point of eschewing straightforward pretty-girl parts in favor of more devilish damsels; as a result, she's built an eclectic resume that runs the gamut from Shakespearean tragedy to modern-day mysticism and erotica.
Kate Elizabeth Winslet was born in Reading, Berkshire, into a family of thespians -- parents Roger Winslet and Sally Anne Bridges-Winslet were both stage actors, maternal grandparents Oliver and Linda Bridges ran the Reading Repertory Theatre, and uncle Robert Bridges was a fixture in London's West End theatre district. Kate came into her talent at an early age. She scored her first professional gig at eleven, dancing opposite the Honey Monster in a commercial for a kids' cereal. She started acting lessons around the same time, which led to formal training at a performing arts high school. Over the next few years, she appeared on stage regularly and landed a few bit parts in sitcoms. Her first big break came at age 17, when she was cast as an obsessive adolescent in Heavenly Creatures (1994). The film, based on the true story of two fantasy-gripped girls who commit a brutal murder, received modest distribution but was roundly praised by critics.
Still a relative unknown, Winslet attended a cattle call audition the next year for Ang Lee's Sense and Sensibility (1995). She made an immediate impression on the film's star, Emma Thompson, and beat out more than a hundred other hopefuls for the part of plucky Marianne Dashwood. Her efforts were rewarded with both a British Academy Award and an Oscar nomination for Best Supporting Actress. Winslet followed up with two more period pieces, playing the rebellious heroine in Jude (1996) and Ophelia in Kenneth Branagh's Hamlet (1996).
The role that transformed Winslet from art house attraction to international star was Rose DeWitt Bukater, the passionate, rosy-cheeked aristocrat in James Cameron's Titanic (1997). Young girls the world over both idolized and identified with Winslet, swooning over all that face time opposite heartthrob Leonardo DiCaprio and noting her refreshingly healthy, unemaciated physique. Winslet's performance also garnered a Best Actress nomination, making her the youngest actress to ever receive two Academy Award nominations.
After the swell of unexpected attention surrounding Titanic (1997), Winslet was eager to retreat into independent projects. Rumor has it that she turned down the lead roles in both Shakespeare in Love (1998) and Anna and the King (1999) in order to play adventurous soul searchers in Hideous Kinky (1998) and Holy Smoke (1999). The former cast her as a young single mother traveling through 1970s Morocco with her daughters in tow; the latter, as a zealous follower of a guru tricked into a "deprogramming" session in the Australian outback. The next year found her back in period dress as the Marquis de Sade's chambermaid and accomplice in Quills (2000). Kate holds the distinction of being the youngest actor ever honored with four Academy Award nominations (she received her fourth at age 29). As of 2016, she has been nominated for an Oscar seven times, winning one of them: she received the Best Actress Oscar for the drama The Reader (2008), playing a former concentration camp guard.
For her performance of Joanna Hoffman in Steve Jobs (2015), she received her seventh Academy Award nomination.
Off camera, Winslet is known for her mischievous pranks and familial devotion. She has two sisters, Anna Winslet and Beth Winslet (both actresses), and a brother, Joss.
In 1998, she married assistant director Jim Threapleton. They had a daughter, Mia Honey Threapleton, in October 2000. They divorced in 2001. She later married director Sam Mendes in 2003 and gave birth to their son, Joe Alfie Winslet-Mendes, later that year. After seven years of marriage, in February 2010 they announced that they had amicably separated, and divorced in October 2010. In 2012, Kate married Ned Rocknroll, with whom she has a son. She was awarded Commander of the Most Excellent Order of the British Empire in the 2012 Queen's Birthday Honours List for her services to Drama.- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Actress
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Monica Vitti was born on 3 November 1931 in Rome, Lazio, Italy. She was an actress and writer, known for L'Avventura (1960), Red Desert (1964) and L'Eclisse (1962). She was married to Roberto Russo. She died on 2 February 2022 in Rome, Lazio, Italy.- Actor
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Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.- Actor
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Joaquin Phoenix was born Joaquin Rafael Bottom in San Juan, Puerto Rico, to Arlyn (Dunetz) and John Bottom, and is the middle child in a brood of five. His parents, from the continental United States, were then serving as Children of God missionaries. His mother is from a Jewish family from New York, while his father, from California, is of mostly British Isles descent. As a youngster, Joaquin took his cues from older siblings River Phoenix and Rain Phoenix, changing his name to Leaf to match their earthier monikers. When the children were encouraged to develop their creative instincts, he followed their lead into acting. Younger sisters Liberty Phoenix and Summer Phoenix rounded out the talented troupe.
The family moved often, traveling through Central and South America (and adopting the surname "Phoenix" to celebrate their new beginnings) but, by the time Joaquin was age 6, they had more or less settled in the Los Angeles area. Arlyn found work as a secretary at NBC, and John turned his talents to landscaping. They eventually found an agent who was willing to represent all five children, and the younger generation dove into television work. Commercials for meat, milk, and junk food were off-limits (the kids were all raised as strict vegans), but they managed to find plenty of work pushing other products. Joaquin's first real acting gig was a guest appearance on River's sitcom, Seven Brides for Seven Brothers (1982).
He worked with his brother again on the afterschool special Backwards: The Riddle of Dyslexia (1984), then struck out on his own in other made-for-TV productions. He made his big-screen debut as the youngest crew member in the interstellar romp SpaceCamp (1986), then won his first starring turn in the Cold War-era drama Russkies (1987). In the late '80s, the Phoenix clan decided to pull up stakes and relocate again--this time to Florida. River's film career had enough momentum to sustain the move, but Joaquin wasn't sure what lay in store for him in the Sunshine State. As it happened, Universal Pictures had just opened a new studio in the area and he was cast almost immediately as an angst-ridden adolescent in Parenthood (1989). His performance was very well-received, but Joaquin decided to withdraw from acting for a while--he was frustrated with the dearth of interesting roles for actors his age, and he wanted to see more of the world.
His parents were in the process of separating, so he struck out for Mexico with his father. Joaquin returned to the public eye three years later under tragic circumstances. On October 31, 1993, he was at The Viper Room (a Los Angeles nightclub partly-owned by Johnny Depp) when his brother River collapsed from a drug overdose and later died. Joaquin made the call to 911, which was rebroadcast on radio and television the world over. Months later, at the insistence of friends and colleagues, Joaquin began reading through scripts again, but he was reluctant to re-enter the acting life until he found just the right part. He finally signed up to work with Gus Van Sant (who had directed River in My Own Private Idaho (1991) and Even Cowgirls Get the Blues (1993)) to star as Nicole Kidman's obsessive devotee in To Die For (1995). The performance made Joaquin (who had dropped Leaf and reverted to his birth name) a critics' darling in his own right.
His follow-up turn in Inventing the Abbotts (1997) scored more critical kudos and, perhaps more importantly, introduced him to his one-time fiancée Liv Tyler. (The pair dated for almost three years.) He returned to the big screen later that year with a supporting role in Oliver Stone's U Turn (1997), then played a locked-up drug scapegoat in Return to Paradise (1998). He and "Paradise" co-star Vince Vaughn re-teamed almost immediately for the small-town murder caper Clay Pigeons (1998), which Joaquin followed with a turn as a porn store clerk in 8MM (1999). The film that confirmed Phoenix as a star was the historical epic Gladiator (2000). The Roman epic cast him as the selfish, paranoid young emperor Commodus opposite Russell Crowe's swarthy hero. Determined to make his character as real as possible, Phoenix gained weight and cultivated a pasty complexion during the shoot. He received international attention and an Academy Award nomination for Best Supporting Actor for that role.
Later that year, he appeared in two indies, playing a dock worker in The Yards (2000) (which he counts among his favorite experiences--and one of the only films of his that he can sit through) and the priest in charge of the Marquis de Sade's asylum in Quills (2000). He received an Academy Award nomination for Best Actor as the legendary musician Johnny Cash in the biography Walk the Line (2005). He also recorded an album, the film's soundtrack, for which he received the Grammy Award for Best Compilation Soundtrack for Visual Media.- Actor
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Nicolas Cage was born Nicolas Kim Coppola in Long Beach, California, the son of comparative literature professor August Coppola (whose brother is director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang. He is of Italian (father) and Polish and German (mother) descent. Cage changed his name early in his career to make his own reputation, succeeding brilliantly with a host of classic, quirky roles by the late 1980s.
Initially studying theatre at Beverly Hills High School (though he dropped out at seventeen), he secured a bit part in Fast Times at Ridgemont High (1982) -- most of which was cut, dashing his hopes and leading to a job selling popcorn at the Fairfax Theater, thinking that would be the only route to a movie career. But a job reading lines with actors auditioning for uncle Francis' Rumble Fish (1983) landed him a role in that film, followed by the punk-rocker in Valley Girl (1983), which was released first and truly launched his career.
His one-time passion for method acting reached a personal limit when he smashed a street-vendor's remote-control car to achieve the sense of rage needed for his gangster character in The Cotton Club (1984).
In his early 20s, he dated Jenny Wright for two years and later linked to Uma Thurman. After a relationship of several years with Christina Fulton, a model, they split amicably and share custody of a son, Weston Cage (b. 1990). He also has a son with his ex-wife, Alice Kim Cage.- Actress
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This beautiful, dark-haired French actress made a hit with a supporting role in her first film, as the piano teacher in Louis Malle's "Au revoir, les enfants" (1987). Educated in London and Geneva, and a Paris resident since the age of 18, Jacob became a promising starlet with her Malle success and followed up with another small role in Jacques Rivette's "La bande des quatre/The Gang of Four" (1989). 5Stardom (and a Cannes Film Festival Best Actress award) arrived with Jacob's dual role as two women whose lives are mysteriously linked in Krzysztof Kieslowski's psychological drama "The Double Life of Veronique" (1991). She ventured to the US for a ronantic comedy, "Trusting Beatrice" (1991), fittingly, about a young French woman's arrival in the US. After the small film "The Van Gogh Wake" (1993), she played the ill-fated mother in Agnieszka Holland's touching and acclaimed "The Secret Garden" (1993). Several more small French films followed, but it took a reunion with Kieslowski to jump-start Jacob's career again. In his "Red/Rouge" (1994), the final segment of his "Three Colors" trilogy (and his swan song), Jacob starred as a Swiss fashion model who meets a cynical aging ex-judge (played by Jean-Louis Trintignant) after she runs over his dog. In the film, she served as an emotional and spiritual curative for the old man; the second time, Kieslowski employed Jacob as a woman who offers a man consolation and mystery. Jacob followed up as a religious devotee in Michaelango Antonioni's episodic "Beyond the Clouds/Par-dela les nuages" (1995), then ventured to England to play Desdemona to Laurence Fishburne's "Othello" (also 1995). Jacob has several foreign-made films in the can which have not yet been released in the US: she plays an East Indian beauty with Willem Defoe and Sam Neill in "Victory" (filmed in 1994), an ill-fated vacationer in "Fugueuses/Runaway" and a French actress in 1948 who befriends a mysterious tramp (Stephen Rea) in "All Men Are Mortal" (both shown at Cannes in 1995).- Actor
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Samuel L. Jackson is an American producer and highly prolific actor, having appeared in over 100 films, including Die Hard with a Vengeance (1995), Unbreakable (2000), Shaft (2000), Formula 51 (2001), Black Snake Moan (2006), Snakes on a Plane (2006), and the Star Wars prequel trilogy (1999-2005), as well as the Marvel Cinematic Universe.
Samuel Leroy Jackson was born in Washington, D.C., to Elizabeth (Montgomery) and Roy Henry Jackson. He was raised by his mother, a factory worker, and his grandparents. At Morehouse College, Jackson was active in the black student movement. In the seventies, he joined the Negro Ensemble Company (together with Morgan Freeman). In the eighties, he became well-known after three movies made by Spike Lee: Do the Right Thing (1989), Mo' Better Blues (1990) and Jungle Fever (1991). He achieved prominence and critical acclaim in the early 1990s with films such as Patriot Games (1992), Amos & Andrew (1993), True Romance (1993), Jurassic Park (1993), and his collaborations with director Quentin Tarantino, including Pulp Fiction (1994), Jackie Brown (1997), and later Django Unchained (2012). Going from supporting player to leading man, his performance in Pulp Fiction (1994) gave him an Oscar nomination for his character Jules Winnfield, and he received a Silver Berlin Bear for his part as Ordell Robbi in Jackie Brown (1997). Jackson usually played bad guys and drug addicts before becoming an action hero, co-starring with Bruce Willis in Die Hard with a Vengeance (1995) and Geena Davis in The Long Kiss Goodnight (1996).
With Jackson's permission, his likeness was used for the Ultimate version of the Marvel Comics character, Nick Fury. He later did a cameo as the character in a post-credits scene from Iron Man (2008), and went on to sign a nine-film commitment to reprise this role in future films, including major roles in Iron Man 2 (2010), The Avengers (2012), Captain America: The Winter Soldier (2014) and Avengers: Age of Ultron (2015) and minor roles in Thor (2011) and Captain America: The First Avenger (2011). He has also portrayed the character in the second and final episodes of the first season of the TV show, Marvel's Agents of S.H.I.E.L.D. (2013). He has provided his voice to several animated films, television series and video games, including the roles of Lucius Best / Frozone in Pixar's film The Incredibles (2004), Mace Windu in Star Wars: The Clone Wars (2008), Afro Samurai in the anime television series Afro Samurai (2007), and Frank Tenpenny in the video game Grand Theft Auto: San Andreas (2004).- Actor
- Soundtrack
One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.- Actress
- Second Unit Director or Assistant Director
- Costume and Wardrobe Department
Along with Hara Setsuko and Tanaka Kinuyo, Takamine Hideko remains one of Japan's most admired and prolific film actresses. Born as Hirayama Hideko in Hakodate, Hokkaido in northern Japan in 1924, she became a child actress for Shochiku Studio at age five appearing in the film Haha. She would go on to work with directors like Kinoshita, Ozu, and arguably most notably Naruse Mikio. Mid-career she had switched to P.C.L. Film Studio (later Toho Studios) and then become independent yet she would work for notable directors nonetheless. By the time she married director Matsuyama Zenzo in 1955 she had acquired a reputation as depicting feminist roles where women seek their independence or are oppressed. She died in 2010 of lung cancer, but had recorded songs and written biographies before her death.- Actor
- Second Unit Director or Assistant Director
- Director
Jean-Pierre Léaud is not everybody's cup of tea for sure, but will remain an important name in film history. As an actor he can be adored or hated for exactly the same reasons: he is one of those rare players that directors let improvise his dialogue, which gets on certain viewers' nerves while it fascinates others. The same is true for his very personal staccato diction and elocution and his many mannerisms, the most obvious one being his way to run his hand through his long hair. But there is no denying Léaud is not just another actor, whether you love him or are allergic to him. The son of actress Jacqueline Pierreux and scriptwriter/assistant director Pierre Léaud, Jean-Pierre started acting very early. Indeed, he was only thirteen when he first appeared on a screen, playing a small role in a swashbuckling film directed by veteran Georges Lampin "la Tour, prends garde!" (1957). And he was still only fourteen when he answered an ad placed in a newspaper by François Truffaut, who was seeking a young actor able to play Antoine Doinel, a troubled adolescent, in his first feature film "The 400 blows". Jean-Pierre was tested among a hundred other candidates and proved so amazingly spontaneous and so gifted for improvisation that not only was he hired but he would go on to play the role in four subsequent Truffaut semi-autobiographies concluding with "Love on the run" (1978), a unique experience indeed. Thanks to Truffaut he was introduced to the other stars of the French New Wave, mainly Jean-Luc Godard for whom he would appear in eight films and one TV film, and gradually became their icon. Not too sure about his acting talents, he planned to become a director (which he actually did only once) and worked as an assistant to Truffaut and Godard. But his success both as Truffaut's alter ego and as the leftist movie makers' spokesman encouraged him to go on playing rather than directing. "Masculin Féminin" (1966) by Godard even earned him an Award for Best Actor at the Berlin Film Festival. An ardent leftist militant himself, he worked with equally committed directors, including abroad. He was in Italian Pasolini's "Porcile" (1968), in Polish Skolimovski's "Dialog 20-40-60" (also '68) Brazilian Carlos Diegues' Os herdeiros (1970) and Glauber Rocha's Der Leone have sept cabeças (1971). Bertolucci also hired him for "Last tango in Paris" starring Marlon Brando (who so petrified Léaud that he could not play his scenes alongside him), but this one was filmed in Paris. This busy period ended after an excellent role in a classic art movie in the French style: Jean Eustache's "La maman et la putain". In the late seventies and throughout the eighties Léaud worked irregularly, mainly on television, occasionally giving a crazy performance in a mainstream film, as was the case in Josiane's Balasko crime comedy "Les keufs", for which he got a César nomination. But he made an exciting comeback in the nineties when several "new New Wave" directors hired Léaud to pay homage to their elders. Among them French movie makers such as Olivier Assayas, Danièle Dubroux , Serge Le Péron or Bertrand Bonello and foreigners like Finnish Aki Käurismäki and Taiwanese Tsai Ming-Liang. A second youth for eternally young, rebellious, ill-at-ease, annoyingly romantic,touchingly annoying Jean-Pierre Léaud, whose round face staring at the camera in the last shot of "The 400 blows" will never be forgotten.- Actor
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Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.
He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1970). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).
Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.
Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).
Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).
Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.- Actress
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Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- Actor
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Billy Wilder proclaimed William Holden to be "the ideal motion picture actor". For almost four decades, the handsome, affable 'Golden Holden' was among Hollywood's most durable and engaging stars. He was born William Franklin Beedle Jr., one of three sons to a high school English teacher, Mary Blanche (Ball), and a chemical and fertilizer analyst, William Franklin Beedle, head of the George W. Gooch Laboratories in Pasadena. His father, a keen physical fitness enthusiast, taught young Bill the art of tumbling and boxing. During his days as a student at South Pasadena High, he also became adept at team sports (football and baseball), learned to ride and shoot and to be proficient on piano, clarinet and drums.
To his father's chagrin, Bill had no inclination of following in dad's footsteps, though he did major in chemistry at Pasadena Junior College. A trip to New York and Broadway had set Bill's path firmly on an acting career. He had already performed in school plays and lent his voice to several radio plays in Los Angeles by the time he was spotted by a Paramount talent scout (playing the part of octogenarian Eugene Curie) at the Pasadena Workshop Theatre. In early 1938, he was offered a six-month studio contract for a weekly salary of $50. Naturally, the name Beedle had to go. Several alternatives were bandied around -- including Randolph Carey and Taylor Randolph - until the head of Paramount's publicity department settled on the name Holden (based on a personal friend who was an associate editor at the L.A. Times, also named Bill).
Having joined Paramount's Golden Circle Club of promising young actors, Bill was now groomed for stardom. However, it was a loan-out to Columbia that secured him his breakthrough role. He was the sixty-sixth actor to audition for the part of an Italian violinist forced to become a boxer in Golden Boy (1939). His earlier training as a junior pugilist proved somewhat beneficial but it was self-effacing co-star Barbara Stanwyck who turned out to be most instrumental in helping him rehearse and overcoming his nerves to act alongside her and thespians Lee J. Cobb and Adolphe Menjou. The picture was a minor hit and Columbia consequently acquired half his contract. For the next few years, Bill continued playing wholesome, guy-next-door types and rookie servicemen in pictures like Our Town (1940), I Wanted Wings (1941) (which was the making of 'peek-a-boo' star Veronica Lake) and The Fleet's In (1942). His salary had been enhanced and he now earned $150 a week. In July 1941, he married 25-year old actress Brenda Marshall, who commanded five times his income.
In 1942, he enlisted in the Officers Candidate School in Florida, graduating as an Air Force second lieutenant. He spent the next three years on P.R. duties and making training films for the Office of Public Information. One of his brothers, a naval pilot, was shot down and killed over the Pacific in 1943. After war's end, he was demobbed and returned to Hollywood to resume playing similar characters in similar movies. He later commented that he found "no interest or enjoyment" in portraying the same type of "nice-guy meaningless roles in meaningless movies". That was to change - along with his image - when he was invited to play the part of caddish, down-on-his-luck scriptwriter Joe Gillis in Sunset Blvd. (1950). The brilliantly acidulous screenplay was by Charles Brackett and director Billy Wilder (from their story A Can of Beans) and the story was narrated in flashback by Bill's character, opening with Gillis floating face-down in the swimming pool of a decrepit mansion "of the kind crazy people bought in the 20s".
With Sunset Blvd. (1950), Holden had effectively graduated from leading man to leading actor. No longer typecast, he was now allowed more hard-edged or even morally ambiguous roles: a self-serving, cynical prisoner-of-war in Stalag 17 (1953) (for which he won an Academy Award); an unemployed drifter who disrupts and changes the lives (particularly of womenfolk) in a small Kansas town, in Picnic (1955); a happy-go-lucky gigolo (who, as Billy Wilder explained the part to Bill, gets the sports car while Bogey -- Humphrey Bogart -- gets the girl), in the delightful Sabrina (1954); and an ill-fated U.S. Navy pilot in The Bridges at Toko-Ri (1954), set during the Korean War. Clever dialogue and the Holden likability factor also improved what potentially could have turned out dull or maudlin in pictures like Forever Female (1953) and Love Is a Many-Splendored Thing (1955).
Already one of the highest paid stars of the 1950s, Holden received 10% of the gross for The Bridge on the River Kwai (1957), making him an instant multi-millionaire. He invested much of his earnings in various enterprises, even a radio station in Hong Kong. At the end of the decade, he relocated his family to Geneva, Switzerland, but spent more and more of his own time globetrotting. In the 1960s, Holden founded the exclusive Mount Kenya Safari Club with oil billionaire Ray Ryan and Swiss financier Carl Hirschmann. His fervent advocacy of wildlife conservation now consumed more of his time than his acting. His films, consequently, dropped in quality.
Drinking ever more heavily, he also started to show his age. By the time he appeared as the leader of an outlaw gang on their last roundup in Sam Peckinpah's The Wild Bunch (1969), his face was so heavily lined that someone likened it to 'a map of the United States.' He still had a couple more good performances in him, in The Towering Inferno (1974) and Network (1976), until his shock death from blood loss due to a fall at his apartment while intoxicated. In 1982, actress Stefanie Powers, with whom he had been in a relationship since 1972, helped set up the William Holden Wildlife Foundation and the William Holden Wildlife Education Center in Kenya. Bill also has a star on the Hollywood Walk of Fame. His wanderlust has left traces of him all over the world.- Actor
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Eldred Gregory Peck was born on April 5, 1916 in La Jolla, California, to Bernice Mae (Ayres) and Gregory Pearl Peck, a chemist and druggist in San Diego. He had Irish (from his paternal grandmother), English, and some German, ancestry. His parents divorced when he was five years old. An only child, he was sent to live with his grandmother. He never felt he had a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which followed him everywhere. He studied pre-med at UC-Berkeley and, while there, got bitten by the acting bug and decided to change the focus of his studies. He enrolled in the Neighborhood Playhouse in New York and debuted on Broadway after graduation. His debut was in Emlyn Williams' play "The Morning Star" (1942). By 1943, he was in Hollywood, where he debuted in the RKO film Days of Glory (1944).
Stardom came with his next film, The Keys of the Kingdom (1944), for which he was nominated for an Academy Award. Peck's screen presence displayed the qualities for which he became well known. He was tall, rugged and heroic, with a basic decency that transcended his roles. He appeared in Alfred Hitchcock's Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he was again nominated for an Academy Award and won the Golden Globe. He was especially effective in westerns and appeared in such varied fare as David O. Selznick's critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He was nominated again for the Academy Award for his roles in Gentleman's Agreement (1947), which dealt with anti-Semitism, and Twelve O'Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.
With a string of hits to his credit, Peck made the decision to only work in films that interested him. He continued to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower (1951) and Moby Dick (1956). He worked with Audrey Hepburn in her debut film, Roman Holiday (1953). Peck finally won the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appeared in two darker films than he usually made, Cape Fear (1962) and Captain Newman, M.D. (1963), which dealt with the way people live. He also gave a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, he produced two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He made a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returned to the bigger-than-life roles he was best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moved into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appeared in the remake of his 1962 film, playing a different role, in Martin Scorsese's Cape Fear (1991). He was also cast as the progressive-thinking owner of a wire and cable business in Other People's Money (1991).
In 1967, Peck received the Academy's Jean Hersholt Humanitarian Award. He was also been awarded the US Presidential Medal of Freedom. Always politically progressive, he was active in such causes as anti-war protests, workers' rights and civil rights. In 2003, his Peck's portrayal of Atticus Finch was named the greatest film hero of the past 100 years by the American Film Institute. Gregory Peck died at age 87 on June 12, 2003 in Los Angeles, California.- Actor
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Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.- Actor
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American actor, filmmaker and activist Edward Harrison Norton was born on August 18, 1969, in Boston, Massachusetts, and was raised in Columbia, Maryland.
His mother, Lydia Robinson "Robin" (Rouse), was a foundation executive and teacher of English, and a daughter of famed real estate developer James Rouse, who developed Columbia, MD; she passed away of brain cancer on March 6, 1997. His father, Edward Mower Norton, was an environmental lawyer and conservationist, who works for the National Trust for Historic Preservation. Edward has two younger siblings, James and Molly.
From the age of five onward, the Yale graduate (majoring in history) was interested in acting. At the age of eight, he would ask his drama teacher what his motivation in a scene was. He attended theater schools throughout his life, and eventually managed to find work on stage in New York as a member of the Signature players, who produced the works of playwright and director Edward Albee. Around the time when he was appearing in Albee's Fragments, in Hollywood, they were looking for a young actor to star opposite Richard Gere in a new courtroom thriller, Primal Fear (1996). The role was offered to Leonardo DiCaprio but he turned it down. Gere was on the verge of walking away from the project, fed up with the wait for a young star to be found, when Edward auditioned and won the role over 2000 other hopefuls. Before the film was even released, his test screenings for the part were causing a Hollywood sensation, and he was soon offered roles in Woody Allen's Everyone Says I Love You (1996) and The People vs. Larry Flynt (1996). Edward won the Golden Globe for Best Actor in a Supporting Role and received an Oscar nomination for Best Supporting Actor for his performance in Primal Fear (1996). In 1998, Norton gained 30 pounds of muscle and transformed his look into that of a monstrous skinhead for his role as a violent white supremacist in American History X (1998). This performance earned him his second Oscar nomination, this time for Best Actor.
He received his third Oscar nomination, for Best Supporting Actor, for his work in Birdman or (The Unexpected Virtue of Ignorance) (2014). His most prominent roles also include the critically acclaimed Everyone Says I Love You (1996), The People vs. Larry Flynt (1996), Fight Club (1999), Red Dragon (2002), 25th Hour (2002), Kingdom of Heaven (2005), The Illusionist (2006), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014). He has also directed and co-written films, including his directorial debut, Keeping the Faith (2000). He has done uncredited work on the scripts for The Score (2001), Frida (2002), and The Incredible Hulk (2008).
Alongside his work in cinema, Norton is an environmental and social activist, and is a member of the board of trustees of Enterprise Community Partners, a non-profit organization for developing affordable housing founded by his grandfather James Rouse.- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Actor
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Sir Dirk Bogarde, distinguished film actor and writer, was born Derek Jules Gaspard Ulric Niven van den Bogaerde on March 28, 1921, to Ulric van den Bogaerde, the art editor of "The Times" (London) newspaper, and actress Margaret Niven in the London suburb of Hampstead. He was one of three children, with sister Elizabeth and younger brother Gareth. His father was Flemish and his mother was of Scottish descent.
Ulric Bogaerde started the Times' arts department and served as its first art editor. Derek's mother, Margaret - the daughter of actor and painter Forrest Niven - appeared in the play "Bunty Pulls The Strings", but she quit the boards in accordance with her husband's wishes. The young Derek Bogaerde was raised at the family home in Sussex by his sister, Elizabeth, and his nanny, Lally Holt.
Educated at the Allen Glen's School in Glasgow, he also attended London's University College School before majoring in commercial art at Chelsea Polytechnic, where his teachers included Henry Moore. Though his father wanted his eldest son to follow him into the "Times" as an art critic and had groomed him for that role, Derek dropped out of his commercial art course and became a drama student, though his acting talent at that time was unpromising. In the 1930s he went to work as a commercial artist and a scene designer.
He apprenticed as an actor with the Amersham Repertory Company, and made his acting debut in 1939 on a small London stage, the Q Theatre, in a role in which he delivered only one line. His debut in London's West End came a few months later in J.B. Priestley's play "Cornelius," in which he was billed as "Derek Bogaerde". He made his uncredited debut as an extra in the pre-war George Formby comedy Come on George! (1939).
The September 1939 invasion of Poland by Nazi Germany and the Soviet Union triggered World War II, and in 1940 Bogarde joined the Queen's Royal Regiment as an officer. He served in the Air Photographic Intelligence Unit and eventually attained the rank of major. Nicknamed "Pippin" and "Pip" during the war, he was awarded seven medals in his five years of active duty. He wrote poems and painted during the war, and in 1943, a small magazine published one of his poems, "Steel Cathedrals," which subsequently was anthologized. His paintings of the war are part of the Imperial War Museum's collection.
Similar to his character, Captain Hargreaves, in King & Country (1964), he was called upon to put a wounded soldier out of his misery, a tale recounted in one of his seven volumes of autobiography. While serving with the Air Photographic Intelligence Unit, he took part in the liberation of the Bergen-Belsen concentration camp, which he said was akin to "looking into Dante's Inferno".
In one of his autobiographies, he wrote, "At 24, the age I was then, deep shock stays registered forever. An internal tattooing which is removable only by surgery, it cannot be conveniently sponged away by time."
After being demobilized, he returned to acting. His agent re-christened him "Dirk Bogarde," a name that he would make famous within a decade. In 1947 he appeared in "Power Without Glory" at the New Lindsay Theatre, a performance that was praised by Noël Coward, who urged him to continue his acting career. The Rank Organization had signed him to a contract after a talent scout saw him in the play, and he made his credited movie debut in Dancing with Crime (1947) with a one-line bit as a policeman.
His first lead in a movie came that year when Wessex Films, distributed by Rank, gave him a part in the proposed Stewart Granger film Sin of Esther Waters (1948). When Granger dropped out, Bogarde took over the lead. Rank subsequently signed him to a long-term contract and he appeared in a variety of parts during the 14 years he was under contract to the studio.
For three years he toiled in Rank movies as an apprentice actor without making much of a ripple; then in 1950, he was given the role of young hood Tom Riley in the crime thriller The Blue Lamp (1950) (the title comes from the blue-colored light on police call-boxes in London), the most successful British film of 1950, which established Bogarde as an actor of note. Playing a cop killer, an unspeakable crime in the England of the time, it was the first of the intense neurotics and attractive villains that Bogarde would often play.
He continued to act on-stage, appearing in the West End in Jean Anouilh's "Point of Departure". While he was praised for his performance, stage acting made him nervous, and as he became more famous, he began to be mobbed by fans. The pressure of the public adulation proved overwhelming, particularly as he suffered from stage fright. He was accosted by crowds of fans at the stage door during the 1955 touring production of "Summertime," and his more enthusiastic admirers even shouted at him during the play. He was to appear in only one more play, the Oxford Playhouse production of "Jezebel," in 1958. He never again took to the boards, despite receiving attractive offers.
He first acted for American expatriate director Joseph Losey in The Sleeping Tiger (1954). Losey, a Communist and self-described Stalinist at the time, had emigrated to England after being blacklisted in Hollywood after he refused to direct The Woman on Pier 13 (1949) at RKO Pictures, which was owned by right-wing multi-millionaire Howard Hughes at the time, and he was accused in testimony before the House Un-American Activities Committee of being a Communist. The director, like Bogarde, would not find his stride until the early 1960s, and Losey and Bogarde would build their reputations together.
First, however, Losey had to overcome Bogarde's reluctance to star in a low-budget film (shot for $300,000) with a blacklisted American director. Losey, who had never heard of Bogarde until he was proposed for the film, met with him and asked Bogarde to view one of his pictures. After seeing the film, Bogarde was enthusiastic, and Losey talked him into taking the role, which he accepted at a reduced fee (Losey originally was not credited with directing the film due to his being blacklisted in the States). A decade later they would make more memorable films that would be watersheds in their careers.
It was not drama but comedy that made Dirk Bogarde a star. He achieved the first rank of English movie stardom playing Dr. Simon Sparrow in the comedy Doctor in the House (1954). The film was a smash hit, becoming one of the most popular British films in history, with 17 million admissions in its first year of release. As Sparrow, Bogarde became a heartthrob and the most popular British movie star of the mid-50s. He reprised the character in Doctor at Sea (1955), Doctor at Large (1957).
The title of the latter film may have described his mood as a serious actor having to do another turn as Dr. Sparrow between his career-making performances in Losey's The Servant (1963), with a script by Harold Pinter, and Losey's adaptation of the stage play King & Country (1964), in which Bogarde memorably played the attorney for a young deserter (played by Tom Courtenay).
Bogarde, hailed as "the idol of the Odeons" in honor of his box-office clout, was offered the role of Jimmy Porter in Look Back in Anger (1959) by producer Harry Saltzman and director Tony Richardson, based on the play that touched off the "Angry Young Man" and "Kitchen Sink School" of contemporary English drama in the 1950s. Though Bogarde wanted to take the part, Rank refused to let him make the film on the grounds that there was "altogether too much dialog." The part went to Richard Burton instead, who went over-the-top in portraying his very angry, not-so-young man.
After this disappointment, Bogarde went to Hollywood to play Franz Liszt in Song Without End (1960) and to appear in Nunnally Johnson's Spanish Civil War drama The Angel Wore Red (1960) with Ava Gardner. Both were big-budgeted films, but hampered by poor scripts, and after both films failed, Bogarde avoided Hollywood from then on.
He was reportedly quite smitten with his French "Song Without End" co-star Capucine, and wanted to marry her. Capucine, who suffered from bi-polar disorder, was bisexual with an admitted preference for women. The relationship did not lead to marriage, but did result in a long-term friendship. It apparently was his only serious relationship with a woman, though he had many women friends, including his I Could Go on Singing (1963) co-star Judy Garland.
In the early 1960s, with the expiration of his Rank contract, Bogarde made the decision to abandon his hugely successful career in commercial movies and concentrate on more complex, art house films (at the same time, Burt Lancaster made a similar decision, though Lancaster continued to alternate his artistic ventures with more crassly commercial endeavors). Bogarde appeared in Basil Dearden's seminal film Victim (1961), the first British movie to sympathetically address the persecution of homosexuals. His career choice alienated many of his old fans, but he was no longer interested in being a commercial movie star; he, like Lancaster, was interested in developing as an actor and artist (however, that sense of finding himself as an actor did not extend to the stage. His reputation was such in 1963 that he was invited by National Theatre director Laurence Olivier to appear as Hamlet to open the newly built Chichester Festival Theatre. That production of the eponymous play also was intended to open the National Theatre's first season in London. Bogarde declined, and the honor went instead to Peter O'Toole, who floundered in the part.)
Jack Grimston, in Bogarde's "Sunday Times" obituary of May 9, 1999, entitled "Bogarde, a solitary star at the edge of the spotlight," said of the late actor that he "belonged to a group that was rare in the British cinema. He was a fine screen player who owed little to the stage. Dilys Powell, the Sunday Times film critic, wrote of him before her own death: 'Most of our gifted film players really belonged to the theater. Bogarde belonged to the screen.'" Bogarde had won the London Critics Circle's Dilys Powell award for outstanding contribution to cinema in 1992.
Appearing in "Victim" was a huge career gamble. In the film, Bogarde played a married barrister who is being blackmailed over his closeted homosexuality. Rather than let the blackmail continue, and allow the perpetrators to victimize other gay men, Bogarde's character effectively sacrifices himself, specifically his marriage and his career, by bravely confessing to be gay (homosexuality was an offence in the United Kingdom until 1967, and there reportedly had been a police crackdown against homosexuals after World War II which made gay men particularly vulnerable to blackmail).
The film was not released in mainstream theaters in the US, as the Production Code Administration (PCA) refused to classify the film and most theaters would not show films that did not carry the PCA seal of approval. "Victim" was the antithesis of the light comedy of Bogarde's "Doctor" movies, and many fans of his character Simon Sparrow were forever alienated by his portrayal of a homosexual. For himself, Bogarde was proud of the film and his participation in it, which many think stimulated public debate over homosexuality. The film undoubtedly raised the public consciousness over the egregious and unjust individual costs of anti-gay bigotry. The public attitude towards the "love that dared not speak its name" changed enough so that within six years, the 1967 Sexual Offences Act decriminalizing homosexual acts between adults passed Parliament. Bogarde reported that he received many letters praising him for playing the role. His courage in taking on such a role is even more significant in that he most likely was gay himself, and thus exposed himself to a backlash.
Bogarde always publicly denied he was a homosexual, though later in life he did confess that he and his manager, Anthony Forwood, had a long-term relationship. When Bogarde met him in 1939, Forwood was a theatrical manager, who eventually married and divorced Glynis Johns. Forwood became Bogarde's friend and subsequently his life partner, and the two moved to France together in 1968. They bought a 15th-century farmhouse near Grasse in Provence in the early 1970s, which they restored. Bogarde and Forwood lived in the house until 1983, when they returned to London so that Forwood could be treated for cancer, from which he eventually died in 1988. Bogarde nursed him in the last few months of his life. After Forwood died, Bogarde was left rudderless and he became more reclusive, eventually retiring from films after Daddy Nostalgia (1990).
Mark Rowe and Jeremy Kay, in their obituary of Bogarde, "Two brilliant lives - on film and in print," published in "The Independent" on May, 9, 1999, wrote, "Although he documented with frankness his early sexual encounters with girls and later his adoring love for Kay Kendall and Judy Garland, he never wrote about his longest and closest relationship - with his friend and manager for more than 50 years, Tony Forwood. Sir Dirk said the clues to his private life were in his books. "If you've got your wits about you, you will know who I am." The British documentary The Private Dirk Bogarde: Part One (2001) made with the permission of his family, stressed the fact that he and Forwood were committed lifelong partners.
In the same issue, the National Film Theatre's David Thompson, in the article "The public understood he was essentially gay," wrote about Bogarde at his high-water mark in the 1950s, that "Audiences of that time loved him . . . Very few people picked up on the fact that there was a distinct gay undertone. It says something about British audiences of the time. He had the good fortune to break out of that prison, and it came through the film Victim (1961), where he played a gay character, and through meeting with Joseph Losey, who directed him in The Servant (1963). For the first time, Bogarde's ambivalence was exploited and used by film."
Bogarde's sexuality is not the issue; what was striking was that it was an act of personal courage for one of Britian's leading box-office attractions to appear in such a provocative and controversial film. Even in the 21st century, many mainstream actors are afraid to play a gay character lest they engender a public backlash against themselves, which is much less likely than it was more than 40 years ago when Bogarde made "Victim."
Apart from sociology, "Victim" marks the milestone in which critics and audiences could discern the metamorphosis of Bogarde into the mature actor who went on to become one of the cinema's finest performers. Most of Bogarde's best and most serious roles come after "Victim," the film in which he first stretched himself and broke out of the mold of "movie star." He received the first of his six nominations as Best Actor from the British Academy of Film & Television Arts (BAFTA) for the film.
Bogarde co-starred with John Mills in The Singer Not the Song (1961), and with Alec Guinness in Damn the Defiant! (1962) (a.k.a. "Damn the Defiant!"). In 1963 he reunited with Losey to film the first of two Losey films with screenplays by Pinter. Bogarde's participation in the two Losey/Pinter collaborations, The Servant (1963) and Accident (1967), in addition to 1964's "King & Country", solidified his reputation. Critics and savvy moviegoers appreciated the fact that Bogarde had developed into a first-rate actor. For his role as the eponymous servant, Bogarde won BAFTA's Best Actor Award. He had now "officially" arrived in the inner circle of the best British film actors.
These three films also elevated Losey into the ranks of major directors (Bogarde also starred in Losey's 1966 spy spoof Modesty Blaise (1966), but that film did little to enhance either man's reputation. He turned down the opportunity to appear in Losey's The Assassination of Trotsky (1972) due to the poor quality of the script).
Philip French, in his obituary "Dark, exotic and yet essentially English", published in "The Observer" on May 9, 1999, said of Bogarde, "Losey discovered something more complex and sinister in his English persona and his performance as Barrett, the malevolent valet in 'The Servant,' scripted by Harold Pinter, is possibly the most subtle, revealing thing he ever did - by confronting his homosexuality in a non-gay context."
Losey told interviewer Michel Ciment that his work with Bogarde represented a turning point in the actor's career, when he developed into an actor of depth and power. He also frankly admitted to Ciment that without Bogarde, his career would have stagnated and never reached the heights of success and critical acclaim that it did in the 1960s.
Interestingly during the filming of "The Servant." Losey was hospitalized with pneumonia. He asked Bogarde to direct the film in order to keep shooting so that the producers would not cancel the film. A reluctant Bogarde complied with Losey's wishes and directed for ten days. He later said that he would never direct again.
Bogarde co-starred with up-and-coming actress Julie Christie in John Schlesinger's Darling (1965), for which Christie won a Best Actress Oscar and was vaulted into 1960s cinema superstardom. During the filming of the movie, both Bogarde and Christie were waiting to hear whether they would be cast as Yuri Zhivago and his lover Lara in David Lean's upcoming blockbuster Doctor Zhivago (1965). Christie got the call, Bogarde didn't, but he was well along in the process of establishing himself as one of the screen's best and most important actors. He won his second BAFTA Best Actor Award for his performance in "Darling."
Bogarde went on to major starring roles in such important pictures as The Fixer (1968), for which Alan Bates won a Best Actor Academy Award nomination. While Bogarde never was nominated for an Oscar, he had the honor of starring in two films for Luchino Visconti, The Damned (1969) ("The Damned") and Death in Venice (1971), based on Thomas Mann's novella "Death in Venice." Bogarde felt that his performance as Gustav von Aschenbach, the dying composer in love with a young boy and with the concept of beauty, in "Death in Venice" was the "the peak and end of my career . . . I can never hope to give a better performance in a better film."
Visconti told Bogarde that when the lights went up in a Los Angeles screening room after a showing of "Death in Venice" for American studio executives, no one said anything. The silence encouraged Visconti, who believed it meant that the executives were undergoing a catharsis after watching his masterpiece. However, he soon realized that, in Bogarde's own words, "Apparently they were stunned into horrified silence . . . A group of slumped nylon-suited men stared dully at the blank screen." One nervous executive, feeling something should be said, got up and asked, "Signore Visconti, who was responsible for the score of the film?"
"Gustav Mahler," Visconti replied.
"Just great!", said the nervous man. "I think we should sign him."
After "Venice", Bogarde made only seven films over the next two decades and was scathing about the quality of the scripts he was offered. To express himself artistically, he began to write. In his third volumes of autobiography, he wrote, "No longer do the great Jewish dynasties hold power: the people who were, when all is said and done, the Picture People. Now the cinema is controlled by vast firms like Xerox, Gulf & Western, and many others who deal in anything from sanitary-ware to property development. These huge conglomerates, faceless, soulless, are concerned only with making a profit; never a work of art . . . "
He rued the fact that "it is pointless to be 'superb' in a commercial failure; and most of the films which I had deliberately chosen to make in the last few years were, by and large, just that. Or so I am always informed by the businessmen. The critics may have liked them extravagantly, but the distributors shy away from what they term 'A Critic's Film', for it often means that the public will stay away. Which, in the mass, they do: and if you don't make money at the box-office you are not asked back to play again."
However, the courageous artist was not to be daunted: "But I'd had very good innings. Better than most. So what the hell?" His well-written works were enthusiastically received by critics and the book-buying public.
Bogarde appeared in another film that flirted with the theme of German fascism, Liliana Cavani's highly controversial The Night Porter (1974) ("The Night Porter"). He played an ex-SS officer who encounters a woman with whom he had been engaged in a sado-masochistic affair at a World War II Nazi extermination camp. Many critics found the film, which featured extensive nudity courtesy of Charlotte Rampling, crassly offensive, but no one faulted Bogarde's performance.
He played Lt. Gen. Frederick "Boy" Browning in the all-star blockbuster A Bridge Too Far (1977). Although some of his fellow actors were World War II veterans, only Bogarde had been involved in the actual battle. His performance arguably is the best in the film. Appearing in Alain Resnais' art house hit Providence (1977) gave Bogarde the opportunity to co-star with John Gielgud. He also starred in German wunderkind Rainer Werner Fassbinder's adaptation of Vladimir Nabokov's Despair (1978), with a script by Tom Stoppard. Though the film was not much of a critical success, Bogarde's acting as 1930s German businessman Hermann Hermann, a man who chooses to go mad when faced with the paradoxes of his life in his proto-fascist fatherland, was highly praised.
Bogarde enjoyed working with Fassbinder. He wrote that "Rainer's work was extraordinarily similar to that of Visconti's; despite their age difference, they both behaved, on set, in much the same manner. Both had an incredible knowledge of the camera: the first essential. Both knew how it could be made to function; they had the same feeling for movement on the screen, of the all-important (and often-neglected) 'pacing' of a film, from start to finish, of composition, of texture, and probably most of all they shared that strange ability to explore and probe into the very depths of the character which one had offered them."
After his experience with Fassbinder, he acted only four more times, twice in feature films and twice on television. Bogarde was nominated for a Golden Globe for playing Roald Dahl in The Patricia Neal Story (1981). He got rave reviews playing Jane Birkin's father in Bertrand Tavernier's Daddy Nostalgia (1990), his last film.
In 1984 Bogarde was asked to serve as president of the jury at the Cannes Film Festival, a huge honor for the actor, as he was the first Briton ever to serve in that capacity. Two years earlier he had been made a Chevalier de l'Ordre des lettres 1982. A decade later, he was knighted by Queen Elizabeth II on February 13, 1992.
Bogarde won two Best Actor Awards out of six nominations from the British Academy of Film & Television Arts, for "The Servant" and "Darling" in 1964 and 1966, respectively. He was also nominated in 1962 for "Victim," in 1968 for "Accident" and Our Mother's House (1967) and in 1972 for "Morte a Venezia."
Bogarde suffered a stroke in 1996, and though it rendered him partially paralyzed, he was able to recover and live in his own flat in Chelsea. However, by May of 1998 he required around-the-clock nursing care, and he had his lawyers draw up a "living will," also known as a no-resuscitation order. Bogarde publicly came out in favor of voluntary euthanasia, becoming Vice President of the Voluntary Euthanasia Society. He publicly addressed the subject of his own "living will," which ordered that no extraordinary measures be taken to keep him alive should he become terminally ill.
The living will proved unnecessary. Dirk Bogarde died of a heart attack on May 8, 1999, in his home in Chelsea, London, England. According to his nephew Brock Van den Bogaerde, the family planned to hold a private funeral but no memorial service in accordance with his uncle's wish "just to forget me." Bogarde wanted to be cremated and have his ashes scattered in France, and accordingly, his remains were returned to Provence.
Margaret Hinxman, in her May 10, 1999, obituary in "The Guardian", said of him, "At his peak and with directors he trusted - Joseph Losey, Luchino Visconti and Alain Resnais - Dirk Bogarde . . . was probably the finest, most complete, actor on the screen."
Clive Fisher's obituary in "The Independent" on May 10, 1999, praised Bogarde as "a major figure because, wherever they were made, his finest films are all somehow about him. He was a great self-portraitist and the screen persona he fashioned, a stylization of his private being, not only dominated its surroundings but spoke subliminally and powerfully to British audiences about the tensions of the time, about connivances and cruel respectabilities of England in the Fifties and Sixties."
The secret of Dirk Bogarde's success as a great cinema actor was his intimate relationship with the camera. Bogarde believed that the key to acting on film was the eyes, specifically, the "look" of the actor. Like Alan Ladd, it didn't matter if an actor was good with line readings if they had mastery over the "look." For many critics and movie-goers at the end of the 20th century, Dirk Bogarde's face epitomized the "look" of Britain in the tumultuous decades after the Second World War.
David Tindle's portrait of Bogarde is part of the collection of London's National Portrait Gallery, London. In 1999, the portrait, on temporary loan, was displayed at 10 Downing Street, the Prime Minister's official residence, with other modern works of art. Officially, Dirk Bogarde had become the look of Britain.- Actor
- Producer
- Director
Christoph Waltz is an Austrian-German actor. He is known for his work with American filmmaker Quentin Tarantino, receiving acclaim for portraying SS-Standartenführer Hans Landa in Inglourious Basterds (2009) and bounty hunter Dr. King Schultz in Django Unchained (2012). For each performance, he won an Academy Award, a BAFTA Award, and a Golden Globe Award for Best Supporting Actor. Additionally, he received the Best Actor Award at the Cannes Film Festival and a Screen Actors Guild Award for his portrayal of Landa.
Christoph Waltz was born in Vienna, Austria, into a theatrical family, his mother Elisabeth Urbancic, an Austrian-born costume designer, and Johannes Waltz, a German-born stage builder. He has three siblings. His maternal grandmother was Viennese Burgtheater actress Maria Mayen, and his step-grandfather was fellow Burgtheater actor Emmerich Reimers. His maternal grandfather, Rudolf von Urban, was a psychologist and psychiatrist who wrote the 1949 book "Sex Perfection and Marital Happiness".
Waltz attended the Theresianium and Billrothstrasse in Vienna. Upon graduation, he attended the Max-Reinhardt-Seminar before going to New York to the Lee Strasberg Institute. While in New York, Christoph met his first wife, and moved back to Vienna, then to London.
During the 80s, Christoph worked primarily in theatre, commuting from his home in London to Germany. Slowly Waltz began to work in TV, taking one-off roles in series, and TV movies. Film roles soon followed. Attempts to break into English-speaking film and TV were, however, unsuccessful. Waltz has expressed his gratitude to have been able to make a living and support his family through acting. For thirty years he worked steadily, tirelessly, in this manner.
It was not until he met Quentin Tarantino that his career in Hollywood took off. The role of Colonel Hans Landa in Inglourious Basterds (2009) catapulted Waltz from a lifetime working in German TV/film to the new life of an international superstar and Academy Award-winning actor. He won 27 awards for his performance as Hans Landa, including the Cannes prix d'interpretation Masculin for 2009, the Golden Globe for Best Supporting Actor, the BAFTA Best Supporting Actor award, and the Academy Award for Best Supporting Actor (which he won again for 2012's Django Unchained (2012)).
He also has portrayed computer genius Qohen Leth in the film The Zero Theorem (2013), American plagiarist Walter Keane in the biographical film _Big Eyes (2014), and 007's nemesis and head of SPECTRE Ernst Stavro Blofeld in _Spectre (2015)_. In Quentin Tarantino's 2009 film Inglourious Basterds, Waltz portrayed SS-Standartenführer Hans Landa, aka "The Jew Hunter". Clever, courteous, and multilingual - but also self-serving, cunning, implacable, and murderous. Waltz played gangster Benjamin Chudnofsky in The Green Hornet (2011). That same year, he starred in Water for Elephants (2011), Roman Polanski's Carnage (2011), and a remake of The Three Musketeers (2011). He played German bounty hunter Dr. King Schultz in Quentin Tarantino's Django Unchained (2012), a role Tarantino wrote specifically for Waltz.
Waltz resides in Berlin and Los Angeles. His wife is costume builder Judith Holste.- Actor
- Writer
- Producer
Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively. He was educated at Stonyhurst (a highly esteemed Jesuit college in England) and at the Royal Academy of Dramatic Art (received gold medal). His first appearance on stage was in 1926. Laughton formed own film company, Mayflower Pictures Corp., with Erich Pommer, in 1937. He became an American citizen 1950. A consummate artist, Laughton achieved great success on stage and film, with many staged readings (particularly of George Bernard Shaw) to his credit. Laughton died in Hollywood, California, aged 63.- Actress
- Writer
- Producer
Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.
She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).
She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.- Actress
- Soundtrack
Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Actor
- Music Department
- Stunts
Warren Oates was an American character actor of the 1960s and 1970s and early 1980s whose distinctive style and intensity brought him to offbeat leading roles.
Oates was born in Depoy, a very small Kentucky town. He was the son of Sarah Alice (Mercer) and Bayless Earle Oates, a general store owner. He attended high school in Louisville, continuing on to the University of Louisville and military service with the U.S. Marines.
In college he became interested in the theatre and in 1954 headed for New York to make his mark as an actor. However, his first real job in television was, as it had been for James Dean before him, testing the contest gags on the game show Beat the Clock (1950). He did numerous menial jobs while auditioning, including serving as the hat-check man at the nightclub "21".
By 1957 he had begun appearing in live dramas such as Studio One (1948), but Oates' rural drawl seemed more fitted for the Westerns that were proliferating on the big screen at the time, so he moved to Hollywood and immediately stared getting steady work as an increasingly prominent supporting player, often as either craven or vicious types. With his role as one of the Hammond brothers in the Sam Peckinpah masterpiece Ride the High Country (1962), Oates found a niche both as an actor and as a colleague of one of the most distinguished and distinctive directors of the period. Peckinpah used Oates repeatedly, and Oates, in large part due to the prominence given him by Peckinpah, became one of those rare character actors whose name and face is as familiar as those of many leading stars. He began to play roles which, while still character parts, were also leads, particularly in cult hits like Two-Lane Blacktop (1971) and Bring Me the Head of Alfredo Garcia (1974).
Although never destined to be a traditional leading man, Oates remained one of Hollywood's most valued and in-demand character players up until his sudden death from a heart attack on April 3, 1982 at the age of 53. His final two films, Tough Enough (1983) (filmed in early 1981) and Blue Thunder (1983) (filmed in late 1981), were released over one year after his death and were dedicated to his memory.- Actor
- Producer
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
- Producer
- Director
Gary Oldman is a talented English movie star and character actor, renowned for his expressive acting style. One of the most celebrated thespians of his generation, with a diverse career encompassing theatre, film and television, he is known for his roles as Sid Vicious in Sid and Nancy (1986), Drexl in True Romance (1993), George Smiley in Tinker Tailor Soldier Spy (2011), and Winston Churchill in Darkest Hour (2017), among many others. For much of his career, he was best-known for playing over-the-top antagonists, such as terrorist Egor Korshunov in the 1997 blockbuster Air Force One (1997), though he has reached a new audience with heroic roles in the Harry Potter and Dark Knight franchises. He is also a filmmaker, musician, and author.
Gary Leonard Oldman was born on March 21, 1958 in New Cross, London, England, to Kathleen (Cheriton), a homemaker, and Leonard Bertram Oldman, a welder. He won a scholarship to Britain's Rose Bruford Drama College, in Sidcup, Kent, where he received a B.A. in theatre arts in 1979. He subsequently studied with the Greenwich Young People's Theatre and went on to appear in a number of plays throughout the early '80s, including "The Pope's Wedding," for which he received Time Out's Fringe Award for Best Newcomer of 1985-1986 and the British Theatre Association's Drama Magazine Award as Best Actor for 1985. Before fame, he was employed as a worker in assembly lines and as a porter in an operating theater. He also had jobs selling shoes and beheading pigs while supporting his early acting career.
His film debut was Remembrance (1982), though his most-memorable early role came when he played Sex Pistol Sid Vicious in the biopic Sid and Nancy (1986) picking up the Evening Standard Film Award as Best Newcomer. He then received a Best Actor nomination from BAFTA for his portrayal of '60s playwright Joe Orton in Prick Up Your Ears (1987).
In the 1990s, Oldman brought to life a series of iconic real-world and fictional villains including Lee Harvey Oswald in JFK (1991), the title character in Bram Stoker's Dracula (1992), Drexl Spivey in True Romance (1993), Stansfield in Léon: The Professional (1994), Jean-Baptiste Emanuel Zorg in The Fifth Element (1997) and Ivan Korshunov in Air Force One (1997). That decade also saw Oldman portraying Ludwig van Beethoven in biopic Immortal Beloved (1994).
Oldman played the coveted role of Sirius Black in Harry Potter and the Prisoner of Azkaban (2004), giving him a key part in one of the highest-grossing franchises ever. He reprised that role in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). Oldman also took on the iconic role of Detective James Gordon in writer-director Christopher Nolan's Batman Begins (2005), a role he played again in The Dark Knight (2008) and The Dark Knight Rises (2012). Prominent film critic Mark Kermode, in reviewing The Dark Knight, wrote, "the best performance in the film, by a mile, is Gary Oldman's ... it would be lovely to see him get a[n Academy Award] nomination because actually, he's the guy who gets kind of overlooked in all of this."
Oldman co-starred with Jim Carrey in the 2009 version of A Christmas Carol in which Oldman played three roles. He had a starring role in David Goyer's supernatural thriller The Unborn, released in 2009. In 2010, Oldman co-starred with Denzel Washington in The Book of Eli. He also played a lead role in Catherine Hardwicke's Red Riding Hood. Oldman voiced the role of villain Lord Shen and was nominated for an Annie Award for his performance in Kung Fu Panda 2.
In 2011, Oldman portrayed master spy George Smiley in the adaptation of John le Carré's Tinker Tailor Soldier Spy (2011), and the role scored Oldman his first Academy Award nomination. In 2014, he played one of the lead humans in the science fiction action film Dawn of the Planet of the Apes (2014) alongside Jason Clarke and Keri Russell. Also in 2014, Oldman starred alongside Joel Kinnaman, Abbie Cornish, Michael Keaton, and Samuel L. Jackson in the remake of RoboCop (2014), as Norton, the scientist who creates RoboCop.
Aside from acting, Oldman tried his hand at writing and directing for Nil by Mouth (1997). The movie opened the Cannes Film Festival in 1997, and won Kathy Burke a Best Actress prize at the festival.
Oldman has three children, Alfie, with first wife, actress Lesley Manville, and Gulliver and Charlie with his third wife, Donya Fiorentino. In 2017, he married writer and art curator Gisele Schmidt.
In 2018 he won an Oscar for best actor for his work on Darkest Hour (2017).- Actor
- Director
- Composer
Tadanobu Asano's a Japanese film actor. His father suggested he take on what became his first role in the TV show Kimpachi Sensei at 16. His film debut was Swimming Upstream (1990) though his first major critical success was in Shunji Iwai's Fried Dragon Fish (1993). His first critical success in the West was in Kore-eda Hirokazu's Maborosi (1995), in which he played a man who inexplicably throws himself in front of a train, widowing his wife & orphaning his infant son. His best known works internationally are the samurai films Taboo (1999) & The Blind Swordsman: Zatoichi (2003). It was on the set of Iwai's Picnic (1996) that he met & fell in love with J-Pop idol Chara. They married soon after learning she was pregnant with their first child, Sumire. While best known for characters who are psychologically offbeat, if not downright psychotic (e.g. Kakihara in Ichi the Killer (2001)), he has been described by those who know him as a down-to-earth family man. He has directed commercial TV spots for Chara. Hesistant to identify himself as an actor, he most readily describes himself as a vocalist, referring to Mach 1.67, the band he has w/ director Gakuryû Ishii. He's also an artist & sometimes works as a model, most notably for the Japanese designers Takeo Kikuchi & Jun Takahashi.- Actress
- Producer
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Natalie Portman is the first person born in the 1980s to have won the Academy Award for Best Actress (for Black Swan (2010)).
Natalie was born Natalie Hershlag on June 9, 1981, in Jerusalem, Israel. She is the only child of Avner Hershlag, an Israeli-born doctor, and Shelley Stevens, an American-born artist (from Cincinnati, Ohio), who also acts as Natalie's agent. Her parents are both of Ashkenazi Jewish descent. Natalie's family left Israel for Washington, D.C., when she was still very young. After a few more moves, her family finally settled in New York, where she still lives to this day. She graduated with honors, and her academic achievements allowed her to attend Harvard University. She was discovered by an agent in a pizza parlor at the age of 11. She was pushed towards a career in modeling but she decided that she would rather pursue a career in acting. She was featured in many live performances, but she made her powerful film debut in the movie Léon: The Professional (1994) (aka "Léon"). Following this role Natalie won roles in such films as Heat (1995), Beautiful Girls (1996), and Mars Attacks! (1996).
It was not until 1999 that Natalie received worldwide fame as Queen Amidala in the highly anticipated US$431 million-grossing prequel Star Wars: Episode I - The Phantom Menace (1999). She then she starred in two critically acclaimed comedy dramas, Anywhere But Here (1999) and Where the Heart Is (2000), followed by Closer (2004), for which she received an Oscar nomination. She reprised her role as Padme Amidala in the last two episodes of the Star Wars prequel trilogy: Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). She received an Academy Award and a Golden Globe Award for Best Actress in Black Swan (2010).
She received a second nomination for Best Actress, for playing Jacqueline Kennedy in Jackie (2016).- Actress
- Producer
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Scarlett Ingrid Johansson was born on November 22, 1984 in Manhattan, New York City, New York. Her mother, Melanie Sloan is from a Jewish family from the Bronx and her father, Karsten Johansson is a Danish-born architect from Copenhagen. She has a sister, Vanessa Johansson, who is also an actress, a brother, Adrian, a twin brother, Hunter Johansson, born three minutes after her, and a paternal half-brother, Christian. Her grandfather was writer Ejner Johansson.
Johansson began acting during childhood, after her mother started taking her to auditions. She made her professional acting debut at the age of eight in the off-Broadway production of "Sophistry" with Ethan Hawke, at New York's Playwrights Horizons. She would audition for commercials but took rejection so hard her mother began limiting her to film tryouts. She made her film debut at the age of nine, as John Ritter's character's daughter in the fantasy comedy North (1994). Following minor roles in Just Cause (1995), as the daughter of Sean Connery and Kate Capshaw's character, and If Lucy Fell (1996), she played the role of Amanda in Manny & Lo (1996). Her performance in Manny & Lo garnered a nomination for the Independent Spirit Award for Best Lead Female, and positive reviews, one noting, "[the film] grows on you, largely because of the charm of ... Scarlett Johansson", while San Francisco Chronicle critic Mick LaSalle commentated on her "peaceful aura", and wrote, "If she can get through puberty with that aura undisturbed, she could become an important actress."
After appearing in minor roles in Fall (1997) and Home Alone 3 (1997), Johansson garnered widely spread attention for her performance in The Horse Whisperer (1998), directed by Robert Redford, where she played Grace MacLean, a teenager traumatized by a riding accident. She received a nomination for the Chicago Film Critics Association Award for Most Promising Actress for the film. In 1999, she appeared in My Brother the Pig (1999) and in the music video for Mandy Moore's single, "Candy". Although the film was not a box office success, she received praise for her breakout role in Ghost World (2001), credited with "sensitivity and talent [that] belie her age". She was also featured in the Coen Brothers' dark drama The Man Who Wasn't There (2001), opposite Billy Bob Thornton and Frances McDormand. She appeared in the horror comedy Eight Legged Freaks (2002) with David Arquette and Kari Wuhrer.
In 2003, she was nominated for two Golden Globe Awards, one for drama (Girl with a Pearl Earring (2003)) and one for comedy (Lost in Translation (2003)), her breakout role, starring opposite Bill Murray, and receiving rave reviews and a Best Actress Award at the Venice Film Festival. Her film roles include the critically acclaimed Weitz brothers' film In Good Company (2004), as well as starring opposite John Travolta in A Love Song for Bobby Long (2004), which garnered her a third Golden Globe Award nomination.
She dropped out of Mission: Impossible III (2006) due to scheduling conflicts. Her next film role was in The Island (2005) alongside Ewan McGregor which earned weak reviews from U.S. critics. After this, she appeared in Woody Allen's Match Point (2005) and was nominated again for a Golden Globe Award. In May 2008, she released her album "Anywhere I Lay My Head", a collection of Tom Waits covers featuring one original song. Also that year, she starred in Frank Miller's The Spirit (2008), the Woody Allen film Vicky Cristina Barcelona (2008), and played Mary Boleyn opposite Natalie Portman in The Other Boleyn Girl (2008).
Since then, she has appeared as part of an ensemble cast in the romantic comedy He's Just Not That Into You (2009), the action superhero film Iron Man 2 (2010), the comedy-drama We Bought a Zoo (2011) and starred as the original scream queen, Janet Leigh, in Hitchcock (2012). She then played her character, Black Widow, in the blockbuster action films The Avengers (2012), Captain America: The Winter Soldier (2014), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: Endgame (2019) and Black Widow (2021), and also headlined the sci-fi action thriller Lucy (2014), a box office success. With more than a decade of work already under her belt, Scarlett has proven to be one of Hollywood's most talented young actresses. Her other starring roles are in the sci-fi action thriller Ghost in the Shell (2017) and the dark comedy Rough Night (2017).
Scarlett and Canadian actor Ryan Reynolds were engaged in May 2008 and married in September of that year. In 2010, the couple announced their separation, and subsequently divorced a year later. In 2013, she became engaged to French journalist Romain Dauriac, the couple married a year later. In January 2017, the couple announced their separation, and subsequently divorced in March of that year. They have a daughter, Rose Dorothy Dauriac (born 2014). The couple divorced in September 2017.
She married Colin Jost in October 2020. They have one child, a son.- Actor
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Harrison Ford was born on July 13, 1942 in Chicago, Illinois, to Dorothy (Nidelman), a radio actress, and Christopher Ford (born John William Ford), an actor turned advertising executive. His father was of Irish and German ancestry, while his maternal grandparents were Jewish emigrants from Minsk, Belarus. Harrison was a lackluster student at Maine Township High School East in Park Ridge Illinois (no athletic star, never above a C average). After dropping out of Ripon College in Wisconsin, where he did some acting and later summer stock, he signed a Hollywood contract with Columbia and later Universal. His roles in movies and television (Ironside (1967), The Virginian (1962)) remained secondary and, discouraged, he turned to a career in professional carpentry. He came back big four years later, however, as Bob Falfa in American Graffiti (1973). Four years after that, he hit colossal with the role of Han Solo in Star Wars: Episode IV - A New Hope (1977). Another four years and Ford was Indiana Jones in Raiders of the Lost Ark (1981).
Four years later and he received Academy Award and Golden Globe nominations for his role as John Book in Witness (1985). All he managed four years after that was his third starring success as Indiana Jones; in fact, many of his earlier successful roles led to sequels as did his more recent portrayal of Jack Ryan in Patriot Games (1992). Another Golden Globe nomination came his way for the part of Dr. Richard Kimble in The Fugitive (1993). He is clearly a well-established Hollywood superstar. He also maintains an 800-acre ranch in Jackson Hole, Wyoming.
Ford is a private pilot of both fixed-wing aircraft and helicopters, and owns an 800-acre (3.2 km2) ranch in Jackson, Wyoming, approximately half of which he has donated as a nature reserve. On several occasions, Ford has personally provided emergency helicopter services at the request of local authorities, in one instance rescuing a hiker overcome by dehydration. Ford began flight training in the 1960s at Wild Rose Idlewild Airport in Wild Rose, Wisconsin, flying in a Piper PA-22 Tri-Pacer, but at $15 an hour, he could not afford to continue the training. In the mid-1990s, he bought a used Gulfstream II and asked one of his pilots, Terry Bender, to give him flying lessons. They started flying a Cessna 182 out of Jackson, Wyoming, later switching to Teterboro, New Jersey, flying a Cessna 206, the aircraft he soloed in. Ford is an honorary board member of the humanitarian aviation organization Wings of Hope.
On March 5, 2015, Ford's plane, believed to be a Ryan PT-22 Recruit, made an emergency landing on the Penmar Golf Course in Venice, California. Ford had radioed in to report that the plane had suffered engine failure. He was taken to Ronald Reagan UCLA Medical Center, where he was reported to be in fair to moderate condition. Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries.- Actor
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He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actress
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Isabelle Yasmine Adjani was born in Gennevilliers, Hauts-de-Seine, a suburb of Paris, to Emma Augusta "Gusti" (Schweinberger) and Mohammed Adjani. Her father was a Kabyle Algerian, from Iferhounène, and her mother was a Bavarian German. She grew up speaking German fluently. After winning a school recitation contest, she began acting in amateur theater by the age of twelve. At the age of 14, she starred in her first motion picture, Le Petit Bougnat (1970). Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981), One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988), Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day"). She was also given a double Cannes Film Festival Best Actress Award in 1981. She also received two Academy Award nominations for Best Actress. She performs in French, English, Italian and German. Adjani was made a Chevalier de la Légion d'honneur in 2010.- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.