The Works of Director Garry Marshall

Executive Producer: Roddy McDowall Casting Director: Joanne Zaluski Composer: Alan Silvestri Writer and Performer, "Something Special": Randy Newman Visual Consultant: Lawrence Miller Costume Designer: Wayne Finkelman Associate Producer: Nick Abdo Film Editors: Dov Hoenig ACE, Sonny Baskin Art Directors: James Shanahan, Jim Dultz Director of Photography: John A. Alonzo ASC Writer: Leslie Dixon Producers: Alexandra Rose, Anthea Sylbert ======== AR: 1.85:1 (4-Perf 35mm) Casting by: Wallis Nicita Associates

Producer: Arnon Milchan Writer & Performer, Piano Solo: Richard Gere Casting Director: Diane Crittenden Composer/Orchestrator: James Newton Howard Composer, Add'l Music: Thomas Pasatieri Co-Producer: Gary W. Goldstein Costume Designer: Marilyn Vance-Straker Film Editor: Priscilla Nedd Friendly ACE Production Designer: Albert Brenner Cinematographer: Charles Minsky ASC Executive Producer: Jeffrey Katzenberg Executive Producer: Laura Ziskin Writer: J.F. Lawson Producer: Steven Reuther Production Mgr.: Roger Joseph Pugliese First Assistant Director: Ellen H. Schwartz Second Assist Director: Bettiann Fishman Associate Producer/Second Unit Director: Walter Von Huene Crew Art Director: David Haber Crew Set Decorator: Garrett Lewis Crew Costume Supervisor: Dan Lester Crew Key Costumer: Elinor Bardach Crew Set Costumer: Carlane Passman Crew Makeup Artist: Bob Mills Crew Hairstylist: Carol O'Connell A Camera Operator: Michael Genne SOC B Camera Operator: Philip Caplan A First Assistant Camera: Tom Connolle B First Assistant Camera: Ross Judd A Second Assist Camera: Frank Delboccio Script Supervisor: Adell Aldrich Second Film Editor: Raja Gosnell First Assistant Editor: Thomas Bryant Second Assistant Editor: Craig Conwell Third Assistant Editor: Tommy Dorsett Music Editor: Ellen Segal DS Supervising Sound Editor: Mike Hilkene DS Supe. ADR Editor: Joe Mayer MPSE Dimension Sound ADR Editor: Chris Jargo Post-Production Supervisor: Angel Pine Chief Lighting Technician: Carl Boles Assistant Chief Lighting Tech: Ken Tosic Best Boy: Keith Orefice Key Grip: Ben Beaird Key Best Boy Grip: Anthony R. Collier Dolly Grip: Mike Schwake Grip: Gary Beaird Sr Supervising Prop Master: Rick Young Assistant Prop Master: Mychael Bates Special Effects Coordinator: Gary Zink Stunt Coordinator: Rick Avery Set Designer: Antoinette J. Gordon Production Coordinator: Pat Chapman Assist Production Coordinator: Elyse Katz DGA Trainee: Ronnie Chong Overall Location Manager: George Herthel Assist Location Manager: Wallace Uchida Unit Publicist: Katherine Moore Still Photographer: Ron Batzdorff Additional Casting Dir.: Dori Zuckerman Re-Recording Mixers: Terry Porter CAS, Mel Metcalfe, David J. Hudson Scoring Mixers: Shawn Murphy, Rob Schaper Additional Scoring Engineer: Mike Mason Orchestrators: Brad Dechter, Jack Hayes Orchestra Conductor: Marty Patch Main Title Design: Robert Dawson Production Color Timer: Ron Lambert Special Thanks: Barbara Sue Wells Exec Prod, EMI® Soundtrack Album: Ron Fair Filming Dates: 24 July 1989 - 30 November 1989 Camera: Panavision® Panaflex® Lenses: Panavision® AR: 1.85:1 (Spherical 4-Perf 35mm) Budget: 14 Million USD Budget AFI (2023): 31.7 Million USD Printed on: Eastman 5384 Selected Wardrobes by: Cerrutti 1881 Paris Sound Editing by: Dimension Sound Unit Publicity by: Katherine Moore & Associates Extras Casting Provided by: Central Casting Sound Re-Recorded at: Buena Vista Sound Studios Titles & Opticals by: Cinema Research Corporation Original Soundtrack Album Available from: EMI® Filmed on Location in/at: Los Angeles & Walt Disney Studios Burbank (California) Processing by: Technicolor® Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision®

Casting: Marcia Ross CSA, Donna Morning CSA, Gail Goldberg CSA Additional Casting: Robin Klein, Heidi Klein Co-Producer / First AD: Ellen H. Schwartz Overall Music Supervisor: Dawn Solér Composer: John Debney Costume Designer: Gary Jones Film Editor: Bruce Green ACE Production Designer: Mayne Berke Cinematographer: Karl Walter Lindenlaub ASC Producers: Whitney Houston, Deb Martin Chase Producer: Mario Iscovich Screenwriter: Gina Wendkos Unit Production Manager: Margaret Hilliard Second Assistant Director: Thomy Harper Second Unit Director: Scott Marshall Special Guest Star: Willie L. Brown Jr Stunt Coordinator: Gary Combs Stunts: Fred Waugh, Scott Waugh Art Director: Caty Maxey Overall Set Decorator: Casey C. Hallenback Set Dec Leadman: Mark Woods Assistant Set Decorator: Suellyn McClung On Set Dresser: Monique "Mo" Landry Costume Supervisor: Bruce Ericksen Assistant Costume Designer: Jessica Peel Key Set Costumer: Robin Borman-Wizan Set Costumer: Matthew Clayton Hooey "A" Camera Operator: P. Scott Sakamoto SOC "A" First Assistant Camera: Tommy Klines "A" Second Assistant Camera: Jeff Pelton Panaflex Film Loader: Ryan Parks Camera Dept. Production Assistant: Ryan Rayner Video Assist Operator: Richard Scarpone On Set Projectionist: Lou Sumien Script Supervisor: Carol De Pasquale Script Typist: Joy Lusco Assistant Music Supervisor: Elissa Spivak Add'l Editors: Liza McDonald, Andrea Bottigliero First Assistant Editor: Peter T. Tackaberry Second Assistant Editor: Nathan Fitzgerald Third Assistant Film Editor: Denny Thorlaksen First Apprentice Film Editor: Ingrid Vold Overall Music Editor: Sharon Heather Smith Additional Music Editor: Jordan Corngold Supervising Sound Editor: Todd Toon MPSE Supervising ADR Editor: G.W. Brown First Assistant Sound Editor: Mark A. Tracy Production Foley Mixer: James Ashwill Production ADR Mixer: Doc Kane Overall ADR Recordist: Jeannette Browning Chief Lighting Technician: Dan Riffel Assistant Chief Lighting Tech: Ric Delgado Rigging Gaffer: Felix Rivera Key Grip: Loren Corl Best Boy Grip: Jenny Marshall Dolly Grip: Andreas Crawford Supervising Prop Master: Mychael Bates Prod. Special Effects Coordinator: Larz Anderson Production Coordinator: Christine Altomari Assistant Prod. Coordinator: Nicki Johnson Post Coordinator: Shannon Reid Wynne Production Secretary: Bryan Palliccia 2nd 2nd Assistant Director: Paula Harris Set Designers: Betty Krul, James Murakami Production Illustrator: David E. Duncan Art Dept. Administrator: Joe Walser Art Dept. Production Assistant: Michael Piccirillo Overall Location Manager: F. Stanley Pearse Jr Assistant Location Manager: Janie Graves Location Assistant: Stacey B. Brashear Key PAs: Steve Del Prete, Carlos De La Torre PAs: Blake Perkinson, Randall Wilson, Demetrius Griffin Office PAs: Christie Kwan, Kevin Law, Joe Wilson Research Librarian: Steve Cowie Studio Teacher: John Chisholm Unit Publicist: Sandy O'Neill Still Photographer: Ron Batzdorff Dance Choreographer: Scott Grossman TSL Sr Visual Effects Supervisor: Darin Hollings TSL Senior Visual Effects Producer: Diane Fazio TSL Supervising Compositor: Dan Levitan TSL Digital R&P Supervisor: Sandy Houston TSL Digital Coordinator: Kevin Larkin TSL Visual Effects Editor: Daniel Arkin TSL Digital VFX Color Timer: Elisabeth Cotter TSL Plate Supervision: Hoyt Yeatman ASC, David P.I. James Casting Associate: Jacqueline Carson Casting Assistant: Jim Renteria Extras Casting Consultants: Maryellen Aviano-Roberts, Wendy Washbrook Second Unit First AD: Michael Viglietta Second Unit Prod. Supervisor: Karen Alvarez Second Unit Director of Photography/A Operator: Ian Fox SOC Second Unit "A" First AC: Paul Plannette Second Unit "A" Second AC: Paul Gonsoulin Second Unit Set Costumer: Mick Becker Second Unit Key Grip: Don Henderson Second Unit Location Mgr.: Stuart Lake Second Unit Transport Captain: Glen Coopesmith "A" Camera Second AC, S.F. Crew: Jan Ruona Costumer, San Francisco Crew: Mary Still Rigging Gaffer, S.F. Crew: Robert E. Powell Assist Prop Master, S.F. Crew: Kenny Montante Prod. Secretary, S.F. Crew: Lalida Chirasheve Location Manager, S.F. Crew: Laurie Noll Assistant Location Mgr., S.F. Crew: Nancy Wong Transport Captain, S.F. Crew: Tom Driskill Score Recordist & Mixer: Shawn Murphy Score Co-Producer: Michael Mason Supervising Orchestrator: Brad Dechter Orchestra Contractor: Sandy DeCrescent Production Music Supervisor: Sid James Additional Production Music: Marty Blasick Head of Music Preparation: Booker White FD Main & End Titles Designer: Nina Saxon BVI Optical Supervisor: Hal Cohen Production Color Timer: David Orr Filming Dates: 18 Sept. 2000 - January 2001 Camera: Panaflex Platinum (35mm Kodak Eastman EXR 50D 5245, 100T 5248 & Vision 500T 5279) Lenses: Panavision® Primo SL Primes, SLZ 17.5-75 Zoom, SLZ11 24-275 Zoom & SLZ3 Hubble 135-420 Zoom AR: 1.85:1 (Spherical 4-Perf 35mm) Budget: 26 Million USD Budget AFI (2023): 43.7 Million USD Visual Effects, Main & End Titles + Opticals Designed by: The Secret Lab, Film Design & Buena Vista Imaging Produced & Distributed on: Eastman Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision® (Cameras & Lenses)

Producer: Ashok Amritraj Casting Director: Mali Finn Co-Producers: Todd Lieberman, Karen Stirgolt Music Supervisor: Dawn Solér Composer: John Debney Costume Supervisor: Gary Jones Editors: Bruce Green ACE, Tara Timpone ACE Production Designer: Steven Jordan Cinematographer: Charles Minsky ASC Executive Producers: Mario Iscovich Exec Producer/First AD: Ellen H. Schwartz Producer: David Hoberman Story Writers: Patrick Clifton, Beth Rigazio Screenwriters: Jack Amiel, Michael Begler Key Unit Production Manager: Marg Hilliard Unit Production Manager: Carol Cuddy Second AD/Second Unit Director: David J. Venghaus Jr Second Unit Director: Scott Marshall Associate Producer: David Scharf Stunts Coordinator: Gary Combs Stunts Model: Lagrande Powe Stunt Double - John Corbett: Dan Lemieux Art Director: Bill Hiney Set Decorator: Suzette Sheets Construction Coordinator: Ken B. Scaife Set Decoration Buyer: Amy Ryder Set Decoration Leadman: Rick Lambert On Set Dresser: Adam Olszewski Costume Supervisor: Bruce Ericksen Assistant Costume Designer: Jessica Peel Key Costumer: Robin Borman-Wizin Kate Hudson's Costumer: Candice Sabbah Dobkousky Costume Production Assist.: Brooke Fein Department Head Make-Up Artist: Christina Smith Key Make-Up Artist: Clinton Wayne Ms. Hudson's Make-Up Artist: Ron Specter Joan Cusack's Make-Up Artist: Bernadette Mazur Department Head Hairstylist: Barb Lorenz Kate Hudson's Hairstylist: Kathryn Blondell "A"/Steadicam® Operator: Scott Sakamoto SOC "A" First Assistant Camera: Maurizio Dotto "A" Second Assist Camera: Larissa Supplett First Assistant "B" Camera: John M. Walker Second Assistant "B" Camera: To Lee Film Loader: Robin Bursey Still Photographer: Ron Batzdorff Script Supervisor: Carol De Pasquale Script Coordinator: Carrie Black Gallison Sound Mixer: Thomas Causey Boom Operator: Joe Brennan Utility Sound Technician: Richard Kite Video Assist Operator: Richard Scarpone Key First Assistant Editor: Stephanie Casey First Assistant Film Editor: Pete Tackaberry First Assistant Avid Editor: Angela Barton Second Assistant Avid Editor: Bethany Hyde Orlemann Second AFE's: Chris Gamby, Hugo Ross, Robert Malina Editorial Production Assistant: Greg Reed Post Supervisor: Shannon Reid Wynne Post Production Assistant: Jill Breitzman Projectionist: Lou Sumien Jr Projection Trailer Technician: Adam Crone Music Editors: Todd Bozung, Tom Carlson, Marvin Morris Supervising Sound Edit: Todd Toon MPSE Production ADR Supervisor: G.W. Brown Sound Effects Editor: Donald J. Malouf First Assistant Sound Editor: Mark A. Tracy Second Assist Sound Editor: Don Zappala Production ADR Mixer: Doc Kane Prod. ADR Recordist: Jeannette Browning Re-Recording Mixers: Terry Porter CAS, Dean A. Zupancic Dubbing Recordist: Judy Nord Chief Lighting Technician: Randy Woodside Assist Chief Lighting Tech: Erik Bernstein Lamp Operators: Russell Ayer, Scott Baker, Julian De La Peña, Ric Delgado, Jeffrey Durling, Sean Smith, Stuart Spohn Rigging Gaffer: Chris Napolitano Rigging Electric Best Boy: David A. Parks Key Grip: Ben Beaird Best Boy Grip: Kevin Fitzgerald Dolly Grip: Jeffrey Sherman Kunkel Rigging Key Grip: Gary A. Brostrom Rigging Best Boy Grip: Charles Turner Supervising Prop Master: Rick Young Assistant Prop Master: Mike Cunningham Prop Assistant: William F. McLaughlin Key Special Effects Coordinator: Gary Zonk Production Supervisor: Alecia LaRue Production Coordinator: Pamela Jaeckle Asst Production Coordinator: Edward Hunt Production Secretary: Dan Tipton Second Second AD: Jeffrey Schwartz Set Designers: Geoff Hubbard, Stan Tropp, John Leimanis Production Illustrator: Harry Weinmann Art Dept. Coordinator: Charlie Campbell Overall Location Foreman: Bruce Richter Key Location Manager: F. Stanley Pearse Jr Key Assist Location Mgr.: Stacey Brashear Asst Location Manager: Kandice Billingsley Production Location Scout: Steve Shkolnik Overall Location Assistant: Annika Flick Art Department Production Assist: Jeffrey B. Daniels Unit Publicist: Patti Hawn Dancing Choreographer: Scott Grossman Casting Associate: David Rapaport Casting Assistant: Lyndsey Gayer Extras Casting Director: Sandi Alessi CSA BVI Digital Effects Producer: Hal Cohen BVI Compositors: Jacqueline Allard, William Koshowany, Michael Curtis BVNC Production Color Timer: Lee Wimer Score Recordist & Mixer: Shawn Murphy Score Orchestrator: Brad Dechter Score Contractor: Sandra DeCrescent Head of Music Preparation: JoAnn Kane Second Unit DoP: Michael Stone Second Unit Location Supervisor: Keith Adams AR: 1.85:1 (Spherical 4-Perf 35mm) Sound Re-Recorded at: Buena Vista Sound Titles Designed by: Picture Mill Opticals by: Buena Vista Imaging Negative Cutting by: Buena Vista Negative Cutting Score Recorded & Mixed at: Todd Scoring Stage, Studio City, CA. Music Preparation by: JoAnn Kane Music Distributed by: Walt Disney Studios Motion Pictures

Executive Producer: Garry Marshall Executive Producer: Julie Andrews Producer: Debra Martin Chase Casting: Marcia Ross CSA, Donna Morning CSA, Gail Goldberg CSA Co-Producer: David Scharf Overall Music Supervisor: Dawn Solér Composer & Orchestra Conductor: John Debney Costume Designer: Gary Jones Film Editor: Bruce Green ACE Production Designer: Albert Brenner Cinematographer: Charles Minsky ASC Executive Producer / Key First AD: Ellen H. Schwartz Producer: Whitney Houston Producer: Mario Iscovich Story Writer: Gina Wendkos Co-Writer: Shonda Rhimes Unit Production Manager: Margaret Hilliard Second Assistant Director: Thomas Harper Second Unit Director: Scott Marshall Associate Producer: Tom Hines Special Guest Star: Stan Lee Stunt Coordinator: Charlie Brewer Stunt Archer: Randy Hall Stunt Double - Julie Andrews: Dana Dru Evenson Stunt Double - Chris Pine: Pat Banta Stunt Gardener: Matt Taylor Stunt Groundsman: Jess Hellwege Crew Script Supervisor: Carol De Pasquale Crew Script Coordinator: Carrie B. Gallison Second Second Assistant Director: David "Muddy" Waters Art Directors: Jack Taylor Jr, Adrian Gordon Set Decorators: Peg Cummings SDSA, Casey C. Hallenback Construction Coordinator: Dave Brenner Set Dressing Leadman: Gary Kudroff Set Dressing Gang Boss: Mike Higelmire Set Dressing Drapery Foreman: Tom Sharp Set Dress Drapery Lead: Joseph P. Recchia On Set Dresser: Carisa Rosenthal Set Dressing PA: Jeanne Chin Lee Set Designers: Norman Newberry, Scott Zuber, John Warnke, WM. V. Rider LOH Production Illustrator: Tom Lay Art Dept. Graphic Artist: Doreen Austria Art Dept. Coordinator: Nancy A. King "A" Camera/Steadicam® Operator: Andrew Rowlands SOC "B" Camera Operator/Second Unit Director of Photography: Ian Fox SOC "B" Camera Operator: Johnny Razdik "B" Camera Additional Operator: Michael A. Chavez "A" First Assistant Camera: Maurizio Dotto "A" Second Asst Camera: Larissa Supplett "A" Additional Second Assistant / Day Player: Renee Treyball First Assistant "B" Camera: John Morton Walker Second Assistant "B" Camera: To Lee Third Assistant "B" Camera: Michael Cassidy Panaflex Film Loader: Robin Bursey Intern, Camera Department: Jared Jordan Still Photographer: Ron Batzdorff Video Assist Operator: Richard Scarpone Costume Supervisor: Bruce Ericksen Assistant Costume Designer: Jessica Peel Key Set Costumer: Robin Borman-Wizin Costumes Cutter/Fitter: Alicia Lion Costume Office Assist: Sarah Jane Gardam Costume PAs: Brooke Fein, Corey Deist Make-Up Design Super.: Hallie D'Amore Key Make-Up Artist: Kenneth Schoenfeld Make-Up Artist for Julie Andrews: Rick Sharp Hair Designer, Anne Hathaway: Joy Zapata Key First Assistant Editor: Stephanie Casey First Assistant Film Editor: Pete Tackaberry Second Assistant Avid Editor: Beth Hyde Orlemann Third Assistant Editor: Chris V. Gamby Fourth Assistant Editor: Hugh Ross First Apprentice Editor: Greg Reed Editorial Production Assistant: Michelle Herrin Editorial Intern: Karen Smalley Post Supervisor: Shannon Reid Wynne Post Projectionist: Lou Sumien Jr Projection Trailer Technician: Adam Crone Supervising Music Editor: Todd Bozung Key Music Editors: Jay Richardson, Marvin Morris Lead Music Assistant: Arlyn B. Rambayon Assistant Music Supervisor: Tony Pervieux Supervising Sound Editors: Adam Kopald MPSE, Todd Toon MPSE Supervising ADR & Dialogue Editor: G.W. Brown First Assistant Sound Editor: Mark A. Tracy Production Foley Mixer: James Ashwill Production ADR Mixer: Doc Kane Overall ADR Recordist: Jeanette Browning Sound Dubbing Recordist: Judy Nord Chief Lighting Technician: James Crawford Commercial Gaffer: Gabriel Lewis Assistant CLTs: Scott Kidner, Paul R. Birk Dimmer Board Operator: John Crimins Rigging Gaffer: Jimmy Keys Rigging Electric Best Boy: Paul Hazard Fixtures Foreman: Bruce Rake Key Grip: Ben Beaird Commercial Key Grip: Stephan K. Taylor Best Boy Grip: Kevin "Rambo" Fitzgerald "A" Dolly Grip: Steve Robertson B-Dolly Grip: Christopher C. Lucchese Key Rigging Grip: Gary A. Brostrom Best Boy Rigging Grip: Charles Turner Supervising Prop Master: Rick Young Assistant Prop Master: Mike Cunningham Second Prop Assistant: Billy McLaughlin Third Prop Assistant: Tony Bonaventura Special Effects Supervisor/Coordinator: Alan E. Lorimer Production Special Effects Foreman: Johnny Fontana Production Special Effects Technician: Steve Jensen Production Coordinator: Pamela Jaeckle Assistant P.C.: Terrence Colgan Martin Production Secretary: Stacy A. Solomon Overall LMs: Steven Shkolnik, Craig Pointes Key Assistant L.M.: Stacey A. Brashear Set Production Assist.: Carlos De La Torre Office PAs: David Irvine, Charles Radtke, Allie C. Greene Art Department PAs: Rachel Brenner Matt C. Center Unit Publicist: Sandy O'Neill Dance Choreographer: Scott D. Grossman London Casting Consultant: Kate Dowd Senior Casting Associate: Kate Lacey Senior Casting Assistant: Nadia Aleyd Head Wrangler, Animals: Mike Boyle Illusion Arts Visual Effects Supervisors: Syd Dutton, Bill Taylor ASC Illusion Arts Matte Artist/Supervisor: Kelvin McIlwain Illusion Arts Producer: Catherine Sudolcan Illusion Arts Matte Artists: Justin Brandstarter, Bob Scifo Illusion Arts Lead Compositor: David S. Williams Jr Illusion Arts Animation Supervisor: Fumi Mashimo Illusion Arts 3-D CG Artist: Michael Kory Illusion Arts 3-D Artists: Andrew Turner, Mary Manning Illusion Arts 3-D Modeler/Texture Lead: Michael Meyers Illusion Arts Digital Supervisor: Richard Patterson Illusion Arts Visual Effects Coordinator: Collin Fowler "A" Camera Operator, Illusion Arts: Adam Kowalski Picture Mill Lead Compositor: Josh Novak BVI Line-Up Supervisor: Kevin Downey BVI Production Color Timer: Jim Mann BVI Digital Compositors: Michael Curtis, Joe Dubs, William Koshowany LVE Visual Effects Supervisor: Edson Williams LVE Visual Effects Executive Producer: Guy Botham LVE Visual Effects Producer: Thomas Nittmann LVE Digital Compositor: Josh Kent BVNC Negative Cutter: Mary Beth Smith BVNC Production Color Timer: Lee Wimer Score Recordist & Mixer: Shawn Murphy Score Orchestrations: Brad Dechter, Frank Bennett, Michael C. Watts Orchestra Contractor: Sandy DeCrescent Auricle Operator, Score: Jim Harrison Technical Assistants, Score: Wolfgang Amadeus, Melanie Hoyson Music Production/Pre-Records: Sidney James, Martin Blasick, Joseph Magee Second Unit First AD: Michael Viglietta Second Unit Second ADs: Thomas Coe, Vernon A. Davidson Second Unit Script Supervisor: Nancy Carlin Second Unit Video Assist Operator: Robert Sterry Second Unit Set Lighting Technician: Ronald De Torres Second Unit Key Grip: Alex Klabukov Camera: Panavision® Panaflex Platinum (35mm Eastman EXR 50D 5245 & Kodak Vision2 500T 5218) Lenses: Panavision® Primo SL Primes, SLZ 17.5-75 Zoom, SLZ11 24-275 Zoom & SLZ3 Hubble 135-420 Zoom AR: 1.85:1 (Spherical 4-Perf 35mm) Budget: 40-45 Million USD Budget AFI (2023): 63.1-70.9 Million USD Printed on: Kodak Vision 2383 Production Illustrations Provided by: Lay of Hollywood Visual Effects, Digital Opticals & Titles Designed by: Illusion Arts, Picture Mill, Lola Visual Effects & Buena Vista Imaging Negative Cutting by: Buena Vista Negative Cutting Shot on: Kodak Motion Picture Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision® (Cameras & Lenses)