95th Academy Awards In Memoriam predictions
List activity
995 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
64 people
- Estelle Harris was an American actress and comedienne, known for her exaggerated shrill and grating comedic voice. She often worked as a voice actress in animation, voicing supporting characters and guest stars. Her best known roles are the obnoxious mother Estelle Costanza in the sitcom "Seinfeld" (1989-1998) and the sweet wife Mrs. Potato Head in the "Toy Story" film series.
Harris was born Estelle Nussbaum in 1928 in Manhattan, New York City. Her parents were Isaac "Ira" Nussbaum and his wife Anna (Stern), first-generation Jewish emigrants from Poland. Her parents owned a candy store in New York City. In 1935, the Nussbaum family moved to Tarentum, Pennsylvania, an industrial town primarily known for production of bottles. Ira had accepted a job offer from relatives who had already settled in Tarentum.
Harris was primarily raised in Tarentum, and graduated from the local high school. Relatively little is known for her life in early adulthood. In 1952, Estelle started dating Sy Harris, a window treatment salesman. They were married in early 1953, despite knowing each other for only 6 months at that point. Between 1957 and 1964, Harris gave birth to three children (two sons and a daughter). She was primarily a housewife until her children were old enough to attend school.
Harris aspired to an acting career, but started out in amateur productions. She eventually had roles in dinner theater, and found some success when cast in various television commercials. At one point she filmed 23 different commercials in a single year. In 1984, Harris had a small role in the crime film "Once Upon a Time in America", which primarily depicted the lives of Jewish-American gangsters.
In 1985, Harris was cast in the recurring role of Easy Mary in the sitcom "Night Court" (1984-1992). The sitcom focused on eccentric characters interacting with the night shift staff of a Manhattan municipal court. By the late 1980s and early 1990s, Harris was frequently cast in guest-star roles in various then-popular series, such as "Married... with Children" and "Mad About You".
Harris' big break came in 1992 when cast in "Seinfield" as Estelle Costanza, the overbearing mother of neurotic character George Costanza (played by Jason Alexander). The character spend most of her screen-time in berating her son, belittling anything which her son cared about, arguing with her husband, and maintaining hostile relations with nearly everyone who she interacted with. She became one of the series' most prominent supporting characters, allowing Harris to become a household name.
By 1995, Harris had started voicing characters in animated television series. Among her earliest prominent roles in the medium was voicing Timon's mother in the comedy series "Timon & Pumbaa" (1994-1999), which was a spin-off of "The Lion King". In 1996, Harris had a guest-star role in the science fiction series "Star Trek: Voyager", as an unnamed elder of the Nechani tribe. Her role was to guide protagonist Kathryn Janeway (played by Kate Mulgrew) through a tribal ritual which would heal Janeway's friend Kes (played by Jennifer Lien).
In 1998, Harris was cast as Grandmama Delilah Addams in the television film "Addams Family Reunion", the paternal grandmother of Gomez and Fester Addams. The film was based on the comic strip "Addams Family" (1938-1964) by Charles Addams, which had many other adaptations. In the film, Delilah suffers from Walthzheimer's disease, a condition which turns aging people into unnaturally "pleasant" versions of themselves. The rest of the Addams family is horrified by Delilah's fate.
In 1999, Harris was cast as Mrs. Potato Head in the computer-animated film "Toy Story 2". The character was depicted as the sweet and loving wife of Mr. Potato Head (voiced Don Rickles). Her personality was intended to contrast with the hot-headed and pessimistic behavior of her husband. The film was a box office hit. Harris would resume this role in the sequels "Toy Story 3" (2010) and "Toy Story 4" (2019), which were also commercially successful.
In 2004, Harris voiced the nervous hen Audrey in the Western comedy film "Home on the Range". The character was a member of the film's supporting cast and had a tendency to panic when dealing with her fear of abandonment. This animated film under performed at the box office, convincing Disney to cease producing traditionally animated films.
Also in 2004, Harris was cast in the recurring role of Mrs. Lipsky in the comedy adventure television series "Kim Possible". Her character was depicted as the overly-affectionate mother of the super-villain Dr. Drakken/Drew Theodore P. Lipsky, who still treated him as her baby boy and unwittingly interfered with his plans. Harris was also cast in a recurring role in the fantasy television series "Dave the Barbarian", as Lula the sentient enchanted sword.
In 2005, Harris voiced the antagonist Mama Gunda in the animated film "Tarzan II". The character was a female gorilla who used her own sons in a scheme to gain political power, but reforms after falling in love with a new mate. The film was one of the few Disney films were the antagonists find redemption.
Also in 2005, Harris was cast in the recurring role of Muriel in the live-action sitcom The Suite Life of Zack & Cody (2005). Her character was an elderly hotel maid, whose greed, laziness, and irritability were recurring plot points. In her last appearance on the show Muriel was "fired" by her boss, who failed to realize that Muriel had already retired and was no longer in his payroll.
Harris had relatively few new roles during the 2010s. Her most prominent recurring role at that time was the benevolent ghost Peg-Leg Peg in the fantasy series Captain Jake and the Never Land Pirates (2011), a spin-off of Peter Pan. She died in 2022, a year after husband Sy. Harris is fondly remembered for the many recurring characters which she has played or voiced, and is regarded as a veteran of the animation industry. - Producer
- Actor
- Writer
At the tender age of 15, Gilbert Gottfried began doing stand-up at open mike nights in New York City and, after a few short years, became known around town as "the comedian's comedian". After spending several years mastering the art of stand-up comedy, producers of the legendary NBC late-night comedy show Saturday Night Live (1975) became aware of Gottfried and, in 1980, hired him as a cast member. It was not until a few years later that his notoriety began after MTV hired him for a series of improvised and hilarious promos for the newly formed channel. This led to several television appearances on The Cosby Show (1984).
Gottfried's work in television soon led to roles in film. Most notable was his improvised scene as business manager "Sidney Bernstein" in Beverly Hills Cop II (1987). The New York Daily News critic wrote that "Gilbert Gottfried steals the picture with a single scene". Aside from his glowing reputation in comedy clubs, Gottfried gained a reputation as the king of quirky roles in both movies and television. He appeared in such movies as Problem Child (1990), Problem Child 2 (1991), Look Who's Talking Too (1990), and The Adventures of Ford Fairlane (1990). He was also the host of the very popular late night movie series Up All Night (1989).
After his performance as the wise cracking parrot "Iago" in the Disney classic Aladdin (1992), Gottfried became one of the most recognizable voice-over talents. His signature voice was heard in several commercials, cartoons and movies, including the frustrated duck in the AFLAC Insurance commercials. Gottfried was the voice of Digit in the long-running PBS series Cyberchase (2002).
Gottfried was a regular on the new Hollywood Squares (1998) and was a frequent guest on The Tonight Show with Jay Leno (1992) and Howard Stern on Demand (2005). He appeared in the hit comedy documentary The Aristocrats (2005), with Entertainment Weekly opining that, "out of the 101 comedians who appear on screen, no one is funnier - or more disgusting - than Gilbert Gottfried".
"Gilbert Gottfried Dirty Jokes" was recently released on both DVD and CD, featuring 50 non-stop minutes of Gottfried telling the funniest and filthiest jokes, ever. The show was filmed live at the Gotham Comedy Club in New York City. Also featured on the DVD are some of the funniest bonus features ever, including wild stories, indignant ranting and celebrity impressions. For this live performance, Gottfried put aside political correctness and fires an onslaught of jokes that know no boundaries. At the end of the show, Gottfried told what is known among comedians as the "Dirtiest Joke of All Time", the basis for The Aristocrats (2005). He was one of the most sought-after comedians, and regularly performed live to sold-out audiences across North America.
Gottfried died of ventricular tachycardia at the age of 67, leaving behind his wife, his two children, and his sister, Karen.- Composer
- Music Department
- Actor
Andrzej Korzynski was born on 2 March 1940 in Warsaw, Mazowieckie, Poland. He was a composer and actor, known for Possession (1981), Bird Talk (2019) and Big Shar (1983). He died on 18 April 2022 in Poland.- Writer
- Additional Crew
Harold Livingston was born on 4 September 1924 in Haverhill, Massachusetts, USA. He was a writer, known for Star Trek: The Motion Picture (1979), Mission: Impossible (1966) and Future Cop (1976). He died on 28 April 2022 in Westlake Village, Los Angeles, California, USA.- Actor
- Producer
- Writer
He started out as romantic hero full of beauty and talent in Girl with a Suitcase (1961) beside Claudia Cardinale. Director Valerio Zurlini engaged the talented young actor for his Family Diary (1962) as Marcello Mastroianni's brother. Jacques Perrin's longtime work with director Costa-Gavras started with The Sleeping Car Murder (1965) and Un uomo a metà (1966) in which he had played the sensible heroes. For Costa-Gavras's Z (1969) he played a main part and was the producer. Jacques Perrin has played often in famous romantic movies by Jacques Demy beside Catherine Deneuve and in social-critic-movies like Home Sweet Home (1973) beside Claude Jade, for which he was co-producer too with his Reggane Productions. One of his memorable later roles is the adult Salvatore as movie-director in Cinema Paradiso (1988). In Brotherhood of the Wolf (2001), he plays the older Thomas.- A beautiful auburn-haired lass with blue/grey eyes, Andra Martin was born Sandra Hildur Rehn (pronounced 'Wren') in Rockford, Illinois, of Swedish ancestry. She grew up on her parent's farm, attended high school in her home town and harboured dreams of becoming a star. Andra's first step on that projected career path was to spend two years studying speech and drama at Northwestern University. Her next stop was New York where she finagled her first job as a model while continuing part-time acting studies under the personal tutelage of Lee Strasberg. Strasberg was suitably impressed, considered her 'a natural' and recommended her to Joshua Logan to screen test for the female lead in Sayonara (1957) (opposite Marlon Brando). Alas, that fell through as did another audition at Warner Brothers for the part in Marjorie Morningstar (1958) which had already been earmarked for Natalie Wood. Universal-International eventually took up the option and signed the budding starlet under contract.The publicity machine went rapidly into top gear, comparing Andra to Hollywood's biggest and brightest, a melding of the attributes of Elizabeth Taylor and Betty Grable with the brains of a Katharine Hepburn. Sadly, her subsequent casting would tend to emphasize her beauty rather than her talent.
Andra only appeared in three pictures for Universal, none of them particularly good. The first was a second lead in a so-so romantic drama (The Lady Takes a Flyer (1958)) as the 'other woman', competing with Lana Turner for the affections of Jeff Chandler. Her character, a pilot, gets killed towards the end. Her other outing was a second-billed role in The Big Beat (1958), a youth-oriented musical which featured no less than fifteen musical numbers. Unsurprisingly, with just 81 minutes of screen time, there was little room for the semblance of a plot (or acting, for that matter). Number three was one of Universal's quota quickies, a lame horror film (The Thing That Couldn't Die (1958)) which cast Andra as a water diviner with telepathic abilities (!). She also made a few of films under contract to Warners, notably the submarine drama Up Periscope (1959) (as the perfunctory female lead) and the Clint Walker western Yellowstone Kelly (1959) (as the love interest, a captive Arapaho girl). By the end of the 50s, the newly minted Deb Star was earning $200 per week.
While her movie career was going nowhere, Andra managed quite well in securing spots as featured leading lady on many popular TV shows on the Warners roster, including Bronco (1958), Cheyenne (1955), 77 Sunset Strip (1958), The Alaskans (1959), Bourbon Street Beat (1959) and Hawaiian Eye (1959). In August 1958, she married Bronco star Ty Hardin (over the objections of their respective managers and Warner Brothers TV execs, who argued that such a union would ruin their romantic appeal to the public). The marriage ended in divorce in 1962. Andra left the film business following her second marriage to a department store heir which lasted six years. A third marriage, however, endured from 1970 until Andra's passing on May 3 2022 at the age of 86. - Composer
- Music Department
- Actor
Vangelis was a composer and performer who worked almost exclusively with electronic instruments. With Jean-Michel Jarre and Mike Oldfield in the 1970s, Vangelis was a pioneer in the instrumental music and a main influence in the creation of the musical genre "new age," a style related to spiritual, meditation, relaxing ambient sounds as well as sounds from outer space. He was probably most well known for his Chariots of Fire (1981), Blade Runner (1982), The Bounty (1984) and 1492: Conquest of Paradise (1992) soundtracks or for the tracks used in the documentary TV series Cosmos (1980) created, produced and hosted by scientist Carl Sagan. Vangelis was involved in many musical collaborations, most famously with British progressive rock band Yes's founding member Jon Anderson.- Visual Effects
- Additional Crew
Colin Cantwell was born on 3 April 1932 in San Francisco, California, USA. He is known for WarGames (1983), Star Wars: Episode IV - A New Hope (1977) and 2001: A Space Odyssey (1968). He died on 21 May 2022 in Colorado Springs, Colorado, USA.- Writer
- Producer
- Actor
Peter Koper was born in 1947 in Quakenbrück, Lower Saxony, Germany. He was a writer and producer, known for Island of the Dead (2000), Headless Body in Topless Bar (1995) and Social Aid and Pleasure Club. He died on 21 May 2022 in Manhattan, New York City, New York, USA.- Director
- Second Unit Director or Assistant Director
- Producer
Gary Nelson was born on 6 October 1934 in Los Angeles, California, USA. He was a director and assistant director, known for The Black Hole (1979), Washington: Behind Closed Doors (1977) and Get Smart (1965). He was married to Judi Meredith. He died on 25 May 2022 in Las Vegas, Nevada, USA.- Actor
- Producer
- Soundtrack
Intense was the word for Ray Liotta. He specialized in psychopathic characters who hide behind a cultivated charm. Even in his nice-guy roles in Field of Dreams (1989) and Operation Dumbo Drop (1995), you get the impression that something is smoldering inside of him. He was born in Newark, New Jersey, and was adopted by Mary (Edgar), a township clerk, and Alfred Liotta, an auto parts store owner. He studied acting at the University of Miami, where he became friends with Steven Bauer (Scarface (1983), Thief of Hearts (1984)). He spent his first years acting in TV: Another World (1964), a TV movie and several short-lived series. He broke into movies with the black comedy Something Wild (1986), which garnered him rave reviews. Originally unable to get a reading, he was recommended for the part by Melanie Griffith (then married to Bauer).
Following the success Something Wild (1986), he received more offers in the "psycho" vein, but refused them to avoid being typecast. Instead, he made "little movies" like Dominick and Eugene (1988), which earned him standing as an actor's actor, and Field of Dreams (1989), whose success always surprised him. When he heard Martin Scorsese was casting Goodfellas (1990), he lobbied hard for the part of Henry Hill. The film's huge success brought him wide popularity and garnered him star billing in future films such as Article 99 (1992), Unlawful Entry (1992), and Unforgettable (1996).
Liotta died on May 26, 2022, aged 67, in his sleep while filming on location in Santo Domingo, Dominican Republic.- Actor
- Producer
Sandy-haired American actor Bo Hopkins was born William Mauldin Hopkins in Greenville, South Carolina, and was raised by his mother and grandmother after his father died when Bo was only nine years old. He joined the US Army at the age of 16. After serving his hitch he decided on acting as a career and gained experience in summer stock productions and guest spots in several TV episodes.
Hopkins broke into feature films as the ill-fated "Crazy Lee" in the Sam Peckinpah landmark western The Wild Bunch (1969), and was subsequently hired by Peckinpah for another none-too-bright role as a bank robber in The Getaway (1972) and then as a hired killer pairing up with CIA agent James Caan in The Killer Elite (1975). He was busy on television during the 1980s and 1990s, guest-starring on The Rockford Files (1974), Charlie's Angels (1976), The A-Team (1983), Hotel (1983) and Matt Houston (1982), and was featured on Dynasty (1981). In addition, he starred in dozens of feature films, such as Midnight Express (1978), American Graffiti (1973), The Bounty Hunter (1989), U Turn (1997) and Shade (2003). With his "good old boy" persona and Southern drawl, Hopkins often played lawmen, psychos, or oily villains.
He makes his home in Los Angeles with his wife Sian and son Matthew, and is a keen fisherman, fan of the Anaheim Angels baseball team, and enjoys raising koi fish.- Actor
- Soundtrack
Philip Baker Hall was born in Toledo, Ohio, to Berdene (McDonald) and William Alexander Hall, a factory worker who was originally from Montgomery, Alabama. He did not start acting until he was 30 years old. Known to film fans for his turn as Richard Nixon in Robert Altman's one-man show film Secret Honor (1984), he shot to cult fame when he turned in another electrifying performance, as Sydney, the veteran gambler, in Paul Thomas Anderson's debut feature, Hard Eight (1996). However, it was his work in the same director's star-studded Magnolia (1999) that really caught the mass film public's attention; his performance as the legendary quiz show presenter "Jimmy Gator" was highly acclaimed. These acclaimed smaller films led to Hall's casting in multiple blockbuster hits of the 1990s and 2000s, including The Sum of All Fears (2002) and Dogville (2003), directed by Lars von Trier.- Actor
- Writer
- Director
Born 1930 in Piolenc in south France as son of a wealthy industrialist. Studied law in Aix-en-Provence. Started theatrical acting in 1950, but was regarded untalented at first, until Roger Vadim discovered him for the movies. When the press stalked him 1956 because of rumors of an affair with Brigitte Bardot his partner in ...And God Created Woman (1956), he fled into the army. Ten years later he had his first big success with A Man and a Woman (1966). Since then he has starred in more than 100 movies, with a special talent for the dark characters like murderers or jealous husbands. In his late career he preferred theater to movies.- Producer
- Additional Crew
- Director
Robert Katz was born on 7 February 1943 in Los Angeles, California, USA. He was a producer and director, known for Gettysburg (1993), Selena (1997) and The Telephone (1988). He was married to Pamela Katz, Patricia Brown and Tishialu Katz. He died on 22 June 2022 in Van Nuys, California, USA.- Producer
- Second Unit Director or Assistant Director
- Production Manager
Duncan Henderson was born on 19 July 1949 in Culver City, California, USA. He was a producer and assistant director, known for The Way Back (2010), Master and Commander: The Far Side of the World (2003) and Harry Potter and the Sorcerer's Stone (2001). He was married to Michele P. Henderson. He died on 21 June 2022 in Valencia, California, USA.- Joseph Turkel was an American character actor. He is known for his roles in Stanley Kubrick's films The Killing, Paths of Glory, and The Shining, and as Dr. Eldon Tyrell in Blade Runner. He also had roles in three of Bert I. Gordon's films. Joseph Turkel was born in Brooklyn on July 15, 1927, to Benjamin Turkel, who was a tailor, and Gazella (née Goldfisher), a homemaker and occasional opera singer. His parents were Polish-Jewish immigrants. He had two brothers, Harold and David. Turkel joined the United States Army when he was seventeen and served in the European Theater of Operations during World War II.
- Actor
- Director
- Stunts
A masculine and enigmatic actor whose life and movie career have had more ups and downs than the average rollercoaster and whose selection of roles has arguably derailed him from achieving true superstar status, James Caan is New York-born and bred.
He was born in the Bronx, to Sophie (Falkenstein) and Arthur Caan, Jewish immigrants from Germany. His father was a meat dealer and butcher. The athletically gifted Caan played football at Michigan State University while studying economics, holds a black belt in karate and for several years was even a regular on the rodeo circuit, where he was nicknamed "The Jewish Cowboy". However, while studying at Hofstra University, he became intrigued by acting and was interviewed and accepted at Sanford Meisner's Neighborhood Playhouse. He then won a scholarship to study under acting coach Wynn Handman and began to appear in several off-Broadway productions, including "I Roam" and "Mandingo".
He made his screen debut as a sailor in Irma la Douce (1963) and began to impress audiences with his work in Red Line 7000 (1965) and the western El Dorado (1966) alongside John Wayne and Robert Mitchum. Further work followed in Journey to Shiloh (1968) and in the sensitive The Rain People (1969). However, audiences were moved to tears as he put in a heart-rending performance as cancer-stricken Chicago Bears running back Brian Piccolo in the highly rated made-for-TV film Brian's Song (1971).
With these strong performances under his belt, Francis Ford Coppola then cast him as hot-tempered gangster Santino "Sonny" Corleone in the Mafia epic The Godfather (1972). The film was an enormous success, Caan scored a Best Supporting Actor nomination and, in the years since, the role has proven to be the one most fondly remembered by his legion of fans. He reprised the role for several flashback scenes in the sequel The Godfather Part II (1974) and then moved on to several very diverse projects. These included a cop-buddy crime partnership with Alan Arkin in the uneven Freebie and the Bean (1974), a superb performance as a man playing for his life in The Gambler (1974) alongside Lauren Hutton, and pairing with Barbra Streisand in Funny Lady (1975). Two further strong lead roles came up for him in 1975, first as futuristic sports star "Jonathon E" questioning the moral fiber of a sterile society in Rollerball (1975) and teaming up with Robert Duvall in the Sam Peckinpah spy thriller The Killer Elite (1975).
Unfortunately, Caan's rising star sputtered badly at this stage of his career, and several film projects failed to find fire with either critics or audiences. These included such failures as the hokey Harry and Walter Go to New York (1976), the quasi-western Comes a Horseman (1978) and the saccharine Chapter Two (1979). However, he did score again with the stylish Michael Mann-directed heist movie Thief (1981). He followed this with a supernatural romantic comedy titled Kiss Me Goodbye (1982) and then, due to personal conflicts, dropped out of the spotlight for several years before returning with a stellar performance under old friend Francis Ford Coppola in the moving Gardens of Stone (1987).
Caan appeared back in favor with fans and critics alike and raised his visibility with the sci-fi hit Alien Nation (1988) and Dick Tracy (1990), then surprised everyone by playing a meek romance novelist held captive after a car accident by a deranged fan in the dynamic Misery (1990). The 1990s were kind to him and he notched up roles as a band leader in For the Boys (1991), another gangster in Honeymoon in Vegas (1992), appeared in the indie hit Bottle Rocket (1996) and pursued Arnold Schwarzenegger in Eraser (1996).
The demand on Caan's talents seems to have increased steadily over the past few years as he is making himself known to a new generation of fans. Recent hot onscreen roles have included The Yards (2000), City of Ghosts (2002) and Dogville (2003). In addition, he finds himself at the helm of the hit TV series Las Vegas (2003) as casino security chief "Big Ed" Deline. An actor of undeniably manly appeal, James Caan continued to surprise and delight audiences with his invigorating performances up until his death in July 2022 at the age of 82.- Actor
- Producer
- Director
This tall, sandy-haired, mustachioed actor from Texas, born Justus McQueen, adopted the name of the character he portrayed in his first film, Battle Cry (1955). Jones, with his craggy, gaunt looks, first appeared in minor character roles in plenty of WWII films including The Young Lions (1958), The Naked and the Dead (1958), Hell Is for Heroes (1962) and Battle of the Coral Sea (1959). However, 1962 saw him team up with maverick director Sam Peckinpah for the first of Jones' five appearances in his films. Ride the High Country (1962) saw Jones play one of the lowlife Hammond brothers. Next he appeared alongside Charlton Heston in Major Dundee (1965), then Peckinpah cast him, along with his real-life friend Strother Martin, as one of the scummy, murderous bounty hunters in The Wild Bunch (1969). Such was the chemistry between Jones and Martin that Peckinpah teamed them again the following year in The Ballad of Cable Hogue (1970), and Jones' final appearance in a Peckinpah film was in another western, Pat Garrett & Billy the Kid (1973). Two years later Jones directed the cult post-apocalyptic film A Boy and His Dog (1975) starring a young Don Johnson. He has continued to work in Hollywood, and as the lines on his craggy face have deepened, he turns up more frequently as crusty old westerners, especially in multiple TV guest spots. He turned in an interesting performance as a seemingly good ol' boy Nevada cowboy who was actually a powerful behind-the-scenes player in state politics who leaned on Robert De Niro's Las Vegas mob gambler in Martin Scorsese's violent and powerful Casino (1995).- Tony Sirico was born in New York City on July 29, 1942 to a family of Italian descent. He grew up in the Brooklyn neighborhoods of East Flatbush and Bensonhurst. His brother, Father Robert Sirico, is a Catholic priest and co-founder of the Acton Institute for the Study of Religion and Liberty. The Institute has been described as an "American research and educational institution, or think tank," in Grand Rapids, Michigan, whose stated mission is "to promote a free and virtuous society characterized by individual liberty and sustained by religious principles."
Sirico was convicted of several crimes and was arrested 28 times, including for disorderly conduct, assault, and robbery, before taking up acting. On February 27, 1970, he was arrested at a restaurant, and found with a .32 caliber revolver on his person. In 1971, he was indicted for extortion, coercion, and felony weapons possession, convicted, and sentenced to four years in prison, of which he served 20 months at Sing Sing.
Tony Sirico died on July 8, 2022, from undisclosed causes, aged 79. - Music Department
- Composer
- Soundtrack
Monty Norman was born on 4 April 1928 in London, England, UK. He was a composer, known for Dr. No (1962), GoldenEye (1995) and Thunderball (1965). He was married to Rina Caesari and Diana Coupland. He died on 11 July 2022 in Slough, Berkshire, England, UK.- Producer
- Director
- Writer
Bob Rafelson was an American film director, writer and producer. He is regarded as one of the founders of the New Hollywood movement in the 1970s. Among his best-known films are Five Easy Pieces (1970), The King of Marvin Gardens (1972), and The Postman Always Rings Twice (1981). He was also one of the creators of the pop group and TV series The Monkees (1965).
Rafelson's debut as a director was Head, a feature film starring the Monkees. Co-written with friend Jack Nicholson, and featuring appearances by Nicholson, Victor Mature, Teri Garr, Carol Doda, Annette Funicello, Frank Zappa, Sonny Liston, Timothy Carey, Ray Nitschke, and Dennis Hopper. Rafelson did six films with Jack Nicholson, Head (1968), Five Easy Pieces (1970), The King of Marvin Gardens (1972), The Postman Always Rings Twice (1981), Man Trouble (1992), and Blood and Wine (1996).- Actor
- Producer
- Soundtrack
Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.- Actor
- Director
- Producer
Tall, dark and imposing American actor Paul Sorvino made a solid career of portraying authority figures.
He was born in Brooklyn, New York City. His mother, Angela (Renzi), was a piano teacher, of Italian descent. His father, Ford Sorvino, was an Italian immigrant who worked in a robe factory as a foreman. Paul originally had his heart set on a life as an opera singer. He was exposed to dramatic arts while studying at the American Musical and Dramatic Academy in New York. He furthered his studies with Sanford Meisner and eventually made his film debut in Where's Poppa? (1970).
Sorvino suffered from severe asthma, and worked hard at mastering various breathing techniques to manage the illness. He wrote a best-selling book entitled "How to Become a Former Asthmatic". He also started the Sorvino Asthma Foundation based in New York City.
Sorvino appeared in a variety of film, TV, and theatrical productions over five decades. He received critical praise for his role in the Broadway play "That Championship Season", and played the role again in the 1981 film alongside Robert Mitchum and Martin Sheen. Other noteworthy performances during the 1980s and 1990s included a stressed-out police chief in Cruising (1980), Mike Hammer's cop buddy in I, the Jury (1982), Lips Manlis in Dick Tracy (1990) with James Caan and in a standout performance as mob patriarch Paul Cicero in the powerhouse Goodfellas (1990).
Always keeping himself busy, Sorvino performed over 100 theatrical movies and over 30 TV movies throughout his career, including a dynamic and under-appreciated portrayal of Henry Kissinger in Nixon (1995), as "Fulgencio Capulet" in the updated Romeo + Juliet (1996) and in the Las Vegas thriller The Cooler (2003). At the time of his death in 2022, there were three more films in which he appeared yet to be released, including The Ride in which he worked alongside his wife Dee Dee Sorvino.
Sorvino was the proud father of Academy Award-winning actress Mira Sorvino.- Actress
- Producer
- Additional Crew
Nichelle Nichols was one of 10 children born to parents Lishia and Samuel Nichols in Robbins, Illinois, a Chicago suburb. She was a singer and dancer before turning to acting and finding fame in her groundbreaking role of Lt. Nyota Uhura in the Star Trek (1966) series.
As long as she could remember, she wanted to do nothing but sing, dance, act and write despite no one else in her family following any of those tracks; although her father could tap dance. He not only became mayor of their town, Robbins, IL, but also a magistrate. On stage, Nichelle was twice nominated for the Sarah Siddons Award as Best Actress of the Year; while on film she danced with Sammy Davis, Jr. in Porgy and Bess, and opposite James Garner in Mister Budwing (1965). In a complete changearound soon after the Star Trek television series came to an end, she played a blousey madam, then co-starred with Lynn Redgrave n Antony and Cleopatra. She was been married twice and had a son, Kyle Johnson, from her first marriage to a tap dancer.- Actor
- Director
- Writer
Clu Gulager was born William Martin Gulager in Holdenville, Hughes County, Oklahoma. His nickname was given to him by his father for the clu-clu birds (known in English as martins, like his middle name) that were nesting at the Gulager home at the time Clu was born. He grew up on his uncle's ranch as a cowhand and when he was old enough he joined the United States Marine Corps for a stint from 1946-1948. He got the acting bug being in army plays so when he left he used the GI Bill of Rights to study acting. During this time he met his wife, actress Miriam Byrd-Nethery. They wed in 1952 and had two children: John (born 1957) and Tom (born 1965) The couple was married for more than 50 years until her death in 2003 from cancer.
Gulager's career started off as bit parts on popular western shows usually playing the heavy. Shows like Wanted Dead or Alive, Have Gun Will Travel, Laramie, Riverboat. He scored big with The Untouchables as "Mad Dog Coll", which led to him being offered the role of "Billy the Kid" on The Tall Man from 1960-1962, which also starred Barry Sullivan as "Pat Garrett". The show was pulled after two seasons reportedly because the powers that were didn't like kids seeing Billy the Kid as a hero.
His next big break was playing Deputy Emmett Ryker on The Virginian from 1964-1968. During this time he also fared very well as Lee Marvin's sidekick in the 1964 TV film The Killers, which was considered too violent for TV so it went to theaters. Having being burned out being a TV star he tried to break into films, mostly as a character actor. His stand out films were The Last Picture Show (1971, playing Ellen Burstyn's lover), McQ (1974) with John Wayne, and A Force of One (1979) with Chuck Norris, with whom he would later work in the 1990s on Walker, Texas Ranger.
Gulager was also cast in San Francisco International Airport, with Lloyd Bridges, which failed big time. Throughout the 1970s and 1980s he was in almost every show around, playing bit parts. Then the unthinkable happened: he found a second career as a horror film actor; he followed the footsteps of other TV actors who were stuck in TV hell, like Doug McClure (his costar from The Virginian) and Christopher George. Both men found new careers in B-movies and late night horror films. Gulager finally got a lead part in Dan O'Bannon's cult classic The Return of the Living Dead (1985). He also was in A Nightmare on Elm Street Part 2: Freddy's Revenge (1985).
Throughout the 1980s and 1990s, he appeared in TV and in the occasional horror flick. In 2005 he started acting in his son's horror films -- the Feasts movies and Piranha DD in his 80s. Not letting age get in his way, he was a horror fan favorite and still showed up at conventions at almost 90.- Actress
- Editorial Department
- Soundtrack
Actress and entertainer Pat Carroll played everything from chatterbox wives to wicked stepsisters on TV, and from Gertrude Stein to Shakespeare's Falstaff on stage. Even at 80 plus, the plucky comedienne showed no sign of stopping any time The riotous Pat Carroll was born in Shreveport, Louisiana in 1927, the daughter of Angela (Meagher) and Maurice Clifton Carroll. Her family moved to Los Angeles when Pat was five, and there began performing in local stage productions. She graduated from Hollywood's Immaculate Heart High School, an all-girls Catholic school, then attended Immaculate College, also in Los Angeles, and Catholic University of America.
Following her college graduation, she began performing comedy in nightclubs and gained early experience with appearances in resort areas. Her stage debut in 1947 with a role in "The Goose and the Gander" starring Gloria Swanson led to hundreds of stock roles. She made her off-Broadway debut in the play "Come What May" in 1950. Also a talented singer, she earned a Tony nomination for her Broadway work in the singing revue "Catch a Star" in 1955, and then enjoyed a number of brash showcases in such musicals as "On the Town," "Once Upon a Mattress" and "The Unsinkable Molly Brown".
It was, however, the "golden age" of TV that truly took advantage of Pat's adroit talents. An initial "second banana" regular on the variety programs The Red Buttons Show (1952) and The Saturday Night Revue (1953), she copped an Emmy award for her work on Caesar's Hour (1954) as Howard Morris' wife and earned fine reviews from her recurring role on the sitcom The Danny Thomas Show (1953) playing Bunny Halper, the pert and plucky wife of Danny Thomas' nightclub manager Charlie Halper (Sid Melton).
Pat's down-to-earth demeanor, chummy disposition and hearty, infectious laugh made her a popular guest on all the major talkfests and a welcomed panelist on such game shows as "You Don't Say," "To Tell the Truth," "I've Got a Secret" and "Password". In 1965, she co-starred on TV as one of the wicked stepsisters in the endearing Rodgers and Hammerstein's musical Cinderella (1965), which starred Lesley Ann Warren as the princess-to-be. In later years she won recurring/regular roles on the last season of Too Close for Comfort (1980) [retitled in 1986 as "The Ted Knight Show"] and the Suzanne Somers' sitcom She's the Sheriff (1987).
As a character actress, the cropped-blond comedienne never made much of a dent in film, which included supporting roles in With Six You Get Eggroll (1968) with Doris Day and The Brothers O'Toole (1973) with John Astin. In the late 1970s her career received a huge shot in the arm with the award-winning, one-woman show "Gertrude Stein, Gertrude Stein, Gertrude Stein", which she also produced and won multiple theater awards, including the Outer Critics Circle and Drama Desk trophies. A complete departure from her usual comedy antics, audiences saw a burgeoning dramatic actress in the making. Taking the show on the road for four years, she also won a Grammy for her recorded version of the performance in 1981. She then returned to Broadway after thirty years to appear in the play "Dancing in the End Zone" (1985).
Pat surprised her fans by continuing vigorously in this vein. She began taking on Shakespearean roles and earning critical acclaim. For her interpretations of Sir John Falstaff in "The Merry Wives of Windsor" and the Nurse in "Romeo and Juliet" she won bookend Helen Hayes awards. A life member of The Actors Studio, other challenging stage roles over the years have included Volpone, Mother Courage (another Helen Hayes award), the Stage Manager in "Our Town" and the Chorus in a Broadway revival of "Electra".
Still interested in tickling the funny bone on occasion, she performed in a number of adaptations of the wacky musical comedy "Nunsense" playing the Reverend Mother. If this weren't enough, she extended herself into directing, helming a musical version of "Alice in Wonderland" for The Kennedy Center, as well as productions of "Private Lives and "The Supporting Cast".
With the late 1980s, Pat became a voice-over favorite on numerous animated programs -- notably for Disney as the sea witch Ursula in The Little Mermaid (1989) and other voices in A Goofy Movie (1995). Into the millennium, the feisty character lady still gave voice life to many Disney related characters and in video games and special projects. Some elderly film work includes Outside Sales (2006), Freedom Writers (2007), Nancy Drew (2007), Bridesmaids (2011) and BFFs (2014). She also guested on the drama series ER (1994) and provided the voice of Old Lady Crowley in the Disney TV animated series Rapunzel's Tangled Adventure (2017).
She had three children (oldest son Sean and daughters Kerry and Tara) by late husband Lee Karsian, a one-time manager and talent agent. Tara Karsian is a character actress from stage, film and TV. Kerry Karsian is a casting director.- Music Artist
- Actress
- Music Department
Olivia Newton-John was an English singer and actress who was born on September 26, 1948, in Cambridge, Cambridgeshire, England, UK. In 1954, her family relocated to Australia when her father was offered a job as the dean of a Presbyterian college in Melbourne. After winning a singing talent contest, she returned to England with her mother, where she resided until 1975. Her many hit singles include, "You're The One That I Want" from the movie Grease (1978), which she starred in with John Travolta. She appeared on the TV series, It's Cliff Richard (1970), as well as in the film Toomorrow (1970). For several years, she was engaged to Bruce Welch, a founding member of The Shadows, which included Cliff Richard. Welch was one of the producers of her first international hit, "If Not For You".- Writer
- Actor
- Art Department
Raymond Briggs was born on 18 January 1934 in Wimbledon, London, England, UK. He was a writer and actor, known for The Snowman (1982), Ethel & Ernest (2016) and When the Wind Blows (1986). He was married to Jean Taprell Clark. He died on 9 August 2022 in Brighton, East Sussex, England, UK.- Actress
- Producer
- Writer
Anne Celeste Heche was an American actress, director, and screenwriter. She came to recognition portraying Vicky Hudson and Marley Love in the soap opera Another World (1964), which won her a Daytime Emmy Award and two Soap Opera Digest Awards. She came to mainstream prominence in the late 1990s with roles in the crime drama film Donnie Brasco (1997), the disaster film Volcano (1997), the slasher film I Know What You Did Last Summer (1997), the action comedy film Six Days Seven Nights (1998), and the drama-thriller film Return to Paradise (1998).- Director
- Writer
- Producer
A controversial film maker, Wolfgang Petersen has at once been lauded for his professionalism and attention to detail and decried for turning out a string of standard commercial Hollywood blockbusters. The son of a naval officer, Petersen held a lifelong fascination with the sea and naval subjects. He was born in Emden and attended drama school in Hamburg. Having already made some 8 mm films while at school, he proceeded to direct as well as act at the Junges Theater in Hamburg (later renamed the Ernst-Deutsch-Theater). In 1966, he joined the newly formed Deutsche Film- und Fernsehakademie Berlin (DFFB) where he made several short films while simultaneously directing plays in Hamburg. Having caught the eye of German television networks, Petersen went on to direct a string of TV movies which often dealt with such contentious issues as environmental pollution and underage sex. An early success and also his first cinematic release was the taut psychological thriller One or the Other (1974), which starred Jürgen Prochnow and Elke Sommer. This led to more regular assignments on the ever-popular detective series Tatort (1970) for which Petersen directed six episodes.
In 1980, Petersen was commissioned by Bavaria Studios to direct Das Boot (1981), based on a 1971 novel by Lothar G. Buchheim. Filmed on a budget of 32 million DM, it became the most realistic and harrowing portrayal of life aboard a submarine in wartime filmed to date, the action of 'Das Boot' being set during the battle of the North Atlantic and culminating in an abortive attempt to cross the British-controlled strait of Gibraltar into the Mediterranean. The film concluded with a bitterly ironic climax. 'Das Boot' (re-released as a miniseries in 1985) starred Petersen's long-standing collaborator Jürgen Prochnow (who became an international star as a result) and was nominated for six Academy Awards (including Best Director and Best Writing). In its wake, Petersen directed and co-wrote a children's fantasy --again filmed at the Bavaria facilities near Munich-- The NeverEnding Story (1984). Though successful at the box-office (especially in Germany), it did not attract universal critical appeal. By contrast, his second English-language film, the science fiction drama Enemy Mine (1985) was only a modest financial success but rated better in reviews over the years, the Los Angeles Times describing it as "surprisingly coherent, surprisingly enjoyable".
In 1987, Petersen moved to Santa Monica, California. For a while, he was part of an A-list of directors tasked with helming mega-budget blockbusters starring big name actors like Clint Eastwood, Harrison Ford, George Clooney and Brad Pitt. Most were palpable box-office hits, especially In the Line of Fire (1993) (often cited as his best Hollywood enterprise), Air Force One (1997) and the historical epic Troy (2004), which grossed $497.4 million worldwide. Reviewer reception for Troy tended to be lukewarm to cool, even more so with the disaster movies Outbreak (1995) and The Perfect Storm (2000), the latter criticized as suffering from "a lack of any actual drama or characterization". Attracting even lower critical esteem was Petersen's remake of Irwin Allen 's original 1972 disaster movie, Poseidon (2006). It ended up both a box office and a critical flop in the U.S. with only the superior CGI special effects gaining plaudits. Poseidon was nominated for the Golden Raspberry Award for Worst Remake. Following this debacle, Petersen withdrew from Hollywood and had a decade-long hiatus before directing his final picture, the German heist drama Vier gegen die Bank (2016).
Petersen's second wife was the assistant director and script supervisor Maria-Antoinette Borgel with whom he had a son. Petersen died from pancreatic cancer on August 12 2022 in Brentwood, California.- Born in Cleveland, Ohio, Virginia Patton was raised in Portland, Oregon, where she graduated from Jefferson High School in 1942. Her high school goal was to "make it in Hollywood". She relocated to Los Angeles and attended the University of Southern California, where she starred in a play written by William C. de Mille. She appeared in several films throughout the early 1940s before landing a supporting part in It's a Wonderful Life (1946), which she considered a once in a lifetime movie role.
She retired from acting in the late 1940s to concentrate on raising a family with her husband, Cruse W. Moss, in Ann Arbor, Michigan. - Director
- Writer
- Animation Department
Gerald Potterton was born on 8 March 1931 in London, England, UK. He was a director and writer, known for Heavy Metal (1981), The Railrodder (1965) and Yellow Submarine (1968). He died on 23 August 2022 in Cowansville, Québec, Canada.- Animation Department
- Art Department
- Production Designer
Ralph Eggleston was born on 18 October 1965 in Baton Rouge, Louisiana, USA. He was a production designer, known for Finding Nemo (2003), Monsters, Inc. (2001) and WALL·E (2008). He died on 28 August 2022 in California, USA.- Actress
- Additional Crew
- Soundtrack
Stardom somehow eluded this vastly gifted actress. Had it not perhaps been for her low-level profile compounded by her McCarthy-era blacklisting in the early 1950s, there is no telling what higher tier Marsha Hunt might have attained. Perhaps her work was not flashy enough, or too subdued, or perhaps her intelligence too often disguised a genuine sex appeal to stand out among the other lovelies. Two studios, Paramount in the late 1930s and MGM in the early 1940s, failed to complete her star. Nevertheless, her talent and versatility cannot be denied. This glamorous, slimly handsome leading lady offered herself to well over 50 pictures during the 1930s and 1940s alone.
Christened Marcia Virginia Hunt, the Chicago-born actress was the younger of two girls born to an attorney and voice teacher/accompanist. The family relocated to New York when she was quite young and she attended such schools as PS #9 and Horace Mann School for Girls. She developed an interest in acting at an early age (3), performing around and about in school plays and at church functions. Following her high school graduation the young beauty found work as a John Powers model and as a singer on radio, a gift obviously inherited from her mother. Marcia (she later changed the spelling of her first name to Marsha) studied drama at the Theodora Irvine Drama School (one of her fellow students was Cornel Wilde).
Encouraged to try Hollywood by various New York people in the business, the young photogenic hopeful moved there in 1934. She was only 17 but was accompanied by her older sister. It didn't take long for the studios to take an interest in her and she was signed up by Paramount not long after. Marsha's very first movie was in a featured role opposite Robert Cummings and Johnny Downs in the old-fashioned The Virginia Judge (1935). Displaying an innate, fresh-faced sensitivity, she moved directly into her second film, playing the title role in Gentle Julia (1936), this time with Tom Brown as her romantic interest.
Marsha continued to show promise but these well-acted roles were, more often than not, overlooked in mild "B"-level offerings. Appearing in co-starring roles in everything from westerns (Desert Gold (1936) and Thunder Trail (1937)) to folksy or flyweight comedy (Easy to Take (1936) and Murder Goes to College (1937)), she could not find decent enough scripts at Paramount. Though she was once deemed one of the studio's promising starlets, one of her last films there was another prairie flower role--[error]--with cowboys John Wayne and Johnny Mack Brown vying for her attention. At about this time (1938) she married Jerry Hopper, a Paramount film editor who turned to directing in the 1950s. This marriage lasted but a few years.
Freelancing for a time for many studios, Marsha's more noticeable war-era work in sentimental comedy and staunch war dramas came from MGM, and she finally signed with the studio in 1939. The roles offered, which included a featured part as one of the sisters in Pride and Prejudice (1940) starring Greer Garson, and again as a sister to Garson in Blossoms in the Dust (1941), which showed much more promise. Some of her better war-era roles came in the films Cheers for Miss Bishop (1941), Kid Glove Killer (1942) and The Affairs of Martha (1942). During this time she also sang on extended USO tours and stayed busy on radio. Her best known film is arguably The Human Comedy (1943) but she wasn't the star. Other film roles had her in support of others, such as Margaret Sullavan in Cry 'Havoc' (1943), little Margaret O'Brien in Lost Angel (1943) and Garson again in The Valley of Decision (1945). Leading roles did not come in "A" pictures.
Her MGM contract was allowed to lapse in 1945 and a second marriage in 1946, to screenwriter Robert Presnell Jr., became a higher priority. The marriage was long and happy (exactly 40 years) and lasted until his passing in June of 1986. The few pictures she made were, again, uneventful or in support of the star, although she did have a catchy, unsympathetic role in the Susan Hayward starrer Smash-Up: The Story of a Woman (1947) as a scheming secretary. In Raw Deal (1948), starring Dennis O'Keefe, she got the "raw deal" being overshadowed as a "good girl" by the "bad girl" posturings of Claire Trevor. At this point of her career she decided to try the stage and made her Broadway debut in "Joy to the World" (1948). Other plays down the road would include "The Devil's Disciple" with Maurice Evans, "The Lady's Not for Burning" with Vincent Price and "The Little Hut" with Leon Ames. She even had a chance to return to her beloved singing as Anna in a production of "The King and I" and (much later) in productions of "State Fair" and "Meet Me in St. Louis". TV also yielded some new work opportunities, including a presentation of "Twelfth Night" in which she portrayed Viola.
The seams of her film career fell apart in the early 1950s. During the late 1930s and into the 1940s she signed a number of petitions promoting liberal ideals, and was a member of the Committee for the First Amendment. A strong supporter of freedom of speech, these associations led to her name appearing in the pamphlet "Red Channels", a McCarthy-era publication that "exposed" alleged Communists and "subversives". Although she and her husband were never called before the House Un-American Activities Commission, their names were nevertheless smeared all over Hollywood as "Reds". While she still found film work on occasion, it was rare. Although she had worked steadily from 1935 until 1949, appearing in over 50 films, she made only three films in the next eight years. Her screenwriter husband would be credited for only one film from 1948 to 1955.
Semi-retired by the early 1960s, stage and TV became Marsha's focal points. She also devoted herself to civil rights causes and such humanitarian efforts as UNICEF, The March of Dimes and The Red Cross. She became actively involved with the United Nations. On the acting front she appeared only in smaller roles in five films but in numerous TV programs and made-for-TV movies, playing everything from judges to grandmas. She became the Honorary Mayor of Sherman Oaks, California, in 1983, and published a book on fashion entitled "The Way We Wore" in 1993. Widowed in 1986, the ever-vibrant Marsha, in her 90s, continues to serve on the Advisory Board of Directors for the San Fernando Valley Community Mental Health Center, a large non-profit that advocates for adults and children affected by homelessness and mental illness. As recently as 2006, she appeared to good advantage in the movie Chloe's Prayer (2006) and, at age 91, was seen in Empire State Building Murders (2008).- Director
- Writer
- Editor
Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. During World War II Godard became a naturalized citizen of Switzerland and attended school in Nyons, Switzerland. His parents divorced in 1948, at which time he returned to Paris to attend the Lycée Rohmer. In 1949 he studied at the Sorbonne to prepare for a degree in ethnology. However, it was during this time that he began attending with François Truffaut, Jacques Rivette, and Éric Rohmer.
In 1950 Godard, with Rivette and Rohmer, founded "Gazette du cinéma", which published five issues between May and November. He wrote a number of articles for the journal, often using the pseudonym "Hans Lucas". After Godard worked on and financed two films by Rivette and Rohmer, Godard's family cut off their financial support in 1951, and he resorted to a Bohemian lifestyle that included stealing food and money when necessary. In January 1952 he began writing film criticism for "Les cahiers du cinéma". Later that year he traveled to North and South America with his father and attempted to make his first film (of which only a tracking shot from a car was ever accomplished).
In 1953 he returned to Paris briefly before securing a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film in 1954 about the building of the dam called Operation Concrete (1958). Later that year his mother was killed in a motor scooter accident in Switzerland. In 1956 Godard began writing again for "Les cahiers du cinéma" as well as for the journal "Arts". In 1957 Godard worked as the press attache for "Artistes Associés", and made his first French film, All Boys Are Called Patrick (1959).
In 1958 he shot Charlotte and Her Boyfriend (1958), his homage to Jean Cocteau. Later that year he took unused footage of a flood in Paris shot by Truffaut and edited it into a film called A Story of Water (1961), which was an homage to Mack Sennett. In 1959 he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a gossip column for the journal, but also spent much time writing scenarios for films and a body of critical writings which placed him firmly in the forefront of the "nouvelle vague" aesthetic, precursing the French New Wave.
It was also in that year Godard began work on Breathless (1960). In 1960 he married Anna Karina in Switzerland. In April and May he shot The Little Soldier (1963) in Geneva and was preparing the film for a fall release in Paris. However, French censors banned it due to its references to the Algerian war, and it was not shown until 1963. In March 1960 Breathless (1960) premiered in Paris. It was hugely successful both with the film critics and at the box office, and became a landmark film in the French New Wave with its references to American cinema, its jagged editing and overall romantic/cinephilia approach to filmmaking. The film propelled the popularity of male lead Jean-Paul Belmondo with European audiences.
In 1961 Godard shot A Woman Is a Woman (1961), his first film using color widescreen stock. Later that year he participated in the collective effort to remake the film The Seven Deadly Sins (1962), which was heralded as an important project in artistic collaboration. In 1962 Godard shot Vivre sa vie (1962) in Paris, his first commercial success since "Breathless". Later that year he shot a segment entitled "Le Nouveau Monde" for the collective film Ro.Go.Pa.G. (1963), another important work in the history of collaborative multiple-authored art.
In 1963 Godard completed a film in homage to Jean Vigo entitled The Carabineers (1963), which was a resounding failure with the public and stirred furious controversy with film critics. Also that year he worked on a couple of collective films: The World's Most Beautiful Swindlers (1964) (from which Godard's sequence was later cut) and Six in Paris (1965). In 1964 Godard and his wife Anna Karina formed their own production company, Anouchka Films. They shot a film called A Married Woman (1964), which censors forced them to re-edit due to a topless sunbathing scene shot by Jacques Rozier. The censors also made Godard change the title to "Une femme marié" so as to not give the impression that this "scandalous" woman was the typical French wife. Later in the year, two French television programs were produced in devotion to Godard's work.
In the spring of 1965 Godard shot Alphaville (1965) in Paris; in the summer he shot Pierrot the Fool (1965) in Paris and the south of France. Shortly thereafter he and Anna Karina separated. Following their divorce, Godard shot Made in U.S.A (1966), "Deux ou trois choses que je sais d'elle (1966)", "L'amour en l'an 2000" (1966) (a sequel to "Alphaville" shot as a sketch for the collective film "L'amour travers les ages" (1966)).
In 1967 Godard shot The Chinese (1967) in Paris with Anne Wiazemsky, who was the granddaughter of French novelist François Mauriac. During the making of the film Godard and Wiazemsky were married in Paris. Later in the year he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film Far from Vietnam (1967). He instead shot the sequence in Paris, entitled "Camera-Oeil". Also during 1967 Godard participated (as the only Frenchman) on an Italian collective film called Love and Anger (1969).
In 1968 Godard was commissioned by French television to make Joy of Learning (1969). However, television producers were so outraged by the product Godard produced that they refused to show it. In May of that year Henri Langlois was fired by the head of the French Jean-Pierre Gorin to form the Dziga-Vertov group, infuriating Godard. He became increasingly concerned with socialist solutions to an idealist cinema, especially in providing the proletariat with the means of production and distribution. Along with other militantly political filmmakers in the Dziga-Vertov group, Godard published a series of 'Ciné-Tracts' outlining these viewpoints. In the summer of 1968 Godard traveled to New York City and Berkeley, California, to shoot the film "One American Movie", which was never completed. In September he made a trip to Canada to start another film called "Communication(s)", which also went unfinished, and then made a visit to Cuba before returning to France.
In 1969 Godard traveled to England, where he made the film See You at Mao (1970) for BBC Weekend Television, but the network later refused to show it. In the late spring he traveled with the Dziga-Vertov group to Prague to secretly shoot the film "Pravda". Later that year he shot Lotte in Italia (1971) ("Struggle for Italy") for Italian television. It was never shown, either.
In 1970 Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled "Jusque à la victoire" (1970) ("Until Victory"). Later that year he traveled to dozens of American universities trying to raise money for the film. In spite of his efforts, it was never released.- Born in Birmingham, Alabama, to Episcopal minister Robert Fletcher and his wife Estelle, both of whom were deaf, Louise Fletcher was introduced to performing at a young age by the aunt who taught her to speak. After graduating from the University of North Carolina, she took a trip out west with her roommates, finding herself in Los Angeles without enough money to return home. She took a temporary job as a receptionist and signed up for acting classes at night. Soon she was working regularly in television and film, but after marrying producer Jerry Bick and having two sons, the actress took a long hiatus to raise her children.
Returning to work in 1974 in Robert Altman's Thieves Like Us (1974), Fletcher came to the attention of director Milos Forman, who was casting the difficult role of the nurse in One Flew Over the Cuckoo's Nest (1975). She won the role -- and then the Academy Award -- portraying deadly, inflexible Nurse Ratched, who has since become a cultural icon. Numerous film roles followed, including co-starring turns with Peter Falk in The Cheap Detective (1978) and with Richard Burton in Exorcist II: The Heretic (1977). Fletcher has appeared in a number of science fiction and horror classics such as Firestarter (1984), Brainstorm (1983), and Flowers in the Attic (1987).
Though she earned an Emmy Award nomination for her recurring role on Picket Fences (1992), Fletcher is perhaps best known to recent television audiences as Kai Winn from Star Trek: Deep Space Nine (1993) and as Nora Bloom from the cult classic VR.5 (1995). - Actress
Eileen Ryan was born on 16 October 1927 in Bronx, New York City, New York, USA. She was an actress, known for Feast (2005), Parenthood (1989) and Eight Legged Freaks (2002). She was married to Leo Penn. She died on 9 October 2022 in Malibu, California, USA.- Actress
- Producer
- Executive
Angela Lansbury was born in 1925 into a prominent family of the upper middle class living in the Regent's Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury's mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela's life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.
In 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into "playing characters", as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.
From 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.
In 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school's production of the play "Mary of Scotland" (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen's ladies-in-waiting.
Also in 1940, Lansbury's paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.
Macgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith's house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.
In 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.
Lansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.
Lansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of "Gaslight" (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film's conniving cockney maid. This helped secure Lansbury's first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.
In 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell's death.
In 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba's Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury's home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.
Meanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists' "The Private Affairs of Bel Ami" (1947), and Paramount Pictures' "Samson and Delilah" (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.
In 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.
Meanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film "The Long, Hot Summer" (1958) and the comedy film "The Reluctant Debutante" (1958). She also appeared regularly in television roles, and became a regular on game show "Pantomime Quiz" (1947-1959).
In 1957, Lansbury made her Broadway debut in a performance of "Hotel Paradiso". The play was an adaptation of the 1894 "L'Hôtel du libre échange" ("Free Exchange Hotel"), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury's role as "Marcel Cat" was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in "A Taste of Honey". She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.
In the early 1960s, Lansbury was cast as an overbearing mother in "Blue Hawaii" (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the "Variety" national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.
Lansbury gained critical praise for a sympathetic role in the drama film "The Dark at the Top of the Stairs" (1960), and the role of a manipulative mother in the drama film "All Fall Down" (1962). Based on her success in "All Fall Down", she was cast in a similar role in the Cold War-themed thriller "The Manchurian Candidate" (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).
Lansbury made a comeback in the starring role of Mame Dennis in the musical "Mame" (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel "Auntie Mame: An Irreverent Escapade" (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a "superstar".
Her newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her "Woman of the Year" in 1968.
Lansbury's next theatrical success was in 1969 "The Madwoman of Chaillot" (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman's struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.
In 1970, Lansbury's Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.
Her film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney's fantasy film "Bedknobs and Broomsticks" (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.
In 1972, Lansbury returned to the British stage, performing in London's West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical "Gypsy" (1959) by Arthur Laurents. It was quite successful. In 1974, "Gypsy" went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.
Tired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company's production of Hamlet. In November 1975, Lansbury's mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother's remains to be cremated, and the ashes scattered near her own County Cork home.
In 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.
In 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film "Death on the Nile" (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).
In 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical "Sweeney Todd: The Demon Barber of Fleet Street" (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel "The String of Pearls: A Domestic Romance" (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.
Lansbury's next prominent film role was that of Miss Froy in "The Lady Vanishes" (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film "The Mirror Crack'd" (1980), an adaptation of the novel "The Mirror Crack'd from Side to Side" (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.
In 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play "A Little Family Business" and a revival of "Mame", but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film "The Last Unicorn" (1982). The film was critically well received, but was not a box-office hit.
Lansbury played Ruth in the musical comedy "The Pirates of Penzance" (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.
Lansbury's next film role was that of Granny in the gothic fantasy film "The Company of Wolves" (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.
At about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series "Murder, She Wrote" (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the "whodunit" format and mostly avoided depictions of violence or gore.
The series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.
In 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original "Hawaii Five-O" (1968-1980) as the longest-running detective drama series in television history.
Her popularity from "Murder, She Wrote" made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.
Lansbury's highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney's animated fantasy film "Beauty and the Beast" (1991). Lansbury performed the film's title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.
During the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.
Following the end of "Murder, She Wrote", Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple's Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).
Lansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film "Nanny McPhee" (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband's death.
Lansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.
In 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.
In 2017, she was cast as Aunt March in the mini-series "Little Women". The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.
In 2018, Lansbury gained her next film role in Disney's fantasy film "Mary Poppins Returns" (2018), a sequel to "Mary Poppins". Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.
In 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde's play "The Importance of Being Earnest" (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.
By 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.- Actor
- Writer
- Producer
Robbie Coltrane, one of Britain's most popular comedians who was head of debating society at school and won prizes for his art, is now a film star who played in two James Bond films and in the "Harry Potter" franchise.
Coltrane was born Anthony Robert McMillan on March 30, 1950, in Rutherglen, a suburb of Glasgow, Scotland, UK. His mother, Jean Ross (Howie), was a teacher and pianist. His father, Ian Baxter McMillan, was a general surgeon who also worked for police pathology. Young Robbie was fond of art, music, films and cars. He was a voracious reader of his dad's books on medicine and crime. At age 12 he made his acting debut on stage at Glenalmond College, delivering rants from "Henry V". At that time he was fascinated with Marlon Brando and Orson Welles.
He attended Glasgow Art School, majoring in drawing, painting and film, then studied art at Edinburgh's Moray House College of Education for a year. In 1973 he made a documentary titled "Young Mental Health", which was voted Film Of The Year by the Scottish Education Council. At that time Robbie took the name Coltrane, due to his love of jazz, and began a career of a stand-up comedian at night clubs, at the Edinburgh Festival, as well as an actor with Edinburgh's renowned Traverse Theatre.
In 1980 Coltrane made his debut on television as "Border Guard" in BBC's mini-series The Lost Tribe (1980), then made his big screen debut as a limousine driver in Death Watch (1980). In 1981 he appeared in his first leading role as Detective Fritz Langley in Subway Riders (1981), by famed underground director Amos Poe.
He became a well-known face through appearances in The Comic Strip series, then in Alfresco (1983) and Comic Strip movies The Supergrass (1985) and The Pope Must Diet (1991), among other films. At that time Coltrane had a drinking problem, downing as much as a bottle of whiskey a day. In 1986 he flew to a clinic in Mexico and was treated for obesity. In 1987 his partner for 15 years, Robin Paine, left him for good, leaving her portrait in Coltrane's barn.
In 1988 Coltrane met then 18-year-old Rhona Gemmell in a pub. They married and had a son, Spencer, and a daughter, Alice. His career took off during the early 1990s with the leading role as Dr. Eddie "Fitz" Fitzgerald, a forensic psychologist, in the popular TV series Cracker (1993).
He made such a good performance as Valentin Zukovsky, a KGB man turned St. Petersburg mafia lord, in GoldenEye (1995) the producers called him back for the same character in The World Is Not Enough (1999). Then Coltrane hit another lucrative franchise; he was personally selected by J.K. Rowling as her choice to play half-giant Rubeus Hagrid in the 'Harry Potter' films.
In early 1990s Coltrane wrote an autobiography, "Coltrane in a Cadillac", and also starred in the eponymous TV series, Coltrane in a Cadillac (1993), in which he indulges his passion for vintage cars and tells with great humor about his 4000-mile journey across America from Los Angeles to New York. In 2003 he separated from his wife. His interests outside of his acting profession had been reading books, and rebuilding and collecting vintage cars. Robbie Coltrane resided in a converted farmhouse in Stirlingshire, Scotland, UK.- Actor
- Writer
- Producer
For such a diminutive (4' 11") frame, character actor Leslie (Allen) Jordan had a tall talent for scene-stealing. Hailing from the South, as his dead-giveaway drawl quickly exposed, he was born in Memphis, Tennessee, on April 29, 1955, and raised in a highly conservative, deeply religious atmosphere in Chattanooga, Tennessee. His father, a Lieutenant Colonel with the Army, was killed in a plane crash when he was only 11.
Uncertain about his direction in life, an inescapable propensity for comedy and high camp, not to mention an impish mug and pocket-sized structure, led him straight to Los Angeles in an attempt to break into commercials and on-camera work. Following training with acting coach Carolyne Barry, who ran the Professional Artist's Group during the 80s, Leslie soon found himself highly marketable in commercial spots (Doritos, Fosters Beer, etc.). TV would invariably be the next step, finding him progressively better parts on such programs as "The Fall Guy," "The Wizard," "Night Court," "Newhart" and "Midnight Caller." He then earned a regular role on the short-lived comedy-fantasy series The People Next Door (1989) starring Alan Parker. Inspired by "The Far Side" comic strip, the show starred Jeffrey Jones as a cartoonist who could materialize his wild imagination.
Leslie began in films in the late 1980s with a bit part in the Richard Pryor comedy Moving (1988) and followed it with the role of Iggy, a hunch-backed Igor counterpart, in the whacked horror spoof Frankenstein General Hospital (1988) starring comic actor Mark Blankfield as the mad doctor. In primarily low-budget film projects at the onset, Leslie was part of such off-the-wall material as Ski Patrol (1990), Missing Pieces (1991), Hero (1992), Jason Goes to Hell (1993), Barcelona (1994), Eat Your Heart Out (1997) and Black Velvet Pantsuit (1995), to name a few.
Into the 1990s, Leslie involved himself more and more into writing. Avid L.A. theatergoers would recognize him for such prone-to-misfit characters as Brother Boy, an institutionalized drag queen, in "Sordid Lives," and Peanut, a habitual barfly, in "Southern Baptist Sissies." His own one-man testimonials, such as the off-Broadway "Hysterical Blindness" and "Like a Dog on Linoleum," display his adeptness at baring his soul and exposing his childhood agonies on stage amid laughter and tears. These highly introspective shows, however, came at a price. A self-proclaimed substance abuser and sexaholic, Jordan finally faced his inner demons and reached full recovery in 1996.
TV was an exceptionally inviting medium over the years with a number of offbeat roles coming his way. Noted for his catchy guest work on such shows as Murphy Brown (1988), Lois & Clark: The New Adventures of Superman (1993), Caroline in the City (1995), Star Trek: Voyager (1995), and Weird Science (1994), among many others, he was also a supporting regular on various series including the comedy Top of the Heap (1991) starring Joseph Bologna and pre-Friends (1994), Matt LeBlanc; the legal series Reasonable Doubts (1991) in a season (1992-1993) as an assistant public defender; the crime drama Bodies of Evidence (1992) starring Jennifer Hortin and George Clooney; and the John Ritter/Markie Post romantic comedy Hearts Afire (1992).
Into the millennium, he got to experienced the joy of seeing one of his own writing projects come to full fruition with the semi-autobiographical film Lost in the Pershing Point Hotel (2000). He was also given the chance to recreate his "Big Brother" role in Sordid Lives (2000) to the big screen. The work continued to flow in such film supports as I'll Wave Back (2000), The Gristle (2001), Moving Alan (2003), the short film Farm Sluts (2003), Madhouse (2004), another short film Sissy Frenchfry (2005), Undead or Alive: A Zombedy (2007), Eating Out: All You Can Eat (2009), Mangus! (2011), the critically-acclaimed [link=tt1454029, his stage role as "Peanut" in the gay-themed Southern Baptist Sissies (2013) written and directed by Del Shores, another co-star role as an HOA "dictator" in Whoa! (2013), Lucky Dog (2015), Fear, Inc. (2016), the "Sordid Lives" sequel A Very Sordid Wedding (2017) and the romantic film Until We Meet Again (2022).
TV was even better to him with both delightful and sadly touching work on such series as Ally McBeal (1997), Boston Public (2000), Judging Amy (1999), Monk (2002), Reba (2001), Boston Legal (2004), Ugly Betty (2006), Desperate Housewives (2004), Raising Hope (2010), and American Horror Story (2011). The topper, however, was Leslie's dryly cynical, part-time role as mincing elitist Beverley Leslie, the tiny thorn in Megan Mullally's backside on the resoundingly popular sitcom Will & Grace (1998). Leslie went on to earn an Emmy trading wicked barbs with Mullally's Karen character, playing the hilarity up for all its worth. He also appeared in the cult TV movie The Last Sharknado: It's About Time (2018).- Writer
- Actor
- Director
Douglas McGrath was born on 12 February 1958 in Midland, Texas, USA. He was a writer and actor, known for Emma (1996), Bullets Over Broadway (1994) and Happiness (1998). He was married to Jane Read Martin. He died on 3 November 2022 in Manhattan, New York City, New York, USA.- Actor
- Producer
- Director
A much-loved comic actor who has specialized in playing plummy, quintessentially English stereotypes, Leslie Phillips' heart was in acting from a very young age. He received elocution lessons as a child in order to lose his natural cockney accent (at that time a regional British accent was a major impediment to an aspiring actor) and he attended the Italia Conti School.
During the Second World War he served with the Durham Light Infantry (1942-45), but was invalided out, suffering from shell shock. He returned to acting and it was during the 1950s that he established himself as a notable player in British movies. His greatest claim to fame to this day is the "Doctor" series of movies, which he inherited from Dirk Bogarde. He also worked on radio, most notably 'The Navy Lark' for the BBC.
In later life he returned to playing supporting roles and even appeared in Steven Spielberg's Empire of the Sun (1987). He continued to make cameo appearances in films and television, and became a regular guest on British chat shows.- Producer
- Production Manager
- Actor
Gray Frederickson was born on 21 July 1937 in Oklahoma City, Oklahoma, USA. He was a producer and production manager, known for The Godfather Part II (1974), Apocalypse Now (1979) and UHF (1989). He was married to Karen. He died on 20 November 2022 in Oklahoma City, Oklahoma, USA.- One of Hollywood's staple child actors during the 30s and 40s, Mickey Kuhn played alongside many a top Hollywood star from Leslie Howard and Conrad Nagel's son to playing Dick Tracy's ward. Once he reached the "awkward teens" stage, however, he found himself primarily unemployed or in unbilled parts and looked elsewhere for career satisfaction.
Born Theodore Matthew Michael Kuhn, Jr. on September 21, 1932 in Waukegan, Illinois, he was the younger of two children born to Theodore Sr. and the former Pearl Hicks. The family moved to Hollywood during the Depression where his father found reliable work as a meat cutter. Mickey added to the family income at age 2 when, by chance, he was cast by Fox Studios for the movie Change of Heart (1934) starring the preeminent movie couple at the time, Janet Gaynor and Charles Farrell. Attending kindergarten at the Mark-Ken School for professional children, he returned to films as a 5-year-old in A Doctor's Diary (1937) made by Paramount. His devoted mother oversaw and protected him throughout most of his young career. 1939 was a banner year for Mickey as it was for Hollywood itself, appearing as Crown Prince Augustin in the "A" picture Juarez (1939) starring Paul Muni and Bette Davis, and as Ashley Wilkes' son Beau in the Civil War classic Gone with the Wind (1939).
While he did not rise to moppet stardom, the boy proved quite dependable and a fast learner, and was actively involved in a few prestigious pictures during the 1940s, including One Foot in Heaven (1941), A Tree Grows in Brooklyn (1945) and Red River (1948). He particularly enjoyed horses and participating in such action fare as S.O.S. Tidal Wave (1939), _Roaring Rangers (1946) and Broken Arrow (1950).
His attention also turned to the stage as a teenager, performing at the Pasadena Playhouse and other Los Angeles-based theaters in between film shoots. Fewer roles came his way, however, and in 1951 he decided to enlist in the Navy. After a four-year term of duty, he returned to films and TV in 1955 but without much fanfare. He married around this time and had two children. Preferring a steadier source of income, he attended L.A. Valley College and Cal State Northridge on his G.I. Bill majoring in Theater Arts while holding an assortment of odd jobs.
In 1965 he was hired by American Airlines and subsequently served as a supervisor to flight attendants. He later became an administrative manager at a Boston airport. Divorced, he remarried in 1984 and retired from the airlines in 1995. More recently he has spent his time conducting historical tours around and about the city of Boston and has appeared at various film festivals. He received the Golden Boot Award for his work in westerns in 2005. - Music Artist
- Actress
- Music Department
Actress, singer, songwriter, and producer Irene Cara was destined for a life of accomplishments that millions strive for but very few actually attain. From being able to play the piano by ear at age five to earning an Oscar, multiple Grammys, a Golden Globe, and a People's Choice Award, Irene's rise to stardom was paved with experiences of a lifetime.
Beginning shortly after realizing their daughter's natural talent, Irene was quickly enrolled in music, acting, and dance classes. Shortly before that, her mother entered her into multiple competitions and at the age of three, Irene was a finalist in the "Little Miss America" pageant.
Her professional career began on Spanish-language television singing and dancing before performing on shows including 'The Original Amateur Hour', 'The Ed Sullivan Show', and 'The Tonight Show' with Johnny Carson. Her talent was also showcased On and Off Broadway in various productions including 'Ain't Misbehavin'', the Obie Award-winning musical 'The Me Nobody Knows', 'Maggie Flynn' starring Shirley Jones and Tony Award-nominated actor Jack Cassidy, and 'Via Galactica' opposite Raul Julia.
Having performed on the stage, the next natural progression seemed to be series television. She would find a home on the daytime drama 'Love of Life' and the educational series 'The Electric Company' where she participated as a member of the group 'The Short Circus', teaching children about grammar through music. 'The Electric Company's' cast was made up of veteran actors Bill Cosby, Rita Moreno, and Morgan Freeman.
Continuing the pursuit of excellence, Irene recorded her first Spanish-language album at the age of eight and released an English-speaking holiday album shortly thereafter. Her career already blossoming, she would receive the honor of becoming the youngest member to perform in an all-star concert tribute for the legendary Duke Ellington. Held at Madison Square Garden, Irene performed along with music greats Stevie Wonder, Sammy Davis, Jr., and Roberta Flack.
With Broadway, television, and recording firmly tucked under her belt, Irene's next stop was the big screen. Before she entered her teenage years, she had won the title role in the film Aaron Loves Angela. Her performance in the movie was so outstanding that she was cast as the lead in the now cult classic musical drama 'Sparkle'. Proving that she was a tremendously versatile actress, Irene received international acclaim for her roles in 'Roots: The Next Generation' starring alongside James Earl Jones and Diahann Carroll among others, and 'The Guyanna Tragedy: The Jim Jones Story' where she would again work with James Earl Jones as well as LeVar Burton. As much as she had already accomplished, nothing could have prepared her for the super-stardom that would come with her next role.
In 1980, Irene would portray the character Coco Hernandez in a movie-musical titled 'Fame', a story about a group of students auditioning for acceptance into New York's High School for the Performing Arts. The film follows the students from their first to final days at the school and served to shine a light on the film's inspiration, LaGuardia High, and its counterpart Julliard. Irene's massive solo vocal talent was showcased through the title song 'Fame' as well as 'Out Here on My Own'. They and Irene would make Academy Awards history as it marked the first time two songs from the same film were nominated in the same category, and both performed by Irene. The title track won the Academy Award for Best Original Song.
The impact of 'Fame' would catapult Irene Cara into a household name and earn her two Grammy nominations for Best New Artist and Best Female Pop Vocal Artist, as well as a Golden Globe nomination for Best Motion Picture Actress in a Musical. Billboard Magazine named her the Top New Single Artist and Cashbox Magazine awarded her with the Most Promising Female Vocalist and Top Female Vocalist honors.
In 1982, Irene was awarded the NAACP Image Award for Best Actress for the NBC movie-of-the-week Maya Angelou's 'Sister, Sister' also starring Diahann Carroll and Rosalind Cash. She would garner another NAACP Image Award nomination for the title role in the PBS film 'For Us the Living: The Medgar Evers Story'. When it seemed her professional life couldn't get any better, Irene set the world on fire again.
Composer Giorgio Moroder approached Irene in 1983 to collaborate on the theme to a film he was attached to titled 'Flashdance'. Irene agreed and actually wrote the lyrics to the title song 'Flashdance...What a Feeling' in a car with producer Keith Forsey while on the way to the studio to record it. Those lyrics would reinforce Irene's already solid place in Hollywood history. The film was nominated for four Academy Awards with Irene taking home the coveted Oscar for Best Original Song. She would also add a Golden Globe to her already impressive collection of honors for Best Original Song in a Motion Picture in addition to two Grammys, a People's Choice Award, and an American Music Award. On a personal level, as a woman of Puerto Rican and Cuban descent, her Academy Award win is even more special as she was the first bi-racial woman to ever win in any category other than acting and only the second to be nominated outside of an acting category.
In 1984/85, Irene was back on the big screen in the film 'City Heat' opposite Clint Eastwood and Burt Reynolds. She co-wrote the theme as well as performed the classic standards 'Embraceable You' and 'Get Happy'. Irene also starred opposite Tatum O'Neal in the film 'Certain Fury', voiced "Snow White" in the animated film 'Happily Ever After', and toured as "Mary Magdalene" in the Andrew Lloyd Webber production 'Jesus Christ Superstar'.
Not having sat on her laurels, in between winning Oscars, Grammys, and touring, she released the albums 'Anyone Can See' and 'What a Feeling' in 1982 and 1983 respectively which spawned the additional hits 'Breakdance', 'The Dream', 'You Were Made for Me', and 'Why Me', and in 1985 collaborated and sang with Placido Domingo. 'Breakdance' and 'Why Me' would both become Top 10 hits. In 1987, the release of the album 'Carasmatic' was shelved in the United States because of legal issues with the label, but it was issued in limited quantities in the United Kingdom, immediately making the album a collector's piece for anyone lucky enough to have gotten a copy.
Still feeling the love of audiences everywhere, the 90s were spent living out of a suitcase on multiple European concert tours. After finally getting a little breathing space, Irene formed the group Hot Caramel in 1999 and returned to performing to the delight of eager audiences clamoring to hear her unmistakable voice.
In 2004, Irene was awarded the Prestige Award for Lifetime Achievement. She was given the Lifetime Achievement Award from the Fort Lauderdale Film Institute in 2005, and in 2006, was awarded the Honorary Lifetime Achievement for outstanding contribution in the African-American community by the Columbus Times of Georgia, the country's oldest black newspaper. In 2007, the Reel Sisters of the Disapora Film Festival presented her with the Trailblazer Award, and the Council of the City of New York honored her for her outstanding contributions as a performer. Perhaps one her most pleasurable moments was the 2011 unveiling of her name on a street sign in the Grand Concourse of the Bronx Walk of Fame. That same year, she released a new album titled Irene Cara Presents Hot Caramel. Now semi-retired from the industry that filled every corner of her life for decades, Irene is now enjoying entertaining audiences via her YouTube podcast 'The Irene Cara Show' where she shares videos and talks about the acting and music industry's backstory.
While the outpouring of love from fans still makes her happy, Irene continues to be touched by the knowledge that she and her roles have inspired others within the acting/music industry as well.
Mariah Carey: "Around the same time, my mother entered me in a talent competition in the city, and I sang one of my favorite songs, 'Out Here on My Own', by Irene Cara. I felt 'Out Here on My Own' described my entire life, and I loved singing that way - singing to reveal a piece of my soul. And I won doing it. At that age. I lived for the movie 'Fame', and Irene Cara was everything to me."
Celine Dion: "Whether it's 'Titanic' and the unsinkable 'My Heart Will Go On', 'Michael's Song' and 'Listen to the Magic Man' (in English and French) for 'The Peanut Butter Solution', or 'Deadpool 2's' unexpected 'Ashes', she presides over movie theme songs as if taking up the baton from Irene Cara herself."
Whitney Houston: "'Sparkle' was especially important to because she'd been trying to get the film made for 15 years, having fallen in love with the 1976 original (starring Irene Cara, who went on to appear in Fame) as a teenager, seeing it every Saturday for three months straight."
The two most memorable lines from the title song 'Fame' are "I'm gonna live forever," and "Baby, remember my name". From "Little Miss America" to Carson, 'The Electric Company', 'Flashdance' and beyond, Irene Cara's legacy is guaranteed. Everyone will remember her name.- Producer
- Director
- Camera and Electrical Department
Julia Reichert has been called a godmother of the US independent film movement and is a three time Oscar-nominee. Her film Growing Up Female was the first feature documentary of the modern Women's Movement. It was recently chosen for inclusion on the National Film Registry.
Her films Union Maids and Seeing Red (with Jim Klein) were both nominated for Academy Awards for Best Feature Documentary, as was The Last Truck, as a short. Her film A Lion in the House (with Steven Bognar) premiered at Sundance, screened nationally on PBS, was nominated for the Independent Spirit Award, and won the Primetime Emmy for Exceptional Merit in Nonfiction Filmmaking. She co-wrote and directed the feature film Emma and Elvis, produced the feature The Dream Catcher directed by Ed Radtke.
Her film Sparkle (with Steven Bognar) won the Audience Award for Best Short at Silverdocs 2012, and was broadcast nationally on PBS.
She delved into the world of web-based interactive projects, co-creating an interactive non-fiction site, Reinvention Stories, about how citizens of Dayton, Ohio, are recovering from the economic downturn.
Raises Not Roses: The Story of the 9to5 Movement is a film about 9to5, an organization that brought rights, respect and raises to white collar workers. 9to5 is a little known intersection of the women's movement and the labor movement. It brought awareness of ideas such as the glass ceiling, sexual harassment, equal pay for equal work and the Family Medical Leave Act.
Julia is co-founder of New Day Films, the social issue film distribution co-op, which is now 42 years old. She is author of "Doing It Yourself," the first book on self-distribution in independent film, and articles for The Independent, a publication of AIVF. Reichert is Professor Emeritus of Motion Pictures at Wright State University in Ohio, a graduate of Antioch College, a mother, and a grandma.
She is a voting member of the Academy of Motion Pictures Arts and Sciences and of the Academy of Television Arts and Sciences, and a member of the advisory board of the Independent Feature Project.
Julia is the 2018 recipient of International Documentary Associations Career Achievement Award.- Actress
- Producer
- Soundtrack
Mylène Demongeot, one of the blond sex symbols of French cinema during the 1950s and 1960s, managed to overcome typecasting and survived a long hiatus before a stellar comeback in her 70s. She appeared in more than 70 films, including such classics as the Fantomas trilogy.
She was born Marie-Helene Demongeot on September 29, 1935, in Nice, France, into a family of actors. Her parents met in Shanghai, China, and moved to Nice, where she grew up. Her mother, Klaudia Trubnikova, was a Russian-Ukrainian émigré from Kharkiv, who escaped from the horrors of the Russian Civil War. Her father, Alfred Demongeot, was of French-Italian heritage. The family was bilingual and young Mylène was able to speak Russian and French, but eventually switched to French.
As a young girl she was an outcast: she suffered from ruthless kids making vicious comments about her eyes (she was cross-eyed until she had surgery in her teens). She was fond of music and movies, a perfect escape from the horrors of WWII that devastated Europe during her childhood. At the age of 13, she went to Paris and continued her education. She studied piano under the tutelage of Marguerite Long and Yves Nat. She then studied dramatic art with Maria Ventura at Le Cours Simon in Paris. At 15 she became a model in the atelier of Pierre Cardin.
At 17, Mylène made her film debut in the supporting role of Nicole in Children of Love (1953). Appearing in three or four feature films every year, she rose to international fame in the late 1950s. She was together with Gary Cooper for the opening of the first escalator to be installed in a cinema (at the Rex Theatre in Paris) on June 7, 1957. She had a memorable seduction scene opposite Yves Montand in The Crucible (1957). Her first notable leading role was in Be Beautiful But Shut Up (1958) (aka "Blonde for Danger") in which she played a 17-year-old jewel smuggler.
Mylène further developed her screen image of a manipulative blond mistress in her brilliant performance opposite David Niven in Bonjour Tristesse (1958), and became permanently locked in the cliché image of a humorous seductress after co-starring with Alain Delon in the 1959 comedy Three Murderesses (1959). Her chance to update her film image came in period films. She played manipulative and coquettish Andromeda opposite Steve Reeves in The Giant of Marathon (1959) and the leading role of Rea opposite Roger Moore in Romulus and the Sabines (1961). Among her best known roles are the manipulative Milady de Winter in The Three Musketeers: Part I - The Queen's Diamonds (1961) and Helen in all three of the Fantomas films.
Mylène Demongeot became one of the blond sex symbols in 1950s, 60s and 70s French cinema. She co-starred with the major French actors of the time, including Jean Marais and Louis de Funès, in the Fantomas (1964) trilogy. Although she gradually phased out of the stereotypical image of a beautiful coquette, she still looked pretty convincing as a middle-aged Madame, which she developed in the 1980s and 1990s. At that time her acting career came to a pause, as she had been aging gracefully in the South of France. She was also a producer during that time and was the co-owner of Kangarou Films, a production company that she founded with her late husband Marc Simenon. After a lengthy hiatus, she made a comeback in 36th Precinct (2004). She has also appeared in Camping (2006) and La Californie (2006) by director/writer Jacques Fieschi, based on a short story by Georges Simenon.
In addition to her film work, Mylène has also written several books, the best-known of which would be "Tiroirs Secrets" and "Animalement vôtre". In the 2000s, she made a pilgrimage to the birthplace of her mother in Kharkiv, Ukraine. There she planted a commemorative tree and presented her autobiographical book, "Les Lilas de Kharkov" (The Lilacs of Kharkiv). In 2006, she was named Commander in the Order of Arts and Letters for her achievements in acting. She resides in her French hometown of Nice.- Actress
- Producer
- Writer
Kirstie Louise Alley was an American actress. Her breakout role was as Rebecca Howe in the NBC sitcom Cheers (1987-1993), receiving an Emmy Award and a Golden Globe in 1991 for the role. From 1997 to 2000, she starred in the sitcom Veronica's Closet, earning additional Emmy and Golden Globe nominations.- Composer
- Music Department
- Actor
Angelo Badalamenti was born on 22 March 1937 in Brooklyn, New York City, New York, USA. He was a composer and actor, known for Mulholland Drive (2001), Twin Peaks: Fire Walk with Me (1992) and Lost Highway (1997). He was married to Lonny Irgens. He died on 11 December 2022 in Lincoln Park, New Jersey, USA.- Cinematographer
- Actor
- Camera and Electrical Department
Ace cinematographer Owen Roizman was born September 22, 1936, in Brooklyn, New York. His father Sol was a cinematographer for Fox Movietone News and his uncle Morrie Roizman was a film editor. Owen studied math and physics at Gettysburg College in Pennsylvania. He began his career shooting TV commercials, and made his feature debut as a director of photography with the obscure and little seen 1970 movie Stop! (1970). Owen brought a strong and compelling sense of raw, gritty, documentary-style realism to William Friedkin's harsh and hard-hitting police action thriller classic The French Connection (1971). Roizman received a well-deserved Academy Award nomination for his outstanding visual contributions to this picture; he went on to garner four additional Oscar nominations, for The Exorcist (1973), Tootsie (1982), Network (1976) and Wyatt Earp (1994). Owen gave a similar rough and grainy look to the edgy urban thrillers The Taking of Pelham One Two Three (1974) and Straight Time (1978). His other films encompass an impressively diverse array of different genres which include horror ("The Exorcist"), science fiction (The Stepford Wives (1975)), comedy (The Heartbreak Kid (1972) "Tootsie"), musicals (Sgt. Pepper's Lonely Hearts Club Band (1978)), drama (True Confessions (1981), Absence of Malice (1981)) and even Westerns (The Return of a Man Called Horse (1976), "Wyatt Earp"). His last feature to date was French Kiss (1995). In the early 1980s Owen took a hiatus from shooting films and formed the commercial production company Roizman and Associates. He has directed and/or photographed hundreds of TV commercials. In 1997 he was the recipient of a Lifetime Achievement Award from the American Society of Cinematographers.- Producer
- Actor
- Music Department
With over 80 diverse motion pictures and more than 30 years of experience to his credit, native New Yorker and film producer Edward R. Pressman has forged a career of international renown, marked by originality and eclecticism. Throughout his maverick career, he has brought numerous emerging filmmakers together with projects that have put them firmly on the map. Pressman's reputation as a daring filmmaker was cemented with the international recognition of the French Cinematheque, which presented a 1989 retrospective of his films and awarded him the esteemed Chevalier des Arts et Letters medal. He's also received tributes from The National Film Theatre in London, New York's Museum of Modern Art, the Pacific Film Archives and Brooklyn Academy of Music's Cinematék. In 2003, Pressman was honored with the IFP Gotham Award for lifetime achievement.
Pressman's specialty is discovering new talent. He is known for fostering the careers of young and inspired filmmakers including Brian De Palma, Terrence Malick, Oliver Stone, Kathryn Bigelow, David Byrne, Charles Burnett, David Gordon Green, James Marsh, Wayne Kramer, and Jason Reitman. He is responsible for giving Alex Proyas his directorial debut with their breakout hit, The Crow (1994).
Over the years, Pressman has produced many director-driven, high profile projects, bringing new experiences to audiences with directors John Milius, David Mamet, Mary Harron, Abel Ferrara, and Barbet Schroeder. He has also established a reputation as an international producer, working with directors Wolfgang Petersen, the Taviani brothers, Fred Schepisi, Rainer Werner Fassbinder, David Hare, Bo Widerberg, Yimou Zhang, Michael Apted, and Werner Herzog.
The recent Pressman production Wall Street: Money Never Sleeps (2010), the sequel to the Oscar®-winning Wall Street (1987) starring Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, and Frank Langella, marked his fourth collaboration with director Oliver Stone. Pressman's three-time collaboration with Abel Ferrara began with the cult classic Bad Lieutenant (1992) He has re-teamed with American Psycho (2000) director Mary Harron on The Moth Diaries (2011). Pressman also enjoys a unique collaboration in Sunflower Productions with long-time friend Terrence Malick.
Pressman is the son of the son of Lynn and Jack Pressman, who founded the Pressman Toy Corporation. He attended New York's Fieldston School, went on to graduate with honors from Stanford University with a B.A. in Philosophy, and pursued graduate studies at the London School of Economics. Pressman is married to Annie McEnroe, whom he met while she was starring in Oliver Stone's movie The Hand (1981). Their son Sam Pressman is an aspiring filmmaker.- Music Department
- Editor
- Editorial Department
Donn Cambern was born on 9 October 1929 in Los Angeles, California, USA. He was an editor, known for Romancing the Stone (1984), The Bodyguard (1992) and Ghostbusters II (1989). He was married to Patricia Lee Cambern. He died on 18 January 2023 in the USA.- Actress
- Soundtrack
Melinda Dillon came to prominence with the role of Jillian Guiler, a mother whose child is abducted by aliens in Steven Spielberg's Close Encounters of the Third Kind (1977). Dillon's performance in the film earned an Academy Award nomination for Best Supporting Actress. A few years later, Dillon received another Academy Award nomination for Best Supporting Actress for her performance as a devout Catholic woman in Absence of Malice (1981). The performance won the actress a KCFCC Award.- Composer
- Music Department
- Actor
Burt Bacharach was a well known and multi award winning singer and song writer.
Over 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach wrote hits for singers such as Gene Pitney, Cilla Black, Dusty Springfield, Tom Jones, and B.J. Thomas. Bacharach wrote 73 U.S. and 52 UK Top 40 hits. He worked on many sound tracks including the smash hit, "Beware of the Blob" for the version of The Blob (1958) starring Steve McQueen.
He was married four times, lastly to Jane Hansen from 1993 until his death. They had two children. He also had two other children.- Director
- Producer
- Writer
The old Etonian, after National Service in the British Army, wanted to get into films but found the doors were closed to him, so he worked on commercials for about 20 years. David Putnam gave him a chance to direct Chariots of Fire which was a hit, and he never looked back.
He met his second wife, actress Maryam d'Abo, when she came to see him about wanting to play the leading role of Jane in his film Greystoke: The Legend of Tarzan, Lord of the Apes (1984). They reconnected 15 years later at a dinner party. They wed four years later in 2003.- Writer
- Director
- Actor
Spanish director, writer, producer (2 films) and actor (2 films). His interest in cinema started when he was very young. His mother, who was a pianist, instilled in him the liking for music, and his brother, Antonio, who was a painter, the passion for art. When he was an teenager he started to practice photography, and in 1950 he made his first illustrated feature films with a 16 mm camera. Carlos Saura is an excellent photographer, an activity that he shares in a sporadic way with the making of films.
He then moved to Madrid to continue his Industrial Engineering career, but his vocation for photography, cinema and journalism made him leave his studies and matriculate at the Instituto de Investigaciones y Estudios Cinematográficos (Cinematographic Study and Research Institute). Sporadically, he combined his cinematographic studies with the courses at the Escuela de Periodismo (Journalism School). In 1957 he finished studying and got the director diploma. At the same time, he finished his end-of-career short film La tarde del domingo (1957). He continued as a professor until 1963. In that year he was removed from the school for strictly political reasons (Franco's censorship).
In 1959 he filmed The Delinquents (1960). In this film he tried to create a sort of Spanish Neo-Realism by tackling the juvenile delinquency in the Madrid's poor quarters from a sociological point of view. In his first stage as director he tried to take a position in favour of outcast people, and he got to make a both lyric and documentary-style cinema.
Saura is a well accepted director both nationally and internationally, and in proof of it he won many awards among which there are the following ones: Silver Bear in the Berlin Festival for The Hunt (1966), in 1965, and for Peppermint Frappé (1967), in 1967. Special Jury Awards in Cannes for Cousin Angelica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mama Turns 100 (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. In 1990, he won two Goya awards as best adapted screenplay writer and best director.- Actress
- Producer
- Writer
A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.- Actress
- Director
- Producer
The early film career of Stella Stevens could be said to mirror that of Marilyn Monroe. She began by playing a succession of sensuous, blond glamour girls, from naïve virgins and funny coquettes to precocious or briny-tongued floozies. Her early maturity on screen may have reflected her own turbulent private life: she was married at 15, had a child (Andrew Stevens) at 16 and was divorced a year later. At 21, having a child to support and no money, she posed for a celebrated Playboy centerfold. She was Playmate of the Month for January 1960 which did her subsequent movie career no harm whatever. She was voted by Playboy as one of the 100 Sexiest Women of the 20th century and became one of the most photographed stars of the 1960s.
The voluptuous, blue-eyed Stella was born Estelle Caro Eggleston to one of the oldest families in Yazoo City, Mississippi. A myth which had her hailing from the quaintly named area of Hot Coffee was purely an invention by Hollywood publicists. Her father, Thomas Ellet Eggleston, was an insurance salesman, her mother, Estelle (nee Caro), a nurse. The family moved to Memphis when she was four.
During her early childhood, Stella was nicknamed "Bootsie". Precocious and impatient to grow up, she took to watching movies at every opportunity. It became her main passion. Graduating from high school in 1955, she spent two years attending Memphis State University where she was 'discovered' during a production of Bus Stop in the role of aspiring nightclub singer Chérie (famously played by Marilyn in the film version). Borrowing some money, Stella made her way to the bright lights of Los Angeles and was signed by 20th Century Fox in 1959. She made only three films for the studio during a six months spell before her contract was dropped, her debut being a bit part in Frank Tashlin's saccharine comedy-drama Say One for Me (1959).
Her role won her a Golden Globe Award as Most Promising Newcomer. That same year, she was picked up by Paramount and made her first breakthrough on the screen as the vampish Apassionata von Climax in the film version of the hit Broadway musical Li'l Abner (1959), based on Al Capp's comic strip.
She alternated motion pictures with television appearances, displaying a perhaps unexpectedly wide range as an actress in both dramatic and comedic roles. She stood out in films like Too Late Blues (1961) and The Courtship of Eddie's Father (1963), both under greatly contrasting directorial styles.
Above all, she saw herself not as a sex icon but as a comedienne. She once said "I want to be remembered for whatever made people laugh the most." Unafraid to do physical comedy in the manner of Lucille Ball she was also often lauded for her comic timing in films like The Silencers (1966) (a James Bond-style spoof, co-starring a sleepy-eyed Dean Martin) and Where Angels Go Trouble Follows! (1968). In the 1970s, her best role was as a warmhearted prostitute in Sam Peckinpah's seminal western The Ballad of Cable Hogue (1970). Writer and critic Roger Ebert wrote of her performance "There are few enough actresses who can be funny and feminine at the same time, but she is certainly one of them." Conversely, in the classic disaster epic The Poseidon Adventure (1972), she played a former hooker with a heart closer to tin.
Like many film careers, hers too experienced a fair share of hiccups along the way, often due to typecasting: duds like Slaughter (1972), Stand Up and Be Counted (1972), Las Vegas Lady (1975), The Manitou (1978), and others. However, Stella proved resourceful enough to diversify and go behind the camera, both as producer and director of a feature-length documentary, The American Heroine (1979). She co-authored a novel entitled 'Razzle, Dazzle' (published in 1999), about the rise and fall of a glamorous rock star. She unveiled her own range of women's and men's fragrances, called 'Sexy'.
During the 1980s and 1990s, she concentrated primarily on television and enjoyed lengthy tenures on the glossy soaps Flamingo Road (1980) and Santa Barbara (1984), in addition to many guest appearances in shows as diverse as Police Story (1973), Hotel (1983), Alfred Hitchcock Presents (1985) and In the Heat of the Night (1988). In 1976, she briefly forsook the glamour of Beverly Hills and set up home on a 27-acre ranch on the edge of the Cascade Mountains in Washington State and then proceeded to operate an art gallery and bakery in a nearby town.
By 1983, she had returned to her Beverly Hills home where she lived with her partner (rock guitarist Bob Kulick), until the home was sold in 2016. Afflicted by Alzheimer's disease, Stella Stevens spent her remaining years in an assisted living home in California and passed away in Los Angeles on February 17 2023 at the age of 84.- Walter Mirisch and brothers Marvin Mirisch and Harold Mirisch were one of the most successful producing teams in Hollywood history. Their Mirisch Company produced such diverse hits as Some Like It Hot (1959), The Magnificent Seven (1960), West Side Story (1961), The Great Escape (1963), The Pink Panther (1963) and many others. Most of their films were financed and released by United Artists, and through a stock swap in 1963 the brothers acquired the company. They stayed on with UA and their production relationships with producer/directors like Billy Wilder, Blake Edwards and John Sturges became the model by which Hollywood makes movies today.
Starting out as a producer on such low-budget "B" fare at Monogram Pictures as Bomba: The Jungle Boy (1949), Mirisch rose to become one of Hollywood's leading industry statesman. He was a visionary who, in the declining years of the Hollywood studio system, could see that the future lay with the independent producers. Operating out of rented office space at the old Samuel Goldwyn lot in Hollywood, the Mirisches kept their overhead low by such tactics as renting studio stages and facilities only when needed. Whereas the major studios were still burdened by high overhead and salaries, the brothers were in a position to attract top talent and offer high fees and flexible control to up-and-coming directors like Norman Jewison, who responded with three hits in a row for them - The Russians Are Coming the Russians Are Coming (1966), In the Heat of the Night (1967) and The Thomas Crown Affair (1968). - Writer
- Animation Department
- Art Department
Burny Mattinson's helmed the Academy Award-nominated 1983 animated featurette "Mickey's Christmas Carol." In 1986, wrote, produced and directed "The Great Mouse Detective." Mattinson's worked on"Sleeping Beauty," "101 Dalmatians," "The Sword in the Stone," "The Jungle Book," "The Aristocats" and "The Rescuers." He was a key story team member on Disney's contemporary classics: "Aladdin," "Beauty & the Beast," "The Lion King, "Pocahontas," "Mulan," "The Hunchback of Notre Dame" and "Tarzan." Mattinson joined Disney in 1953 at age 18 without formal art training, and started work as an in-betweener for "Lady and the Tramp" less than 6 months later.- Actor
- Producer
- Writer
Tom Sizemore rose in prominence throughout the 1990s, establishing himself as a memorable tough-guy actor, sought by the most respected directors in the business.
Thomas Edward Sizemore, Jr. was born in Detroit, Michigan, to Judith (Schannault), an ombudsman staff member, and Thomas Edward Sizemore, Sr., a lawyer and professor. Sizemore grew up idolizing the tough-guy characters of the movies he watched. After attending Wayne State University, he got his master's degree in theatre from Temple University in 1986.
Like many, he moved to New York City and struggled, waiting tables and performing in plays. His first break came when Oliver Stone cast him in a bit part in Born on the Fourth of July (1989). Bigger roles soon followed throughout the early 1990s, such as Guilty by Suspicion (1991), True Romance (1993), and Striking Distance (1993). 1994 proved to be an even bigger year for Sizemore, as he won the role of "Bat Masterson" in Kevin Costner's star-studded biopic Wyatt Earp (1994), as well as one of his first truly memorable roles as "Detective Jack Scagnetti" in Oliver Stone's controversial Natural Born Killers (1994). In 1995 he appeared in Devil in a Blue Dress (1995), Strange Days (1995), as well as the acclaimed crime epic Heat (1995), directed by Michael Mann. Sizemore's first big leading role is in The Relic (1997), the big-budget effects thriller directed by Peter Hyams.
According to a 2001 interview in The Calgary Sun, Sizemore entered a drug rehabilitation program in 1998 after his mother and his friend Robert De Niro appeared on his door-step during the filming of Witness to the Mob (1998). Telling him they were there to drive him to jail or to rehabilitation, Sizemore chose the latter. After completing rehabilitation, he counseled adolescents involved in substance abuse.
Offered roles in W.W.II films directed by both Terrence Malick and Steven Spielberg, Sizemore chose the role of "Sergeant Horvath" in Saving Private Ryan (1998). The role and film received wide acclaim and introduced Sizemore's talents to a much broader audience in a more human and well-rounded role than he had previously been given. Sizemore also credits this shoot and Steven Spielberg for helping him with his recovery from addiction, with Steven Spielberg threatening to re-shoot the entire film if Sizemore failed a drug test even once.
After a flamboyant and uncredited mobster role in Enemy of the State (1998), Sizemore then portrayed a psychotic paramedic in Bringing Out the Dead (1999) directed by Martin Scorsese. Seemingly taking it easy, he then turned in fine but stereotypical performances in Play It to the Bone (1999), Red Planet (2000), and Pearl Harbor (2001). Sizemore then received another leading role in the high-profile military drama Black Hawk Down (2001) directed by yet another legendary director, Ridley Scott.
Specializing in the sort of ultimate tough-guy/manly man roles that hearken back to a different era in film, Sizemore continued to be a favorite of Hollywood's greatest directors. Never afraid to speak his mind about anyone and anything, his sense of blunt honesty and lack of pretension was refreshing. A commanding voice and presence on film, Sizemore looked to continue as one of Hollywood's greatest actors, until his untimely death from a brain aneurysm on March 3, 2023.- Producer
- Actor
Jay Weston was born on 9 March 1929 in Brooklyn, New York City, New York, USA. He was a producer and actor, known for Night of the Juggler (1980), Bell Book and Candle and Side Out (1990). He was married to Annabelle Weston. He died on 28 February 2023 in Woodland Hills, California, USA.- Actor
- Producer
- Soundtrack
Topol was born on 9 September 1935 in Tel Aviv, Palestine [now Israel]. He was an actor and producer, known for Fiddler on the Roof (1971), Flash Gordon (1980) and For Your Eyes Only (1981). He was married to Galia Topol. He died on 8 March 2023 in Tel Aviv, Israel.