Notable Showbiz Deaths of 2023
This is a list of those notable entertainment figures who passed away in 2023. They are in order of date of death, except for the first entry, which will be the most high-profile death to date.
To see the most recent additions first, select "Date Added" in the Sort by drop-down box; to view the list in reverse chronological order, toggle the "Ascending/Descending order" button next to the drop-down box.
Please note that due to time constraints, some entries do not have descriptions and are not in the correct order. It is my intention to finish and reorder those entries eventually, but it may be some time.
To see the most recent additions first, select "Date Added" in the Sort by drop-down box; to view the list in reverse chronological order, toggle the "Ascending/Descending order" button next to the drop-down box.
Please note that due to time constraints, some entries do not have descriptions and are not in the correct order. It is my intention to finish and reorder those entries eventually, but it may be some time.
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- Music Artist
- Actress
- Composer
With almost fifty years in the music business, Tina Turner became one of the most commercially successful international female rock stars. Her sultry, powerful voice, her incredible legs, her time-tested beauty and her unforgettable story all contributed to her legendary status.
Born to a share-cropping family in the segregated South, Anna Mae Bullock and her elder sister were abandoned by their sparring parents early on. After her grandmother's death, she eventually moved to St. Louis, Missouri to reunite with her mother. This opened up a whole new world of R&B nightclubs to the precocious 16-year-old. Called up to sing onstage with Ike Turner's Kings of Rhythm in 1956, she displayed a natural talent for performing which the bandleader was keen to develop. Soon, Anna Mae's aspirations of a nursing career were forgotten and she began to hang around with the group. When the singer booked to record "A Fool in Love" failed to turn up for the session, Ike drafted Anna Mae to provide the vocal with the intention of removing it later. However, once he heard her spine-tingling performance of the song, he soon changed his plans. He changed her name to Tina Turner, and when the record became a hit, Tina became a permanent fixture in Ike's band and his quest for international stardom. One thing led to another: they were married in Mexico after the births of Tina's two sons - the first a result of an earlier relationship with a musician, the second with Ike.
Before too long, the Ike and Tina Turner Revue was tearing up large and small R&B and soul venues throughout the early and mid-1960s. The hits were relatively few, but the unsurpassed energy and excitement generated by the live stage show, primarily Tina, made the Revue a solid touring act, along with the likes of James Brown and Ray Charles. Their greatest attempt to "cross over" came in 1966 with the historic recording of the Phil Spector production, "River Deep, Mountain High". While it was a commercial flop in the United States, it was a monster hit in Europe - and the start of Tina's European superstar status, which never faded during her long stint of relative obscurity in America in the late 1970s. The Revue entered that decade as a top touring and recording act, with Tina becoming more and more recognized as the star power behind the group's international success. Ike, while having been justly described as an excellent musician, a shrewd businessman and the initial "brains" behind the Revue, was also described (by Tina and others) as a violent, drug-addicted wife-beater who was not above frequently knocking Tina (and other women) around both publicly and privately. Despite hits such as "Proud Mary" and Tina's self-penned "Nutbush City Limits", further mainstream success eluded the group and Ike blamed Tina. After years of misery and a failed suicide attempt, Tina finally had enough in July 1976, when she fled the marriage (and the Revue) with the now-famous 36 cents and a Mobil gasoline credit card.
Tina, nearing 40, endured a long and, at times, humiliating trek back to superstardom through working many substandard gigs and performing a repertoire of current Top 40 hits and old Ike & Tina tunes in hotel ballrooms and supper clubs. She later admitted she was having the time of her life at this point, simply putting together her own show and performing. She refused to wrangle for a settlement from the divorce, despite being in huge debt to all the tour promoters she had let down by fleeing the Revue. After an appearance on Olivia Newton-John: Hollywood Nights (1980), Tina - in a wise business move - persuaded Newton-John's management team to take her on. With Roger Davies at her side, Tina's profile began to rise, and performances alongside the likes of Rod Stewart and The Rolling Stones introduced her to the rock market she so wanted to pursue.
The European release of her cover of Al Green's "Let's Stay Together" in 1983 was a major turning point in Tina's career. The record hit #6 on the British chart, and Capitol Records were soon demanding a full album. "Private Dancer" was hurriedly produced in England in two weeks flat. The rest is rock and roll history. The next single - "What's Love Got to Do with It?" - became Tina's first #1 single the following year, and the album hung around the Top 10 for months, spawning two further hits. At the 1985 Grammy Awards, her astonishing comeback was recognized with nominations in the rock, R&B and pop categories and rewarded with four trophies. After that time, the successes just kept coming: a starring role in Mad Max Beyond Thunderdome (1985); duets with Bryan Adams, David Bowie, Eric Clapton and Mick Jagger amongst others; several sell-out world tours; a string of hit albums and awards; a bestselling autobiography, "I, Tina"; and the blockbuster biopic What's Love Got to Do with It (1993) chronicling her life.
After her "Twenty Four Seven Millenium Tour" in 2000, Tina announced she would retire from the concert stage, but continue to record and play live on a smaller scale. Four years later, at age 65, she released a career retrospective entitled "All the Best" featuring new recordings, and reached #2 in the American album chart, her highest ever placing for an album there. She ended 2005 as one of five recipients of the Kennedy Center Honors, the highest form of recognition of excellence in the arts in America. Despite changing the direction of her working life, she will always be remembered as a dynamic live performer and recording artist, able to thrill audiences like no other woman in music history. Tina Turner is the undisputed Queen of Rock and Roll.November 26, 1939 – May 24, 2023
American-born, naturalized Swiss singer ("River Deep – Mountain High," "What's Love Got to Do with It," "Private Dancer," "The Best," "GoldenEye"), dancer, author, and actress ('Tommy,' 'Mad Max Beyond Thunderdome'), domestic abuse survivor, and a true rock legend often hailed as "The Queen of Rock and Roll"; first Black artist and first woman to be featured on the cover of 'Rolling Stone' and one of the first Black performers to gain airtime on MTV; set a then-Guiness World Record in 1988 for largest paying audience for a single performer; an eight-time Grammy Award winner, and the only female artist to win a Grammy in the pop, rock and R&B fields; also a three-time Grammy Hall of Fame Award recipient and a Grammy Lifetime Achievement Award recipient, as well as a two-time Rock and Roll Hall of Fame inductee, a Kennedy Center Honors recipient, and one of the best-selling recording artists of all time- Actress
- Composer
- Soundtrack
Gangsta Boo was born on 7 August 1979 in Memphis, Tennessee, USA. She was an actress and composer, known for Zola (2020), Gangsta Boo: Meet The Devil (2015) and Latto Feat. GloRilla & Gangsta Boo: FTCU (2022). She died on 1 January 2023 in Memphis, Tennessee, USA.August 7, 1979 – January 1, 2023
American rapper (Three 6 Mafia)- A New Orleans native, Patrick John McNamara became known on screen as 'J. Patrick' to avoid confusion with another Actor's Equity member of longer standing. McNamara initially started out performing in plays at the University of New Orleans in order to improve his public speaking, because (in his own words) "I knew that I was going to be a lawyer. I did a play, I was good at it, and that was that. Then I went to law school and hated it." After briefly working for Flying Tiger Airlines in New York, McNamara returned to his home town to complete a degree in theater studies. Before long, he was 'on the boards' performing on stage, including at the Oregon Shakespeare Festival. He further honed his newly acquired skills at Wayne State University in Detroit and subsequently secured a job teaching voice at the National Academy of Drama, Carnegie Hall.
McNamara resumed his acting career at an avant-garde Off-Broadway club in Manhattan's East Village where he spent the next three years. After that, he taught drama classes at Antioch College in Ohio and then spent time in Europe before returning to New Orleans. He operated a theatrical company there from 1974 to 1977, but the venture proved unprofitable, and, therefore, short-lived. Turning to screen work, McNamara joined Equity and began to amass a solid number of film and TV credits which included two pictures directed by Steven Spielberg (Close Encounters of the Third Kind (1977) and 1941 (1979)), Bill & Ted's Excellent Adventure (1989) (and the sequel - as Bill Preston's dad), an oilman in Dallas (1978) and Dr. Katherine Pulaski's former commander in a season two episode of Star Trek: The Next Generation (1987). He was frequently cast as professors, doctors, psychologists or senior executives.
McNamara retired from acting in 2016 and spent his remaining years in New Orleans, devoting time to his favorite hobby: playing poker.1942 – January 2, 2023
American actor ('Close Encounters of the Third Kind,' '1941,' 'Bill & Ted's Excellent Adventure') - Producer
- Production Manager
- Transportation Department
James D. Brubaker was born on 30 March 1937 in Hollywood, California, USA. He was a producer and production manager, known for Cobra (1986), The Nutty Professor (1996) and Dragonfly (2002). He was married to Marcy Kelly. He died on 3 January 2023 in Beverly Hills, California, USA.March 30, 1937 – January 3, 2023
American film producer ('The Right Stuff,' 'Bruce Almighty') and production manager ('Raging Bull')
Primetime Emmy Award nominee ('Gia')- Writer
- Actor
- Director
Frank Galati was born on 29 November 1943 in Highland Park, Illinois, USA. He was a writer and actor, known for The Accidental Tourist (1988), American Playhouse (1980) and The Party Animal (1984). He was married to Peter Amster . He died on 2 January 2023 in Sarasota, Florida, USA.November 29, 1943 – January 3, 2023
American Tony Award-winning theatre director and playwright ('The Grapes of Wrath') and Academy Award-nominated screenwriter ('The Accidental Tourist')- Composer
- Music Department
- Actor
Joseph Koo was born on 23 February 1931 in Guangzhou, China. He was a composer and actor, known for The Way of the Dragon (1972), A Better Tomorrow (1986) and Fist of Fury (1972). He died on 3 January 2023 in Vancouver, British Columbia, Canada.February 25, 1931 – January 3, 2023
Hong Kong composer ('The Way of the Dragon,' 'A Better Tomorrow,' 'King of Beggars')
Hong Kong Film Award winner for Best Original Film Score, 1990 ('A Terra-Cotta Warrior')- Composer
- Soundtrack
Alan Rankine was born on 17 May 1958 in Bridge of Allan, Stirlingshire, Scotland, UK. He was a composer, known for Winston Tong en studio (1984). He was married to Belinda Pearse. He died on 3 January 2023 in the United Kingdom.May 17, 1958 – January 3, 2023
Scottish musician and record producer best known as the founding keyboardist and guitarist for The Associates- Actor
- Soundtrack
Arthur Duncan was drafted into a dance team with two friends while in school. He initially resisted, but they insisted he give it a try. He liked it, and began to take tap lessons.
For a few years Arthur worked in Australia, where he was a popular performer who was even offered his own TV show. Feeling that he was too young and experienced for the responsibility that would have come with the show, he turned it down. He explained that he was working regularly, so he didn't miss much. While in Australia he met and worked with Ken Delo, who he would later work with for many years on the Lawrence Welk show.
After returning to the US, Arthur asked an acquaintance in the business to inquire if Lawrence Welk had any interest in adding a performer like Arthur to his show. After a long wait, he was asked to an audition, and then a few months later to make a guest appearance. After another couple of guest appearances, Arthur appeared with the show during a run in Lake Tahoe. At the end of the last show there, Lawrence asked Arthur out onto the stage, commented to the audience that Arthur had become popular with them, and announced that he'd like Arthur to "join the Welk musical family". Arthur accepted, and thus began a run of decades on the show, during which it was very rare not to see Arthur have a tap solo, along with other dance numbers with fellow members of the cast.
It shouldn't go without mention that when Lawrence Welk put Arthur Duncan on his show, black performers were generally not well received by TV audiences of the time. Welk showed real courage in breaking the color barrier, and Arthur Duncan obviously won the admiration and respect of both live and TV audiences with his incredible talent, good humor, and pleasant personality.
(The above is based on an interview of Arthur Duncan on the Lawrence Welk shows syndicated on PBS).September 25, 1925 – January 4, 2023
American tap dancer ('The Betty White Show,' The Lawrence Welk Show') and the first regular Black performer on a variety series; inclusion on 'The Betty White Show' made him the target of objections from stations in the Jim Crow South, to which White famously responded by giving Duncan more airtime and telling the objectors to "live with it."- Actress
- Soundtrack
Miiko Taka came into the world as Betty Miiko Shikata in Seattle, Washington, a Nisei born of Japanese immigrant parentage. She spent much of her upbringing in Los Angeles. In 1942, Betty and her family were removed from their homes and interned in the Gila River War Relocation Centre in Arizona, a concentration camp which had been set up following Japan's attack on Pearl Harbour. One of her fellow detainees was the actor Pat Morita. Betty's internee file described her as a semi-skilled dressmaker and seamstress and suggested stenographer or typist as 'potential occupations'. Little is known of Betty's life prior to her debut in Joshua Logan's Sayonara (1957) , except that she had no prior acting experience and was employed as a clerk at a travel agency in L.A..
The role of Hana-Ogi, the celebrated Matsubayashi dancer who defies tradition by having a secret affair with an American pilot (Marlon Brando), had originally been earmarked for Audrey Hepburn. When Hepburn turned it down, Logan cast the unknown Miiko Taka in the part. Sayonara ultimately grossed $ 10.5 million and won four Oscars, including one for co-star Miyoshi Umeki as Best Supporting Actress. Miiko's performance was lauded by Variety and by Bosley Crowther of the New York Times who described her as "a flute-like beauty - a really lovely, serene and soothing impulse".
In the wake of Sayonara, Miiko was cast as a geisha opposite Glenn Ford in Cry for Happy (1961), a predictable comedy about the assorted romantic affairs of four G.I.'s on leave in Japan during the Korean War. She had further high profile roles in Operation Bottleneck (1961) (as a girl guerrilla), A Global Affair (1964) (with Bob Hope), The Art of Love (1965) (with James Garner) and Walk Don't Run (1966) (with Cary Grant in his last film appearance). On television, she was mostly typecast amid exotic backgrounds in such escapist entertainments as Hawaiian Eye (1959), Adventures in Paradise (1959), I Spy (1965) and The Man from U.N.C.L.E. (1964). Her penultimate screen appearance was as a Japanese noblewoman in James Clavell's miniseries Shogun (1980).
Miiko Taka was thrice married. Her first husband was the actor Dale Ishimoto with whom she had a son and a daughter.July 24, 1925 – c. January 4, 2023
American actress ('Sayonara,' 'The Art of Love,' 'Walk Don't Run')- Fay Weldon was born on 22 September 1931 in Worcester, England, UK. She was a writer, known for She-Devil (1989), Puffball: The Devil's Eyeball (2007) and Flood Warning (2020). She was married to Nicolas P Fox, Ronald Weldon and Ronald G. Bateman. She died on 4 January 2023 in Northampton, Northamptonshire, England, UK.September 22, 1931 – January 4, 2023
English author ('The Life and Loves of a She-Devil') and TV scriptwriter ('Upstairs, Downstairs,' 1980's 'Pride and Prejudice') - Actor
- Soundtrack
Veteran character actor Earl Boen is probably best known for his role as criminal psychologist Dr. Peter Silberman in the Terminator series. Other films which he appeared include Battle Beyond the Stars (1980), The Man with Two Brains (1983), Alien Nation (1988), Naked Gun 33 1/3: The Final Insult (1994) and Nutty Professor II: The Klumps (2000). Boen retired from screen acting in 2003, but continues his work as a voice actor in radio, animated series and video games.August 4, 1941 – January 5, 2023
American character actor ('Terminator' films) and voice actor ('Monkey Island' video game series, 'Warcraft' franchise)- Editor
- Editorial Department
- Producer
Mike Hill was born on 24 March 1949 in Omaha, Nebraska, USA. He was an editor and producer, known for Rush (2013), Frost/Nixon (2008) and Apollo 13 (1995). He was married to LeAnne Hill. He died on 5 January 2023 in Omaha, Nebraska, USA.1949 – January 5, 2023
American Academy Award- and BAFTA Award-winning film editor ('Apollo 13,' 'A Beautiful Mind,' 'Rush'); worked on all of Ron Howard's movies from 'Night Shift' (1982) to 'In the Heart of the Sea' (2015)- Director
- Editor
- Actor
Central figure of the American avant-garde. An artist who made an isolated animated short, A to Z (1956), Snow concentrated on his painting career until moving to New York in 1963. After attending avant-garde film screenings organized by critic-filmmaker Jonas Mekas and turning out a second film, the formalist New York Eye and Ear Control (1972), he made the highly influential Wavelength (1967). WAVELENGTH consists of a 45-minute zoom across a loft--interruped at several points by a cryptic narrative involving a murder--which ends on a close-up of a photograph of ocean waves. The film quickly earned a reputation in international avant-garde circles and inspired a generation of structuralist filmmakers. It was the first in a series of Snow's works which reduce the film medium to one of its most basic elements--camera movement: Standard Time (1967) is made up of 360-degree pans; in _Back and Forth (1969)_, the camera moves backwards and forwards at varying speeds, recording events in a classroom; in The Central Region (1971), Snow's remote-controlled camera, mounted on a tripod in the middle of the Quebec tundra, executes 360 degree rotations in three different circular patterns (at various speeds) while zooming in and out.December 10, 1928 – January 5, 2023
Canadian artist and experimental filmmaker ('Wavelength,' '<--->,' 'La région centrale')- Daniel Kaleikini Jr. was born on 10 October 1937 in Honolulu, Hawaii, USA. He was an actor, known for Hawaii Five-O (1968), The Little People (1972) and Dolly (1987). He was married to Jacqueline Kaleikini. He died on 6 January 2023 in Nuuanu, Hawaii, USA.October 10, 1937 – January 6, 2023
American entertainer in Hawaii known as "The Ambassador of Aloha" - Annette McCarthy was born on 12 April 1958. She was an actress, known for Twin Peaks (1990), Baywatch (1989) and Riptide (1984). She was married to Mark A. Mangini. She died on 6 January 2023 in the USA.April 12, 1958 – January 6, 2023
American actress ('Creature,' 'Twin Peaks,' 'Baywatch') - Cinematographer
- Actor
- Camera and Electrical Department
Ace cinematographer Owen Roizman was born September 22, 1936, in Brooklyn, New York. His father Sol was a cinematographer for Fox Movietone News and his uncle Morrie Roizman was a film editor. Owen studied math and physics at Gettysburg College in Pennsylvania. He began his career shooting TV commercials, and made his feature debut as a director of photography with the obscure and little seen 1970 movie Stop! (1970). Owen brought a strong and compelling sense of raw, gritty, documentary-style realism to William Friedkin's harsh and hard-hitting police action thriller classic The French Connection (1971). Roizman received a well-deserved Academy Award nomination for his outstanding visual contributions to this picture; he went on to garner four additional Oscar nominations, for The Exorcist (1973), Tootsie (1982), Network (1976) and Wyatt Earp (1994). Owen gave a similar rough and grainy look to the edgy urban thrillers The Taking of Pelham One Two Three (1974) and Straight Time (1978). His other films encompass an impressively diverse array of different genres which include horror ("The Exorcist"), science fiction (The Stepford Wives (1975)), comedy (The Heartbreak Kid (1972) "Tootsie"), musicals (Sgt. Pepper's Lonely Hearts Club Band (1978)), drama (True Confessions (1981), Absence of Malice (1981)) and even Westerns (The Return of a Man Called Horse (1976), "Wyatt Earp"). His last feature to date was French Kiss (1995). In the early 1980s Owen took a hiatus from shooting films and formed the commercial production company Roizman and Associates. He has directed and/or photographed hundreds of TV commercials. In 1997 he was the recipient of a Lifetime Achievement Award from the American Society of Cinematographers.September 22, 1936 – January 6, 2023
American five-time Academy Award-nominated cinematographer ('The French Connection,' 'The Exorcist,' 'Network,' 'Tootsie,' 'Wyatt Earp'); also a Primetime Emmy nominee (for 'Liza with a Z') and recipient of an Honorary Academy Award (2018)- Actor
- Soundtrack
Adam Rich was born on 12 October 1968 in Brooklyn, New York City, New York, USA. He was an actor, known for Code Red (1981), Eight Is Enough (1977) and Dungeons & Dragons (1983). He died on 8 January 2023 in Brentwood, Los Angeles, California, USA.October 12, 1968 – January 7, 2023
American actor ('Eight Is Enough,' 'The Devil and Max Devlin,' 'Code Red')- Actress
- Writer
Dorothy Tristan was born on 9 May 1934 in Yorkville Heights, New York City, New York, USA. She was an actress and writer, known for Klute (1971), The Looking Glass (2015) and Scarecrow (1973). She was married to John D. Hancock and Aram Avakian. She died on 7 January 2023 in LaPorte, Indiana, USA.May 9, 1934 – January 7, 2023
American actress ('Klute,' 'Down and Out in Beverly Hills') and screenwriter ('Weeds')- Actress
- Soundtrack
Melinda Dillon came to prominence with the role of Jillian Guiler, a mother whose child is abducted by aliens in Steven Spielberg's Close Encounters of the Third Kind (1977). Dillon's performance in the film earned an Academy Award nomination for Best Supporting Actress. A few years later, Dillon received another Academy Award nomination for Best Supporting Actress for her performance as a devout Catholic woman in Absence of Malice (1981). The performance won the actress a KCFCC Award.October 13, 1939 – January 9, 2023
American Academy Award-nominated actress ('Close Encounters of the Third Kind,' 'Absence of Malice,' 'A Christmas Story')- Music Artist
- Composer
- Actor
Jeff Beck was born in Surrey in 1944. He grew up in a suburban street in Carshalton. When he was about 10, he wanted to play the guitar. His mum, however, wanted him to play the piano because she didn't approve of the guitar. When he was in his late teens, he joined "The Tridents" on lead guitar. In 1965, he replaced Eric Clapton in The Yardbirds. He played with them until 1967 when he decided he'd had enough and wanted to go solo. In the same year, he released his first solo effort "Hi-Ho-Silver Lining", which was the only one of his tracks he ever sang on. In his backing group, he had Rod Stewart and Ronnie Wood, who later went on to form The Faces. Thoughout the rest of the 60s and 70s, he continued to record instrumental albums. In 1983, three former The Yardbirds, Eric Clapton, Jimmy Page, got together to do one-off charity concerts. In 1984, he contributed lead guitar on Mick Jagger's first solo album "She's the Boss". The same year, he released his next album "Flash", which was voted best instrumental album. In 1989, he released the album "Jeff Beck's Guitar Shop", which was also a big success. Throughout the 90s, Jeff Beck still toured around and, in 1998, played a sellout date in Mexico. In early 2001, he released yet another album "You had it Coming", which he toured to promote.June 24, 1944 – January 10, 2023
English eight-time Grammy Award-winning Hall of Fame rock guitarist (The Yardbirds, The Jeff Beck Group, Beck, Bogert & Appice)- Director
- Producer
- Writer
Ping He was born in 1957 in Shanxi, China. He was a director and producer, known for Ri guang xia gu (1995), Mai tian (2009) and The Promised Land (2015). He died on 10 January 2023 in Beijing, China.1957 – January 10, 2023
Chinese Golden Rooster Award-winning filmmaker ('Swordsmen in Double Flag Town,' 'Red Firecracker, Green Firecracker,' 'Warriors of Heaven and Earth')- Actress
- Additional Crew
- Soundtrack
Actress Carole Cook showed a knack for comic timing from early on, so much so that the legendary Lucille Ball took her on as a protégée. Cook would make many appearances on Ball's TV shows The Lucy Show (1962) and Here's Lucy (1968), as well as other shows like Magnum, P.I. (1980), Dynasty (1981), and Grey's Anatomy (2005). She would also appear in several movies, like Sixteen Candles (1984) and Home on the Range (2004), while maintaining an active stage career and supporting many AIDS charities.January 14, 1924 – January 11, 2023
American actress ('The Lucy Show,' 'The Incredible Mr. Limpet,' 'Sixteen Candles')- Director
- Writer
- Additional Crew
Piers Haggard was born on 18 March 1939 in London, England, UK. He was a director and writer, known for Blow-Up (1966), Conquest (1998) and Pennies from Heaven (1978). He was married to Anna Sklovsky and Christiane Stokes. He died on 11 January 2023 in the UK.March 18, 1939 – January 11, 2023
British director of television ('Pennies from Heaven,' 'Return to Treasure Island') and film ('The Blood on Satan's Claw,' 1981's 'Venom,' 'A Summer Story'); a 1979 BAFTA TV Award winner for 'Pennies from Heaven' and a 1991 Daytime Emmy Award nominee for the TV movie 'Back Home'- Actor
- Soundtrack
Charles Kimbrough was born on 23 May 1936 in St. Paul, Minnesota, USA. He was an actor, known for The Hunchback of Notre Dame (1996), Murphy Brown (1988) and The Hunchback of Notre Dame II (2002). He was married to Beth Howland and Mary Jane Wilson. He died on 11 January 2023 in Culver City, California, USA.May 23, 1936 – January 11, 2023
Primetime Emmy Award-nominated American actor ('Murphy Brown,' 'The Hunchback of Notre Dame,' 'The Wedding Planner')- Ben Masters was born on 6 May 1947 in Corvallis, Oregon, USA. He was an actor, known for Passions (1999), All That Jazz (1979) and Mandingo (1975). He died on 11 January 2023 in Palm Springs, California, USA.May 6, 1947 – January 11, 2023
American actor ('All That Jazz,' 'Making Mr. Right,' 'Passions') - Tatjana Patitz was born on 25 March 1966 in Hamburg, West Germany. She was an actress, known for Rising Sun (1993), The Larry Sanders Show (1992) and Ready to Wear (1994). She was married to Jason Johnson. She died on 11 January 2023 in Santa Barbara, California, USA.March 25, 1966 – January 11, 2023
German supermodel ('Vogue,' ''Freedom! '90') and actress ('Rising Sun') - Music Artist
- Actress
- Composer
Lisa Marie Presley was born on 1 February 1968 in Memphis, Tennessee, USA. She was a music artist and actress, known for Lisa Marie Presley: Idiot (2005), Michael Jackson: You Are Not Alone (1995) and Lisa Marie Presley: Dirty Laundry (2005). She was married to Michael Lockwood, Nicolas Cage, Michael Jackson and Danny Keough. She died on 12 January 2023 in West Hills, California, USA.February 1, 1968 – January 12, 2023
American singer-songwriter ("Lights Out," "You Ain't Seen Nothin' Yet"), humanitarian (Presley Charitable Foundation), and the only child of Elvis Presley and Priscilla Presley- Ray Cordeiro was born on 12 December 1924 in Wan Chai, Hong Kong, British Crown Colony. He was an actor, known for Security Unlimited (1981), The Private Eyes (1976) and Games Gamblers Play (1974). He died on 13 January 2023 in Hong Kong.December 12, 1924 – January 13, 2023
Hong Kong broadcaster and disc jockey a.k.a. Uncle Ray ('All the Way with Ray') - Actress
- Writer
- Soundtrack
Inna Mikhailovna Churikova was born on October 5, 1943, in Belebey, near Ufa, Bashkiria Republic, Russia (at that time USSR). Her parents were from peasant families. Her father, Mikhail Kuzmich Churikov, was a veteran of the Second World War, he worked at Academy of Agriculture. Her mother, Elisaveta Zakharovna (nee Mantrova), was a Ph.D in Biochemistry. Young Inna Churikova was brought up in Moscow by her mother. During her school years she was fond of theatre and attended an acting class at Stanislavsky Theatre in Moscow. From 1960 - 1965 she attended Schepkin Theatrical School at Maly Theatre, graduating in 1965 as an actress.
In 1961 Churikova made her big screen debut in 'Tuchi nad Borskom', then she played bit parts in 'Ya shagayu po Moskve' and in several other films. She shot to fame with the leading role as Tanya Tetkina in _V ogne broda net (1968)_ by director Gleb Panfilov. Churikova's next role in The Beginning (1970), as Pasha Stroganova, a provincial amateur actress who is invited to play Joan of Arc in a big film, was arguably her best work in film. After having a big success with 'Nachalo', Churikova and her husband, director Gleb Panfilov, worked on development of an epic film about Joan of Arc, but their work on the project was obstructed by the Soviet officials. However, Churikova continued her successful film career. In 1984 she won the Silver Bear for Best Actress at the Berlin Film Festival for the leading role as Vera in 'Voenno-polevoy roman', by director Petr Todorovsky. She starred as Vera in 'God Sobaki', and as Asya in Ryaba, My Chicken (1994), among her other film works.
Since 1974 Inna Churikova has been a member of the troupe at Lenkom Theatre in Moscow under directorship of Mark Zakharov. There her stage partners were such actors as Nikolay Karachentsov, Gennadi Khazanov, Oleg Yankovskiy, Leonid Bronevoy, Aleksandr Abdulov, Armen Dzhigarkhanian, Aleksandr Zbruev, and other notable Russian actors. Among Churikova's most memorable stage performances were such roles as Sara in 'Ivanov' and as Arkadina in 'Seagull', both plays by Anton Chekhov. She also appeared as Ophelia in Shakespeare's 'Hamlet', and as Commissar in Vishnevsky's 'Optimisticheskaya tragedia', among her other stage works.
Inna Churikova has been loved by the public and earned critical acclaim for her range and effortless style. Churikova was designated Peoples Artist of the USSR (1991) and People's Artist of Russia. She was awarded the Golden Mask, and also received the State Prize of Russia (1985) and the Stanislavsky Prize for her contribution to theatre and film. She is residing in Moscow, Russia.October 5, 1943 – January 14, 2023
Three-time Nika Award-winning Soviet and Russian actress ('Jack Frost,' 'No Path Through Fire,' 'The Beginning,' 'The Theme,' 'Wartime Romance,' 'Shirli-myrli') and People's Artist of the Republic (1985) and of the USSR (1991)- Actor
- Composer
- Music Department
Yukihiro Takahashi was born on 6 June 1952 in Tokyo, Japan. He was an actor and composer, known for Tokyo! (2008), Appleseed: Ex Machina (2007) and Umi sora sango-no iitsutae (1991). He was married to Kiyomi Takahashi. He died on 11 January 2023 in Karuizawa, Japan.June 6, 1952 – January 14, 2023
Japanese drummer and singer (Yellow Magic Orchestra, Sadistic Mika Band, METAFIVE)- Cinematographer
- Camera and Electrical Department
- Director
British cinematographer Brian Tufano began his career at the BBC, working with such directors as Stephen Frears and Alan Parker. In 1992 he was assigned to the series Mr. Wroe's Virgins (1993) and worked with director Danny Boyle. Boyle took him along on his feature debut, Shallow Grave (1994), and continued to work with Tufano on such films as Trainspotting (1996) and A Life Less Ordinary (1997). In 2001 Tufano won the BAFTA Award for Outstanding Contribution to Film and Television.1939 – January 14, 2023
English cinematographer ('Quadrophenia,' 'Trainspotting,' 'Billy Elliot'); nominated for a BAFTA TV Award (for 'Middlemarch') and a BAFTA Film Award (for 'Billy Elliot')- Director
- Producer
- Camera and Electrical Department
Top television director Bruce Gowers has been awarded Emmys, the DGA Award, a Grammy Award and many other shiny trophies for his stylish and groundbreaking work on high-profile productions. His resume includes directing nine seasons of American Idol (2002), earning him an Emmy Award and five nominations for Outstanding Directing and a nomination for the Directors Guild Award.
Bruce is often found calling the shots on the biggest award shows including The Emmys, The MTV Awards, The American Music Awards, The MTV Movie Awards, The Academy of Country Music Awards, The Espy Awards, The Comedy Awards, People's Choice Awards and The Billboard Awards. He has helmed many of the biggest event specials including Live Earth, Live 8, Woodstock Revisited, Michael Jackson: 30th Anniversary Celebration (2001), The Grammy Nomination Concerts, Miss America, and single artist music specials for The Rolling Stones, Rod Stewart, Fleetwood Mac and Prince. His work on Genius: A Night for Ray Charles (2004) was recognized with a DGA Award win and an Emmy Award nomination for Outstanding Direction. Specials for Britney Spears, Prince and Barry Manilow were critical and ratings successes.
His career goes beyond his work on music and live event productions, with extensive credits in the comedy arena, such as the long-running series Whose Line Is It Anyway? (1998) and specials for Robin Williams, Billy Crystal, Richard Lewis, Eddie Murphy and Jerry Seinfeld. Gowers' forays into kids programming has brought major successes to Nickelodeon, Disney Channel and PBS, where his name appears on the hit shows Teen Choice Awards, Kid's Choice Awards, Roundhouse (1992), the "Kidsongs" TV shows, The Amanda Show (1999) and All That (1994).
As an Executive Producer and Show Creator, Bruce is credited with the long-running hit "Kidsongs" videos, TV series and music franchise in addition to these successful television series: America's Funniest People (1990), "Spectacular World of Guinness Records", Dancin' to the Hits (1986) and "The Essence Awards". His best-known work is his landmark music video "Bohemian Rhapsody" for Queen and he is least known for his remarkable documentary on Salvador Dalí, "Hello Dali", which won him his first Emmy Award.December 21, 1940 – January 15, 2023
British Emmy Award- and Grammy Award-winning director of music videos (Queen's "Bohemian Rhapsody," Michael Jackson's "Rock with You") and live or live-on-tape programs and events such, including comedy specials ('Eddie Murphy: Delirious,' 'Robin Williams: An Evening at the Met'), awards shows, multiple episodes of 'Whose Line Is It Anyway?,' and much of the first nine seasons of 'American Idol'- Actor
- Music Department
- Director
Vakhtang Konstantinovich Kikabidze, an actor, singer, songwriter, screenwriter, and producer, was born in Tbilisi, Soviet Georgia on July 19, 1938. He was also a politician who served in the Parliament of Georgia from 2020 until his death.
He was awarded the USSR State Prize, the Orders of King Vakhtang Gorgasali, Nikolai Wondermonger, and Prince Yaroslav the Wise, as well as Knight Cross of St. Konstantin the Great. He won different international song concourses and film festivals.
In 1999 in Moscow, he received a star on the "Star Square". In cinematography, he created a number of eminent actors who became very popular. His last film, Fortuna (2000), was made in 2000.
As scriptwriter and producer, he made two feature films: "Bud' Zdorov, dorogoi" (which took the first premium on the international comedy festival in Grabovo, Bulgaria) and "Muzchini i vse ostal'nie".
He was married with two children and three grandchildren at the time of his death in 2023 at the age of 84.July 19, 1938 – January 15, 2023
Soviet and Georgian singer ("Chito-Gvrito"), actor ('Mimino'), politician, and People's Artist of the Republic (1980) a.k.a. Buba- Casting Director
- Casting Department
- Actress
Simone Bär was born in 1965 in Königs Wusterhausen, Brandenburg, Germany. She was a casting director and actress, known for Inglourious Basterds (2009), Babylon Berlin (2017) and Good Bye Lenin! (2003). She died on 16 January 2023 in Berlin, Germany.May 1, 1965 – January 16, 2023
German Grimme Award-winning and Primetime Emmy Award- and BAFTA Film Award-nominated casting director ('Good Bye Lenin!,' 'The Lives of Others,' 'Babylon Berlin,' 'Dark,' 'All Quiet on the Western Front')- Actress
- Director
- Writer
Gina Lollobrigida was born on July 4, 1927 in Subiaco, Italy. Destined to be called "The Most Beautiful Woman in the World", Gina possibly had St. Brigid as part of her surname. She was the daughter of a furniture manufacturer, and grew up in the pictorial mountain village. The young Gina did some modeling and, from there, went on to participate successfully in several beauty contests. In 1947, she entered a beauty competition for Miss Italy, but came in third. The winner was Lucia Bosè (born 1931), who would go on to appear in over 50 movies, and the first runner-up was Gianna Maria Canale (born 1927), who would appear in almost 50 films. After appearing in a half-dozen films in Italy, it was rumored that, in 1947, film tycoon Howard Hughes had her flown to Hollywood; however, this did not result in her staying in America, and she returned to Italy (her Hollywood breakout movie would not come until six years later in the John Huston film Beat the Devil (1953)).
Back in Italy, in 1949, Gina married Milko Skofic, a Slovenian (at the time, "Yugoslavian") doctor, by whom she had a son, Milko Skofic Jr. They would be married for 22 years, until their divorce in 1971. As her film roles and national popularity increased, Gina was tagged "The Most Beautiful Woman in the World", after her signature movie Beautiful But Dangerous (1955). Gina was nicknamed "La Lollo", as she embodied the prototype of Italian beauty. Her earthy looks and short "tossed salad" hairdo were especially influential and, in fact, there's a type of curly lettuce named "Lollo" in honor of her cute hairdo. Her film Come September (1961), co-starring Rock Hudson, won the Golden Globe Award as the World's Film Favorite. In the 1970s, Gina was seen in only a few films, as she took a break from acting and concentrated on another career: photography. Among her subjects were Paul Newman, Salvador Dalí and the German national soccer team.
A skilled photographer, Gina had a collection of her work "Italia Mia", published in 1973. Immersed in her other passions (sculpting and photography), it would be 1984 before Gina would grace American television on Falcon Crest (1981). Although Gina was always active, she only appeared in a few films in the 1990s. She retired from acting in 1997 after 50 years in the motion picture industry. In June 1999, she turned to politics and ran, unsuccessfully, for one of Italy's 87 European Parliament seats, from her hometown of Subiaco. Gina was also a corporate executive for fashion and cosmetics companies. As she told Parade magazine in April 2000: "I studied painting and sculpting at school and became an actress by mistake". (We're glad she made that mistake). Gina went on to say: "I've had many lovers and still have romances. I am very spoiled. All my life, I've had too many admirers."July 4, 1927 – January 16, 2023
Italian actress ('Beat the Devil,' 'Trapeze,' 'Come September') and international sex symbol; a three-time winner of the David di Donatello Award for Best Actress ('Beautiful but Dangerous,' 'Imperial Venus,' 'Buona Sera, Mrs. Campbell'); also a BAFTA Film Award nominee ('Bread, Love and Dreams'), a Golden Globe Henrietta Award winner (World Film Favorite - Female), and recipient of four honorary David di Donatello Awards- Actor
- Soundtrack
Van Conner was born on 17 March 1967 in Apple Valley, California, USA. He was an actor, known for The River Wild (1994), Singles (1992) and Supernatural (2005). He was married to Jill Danielson. He died on 17 January 2023.March 17, 1967 – January 17, 2023
American bass guitarist (Screaming Trees)- Actress
- Composer
- Soundtrack
Renée Geyer was born on 11 September 1953 in Melbourne, Victoria, Australia. She was an actress and composer, known for Mary and Max (2009), Mystic Pizza (1988) and Chopper (2000). She died on 17 January 2023 in Geelong, Victoria, Australia.September 11, 1953 – January 17, 2023
Australian singer ("Heading in the Right Direction," "Stares and Whispers," "Say I Love You"); nominated for six ARIA Music Awards between 1987 and 2013 and inducted into the ARIA Hall of Fame in 2005- Producer
- Actor
- Music Department
With over 80 diverse motion pictures and more than 30 years of experience to his credit, native New Yorker and film producer Edward R. Pressman has forged a career of international renown, marked by originality and eclecticism. Throughout his maverick career, he has brought numerous emerging filmmakers together with projects that have put them firmly on the map. Pressman's reputation as a daring filmmaker was cemented with the international recognition of the French Cinematheque, which presented a 1989 retrospective of his films and awarded him the esteemed Chevalier des Arts et Letters medal. He's also received tributes from The National Film Theatre in London, New York's Museum of Modern Art, the Pacific Film Archives and Brooklyn Academy of Music's Cinematék. In 2003, Pressman was honored with the IFP Gotham Award for lifetime achievement.
Pressman's specialty is discovering new talent. He is known for fostering the careers of young and inspired filmmakers including Brian De Palma, Terrence Malick, Oliver Stone, Kathryn Bigelow, David Byrne, Charles Burnett, David Gordon Green, James Marsh, Wayne Kramer, and Jason Reitman. He is responsible for giving Alex Proyas his directorial debut with their breakout hit, The Crow (1994).
Over the years, Pressman has produced many director-driven, high profile projects, bringing new experiences to audiences with directors John Milius, David Mamet, Mary Harron, Abel Ferrara, and Barbet Schroeder. He has also established a reputation as an international producer, working with directors Wolfgang Petersen, the Taviani brothers, Fred Schepisi, Rainer Werner Fassbinder, David Hare, Bo Widerberg, Yimou Zhang, Michael Apted, and Werner Herzog.
The recent Pressman production Wall Street: Money Never Sleeps (2010), the sequel to the Oscar®-winning Wall Street (1987) starring Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, and Frank Langella, marked his fourth collaboration with director Oliver Stone. Pressman's three-time collaboration with Abel Ferrara began with the cult classic Bad Lieutenant (1992) He has re-teamed with American Psycho (2000) director Mary Harron on The Moth Diaries (2011). Pressman also enjoys a unique collaboration in Sunflower Productions with long-time friend Terrence Malick.
Pressman is the son of the son of Lynn and Jack Pressman, who founded the Pressman Toy Corporation. He attended New York's Fieldston School, went on to graduate with honors from Stanford University with a B.A. in Philosophy, and pursued graduate studies at the London School of Economics. Pressman is married to Annie McEnroe, whom he met while she was starring in Oliver Stone's movie The Hand (1981). Their son Sam Pressman is an aspiring filmmaker.April 11, 1943 – January 17, 2023
American film producer ('Badlands,' 'Conan the Barbarian,' 'Wall Street,' 'The Crow,' 'American Psycho')- Actress
- Additional Crew
- Director
From the mid-1970s on, Sandra Seacat has been one of America's more sought-after and influential acting teachers/coaches. A method-based actor and teacher, closely associated with the Method's originator, her mentor Lee Strasberg, Seacat gradually became recognized as well for her groundbreaking work in the early eighties involving the application of Carl Gustav Jung's theories to acting technique and pedagogy, thus introducing the practice now known as dream work (also known as "The Way," much as Strasberg's Stanislavski-based system eventually came to be known as "The Method").
Born on October 2, 1936, Sandra Diane Seacat (whose first name, despite the spelling, is pronounced somewhere between 'Sondra' and 'Saundra') was the first of three daughters born to Lois Marion Seacat (née Cronic) and Russell Henry Seacat of Greensburg, Kansas.
After attending Northwestern University, Seacat made her way to New York, eventually being admitted to The Actors Studio, where she would become well versed in the method school of acting espoused by the Studio's director, Lee Strasberg. During the 1960s, Seacat began to get acting work in the city, appearing under her married name, Sandra Kaufman. In 1962, she earned plaudits from Village Voice critic Jerry Tallmer, making her New York stage debut in the American premiere of Leonid Andreyev's "Waltz of the Dogs," an Off-Off-Broadway production mounted by noted acting teacher - and Actors Studio member - Michael Howard.
While the next two years would be taken up with the birth and early rearing of her daughter Greta B. Kaufman (eventually also known as Greta Seacat), she returned to action in 1964 on Broadway with a small role in the Actors Studio production of Anton Chekhov's "Three Sisters," starring Kim Stanley, Geraldine Page, and Shirley Knight (though neither she nor Knight would appear in the version eventually preserved on videotape).
For the remainder of the decade, as she continued to hone her craft at the Studio, doing scene work with future stage co-stars Ben Piazza and Will Hare, as well as Robert Walden and Robert Viharo, each of whom would remain longtime friends, Seacat (aka Kaufman) quickly became one of Strasberg's prize pupils, and one of the Method's most articulate exponents. Thus, at just about the time her first marriage was coming to an end, a new career path beckoned, when, in 1969, the Lee Strasberg Theatre Institute was born.
By the early 1970s, Seacat was leading classes, not only at the Institute, but also at the City College of New York's Leonard Davis Center for the Performing Arts, as well as teaching privately. By 1980, she would also teach at John Strasberg's The Real Stage.
In the meantime, though, both Seacat's acting career - which, from this point forward, along with all other facets of her career, would be conducted under her maiden name - and her matrimonial status (in conjunction with fellow actor Michael Ebert) showed renewed signs of life, as the couple appeared together in a 1969 production of Brendan Behan's 'The Hostage," followed by the New Orleans Repertory Theater's June 1970 revival of Tennessee Williams' "A Streetcar Named Desire," directed by June Havoc, featuring Ebert as Harold "Mitch" Mitchell and E. Katherine Kerr as Blanche DuBois, as well as Seacat and Ben Piazza, respectively, as Stella and Stanley Kowalski.
Returning to New York, Seacat began to build her teaching practice. Among her early students were Treat Williams and Steve Railsback (the latter preparing for his film debut in Elia Kazan's The Visitors (1972)), and later, Lance Henriksen, Jessica Lange, and Mickey Rourke. Rourke would study with Seacat for several years in New York before departing for the west coast, and then, only at his mentor's behest.
Rourke has repeatedly cited his time with Seacat as the turning point in his career. "That's when everything started to click," he told Newsday in 1984, making a point - as he had in a New York Magazine profile the previous year - to contrast this with his disappointing Actors Studio stint ("I sat there a year, waiting for the teacup to develop in my hand"), saying of the Studio's director, "All I saw Lee do was tear people down." By contrast, speaking with the Los Angeles Times in 1984, Rourke credited Seacat with "channeling all it was that was messing me up into something creative and challenging."
Moreover, notwithstanding his subsequent disillusionment with the Studio, it was Seacat's counsel (as Rourke himself has mentioned more than once) - i.e. that, in order to bring some semblance of conviction to the scene Rourkee himself had chosen for his Actors Studio audition, he must immediately find his biological father (whom he hadn't seen in 20 years) - that enabled Rourke to realize his dream of membership in the alma mater of Brando, Clift and Dean. During Rourke's 2009 appearance on Inside the Actors Studio (1994), after describing his first affective memory, executed under Seacat's guidance more than thirty years before, the 56-year-old Rourke was asked whether he still used what Seacat had taught him. "Very much," he replied. (13 years earlier, a previous generation of ITAS viewers had witnessed Jessica Lange call Seacat "a powerful influence on my acting," and two years before that, Lance Henriksen had offered Film Comment readers an unsolicited 20-year-old recollection of "a great teacher named Sandra Seacat.")
During the 1970s, Seacat continued to juggle her teaching and acting careers, portraying the female leads in a number of Off and Off-Off-Broadway productions, as well as minor roles in three Broadway and Off Broadway shows, receiving particularly favorable notices in the 1973 revival of William Inge's "Natural Affection," co-starring Nathan George, and the American premiere of John Hopkins's "Economic Necessity" in 1976. Halfway between the two came a much-anticipated but ultimately disappointing Actors Studio revival of Harold Pinter's "Old Times." Presented in the fall of 1974 (and followed by a particularly disastrous January 1975 Actors Studio West reprise) with the nominal participation of 'supervising director' Arthur Penn, the production was, in essence, self-directed by its three actors, Seacat, Hildy Brooks, and Will Hare, a fact much lamented by reviewers.
In February 1975, upon Seacat's less than triumphant return to New York following the "Old Times" debacle, Seacat's CCNY employment afforded her a welcome distraction, in the form of an upcoming four-day, Davis Center event featuring playwrights Peter Shaffer, Edward Albee and Arthur Miller, moderated by director Alan Schneider. Starting on May 12 with a symposium entitled "Theatre in the University," and concluding with one day apiece devoted to the works of each of the three guests, with student performances followed by discussions with the respective playwrights, the final day would be devoted to Arthur Miller's work, with each grade level in the Davis Center's acting program performing a scene from a different Miller opus.
The play assigned to Seacat's freshman class was "A View from the Bridge." After choosing as their showcase the final scene from Act One, she cast four of her regular students, but reserved the central role of Eddie Carbone for one of her private students who had just started auditing the class. And thus did Seacat, in this somewhat obscure setting, come to direct the stage debut of the as-yet unknown Mickey Rourke.
Starting in 1978 (after minor roles in two TV specials, NBC's Bicentennial tribute, First Ladies Diaries: Edith Wilson (1976), and Hallmark Hall of Fame's premiere presentation of Arthur Miller's Fame (1978), Seacat's stage career concluded on a decidedly anticlimactic note: a pair of smaller roles, albeit within the context of two somewhat notable productions - one being the first work to be staged in the new Harold Clurman Theatre, Eugene Ionesco''s "The Lesson;" the other, a rare directorial credit for Ellen Burstyn, in the 1979 Actors Studio production of Norman Krasna's rarely revived "Bunny."
In fact, 1978 provided a number of punctuation points for Seacat. Early that year, two significant eras had come to an end - first, on January 26, the end of her marriage to Michael Ebert, and next, just two days later, the death of her father, Russell. This was also the year Seacat persuaded her prize pupil Rourke that there was nothing further to be gained by staying in New York, that it was time to go west and test his fortunes in Hollywood.
Certainly, given her circumstances at that moment, one could see such advice applying equally to Seacat herself, and, indeed, by the early 1980s, Seacat had expanded her base of operations, teaching in both New York and Los Angeles (as she has continued to do ever since), helping actors like Lange, Rachel Ward, and Marlo Thomas give career-changing performances. On March 29, 1983, just weeks after the announcement of Lange's dual Oscar nominations, Seacat was acknowledged by the Associated Press as the one who "helped turn Jessica Lange from King Kong's consort into the soulful actress in Frances (1982) and Tootsie (1982)." A few years later, Liz Smith would acknowledge Seacat for "helping Jessica Lange to her Oscar and Marlo Thomas to her Emmy." Lange herself later told both James Lipton and Vanity Fair just how pivotal Seacat's contribution had been, both for her career in general and, in particular, her portrayal of Frances Farmer.
Regarding the latter, and the intensive nature of that collaboration, J.T. Jeffries writes in his 1986 biography of Lange: "In the spring of 1981, while still breast-feeding her newborn daughter by Baryshnikov, she worked on each scene with her coach, Sandra Seacat... Seacat had expanded her theatrical repertoire in recent years to include techniques from Eastern meditation. Lange regularly used those deep relaxation techniques on the set to improve her concentration in the grueling role." (For screen novice Baryshnikov, the Seacat connection - and those relaxation techniques in particular - would prove a welcome legacy of his relationship with Lange, long since ended by 1985, when the legendary dancer was coached by Seacat on the set of White Nights (1985).)
Regarding the Emmy-winning performance that would help transform the image of Marlo Thomas (at least within the industry), from the indefatigable, relentlessly upbeat protagonist of That Girl (1966) to an actor who could take on any role and be taken seriously doing it, Thomas writes in her 2010 autobiography: "I only wish Lee [Strasberg] could have lived to see me portray a schizophrenic in Nobody's Child (1986). I never could have gotten near playing that kind of part without Lee's exercises, and the subsequent work I did and continue to do with his primary disciple, the brilliant Sandra Seacat."
Of the three career turning points mentioned above, Rachel Ward's transformation - culminating in her Golden Globe-nominated lead performance in The Thorn Birds (1983) - stands out. In the fall of 1982 and continuing on through the following winter, even as Lange's two Oscar-nominated performances were receiving applause, acclaim, and, eventually, awards, the then inexperienced Ward was undergoing a rigorous makeover program under Seacat's guidance. But simply in order to get to that point, Ward first had to get the part. As the Associated Press reports: "Ward's first reading before producers David L. Wolper and Stan Margulies was disastrous. So she hired drama coach Sondra [sic] Seacat." "I studied exhaustively for two weeks," recalled Ward, "went back and did a screen test with Richard." According to Margulies, Ward's second reading "was so breathtaking that she got the part right there. But our questions were whether she could do it over the five-month shooting period."
Seacat had no problem answering those questions, but her prescription was radical, and required Ward's active participation and unwavering commitment. To her credit, Ward did not disappoint; under Seacat's direction, she gave up cigarettes and meat, started a daily exercise regimen, and - utilizing those same meditation techniques used by Lange to such great effect just months before - learned to calm her mind and focus on the task at hand. "You can almost see her develop as an actress in 'Thorn Birds,'" reported the Chicago Tribune. "By the finish, her Meggie is much stronger, more worldly, compassionate. The changes were in character, but they were taking place in Ward too. Thanks, in large part, to Seacat."
"She's extraordinary," Ward said of her new mentor. "She made me work in a totally different way than I'd ever worked before. For the first time, I really worked on technique... It was definitely not an easy five months. It was a lot of tying things together and understanding and confusion and frustration and anger. I asked a lot of questions about acting and about me and stuff, and Sandra just had these answers, and they were just like, of course, oh my God, of course!"
It was during this same period, as reported by The New York Times more than 25 years later, that Seacat's Jung-inspired experiments ushered in the now widespread practice known as dream work, wherein actors interpret and sometimes influence their own dreams, often casting and staging those dreams in the process, all in the interests of achieving the richest, most genuine characterization possible. A number of the younger dream work practitioners, such as Elizabeth Kemp, Kim Gillingham, Dana Wheeler-Nicholson, and actor/directors John Markland and Jamie Wollrab, as well as Sandra's daughter and fellow acting coach, Greta, all claim Seacat as their mentor. Moreover, longtime Seacat clients Melanie Griffith and Gina Gershon, as well as onetime student, Diane Salinger, have long been on record regarding the impact this innovation has had on their own careers.
"In Sandra's class," recalled Salinger in 1987, "we had dream assignments where, before you went to sleep, you'd write out an assignment to yourself, and dream dreams that had connections to the work you were doing. I've done that with this play." "It's a great way to open yourself up," insisted Griffith in a 1986 interview. "It's been very healthy for me, because I think our interior soul knows a lot more about ourselves than our conscious intellect ever allows you to think about." More recently, Hélène Cardona, a Paris-born poet, translator and actor who studied at the American Academy of Dramatic Arts and the Actors Studio in the early 1990s, recalled: "When I trained with Sandra Seacat at the Actors Studio in New York, she introduced me to a particular form of dream work. You could call it Jungian. I have kept doing this work for many years now. It's very therapeutic, a more holistic approach to [sic] medicine. And it can also be used to develop a character in a play or movie. You dig into yourself to find the answers. In the dream you are connected to your inner self and to the divine."
Gershon is particularly passionate on the subject, speaking in a 1998 interview: "Sandra totally changed my acting. Instinctively, I was always in love with psychology and my dream life had always been very important to me... What's really exciting to me about Sandra's work is that it changes your life, almost on a psychic level. Now I'll get parts and in working on them, she'll say, 'Well, let's see how you're developing, as a human being.' Because the parts you're doing, it's no accident. Those parts affect your life and they kind of illustrate the map that your life is following." As recently as August 26, 2012, speaking with The Lab Magazine, Gershon reaffirmed the importance of Seacat and dream work to her career.
In a 2001 interview with Back Stage West, another longtime Seacat client of mid-eighties vintage, Laura Dern, went public. While not specifically referencing dream work, Dern echoes both Gershon, Cardona and Rachel Ward in her portrayal of Seacat's holistic, almost therapeutic approach, a characteristic previously noted in 1994 by erstwhile Wonder Woman, Lynda Carter ("better than any therapist," Carter told USA Today, regarding the time spent studying with Seacat: "you strip yourself of ego, and the whole experience unearths all your analytical feelings and self-discovery"), and one which brings to mind another Jungian archetype central to Seacat's career from at least the 1980s onward; as Seacat would tell the New York Times in 2009, "I believe that the artist is a wounded healer, that they are healing wounds of their own, and when they do that truthfully, they heal the audience." Dern recalled:
"Through studying and through being raised on movie sets, I was surrounded by a lot of people who believed that the more tortured the person, the greater the artist. I always had a hard time understanding that, but thought, 'I guess that's the way it is'... Luckily through life and the gift of the acting teacher who's changed my life in so many ways since 1984 (her name is Sandra Seacat), I learned there's another opinion, which is: the better the person, the better the artist. The more true you are to who you are and the more honest you are as an individual, the more honest you can be as an actor, and I'm really liking that." Asked if she still studied, Dern replied, "I still study with Sandra and I love studying."
Speaking again with BSW in 2004, Dern elaborated: "All of a sudden, this new idea that the parts I play help me discover myself and I could maybe be kinder to the ambiguous places and the flaws - I was so lifted by that. Since then, I feel like it's an extraordinary experience of therapy and learning about being in the moment and honoring that. All of a sudden, acting wasn't this torment where you're supposed to be a screwed-up artist, but it's an opportunity for self-growth. And I think I've had fun ever since." Finally, in January 2012, at the [error], Dern reaffirmed the connection, thanking Seacat in her acceptance speech for Best Actress in HBO's Enlightened (2011), the first two episodes of which had each featured Seacat in a small role.
In 1988, with her dream work innovations now well underway, and some well-publicized individual success stories under her belt, a unique opportunity came Seacat's way - that being the chance to direct a feature film. This would eventually become In the Spirit (1990), the first, and as yet, only film Seacat has directed, "a low-budget pic," as Variety would note, featuring "big-name talent."
The over-qualified/underpaid cast included no less than three of Seacat's regular clients, Marlo Thomas, Melanie Griffith and Peter Falk, as well as Olympia Dukakis at the height of her popularity, having just collected her Best Supporting Actress Oscar for Moonstruck (1987). Arguably the film's casting coup, however (and probably the positive element most frequently cited by reviewers), was landing the celebrated writer/performer Elaine May to co-star opposite Thomas (with May's daughter, Jeannie Berlin, who co-authored the screenplay, also appearing).
Very much a homegrown New York product (a passing reference to The Robin Byrd Show (1977) being just one of several inside jokes contained therein), the supporting cast featured an assortment of local luminaries, some of them professional actors, some not. The former group included both indie icons - e.g. Michael Emil, Mark Boone Junior and Rockets Redglare - and 'legit' stage and TV actors such as Hope Cameron and Gary Swanson (both fellow Actor Studio members); the latter, such miscellaneous notables as Fox TV anchor/reporter Steve Powers, musicians Roy Nathanson and Nora York, and playwright Christopher Durang. Of the remaining bit players, at least two were Seacat students, Phil Harper and Emidio La Vella (the latter of whom would be Seacat's first post-ITS coaching client in 1990). Moreover, making his film debut here was Seacat's current husband, Thurn Hoffman.
Notwithstanding numerous press references to Seacat's screen directing debut, both before and after the film's release (almost all citing her storied coaching career), Seacat herself maintained a characteristically low profile throughout, surfacing only long enough to contribute one sentence to an article on the film's producer, Julian Schlossberg: "There are two main things about Julian -- he has a big heart and he goes the distance." Speaking of Schlossberg, co-star Elaine May got into the act as well, providing her own characteristically tongue-in-cheek teaser, a mock-interview with the producer on the making and marketing of ITS, published in the New York Times just days before the film's release.
Regarding May, Liz Smith would report (circa December 1988, shortly after the film had wrapped): "Recent remarks here about the genius that is Elaine May brought forth the encouraging news that we'll soon see this gifted actress in a new suspense movie written by her daughter Jeannie Berlin (with co-writer Laurie Jones). In the Spirit had all its money raised independently by producers Julian Schlossberg and Beverly Irby. They're now editing the film and seeking a distributor for release next spring. The cast is a staggering one -- Elaine and daughter, as well as Peter Falk, Melanie Griffith, Marlo Thomas, Olympia Dukakis and Louise Lasser. The director was an interesting choice: Sandra Seacat, acting coach and guru to many stars..."
In retrospect, given both the fact that Louise Lasser - barely visible in the finished film and nowhere to be seen in its credits - was still being announced as one of the film's featured players even after the film had wrapped, and that the film itself would not make it to theaters until more than a year past its estimated release date, one becomes better prepared for the reality of ITS's narrative disarray - a reality made obvious by the titles themselves in this broad sample of reviews: "Grand and Goofy Comedy," "'In the Spirit' - An Endearing Mess," "Screwball Comedy Holds Up Even When Plot Sags," "Spirit Loses Its Comic Flair Halfway Through," "'Spirit' Amusing, But Unpolished," "'In the Spirit' Needs a Bit More Body," "'In The Spirit' Needs To Be More Perky, Less Poky," and "A Few Screws Are Loose But 'In The Spirit' Offers A Rare Glimpse Of Elaine May In A Feminist Comedy."
As one can see, critical reaction among the nation's dailies was mixed at best. Two reactions were almost universal: appreciation for the film's performances, especially those of the two leads, as well as disdain for its technical shortcomings - seen primarily in the areas of camera placement and pacing, as well as the aforementioned matter of narrative construction. What distinguished the favorable from the unfavorable review in these cases was largely a matter of emphasis. Unfortunately for Seacat, when it came to evaluating her impact on the finished film, the emphasis was placed almost exclusively on the shortcomings. And while reviewers had, almost without exception, made the obligatory mention of Seacat's storied coaching career, in practice, it appears, few felt compelled to credit her with even contributing to her actors' success.
Two of the more sympathetic reviews, by Dave Kehr of the Chicago Tribune and ex-Village Voice critic Carrie Rickey, writing for the Philadelphia Inquirer, tended however to bypass both Seacat and the film's screenwriter, Jeannie Berlin, and instead credit Elaine May as the film's true auteur.
Two of the film's most merciless drubbings were administered, respectively, by the Washington Times ("New Age 'Spirit' Gets Old and Boring Quickly") and by the Chicago Sun-Times ("The Mystery of 'Spirit' is Finding Film's Funny Parts"); however, given the film's target audience (even the Los Angeles Daily News called it "a flat-out New York comedy, with all of the pluses and minuses"), the most damaging blow of all was almost certainly delivered by the New York Times' Janet Maslin, with her considerably more polite, yet thoroughly condescending dismissal:
"The beneficial power of crystals has done nothing for In the Spirit, a nervous new-age comedy much more notable for good intentions than good luck. A rare appearance by Elaine May, who co-stars with Marlo Thomas in what proves to be an unexpectedly mundane caper story, and a directing credit for the respected acting coach Sandra Seacat give In the Spirit a lot more curiosity value than it would otherwise have... Ms. Seacat's direction is especially strange, since it is so thoroughly unaccommodating to the actors. The camera is treated as if it were radioactive, never being allowed to linger where a performer might be heard clearly or shown off to good advantage." Even the generally lauded female leads do not escape unscathed: "The actors, especially Ms. May and Ms. Thomas, spend a lot of time yammering simultaneously in time-honored sitcom style."
If America's original paper of record had delivered one of Spirit's most resounding pans, it would fall to the entertainment industry's trade 'paper of record' to supply arguably its most simpatico critique (though it did little to help the movie's less than middling box office returns). Not merely echoing the critical consensus regarding Thomas' and May's "memorable screen odd couple," Variety embraced the film itself, portraying its limitations as strengths: "an unusual case of big-name talent gathering with friends to make a low-budget pic freed of mainstream good taste and gloss." While not oblivious of the film's structural issues ("weakest element being a stupid framing device of a mystical narrator... midway shift in tone may put off some viewers, but others will likely relish the intensity of the May and Thomas segment"), it was Variety, virtually alone among reviewers, that cited Seacat for something beyond merely her ability to handle actors: "First-time director Sandra Seacat emphasizes slapstick but also female bonding as the gals on the lam reach beyond their wacky survivalist tactics to address feminist issues."
After Seacat's extended directorial excursion, the transition back to her customary regimen was eased considerably by the fact that the clients for her next few coaching projects were all ITS cast members. First, as previously mentioned, was Emidio La Vella in Un metro all'alba (1990). Next in line was Thomas herself, on Held Hostage: The Sis and Jerry Levin Story (1991); in addition, Seacat would work with Melanie Griffith on Born Yesterday (1993), and with Thomas again on Reunion (1994). Back on the east coast, Seacat would join the faculty of the recently formed Actors Studio Drama School at the New School for Social Research in the fall of 1996.
Starting in 1999, Seacat embarked on an unprecedented binge of media exposure, becoming the 'talking head' on three TV documentaries in the space of two years, and, even more uncharacteristically, speaking at length about three of her clients in the process. Despite this seeming incongruity, given Seacat's customary regard for client confidentiality (witness the Sandra Seacat entry at TakeHollywood.com), the fact is that, whenever a given actor has had no qualms about revealing their working relationship, or has already done so, Seacat has always been happy to grant interviews on the subject, as she did at length in 1983 for New York Magazine's Mickey Rourke profile. Speaking of whom, Rourke is the subject of the first of these three documentaries (as well as one in 2008, in which Seacat also participated), followed, respectively, by two very vocal Seacat champions, Laura Dern and Jessica Lange.
Another Seacat outburst, addressed not merely to the press, but to one of her longstanding client's potential employers, would occur in 2003, part of an image makeover much like that of Seacat's oft-recounted early success stories, Jessica Lange and Marlo Thomas, especially the latter, another era's perpetually perky, seemingly ubiquitous paragon of 'cute.' This time, however, instead of a sixties sitcom princess, it was the nineties romcom queen, Meg Ryan, who was chomping at the bit for some more challenging roles. While working with Seacat on her upcoming Jackie Kallen biopic, Against the Ropes (2004), Ryan saw the opportunity for an even more radical departure with Nicole Kidman's early exit from Jane Campion's In the Cut (2003).
Interviewed shortly before the film's release, Campion recounted Seacat's surprising phone intervention: "Sandra said, 'Look, I'm working with Meg Ryan. I've never done this before, but she's doing amazing work. You should audition her.' And I said, 'Audition Meg? Do you think she'd audition?' She said, 'Sure, she would.'"
Ryan would indeed audition, and for helping Campion get beyond her preconceptions, the grateful director likened Seacat to "a fairy godmother who takes the mists away." As it happens, Campion's preconceptions were not unlike those of the many reviewers who would find Ryan's performance a revelation, as well as the most interesting and accomplished element within a not so successful film. Speaking for public consumption, Seacat reiterated: "Meg has great courage and discipline and commitment. Her talent is large, and her potential is vast."
The following year, speaking with Newsday on the set of We Don't Live Here Anymore (2004), exactly one week after the film's co-star, Laura Dern, had expanded upon her own 2001 tribute to Seacat, her longtime teacher returned the favor: "'Laura is a free spirit,' says Sandra Seacat, the celebrated acting coach and a longtime associate of Dern's. 'She's also a great student and a dedicated artist - and there aren't very many people I call artists. But the entire cast of this film [including also Mark Ruffalo, Naomi Watts, and Peter Krause], they're all true artists, dedicated to their own inner truth, and they have the courage to share that. You don't find that very often.'"
As the decade wore on, perhaps fueled by dream work's increasing popularity, Seacat's name began to be seen in print more frequently, some of the mentions dreamwork-related, others - like those by Dern, Marlo Thomas, or Mickey Rourke - simply satisfied customers reaffirming their indebtedness.
Speaking with Back Stage in 2010, acting teacher Alex Cole Taylor called Seacat "a beautiful woman and a beautiful artist'," as well as the primary model for Taylor's compassionate and nurturing stance towards his own students. Speaking with CNN in 2012, acting coach and dream work practitioner Elizabeth Kemp paired Seacat with Lee Strasberg as two of the teachers to whom she was most deeply indebted. Moreover, two of Seacat's students, actor/directors Jamie Wollrab and John Markland, have each been putting Seacat's teachings into practice, one play at a time - Wollrab, with his Triptych Theatre; Markland, with the Moth Theatre Company, itself composed largely, if not entirely, of fellow Seacat alumni (including Scoot McNairy, Pamela Guest, Dov Tiefenbach, Anna Rose Hopkins, and Kris Lemche), recently incorporating Wollrab as well. The latter's words -- quoted in Steve Julian's 2010 Moth Theatre profile -- echo those of his mentor, just one year before: "'More than anything,' Wollrab says, 'we're wounded healers. Each of us. I think that's why audiences keep taking to our work.' Work he describes as fragile and beautiful."
As it happens, Wollrab had hitherto collaborated with his teacher on just such work, when, in August 2007, more than four decades and a quarter of a century, respectively, after Seacat's previous notable forays into directing, she would oversee Wollrab's direction of Elizabeth Meriwether's play, "The Mistakes Madeline Made," staged at Boulder, Colorado's Dairy Center for the Arts.
As in her previous directorial assignments, Seacat was again supervising a number of current and/or former students, including, along with the director, her daughter Greta Seacat, Justin Chatwin, Shannon Woodward, and the late Johnny Lewis. The younger Ms. Seacat's performance garnered particularly favorable notices, dubbed "steady and grounded" by Mark Collins of the Boulder Daily Camera, and "a marvel" by Lisa Bornstein of the Rocky Mountain News: "Simplistic (she frequently shuts her laptop to avoid news of Iraq) and authoritarian, but awkwardly kind as well, Beth is annoying, but she knows it; in Seacat's hands, she's funny and real."
Regarding Seacat Sr., one happy addendum: roughly coinciding with the millennial media spike in Seacat sightings was a corresponding increase in the size and substance of her film roles. Seacat's screen resumé had long seemed little more than a collection of discreetly camouflaged acting coach credits, typically a small part contained in one or two scenes within a film which itself featured one or more of Seacat's coaching clients - well-acted, in and of itself, but, as conceived, simply too perfunctory and/or peripheral to the film's narrative to register strongly. (For a perfect case in point, witness Seacat's 5½-minute one-and-done appearance in The Golden Seal (1983) with Steve Railsback, starting at the '01:23:14 remaining' mark; IMDb provides free access to the film in its entirety.)
This began to change in 1999 with a series of three consecutive films, each one featuring Seacat as the protagonist's mother. In the first two, Crazy in Alabama (1999) and Daddy and Them (2001) (portraying, respectively, 'Crazy' Melanie Griffith's concerned mom, and 'Daddy' Andy Griffith's oft seen, but rarely heard wife), the upgrades were subtle, to be sure; nonetheless, Seacat was onscreen far more - and at more crucial points in the narrative - than in any of her previous films.
It was 2003, however, that brought the most dramatic change, not just from a subsidiary to a starring role, but from the almost mute matriarch of D&T's constantly bickering clan (blocking out the most intense or awkward moments with her trusty Macarena monkey) to the vigorously - and vocally - proactive 'normalizer' of the equally - if less loudly - dysfunctional family in A Little Crazy (2003).
Co-starring Seacat students Jack Kerrigan, Kim Gillingham, and Kirk Baltz, "A Little Crazy" debuted at the 2003 Method Fest, earning Kerrigan a nomination for the festival's John Garfield Award, and, for the film itself, a rave review from Variety's Robert Koehler, praising, in particular, "the superb Seacat," as the "overreaching but never strident" matriarch of the film's "unhinged American family." Sadly, despite the review and subsequent awards from the Berkeley Video & Film Festival, the Hollywood MiniDV Festival, and the Los Angeles Silver Lake Film Festival, the independently produced film found neither a theatrical nor a DVD release (though it has, as of 2010, become available online via IndieFlix); as a result, what is almost certainly Seacat's most sizable and fleshed-out film performance to date has gone largely unseen.
Her next assignment, another independently made feature that would not see a theatrical release (again co-starring Kim Gillingham), In the Land of Milk and Money (2004), features Seacat in a much smaller role, but again a pivotal one, in a film which, none too skillfully, harkens back to the cautionary sci-fi tales of the fifties, as well as the neo-zombie variations of the seventies and beyond, in its tale of genetically modified cow's milk generating an epidemic of mothers killing their offspring. As one of the affected mothers, Seacat, in a handful of scenes, with a minimum of screen time and dialogue, gives an acting clinic, shifting from unreadable rage to transparent delight, from grief-stricken, guilt-ridden parent to righteous avenger.
Seacat's next few post-millennial assignments included a number of independently made films that remain, for better or worse, even harder to get a hold of than the previous two. More recently, however, have come brief but high-impact performances in a pair of relatively high-profile projects, HBO's You Don't Know Jack (2010), starring Al Pacino as Jack Kevorkian, aka 'Dr. Death' (and featuring Seacat as his first 'patient,' the Alzheimers-afflicted Janet Adkins), as well as actor Mark Ruffalo's feature film directing debut, Sympathy for Delicious (2010), wherein Seacat has an even smaller, but equally pivotal, role.
The former, in particular, caught the eye of Columbia University MFA candidate Jed Cowley in the fall of 2011, then casting his thesis film, a short subject set - and shot - in a shale pit in the filmmaker's home town of Medford, Oregon. As he would later recall, it took no more than one viewing of Seacat's brief but telling appearance in the Kevorkian biopic before Cowley and his producer "knew she should be Sheila," Shale (2012)'s long-suffering but "newly empowered" protagonist, the "once dutiful wife" now confronting her intractable ex-spouse against the shale pit's stark backdrop.
With Seacat in attendance, "Shale" had its premiere on May 5, 2012, at Lincoln Center's Walter Reade Theater, as part of the Columbia University Film Festival, where the film would earn the IFC Audience Choice Award. The film is also an official selection at the 2013 Slamdance Festival in Park City, Utah, screening with the South-African-set feature, Fynbos (2012), on Friday, January 18th, at 7 PM, and again on Tuesday the 22nd, at 12 noon.
As already mentioned, Seacat also appeared recently in the first two episodes of Laura Dern's HBO series "Enlightened," as well as the feature film, The Time Being (2012), representing the directing and screenwriting debuts, respectively, of Nenad Cicin-Sain and producer Richard N. Gladstein.
Seacat's next scheduled appearance is in Gia Coppola's feature film directing debut, still in pre-production, entitled Palo Alto (2013), based on short stories by James Franco.
In the meantime, Seacat has not neglected her educational mission; in fact, while remaining active on both coasts, she also recently made inroads into the heartland, when, on March 8, 2012, together with longtime friend and colleague, Robert Walden, and several others, she became a founding faculty member of the newly instituted Winthrop Rockefeller Institute Film Forum, a three-day, multi-disciplinary seminar to be hosted annually by the University of Arkansas.October 2, 1936 – January 17, 2023
American actress ('Country,' 'Crazy in Alabama'), director ('In the Spirit') and acting coach (Laura Dern, Jessica Lange)- Lupe Serrano was born on 7 December 1930 in Santiago, Chile. She was an actress, known for Omnibus (1952), Camera Three (1955) and The Bell Telephone Hour (1959). She was married to Kenneth Schermerhorn. She died on 16 January 2023 in Syosset, New York, USA.December 7, 1930 – January 17, 2023
Chilean-born ballet dancer and teacher; first Hispanic American principal dancer of the American Ballet Theatre - Director
- Writer
- Editor
Paul Vecchiali was born on 28 April 1930 in Ajaccio, Corsica, France. He was a director and writer, known for Once More (1988), At the Top of the Stairs (1983) and Les sept déserteurs ou La guerre en vrac (2017). He died on 18 January 2023 in Gassin, Var, France.April 28, 1930 – January 17, 2023
French filmmaker ('Rosa la rose, fille publique,' 'Once More,' 'Le Cancre'), actor ('Le Bonheur') and producer ('Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles')- Music Department
- Editor
- Editorial Department
Donn Cambern was born on 9 October 1929 in Los Angeles, California, USA. He was an editor, known for Romancing the Stone (1984), The Bodyguard (1992) and Ghostbusters II (1989). He was married to Patricia Lee Cambern. He died on 18 January 2023 in the USA.October 9, 1929 – January 18, 2023
American film editor ('Easy Rider,' 'Time After Time,' 'Twins'); 1968 Primetime Emmy Award nominee ('The Bob Hope Christmas Special') and 1984 Academy Award nominee ('Romancing the Stone')- Music Artist
- Actor
- Music Department
David Crosby was born on 14 August 1941 in Los Angeles, California, USA. He was a music artist and actor, known for Backdraft (1991), Hook (1991) and The Limey (1999). He was married to Jan Dance. He died on 18 January 2023 in Santa Ynez, California, USA.August 14, 1941 – January 18, 2023
American Grammy Award-winning Hall of Fame singer, guitarist, songwriter, and founding member of both The Byrds and Crosby, Stills & Nash; also an occasional actor ('Hook,' 'The John Larroquette Show')- Director
- Editor
- Writer
Sumitra Peries was born on 24 March 1934 in Avissawella, Sri Lanka. She was a director and editor, known for Sagara Jalaya Madi Handuwa Oba Handa (1988), Loku Duwa (1994) and The Girls (1978). She was married to Lester James Peries. She died on 19 January 2023 in Colombo, Sri Lanka.March 24, 1934 – January 19, 2023
Sri Lankan film director ('Gehenu Lamai,' 'Ganga Addara,' 'Vaishnavee')- Yun Jeong-hie was born in 1944 in Busan, Korea. She was an actress, known for Poetry (2010), Flower in the Snow (1992) and Two Flags (1994). She was married to Kun-woo Paik and Paik Kun-woo. She died on 19 January 2023 in Paris, France.July 30, 1944 – January 19, 2023
South Korean actress ('Mist,' 'The Last Witness,' 'Poetry') - Actor
- Producer
- Additional Crew
Well-known Philadelphia radio and TV personality, called "The Geator with the Heater." He began as a dancer on American Bandstand (1952) in 1953, became a disc jockey in 1960 and had a nationally syndicated TV dance show, "The Discophonic Scene" (1960), and talk show, "Jerry' s Place" (1960), in the 1960s. Jerry was inducted into the Rock & Roll Hall of Fame in 1998 and continued to broadcast in Philadelphia on the Geator Gold Radio Network.July 3, 1940 – January 20, 2023
American DJ and Philadelphia icon known as "The Geator with the Heater" and "The Big Boss with the Hot Sauce"- Director
- Writer
- Producer
Hossein Shahabi was an Iranian film director, screenwriter and film producer. He was born in 1967 in Tabriz, Iran. After graduating, he studied classical music at Tehran University then spent a few years teaching music. In 1996, he made his first (short) film (Hundred Times Hundred), on the occasion of the 100th anniversary of cinema, and received a prize at the (one off) festival, established for the same occasion.
He wrote, directed, and produced 20 shorts, 10 fictional features (for video release in the Iranian market), and 3 feature films for theatrical release, some of which have won prizes in the local and international film festivals. The Bright Day (2013), his debut film, was well received by the critics and was nominated in four categories at the Fajr International Film Festival in Tehran (Feb. 2013), winning two Honorary Diplomas.
He died of natural causes on 22 January 2023 in Iran.November 28, 1967 – January 22, 2023
Iranian filmmaker ('Conditional Release,' 'The Sale,' 'The Bright Day')- Director
- Writer
- Actor
Agustí Villaronga was born on 4 March 1953 in Palma, Balearic Islands, Spain. He was a director and writer, known for Moon Child (1989), Black Bread (2010) and The Belly of the Sea (2021). He died on 22 January 2023 in Barcelona, Barcelona, Catalonia, Spain.March 4, 1953 – January 22, 2023
Spanish Ariel and Goya Award-winning film director and screenwriter ('In a Glass Cage,' 'Moon Child,' 'Black Bread')- Actor
- Director
- Writer
Thomas Hellberg was born on 29 September 1941 in Stockholm, Sweden. He was an actor and director, known for Man on the Roof (1976), Råttornas vinter (1988) and The Man from Majorca (1984). He died on 22 January 2023 in Sweden.September 29, 1941 – January 22, 2023
Swedish actor ('Man on the Roof,' 'The Man from Majorca,' 'Rederiet')- Writer
- Director
- Producer
Eugenio Martín was born on 15 May 1925 in Ceuta, Spain. He was a writer and director, known for Horror Express (1972), The Ugly Ones (1966) and Viaje romántico a Granada (1955). He was married to Lone Fleming. He died on 23 January 2023 in Spain.May 15, 1925 – January 23, 2023
Spanish film director ('Horror Express'), screenwriter ('The Ugly Ones') and assistant director ('The 7th Voyage of Sinbad')- Lloyd Morrisett Jr. was born on 2 November 1929 in Oklahoma City, Oklahoma, USA. He was a writer, known for Sesame Street (1969), Sesame Street and The Electric Company (2006). He was married to Mary Pierre. He died on 15 January 2023 in San Diego, California, USA.November 2, 1929 – January 23, 2023
American psychologist and educator who co-founded what is now Sesame Workshop, the organization that created 'Sesame Street' - Top Topham died on 23 January 2023 in England, UK.July 3, 1947 – c. January 23, 2023
English musician; original guitarist of The Yardbirds - Lance Kerwin was born on 6 November 1960 in Newport Beach, California, USA. He was an actor, known for Outbreak (1995), Enemy Mine (1985) and Salem's Lot (1979). He was married to Yvonne Kerwin and Kristen Lansdale. He died on 24 January 2023 in San Clemente, California, USA.November 6, 1960 – January 24, 2023
American actor ('James at 15,' 'Salem's Lot,' 'Enemy Mine') - Actress
- Producer
- Director
Cindy Williams was born Cynthia Jane Williams in Van Nuys, California on August 22, 1947. The Leo was 5'4" and, during her first years on Laverne & Shirley (1976), weighed a dainty 105 lbs. The brown haired, blue-eyed female was born the daughter of Francesca Bellini and Beachard Williams. Her father was an electronic technician, and Cindy grew up in reduced circumstances. She had one sister, Carol Ann Williams, and an older half-brother, Jim from her mother's first marriage.
As a child, she dreamed of being an actress. She used to create and perform her own plays and, as she grew, she wished that one day, Debbie Reynolds would see her in one of those amateur shows and whisk her away and put her in a film. Another thing that brought show business into her life was her alcoholic father's imitations of comics like Jackie Gleason and Milton Berle. She worked as a waitress, while she auditioned for commercials, television guest spots, and feature films. Her first step to fame was a movie in which she tap danced with Gene Kelly. She stepped on Kelly's foot, leaving her "really embarrassed". She landed important film roles early in her career.
Famed director George Cukor cast her in Travels with My Aunt (1972). Her next big role was for George Lucas in American Graffiti (1973), as Ron Howard's girlfriend, for which she earned a BAFTA nomination as Best Supporting Actress. That led to Francis Ford Coppola casting her in The Conversation (1974). The three instant-classic films should have propelled her into movie stardom, but her career inexplicably hit a lull. She couldn't go back to working as a waitress, because she was too well-known.
She was set up in a writing team with Penny Marshall and the girls were called by Penny's brother, Garry Marshall, to do a stint as two fast girls on Happy Days (1974). The public received them so warmly that Cindy and Penny soon got their own show and was referred to everywhere as "Shirley Feeney".
She earned a Golden Globe nomination as Best Actress in 1978. She left the show in 1982, pregnant with daughter Emily. She was married to Bill Hudson, who had previously been married to actress Goldie Hawn. Williams later gave birth to a son, Zachary, in 1986. She went on to make a few movies and co-produced "The Father Of The Bride" movies with Hudson. They divorced in 2000.
She did Jenny Craig commercials and acted on guest spots on the TV show For Your Love (1998) and reunited with Penny Marshall several times on television. In 2015, her memoir, Shirley, I Jest! (co-written with Dave Smitherman), was published.
Cindy Williams died, aged 75, following a brief, undisclosed illness, in 2023.August 22, 1947 – January 25, 2023
American BAFTA Film Award- and Golden Globe-nominated actress ('American Graffiti,' 'The Conversation,' 'Laverne & Shirley')- Soundtrack
Dean Daughtry was born on 8 September 1946 in Kinston, Alabama, USA. Dean was married to Donna Daughtry. Dean died on 26 January 2023 in Huntsville, Alabama, USA.September 8, 1946 – January 26, 2023
American keyboard player (Classics IV, Atlanta Rhythm Section) and songwriter ("So Into You")- Cinematographer
- Editor
- Camera and Electrical Department
Robert Dalva was born on 14 April 1942 in New York City, New York, USA. He was a cinematographer and editor, known for Star Wars: Episode IV - A New Hope (1977), Captain America: The First Avenger (2011) and Jurassic Park III (2001). He was married to Marcia Smith. He died on 27 January 2023 in Marin County, California, USA.April 14, 1942 – January 27, 2023
American Academy Award-nominated film editor ('The Black Stallion,' 'Jumanji,' 'Captain America: The First Avenger'), cinematographer ('Nash Bridges'), and director ('The Black Stallion Returns')- Writer
- Producer
- Script and Continuity Department
Gregory Allen Howard was born on 28 January 1952 in Norfolk, Virginia, USA. He was a writer and producer, known for Harriet (2019), Remember the Titans (2000) and Ali (2001). He died on 27 January 2023 in Miami, Florida, USA.January 28, 1952 – January 27, 2023
American screenwriter ('Remember the Titans,' 'Glory Road,' 'Harriet') and producer- Actress
- Music Department
Jamuna was born on 30 August 1936 in Hampi, Kingdom of Mysore, British India. She was an actress, known for Milan (1967), Kurukshetramu (1977) and Kurukshetra (1977). She was married to Juluri Ramana Rao. She died on 27 January 2023 in Hyderabad, Telangana, India.August 30, 1936 – January 27, 2023
Indian actress ('Missamma,' 'Gundamma Katha') and Filmfare Award winner ('Milan')- Director
- Additional Crew
- Writer
Alfred Leslie was born on 29 October 1927 in Bronx, New York City, New York, USA. He was a director and writer, known for The Cedar Bar (2002), Pull My Daisy (1959) and Alfred Leslie: Cool Man in a Golden Age (2009). He died on 27 January 2023 in Brooklyn, New York City, New York, USA.October 29, 1927 – January 27, 2023
American painter and filmmaker ('Pull My Daisy')- Sasa Petrovic was born on 2 January 1962 in Sarajevo, Bosnia and Herzegovina, Yugoslavia. He was an actor, known for It's Hard to Be Nice (2007), No Man's Land (2001) and Easy Money (2010). He died on 27 January 2023 in Bosnia & Herzegovina.January 2, 1962 – January 27, 2023
Bosnian actor ('A Little Bit of Soul,' 'Fuse,' 'It's Hard to Be Nice') - Director
- Editor
- Cinematographer
David Rimmer was born in 1942 in Vancouver, British Columbia, Canada. He was a director and editor, known for Local Knowledge (1992), Jack Wise: Language of the Brush (1998) and Shades of Red (1982). He died on 27 January 2023 in Vancouver, British Columbia, Canada.January 20, 1942 – January 27, 2023
Canadian experimental filmmaker ('Variations on a Cellophane Wrapper ')- Actress
- Soundtrack
London-born Sylvia May Laura Syms hit major film appeal at a relatively young age. Born on January 6, 1934, she was educated at convent schools before receiving dramatic training at the Royal Academy of Dramatic Art. She made her stage debut in a production of "The Apple Cart" in 1954.
A repertory player by the time she was discovered for films by the British star Anna Neagle and her director/husband Herbert Wilcox, the lovely demure blonde started out auspiciously enough in the delinquent film Teenage Bad Girl (1956) in which she played Neagle's troubled daughter. This was followed by a second Neagle/Wilcox collaboration with No Time for Tears (1957).
Excelling whether cast in stark melodrama, spirited adventure or harmless comedy fluff, Syms' film list grew impressive in the late 1950s and early 1960s working alongside the likes of John Mills and Anthony Quayle in Ice Cold in Alex (1958), Curd Jürgens and Orson Welles in Ferry to Hong Kong (1959), Lilli Palmer and Yvonne Mitchell in Conspiracy of Hearts (1960), Laurence Harvey in Expresso Bongo (1959), William Holden in The World of Suzie Wong (1960), and Dirk Bogarde in the landmark gay-themed Victim (1961), playing the unsuspecting wife of Bogarde's closeted male. After nearly a decade's absence, Sylvia returned briefly to the London theatre lights in 1964 to play the title role in "Peter Pan."
Ably portraying innocent love interests throughout the years, she graced a number of pictures without ever nabbing that one role that would truly put her over the top. She was nominated, however, three times for British Film Academy Awards--twice for best actress in Woman in a Dressing Gown (1957) and No Trees in the Street (1959) and once for supporting actress in The Tamarind Seed (1974) that starred Julie Andrews and Omar Sharif.
The 1970s saw quite a bit of TV series work and she played British prime minister Margaret Thatcher at one point on both stage and TV. She grew plumper with middle age and found herself immersed in character roles, offering support in such films as Absolute Beginners (1986), Shirley Valentine (1989) and Shining Through (1992).
The stage once again beckoned in the mid-to-late 1980's with touring performances, among many others, in "The Heiress," "The Beaux Stratagem," "The Ideal Husband," "A Doll's House," "Ghosts," "The Vortex," "Hamlet," "Anthony and Cleopatra" and "Who's Afraid of Virginia Woolf?" She portrayed the Queen and Margaret Thatcher in a production of "Ugly Rumours" and was among the cast in a musical presentation of "On the Town" in 2005.
Into the millennium, Sylvia has continued to have remarkable agility. American audiences have recently seen her as the dog-doting "Princess Charlotte" in the light teen comedy What a Girl Wants (2003) with Amanda Bynes and Colin Firth, and treading water as the Shelley Winters character in the TV-remake of The Poseidon Adventure (2005). Other movies have included the role of the Queen Mum in The Queen (2006) starring Oscar-winning Helen Mirren as Queen Elizabeth II, as well as featured roles in Is Anybody There? (2008) starring Michael Caine and Booked Out (2012). She also co-starred opposite Peter Bowles in the heart-warming senior character study Together (2018).
Married once and divorced in the 1980s from Alvin Edney, daughter Beatie Edney (aka Beatrice) is a highly prolific actress in her own right, and her son, Benjamin Edney, was briefly an actor while young and appeared with his mother as her son in the western The Desperados (1969). Ms. Syms is sometimes confused with Brooklyn-born jazz/cabaret performer and recording artist Sylvia Syms (1917-1992) (née Sylvia Blagman).January 6, 1934 – January 27, 2023
English actress ('Ice Cold in Alex,' 'The Queen') and three-time BAFTA Film Award nominee ('Woman in a Dressing Gown,' 'No Trees in the Street,' 'The Tamarind Seed')- Soundtrack
Odd Børre was born on 9 August 1939 in Harstad, Norway. He died on 28 January 2023 in Norway.August 9, 1939 – January 28, 2023
Norwegian pop singer ("Stress")- Actress
- Make-Up Department
- Writer
Lisa Loring was an American actress and former child model. She is primarily known for having played Wednesday Addams in the comedy-horror sitcom "The Addams Family" (1964-1966). The sitcom was the first screen adaptation of the comic strip "The Addams Family" (1938-1988) by Charles Addams, which featured a wealthy aristocratic clan who took delight in the macabre. Wednesday was the perpetually gloomy daughter of the family in the comic strip. Loring's version of the character was sweet-natured, but eccentric. This version of Wednesday owned a collection of decapitated dolls, and named her favorite doll after Marie Antoinette, the executed Queen of France. Wednesday raised spiders as a hobby.
In 1958, Loring was born on the Kwajalein Atoll, the southernmost of the Marshall Islands. The island is located about 2,100 nautical miles (3,900 kilometers; 2,400 miles) southwest of Honolulu, Hawaii. It has hosted an American naval base since World War II. Her parents were both personnel of the United States Navy. Loring's parents separated shortly after her birth, and Judith Loring (Loring's mother) received custody of Loring. Lisa Loring was initially raised in Hawaii, before moving with her mother to Los Angeles.
In 1961, Loring started working as a child model. She eventually took a few acting roles, and reportedly guest starred in a 1964 episode of the medical drama "Dr. Kildare". When cast to play Wednesday in "The Addams Family", Loring was only 6-years-old. It was her first regular role in television. The series lasted for 2 seasons and 64 episodes, ending in 1966.
Loring was cast in the role of Susan "Suzy" Pruitt in the short-lived sitcom "The Pruitts of Southampton" (1966-1967). The sitcom was the brainchild of David Levy, who had previously produced "The Addams Family". The series used much of the former cast of "The Addams Family". The premise of this sitcom was that the Pruitts were a formerly wealthy family who still lived in an aristocratic mansion in the Hamptons. The Internal Revenue Service (IRS) had found out about their loss of wealth, but instructed them to maintain their pretensions of great wealth in order to avoid a potential loss of confidence in the financial system. Episodes revolved about the family's efforts to raise money while maintaining secrecy.
In 1973, aged 15, Loring married her boyfriend Farrell Foumberg. She gave birth to her daughter Vanessa that year. The couple divorced in 1974. Judith Loring died in 1974 from alcoholism. Lisa Loring had to provide for herself. She appeared infrequently in television films during the late 1970s. Loring was cast as Wednesday Sr. in the television film "Halloween with the New Addams Family" (1977). Wednesday was depicted in the film as having a look-alike younger sister, known as Wednesday junior (played by Jennifer Surprenant). In 1980, Loring joined the cast of the soap opera "As the World Turns". She portrayed Cricket Montgomery, a half-sister of the regular character Margo Montgomery Hughes. Loring continued appearing in the series until 1984.
In 1981, Loring married the soap opera actor Doug Stevenson. They had daughter Marianne early in their marriage, but received a divorce in 1983. Loring's acting career was in hiatus until she agreed to play in the slasher film "Blood Frenzy" (1987). Its premise was that a killer stalked the patients of psychiatrist Dr. Barbara Shelley (played by Wendy MacDonald) during their trip through a desert. The film's plot reportedly combined plot elements from the earlier films "Ten Little Indians" (1974) and "Friday the 13th" (1980). The film was an early attempt by pornographic film producer Hal Freeman to create his own horror films.
Loring was an uncredited co-writer in the pornographic film "Traci's Big Trick" (1987). She was introduced to porn actor Jerry Butler (born Paul David Siederman; 1959-2018), and they started dating. They were married within 1987, but their relationship was tumultuous. They divorced each other in 1992, following failed a number of failed attempts in reconciliation.
In 1988, Loring co-starred in the slasher film "Iced". Its premise was that a group of old friends has received invitations to a new ski resort. They reunite there, but are stalked by a killer who has mysterious ties to their past. Loring's performance and humorous dialogue were reportedly among the highlight of the film. But the film has a relatively poor reputation among horror fans, due to soap opera-like plot elements and an inconclusive ending to its mystery. It was her last notable role for several years.
By the early 1990s, Loring was feeling depressed due to the decline of her career and her poor relationship with her husband. She tried to self-medicate her condition, leading to a drug addiction. In 1991, Loring was the first person to discover the corpse of her friend Kelly Van Dyke, who had committed suicide by hanging. Loring was in a fragile state of mind. She made a suicide attempt not long after. In 1992, she went to rehab and beat her addiction. She gave a few interviews in the mid-1990s, but semi-retired from acting. She resumed her acting career in the mid-2010s, with appearances in two different horror films. In 2023, Lisa Loring died, aged 64.February 16, 1958 – January 28, 2023
American actress who played the screen's first Wednesday Addams in the '60s TV series 'The Addams Family'- Composer
- Additional Crew
- Soundtrack
Tom Verlaine was born on 13 December 1949 in Morristown, New Jersey, USA. He was a composer, known for The Diary of a Teenage Girl (2015), I'm Not There (2007) and Gold (2016). He died on 28 January 2023 in Manhattan, New York City, New York, USA.December 13, 1949 – January 28, 2023
American guitarist and singer-songwriter best known as the frontman of the rock band Television- Actress
- Soundtrack
Heddy Lester was born on 18 June 1950 in Leeuwarden, Friesland, Netherlands. She was an actress, known for Groeten van Gerri (2020), Zeg 'ns Aaa (1981) and De tranen van Maria Machita (1991). She died on 29 January 2023 in Amsterdam, Noord-Holland, Netherlands.June 18, 1950 – January 29, 2023
Dutch singer (1977 Eurovision Song Contest) and actress ('From Gerri with Love')- George R. Robertson was a Canadian actor best known as Chief Hurst in the first 6 Police Academy films. He was also featured in JFK, Murder At 1600 (Mack Falls), as Dick Cheney in The Path To 9/11 and, most recently as Chester Jones in Still Mine. He appeared as Barry Goldwater in The Reagans, as Sen. Fulbright in The Pentagon Papers and as Adm. William Leahy in Hiroshima.April 20, 1933 – January 29, 2023
Canadian actor ('Police Academy' movies, 'E.N.G.,' 'Still Mine') - Composer
- Music Department
- Soundtrack
Soul music singer and songwriter Barrett Strong was born on February 5, 1941, in Westpoint, Mississippi. He moved to Detroit, Michigan, and was one of the first artists to sign with Berry Gordy's legendary Motown Records label in the early 1960s. In fact, his recording of "Money (That's What I Want)" on the Anna Records label in 1960 was so successful (it peaked at #2 on the R&B radio charts and almost cracked the Top 20 pop charts) that it produced the necessary capital for Gordy to start his Motown label (the song has been covered by such artists as The Beatles, The Searchers, Jerry Lee Lewis, Buddy Guy and The Flying Lizards). Strong wrote, played piano and sang vocals on many early Motown recordings. He frequently collaborated on songs with noted producer and songwriter Norman Whitfield. Among the many classic soul songs Barrett co-wrote for Motown are "I Heard It Through the Grapevine", "War", "Smiling Faces Sometimes", "Cloud Nine", "I Can't Get Next to You", "Ball of Confusion (That's What the World is Today)", "Too Busy Thinking About My Baby", "Just My Imagination" and "Papa Was a Rollin' Stone." In addition, he co-wrote "Take Me in Your Arms and Love Me" for Gladys Knight and The Pips. In 1972 Strong left Motown and signed with Epic Records. After one failed single with Epic, he went on to record two albums for Capitol Records in the mid-'70s. Strong continued to work in the 1980s: he recorded the single "Rock It Easy" on an independent label in 1981 and both wrote and arranged "You Can Depend on Me" for the album "The Second Time" by The Dells in 1988. He was inducted into the Songwriters Hall of Fame in 2004.February 5, 1941 – January 29, 2023
American singer ("Money (That's What I Want)") and Grammy Award-winning songwriter ("I Heard It Through the Grapevine," "Papa Was a Rollin' Stone")- This talented actress was born Anne Marie Wersching and grew up in St. Louis, Missouri. She opted early on for a life in the entertainment industry, performing in community theatre and later as a dancer for some fourteen years with a troupe called the St. Louis Celtic Stepdancers. After moving to Chicago, she acted in several touring plays and at the Utah Shakespearean Festival. In 1999, Wersching graduated with a Bachelor of Fine Arts degree in Musical Theatre from the Millikin University School of Theater and Dance in Decatur, Illinois. Moving to Los Angeles, two years later, she appeared in a revival of the Stephen Sondheim-Richard Rodgers-Arthur Laurents musical "Do I Hear a Waltz?" at the Pasadena Playhouse, as well as making her screen debut in an episode of Star Trek: Enterprise (2001).
Testament to her acting skill have been lengthy stints on popular prime time series like 24 (2001) (as the valiant but ill-fated FBI Special Agent Renee Walker), The Vampire Diaries (2009) (Lily Salvatore), Timeless (2016) (as time traveler Emma Whitmore) and Marvel's Runaways (2017) (as charismatic villain turned ally Leslie Dean). She also gave a thoroughly convincing performance as extrovert rookie police officer Julia Brasher, involved with (Harry) Bosch (2014) at LAPD's Hollywood Division on both a professional and a personal level. Their relationship eventually soured in season two, although Brasher returned briefly for two episodes in season 7. Wersching became the third actress to play the dreaded Borg Queen (following in the footsteps of Alice Krige and Susanna Thompson) and did so to chilling effect in season two of Star Trek: Picard (2020). Her steady volume of television work has included guest appearances on Charmed (1998), Supernatural (2005), NCIS (2003), Hawaii Five-0 (2010) and Castle (2009).
Very much at the peak of her career, Annie Wersching was diagnosed with cancer in the summer of 2020, but kept her illness private and continued to work afterwards. She passed away at her home in Los Angeles, California on January 29, 2023, at age 45.March 28, 1977 – January 29, 2023
American television actress ('24,' 'Bosch,' 'Runaways') also known for playing Tess in the 2013 video game 'The Last of Us' and who began and ended her career with 'Star Trek' - Charlie Thomas was born on 7 April 1937 in Lynchburg, Virginia, USA. He was married to Rita Thomas. He died on 31 January 2023 in Bowie, Maryland, USA.April 7, 1937 – January 31, 2023
American Hall of Fame singer (The Drifters) - Leonard Pietraszak was born on 6 November 1936 in Bydgoszcz, Kujawsko-Pomorskie, Poland. He was an actor, known for Królowa Bona (1980), Vabank (1981) and Epitafium dla Barbary Radziwillówny (1983). He was married to Wanda Majerówna. He died on 1 February 2023 in Warsaw, Mazowieckie, Poland.November 6, 1936 – February 1, 2023
Polish actor ('Vabank,' 'King Size,' '39 i pół') - Stunts
- Actor
- Special Effects
George P. Wilbur was born on 6 March 1941 in Kent, Connecticut, USA. He was an actor, known for The Perfect Storm (2000), Escape from New York (1981) and Die Hard (1988). He died on 1 February 2023 in the USA.March 6, 1941 – February 1, 2023
American stuntman ('Planet of the Apes,' 'Escape from New York') and actor ('Halloween 4: The Return of Michael Myers')- Writer
- Director
- Actor
K. Viswanath was born on 19 February 1930 in Peddapulivarru, Guntur District, Andhra Pradesh, India. He was a writer and director, known for Sagara Sangamam (1983), Sutradhaarulu (1990) and Sruthilayalu (1987). He was married to Kasinadhuni Jayalakshmi. He died on 2 February 2023 in Hyderabad, India.February 19, 1930 – February 2, 2023
Indian five-time National Film Award-winning filmmaker ('Sankarabharanam,' 'Sagara Sangamam,' 'Swathi Muthyam') and actor ('Kuruthipunal,' 'Uttama Villain')- Costume Designer
- Costume and Wardrobe Department
- Actor
Paco Rabanne was born on 18 February 1934 in Pasaia, Gipuzkoa, Pais Vasco, Spain. He was a costume designer and actor, known for Barbarella (1968), Two for the Road (1967) and The Last Adventure (1967). He died on 3 February 2023 in Portsall, Ploudalmézeau, Brittany, France.February 18, 1934 – February 3, 2023
Spanish-French fashion designer and costume designer ('The Last Adventure,' 'Two for the Road,' 'Barbarella')- Actor
- Additional Crew
- Director
Jürgen Flimm was born on 17 July 1941 in Gießen, Hesse, German Reich [now: Germany]. He was an actor and director, known for Wer zu spät kommt - Das Politbüro erlebt die deutsche Revolution (1990), Through Roses (1997) and Ein Herz und eine Seele (1973). He was married to Susanne Ottersbach and Inge Flimm. He died on 4 February 2023 in Wischhafen-Hammelwörden, Lower Saxony, Germany.July 17, 1941 – February 4, 2023
German theater and opera director and theater manager (Thalia Theater)- Music Artist
- Music Department
- Soundtrack
Vani Jairam was born on 30 November 1945 in Vellore, Tamil Nadu, India. She was a music artist, known for Pulimurugan (2016), Meera (1979) and Ramanujan (2014). She was married to Jairam. She died on 4 February 2023 in Chennai, India.November 30, 1945 – February 4, 2023
Indian three-time National Film Award-winning and Filmfare Award-winning playback singer ('Apoorva Raagangal,' 'Sankarabharanam,' 'Punnagai Mannan')- Writer
- Producer
- Actor
Arnold Schulman was born on 11 August 1925 in Philadelphia, Pennsylvania, USA. He was a writer and producer, known for Goodbye, Columbus (1969), Love with the Proper Stranger (1963) and And the Band Played On (1993). He was married to Diana Solomon. He died on 4 February 2023 in Santa Monica, California, USA.August 11, 1925 – February 4, 2023
American playwright ('A Hole in the Head') and two-time Academy Award-nominated screenwriter ('Love with the Proper Stranger,' 'Goodbye, Columbus'); also an Emmy Award nominee for his teleplay for 'And the Band Played On' (1993)- Production Designer
- Art Department
- Costume Designer
Eugene Lee was born on 9 March 1939 in Beloit, Wisconsin, USA. He was a production designer and costume designer, known for Saturday Night Live (1975), Man on the Moon (1999) and Schmigadoon! (2021). He was married to Brooke E. Lutz and Franne Lee. He died on 6 February 2023 in Providence, Rhode Island, USA.March 9, 1939 – February 6, 2023
American three-time Tony Award-winning scenic designer ('Candide,' 'Sweeney Todd,' 'Wicked') and six-time Emmy Award-winning production designer ('Saturday Night Live,' 'The Tonight Show Starring Jimmy Fallon')- Composer
- Music Department
- Actor
Burt Bacharach was a well known and multi award winning singer and song writer.
Over 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach wrote hits for singers such as Gene Pitney, Cilla Black, Dusty Springfield, Tom Jones, and B.J. Thomas. Bacharach wrote 73 U.S. and 52 UK Top 40 hits. He worked on many sound tracks including the smash hit, "Beware of the Blob" for the version of The Blob (1958) starring Steve McQueen.
He was married four times, lastly to Jane Hansen from 1993 until his death. They had two children. He also had two other children.May 12, 1928 – February 8, 2023
American three-time Academy Award-winning and five-time Grammy Award-winning songwriter ("Raindrops Keep Fallin' On My Head," "Arthur's Theme (Best That You Can Do)," "That's What Friends Are For"), composer ('Butch Cassidy and the Sundance Kid,' 'Arthur'), arranger, conductor, record producer, singer, and musician; recipient of both a Grammy Trustees Award (1997) and a Grammy Lifetime Achievement Award (2008)- Actor
- Music Department
- Writer
Cody Longo was an American actor and musician. The early stages of his career began onstage before eventually moving to Los Angeles to pursue film and television. He studied psychology and film at UCLA.
Cody had various film and television roles since he started his professional career in 2009. He was a singer/songwriter who broke into the Billboard Top 100 charts in 2014 with his song "She Said", which charted #3 along with his debut album. He was a music supervisor and executive producer on various film and television projects. He had his hand in charities and pushed to keep both art programs in schools domestically, and continue to help build housings that provides schooling for children around the world. He headed his own non-profit LiveAlive, and was heavily involved with Make a Wish foundation and Pencils of Promise.
Cody relocated to Nashville, Tennessee to write and produce music. He co-founded and served as chief music executive officer of Circle 11 Entertainment, a company that would help create and mold up-and-coming talent. He was poised to return to acting in 2023 before his untimely death.Cody Longo
March 4, 1988 – February 8, 2023
American actor ('Hollywood Heights,' 'Wildflower') and musician ("She Said")- Branka Veselinovic was born on 16 September 1918 in Becej, Austria-Hungary [now Serbia]. She was an actress, known for Muzej vostanih figura (1962), Pop Cira i pop Spira (1957) and Velika turneja (1961). She was married to Mladen 'Mladja' Veselinovic. She died on 8 February 2023 in Belgrade, Serbia.September 16, 1918 – February 8, 2023
Serbian actress ('A Child of the Community,' 'Priests Ćira and Spira,' 'The Master and Margaret') - Len Birman was born on 28 September 1932 in Montréal, Québec, Canada. He was an actor, known for Silver Streak (1976), Captain America (1979) and Draw! (1984). He was married to Ruby Renaut and Harriet Jane Takefman. He died on 10 February 2023 in Los Angeles, California, USA.September 28, 1932 – February 10, 2023
Canadian-American actor ('Lies My Father Told Me,' 'Silver Streak,' 1979's 'Captain America') - Director
- Producer
- Writer
The old Etonian, after National Service in the British Army, wanted to get into films but found the doors were closed to him, so he worked on commercials for about 20 years. David Putnam gave him a chance to direct Chariots of Fire which was a hit, and he never looked back.
He met his second wife, actress Maryam d'Abo, when she came to see him about wanting to play the leading role of Jane in his film Greystoke: The Legend of Tarzan, Lord of the Apes (1984). They reconnected 15 years later at a dinner party. They wed four years later in 2003.August 25, 1936 – February 10, 2023
English Academy Award-, BAFTA Film Award- and César Award-nominated director ('Chariots of Fire,' 'Greystoke: The Legend of Tarzan, Lord of the Apes,' 'My Life So Far')- Writer
- Director
- Actor
Spanish director, writer, producer (2 films) and actor (2 films). His interest in cinema started when he was very young. His mother, who was a pianist, instilled in him the liking for music, and his brother, Antonio, who was a painter, the passion for art. When he was an teenager he started to practice photography, and in 1950 he made his first illustrated feature films with a 16 mm camera. Carlos Saura is an excellent photographer, an activity that he shares in a sporadic way with the making of films.
He then moved to Madrid to continue his Industrial Engineering career, but his vocation for photography, cinema and journalism made him leave his studies and matriculate at the Instituto de Investigaciones y Estudios Cinematográficos (Cinematographic Study and Research Institute). Sporadically, he combined his cinematographic studies with the courses at the Escuela de Periodismo (Journalism School). In 1957 he finished studying and got the director diploma. At the same time, he finished his end-of-career short film La tarde del domingo (1957). He continued as a professor until 1963. In that year he was removed from the school for strictly political reasons (Franco's censorship).
In 1959 he filmed The Delinquents (1960). In this film he tried to create a sort of Spanish Neo-Realism by tackling the juvenile delinquency in the Madrid's poor quarters from a sociological point of view. In his first stage as director he tried to take a position in favour of outcast people, and he got to make a both lyric and documentary-style cinema.
Saura is a well accepted director both nationally and internationally, and in proof of it he won many awards among which there are the following ones: Silver Bear in the Berlin Festival for The Hunt (1966), in 1965, and for Peppermint Frappé (1967), in 1967. Special Jury Awards in Cannes for Cousin Angelica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mama Turns 100 (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. In 1990, he won two Goya awards as best adapted screenplay writer and best director.January 4, 1932 – February 10, 2023
Spanish Goya Award- and BAFTA Film Award-winning director and screenwriter ('Cría Cuervos,' 'Carmen,' '¡Ay, Carmela!')- James Flynn was born on 21 August 1965 in Kilmacud, Ireland. He was a producer, known for Vikings (2013), Becoming Jane (2007) and The Count of Monte Cristo (2002). He was married to Juanita Wilson. He died on 11 February 2023 in Dublin, Ireland.August 21, 1965 – February 11, 2023
Irish Canadian Screen Award- and Gemina Award-winning and Academy Award-nominated film and television producer ('Ondine,' 'The Borgias,' 'Calvary,' 'Vikings,' 'The Banshees of Inisherin') - Actor
- Cinematographer
- Editor
Austin Majors was a scholar as well as an actor, skipping a grade, and getting high marks in all subjects. Majors graduated second in his high school class in 2013. He later studied at the University of Southern California in the School of Cinematic Arts, majoring in Film and Television Production, minoring in Music Industry. Majors was a brother of the Alpha Tau Omega fraternity. An avid outdoorsman, hes was a junior assistant Scoutmaster in Boy Scouts. He has earned scouting's highest rank, obtaining the honor of Eagle Scout at the age of fourteen. Majors liked helping others and lent his support to a variety of charitable causes including Kids with a Cause, the Ronald McDonald House, and the Jonathan Jaques Childrens Cancer Center. When not in front of the camera, he enjoyed making films of his own, backpacking, riding horses, attending concerts, traveling and playing sports. Majors received the Young Artists Award for Best Performance in a Television Series for his compelling work on NYPD Blue. His work on Treasure Planet earned him another nomination for Best Performance in a Voice Over Role.November 23, 1995 – February 11, 2023
American child actor ('NYPD Blue,' 'Treasure Planet,' 'An Accidental Christmas')- Director
- Actor
Vadim Abdrashitov, one of Russian cinema's most independent directors who was influenced by liberation of cultural life during the Khrushchev's "Thaw", is now an internationally renown filmmaker with awards from the Berlin and Venice Film Festivals.
He was born Vadim Yusupovich Abdrashitov on January 19, 1945, in Kharkov, Ukraine, USSR (now Kharkov, Ukraine). His father, Yusup Abdrashitov, an ethnic Tatar, was an officer in the Soviet Army and for that reason his family was moving many times to places like Vladivostok, Alma-Ata, Sakhalin, Kamchatka and Leningrad. Young Abdrashitov was so impressed with the space flight of the first Russian cosmonaut Yuri Gagarin, that he left his parents in Kazakhstan, and moved to Moscow. There he studied nuclear physics at the famous 'FisTech' where the Nobel Prize Laureats Landau, Tamm, and Semyonov were among professors.
At that time Abdrashitov became involved in amateur film-making. Then he transferred to the Mendeleev Institute of Technology, because it was equipped with the film studio for students. His cultural and artistic interests developed during the "Thaw", that was initiated by Nikita Khrushchev. Abdrashitov was influenced by the books of Aleksandr Solzhenitsyn and Vasiliy Aksyonov, and by the songs of Vladimir Vysotskiy, Yuri Vizbor, Bulat Okudzhava, and Aleksandr Galich. After graduation as an engineer, he worked as a manager at the Moscow Electric-Vacuum Industry, which was making color TV tubes.
From 1970-1974 Abdrashitov studied film directing under Mikhail Romm at the Moscow State Institute of Cinematography (VGIK). After the death of Romm, he continued his film studies under Lev Kulidzhanov and graduated as a film director. His directorial debut was Ostanovite Potapova! (1973), a satirical comedy based on the screenplay by Grigori Gorin. In 1975 Abdrashitov met with the unknown writer Aleksandr Mindadze. That was the beginning of their fruitful collaboration in their next 12 films, which they made together in 30 years. Their films were awarded at many international film festivals as well as at the Soviet and Russian film forums. Abdrashitov became Laureat of the Russian State Prize for his film The Train Has Stopped (1982). In Parade of the Planets (1984), an existential film, starring Oleg Borisov, Sergey Shakurov, and Sergey Nikonenko with others, seven men are trying to find their way back home after a military training in which they were "killed" by an enemy's missile, and seized to exist. In search for their way home they go through mystical experiences in the battlefield, then in a "city of women", in a retirement home, and finally they witness a Parade of the Planets, a rare cosmic event that happens once in a thousand years.
Abdrashitov and Mindadze has been enjoying continuous and fruitful collaboration which had resulted in many critically acclaimed works. Their Plumbum, or Dangerous Game (1987) was awarded the Gold Medal at the 44-th Venice International film Festival. Abdrashitov was made Laureat of the USSR State Prize for his film Sluga (1989), which was also awarded the Alfred Bower Prize from the Ecumenic Jury at the Berlin Film Festival (1991). Their haunting film Vremya tantsora (1998), with remarkable acting by Sergey Garmash and Chulpan Khamatova, received several awards and nominations. Their latest Magnitnye buri (2003) (aka.. Magnetic Storms) is an apocalyptic, anti-Utopian, almost "pavlovian" analysis of provincial life in Russia, where people are programmed to become zombies, trapped in a vicious cycle of work for survival and the only events that bring variety to their monotonous life are occasional sparks of bloody fist-fights - albeit powerless to change the general doom.
Vadim Abdrashitov is a Member of the Russian Film Academy and a Member of the Russian Union of Cinematographers. He received numerous awards and nominations at Russian and International film festivals and was designated People's Artist of Russia in 1992. Vadim Abdrashitov has been enjoying a happy family life with his wife, Natella Toidze, and their two children, son Oleg (born in 1973) and daughter Naina (born in 1980). Abdrashitov is currently residing and working in Moscow.January 19, 1945 – February 12, 2023
Russian Nika Award-winning film director ('The Turning Point,' 'Planet Parade,' 'The Servant') and People's Artist of the Russian Federation (1992)- Writer
- Additional Crew
Lualhati Bautista was a writer, known for Bulaklak sa City Jail (1984), The Seventies (2002) and Bata bata paano ka ginawa? (1998). Lualhati died on 12 February 2023 in Manila, Philippines.December 2, 1945 – February 12, 2023
Filipino novelist and screenwriter- Music Artist
- Actor
- Composer
Trugoy the Dove was born on 21 September 1968 in Brooklyn, New York City, New York, USA. He was a music artist and actor, known for Ocean's Eleven (2001), The Man (2005) and Spies in Disguise (2019). He died on 12 February 2023 in the USA.real name: David Jude Jolicoeur; September 21, 1968 – February 12, 2023
American Grammy Award-winning rapper (De La Soul) and songwriter ("Me Myself and I", "Feel Good Inc.")- Composer
- Music Department
- Art Department
Alain Goraguer was born on 20 August 1931 in Rosny-sous-Bois, Seine-Saint-Denis, France. He was a composer, known for Heartbeats (2010), Two Days in Paris (2007) and Fantastic Planet (1973). He died on 13 February 2023 in Paris, France.August 20, 1931 – February 13, 2023
French jazz pianist, arranger and composer ('Fantastic Planet,' 'Ich heirate eine Familie')- Producer
- Additional Crew
- Actor
Tom Luddy was born on 4 June 1943 in New York City, New York, USA. He was a producer and actor, known for Invasion of the Body Snatchers (1978), The Secret Garden (1993) and Barfly (1987). He was married to Monique Montgomery. He died on 13 February 2023 in Berkeley, California, USA.June 4, 1943 – February 13, 2023
American film producer ('Mishima: A Life in Four Chapters,' 'Barfly,' 'The Secret Garden') and co-founder of the Telluride Film Festival- Writer
- Director
- Art Department
Leiji Matsumoto was born on 25 January 1938 in Fukuoka, Japan. He was a writer and director, known for Captain Harlock and the Queen of a Thousand Years (1985), Space Battleship Yamato (1974) and Farewell to Space Battleship Yamato: Warriors of Love (1978). He was married to Miyako Maki. He died on 13 February 2023 in Tokyo, Japan.January 25, 1938 – February 13, 2023
Japanese manga artist and writer ('Galaxy Express 999') and anime creator and director ('Space Battleship Yamato,' 'Arcadia of My Youth: Endless Orbit SSX')- Actor
- Producer
Anglo-Pakistani actor Zia Mohyeddin was born June 20, 1931 in Faisalabad, British India but lived his early life in Karachi, Pakistan. His father, Khadim Mohyeddin, was a mathematician and musicologist, and also a playwright and lyricist associated with various theatre groups.
Zia trained at the Royal Academy of Dramatic Arts in London from 1953-1956. Following important stage roles in "Long Day's Journey Into Night" and "Julius Caesar" in 1957, he made his West End bow as Dr. Aziz in "A Passage to India" in 1960.
After making his 1960 film debut in Pakistan, Mohyeddin made an impression as Tafas, Lawrence's ill-fated Arab guide, in the British classic film Lawrence of Arabia (1962). He continued with work on the BBC on several TV series including "Danger Man," "Sir Francis Drake" and "The Doctors and the Nurses." Other British films followed with supporting roles in A Boy Ten Feet Tall (1963), Behold a Pale Horse (1964), Deadlier Than the Male (1967), The Sailor from Gibraltar (1967), They Came from Beyond Space (1967) and Bombay Talkie (1970).
Zia returned to Pakistan at the request of the Bhutto regime in the late 60s and set up the PIA Arts and Dance Academy, which received critical merit for its classical as well as folk dances and music. He met the noted Kathak classical dancer Naheed Siddiqui and showcased her frequently in the company. They had a son, Hassan Mohyeddin, but later divorced. Zia also became a noted talk show figure on Pakistani TV (1969-1973).
Highly critical of the political regime, he left Pakistan in the late 1970's and returned to England, resuming his career there. Among his later films were Ashanti (1979), The Assam Garden (1985), and Immaculate Conception (1992), as well as the highly touted miniseries The Jewel in the Crown (1984), Masterpiece Theatre: Lord Mountbatten - The Last Viceroy (1986) and Shalom Salaam (1989), among other guest appearances on such TV programs as "Z Cars," "Minder" and "King of the Ghetto" (recurring).
Of his three marriages, Zia has four children. After divorcing second wife Sarwar Zamani, he married Azra Mohyeddin in the middle 1990's with whom he has a daughter, Aaliya Mohyeddin (born in 2002 when Zia was nearly 70). His other two children are sons Risha and Minos. In later years, he traveled the world promoting his Urdu poetry and prose recitations to international acclaim. His memoir, "A Carrot is a Carrot: Memories and Reflection," was published in 2012.
In February, the then President of Pakistan invited Mohyeddin to form the National Academy of Performing Arts in Karachi and thereafter became its president. The octogenarian has continued to appear as a lecturer/speaker, hosts occasional TV programs and narrates short films and commercials.June 20, 1931 – February 13, 2023
British-Pakistani actor ('Lawrence of Arabia,' 'Khartoum,' 'Ashanti')- Cinematographer
- Camera and Electrical Department
- Actor
Oliver Wood was born on 21 February 1942 in London, England, UK. He was a cinematographer and actor, known for The Bourne Ultimatum (2007), The Other Guys (2010) and Morbius (2022). He was married to Jane Forth and Sabine Groh. He died on 13 February 2023 in Hollywood, California, USA.February 21, 1942 – February 13, 2023
British cinematographer (TV's 'Miami Vice,' 'Die Hard 2,' 'Face/Off,' 'Talladega Nights: The Ballad of Ricky Bobby,' the 'Bourne' trilogy)- Music Department
- Composer
Friedrich Cerha was born on 17 February 1926 in Vienna, Austria. He was a composer, known for Klangsäule (1995), Lulu (1979) and Lulu (2010). He was married to Gertraud. He died on 14 February 2023 in Vienna, Austria.February 17, 1926 – February 14, 2023
Austrian composer and conductor- Shôzô Îzuka was born on 23 May 1933 in Iwaki, Fukushima, Japan. He was an actor, known for Millennium Actress (2001), Kamen Rider Black (1987) and Fist of the North Star (1984). He died on 15 February 2023.May 23, 1933 – February 15, 2023
Japanese actor and voice actor - Actress
- Producer
- Writer
A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.September 5, 1940 – February 15, 2023
American Golden Globe-winning actress ('Fantastic Voyage,' 'One Million Years B.C.,' 1973's 'The Three Musketeers') and sex symbol- Director
- Writer
- Second Unit Director or Assistant Director
Michel Deville, a singular talent in French cinema. For, except during a short period where he made two or three standard commercial films (but that was to repay the debts of his own film company, due to the defection of a business partner), Deville made pictures which, without being too elitist, show a distinctive talent and personality. The French director-writer-producer managed, all through a career that spanned four decades and a half (from 1958 to 2005), to play a little music of his own, never resting on his laurels but always trying something new. And even if not all of his works are perfect, Deville's taste for research makes the bulk of them at least interesting or challenging. Born on 13 April 1931 in Boulogne-Billancourt, Michel Deville graduated from high school and started studying literature but soon branched out into movies. From 1951 to 1958, he learned the tricks of his future trade by being assistant-director, mainly to Henri Decoin, with whom he collaborated thirteen times, notably on two important films, The Truth About Bebe Donge (1952) in 1951 and Razzia (1955) in 1952. After a false start in 1958 (A Bullet in the Gun Barrel (1958), a run-of-the-mill crime flick, co-directed by Charles Gérard), Deville succeeded in making a name for himself two years later with his first true film Ce soir ou jamais (1961). Film critics did not miss out on the already gray-haired thirty-year-old director as they immediately identified what made his specificity : telling about love, seduction and feelings with subtle casualness and quizzing cruelty. For the ten years that followed, working in tandem with screenwriter Nina Companeez, Deville made a series of allegedly "light-hearted" comedies, surely full of charm and elegance but whose froth soon evaporates to reveal unexpected gravity. The result can range from slightly superficial (Girl's Apartment (1963), The Bear and the Doll (1970)) to genuinely moving (Adorable Liar (1962)) to profoundly tragic (The Diary of an Innocent Boy (1968), a cruel tale about desire, love and the difficulty to love; Raphaël ou le débauché (1971), one of the most beautiful romantic films ever made). After ceasing his collaboration with Companeez, Deville's films became darker and darker, the director choosing to explore new forms of expression (narrative deconstruction in La femme en bleu (1973)); the use of subjective camera and long sequence shots in Dossier 51 (1978), etc.) as well as new themes such as disillusionment, impossible dreams and imagination as a way of survival. In the nineteen eighties Deville is at the top of his art. A Sweet Journey (1980), Deep Water (1981), Les capricieux (1984) (TV movie) and Death in a French Garden (1985) examine the forms and variations of the loving feeling with consummate mastery while Le paltoquet (1986) and The Reader (1988) are two fascinating forays into the territory of sheer imagination. As of 1990, the director's art somewhat declined. Films like Sweetheart (1992), The Gods Must Be Daring (1997) and The Art of Breaking Up (2005), his final effort in 2005, more or less run on empty. But there are two magnificent exceptions to that rule: Aux petits bonheurs (1994) (1993), the elegant bittersweet chronicle of love being threatened by the coming of old age, and La maladie de Sachs (1999) (1999), a brilliant adaptation of Martin Winckler's novel, consisting of brief loosely related scenes, considered impossible to move onto the screens. An excellent technician and theoretician, Deville also established himself as a great actors director. All noticed how good he was - not unlike George Cukor - at directing women. Indeed Anna Karina, Marina Vlady, Michèle Morgan, Brigitte Bardot, Françoise Fabian, Lea Massari, Anémone, Miou-Miou, Fanny Ardant, Zabou Breitman and several others, did shine before his loving camera. But this does not mean that their male counterparts had anything to complain about when directed by him. Thanks to Michel Deville Claude Rich, Michel Piccoli, Jean-Pierre Cassel, Maurice Ronet, Jean-Louis Trintignant, Christophe Malavoy, Richard Bohringer, Claude Piéplu, Jean Yanne, Daniel Auteuil and many others naturally, also found gratifying and memorable roles. When Michel Deville decided to retire in 2005, he could do it with a clear conscience: he sure left his mark on the seventh art and even if his name is a little forgotten today, film historians will no doubt recognize his true worth some day in the future.April 13, 1931 – February 16, 2023
French César Award-winning film director and screenwriter ('Dossier 51,' 'Death in a French Garden,' 1988's 'The Reader')- Actor
- Composer
- Soundtrack
Chuck Jackson was born on 22 July 1937 in Winston-Salem, North Carolina, USA. He was an actor and composer, known for Ready or Not (2019), Taxi (2004) and Shazam! (2019). He was married to Helen Cash. He died on 16 February 2023 in Georgia, USA.July 22, 1937 – February 16, 2023
American R&B singer ("I Don't Want to Cry," "Any Day Now," "I Keep Forgettin'")- Music Department
- Actress
- Soundtrack
Maon Kurosaki was born on 13 January 1988 in Tokyo, Japan. She was an actress, known for Highschool of the Dead (2010), Blood-Club Dolls 2 (2020) and Drifters (2016). She died on 16 February 2023 in Japan.January 13, 1988 – February 16, 2023
Japanese singer (Altima, 'Highschool of the Dead' ending themes, "Memories Last") and songwriter