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Pietro Marcello was born on 2 July 1976 in Caserta, Campania, Italy. He is a director and writer, known for Lost and Beautiful (2015), Martin Eden (2019) and Scarlet (2022).- Director
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Documentary film director. Born on July 19, 1961 in Leningrad. Since 1978 he worked at the Leningrad studio of Documentaries as assistant cameraman, assistant director and editor. In 1988 he finished the Higher Courses of Film Writers and Directors in Moscow. Laureate of the "Triumph" Prize, Laureate of the RF State Award and the "Nika" prize. Award-winner of numerous national and international film forums. He started his own production company, Kossakovsky Film Production, based in San Petersburg, to create a cinema with a strong focus in poetics and reality.- Carole Roussopoulos was born on 25 May 1945 in Lausanne, Switzerland. She was a director and editor, known for Debout! Une histoire du mouvement de libération des femmes (1999), Cinquantenaire du deuxième sexe, 1949-1999 (2001) and Death Control 2 (1975). She died on 22 October 2009 in Molignon, Valais, Switzerland.
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Cecilia Mangini was born on 31 July 1927 in Mola di Bari, Apulia, Italy. She was a writer and director, known for All'armi siam fascisti! (1962), Klon (1992) and Antonio Gramsci: i giorni del carcere (1977). She was married to Lino Del Fra. She died on 21 January 2021 in Rome, Lazio, Italy.- Writer
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Issa López was born in Mexico. She is a writer and director, known for Tigers Are Not Afraid (2017), Secondary Effects (2006) and True Detective (2014).- Director
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Éléonore Weber is known for There Will Be No More Night (2020), Les hommes sans gravité (2007) and Night Replay (2012).- Director
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Karim Aïnouz is an award-winning film director and screenwriter. He was born to a Brazilian mother and an Algerian father.
Aïnouz debuted as feature director with "Madame Satã" (Cannes Un Certain Regard 2002). Other works include "Nardjes A."(Berlin Panorama 2020), "Central Airport THF" (Berlin Amnesty Prize 2018), "Futuro Beach" (Berlin Competition 2014), "The Silver Cliff" (Cannes Director's Fortnight 2011), and "Love for Sale" (Venice Horizons 2006). In 2008, Aïnouz has co-directed the TV series Alice for HBO Latin America.
His latest feature, "The Invisible Life", premiered in Cannes Un Certain Regard in May 2019 where it received the Main Award and more than 50 prizes worldwide.
Aïnouz is also a member of the Academy of Motion Pictures Arts and Sciences.- Director
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Rodrigo Sorogoyen was born on 16 September 1981 in Madrid, Spain. He is a director and writer, known for Antidisturbios (2020), The Beasts (2022) and Stockholm (2013). He has been married to Marta Nieto since 2008.- Director
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Darezhan Omirbayev was born on 15 March 1958 in Uyuk, Kazakh SSR, USSR [now Uyuk, Jambyl Region, Kazakhstan]. He is a director and writer, known for Killer (1998), Cardiogram (1995) and Akyn (2021).- Writer
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During the 1970s, Lina Wertmüller emblazoned her name into the pantheon of Italian cinema with a series of intensely polemical, deeply controversial and wonderfully entertaining films. Among the most politically outspoken and iconoclastic members of the second generation of postwar directors - the direct heirs to the neo-realists - Wertmüller was also one of the first woman directors to be internationally recognized and acclaimed. Armed with a keenly satiric and Rabelaisian humor, Wertmüller reinvented the narrative forms and character types of Italian comedy to create one of the rare examples of a radical, politically galvanized cinema that managed to achieve widespread popularity. Indeed, the fierce invectives against social, cultural and historical inequities at the heart of Wertmüller's mid-1970s masterworks Love and Anarchy, Seven Beauties and Swept Away seemed only to help the films find an appreciative audience, especially in the United States, where they broke box office records for foreign films and even secured Wertmüller an Oscar nomination for Best Director - the very first woman named for this category. Although Wertmüller remains a well-known name, her remarkable films are strangely overlooked and only selectively revisited. And yet, the incredible energy and daring of her most popular works is equally present in lesser-known masterpieces such as All Screwed Up and The Seduction of Mimi, films that are both extremely topical and yet still totally relevant today.- Director
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Mu Fei was born on 10 October 1906 in Shanghai, China. He was a director and writer, known for Spring in a Small Town (1948), Sea of Fragrant Snow (1934) and Night in the City (1933). He died on 31 January 1951 in China.- Director
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Boris Barnet was born on 18 June 1902 in Moscow, Russian Empire [now Russia]. He was a director and actor, known for The Adventures of the Three Reporters (1926), Secret Agent (1947) and Okraina (1933). He was married to Yelena Kuzmina, Natalia Glan, Alla Kazanskaya and Valentina Barnet. He died on 8 January 1965 in Riga, Latvian SSR, USSR [now Latvia].- Director
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Mani Kaul was born on 25 December 1944 in Jodhpur, Rajasthan, India. He was a director and writer, known for Duvidha (1973), Naukar Ki Kameez (1999) and Uski Roti (1970). He died on 6 July 2011 in New Delhi, India.- Writer
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Yamada Yoji graduated Tokyo University in 1954, the year he joined Shochiku as an assistant director. In 1969, he launched the popular "Tora-san" series, the world's longest theatrical film series. "The Twilight Samurai" (The Twilight Samurai (2002)) marks his 77th film as well as his 41th year as a director since his first film in 1961: Nikai no Tanin (Stranger Upstairs).- Director
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Peter Foldes was born on 22 August 1924 in Budapest, Hungary. He was a director and writer, known for Hunger (1974), Envisage (1977) and Rêve (1975). He died on 29 March 1977 in Paris, France.- Actress
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Tanaka Kinuyo was a highly regarded and prolific actress best known for her films with director Mizoguchi Kenji. She was immersed in the world of film having received her start in the world of entertainment at age fourteen, being a filmmaker herself, being the cousin of director Kobayashi Masaki and, very much like Hara Setsuko and Ozu Yasujiro, being anecdotally romantically linked with the aforementioned Mizoguchi. The director would later recommend against her being hired as a director, which caused a rift between the two. She received her first known credit in Shochiku's Genroku Onna in 1924. She stayed to become the studio's biggest actress, and a paradigm of beauty, until approximately 1949 when she travelled to the United States Of America as an ambassador of Japanese culture. Upon her return from the US the Japanese detected a change of attitude in her, as well as noting a new short hairdo, which momentarily lead to some criticism. She had married director Shimizu Hiroshi, with whom she had worked, in 1929. Sources claim this was a mere cohabitation however. The marriage lasted a matter of months, but the two worked together beyond their romantic union. She married another one of her directors Gosho Heinosuke, but not before also starring in several Ozu films. It looked like films like Aizen Katsu and Naniwa Onna would be the height of her fame with all their popularity, but post-war films like Life Of Oharu, Sansho The Bailiff and Ugetsu were even bigger classics and immortalized the actress. Another of her many other noteworthy performances was in The Ballad Of Narayama based on a tradition and folklore of Japan. As if to complete her tour de force of Japanese cinema she directed several films and even worked with Kurosawa Akira in Red Beard. She died of a brain tumor in 1977.- Director
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Ben Wheatley was born in May 1972 in Billericay, Essex, England, UK. He is a director and writer, known for Free Fire (2016), Kill List (2011) and Sightseers (2012).- Director
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Manuel Martín Cuenca was born on 30 November 1964 in Almería, Almería, Andalucía, Spain. He is a director and writer, known for Cannibal (2013), The Daughter (2021) and The Motive (2017).- Director
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Whit Stillman was born in 1952 and raised in Cornwall in upstate New York, the son of a impoverished debutante from Philadelphia and a Democratic politician from Washington D.C. Stillman graduated from Harvard in 1973 and started out as a journalist in Manhattan, New York City.
In 1980 he met and married his Spanish wife while on an assignment in Barcelona, where he was introduced to some film producers from Madrid and persuaded them that he could sell their films to Spanish-language television in the USA. He worked for the next few years in Barcelona and Madrid as a sales agent for directors Fernando Trueba and Fernando Colomo, and acting in their films playing comic Americans as in Trueba's Sal Gorda.
Stillman wrote the screenplay for Metropolitan (1990) between 1984 and 1988 while running an illustrating agency in New York and financed the film from the proceeds of selling his apartment for $50,000 as well as contributions from friends and relatives. Barcelona (1994) was inspired by his own experiences in Spain during the early 1980's, which was his first studio financed film. For The Last Days of Disco (1998) was loosely based on his travels and experiences in various nightclubs in Manhattan, and possibly at the Studio 54.- Director
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João Canijo was born on 10 December 1957 in Porto, Portugal. He is a director and writer, known for Blood of My Blood (2011), Bad Living (2023) and É o Amor (2013).- Writer
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Pablo Berger was born in 1963 in Bilbao, Vizcaya, País Vasco, Spain. He is a writer and director, known for Blancanieves (2012), Torremolinos 73 (2003) and Robot Dreams (2023). He is married to Yuko Harami. They have one child.- Animation Department
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Jian Liu was born on 11 November 1969 in Jiangsu, China. He is a director and writer, known for Have a Nice Day (2017), Piercing I (2010) and Art College 1994 (2023).- Actor
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Bruno Podalydès was born on 11 March 1961 in Boulogne-Billancourt, Hauts-de-Seine, France. He is an actor and director, known for Paris, I Love You (2006), The Perfume of the Lady in Black (2005) and Versailles Rive-Gauche (1992).- Director
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Vera Chytilová was born on February 2, 1929, in Ostrava, Czechoslovakia (now Czech Republic). She studied philosophy and architecture in Brno for two years, then worked as a technical draftsman, a designer, a fashion model, a photo re-toucher, then worked as a clapper girl for Barrandov Film Studios in Prague. There she continued as a writer, actress, and assistant director.
She was denied a scholarship, or even a recommendation from Barrandov, but she took the admissions tests at FAMU and was accepted. From 1957-1962 she studied film directing under Otakar Vávra, who also taught Jirí Menzel, Milos Forman, Jan Nemec, and Ivan Passer. In 1962 she graduated as director from Film Academy (FAMU) in Prague. Her graduation film 'Strop' (Ceiling 1962) and the following film 'Pytel blech' (A Bagful of Fleas 1963) were "staged" improvisations with non-actors. In 1966 Chytilova and her husband, 'Jaroslav Kucera', made a witty surrealist comedy Daisies (1966), which was immediately banned, but then was released in 1967, and won the Grand Prix at the Bergamo Film Festival. She remained in Czechoslovakia after the events of 1968, when her colleagues Milos Forman, Jan Nemec, and Ivan Passer emigrated. Her films were often "shelved" for reasons of political censorship. For six years Chytilova was banned from making films. In 1976 she wrote a letter of complaint to President Gustav Husak, describing her artistic position. After some behind-the-scenes influence by her supporters, Chytilova was allowed to make a low-budget Hra o jablko (1977), which won a Silver Hugo at Chicago Film Festival.
Chytilova belongs among the foremost directors of the 1960's Czech New Wave, which was influenced by both the French New Wave and Italian Neo-Realism. Her films were acclaimed for visual experimentation and for bold unmasking of the moral problems of contemporary society. Her art belongs to what Sergei Eisenstein described as "intellectual cinema", that embraces the mix of "avant-garde", "cinema verite", "formalism", "feminism", or "happening" and, with a good deal of humor, it spreads beyond definitions. Chytilova's films often present a multi-layered plethora of visual associations that encourages the viewer to make active interpretations. She survived through the political turbulences in Czechoslovakia and has been a highly original and uncompromising filmmaker.- Actor
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Shin'ya Tsukamoto was born on 1 January 1960 in Shibuya, Tokyo, Japan. He is an actor and director, known for Tetsuo: The Iron Man (1989), Vital (2004) and Tokyo Fist (1995).- Director
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Miklos Jancsó was born in 1921 in Vac, Hungary. His mother Angela Poparada was Romanian and his father Sandor Jancsó Hungarian. Jancsó received a degree in Law from the University of Cluj-Napoca in 1944. After fighting in WWII and a brief period as a POW, he chose to join the Film and Theater Academy in Budapest, and graduated with a diploma in Film Directing in 1950. His fifth feature film The Round-Up (1966) was a huge hit domestically and internationally and is often considered a significant work of world cinema. Hungarian film critic Zoltan Fabri called it "perhaps the best Hungarian film ever made." Film critic Derek Malcolm included the film in his list of the 100 greatest films ever made. In Hungary, it was seen by over a million people (in a country with a population of 10 million). His next film The Red and the White (1967) became Jancsó's biggest success internationally. It won for example the 'Best Foreign Film' award from the French Syndicate of Cinema Critics. In his following films he developed a personal style of historical analysis using complex camera movements, dance and popular songs, creating his own cinematic style he called "political musical". The long takes became a trademark of Jancsó, so for example the 80-minute long Winter Wind (1969) consists of only 12 shots. Jancsó received the 'Best Director' award at the Cannes Film Festival 1972 for the film Red Psalm (1972). During the 1970s, Jancsó divided his time between Italy and Hungary and made a number of films in Italy, the best known of which is Private Vices, Public Virtues (1976). At that time, his films Hungarian Rhapsody (1979) and Allegro barbaro (1979) were the most expensive to have been produced in Hungary, but the critical reaction was muted. Jancsó was awarded the Career Golden Lion at the Venice Film festival in 1990. After little success and a long break Jancsó returned with The Lord's Lantern in Budapest (1998), which proved to a be a surprising comeback for the director. This success led to a succession of 5 more Pepe (Zoltán Mucsi) and Kapa (Péter Scherer) films, the last in 2006. Jancsó also cemented his reputation by making appearances in a number of films, for example as himself in his Pepe and Kapa films and in guest roles in works by up-and-coming Hungarian directors. Jancsó died of lung cancer on 31 January 2014, aged 92. Fellow Hungarian director Béla Tarr called Jancsó "the greatest Hungarian film director of all time" and acknowledged Jancsó's influence on his own work.- Director
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Ritwik Ghatak was born on 4 November 1925 in Dacca, Bengal Presidency, British India [now in Dhaka, Bangladesh]. He was a director and writer, known for Reason, Debate and a Story (1974), Musafir (1957) and The Cloud-Capped Star (1960). He was married to Surama Ghatak. He died on 6 February 1976 in Calcutta, West Bengal, India.- Director
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Tomu Uchida was born on 26 April 1898 in Okayama, Okayama, Japan. He was a director and actor, known for Earth (1939), A Fugitive from the Past (1965) and Miyamoto Musashi VI (1971). He died on 7 August 1970 in Japan.- Director
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Born in Brazil in 1897, Alberto Cavalcanti began his film career in France in 1920, working as writer, art director and director. He directed the avant-garde documentary Nothing But Time (1926) ("Nothing but Time"), a portrait of the lives of Parisian workers in a single day. He moved to England in 1933 to join the GPO Film Unit under John Grierson, working as a sound engineer (Night Mail (1936)) then as a producer. He went to work for Ealing Studios during the war, initially as head of Michael Balcon's short film unit until 1946, again working as an art director, producer and director. His notable films as director include Champagne Charlie (1944), The Life and Adventures of Nicholas Nickleby (1947) and I Became a Criminal (1947). After the latter film he moved back to Brazil. There he made Song of the Sea (1953) ("The Song of the Sea") and A Real Woman (1954) ("Woman of Truth") with his own production company. However, his progressive political views caught the attention of the the right-wing Brazilian authorities, and Cavalcanti thought it prudent to return to Europe in 1954. He eventually settled in France, where he continued his work in television. He died in Paris in 1982.- Producer
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Rolf de Heer was born on 4 May 1951 in Heemskerk, Noord-Holland, Netherlands. He is a producer and director, known for Bad Boy Bubby (1993), Ten Canoes (2006) and Charlie's Country (2013).- Actress
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Ida was born in London to a show business family. In 1932, her mother took Ida with her to an audition and Ida got the part her mother wanted. The picture was Her First Affaire (1932). Ida, a bleached blonde, went to Hollywood in 1934 playing small, insignificant parts. Peter Ibbetson (1935) was one of her few noteworthy movies and it was not until The Light That Failed (1939) that she got a chance to get better parts. In most of her movies, she was cast as the hard, but sympathetic woman from the wrong side of the tracks. In The Sea Wolf (1941) and High Sierra (1940), she played the part magnificently. It has been said that no one could do hard-luck dames the way Lupino could do them. She played tough, knowing characters who held their own against some of the biggest leading men of the day - Humphrey Bogart, Ronald Colman, John Garfield and Edward G. Robinson. She made a handful of films during the forties playing different characters ranging from Pillow to Post (1945), where she played a traveling saleswoman to the tough nightclub singer in The Man I Love (1946). But good roles for women were hard to get and there were many young actresses and established stars competing for those roles. She left Warner Brothers in 1947 and became a freelance actress. When better roles did not materialize, Ida stepped behind the camera as a director, writer and producer. Her first directing job came when director Elmer Clifton fell ill on a script that she co-wrote Not Wanted (1949). Ida had joked that as an actress, she was the poor man's Bette Davis. Now, she said that as a director, she became the poor man's Don Siegel. The films that she wrote, or directed, or appeared in during the fifties were mostly inexpensive melodramas. She later turned to television where she directed episodes in shows such as The Untouchables (1959) and The Fugitive (1963). In the seventies, she made guest appearances on various television show and appeared in small parts in a few movies.- Actor
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Luis Tosar was born on 13 October 1971 in Lugo, Galicia, Spain. He is an actor and producer, known for Cell 211 (2009), Sleep Tight (2011) and Take My Eyes (2003). He has been married to María Luisa Mayol since 10 August 2015. They have two children.- Actress
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Sarah Polley is an actress and director renowned in her native Canada for her political activism. Blessed with an extremely expressive face that enables directors to minimize dialog due to her uncanny ability to suggest a character's thoughts, Polley has become a favorite of critics for her sensitive portraits of wounded and conflicted young women in independent films.
She was born into a show business family: her stepfather, Michael Polley, appeared with her in the movie The Adventures of Baron Munchausen (1988) and on the television series Avonlea (1990); and her mother, Diane Polley, was an actress and casting director. It was her mother's connections that launched Sarah, at her own insistence, on an acting career at the age of four, following in the footsteps of her older half-brother Mark Polley. A second half-brother, John Buchan, is a casting director and producer.
Her career as a child actress shifted into high gear when she was cast as the Cockney waif Jody Turner in Lantern Hill (1989), for which she won a Gemini Award, the Canadian equivalent of the Emmy, in 1992. Produced by Kevin Sullivan, the film was based on the book by Lucy Maud Montgomery, author of Anne of Green Gables (1985). When Sullivan created a television series based on Montgomery's work, he cast Polley in the lead role of Sara Stanley in Avonlea (1990). The series propelled Polley into the first rank of Canadian TV stars and made her independently wealthy by the age of fourteen.
Her personal life was deeply affected by the death of her mother Diane from cancer shortly after her 11th birthday, a development that ironically paralleled the fictional life of her character Sara. Highly intelligent and politically progressive at a young age, Polley eventually rebelled against what she felt was the Americanization of the series after it was picked up by the Disney Channel for distribution in the US, eventually dropping out of the show. Though she does not blame her parents, she remains publicly disenchanted over the loss of her childhood and, in October 2003, said she is working on a script about a twelve-year-old girl on a TV show.
Polley, who picked up a second Gemini Award for her performance in the TV series Straight Up (1996), subsequently quit acting and high school to turn her attention to politics, positioning herself on the extreme left of Canada's left-of-center New Democratic Party. The publicity ensuing from her losing some teeth after being slugged by an Ontario policeman during a protest against the Conservative provincial government, plus the stinging cynicism from some other activists unimpressed by her celebrity, led her to lower her political profile temporarily and return to acting in Atom Egoyan's film The Sweet Hereafter (1997). It was her appearance as Nicole, the teenage girl injured in a school bus accident who serves as the conscience of the small town rent by the tragedy, that first brought her to the attention of critics in the US. In Canada, the role was heralded by critics as her successful breakthrough to adult roles. It was her second film with Egoyan, who wrote the part with her in mind when he adapted the novel by Russell Banks, who, ironically, is American. Predictions of an Academy Award nomination and future stardom were part of the critical consensus, and she received her first Best Actress Genie nomination from Canada's Academy of Canadian Cinema & Television and the Best Supporting Actress award from the Boston Society of Film Critics. It was the buzz created at the Sundance Festival, where her starring role in the film Guinevere (1999) was showcased, when the entertainment media crowned her the it-girl of 1999.
Intensely private and extremely ambivalent about the personal cost of celebrity and the Hollywood ethos Fame is the Name of the Game, Polley could be seen as rebelling against the expectations of mainstream cinema when she embarked on a career path that took her out of the spotlight thrown by the harsh lights of the Hollywood hype/publicity machine after shooting the film Go (1999). She dropped out of Cameron Crowe's Almost Famous (2000), the US$60 million mega-hyped vehicle that was supposed to make her a mainstream star in the US, choosing to return to Canada to make the CDN$1.5 million The Law of Enclosures (2000) for Genie Award-winner John Greyson, a director she admires greatly. The film grossed poorly in Canada and was not released in the US, but it did garner Polley her second Genie nomination for Best Actress. While her replacement in Almost Famous (2000) went on to win an Oscar nomination and a career above the title in glossy Hollywood films, she took a wide variety of parts, large and small, in independent films, including significant roles in the ensemble pieces The Claim (2000) and The Weight of Water (2000); bit parts in eXistenZ (1999) and Love Come Down (2000); and the lead in No Such Thing (2001). Her choice of projects showed her to be a questing spirit more focused on learning the art of her craft than on stardom.
She has said that her choice of film roles, eschewing mainstream Hollywood movies for chancier, non-commercial independent fare, was the result of an ethical decision on her part to make films with social importance. A less-observant viewer might think that the rebel Polley played in her political life that had previously manifested itself in her profession was now driving her to the verge of career suicide in terms of popularity, marketability, and choice of future roles. However, that interpretation does not recognize the extraordinary talent that will always keep her in demand by directors, if not casting agents, with an eye on the opening weekend box office. One must understand Polley's career progression in light of her attendance at the Canadian Film Centre's directors program and her production of short films, including Don't Think Twice (1999) and the highly praised I Shout Love (2001). Polley is a cinema artist. This woman wants to make, and will make films. Thus, we can understand her career choices as a desire to work with and understand the technique of some of the best directors in film, including David Cronenberg, Michael Winterbottom, and Hal Hartley.
Polley is as renowned for her intelligence as for her remarkable talent. The problem of the intelligent person in the acting field is that the actor, as artist, in not ultimately in control of their medium, and it is artistic control that is the hallmark of the great artist. The controlling intelligence on a movie set is the director, and her attendance at the Canadian Film Centre has given her a new perspective on acting. The actor, she says, should not try to give a complete performance for the camera (that is, control the representation on film) but must remember that the function of the actor is to give the director as much coverage as possible as a film, as well as a performance, is made in the editing room. According to Polley, this realization, that the film actor exists to serve the director, has given her new enthusiasm for acting. Thus, her career, and her career choices, can be seen as a quest for knowledge about the art of cinema, a journey whose fruition we will see in her future feature work as both actor and director.- Director
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Cyril Schäublin was born on 16 November 1984 in Zurich, Switzerland. He is a director and writer, known for Those Who Are Fine (2017), Unrest (2022) and Lenny (2009).- Writer
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Ms. Duras was born in southern Vietnam and lost her father at age 4. The family savings of 20 years bought the family a small plot in Cambodia, but everything was lost in a single season's flooding. The disaster killed her mother as a result. After high school in Saigon, Ms. Duras left Indochina to study law in Paris. As a young woman, she worked as a secretary in France's Ministry of Colonies from 1935 to 1941, before becoming a writer. She wrote 34 novels from 1943 to 1993, and became an enduring part of Paris's intellectual elite. In addition to her writing, she also directed about 16 films. For the film India Song (1975), she won France's Cinema Academy Grand Prix. She claimed to have rescued French president François Mitterand during World War II, when he was a resistance fighter and remained a friend and unconditional campaigner. Her most noted novel is "L'Amant", the story of a girl, from a poor French family in Indochina, who becomes the mistress of a wealthy Indochinese notable's son.- Writer
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He was born Alfred Hawthorn Hill. It was his grandfather who introduced him to Burlesque Shows and the theatre from where the young Benny Hill was to draw much of his comic inspiration. After his national service with the army during WW2, Benny came to London, adopted the stage name Benny Hill (in homage to his all time favourite comedian Jack Benny) and began appearing in variety shows. He briefly formed a double act with Reg Varney and did radio shows. But it was his talent for impressions and comic timing that were to give him his first big break on TV with the show "Hi There" in 1949. The Benny Hill Show (1955) began in 1955. Its pioneering combination of cheeky humour, songs and impressions were to make it a hit for the next 40 years.
Benny also broadened his career with cameo appearances in films such as The Italian Job (1969), Chitty Chitty Bang Bang (1968) and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). He also had a hit record in 1971 with "Ernie The Fastest Milkman In The West". In 1979 The Benny Hill Show (1955) was shown in America for the first time and Benny went on to become one of the biggest stars on US TV. The show itself has been seen in 109 countries and won a BAFTA as well as Golden Rose Of Montreaux Award. Benny Hill's TV career came to an end in 1989, when his show was dropped, but his popularity continued and he completed a US TV special, Benny Hill's World Tour: New York! (1991) shortly before his death in 1992.- Editor
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Farahnaz Sharifi is known for My Stolen Planet (2024), Profession: Documentarist (2014) and Revolutionary Memories of Bahman Who Loved Leila (2013).