Best Indian directors
Directors have significant effect on Indian cinema
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Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Writer
- Producer
- Director
The man who revolutionized Tamil-language cinema, Mani Ratnam is the biggest director in south India and one of the most respected directors in all of India. Each of his films contain its own unique style, with beautifully photographed songs and unique back-lighting. However, his films contain substance as well as style--Ratnam has dealt with a wide variety of topics, from the classic Indian love story to political thrillers.
He was born in Madras in 1956. Filmmaking was in his blood; he was the son of film producer 'Venus Gopalratnam' and his brother was G. Venkateswaran, a film distributor turned producer. Ironically, however, he studied at Madras University and received a management degree at the Jamnalal Bajaj Institute of Management Studies in Mumbai, and had initially started out as a management consultant. His first film, Pallavi Anu Pallavi (1983), starring Anil Kapoor, didn't make many waves, although it won the State Award from Karnataka that year, but even though he made two films in Tamil and one in Malayalam, nothing worked for him until he broke through with Mouna Ragam (1986). Starring Revathi, the film told the tale of a woman who, although forced into an arranged marriage, chooses to maintain a platonic relationship with her husband. The film was noted for its sophisticated approach and execution of an extremely sensitive topic.
His next film, Nayakan (1987), was also arguably his greatest. A take-off on Francis Ford Coppola' legendary The Godfather (1972), it established Ratnam as the leading director of Tamil-language Cinema and won its leading actor Kamal Haasan the National Award for Best Actor. The film draws on 30 years of Tamil Nadu's celebrity images and directly played to the anti-Hindi feelings of Tamil Nadu when the protagonist, beaten up, tells the Hindi policeman in Bombay, "If I ever hit you, you will die!"
Then came the best of his early work - Agni Natchathiram (1988), Geethanjali (1989), and Anjali (1990). The first was a tale of conflict between two step-brothers. Shot with glossy camera work, the film resembled a cross between an advertisement and a music video, and set a trend for a whole new visual style in Tamil-language Cinema. The next, Geethanjali (1989), shot in Ooty to create a soft and poetic mood, was a touching love story between two terminally ill people with less than six months left. The third, Anjali (1990), about a disabled child brought back to her family with two normal children had been chosen by India to be sent to the Oscars for Best Foreign-language Film, but it did not receive a nomination. The next year saw his first, and only collaboration so far, with the Tamil superstar Rajni Kant in the film Thalapathi (1991). It also starred Mamooty, along side a host of other actor. This star studded film was a gritty tale of an orphan who grows up to become a notorious gang member in Chennai. The story was inspired by the great epic of Mahabharata.
It was Roja (1992) that made Ratnam a household name all over India. A patriotic love story set against the backdrop of Kashmiri terrorism, the film was dubbed in Hindi and became a huge national success. It enforced Ratnam as a director of style and substance, as well as proving a highly auspicious debut for the now-acclaimed music director A.R. Rahman, whom Ratnam had discovered. It helped that India's at-the-time election commissioner T. N. Seshan took the rare step of officially endorsing the film. Thiruda Thiruda (1993), a remake of Butch Cassidy and the Sundance Kid (1969) was a misfire, but Ratnam bounced back with Bombay (1995), a politically charged romance between a Hindu man and a Muslim woman during the 1993 riots in Mumbai. The film underwent some controversy due to its slightly anti-Muslim viewpoint, but it contributed widely to the success of the film.
Continuing his political obsession, Ratnam made Iruvar (1997), based on the MGR-Karunanidhi affair, and Dil Se.. (1998), which starred superstars Manisha Koirala and Shah Rukh Khan. The latter was Ratnam's first Hindi-language film. Based on the northeast Indian problem, it told the story of a radio executive and a revolutionary. It had an excellent cast, beautifully crafted scenes, and most of all one of A.R. Rahman's greatest tunes--but did not go down too well with the audience, who hailed it as a strange and confusing film that headed nowhere. However, today it is held as ahead of its time, being that it was shot pre-9/11, and is now hailed as a contemporary classic.
He returned to familiar ground with Alai Payuthey (2000), which tackled the story of a couple in love that goes through the trials and tribulations of marriage. His subsequent film, Kannathil Muthamittal (2002), which told the tale of an adopted girl meeting her terrorist mother, saw Ratnam back in form as one of the greatest storytellers in Indian Cinema. His next film, Yuva (2004), saw Ratnam return to Hindi-language cinema after six years, but in spite of some fine flourishes, the film largely failed to work. However, don't take him too lightly: he is sure to return with something new next time....- Director
- Writer
- Producer
Sen is one of his nation's most politically active filmakers. After having studied physics at university in Calcutta, Sen worked as a freelance journalist, a salesman of patent medicines and a sound technician in a film studio. In the mid-1940s he joined the Indian People's Theatre Association and at that time began to read about and study film. The association had links to the Communist Party of India and this heralded the beginning of Sen's involvement with Marxist politics. In 1956 Sen made his debut with Raat Bhore (1956), the first of his 30 (as of 2002) films. Although his first film was openly political, he achieved national status as the director of a comedy, Bhuvan Shome (1969). Influenced by Italian neorealism and the work of fellow countryman Satyajit Ray, Sen used location shooting and non-professional casts in his early films. By the 1970s he was making wider use of symbolism and allegory. Although he remains politically committed, Sen feels that the "difference between party Marxists and a private Marxist like me is that others think they pocketed truth, whereas I am always in search of truth... " Sen's films have won numerous international awards. The Case Is Closed (1982), a scathing look at the hypocritical reaction of a bourgeois Calcutta family to the death of a servant boy, took home the Jury Prize from the 1983 Cannes Film Festival.- Producer
- Writer
- Actor
Anurag Singh Kashyap (born 10 September 1972) is an Indian film director, producer and screenwriter. Kashyap made his directorial debut with as yet unreleased Paanch, with Kay Kay Menon as the lead. As a filmmaker, he is known for Black Friday (2004), a controversial and award-winning Hindi film about the 1993 Mumbai bombings, followed by No Smoking (2007), Dev D (2009), Gulaal (2009), That Girl in Yellow Boots (2011) and Gangs of Wasseypur (2012). As a screenwriter, he wrote the scripts for the Filmfare Award-winning Satya (1998) and the Academy Award-nominated Canadian film Water (2005). He founded his film production company, Anurag Kashyap Films Pvt. Ltd. in 2009.- Writer
- Editor
- Producer
Rajkumar Hirani is an Indian film director and editor. Hirani has directed five Hindi films, including Munna Bhai M.B.B.S., Lage Raho Munnabhai, 3 Idiots, PK and Sanju, and all of which have been commercial and critical successes. Most of which have won several awards, including the national awards. Among his awards, include 11 Filmfare Awards. He is the founder and owns the production house Rajkumar Hirani Films.- Director
- Producer
- Writer
Shyam Benegal was born on 14 December 1934 in Tirumalagiri, Hyderabad State, British India. He is a director and producer, known for Ankur: The Seedling (1974), Bhumika (1977) and Trikal (Past, Present, Future) (1985). He is married to Nira Benegal.- Writer
- Director
- Music Department
Rituparno Ghosh is a Bengali film director. He has won 12 National Film Awards in India and several awards at international film festivals abroad. He began directing in advertising. In 1992, he made a low-key film debut with a children's feature titled Hirer Angti (The Diamond Ring). His second movie Unishe April (19 April), won the 1995 National Film Award Since then, Ghosh has directed Dahan, Utsab, Chokher Bali, Asukh, Bariwali, Antarmahal and Raincoat (in Hindi). He won the National Award for best direction for his bengali film "Abohoman" starring Jishu Sengupta, Ananya Chatterjee, Dipankar Dey and Mamata Shankar in India in 2010.- Actor
- Director
- Producer
Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.
Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.
Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).
He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.
Dutt's next releases were Jaal (1952) and Baaz (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with Aar-Paar (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.
His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.
Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.
On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.
His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.- Composer
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- Producer
Vishal Bhardwaj is an Indian film director, writer, composer, singer and producer. He has directed ten feature films, produced five and composed music for more than forty. His directorial work includes Makdee, The Blue Umbrella, Kaminey, 7 Khoon Maaf, Matru Ki Bijli Ka Mandola, Rangoon, Pataakha as well as the internationally acclaimed Shakespeare Trilogy - Maqbool, Omkara and Haider (adapted from Macbeth, Othello and Hamlet, respectively). Prominent films written and produced by him are Ishqiya, Dedh Ishqiya and Talvar (based on the Noida double murder case).
He has received 3 international awards: Makdee (2002) received the Best Film award at the Chicago International Children's Film Festival, Omkara (2006) won the Best Artistic Contribution in Cinema award at the Cairo International Film Festival and Haider (2014) won the People's Choice award at the Rome Film Festival. He has also received 7 National Awards: Best Music Direction for Godmother (1999), Best Children's Film for The Blue Umbrella (2005), Special Jury Award for Omkara (2006), Best Music Direction for Ishqiya (2010), Best Dialogues and Best Music Direction for Haider (2014) and Best Screenplay for Talvar (2015).- Actor
- Writer
- Producer
His passion for cinema immediately draws your attention, making you realize that Ashutosh Gowariker would not have been anywhere except behind the camera, however tempting the choice. An actor who took to film direction after almost a decade in front of the camera, Ashutosh has acted in Hindi films, Marathi films, television serials and commercials and although the transition from acting to direction was difficult, it was destined.
His diverse exposure as an actor whetted his appetite to helm a project, taking on the directorial reign for the first time with Pehla Nasha (First Love), a murder mystery in 1993. Though the film did not do very well at the box office, it helped Ashutosh find firm ground as a director. He followed this up with Baazi (The Game), a thriller, in 1995, which enjoyed average success, but led Ashutosh on a journey in search of a better script.
With Lagaan, which released in 2001, Ashutosh veered away from most norms in the making of a mainstream commercial Hindi film - a period drama, set in rural India; it's language a dialect; most of its characters were dressed in loincloths; it included a British cast; it was a musical, and a sports film put together! It was produced by Aamir Khan who also starred in it. Lagaan was nominated at the Academy Awards in the Best Film in a Foreign Language category for 2001 and earned plaudits worldwide for its meticulous execution and evocative performances.
His fourth feature film, Swades, was written, produced and directed by him, starring Shah Rukh Khan. The film released worldwide in 2004 to critical acclaim and attained huge success at the international box office.
February 2008 saw the release of his most ambitious magnum opus Jodhaa Akbar, an epic romance. This brought together two of the most respected actors, Hrithik Roshan and Aishwarya Rai Bachchan. The film won the Best Foreign Film in the International Film Festival of Sao Paulo in Brazil, South America and the Grand Prix Best Film and Best Actor in the International Film Festival Golden Minbar in Kazan, Russia, as well as sweeping all of the Indian Film Awards.
His next film saw him take on a new genre with What's Your Raashee?, being Ashutosh's first romantic comedy, based on the Gujarati novel Kimball Ravenswood by Madhu Rye. The film featured Harman Baweja and Priyanka Chopra.
Khelein Hum Jee Jaan Sey is a period thriller starring Abhishek Bachchan and Deepika Padukone, based on the book 'DO and DIE: The Chittagong Uprising 1930-34' by Manini Chatterjee.
His last release, Mohenjo Daro, set in the Indus Valley Civilization stars Hrithik Roshan and debutant Pooja Hegde along with a stellar supporting cast including Kabir Bedi and Arunoday Singh.
Ashutosh has now engaged in the filming of his newest magnum opus Panipat, which is slated to release on December 6th, 2019. Based on the legendary third battle of Panipat, which took place on 14th January 1761 between the Marathas and King of Afghanistan, Panipat promises to be his grandest outing yet.- Writer
- Director
- Producer
Imtiaz Ali is an Indian film director, actor and writer. In 2005, he made his directorial debut with the film Socha Na Tha. However, it was his second film Jab We Met (2007) that brought him success and fame. His 2009 film Love Aaj Kal gained much critical success, and was declared a super hit at the box office. His movie Rockstar (2011) was also a commercial and critical success. Imtiaz Ali had his origins in Jamshedpur, Jharkhand.He was brought up in Patna and Jamshedpur. He had his early education in Patna- D.B.M.S. English school, Jamshedpur,and later attended University of Delhi in Delhi, where he took part in college theater. He started Ibtida the dramatic society of Hindu College. Thereafter he moved to Mumbai and did a diploma course from Xavier Institute of Communication.- Director
- Writer
- Music Department
Dibakar Banerjee was born on 21 June 1969 in New Delhi, India. He is a director and writer, known for Detective Byomkesh Bakshy! (2015), Sandeep Aur Pinky Faraar (2021) and Shanghai (2012).- Director
- Cinematographer
- Producer
Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.- Director
- Producer
- Actor
Mehboob Khan was born on 9 September 1907 in Bilimora, Baroda, Bombay Presidency, British India. He was a director and producer, known for Mother India (1957), Son of India (1962) and The Savage Princess (1952). He was married to Sardar Akhtar. He died on 28 May 1964 in Bombay, Maharashtra, India.- Writer
- Producer
- Director
Neeraj Pandey (born 17 December 1973) is an acclaimed Indian film director, producer and screenwriter. In his first movie A Wednesday, his work was largely praised by audiences as well as the critics. A Wednesday also won many awards in different categories. His second film Special 26 (2013) was equally appreciated by the public and the critics. Not just a filmmaker but a writer too, Neeraj has written a novel named 'Ghalib Danger' in 2013. He also directed the movie Baby (2015) starring Akshay Kumar which received critical acclaim from the audience and was a huge success.The movie Rustom which was produced by Neeraj, was released on 12 August 2016 and received mixed reviews by critics but was a runaway commercial success. His last movie was a biopic on cricketer M.S.Dhoni titled M.S. Dhoni: The Untold Story which was loved by the audience.. He aims at making more commercial content in the sports genre. Neeraj has carved a niche for himself in the film industry with his adept handling of different topics and is one of the most sought after Directors of his generation.
In 2016, his Production House Friday Filmworks and Reliance Entertainment entered into a joint venture and formed Plan C Studios.
He has also directed a Web Short 'Ouch' with Manoj Bajpayee and Pooja Chopra which is nominated for Filmfare Short Film Award 2017. As the co-producer, his recent blockbuster Toilet- Ek Prem Katha is getting critical appreciation from the film industry and the audience. His upcoming movie is Aiyaary which is set to release on 2018 starring Sidharth Malhotra and Manoj Bajpayee- Director
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- Actress
Accomplished Film Director/Writer/Producer Mira Nair was born in India and educated at Delhi University and at Harvard. She began her film career as an actor and then turned to directing award-winning documentaries, including So Far From India and India Cabaret. Her debut feature film, Salaam Bombay! was nominated for an Academy Award for Best Foreign Language Film in 1988; it won the Camera D'Or (for best first feature) and the Prix du Publique (for most popular entry) at the Cannes Film Festival and 25 other international awards. Her next film, Mississippi Masala, an interracial love story set in the American South and Uganda, starring Denzel Washington and Sarita Choudhury, won three awards at the Venice Film Festival including Best Screenplay and The Audience Choice Award. Subsequent films include The Perez Family (with Marisa Tomei, Anjelica Huston, Alfred Molina and Chazz Palminteri), about an exiled Cuban family in Miami; and the sensuous Kama Sutra: A Tale of Love, which she directed and co-wrote. Nair directed My Own Country based on Dr. Abraham Verghese's best-selling memoir about a young immigrant doctor dealing with the AIDS epidemic. Made in 1998, My Own Country starred Naveen Andrews, Glenne Headly, Marisa Tomei, Swoosie Kurtz, and Hal Holbrook, and was awarded the NAACP award for best fiction feature. Nair returned to the documentary form in August 1999 with The Laughing Club of India, which was awarded The Special Jury Prize in the Festival International de Programmes Audiovisuels 2000. In the summer of 2000, Nair shot Monsoon Wedding in 30 days, a story of a Punjabi wedding starring Naseeruddin Shah and an ensemble of Indian actors. Winner of the Golden Lion at the 2001 Venice Film Festival, Monsoon Wedding also won a Golden Globe nomination for Best Foreign Language Film and opened worldwide to tremendous critical and commercial acclaim. Nair's next feature was an HBO original film, Hysterical Blindness. Set in working class New Jersey in 1987, the film stars Uma Thurman, Juliette Lewis, Gena Rowlands. Thurman and Lewis play single women looking for love in all the wrong places, while Rowlands, who plays Thurman's mother, adds to her daughter's hysteria when she finds Mr. Right in Ben Gazarra. The film received great critical acclaim and the highest ratings for HBO, garnering an audience of 15 million, a Golden Globe for Uma Thurman, and 3 Emmy Awards. Following the tragic events of September 11, 2001, Nair joined a group of 11 renowned filmmakers, each commissioned to direct a film that was 11 minutes, 9 seconds and one frame long. Nair's film is a retelling of real events in the life of the Hamdani family in Queens, whose eldest son was missing after September 11, and was then accused by the media of being a terrorist. 11.09.01 is the true story of a mother's search for her son who did not return home on that fateful day. In May 2003, Nair helmed the Focus Features production of the Thackeray classic, Vanity Fair, a provocative period tale set in post-colonial England, in which Reese Witherspoon plays the lead, Becky Sharp. The film is scheduled to release in Fall 2004. Nair's upcoming projects include Tony Kushner's Homebody/Kabul for HBO, and Hari Kunzru's The Impressionist, and there are also plans to take Monsoon Wedding to Broadway. Mirabai Films is establishing an annual filmmaker's laboratory, Maisha, which will be dedicated to the support of visionary screenwriters and directors in East Africa and India. The first lab, which is only for screenwriters, will be launched in August 2005 in Kampala, Uganda.- Director
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Deepa Mehta is a transnational artist and a screenwriter, director, and producer whose work has been called "courageous", "provocative" and "breathtaking". Her visually lush and emotionally resonating films have played at every major international film festival; receiving numerous awards and accolades, and have been distributed around the world. Deepa was born in India and received a degree in philosophy from the University of New Delhi before immigrating to Canada. She began her career making documentaries in India.
In 1991, Deepa's first feature film Sam & Me, which stars Om Puri, won a Special Jury Mention in the Camera D'Or section at the Cannes Film Festival. Between 1992-1994 she directed two episodes of The Young Indiana Jones, produced by George Lucas for ABC. In 1993, Deepa directed her second feature film Camilla, a Canada-UK co-pro starring Jessica Tandy, Bridget Fonda, Elias Koteas, Maury Chaykin, Graham Greene, and Hume Cronyn. Fire, which Deepa wrote and directed, is the first film in her Elemental Trilogy (Fire, Earth, Water). Fire opened Perspective Canada at the 1996 Toronto International Film Festival, where it was runner-up for the People's Choice Most Popular Film Award. It played at the New York Film Festival and won many awards worldwide, including the Audience Award for Best Canadian Film at the Vancouver International Festival, the Special Jury Prize at the Mannheim-Heidelberg International Film Festival and Silver Hugo Awards for Best Direction and Best Actress in Chicago.
Earth, based on Bapsi Sidhwa's acclaimed novel about Partition, Cracking India, is the second film in the Elemental Trilogy. It premiered as a Special Presentation at the 1998 Toronto International Film Festival, and won the Prix Premiere du Public at the Festival du Film Asiatique de Deauville and the Critics' Award at the Verona Schermi d'Amore International Film Festival. Bollywood/Hollywood was a change of pace. Written and directed by Deepa, it is a lighthearted, affectionate comedy about two mismatched lovers. It opened Perspective Canada at the 2002 Toronto International Film Festival and was a tremendous crossover box office success. It remains one of the top 10 grossing English language Canadian movies. In 2003 Deepa co-wrote and directed the Canada-UK co-pro The Republic of Love, based on a Carol Shields novel.
After a disrupted and hazardous production history Deepa's final film in the Elemental Trilogy Water opened the 2005 Toronto International Film Festival, and was the first Canadian film acquired by US distributor Fox Searchlight. Water is a powerful, hauntingly tragic story, set in Benares (Varanasi) about a child widow who at the age of eight is forced to enter a house of widows where she has to live for the rest of her life. The movie was to have been shot in India in 2000, but Hindu fundamentalists fomented riots, burnt sets, and issued death threats against the director and actors, forcing production to shut down and the filmmakers to leave the country. Water was successfully remounted in Sri Lanka and completed shooting in June 2004, and features many of India's most renowned actors.
Water was an enormous success. It was nominated for an Oscar for Best Foreign Language Film at the 79th Annual Academy Awards, and has screened at festivals around the world, winning many awards, and remains an audience favourite. The Vancouver Film Critics Circle named Deepa Mehta the Best Canadian Director of 2006. This fall (2015) is the 10th anniversary of Water's launch.
In 2006 Deepa made a documentary about domestic violence in Toronto's immigrant families called Let's Talk About It, which continues to be used in community outreach programs. She then thematically segued into the feature film Heaven On Earth, which explores arranged marriages and isolation. Starring Preity Zinta, the film had its world premiere at the Toronto International Film Festival in 2008. It was awarded a Silver Hugo for Best Actress at the Chicago International Film Festival, and received the Best Screenplay Award at the Dubai International Film Festival. It also won the Youth Jury Award at the Schermi d'Amore Film Festival in Verona and the Audience Award at the River to River Florence Indian Film Festival.
In 2012, Deepa completed her epic cinematic adaptation of Salman Rushdie's famous novel about the history of India in the 20th century, Midnight's Children. A novel that won three Booker prizes. The movie, with 127 speaking parts, and covering five distinct time periods from 1917-1977, was a vast, ambitious undertaking and has screened all over the world, including the Telluride Film Festival, Toronto International Film Festival, Vancouver International Film Festival, and the BFI London Film Festival. Midnight's Children was chosen as the Best Feature Film of 2013 at the Directors Guild of Canada's Awards.
Deepa's work as an artist, as a progressive voice about social issues, and her generous mentorship have often been recognized. She has received numerous honorary degrees and many awards and honours, among them: The Life of Distinction Award from the Canadian Centre of Diversity, The Excellence in the Arts Award from the Canadian Civil Liberties Association, and the Woman of Distinction, President's Award from the YMCA. She is a recipient of the Governor General's Lifetime Artistic Achievement Award for Film. Most recently, in 2013, Deepa was appointed as an officer to the Order of Canada, Canada's highest civilian honour, for her work as a "groundbreaking screenwriter, director, and producer." She is also a recipient of the province of Ontario's highest honour, the Order of Ontario.- Writer
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- Producer
Hansal Mehta is a film director best known for Shahid (2013), Citylights (2014), Aligarh (2016), Omertà (2018) and Scam 1992 (2020). He is known for films that depict social and political realities in deeply polarised and troubled times. His films are remarkable for their understanding of characters and their worlds, while telling important stories. His films Shahid (2013) and Omertà(2018) premiered as official selections at different editions of the Toronto International Film Festival (TIFF). Aligarh (2016) a moving tale about a professor suspended by university for being gay premiered at the BFI London Film Festival in 2015. His films have traveled to festivals around the world and have been extensively written about and discussed in both international and local forums. He won the National Award for Best Direction in 2014 for his film Shahid.- Producer
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Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct.
His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.
Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.- Director
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Adoor Gopalakrishnan is India's most acclaimed contemporary filmmaker. Born in 1941 in Kerala, a state in south India, he belongs to a family with strong links to the performing arts, especially Kathakali, a highly-stylised form of dance drama. From the age of eight Adoor began acting for the stage, later producing and directing over twenty plays, several written by him. He is the author of two books on the theatre as well as a book on the cinema, "The World of Cinema", for which he won a national award in 1983. In 1962 Adoor enrolled in the Film and Television Institute in Pune and graduated in 1965 with a diploma in Scriptwriting and Direction. The same year he founded the Chitralekha Film Society of Trivandrum as well as the Chitralekha Film Cooperative. Both played a key role in the development of film culture in Kerala. In 1972 Adoor made Swayamvaram/One's Own Choice, his first full-length feature film. It launched the New Cinema in Kerala and became one of the major films of the Indian New Wave. He has since made seven more films (along with over 25 shorts and documentaries), all of which have won major national and international awards: Kodiyettam/Ascent (1977); Elippathayam/Rat Trap (1981); Mukhamukham/Face to Face (1984); Anantaram/Monologue (1987); Mathilukal/The Walls (1990); Vidheyan/The Servile (1993), and Kathapurushan/Man of the Story (1995). Elippathayam received the prestigious British Film Institute Award in 1982; Mukhamukham won the FIPRESCI prize in 1985; Kathapurushan was honoured in India in 1995 with the National Award for Best Film. Retrospectives of Adoor's films have been held in Pesaro, Helsinki, La Rochelle, Nantes, Munich, and New York. All of Adoor's films draw on the history and culture of his native Kerala. Kerala's transition from feudalism to modernity serves as a backdrop to his complex meditations on the psychology of power, the nature of oppression, the corruption of patriarchy, and the coexistence of the modern and the feudal in post-Independence democratic India. Elippathayam, his masterpiece, vividly captures the descent into paranoia of a man trapped within his feudal universe. In Mukhamukham, a study in failed idealism, a Communist leader gives up on revolution and decides to go to sleep instead. Vidheyan, a parable-like story, deals with the abuse of power, the plight of the outsider, and the nature of a master-servant relationship. The more recent films--especially Anantaram, Mathilukal and Kathapurushan--display a new concern with interiority and reflexivity, foregrounding time, memory, consciousness, and the nature of storytelling itself. Adoor's genius lies in his ability to create visually complex films that operate on multiple levels, that are culture-specific and yet universal in significance.- Director
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Born in 1924. Science graduate from University of Calcutta. Sinha began his film career as a sound engineer in Calcutta's New Theatre in 1946. Four years later, he received an invitation to the London film festival and the opportunity of working at Pinewood Studios. He was in the UK for two years. On returning to India, he turned his attentions to film directing. Tapan Sinha was influenced by American and British film making. Tagore was a great source of inspiration to him. He made three films on Tagore's stories: Kabuliwala, Hungry Stones (Khudito Pashan), Atithi.
Tapan Sinha's first film Ankush was based on Narayan Gangopadhyay's story 'sainik'. In 1957, his film 'Kabuliwala' was shown in Berlin Film festival. He has won National award many times. His films were shown in different film festivals all over the world. He was married to actress Arundhuti who passed away in 1990. Sinha lives in Calcutta.- Director
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Govindan Aravindan was born on 21 January 1935 in Kottayam, Kerala, India. He was a director and writer, known for Esthappan (1980), Vasthuhara (1991) and Oridathu (1987). He died on 16 March 1991 in Trivandrum, Kerala, India.- Director
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Shekhar Kapur was born on 6 December 1945 in Lahore, Punjab, British India [now Pakistan]. He is a director and actor, known for Elizabeth (1998), Bandit Queen (1994) and The Four Feathers (2002). He was previously married to Suchitra Krishnamoorthi.- Director
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Jabbar Patel was born on 23 June 1942 in Pandharpur, Maharashtra, India. He is a director and producer, known for Samna (1975), Umbartha (1982) and Simhasan (1979).- Director
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Nila Madhab Panda, has been hailed as a new-age sensation of Indian cinema. His first feature film, the highly-acclaimed I Am Kalam, has already won 24 International awards, one national award, two Industry award (Film fare and screen) and several nominations, which traveled over 60 International film festivals. His second released film "Jalpari-the desert Mermaid" received critically acclaimed as well as well received by the audience. His latest release "Kaun Kitney Paani Mein" is a film about fight over water between two village heads against the backdrop of a passionate love story, it got released in August, 2015.