The Great Mouse Detective 1986 premiere
Sunday June 29th, The Walt Disney Studios 500 S Buena Vista St, Burbank, CA 91521
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Barrie Ingham was born on 10 February 1932 in Halifax, Yorkshire, England, UK. He was an actor, known for The Great Mouse Detective (1986), The Day of the Jackal (1973) and Dr. Who and the Daleks (1965). He was married to Tarne Phillips. He died on 23 January 2015 in Palm Beach Gardens, Florida, USA.- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."- Val Bettin was born on 8 July 1923 in La Crosse, Wisconsin, USA. He was an actor, known for The Great Mouse Detective (1986), Shrek (2001) and Somewhere in Time (1980). He died on 7 January 2021 in Ventura, California, USA.
- Susanne Pollatschek was born on 7 February 1977 in Glasgow, Scotland, UK. She is an actress, known for The Great Mouse Detective (1986).
- Actor
- Music Department
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Candy Candido was born on 25 December 1913 in New Orleans, Louisiana, USA. He was an actor, known for The Great Mouse Detective (1986), Peter Pan (1953) and The French Dispatch (2021). He was married to Anita Bivona. He died on 19 May 1999 in Los Angeles, California, USA.- Actor
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Alan Young was born in Northern England in 1919, but his Scots father moved the family to Edinburgh, Scotland, when Young was a toddler and then to Canada when Young was about 6 years old. As a boy, he suffered from severe asthma, which kept him bedridden for long periods of time but encouraged his love of radio. By age 13, Young had become a radio performer, and by age 17, he was writing and performing in his own radio show for the Canadian Broadcasting Corporation. The show was broadcast in the U.S. and led to an invitation to New York, initiating Young's career as an "All-American boy," despite his non-American origins and a vestigial Scots accent. He became popular on American radio from 1944 to 1949 with his "Alan Young Radio Show," but when radio began to lose its popularity and his show was canceled, Young decided to put together a comedy act and tour the U.S. theater circuit. After this experience, he wrote a television pilot for CBS in 1950, which resulted in The Alan Young Show (1950). The show was a well-received live revue that ran for 3 years, earned a couple of Emmy Awards, and garnered Young a star on the "Walk of Fame." However, the strain of writing and performing a weekly show got to Young, and the quality of the show declined, leading to his departure from the show and its cancellation. In the meantime, based on his popularity on radio and television, Young had established a film career, starting with his debut in Margie (1946) followed by Chicken Every Sunday (1949), Mr. Belvedere Goes to College (1949), Aaron Slick from Punkin Crick (1952), Androcles and the Lion (1952), Gentlemen Marry Brunettes (1955), Tom Thumb (1958), and The Time Machine (1960).
In the early 1960s, Young landed his best-known role, Wilbur Post, in the popular television series Mister Ed (1961), which ran for 5 years. Since then, Young has made a number of television and film appearances but is known primarily for his voice characterizations in cartoons, especially as Scrooge McDuck in DuckTales (1987).- Actor
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Frank Welker was born in Colorado. He followed his dream to California, and started a voice acting career which has spanned over five decades and hundreds of credits. Frank has worked with fellow voice actors Casey Kasem, Nicole Jaffe, Don Messick, Heather North, and Stefanianna Christopherson on Hanna-Barbera's iconic Scooby Doo, Where Are You! (1969), voicing Fred Jones, among other Scooby credits over the years. He has also worked with Kurt Russell, Peter Cullen, and Michael Bay.- Diana Chesney was born on 17 November 1916 in Mandalay, Burma. She was an actress, known for The Great Mouse Detective (1986), Robin Hood: Men in Tights (1993) and Bewitched (1964). She died on 7 May 2004 in Woodland Hills, Los Angeles, California, USA.
- Eve Brenner was born on 24 September 1925 in New York City, New York, USA. She is an actress, known for The Great Mouse Detective (1986), Walk of Shame (2014) and Murder in the First (1995).
- Actor
- Additional Crew
Laurie Main was born on 29 November 1922 in Melbourne, Victoria, Australia. He was an actor, known for The Great Mouse Detective (1986), Time After Time (1979) and Robin Hood: Men in Tights (1993). He died on 8 February 2012 in Los Angeles, California, USA.- Actor
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- Soundtrack
Wayne Allwine was an American voice actor, sound editor and artist who was well-known for voicing Walt Disney's mascot Mickey Mouse from 1977 until his death from diabetes complications in 2009. He was succeeded by Bret Iwan. He was married to Minnie Mouse voice actress Russi Taylor and had four children. He also did sound editing for Frankenweenie, The Black Cauldron and The Great Mouse Detective.- Actor
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- Art Department
Tony Anselmo was born on February 18, 1960 in Salt Lake City, UT, and formed an early fascination with all things Disney sparked by a screening of Mary Poppins (1964) at the age of five.
His family moved to Sunnyvale, in northern California, when he was seven, and he continued to actively study Disney and animation. He began drawing, built a light table of his own, and began creating animation with a Super 8 camera.
He attended Marian A. Peterson High School in Sunnyvale, and began to cultivate his talents with night art classes at local colleges, and began regular correspondence with the artists who animated the Disney films, including Frank Thomas, Ollie Johnston, Eric Larson, and Milt Kahl.
With the support and encouragement of his Disney Animation correspondents, Anselmo was able to attend California Institute of the Arts on a Disney Family Fellowship. He began his studies in the Character Animation Department at CalArts in the fall 1978.
The school had a standard four-year degree program, but because of its close connection with the Disney Studio, the students' work was subject to the scrutiny of studio executives. Anselmo was selected to transfer to the Studio after only his second year. On September 1, 1980, he reported for work to the Disney Animation department in Burbank, CA.
In subsequent years, Anselmo contributed to the animation of 20 Disney animated features, including The Black Cauldron (1985), The Little Mermaid (1989), Beauty and the Beast (1991), The Lion King (1994), Tarzan (1999), and The Emperor's New Groove (2000).
One of the Disney stalwarts that Anselmo frequently encountered during his early days at Disney was Clarence Nash, the original voice of Donald Duck. Anselmo asked Nash to show him his vocal technique. From time to time, the two continued their informal "training" in performing Donald's dialogue. When Nash passed away on February 20, 1985, Anselmo inherited the role of Donald Duck as Nash had wished.
Anselmo's first performance as Donald was on a television program titled DTV Valentine (1986) a special on The Disney Channel, and since then, Anselmo has voiced Donald hundreds of projects, including television, feature films, theme parks, and consumer products.
Anselmo has also shared voice-over duties (with Russi Taylor) for Huey, Dewey, and Louie since 1999. He has voiced the nephews on Mickey Mouse Works (1999) and Goofy's Extreme Sports: Rock Climbing/Hansel And Gretel/Donald On Ice/Mickey's Mechanical House (1999) (while Taylor voiced the nephews in DuckTales (1987), Mickey's Once Upon a Christmas (1999), and Mickey's Twice Upon a Christmas (2004), Mickey's Speedway USA (2000), and the remastered DuckTales: Remastered (2013),) He also lent his voice to minor characters in The Great Mouse Detective (1986), Mickey's Around the World in 80 Days (2005), and Phineas and Ferb (2007).- Actor
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Talented, prolific and versatile voice and character actor Walker Edmiston had a remarkable career in radio, movies and television that spanned over five decades. Walker was born on February 6, 1926 in St. Louis, Missouri. Edmiston discovered at an early age that he could perfectly mimic other people's voices; he used to entertain his family with his vocal impression of Lionel Barrymore. After World War II ended Walker went to Los Angeles to study acting at the Pasadena Playhouse. Edmiston was introduced to animation producer Walter Lantz while performing in a play. This in turn lead to his first steady job doing various incidental voices on the children's show "Time for Beany." In the 50s and 60s he hosted "The Walker Edmiston Show," a children's TV program broadcast in Los Angeles which featured puppets of Edmiston's own creation that included Kingsley the Lion and Ravenswood the Buzzard. Walker worked often for Saturday morning TV series creators Sid and Marty Krofft; he supplied the voices of Sparky the Firefly on "The Bugaloos," Dr. Blinkey and Orson the Vulture on "H.R. Puffnstuf," and Big Daddy Ooze on "Sigmund and the Sea Monsters." Moreover, Edmiston portrayed a crazy old Civil War prospector on "Land of the Lost" and had a recurring role as token benevolent and intelligent Sleestak Enik. He provided the scary grunts and growls for the ferocious Zuni fetish doll in the final and most frightening segment of the made-for-TV horror anthology "Trilogy of Terror." Walker did the voice of Inferno for the "Transformers" cartoon show. For twenty years Edmiston was the voice of both beloved "nice guy" Tom Riley and the notorious Bart Rathbone on the popular radio program "Adventures in Odyssey." In addition, Walker was the voice of Ernie the Keebler Elf in countless TV commercials for ten years. Among the TV shows he had guest spots on are "Maverick," "Thriller," "The Virginian," "Green Acres," "Get Smart," "Star Trek," "The Wild, Wild West," "Bonanza," "Mission: Impossible," "Gunsmoke," "Fantasy Island," "The Waltons," "Little House on the Prairie," "The Dukes of Hazzard," "Falcon Crest," and "Knots Landing." He appeared on several records with Spike Jones, looped actor's voices on numerous films (one of these jobs was doing the off-camera lines for Orson Welles in "Start the Revolution Without Me"), and even supplied many different voices on all five "Planet of the Apes" pictures (he's the voice of the talking baby chimp in "Escape from the Planet of the Apes"). Walker Edmiston died from complications from cancer at age 81 on February 15, 2007.- Actress
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Melissa Manchester attended the Manhattan School of Music and Arts, where she learned to play the piano and the harpsichord. Her father is a bassoon player in the New York Metropolitan Opera orchestra. In the early 1970s, Melissa studied songwriting at New York University School of the Arts in New York City, under the direction of Paul Simon, and at 15 she started recording commercial jingles. She was only one of nine applicants accepted at Simon's class out of more than 100 applicants. She also sang with Bette Midler and sang backup for her before going solo. In 1982 she won the Best Female Vocalist of the Year award. She is married to Kevin De Remer.- Writer
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John Musker is an American animated film director who collaborates with Ron Clements. They directed various Disney animated films including The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules, Treasure Planet, The Princess and the Frog and Moana. The Little Mermaid and Aladdin are seminal films he co-directed because they brought back life to Disney animation in the late 1980s and early 1990s.- Writer
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- Animation Department
Ron Clements is an American animated film director who collaborates with John Musker. They directed various Disney animated films including The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules, Treasure Planet, The Princess and the Frog and Moana. The Little Mermaid and Aladdin are seminal films he co-directed because they brought back life to Disney animation in the late 1980s and early 1990s.- Animation Department
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Dave Michener was born on 5 November 1932 in Los Angeles, California, USA. He was a writer, known for The Great Mouse Detective (1986), Oliver & Company (1988) and Robin Hood (1973). He was married to Donna Roberta Burke. He died on 15 February 2018 in Los Angeles, California, USA.- Writer
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Burny Mattinson's helmed the Academy Award-nominated 1983 animated featurette "Mickey's Christmas Carol." In 1986, wrote, produced and directed "The Great Mouse Detective." Mattinson's worked on"Sleeping Beauty," "101 Dalmatians," "The Sword in the Stone," "The Jungle Book," "The Aristocats" and "The Rescuers." He was a key story team member on Disney's contemporary classics: "Aladdin," "Beauty & the Beast," "The Lion King, "Pocahontas," "Mulan," "The Hunchback of Notre Dame" and "Tarzan." Mattinson joined Disney in 1953 at age 18 without formal art training, and started work as an in-betweener for "Lady and the Tramp" less than 6 months later.- Writer
- Animation Department
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Vance Gerry was born on 21 August 1929 in Pasadena, California, USA. He was a writer, known for The Great Mouse Detective (1986), Hercules (1997) and Oliver & Company (1988). He was married to Mary. He died on 5 March 2005 in Pasadena, California, USA.- Writer
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Steve Hulett is known for The Great Mouse Detective (1986), Oliver & Company (1988) and The Black Cauldron (1985).- Art Department
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- Producer
Bruce Morris was born in 1958. He is a writer and producer, known for The Great Mouse Detective (1986), X-Men: Days of Future Past (2014) and Hercules (1997).- Director
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- Writer
Matthew O'Callaghan is known for The Great Mouse Detective (1986), Life with Louie (1994) and Mission to Mars (2000).- Animation Department
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- Art Department
Mel Shaw was born on 19 December 1914 in Brooklyn, New York City, New York, USA. He was a writer, known for The Great Mouse Detective (1986), Bambi (1942) and The Black Cauldron (1985). He was married to Florence Louise Hurd and Louise. He died on 22 November 2012 in Reseda, California, USA.- Music Department
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Born in Cleveland, Ohio, but brought up in Pennsylvania, where he played the flute in a local band, as a youth, before sending some arrangements to Benny Goodman. Goodman offered him a job and, after serving in WWII, he joined the rearranged Glenn Miller band. In 1952, he was given a two-week assignment at Universal to work on an Bud Abbott and Lou Costello film and ended up staying for six years. Success with The Glenn Miller Story (1954) allowed him to score many other films, helping along the way to change the style of film background music by injecting jazz into the traditional orchestral arrangements of the 1950s. He was nominated for 18 Oscars and won four; in addition, he won 20 Grammys and 2 Emmys, made over 50 albums and had 500 works published. Mancini collaborated extensively with Blake Edwards -- firstly on TV's Peter Gunn (1958), then on Breakfast at Tiffany's (1961), which won him two Oscars; he won further Oscars for the titles song for Days of Wine and Roses (1962) and the score for Victor/Victoria (1982); he will be best-remembered for the theme tune for The Pink Panther (1963).- Producer
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For four decades, Michael Eisner has been a leader in the American entertainment industry. He began his career at ABC, overseeing shows including Happy Days, Barney Miller, and Roots. He became president of Paramount Pictures in 1976, turning out hit films including Raiders of the Lost Ark, Saturday Night Fever, and Grease. IN 1984 Michael assumed the position of Chairman and CEO of The Walt Disney Company and, in the ensuing 21 years, transformed it from a film and theme park company worth $1.8 billion into a global media empire now valued at over $170 billion. In 2005, Michael founded The Tornante Company, a privately held media & entertainment holding company. Today Tornante owns Topps, Inc., Portsmouth Football Club in England, and has a large and growing television division, including ownership of BoJack Horseman and Tucca and Bertie for Netflix, as well as Undone for Amazon. He and his wife, Jane, founded The Eisner Foundation in 1996 and recently focused the foundation on inter-generational solutions. He was born on March 7, 1942 in New York and later attended Lawrenceville School and Denison University. He and Jane have three sons, Breck, Eric and Anders and three daughters-in-law, plus nine grandchildren.