Academy Award for Best Original Song
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Academy Award-winning songwriter ("The Continental", 1934), composer, pianist and publisher, educated at military academy, then a pianist in film theatres, and later a vaudeville entertainer in the USA and Europe. He wrote the Broadway stage scores for "Moonlight", "Mercenary Mary", "Kitty's Kisses", and "Americana". Then he became a music publisher, and went to Hollywood in 1929. Joining ASCAP in 1920, and his chief musical collaborators included Joe Young, Sidney Clare, Billy Rose, B. G. DeSylva, Benny Davis, Leo Robin, Herb Magidson, J. Russel Robinson, Vincent Rose, Archie Gottler, Sidney Mitchell, and William Friedlander. His popular-song compositions also include "Ma, He's Making Eyes at Me", "Margie", "Barney Google", "Prisoner of Love", "You've Got To See Mama Every Night", "Oh, Frenchy", "Palesteena", "Come On, Spark Plug", "Memory Lane", "Big City Blues", "Walking With Susie", "Lonesome and Sorry", "Sing a Little Love Song", "Mercenary Mary", "You Call It Madness But I Call It Love", Bend Down, Sister", "My Baby Said Yes Yes", "Looking for a Needle in a Haystack", "Midnight in Paris", "Here's to Romance", "Champagne Waltz", and "Singin' the Blues".- Music Department
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Herb Magidson was born on 7 January 1906 in Braddock, Pennsylvania, USA. He is known for The Gay Divorcee (1934), Finch (2021) and Everyone Says I Love You (1996). He died on 2 January 1986 in Beverly Hills, Los Angeles, California, USA.- Composer
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Harry Warren was born on 24 December 1893 in Brooklyn [now in New York City], New York, USA. He was a composer and actor, known for The Shape of Water (2017), An Affair to Remember (1957) and Sphere (1998). He was married to Josephine Wensler. He died on 22 September 1981 in Los Angeles, California, USA.- Music Department
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Prolific Academy Award-winning songwriter Al Dubin ("Lullaby of Broadway" [1935]) came to the US in 1893 and was educated at the Perkiomen Seminary in Pennsylvania. He joined the staff of several New York music publishing companies. He enlisted in the US Army in World War I and served in the 77th Infantry Division. After the war he returned to the music business, composing the scores for the Broadway hits "The Streets of Paris" and "Keep Off the Grass". Coming to Hollywood under contract to Warner Brothers, his chief musical collaborator was Harry Warren, but he also worked with Joseph A. Burke, J. Fred Coots, Jimmy McHugh, Sammy Fain, Victor Herbert, James V. Monaco, Mabel Wayne, Joseph Meyer, J. Russel Robinson and Burton Lane. His other popular song compositions include "Tiptoe Through the Tulips", "Twas Only an Irishman's Dream", "Just a Girl that Men Forget", "A Cup of Coffee, a Sandwich and You", "My Dream of the Big Parade", "Painting the Clouds With Sunshine", "The Kiss Waltz", "Dancing With Tears in My Eyes", "For You", "42nd Street", "Shuffle Off to Buffalo", "You're Getting to Be a Habit With Me", "Young and Healthy", "Shadow Waltz", "We're In the Money", "Pettin' in the Park", "Remember My Forgotten Man", "I've Got to Sing a Torch Song", "Keep Young and Beautiful", "Honeymoon Hotel", "Shanghai Lil", "Boulevard of Broken Dreams", "Fair and Warmer", "I'll String Along With You", "Why Do I Dream Those Dreams?", "I Only Have Eyes for You", "Sweet Music", "The Words Are in My Heart", "I'm Going Shopping With You", "About a Quarter to Nine", "She's a Latin from Manhattan", "Go Into Your Dance", "The Little Things You Used to Do", "Lulu's Back in Town", "The Rose in Her Hair", "Where Am I? (Am I in Heaven?)", "Don't Give Up the Ship", "I'd Love to Take Orders from You", "Page Miss Glory", "I'll Sing You a Thousand Love Songs", "With Plenty of Money and You", "All's Fair in Love and War", "Summer Night", "September in the Rain", "Remember Me", "Am I in Love?", "'Cause My Baby Says It's So", "I Know Now", "You Can't Run Away from Love Tonight", "Song of the Marines", "The Latin Quarter", "Day Dreaming", "Garden of the Moon", "Love Is Where You Find It", "The Girl Friend of the Whirling Dervish", "Feudin' and Fightin'", "Indian Summer", "My Dream of the Big Parade", and "Anniversary Waltz".- Music Department
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Jerome David Kern was born in 1885. He began his stage career grafting American songs (for which he wrote the music) into imported European operettas. His breakthrough came with the song "They Didn't Believe Me", written (with lyrics by Edward Laska) for a show called "The Girl from Utah". It established him as a major American composer in 1914. Married to a Englishwoman, Kern became an Anglophile, and teamed up with British writers Guy Bolton and P.G. Wodehouse to write the so-called "Princess Theatre musicals"--shows like "Very Good, Eddie" and "Leave It To Jane", which were unusual not so much for their silly storylines but for the fact that the characters were everyday people rather than the exotic characters of operetta, and also for the fact that these shows had few sets and small casts. He later wrote shows like "Sally" and "Sunny", both loaded with song hits, star casts and spectacular sets but silly plots. Finally, looking for an entirely different type of musical, Kern decided to adapt Edna Ferber's novel "Show Boat" to the musical stage. Although Oscar Hammerstein II agreed to do the adaptation and lyrics, nearly everyone (including Ferber) thought Kern and Hammerstein had lost their minds. "Show Boat"'s storyline featured interracial marriage, wife desertion, alcoholism and gambling, and the most realistic characters ever seen in a musical up to then, not to mention the song "Ol' Man River" and an opening chorus of black dockworkers singing about their work. Most of the songs were integrated so well into the story that they could not possibly have been sung in another show or taken out of "Show Boat" without damaging the plot. And "Show Boat" featured a song, "Mis'ry's Comin' Round", which was so utterly tragic that Florenz Ziegfeld Jr. ordered it cut--and it remained cut, existing only as background music, until the 1994 revival. In spite of all this, "Show Boat" became a huge hit and has remained one of the musical theater's greatest classics and most often revived shows--the only musical pre-1943 to be revived over and over. Kern, however, did not experiment any further--his other hit shows, "Music In The Air", "Roberta" and "The Cat and the Fiddle", contain classic songs that are still sung, but the shows are almost never revived. After a heart attack in 1939, Kern wrote songs exclusively for movie musicals. Two of his movie musicals, Swing Time (1936) with Fred Astaire and Ginger Rogers, and Cover Girl (1944) with Rita Hayworth and Gene Kelly, have become famous for their songs and dances. Kern died of a stroke at the age of 60, in 1945.- Music Department
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Dorothy Fields, daughter of vaudeville star Lew Fields (of Weber & Fields) started writing songs for Tin Pan Alley and Broadway in the 1920s, in spite of the fact, that her first Broadway show was a flop. From the 30s on she also worked for Hollywood with her partner, composer Jimmy McHugh. She won an Oscar for the song "The Way You Look Tonight" from Swing Time (1936), which she had written with Jerome Kern. She has at least one child, David Lahm.- Actor
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One of the foremost exponents of Hawaiian music, Harry Owens arrived in the islands in 1934 and became quickly enamored with the local scene. Owens had been a straight trumpet player in Los Angeles dance bands (at the Ambassador Hotel Cocoanut Grove and for Vincent Rose). His previous experience as a leader dated back to 1926, when he fronted a band at the Lafayette Cafe in L.A.. His song "Aloha Oe" was heard by the manager of the Royal Hawaiian Hotel, who asked Owens to establish a house orchestra at his resort. Owens obliged, and, abandoning western-style music, totally embraced Hawaiian culture -- music in particular -- transcribing many traditional songs for the first time. He was also instrumental in popularising the steel guitar. Owens took his 'Royal Hawaiians', with regular vocalists Hilo Hattie and Alfred Apaka, on several successful tours of the U.S. West Coast. This included a return to his old haunt at the Cocoanut Grove and engagements at the Mural Room of the St. Francis Hotel in San Francisco. Owens made prolific recordings for Decca, Capitol and Columbia and enjoyed being regularly showcased on the radio show 'Hawaii Calls' (from 1935, complete with ocean sounds emanating from Waikiki Beach for added authenticity) and had his own show on CBS television from 1949 to 1958.
His most famous composition and signature song was "Sweet Leilani" (inspired by the birth of his daughter), crooned by Bing Crosby, which won the Oscar for Best Song, after being featured in the film Waikiki Wedding (1937). It remained top of the charts for twenty-eight weeks and has sold more than twenty million copies to date. Among more than 300 songs written or transcribed by Owens are such popular compositions as "Voice of the Trade Winds", "Blue Shadows and White Gardenias", "Linger Awhile", "Hawaii Calls" and "Polynesian Holiday". Owens was also credited with helping to reinvigorate the tourist industry in Hawaii. In 1987, he was honoured with the Na Hoku Hanohano Lifetime Achievement Award, bestowed by the Hawai'i Academy of Recording Arts (HARA), a year after his death at the age of eighty-four.- Music Department
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He was one of the era's great composers and songwriters. Ralph Rainger penned numerous popular standards, often working in collaboration with lyricist Leo Robin. These include solid commercial hits like "Moanin Low", "Love in Bloom" (used by Jack Benny to introduce his TV and radio shows), "Love is Just Around the Corner", "Easy Living", "If I Should Lose You", "Blue Hawaii", the 1938 Oscar-winning Bob Hope theme song "Thanks for the Memory" and "June in January".
Rainger initially acceded to the demands of his parents to prepare for a 'sensible career'. He graduated from Brown University Law School in the late 1920's, but work in the legal profession was never to his taste. After two years working for a Newark law firm (1924-26) for $50 a week, he quit. It didn't take him long to secure employment as a vaudeville pianist and arranger. For a while, he played in the orchestra of Paul Whiteman. He had his first commercial success as a composer with "Moanin Low", which became a nationwide hit as sung and later recorded by American torch singer Libby Holman (with lyrics by Howard Dietz) for the 1929 revue "The Little Show". Paired with Leo Robin, he was then hired as staff composer by Paramount, though the team later moved on to 20th Century Fox. Rainger worked in Hollywood until his tragic and untimely death in a mid-air collision in October 1942.- Music Department
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Prolific American lyricist, best known for his collaborative efforts with the composer Ralph Rainger. His many popular standards include "Prisoner of Love," "Louise," "Beyond the Blue Horizon," "No Love no Nothin," "Moonlight and Shadows," "My Ideal," "If I Should Lose You," "Blue Hawaii," the 1938 Oscar-winning "Thanks for the Memory" and two numbers fondly remembered for Marilyn Monroe's rendition: "Diamonds Are a Girl's Best Friend" and "A Little Girl from Little Rock" (written for the 1949 original Broadway score of "Gentlemen Prefer Blondes").
Robin was educated at the University of Pittsburgh Law School and Carnegie Tech's drama school. He worked for two years as a newspaperman and then as a publicist. Though his ambition was to be a playwright, he achieved his first measure of success writing hits for Broadway musicals. His 1930 lyrics for the Rainger composition "I'll Take an Option on You" commenced a celebrated partnership. In 1932, the duo joined Paramount in Hollywood as staff composers. Within three years, the innovative Robin had become the favorite lyricist of legendary director Ernst Lubitsch. Through the following decade, first at Paramount then at 20th Century Fox, Robin and Rainger wrote for many of the top singing stars of the period, including Bing Crosby, Alice Faye, and Rita Hayworth. After Rainger's tragic death in a mid-air plane collision in 1942, Robin continued working and enjoyed fruitful collaborations with other prominent composers, including Sam Coslow, Jule Styne and Nacio Herb Brown.- Music Department
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No American has written more first-rate songs than Arlen. He grew up in a musical family (his father was a cantor), and disappointed but didn't surprise his parents by dropping out of high school to become a musician. A stint as pianist and singer with a dance band, the Buffalodians, allowed him to escape Buffalo for New York City. Arlen stayed on after the band's demise; after some mostly unsuccessful attempts to conquer vaudeville or Broadway, Arlen stumbled onto a tune that, with lyrics by Ted Koehler, became "Get Happy", his first hit. With Koehler as lyricist, Arlen became the staff composer for Harlem's Cotton Club, a premiere showcase for African-American entertainers such as Cab Calloway and Ethel Waters. They wrote "I've Got the World on a String" and "Ill Wind", among dozens of others. Arlen's second important collaborator was E.Y. Harburg, with whom he composed the score for _Wizard of Oz, The (1939)_, celebrated specialty numbers for Bert Lahr and Groucho Marx, and two Broadway musicals. In the 1940s, Arlen reached the peak of his popularity with his third major partner, Johnny Mercer; most of their hits, such as "Blues in the Night", "My Shining Hour" and "One for My Baby (and One More for the Road)", were written for the movies, as Hollywood replaced the stage as the songwriters' most lucrative market. As he aged, Arlen grew increasingly frustrated with Hollywood's waste of material and Broadway's rigmarole; his personal life in this period was also unhappy. His best songs, though, in renditions by performers li ke Judy Garland and Frank Sinatra and later cabaret singers and jazz musicians, have continued to be seen as classics.- Music Department
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One of the great lyricists of American song, Edgar Yipsel Harburg (born Isidore Hochberg) grew up in the working-class Jewish ghetto of Manhattan's Lower East Side. In high school, he befriended Ira Gershwin, later his collaborator on student literary ventures at City College of New York; both also contributed to F.P. Adams' column in the daily New York World, the city's leading outlet for light verse. After graduation in 1917, during the wartime manpower shortage, Harburg landed a lucrative job in Uruguay with the Swift & Co. meat-packing firm. In 1920, he returned to New York, where he became a partner in an appliance business that thrived for most of the 1920s but failed around the time of the 1929 stock market crash. Harburg determined to make a living at lyric writing; Gershwin provided a $500 loan and an introduction to the composer Jay Gorney. They collaborated on songs for Broadway revues and a number that Helen Morgan sang in two early film musicals; in 1932, they wrote Harburg's breakthrough, the unemployment anthem "Brother, Can You Spare a Dime?" In that year, for Broadway shows opening a few days apart, Harburg wrote "April in Paris" (with Vernon Duke) and, with Harold Arlen, "It's Only a Paper Moon." For the next 12 years, for theater and movies, Arlen was Harburg's most important collaborator; the partnership peaked with The Wizard of Oz (1939). Although he contributed to a number of films in the 1940s, Harburg's best work in those years was for Broadway's "Bloomer Girl" (with Arlen) and, with Burton Lane, "Finian's Rainbow." Both shows featured Harburg's lyrical dexterity ("When I'm not facing the face that I fancy, I fancy the face I face") and social commentary (both shows satirized racism and capitalism). His liberalism led to Harburg's blacklisting by Hollywood in the 1950s, helping to ensure that "Finian" would not be filmed for decades. Harburg continued to write, with Jule Styne, Earl Robinson and others, into his eighties.- Composer
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Academy Award-winning composer (score, Pinocchio (1940), conductor, songwriter ("When You Wish Upon a Star" [Academy award, Best Song, 1940) and arranger Leigh Harine was educated at the University of Utah. He was a music student of J. Spencer Cornwall. He arranged the first transcontinental broadcast from Los Angeles in 1932, and that year joined the Walt Disney Studios. From 1941 he freelanced among various Hollywood studios. He joined ASCAP in 1940. His other popular song compositions include "Hi-Diddle-Dee-Dee", "Give a Little Whistle" and "Jiminy Cricket".- Music Department
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Prolific American lyricist and songwriter, one of the giants of Tin Pan Alley. He contributed numerous popular standards to jazz and to the big band scene. His catalogue includes such titles as "I'm Getting Sentimental Over You" (theme song for bandleader Tommy Dorsey), the ballad "I Don't Stand a Ghost of a Chance With You", the 1940 Oscar-winner "When You Wish Upon a Star" (from Pinocchio (1940)), "The Nearness of You" (made popular by Glenn Miller), "Stella By Starlight", "Green Dolphin Street", "La Cucaracha" and the western classics "Do Not Forsake Me, Oh My Darlin" (Oscar-winner for High Noon (1952) and the "Rawhide" theme.
Washington had his roots in vaudeville as a master of ceremonies. Having joined ASCAP in 1930, he started his songwriting career with Earl Carroll's Vanities on Broadway in the late 1920's. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 40's, he worked for a number of studios, including Paramount, Warner Brothers, Disney and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner and Dimitri Tiomkin.- Writer
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Oscar Hammerstein II was an American lyricist, librettist, theatrical producer, and musical theatre director from New York City. He won a total of 8 Tony Awards for his best known works, "South Pacific" (1949), "The King and I" (1951), and "The Sound of Music" (1959). He twice won the Academy Award for Best Original Song, for his songs "The Last Time I Saw Paris" (1940) and "It Might as Well Be Spring" (1945). Several of his songs became part of the standard repertoire for both singers and jazz musicians. During the 1940s and the 1950s, Hammerstein produced some of his best musicals in collaboration with the composer Richard Rodgers (1902-1979). They are credited with creating character-driven stories with dramatic moments, while American musicals were previously considered light-hearted entertainment.
In 1895, Hammerstein was born in New York City. His parents were the theatrical manager William Hammerstein (1875-1914) and his first wife Alice Nimmo (died in 1910). His father operated the Victoria Theatre in Times Square, considered for a while as the most successful theatre in New York City. Hammerstein's paternal ancestors were German Jews, while his maternal ancestors were British. Hammerstein's paternal grandfather was Oscar Hammerstein I (1846-1919), a theatrical impresario and composer who is credited with popularizing the opera genre in the United States.
In 1912, Hammerstein enrolled at Columbia University. He later studied at Columbia Law School. Following his father's death in 1914, Hammerstein participated in his first play: "On Your Way". It was performed in the Varsity Show (1894-), Columbia's regular arts presentation. During his university years, Hammerstein both wrote and performed for the Varsity Show.
In 1917, Hammerstein dropped out of law school to pursue a theatrical career. He found a mentor in the lyricist and librettist Otto Harbach (1873-1963). Harbach taught him that in musicals, the music, lyrics, and story should be closely connected. Hammerstein took this lesson to heart. Hammerstein wrote the book and the lyrics for the Broadway musical "Always You" (1920), the first musical of his career. In 1921, Hammerstein joined "The Lambs" (1874-), a New York City-based social club for theater professionals. It was named in honor of the English authors and salonists Charles Lamb (1775-1834) and Mary Lamb (1764-1847).
In 1927, Hammerstein had his first great success with the musical "Show Boat". It was an adaptation of a then-popular novel by Edna Ferber (1885-1968), and depicted life on a a Mississippi River show boat over a 40-years-period. It was considered revolutionary in musical storytelling in dealing with tragedy and serious issues, in a field previously dominated by light comedies and satirical operettas. The musical introduced the popular songs "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man". Hammerstein had partnered with the composer Jerome Kern (1885-1945) for this musical. The duo continued to work together for decades.
In the early 1940s, Hammerstein was asked by Richard Rodgers to work with him in a musical adaptation of the play "Green Grow the Lilacs" (1930) by Lynn Riggs (1899-1954). Rodgers had previously attempted to work on the adaptation with Lorenz Hart (1895-1943), but they had a falling out over Hart's declining mental state and his self-admitted lack of inspiration. The adaptation turned into the hit musical "Oklahoma!" (1943), about a love triangle in Indian Territory. It ran for an unprecedented 2,212 performances, and has often been revived. The musical's success convinced Hammerstein and Rodgers that they should collaborate further in subsequent works.
Hammerstein and Rodgers became the dominant creative force of the American musical theatre from 1943 to 1959. Their subsequent collaborations were the musicals "Carousel" (1945), "Allegro" (1947), "South Pacific" (1949), "The King and I" (1951), "Me and Juliet" (1953), "Pipe Dream" (1955), "Flower Drum Song" (1958), and "The Sound of Music" (1959). Most of them were well-received, and they never had a single flop in all these years. The duo also worked together for the music of the film "State Fair" (1945), and for the music-themed television special "Cinderella" (1957). Their works often provided social criticism, and dealt with issues such as discrimination (in various forms) and domestic abuse.
In 1943, Hammerstein wrote the book and lyrics for the musical "Carmen Jones". It was an adaptation of the opera "Carmen" by Georges Bizet, but featured African-American characters and had an all-black cast. It was considered groundbreaking for its era. The musical eventually received its own film adaptation, serving as a vehicle for Dorothy Dandridge (1922-1965).
Hammerstein was an advocate for writers' rights within the theater industry. In 1956, he was elected as the new president of the Dramatists Guild of America, a professional organization whose main goal was to negotiate better contracts for playwrights. His term lasted until 1960, when he was replaced by Alan Jay Lerner (1918 - 1986).
In August 1960, Hammerstein died at his home, Highland Farm in Doylestown, Pennsylvania. It was a 19th-century farmhouse which had served as his residence since 1940. The cause of death was stomach cancer, and he had been struggling with the disease for a while. He was 65-years-old at the time of his death. To honor his passing, the lights of Times Square were turned off for one minute, and London's West End lights were dimmed. His remains were cremated and his ashes were buried at the Ferncliff Cemetery in Hartsdale, New York. A memorial plaque for Hammerstein was placed at Southwark Cathedral in London.
Hammerstein was survived by his second wife Dorothy Hammerstein (1899-1987), a professional interior designer and decorator. They had been married since 1929. Hammerstein's son James Hammerstein (1931-1999) followed his father's footsteps as a theatre director and producer. Hammerstein's stepdaughter Susan Blanchard (1928-) worked as a lyricist and theatrical producer, though she is primarily known as a a socialite.- Music Department
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Irving Berlin was born Israel Isidor Baline on May 11, 1888 in Mogilev, Belarus, Russian Empire. Towering composer, songwriter, ("God Bless America", "Always", "Blue Skies", "White Christmas") author and publisher, he came to the United States at age 5 and was educated in New York's public schools. His earliest musical education was from his father, a cantor. He earned Honorary degrees from Bucknell University and Temple University. Beginning his career as a song-plugger for publisher Harry von Tilzer, Berlin worked as a singing waiter in Chinatown. In 1909, he was hired as a staff lyricist by the Ted Snyder Company, and became a partner to that firm four years later.
In 1910, he began doing vaudeville appearances in the United States and abroad, and also appeared with Snyder in the Broadway musical "Up and Down Broadway", that ran for 72 performances. He joined ASCAP as a charter member in 1914, and served on its first board of directors between 1914-1918. Berlin enlisted the United States Army infantry in World War I, and was a sergeant at Camp Upton, New York. After the war, he established his own public-relations firm, and in 1921, he built the 1025-seat Music Box Theatre (at 239 W. 45th Street, New York) with Sam H. Harris. After Harris' death in 1941, Berlin assumed full ownership and the theatre remains a Broadway institution to this day.
Among his many awards was the Medal for Merit for his 1942 all-soldier show "This Is the Army", which toured the United States, Europe and South Pacific battle zones; all proceeds were assigned to Army Emergency Relief and other service agencies. Berlin was also a member of the French Legion of Honor and held the Congressional Medal of Honor for "God Bless America", the proceeds from which went to the God Bless America Fund. His songs were sung by Fred Astaire, Al Jolson, Judy Garland, Bing Crosby, Dick Powell, Alice Faye and many others. Irving Berlin died at the age of 101 of natural causes on September 22, 1989 in New York City.- Music Department
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Mack Gordon was born on 21 June 1904 in Warsaw, Poland, Russian Empire [now Warsaw, Mazowieckie, Poland]. He was an actor and writer, known for The Shape of Water (2017), Collegiate (1935) and Sweet and Low-Down (1944). He was married to Elizabeth Cook and Rose Ponelli. He died on 28 February 1959 in New York City, New York, USA.- Music Department
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Jimmy Van Heusen was inarguably one of the most accomplished songwriters in history. Claiming four "Oscars" and one Emmy award among his credits he also wrote more songs (85) recorded by Frank Sinatra, his long time friend, than any other composer. He also composed the songs for another good friend, Bing Crosby for six of the seven Crosby/Hope Road pictures. In spite of such accolades he personally felt one of his biggest honors was being elected by his peers as one of the original inductees to the Songwriters Hall of Fame in 1971. Most of his songs were written with two lyricist partners Johnny Burke (1940 to 1953) and then Sammy Cahn.
Jimmy was born Edward Chester Babcock on January 26, 1913 in Syracuse New York to Ida and Arthur Babcock. His close friends called him Chester or "Chet". From early on he was always entertaining audiences with his wit and musical skill though not always gaining the support of all. He was once expelled from Central High in Syracuse after performing the satire song "My Canary Has Circles Under His Eyes." The student body loved the song but the teachers thought otherwise.
During his early years he worked as a disc jockey for a local radio station and would invite people to send in lyrics. He felt every man and woman in the United States wanted to be a songwriter and for a trifling ten dollars he would compose a complete piano part to go along with the lyrics. This all coincided with birth and infancy of radio and as such he was able to also get airplay for some of his songs.
It was around 1928 when Chester Babcock was working as a DJ that his childhood friend helped him come up with his stage name. Ralph Harris was looking out the window of the 11th floor of the Hotel Syracuse and saw a billboard for Van Heusen collars. The last name was now solved. Chester then asked Ralph- well how about my first name? Ralph mentioned he had a favorite cousin named James and that is how the name James Van Heusen came about. But as hard as he worked to plug his own work he realized that to have a shot at real success he needed to go to New York City. Soon he was working in Tin Pan Alley, the Mecca of popular music in the early 20th century.
Through his friendship with Harold Arlen's (Music for Wizard Of Oz) brother Jerry several of his songs were featured in one of the Cotton Club revues in Harlem. His first big hit came in 1939 with Darn That Dream, a song written for Benny Goodman. The following year they followed up with more hits: Polka Dots and Moonbeams, All This and Heaven Too, Imagination and Shake Down the Stars. In the year 1939-1940 Jimmy published 60 songs, nearly all of them receiving radio play.
In the same season he teamed up with lyricist Johnny Burke and began writing songs for Paramount Pictures. It was with Johnny at Paramount that he composed many songs for Bing Crosby movies. Together they wrote the scores for Road to Zanzibar, Road to Morocco, Dixie, and Going My Way, among others. Van Heusen and Burke were, in the words of Sammy Cahn, " The A Team"; writing hit after hit for Bing Crosby the most popular singer in the world at the time. It was with Johnny Burke that Jimmy received his first Oscar in 1944 for the song "Swinging on a Star" from the movie "Going My Way", a Bing Crosby classic. All together Jimmy Van Heusen composed songs for 23 Crosby Movies.
One of the other accomplishments during this time era was Jimmy's flying. He flew as a test pilot during WWII for Lockheed in California while at the same time composing songs.
Due to Johnny Burke's poor health Van Heusen later joined forces with composer Sammy Cahn. In 1957 the Van Heusen/Cahn team won an Oscar for their song "All the Way," from the movie "The Joker Is Wild", the second for both Cahn and Van Heusen. After that the successes kept coming with another Oscar in 1959 for "High Hopes," from the film "A Hole in the Head", and again in 1963 for the song "Call Me Irresponsible," from "Papa's Delicate Condition". They also received Academy Award nominations for their songs "To Love and Be Loved," "Second Time Around," "My Kind of Town," "Where Love Has Gone," "Thoroughly Modern Millie," "A Pocketful of Miracles," and "Star." "Love and Marriage", written for the 1955 television show "Our Town", featuring Frank Sinatra, garnered the duo an Emmy Award. With other hits that year like "The Tender Trap" everyone wanted Van Heusen and Cahn. Riding on their numerous successes they later produced "The Frank Sinatra Show", a series of four television spectaculars from 1959 to 1960, the first one winning the Sylvania TV Award as the outstanding variety program of the year.
They also wrote many of the songs for some of the most successful Frank Sinatra albums. Among them were "Come Fly With Me", "Only the Lonely", "Come Dance with Me", "No One Cares", "All the Way" and "Ring a Ding Ding". And in 1960 "High Hopes" became John F. Kennedy's theme song and was sung by Frank Sinatra at the convention center.
In 1961 a newspaper writer, seeking out Hollywood bachelors to write about, had the following to say: "Jimmy Van Heusen does not however, personify the image of the genius composer, temperamental, moody and tense, who shuts himself away from the world to "create". He is, in fact, quite the opposite. He is charming, personable and witty, with laughing eyes and a great sense of humor. He could, as he says, "work in a boiler factory" and has more than once composed a new melody on a tablecloth in a crowded restaurant. Jimmy divides his time between his North Hollywood bachelor apartment, his home in Palm Desert and his Manhattan apartment. He owns and flies his own plane, and had been known to drop whatever he has been doing to fly a friend cross country for the sheer fun of piloting the plane. He genuinely likes people, parties, traveling, flying and last, but by no means least, women."
In total Jimmy Van Heusen was nominated 14 times for Academy Awards. Of those 14 nominations he won 4 times. He was also nominated for an Emmy and won. He was also nominated for a Grammy Award, three Golden Globe Awards and two Tony awards.
Although Van Heusen wrote a great deal about love and marriage he remained a bachelor until 1969 when he finally got the marriage bug. He married Bobbe Brock, former wife of the late producer Bill Pearlburg. She sang in a musical revue in the early thirties as one of the Brox sisters. ( Irving Berlin renamed the revue to spice it up) She remained by his side to the day he passed away on February 6, 1990.- Music Department
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Songwriter ("Swinging on a Star" [Academy Award, 1944], "What's New?", "Oh, You Crazy Moon"), producer, director and author, educated at the University of Wisconsin and Crane College. He joined the staff of music publishing companies in New York and Chicago, then went to Hollywood under contract to Paramount Studios. Joining ASCAP in 1932, he formed a publishing company with Jimmy Van Heusen, with whom he collaborated musically. His other musical collaborators included James V. Monaco, Arthur Johnston, Victor Schertzinger, Harold Spina, Bob Haggart and Erroll Garner. He wrote the Broadway stage scores for "Nelly Bly", "Donnybrook" and "Carnival in Flanders" (which he also co-produced). His song compositions include "Annie Doesn't Live Here Anymore", "The Beat of My Heart", "Pennies from Heaven", "One, Two, Button Your Shoe", "Let's Call a Heart a Heart", "So Do I", "It's the Natural Thing to Do", "All You Want to Do is Dance", "The Moon Got in My Eyes", "My Heart is Taking Lessons", "This is My Night to Dream", "On the Sentimental Side", "I've Got a Pocketful of Dreams", "Laugh and Call It Love", "Don't Let the Moon Get Away", "Go Fly a Kite", "An Apple for the Teacher", "A Man and His Dream", "East Side of Heaven", "That Sly Old Gentleman", "Sing a Song of Sunbeams", "Hang Your Heart on a Hickory Limb", "Scatterbrain", "Sweet Potato Piper", "Too Romantic", "April Played the Fiddle", "Meet the Sun Half Way", "Only Forever", "Ain't It a Shame About Mame?", "I Don't Want to Cry Any More", "Imagination", "Dearest, Darest I?", "Isn't That Just Like Love?", "It's Always You", "Birds of a Feather", "Constantly", "Road to Morocco", "Ain't Got a Dime to My Name", "Moonlight Becomes You", "Sunday, Monday or Always", "If You Please", "Suddenly It's Spring", "A Friend of Yours", "Polka Dots and Moonbeams", "Going My Way", "The Day After Forever", "It Could Happen to You", "And His Rocking Horse Ran Away", "Like Someone in Love", "Sleigh Ride in July", "Yah-Ta-Ta Yah-Ta-Ta", "Put It There, Pal", "Welcome to My Dream", "It's Anybody's Spring", "Personality", "Just My Luck", "Aren't You Glad You're You?", "My Heart Is a Hobo", "Country Style", "Smile Right Back at the Sun", "Apalachicola, Fla.", "But Beautiful", "You Don't Have to Know the Language", "If You Stub Your Toe on the Moon", "Once and for Always", "You're in Love With Someone", "Someplace on Anywhere Road", "Sunshine Cake" High on the List", "And You'll Be Home", "Life Is So Peculiar", "Early American", "Here's that Rainy Day", "Ring the Bell", "The Magic Window", "Moonflowers", "To See You", "Misty", "If Love Ain't There", "He Makes Me Feel I'm Lovely", and "What's New?".- Music Department
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He met Lorenz Hart in 1918 who was to write lyrics for Richard for the next 25 years. The produced many successful songs and musicals such as 'Pal Joey' and 'The Boys From Syracuse'. In 1943 Richard teamed up with Oscar Hammerstein to make a musical version of the play 'How Green Was Your Valley' which became 'Oklahoma' Richard also provided the music for 'Carousel', 'South Pacific'. The King and I' and 'The Sound of Music'.- Music Department
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Johnny Mercer started his career as singer and songwriter for Paul Whiteman. He started writing songs for Hollywood in 1935, where he also had a few small parts in musicals. Among his famous songs is the inoffical anthem of Hollywood, "Hooray For Hollywood" that he wrote for the movie "Hollywood Hotel". He also had radio programs and made records, some with Bing Crosby.- Music Department
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Allie Wrubel was born on 15 January 1905 in Middletown, Connecticut, USA. He is known for Song of the South (1946), Blood Simple (1984) and The Wedding Planner (2001). He died on 13 December 1973 in Twentynine Palms, California, USA.- Music Department
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Academy Award-winning songwriter ("Zip-a-Dee-Doo-Dah" [1947]), composer and author, educated in public schools and then a writer of special material for Sophie Tucker, Harry Richman and Buddy Rogers. He came to Hollywood in 1939 and wrote for Earl Carroll, then signed for 3 1/2 years with Walt Disney. Joining ASCAP in 1946, his chief musical collaborators included Hoagy Carmichael, Ted Fio Rito, Allie Wrubel, Eddie Sauter and Paul A. Nero. His other popular-song compositions included "You Belong to My Heart", "That's a-Plenty", "Sooner or Later", "The Hot Canary", "Cuanto le Gusta", "My Fickle Eye", "All the Cats Join In", "The Three Caballeros", "Everybody Has a Laughing Place", "Bahia", "Muskrat Ramble", "Johnny Fedora and Alice Blue Bonnet", "I want a Zoot Suit", "Whistle Your Way Back Home", "Ashcan Parade", "Vene, Veno, Vena", "And Roses and Roses", "Cherry", "Two Silhouettes", "Casey at the Bat", "Bonita", "She's a Carioca", "Dindi" and "If You Went Away".- Music Department
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Jay Livingston was born March 28, 1915 in McDonald, Pennsylvania. He (along with his partner Ray Evans) composed many songs for movies such as To Each His Own (1946), Tammy and the Bachelor (1957) and Academy Award winning songs "Mona Lisa" from the movie Captain Carey, U.S.A. (1949), "Buttons and Bows" from the movie The Paleface (1948) and "Que Sera Sera" from the movie The Man Who Knew Too Much (1956). Livingston and Evans also collaborated on several popular TV themes such as Bonanza (1959) and Mister Ed (1961).- Music Department
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Academy Award-winning songwriter ("Buttons and Bows" [1948], "Mona Lisa" [1950], "Que Sera Sera" [1956]), composer, author, musician and publisher, educated at the Wharton School and the University of Pennsylvania. He began his career in the college dance orchestra, then played in local night clubs and cruise ships. He wrote special material for Olsen and Johnson, then went to Hollywood and was signed to a contract with Paramount in 1945-46, and then became a freelancer. His Broadway stage scores include "Oh Captain!" and "Let It Ride". He has written special material for television and night club acts, including those of Betty Hutton, Cyd Charisse and Mitzi Gaynor. With his partner, Jay Livingston (who also was his chief musical collaborator), he owned a music-publishing firm. Other musical collaborators included Henry Mancini, Max Steiner and Victor Young.
Joining ASCAP in 1945, his popular-song compositions include "Silver Bells", "G'bye Now", "Stuff Like That There", "A Square in the Social Circle", "My Love Loves Me", "A Thousand Violins", "I'll Always Love You", "Misto Cristofo Columbo", "Love Him", "The Ruby and the Pearl", "Haven't Got a Worry", "Never Let Me Go", "As I Love You", "Let Me Be Loved", "You're So Right for Me", "Surprise", "The Morning Music of Montmartre", "Marshmallow Moon", "My Beloved", "Angel Town", "All the Time", "Almost in Your Arms", "Dreamsville", "Warm and Willing", "Just an Honest Mistake", "His Own Little Island", "Love, Let Me Know" and "On My Way".- Music Department
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Frank Loesser was educated at Townsend Harris Hall; CCNY. He wrote songs for college shows, and worked as a newspaper reporter, a pianist and singer, a caricaturist in vaudeville acts, and as an editor for a trade newspaper. While serving as an officer in the US Army during World War II, he wrote songs for Army shows. Joining ASCAP in 1934, his chief musical collaborators included Barton Lane, Hoagy Carmichael, Jimmy McHugh, Jule Styne, Victor Schertzinger and Arthur Schwartz.- Actor
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Award-winning songwriter ("Stardust", "Ole Buttermilk Sky", "Georgia on My Mind"), composer, pianist, actor and singer, educated at Indiana University (LL.B). He played piano in the college bands, and later gave up a law practice for a career in songwriting. He joined ASCAP in 1931, and his chief musical collaborators included Mitchell Parish, Stuart Gorrell, Frank Loesser, Johnny Mercer, Sammy Lerner, Stanley Adams, Edward Heyman, Paul Francis Webster, Jack Brooks, Ned Washington, and Jo Trent.
His autobiographies are "The Stardust Road" and "Sometimes I Wonder". His other popular-song compositions include "In the Cool, Cool, Cool of the Evening" (Academy Award, 1951), "Washboard Blues", "Riverboat Shuffle", "Little Old Lady", "Lazybones", "Rockin' Chair", "One Morning in May", "Snowball", "Lazy River", "Thanksgivin'", "Judy", "Moonburn", , "Small Fry", "Ooh, What You Said", "The Rhumba Jumps", "Two Sleepy People", "Heart and Soul", "Skylark", "The Nearness of You", "When Love Walks By", "Daybreak", "Doctor, Lawyer, Indian Chief", "Ivy", "Memphis in June", "Hong Kong Blues", "I Get Along Without You Very Well", "Blue Orchids", "The Old Music Master", "How Little We Know", "The Lamplighter's Serenade", "I Walk With Music", "Come Easy Go Easy Love", "Can't Get Indiana Off My Mind", "I Should Have Known You Years Ago", "Baltimore Oriole", "Rogue River Valley", "Who Killed 'Er (Who Killed the Black Widder?)", "Moon Country", "When Love Goes Wrong", "Mediterranean Love", "Music, Always Music", "There Goes Another Pal of Mine", "Just For Tonight" and "My Resistance is Low".- Music Department
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Dimitri Tiomkin was a Russian Jewish composer who emigrated to America and became one of the most distinguished and best-loved music writers of Hollywood. He won a hallowed place in the pantheon of the most successful and productive composers in American film history, earning himself four Oscars and sixteen Academy Awards nominations. He was born Dimitri Zinovievich Tiomkin on May 10, 1894, in Kremenchug, Russia. His mother, Marie (nee Tartakovsky), was a Russian pianist and teacher. His father, Zinovi Tiomkin, was a renowned medical doctor. His uncle, rabbi Vladimir Tiomkin, was the first President of the World Zionist Union. Young Dimitri began his music studies under the tutelage of his mother. Then, at the St. Petersburg Conservatory, he studied piano under Felix Blumenfeld and Isabelle Vengerova. He also studied composition under the conservatory's director, Aleksandr Glazunov, who appreciated Tiomkin's talent and hired him as a piano tutor for his niece. Soon Dimitri appeared on Russian stages as a child pianist prodigy and continued to develop into a virtuoso pianist. Like other intellectuals in St. Petersburg, Tiomkin frequented the club near the Opera, called Stray Dog Café, where Russian celebrities, including directors Vsevolod Meyerhold and Nicolas Evreinoff, writers Boris Pasternak, Aleksei Tolstoy, Sergei Esenin, Anna Akhmatova, Nikolai Gumilev and Vladimir Mayakovsky, had their bohemian hangout. There Tiomlkin could be seen with his two friends, composer Sergei Prokofiev and choreographer Mikhail Fokin. At that time he also gained exposure and a keen interest in American music, including the works of Irving Berlin, ragtime, blues, and early jazz. Tiomkin started his music career as a piano accompanist for Russian and French silent films in movie houses of St. Petersburg. When the famous comedian Max Linder toured in Russia, he hired Tiomkin to play piano improvisations for the Max Linder Show, and their collaboration was successful. He also provided classical piano accompaniment for the famous ballerina Tamara Karsavina. However, the 1917 Communist Revolution in Russia caused dramatic political and economic changes. From 1917 to 1921 Tiomkin was a Red Army staff composer, writing scores for revolutionary mass spectacles at the Palace Square involving 500 musicians and 8000 extras, such as "The Storming of the Winter Palace" staged by Vsevolod Meyerhold and Nikolai Yevreinov for the third anniversary of the Communist Revolution. In 1921 Tiomkin emigrated from Russia and moved to Berlin to join his father, who was working with the famous German biochemist Paul Ehrlich. In Berlin Tiomkin had several study sessions with Ferruccio Busoni and his circle. By 1922 Dimitri was well known for his concert appearances in Germany, often with the Berlin Philharmonic. Among his repertoire were pieces written for him by other composers. He also concertized in France. There, in Paris, Feodor Chaliapin Sr. convinced Tiomkin to emigrate to the United States. In 1925 Tiomkin got his first gig in New York: he became the main pianist for a Broadway dance studio. There he met and soon married the principal dancer/choreographer, Albertina Rasch. He also met composers George Gershwin, Richard Rodgers and Jerome Kern. In 1928 Tiomkin made a concert tour of Europe, introducing the works of Gershwin to audiences there. He gave the French premiere of Gershwin's "Piano Concerto in F" at the famed "L'Opera de Paris." His Hollywood debut came in 1929, when MGM offered him a contract to score music for five films. His wife got a position as an assistant choreographer for some musical films. He also scored a Universal Pictures film, performed concerts in New York City and continued composing ballet music for his wife's dance work. He also continued writing American popular music and songs. He received further Broadway exposure with the Shuberts and Florenz Ziegfeld Jr.. He produced his own play "Keeping Expenses Down," but it was a flop amidst the gloom of the Big Depression, and he once again returned to Hollywood in 1933. When he came back he was on his own. By that time Tiomkin was disillusioned with the intrigue and politics inside the Hollywood studio system. He already knew the true value of his musical talent, and chose to freelance with the studios rather than accepting a multi-picture contract. He became something of a crusader, pushing for better pay and residuals. His independent personality was reflected in his music and business life: he was never under a long-term studio contract. Though MGM was the first to be acquainted with his services, Tiomkin next turned to Paramount for Alice in Wonderland (1933), another fine example of making music that he liked. Hollywood's most prominent independent composer, Tiomkin, thanks to his free-agent status, negotiated contractual terms to his benefit, which in turn benefited other musicians. He aggressively sought music publishing rights and formed his own ASCAP music publishing company, Volta Music Corporation, while remaining faithful to France-based performing rights organization SACEM. In Tiomkin's own words: "My fight is for dignity. Not only for composer, but for all artists responsible for picture." He also fought for employing qualified musicians regardless of their race. As a composer classically trained at the St. Petersburg Conservatory, Tiomkin was highly skilled in orchestral arrangements with complex brass and strings, but he was also thoroughly versed in the musical subtleties of America and integrated it into traditional European forms. His interest in the musical form resulted in his next score, for the operetta Naughty Marietta (1935), a popular musical that teamed Jeanette MacDonald and Nelson Eddy. He also did his fair share of stock music arranging. Among his most successful partnerships was that with director Frank Capra, starting with Lost Horizon (1937), where Tiomkin used many innovative ideas, and received his first Academy Award nomination. The association with Capra lasted through four more famous films, culminating with It's a Wonderful Life (1946). In 1937 Tiomkin became a naturalized American citizen. The next year he made his public conducting debut with the Los Angeles Philharmonic. During the WWII years he wrote music for 12 military documentaries, earning himself a special decoration from the US Department of Defense. After the war he ventured into all styles of music for movies, ranging from mystery and horror to adventure and drama, such as his enchanting score, intricately worked around Claude Debussy's "Girl with the Flaxen Hair," for the haunting Portrait of Jennie (1948) and the energetic martial themes for Cyrano de Bergerac (1950). He scored three films for Alfred Hitchcock, perhaps the most inventive being for the tension-building Strangers on a Train (1951) with its out-of-control carousel finale. He also worked with top directors in that exclusively American genre: the western. His loudest success was the original music for Duel in the Sun (1946) by King Vidor. For that film, Tiomkin wrote a lush orchestral score, trying to fulfill writer/producer David O. Selznick's request to "Make a theme for orgasm!" Tiomkin worked for several weeks, and composed a powerful theme culminating with 40 drummers. Selsnick was impressed, but commented: "This is not orgasm!" Tiomkin worked for one more month and delivered an even more powerful theme culminating with 100 voices. Selznick was impressed again, but commented: "This is not orgasm! This is not the way I f..k!" Tiomkin replied brilliantly, "Mister Selznick, you may f..k the way you want, but this is the way I f..k!" Selznick was convinced, and after that Tiomkin's music was fully accepted. In 1948 he wrote the score for one of the westerns with John Wayne, Red River (1948) by Howard Hawks. Wayne had Tiomkin's touch on five more movies into the 1960s. Tiomkin was adding a song to all of his scores, starting with the obscure Trail to Mexico (1946). The result was successful, and the western score with songs became Tiomkin's signature. Horns and lush string orchestral sound are most associated with Tiomkin's style, which culminated in The Unforgiven (1960) by John Huston, although he used the same approach in High Noon (1952) with the famous song "Do Not Forsake Me, Oh My Darlin'" and Howard Hawks' The Big Sky (1952). Most of his big-screen songs were written for westerns and totaled some 25 themes. The most songs he composed for one movie was six for Friendly Persuasion (1956). Tiomkin achieved dramatic effects by using his signature orchestral arrangements in such famous films as Giant (1956), The Old Man and the Sea (1958) and The Guns of Navarone (1961). He also wrote music and theme songs for several TV series, most notably for Clint Eastwood's Rawhide (1959). In 1967 his beloved wife, Albertina Rasch, passed away, and Tiomkin was emotionally devastated. Going back from his wife's funeral to his Hancock Park home in Los Angeles, he was attacked and beaten by a street gang. The crime caused him more pain, so upon recommendation of his doctor, Tiomkin moved to Europe for the rest of his life. In the 1960s Tiomkin produced Mackenna's Gold (1969) starring Gregory Peck and Omar Sharif. He also executive-produced and orchestrated the US/Russian co-production Tchaikovsky (1970), for which he was nominated for an Academy Award for best music, and the movie was also nominated in the foreign language film category. Filming on locations in Russia allowed him to return to his homeland for the first time since 1921, which also was the last visit to his mother country. In 1972 Tiomkin married Olivia Cynthia Patch, a British aristocrat, and the couple settled in London. They also maintained a second home in Paris. For the rest of his life Tiomkin indulged himself in playing piano, a joy also shared by his wife. He died on November 11, 1979, in London, England, and was laid to rest in Forest Lawn Memorial Cemetery in Glendale, California. In 1999 Dimitri Tiomkin was pictured on one of six 33¢ USA commemorative postage stamps in the Legends of American Music series, honoring Hollywood Composers. His music remains popular, and is continuously used in many new films, such as Inglourious Basterds (2009) by director Quentin Tarantino.- Music Department
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Sammy Fain was born on 17 June 1902 in New York City, New York, USA. He was a composer and actor, known for Calamity Jane (1953), Grease (1978) and The Rescuers (1977). He was married to Jane Fischer and Sally Fox. He died on 6 December 1989 in Los Angeles, California, USA.- Music Department
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Paul Francis Webster was born on 20 December 1907 in New York City, New York, USA. He was a composer, known for Calamity Jane (1953), Mutiny on the Bounty (1962) and Spider-Man (2002). He died on 22 March 1984 in Los Angeles, California, USA.- Music Department
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Jule Styne was born on 31 December 1905 in London, England, UK. He was a composer and producer, known for Funny Girl (1968), Die Hard (1988) and Gentlemen Prefer Blondes (1953). He was married to Margaret Ann Bissett Brown and Ethel Rubenstein. He died on 20 September 1994 in New York City, New York, USA.- Music Department
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Award-winning songwriter ("All the Way" [Academy Award, 1957], "Three Coins in the Fountain" [Academy Award, 1954], "Love and Marriage" [Emmy Award, 1955], "High Hopes" [Academy Award, 1959], "Call Me Irresponsible" [Academy Award, 1963]), composer, author and publisher, educated at Seward Park High School in New York.
He was a violinist in vaudeville orchestras, and organized a dance band wih Saul Chaplin. He wrote the night club scores for "Connie's Hot Chocolates of 1936", "New Grand Terrace Review", and "Cotton Club Parade" (1939).
Arriving in Hollywood in 1940, he wrote many title and theme songs along with film scores and incidental music. His Broadway stage scores include "High Button Shoes", "Two's Company", "Skyscraper", and music for the marionette show "Les Poupees de Paris". He joined ASCAP in 1936, and his chief musical collaboraors included Saul Chaplin, Jule Styne, and James Van Heusen. He became a musical publisher in 1955.
His other song compositions include "If I Had Rhythm in My Nursery Rhymes", "Rhythm Is Our Business", "Shoe Shine Boy", "Until the Real Thing Comes Along", "Dedicated to You", "If It's the Last Thing I Do", "Bei Mir Bist Du Schon", "Posin'", "Please Be Kind", "Joseph, Joseph", "I've Heard That Song Before", "Victory Polka", "I'll Walk Alone", "Saturday Night is The Loneliest Night in the Week", "Poor Little Rhode Island" (the official state song), "The Charm of You", "I Fall in Love Too Easily", "What Makes the Sunset", "Guess I'll Hang My Tears Out to Dry", "It's Been a Long, Long Time", "Day By Day", "Let It Snow, Let It Snow, Let It Snow", "I Should Care", "I'm Glad I Waited For You", "The Things We Did Last Summer", "Five Minutes More", "Time After Time", "Papa, Won't You Dance With Me?", "You're My Girl", "I Still Get Jealous", "It's Magic", "Be My Love", "Because You're Mine", "Teach Me Tonight", "The 86th! The 86th!" (official song of the US Army 86th Infantry Regiment), "The Impatient Years", "Look to Your Heart", "I'll Never Stop Loving You", "Hey, Jealous Lover", "The Second Time Around", "September of My Years", "My Kind of Town", "I Like to Lead When I Dance", "Love Is a Bore", "Everybody Has a Right to Be Wrong", "I'll Only Miss Her When I Think of Her", and the film title songs for "The Tender Trap", "It's A Woman's World", "The Long Hot Summer", "Indiscreet", "Pocketful of Miracles", "Come Blow Your Horn", "The Best of Everything", and "Where Love Has Gone".- Music Department
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Frederick Loewe's parents were Austrian; he studied music with Ferruccio Busoni, Eugene D'Albert and N. Reznicek and he was awarded the Hollander Medal in Berlin. He came to the US in 1924 and joined ASCAP in 1941; in 1942, he gave a piano recital at Carnegie Hall. His chief musical collaborator was Alan Jay Lerner, and his popular-song compositions include "On the Street Where You Live", "I Could Have Danced All Night", "The Rain in Spain", "With a Little Bit of Luck", "I've Grown Accustomed to Her Face", "Get Me to the Church on Time", "Gigi" (Academy Award, 1958), "The Night They Invented Champagne", "I Remember It Well", "Thank Heaven for Little Girls", "I'm Glad I'm Not Young Anymore", "If Ever I Should Leave You", "Camelot", "How to Handle a Woman", "Follow Me", "A Waltz Was Born in Vienna", "A Jug of Wine", "The Heather on the Hill", "Almost Like Being in Love", "There but For You Go I", "Come to Me, Bend to Me", "I Talk to the Trees", "They Call the Wind Maria", "Another Autumn", "Wouldn't It Be Loverly?", and "I Still See Elisa".- Writer
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Playwright/lyricist Alan Jay Lerner was born into a wealthy New York City retailing family. His professional association with Frederick Loewe started in 1942 when they teamed up to write "Life of the Party". Their first Broadway success was the 1947 musical fantasy "Brigadoon." Lerner adapted work for the screen (Brigadoon (1954)) and earned two Oscars as the screenplay writer for An American in Paris (1951) and Gigi (1958), and a Grammy for On a Clear Day You Can See Forever (1970). Lerner and Loewe parted company in 1962 following the success of Camelot (1967). Lerner's last musical, "Dance a Little Closer", was written with Charles Strouse in 1983. It closed after one performance.- Composer
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The names of Manos Hadjidakis and Mikis Theodorakis have been written with golden letters in the music history of Greece since 1960. He was born in Xanthi on 23 October 1925, in a mid-class family. When he came of age he came in the capital city of Greece of Athens. He succeeded from the beginning when he made the high class of Greece to accept the Rebetiko, a popular kind of music. His love for this great music resulted in two great LP's - 'Lilacs On The Dead Earth', and 'Cruel April Of 45'.
He worked with director Karolos Koun and he wrote excellent music for such plays as 'A Streetcar Named Desire', starring Melina Mercouri and Vasilis Diamantopoulos. From this collaboration a great classic song resulted, named 'Paper Moon-Xartino To Feggaraki'. He also wrote music for the Greek National Theatre.
In the following years Hadjidakis created a personal style which no one can forget. He wrote music for films like Stella (1955), Madalena (1960), Maiden's Cheek (1959), I Aliki sto Naftiko (1961), creating massive successes. The first golden disc was given to Manos and Aliki Vougiouklaki for the song "The Grey Cat (To grizo gati)" from the film "To xylo vgike apo ton Paradeiso".
He gained worldwide popularity with his collaboration with Melina Mercouri and Jules Dassin in 1960 for the film Never on Sunday (1960), and he even won an Oscar. He wrote music for other international films like Elia Kazan's America America (1963), Andrew Marton's It Happened in Athens (1962), Dassin's Topkapi (1964), Peter Ustinov's Memed My Hawk (1984).
In 1963 he staged "A Street Of Dreams (Odos Oneiron)", with Minos Argyrakis, which was considered a milestone in Greek Theatre. In the later years, he humorously denied "Never On Sunday's" popularity and tried to produce more sophisticated works with the help of the poet and lyricist Nikos Gatsos. He became one of best Greek composers, and together with Mikis Theodorakis they are the founders of the temporary Greek Music.
During 1966-1972 he lived in the United States where he wrote the "Magnus Eroticus" LP, which was poems of ancients and temporary poets like Sapfo, Odysseas Elytis, Myrtiotissa etc. He also produced instrumental LP's, like the excellent "The smile of Jokonda". Manos was great friend of persons like Seferis, Elytis (2 Nobel winners poets), Sikelianos, Gatsos (poets), Vougiouklaki (actress), Koun (director), Melina Mercouri (actress, politician), with which they did have a love-hate relationship.
He wrote 4 books and he created the Orchestra Of Colours (I Orhistra ton Hromaton), for some years he was the director of the 3rd program of the Greek Radio channel.
Manos Hadjidakis died on June 15 1994, a lovely summer afternoon. He was one of the greatest composers of Greece, and he is surely missed.- Music Department
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Born in Cleveland, Ohio, but brought up in Pennsylvania, where he played the flute in a local band, as a youth, before sending some arrangements to Benny Goodman. Goodman offered him a job and, after serving in WWII, he joined the rearranged Glenn Miller band. In 1952, he was given a two-week assignment at Universal to work on an Bud Abbott and Lou Costello film and ended up staying for six years. Success with The Glenn Miller Story (1954) allowed him to score many other films, helping along the way to change the style of film background music by injecting jazz into the traditional orchestral arrangements of the 1950s. He was nominated for 18 Oscars and won four; in addition, he won 20 Grammys and 2 Emmys, made over 50 albums and had 500 works published. Mancini collaborated extensively with Blake Edwards -- firstly on TV's Peter Gunn (1958), then on Breakfast at Tiffany's (1961), which won him two Oscars; he won further Oscars for the titles song for Days of Wine and Roses (1962) and the score for Victor/Victoria (1982); he will be best-remembered for the theme tune for The Pink Panther (1963).- Music Department
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Richard Morton Sherman was born in the spring of 1928 in New York City to Rosa and Al Sherman. Together with his older brother, Robert B. Sherman, the Sherman brothers would follow in their songwriting father's footsteps to form one of the most prolific, lauded and long lasting songwriting partnerships of all time.
Richard was an enthusiastic and energetic child and youth, still bearing that trademark trait well into his seventies. Following seven years of frequent cross-country moves, the Shermans finally settled down in Beverly Hills, California in 1937. Throughout Richard's years at Beverly Hills High School and Bard College in upstate New York, he became fascinated with music and studied several instruments including the flute, piccolo and piano. At Bard, Richard majored in music and wrote numerous sonatas and "art songs" during his time there but it was Richard's ambition to write the "Great American Symphony" which eventually led him to write songs.
Within two years of graduating, Richard and his brother Robert began writing songs together on a challenge from their father. In 1957, Richard married Elizabeth Gluck with whom he had three children. In 1958, the Sherman brothers enjoyed their first hit with their song, "Tall Paul", sung by Mouseketeer Annette Funicello. The success of this song yielded the attention of Walt Disney, who eventually hired the Sherman brothers on as staff songwriters for Walt Disney Studios.
While at Disney, the Sherman brothers wrote what is perhaps their most well-loved song: "It's a Small World (After All)" for the New York World's Fair in 1964. Since then, "Small World" has become the most translated and performed song on earth.
In 1965, the Sherman brothers won 2 Academy Awards for Mary Poppins (1964), which includes the songs "Feed The Birds", "Supercalifragilisticexpialidocious" and the Oscar winner, "Chim Chim Cher-ee". Since Mary Poppins (1964)' motion picture premiere, the Sherman brothers have subsequently earned nine Academy Award nominations, two Grammy Awards, four Grammy Award nominations, and an incredible 23 gold and platinum albums.
Robert and Richard worked directly for Walt Disney until his death in 1966. Since leaving the company, the brother songwriting team has worked freelance on scores of motion pictures, television shows, theme park exhibits and stage musicals. Their first non-Disney assignment came with Albert R. Broccoli's motion picture production Chitty Chitty Bang Bang (1968), which garnered the brothers their third Academy Award nomination.
In 1973, the Sherman brothers made history by becoming the only Americans, ever, to win First Prize at the Moscow Film Festival for Tom Sawyer (1973). They also authored the screenplay for "Tom Sawyer".
In 1976, The Slipper and the Rose: The Story of Cinderella (1976), was picked to be the Royal Command Performance of the year, and the event was attended by Her Royal Highness, Queen Elizabeth, the Queen Mother. A modern musical adaptation of the classic Cinderella story, "Slipper" also features both songscore and screenplay by the Sherman brothers. That same year, the Sherman brothers received their star on the Hollywood "Walk of Fame" directly across from Grauman's Chinese Theater. Their numerous other Disney and Non-Disney top box office film credits include The Jungle Book (1967), The Aristocats (1970), The Parent Trap (1961), Charlotte's Web (1973), The Many Adventures of Winnie the Pooh (1977), Snoopy Come Home (1972), Bedknobs and Broomsticks (1971), and Little Nemo: Adventures in Slumberland (1989).
Outside the motion picture realm, their Tony-nominated smash hit, "Over Here!" (1974) was the biggest grossing original Broadway musical of that year. The Sherman brothers have also written numerous top selling songs including "You're Sixteen", which holds the distinction of reaching Billboard's #1 spot twice; first with Johnny Burnette in 1960 and, then, with Ringo Starr, fourteen years later. Other top-ten hits include "Pineapple Princess", "Let's Get Together", and more.
In 2000, the Sherman brothers wrote the song score for Disney's blockbuster film The Tigger Movie (2000). This film marked the brother's first major motion picture for the Disney company in over 28 years.
In 2002, "Chitty" hit the London stage and received rave revues. "Chitty Chitty Bang Bang: The Stage Musical" is currently the most successful stage show ever produced at the London Palladium. In 2005, a second company will premiere on Broadway (New York City). The Sherman brothers wrote an additional six songs specifically for the new stage productions.
In 2003, four Sherman brothers' musicals ranked in the "Top 10 Favorite Children's Films of All Time" in a (British) nationwide poll reported by the BBC. The Jungle Book (1967) ranked at #7, Mary Poppins (1964) ranked at #8, The Aristocats (1970) ranked at #9 and Chitty Chitty Bang Bang (1968) topped the list at #1.
Richard Sherman resides in Beverly Hills, California with his wife, Elizabeth.- Music Department
- Composer
- Writer
Robert B. Sherman was born just before Christmas in 1925 in New York City. Parents, Rosa & Al Sherman didn't know how they would pay the doctor and delivery costs. Fortunately, upon their arrival home from the hospital, Al discovered a large royalty check in the mail. Ironically, it was Al's song, "Save Your Sorrow", which saved the day and covered the bill. In 1928, younger brother, Richard M. Sherman, was born. Years later, brothers Robert and Richard would form one of the most prolific, lauded and long lasting songwriting partnerships of all time.
As a youth, Robert excelled in intellectual pursuits, taking up the violin and piano, painting and writing poetry. Following seven years of frequent cross-country moves, the Shermans finally settled down in Beverly Hills, California. Throughout Robert's years at Beverly Hills High School, he wrote and produced radio and stage programs for which he won much acclaim. At sixteen years old, Robert wrote a stage play, entitled "Armistice and Dedication Day", which earned thousands of dollars worth in War Bonds and garnered Sherman a special citation from the War Department.
In 1943, Robert obtained permission from his parents to join the army a year early, at only age 17. In early April, 1945, he inadvertently led half a squad of men into Dachau Concentration Camp, the first Allied troops to enter the camp after it had been evacuated by the fleeing German military only hours earlier. On April 12, 1945, the day President Franklin D. Roosevelt died, Robert was shot in the knee forcing him to walk with a cane ever since.
During his recuperation in Taunton and Bournemouth, England, Robert was awarded the Purple Heart medal. While still rehabilitating, Robert first became curious about British culture, reading voraciously anything he could find on the subject. Once on his feet, Robert met and became friends with many Brits, attaining first-hand knowledge of the United Kingdom, her customs and people. His fascination with England would later prove an invaluable resource to his songwriting career; many of his most well-known works centering around Anglo-themed stories and subject matter.
Upon his return to the United States, Robert attended Bard College in upstate New York where he majored in English Literature and Painting. At Bard, Robert completed his first two novels, entitled "The Best Estate" and "Music, Candy and Painted Eggs". He graduated in the class of 1949.
Within two years, Robert and his brother Richard began writing songs together on a challenge from their father. In 1953, Robert married the love of his life, Joyce Sasner, which helped to neutralize what had become Robert's wildly bohemian lifestyle in the years following the war. In 1958, Robert founded the music publishing company, "Music World Corporation", which later enjoyed a landmark relationship with Disney's BMI publishing arm, "Wonderland Music Company". That same year, the Sherman Brothers had their first "Top Ten" hit with "Tall Paul", sung by Mouseketeer, Annette Funicello. The success of this song yielded the attention of Walt Disney, who eventually hired the Sherman Brothers on as Staff Songwriters for Walt Disney Studios.
While at Disney, the Sherman Brothers wrote what is perhaps their most well-loved song: "It's a Small World (After All)" for the New York World's Fair in 1964. Since then, "Small World" has become the most translated and performed song on earth.
In 1965, the Sherman Brothers won 2 Academy Awards for Mary Poppins (1964), which includes the songs "Feed The Birds", "Supercalifragilisticexpialidocious" and the Oscar winner, "Chim Chim Cher-ee". Since Mary Poppins (1964)'s motion picture premiere, the Sherman Brothers have subsequently earned 9 Academy Award nominations, 2 Grammy Awards, 4 Grammy Award nominations and an incredible 23 gold and platinum albums.
Robert and Richard worked directly for Walt Disney until Disney's death in 1966. Since leaving the company, the brother songwriting team has worked freelance on scores of motion pictures, television shows, theme park exhibits and stage musicals.
Their first non-Disney assignment came with Albert R. Broccoli's motion picture production Chitty Chitty Bang Bang (1968) which garnered the brothers their third Academy Award Nomination.
In 1973, the Sherman Brothers made history by becoming the only Americans, ever, to win First Prize at the Moscow Film Festival for Tom Sawyer (1973), for which they also authored the screenplay.
The Slipper and the Rose: The Story of Cinderella (1976), was picked to be the Royal Command Performance of the year and was attended by Her Royal Highness, Queen Elizabeth, the Queen Mother. A modern musical adaptation of the classic Cinderella story, "Slipper" also features both song-score and screenplay by the Sherman Brothers. That same year, the Sherman Brothers received their star on the Hollywood "Walk of Fame" directly across from the Chinese Theater.
Their numerous other Disney and Non-Disney top box office film credits include The Jungle Book (1967), The Aristocats (1970), The Parent Trap (1961), The Parent Trap (1998), Charlotte's Web (1973), The Many Adventures of Winnie the Pooh (1977), Snoopy Come Home (1972), Bedknobs and Broomsticks (1971) and Little Nemo: Adventures in Slumberland (1989).
Outside of the motion picture realm, their Tony nominated smash hit, "Over Here!" (1974), was the biggest grossing original Broadway Musical of that year. The Sherman Brothers have also written numerous top selling songs including "You're Sixteen", which holds the distinction of reaching Billboard's #1 spot twice; first with Johnny Burnette in 1960 and, then, with Ringo Starr, fourteen years later. Other top-ten hits include, "Pineapple Princess", "Let's Get Together" and more.
In 2000, the Sherman Brothers wrote the song score for Disney's blockbuster film: The Tigger Movie (2000). This film marked the brothers' first major motion picture for the Disney company in over twenty eight years.
In 2002, "Chitty" hit the London stage receiving rave revues. By 2005, "Chitty Chitty Bang Bang: The Stage Musical" broke records becoming the most successful stage show ever produced at the London Palladium, boasting the longest run in that century old theatre's history. In Spring 2005, a second "Chitty" company premiered on Broadway (New York City) at the Hilton Theatre. In each subsequent year, new touring companies were formed in the UK, USA and Singapore. The Sherman Brothers wrote an additional six songs specifically for the new stage productions.
In April 2002, an exhibition of Robert's paintings was held in London, England at Thompsons' Gallery on Marylebone High Street. This marked the first public exhibition of Robert's paintings, ever, which is amazing considering Robert had been painting since 1941. The London Exhibition was widely covered by TV, radio and printed press. Robert subsequently enjoyed a succession of successful art exhibitions in the United States with the sale of many Limited Edition giclée prints of his work.
In 2002, Sherman moved from Beverly Hills to London, England, where he continues to write and paint.
In 2003, four Sherman Brothers' musicals ranked in the "Top 10 Favorite Children's Films of All Time" in a (British) nationwide poll reported by the BBC. The Jungle Book (1967) ranked at #7, Mary Poppins (1964) ranked at #8, The Aristocats (1970) ranked at #9 and Chitty Chitty Bang Bang (1968) topped the list at #1.
In June 2005, The Sherman Brothers were inducted into the Songwriters' Hall of Fame. Also, in June 2005, a tribute was paid to Robert B. Sherman at the Théâtre de Vevey in Switzerland by the Ballet Romand. "Chitty" will be commencing its full UK tour in December 2005.
The Disney/Cameron Mackintosh production of "Mary Poppins: The Stage Musical" made its world premier at the Prince Edward Theatre in December 2004 and features the Sherman Brothers classic songs. This show premiered on Broadway in 2006. In 2013, "Poppins" became the 22nd longest running musical or nonmusical show in Broadway history. Numerous touring companies have toured worldwide since 2008.
The Sherman Brothers were awarded the 2008 American National Medal of the Arts by President George W. Bush for their services to music. In 2009, a controversial documentary about the Sherman Brothers entitled, The Boys (2009) was produced by Sherman's older son, Jeffrey C. Sherman and brother Richard's son Gregory V. Sherman. In 2010 the Sherman Brothers were awarded a window on Main Street Disneyland. In 2011, the Sherman Brothers were each given honorary doctorates from their alma mater, Bard College. Sherman resided in London, England until his death on March 6, 2012.
His autobiography "Moose: Chapters From My Life" was posthumously released by AuthorHouse Publishers and was edited by Sherman's youngest son, Robert J. Sherman. The book's release happened at the same time as the major film release of Saving Mr. Banks (2013) in which Sherman and his brother are portrayed by B.J. Novak and Jason Schwartzman respectively.- Music Department
- Composer
- Soundtrack
Inducted into the ASCAP Jazz Wall of Fame in 2009 and the Songwriters Hall of Fame a year later, Johnny Mandel is perhaps best known as the composer of the iconic M*A*S*H (1972) theme song, "Suicide is Painless". Born and raised in Manhattan, he was the son of a garment manufacturer and an opera singer. Music was a major part of his family (an uncle was a writer of show tunes). Johnny learned to play piano, trumpet and trombone in quick succession and was mentored in arranging by Van Alexander. He refined his natural abilities by completing studies at the Manhattan School of Music and the prestigious Juilliard School. By his mid-teens, he worked with big bands, starting professionally in 1943 with the orchestra of violinist Joe Venuti. He became noted in the era as one of the most accomplished arrangers (also doubling on trombone until 1954), working for some of the most popular swing outfits like Artie Shaw, Boyd Raeburn, Jimmy Dorsey, Charlie Barnet, Alvino Rey, and Buddy Rich. By the mid-50s, he devoted his time primarily to arranging and writing jazz compositions, among many others, for Stan Getz, Count Basie and Woody Herman. His songs include standards like "The Straight Life", "Summer Wishes, Winter Dreams" and the beautiful love theme for the motion picture The Sandpiper (1965), "The Shadow of Your Smile", which won him an Academy Award for Best Original Song (shared with lyricist Paul Francis Webster, with whom he also collaborated on An American Dream (1966)). Mandel has worked on numerous film and TV soundtracks as composer and/or conductor/orchestrator. As arranger, he worked with some of the most famous recording artists, including Quincy Jones, Frank Sinatra, Natalie Cole (her "Unforgettable" album) and Barbra Streisand. A five-time Grammy Award winner, Mandel was a member of ASCAP from 1956 and served on the Board of Directors from 1989.- Music Department
- Composer
- Actor
John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.
A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.
Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).
He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).
In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.
After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).
After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').
In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.
He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.
In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.
He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.- Music Department
- Composer
- Writer
Don Black was born on 21 June 1938 in London, England, UK. He is a composer and writer, known for The World Is Not Enough (1999), True Grit (1969) and Thunderball (1965). He was previously married to Shirley Berg.- Music Department
- Writer
- Composer
Leslie Bricusse was born on 29 January 1931 in Southfields, London, England, UK. He was a writer and composer, known for Doctor Dolittle (1967), Willy Wonka & the Chocolate Factory (1971) and Scrooge (1970). He was married to Yvonne Romain. He died on 19 October 2021 in Saint-Paul-de-Vence, Alpes-Maritime, France.- Composer
- Music Department
- Actor
Michel Legrand is a three-time Academy Award-winning French composer, conductor and pianist who composed over 200 film and television scores as well as recorded over a hundred albums of jazz, popular and classical music.
He was born on February 24, 1932, in Becon-les-Bruyeres, in the Paris suburbs, France. His father, Raymond Legrand, was a French composer and actor. His mother, Marcelle der Mikaelian, was descended from the Armenian bourgeousie. From 1942 - 1949 young Legrand studied piano at the Paris Conservatoire. There his teachers were Nadia Boulanger and Henri Challan among other renown musicians. He received numerous awards for his skills in composition and piano and mastered a dozen other instruments. In 1947 he attended a concert by Dizzy Gillespie and caught a jazz bug. He started working as a pianist for major French singers. He eventually collaborated with Dizzy Gillespie on several albums and film scores.
In 1954 Legrand became an overnight star after his album "I Love Paris" became a hit, it went on selling over 8 million copies. He followed the success with such albums as "Holiday in Rome" (1955) and "Michel Legrand Plays Cole Porter" (1957). In 1958 he was invited to play at Moscow Festival of Students and Youth. There, in Moscow, he met his future wife, a young French model with who he went on to have three children.
In the late 1950s and 1960s Legrand was caught up in the French New Wave. He scored seven films for jean-Luc Godard, he also made ten films with Jacques Demy, and became responsible for creating the genre of musical in the French Cinema. In 1963 Legrand did The Umbrellas of Cherbourg (1964), the first film musical that was entirely sung. For that film score he received three Oscar nominations. His beautiful, haunting melody, "I Will Wait For You", received nomination for Best Original Song.
In 1966 Legrand decided to take his chances in Hollywood, and moved to Los Angeles with his wife and three children. His friendship with Quincy Jones and Hank Mancini helped him a great deal, especially in meeting the lyricists Alan and Marilyn Bergman. In 1969 Legrand won his first Oscar for Best Music, Original Song for "The Windmills of Your Mind" and was also nominated for Best Music, Original score for a Motion Picture for The Thomas Crown Affair (1968). Eventually Legrand went on to become a star in the US, he received twelve nominations for Academy Awards, and won two more Oscars. He was also nominated for a Grammy 27 times and received 5 Grammys in the 1970s.
In the 1980s and 1990s Legrand continued giving live concerts with his own jazz trio. He also led his big band which he took on several international tours, accompanying such stars as Ray Charles , Diana Ross , Björk , and Stéphane Grappelli who celebrated his 85th birthday in 1992. He also recorded several classical albums, including an album with cross-genre hits entitled "Kiri Sings Michel Legrand" with the opera singer Kiri te Kanawa. During the 2000s Legrand has been working mainly in the studio, and also made several international tours.
In 2005 a compilation of Legrand's best known film soundtracks was released under the title "Le Cinema de Michel Legrand", featuring 90 songs composed in the course of his career.- Music Department
- Writer
- Composer
Prolific songwriter ("Nice 'n' Easy", "Yellow Bird"), composer and author, educated at UCLA and the University of Northern Carolina (BA). During WW II, he wrote and directed Special Services shows, then directed TV shows for CBS in Philadelphia, PA from 1945-1953. He joined ASCAP in 1955 and wrote TV production numbers for Jo Stafford special shows, and songs for Fred Astaire and Marge and Gower Champion. He also wrote songs for revues and night club acts. His stage scores include "That's Life" (Los Angeles), "Ice Capades of 1957" and "Something More!" (Broadway). His chief musical collaborators include his wife Marilyn Bergman , Lew Spence, Norman Luboff, Paul Weston, Sammy Fain and Alex North. His other song compositions include "Cheatin' Billy", "Don't Know Where I'm Goin'", "I've Never Left Your Arms", "Marriage-Go-Round", "Sentimental Baby", "Sleep Warm", "Sogni D'Oro", "That Face", "Baby, The Ball Is Over", "Ol' MacDonald", "That's Him Over There" and "If I Were In Love". His albums include "Never Be Afraid" and "Aesop's Fables".- Music Department
- Writer
- Composer
Prolific songwriter ("Nice 'n' Easy", "Yellow Bird"), composer and author Marilyn Bergman wrote several theme songs for television and songs for revues, night clubs, and films. Joining ASCAP in 1953, her chief musical collaborators included her husband Alan Bergman, Lew Spence, Norman Luboff, Paul Weston, Sammy Fain, and Alex North. Her other song compositions included "Cheatin' Billy", "Don't Know Where I'm Goin'", "I've Never Left Your Arms", "Never Be Afraid", "Outta My Mind", "The Right Approach" (for film), "Marriage-Go-Round" (for film), "Sentimental Baby", "Sleep Warm", "Sogni D'Oro", "That Face", "Baby, the Ball is Over", "Ol' MacDonald", "If I Were in Love" (for film) and "That's Him Over There."- Composer
- Music Department
- Actor
Burt Bacharach was a well known and multi award winning singer and song writer.
Over 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach wrote hits for singers such as Gene Pitney, Cilla Black, Dusty Springfield, Tom Jones, and B.J. Thomas. Bacharach wrote 73 U.S. and 52 UK Top 40 hits. He worked on many sound tracks including the smash hit, "Beware of the Blob" for the version of The Blob (1958) starring Steve McQueen.
He was married four times, lastly to Jane Hansen from 1993 until his death. They had two children. He also had two other children.- Composer
- Music Department
- Actor
Songwriter ("Magic Moments", "Baby Elephant Walk", "What the World Needs Now is Love") and author, educated at New York University. Joining ASCAP in 1943, he collaborated musically with Burt Bacharach, Sherman Edwards, Lee Pockriss, [error], Redd Evans, Don Rodney, John Barry and Henry Mancini. His other popular-song compositions include "Four Winds and the Seven Seas, The", "American Beauty Rose", "My Heart is an Open Book", "Broken-Hearted Melody", "What Do You See in Her?", "Sea of Heart Break", "La Charanga", "Our Concerto", "Johnny Get Angry", "You'll Answer to Me", "Don't Make Me Over", "Make it Easy on Yourself", "Only Love Can Break a Heart", "Story of My Life, The", "Blue on Blue", "True Love Never Runs Smooth", "24 Hours From Tulsa", "Who's Been Sleeping in My Bed?", "Anyone who Had a Heart", "Walk On By", "Any Old Time of the Day", "Reach Out for Me", "I Wake Up Cryin'", "Don't Envy Me", "First Night of the Full Moon, The", "(There's) Always Something There to Remind Me", "Magic Potion", "This Empty Place", "You'll Never Get to Heaven", "To Wait For Love", "Trains and Boats and Planes", "We Have All The Time in the World" and "Lifetime of Loneliness, A".- Composer
- Music Department
- Editor
Fred Karlin was born on 16 June 1936 in Chicago, Illinois, USA. Fred was a composer and editor, known for Westworld (1973), Licorice Pizza (2021) and Lovers and Other Strangers (1970). Fred was married to Megan Wells-Stagg. Fred died on 26 March 2004 in Culver City, California, USA.- Robb Royer was born on 6 December 1942 in Los Angeles, California, USA.
- Actor
- Soundtrack
Jimmy Griffin grew up in Memphis, Tennessee and was one of three collaborating songwriters (under the pseudonym Arthur James) of the Academy Award-winning song "For All We Know" which won Best Song from the movie "Lovers and Other Strangers."
Accomplished singer, songwriter and musician, he teamed up with Michael Z. Gordon in the early 1960s to write over sixty songs, forty of which were recorded by major artists including Ed Aames, Gary Lewis, Bobby Vee, Brian Hyland, The Standells, Leslie Gore, Sandy Nelson and Cher. Gordon and Griffin's "Apologize" earned them a BMI Award for Best Male Vocalist. The duo also wrote the chart-topping, "Love Machine".
Griffin was one of the founding members, vocalist, lead guitarist, songwriter and co-producer for the sensational rock group Bread, which scored over a dozen top-ten singles. After retiring from Bread, he later became a member of the successful country bands, the Remingtons and Black Tie.- Music Artist
- Actor
- Music Department
Isaac Hayes, the second-born child of Eula and Isaac Hayes Sr., was raised by his grandparents, Mr. and Mrs. Willie Wade Sr. The child of a poor family, he grew up picking cotton in Covington, Tennessee. He dropped out of high school, but later his former high-school teachers to get his diploma, which he earned when he was 21. Otis Redding, Johnnie Taylor, The Bar-Kays, and Booker T. Jones (later of Booker T. & the M.G.s fame) were some of the "Memphis Sound" musical luminaries Hayes worked with during his early years as a budding musician and vocalist. He was a multi-talented composer, singer, and arranger who played the piano, vibraphone, and saxophone equally well. In 1971 he won an Academy Award for Best Original Song for a Motion Picture for the "Theme from Shaft" (1970) and was nominated for Best Original Dramatic Score for Shaft (1971).- Composer
- Music Department
- Producer
Al Kasha has reached the top of every field that he has lent his talents to: as a writer, producer, composer, motivational speaker and executive working in theatre, film, television, home video, music publishing, and recording.
Kasha is one of those rare artists who, as a composer/lyricist, has had hit records over the last five decades, starting in the sixties and continuing on to the seventies, eighties, nineties and into the present, ranging from Elvis Presley to Aretha Franklin to Helen Reddy to Sherrie Austin to Donna Summer.
He has been awarded two Oscars and had two other Academy Award nominations for his critically acclaimed work in films. His first Academy Award for Best Song was for "The Morning After" from The Poseidon Adventure, and his second for "We May Never Love Like This Again" from The Towering Inferno. Two additional nominations came from the Live-Action Animated Walt Disney classic Pete's Dragon, which is now a platinum best selling home video.
He also received Tony nominations for his work on "Seven Brides For Seven Brothers" and the musical, "David Copperfield." In addition, he has received two Grammy nominations, four Golden Globe nominations and the coveted People's Choice award.
Al was born in Brooklyn, New York. He lived over the store where his mother and father had a little barber shop and beauty parlor. His father was a violent alcoholic who was abusive and his mother, engulfed by paranoia, contributed to a challenging family life. Though Al had many struggles growing up, he lived across the street from the Warner Brothers-Vitagraph Studios, where he and his brother played extras in various movie trailers of the time. Then a man at the studio heard him sing, and his show biz career was born. At sixteen he began to write songs and after a few years, his songs were recorded by the likes of Jackie Wilson, Elvis and Bobby Darin. He then followed his passion to become a record producer at the age of twenty-two. From there he went on to head A&R at CBS Records' music publishing company. He was responsible for the signing of: Aretha Franklin, Neil Diamond, Steve Lawrence and Eydie Gorme, Andy Williams, The Grateful Dead and Janis Joplin.
Kasha then discovered Rodney Dangerfield in 1966 in the Catskill Mountains of New York, and financed, produced and recorded Rodney's first album at the Upstairs Downstairs club in Greenwich Village, called "The Loser," and was the first person to give the struggling, unknown comedian the idea for the image of "no respect." The album was released on Decca/Uni Records. Though he enjoyed a fruitful career in New York during the musical heyday of the 60s, in 1968, he moved to Hollywood to pursue a musical career in the motion picture business.
With over thirty motion picture scores to his credit, some of his best loved work has stemmed from his scoring contributions to films such as the animated classic "All Dogs Go To Heaven," the live action adventure "Giant Of Thunder Mountain," "China Cry" (which won the coveted Angel Award) and "Rudolph, The red Nosed Reindeer," an Animated Movie Musical, starring John Goodman and Whoopi Goldberg. He also produced the film Take This Job And Shove It, inspired by the hit song of the same name.
In the television arena: Kellogg's TV Animated Musical special - "A Toucan Can," starring Donna Summer and Jason Alexander; NBC-TV 2-hour Prime Time Animated Musical Special of Charles Dickens' classic "David Copperfield" starring Julian Lennon, Sheena Easton, Howie Mandel, Michael York, and Andrea Martin. This special, co-produced by Mr. Kasha, also aired in Canada and France; and ABC-TV "The Kingdom Chums," a Prime Time Animated Musical Special featuring Tony Orlando, Billy Preston, Debby Boone, Frankie Valli, and Marilyn McCoo. Other Prime Time Animated Musical Specials include ABC's "Precious Moments," CBS/Marvel/McDonalds "The Magic Paintbrush" and The Family Channel's "The Little Tree."
Even though the world gifted him with Oscars and other tokens of recognition for his work, his life was based on the bondage of achievement. He never felt the peace which he had once assumed would accompany that kind of acclaim. This workaholism and striving resulted in depression and illness, which manifested itself in a disease called agoraphobia, a paralyzing fear of being in open, public places. At the height of his success, he had won two Academy Awards and received many other awards, but the burden of balancing work and personal life became completely overwhelming.
During this time, Al discovered his faith the in church and became a born-again believer. Since then, his life changed greatly, to the point where he can comfortably travel and speak to groups about agoraphobia and the deliverance of fears as well as about being a Christian living in Hollywood. In January 1984, he was ordained a minister. That same year, the weekly Hollywood Bible studies that he had originated became so big that he and his wife started a church, the Oasis Christian Fellowship. Now the Hollywood Bible Study has grown, through the inspirational ministry of Tim Storey, to reach over a thousand people monthly. He continues to speak at Churches, universities and executive ministries around the world and teach songwriting around the country. Amongst many other universities and organizations, Kasha has spoken at Yale, UCLA, University of Southern California, University of Colorado, University of San Francisco, Pacific Azusa, Pepperdine, Fuller, Regent University, Oral Roberts University, Kings College and Seminary, ASCAP Workshop, Songwriters Guild, and the National Academy of Songwriters, etc and serves on the board of Regent University in Virginia Beach.
Kasha is working on a number of stage and film projects including the musical, "Rejoice," with composer/record producer David Foster, a 14 time Grammy winner, and the Broadway bound musical "Ordinary Girl" based on the life of Donna Summer. He is also writing a film based on his time with the legend Jackie Wilson, entitled, "My Empty Arms." He still enjoys writing music, and recording with artists such as All 4 One, Sheena Easton, Juilian Lennon, and Donna Summer. The more recent contemporary artists to record his work are Eden's Crush of WB's Popstars and MTV's 2-Gether, as well as Sherrie Austin, who received the number one country/Christian record of 2004 with Al's hit "Streets of Heaven," as well as Donna Summer's whose hit with Al, "I'm A Fire," which climbed to number one on the Billboard Dance Charts. As two-time Tony Nominees, Al Kasha is now enjoying the triumphant run of his musical, "Seven Brides For Seven Brothers," which is tours nationally and internationally in the United Kingdom.
They wrote the international standard, "The Old Fashioned Way," with Charles Aznavour, one of the many successful songs they collaborated on with Aznavour. This material will be featured in "The Life Of Charles Aznavour," slated for the West End and produced by Mike Merrick.
Kasha received the 2004 ASCAP Country Award for his top hit, "Streets of Heaven" recorded by Sherrie Austin.- Composer
- Music Department
- Writer
Joel Hirschhorn shared two Academy Awards for theme songs in "The Poseidon Adventure" and "The Towering Inferno," with longtime collaborator Al Kasha. During his long career Hirschhorn's songs sold more than 90 million records, and were featured in more then 20 films and were recorded by various artists including Elvis Presley. Hirschorn and Kasha, won their first Oscar in 1973 for "The Morning After" from "The Poseidon Adventure," a film about a luxury cruise ship capsized by an enormous wave. They then earned a second Academy Award in 1975 for "We May Never Love Like This Again" from "The Towering Inferno," a film about a catastrophic blaze in a high-rise building. They were also nominated for another pair of Oscars for songs from the Disney animated film "Pete's Dragon." They were also nominated for two Tony Awards.- Composer
- Music Department
- Actor
Musical talent ran in Marvin Hamlisch's family - his father was an accordionist, and at seven Hamlisch was the youngest student ever accepted by Manhattan's Julliard School of Music. Hamlich furthered his education by taking night classes at Queens College and working during the day as a rehearsal pianist for Broadway shows. He eventually began composing songs for stage productions. In 1968 he met film producer Sam Spiegel, resulting in his first film score for The Swimmer (1968) (he had previously written some songs for a low-budget teen epic, Ski Party (1965), but did not do the score for it). Hamlisch became well versed in the very specialized field of film scoring. In addition to scoring films, he ventured into film production as co-producer of The Entertainer (1975). In 1976 he won a Tony award for his scoring of the Broadway show, A Chorus Line (1985).- Actor
- Music Department
- Producer
It seems the second generation of acting Carradines -- David, Keith and Robert -- are proudly continuing the family tradition and begetting a third generation of talent. The dynasty began with veteran Hollywood patriarch John Carradine, the son of a surgeon and a correspondent for the Associated Press. Keith was a child, born of John's second marriage to actress Sonia Sorel.
Lanky, laid-back and highly likable, Keith Ian Carradine was born in San Mateo, California, on August 8, 1949. His parents divorced when Keith was six. Following in the footsteps of older half-brother and mentor David Carradine, Keith studied theater arts at Colorado State University in Fort Collins, Colorado, but dropped out after only one semester to pursue his career. Soon after, he auditioned for "Hair" in Los Angeles and made his Broadway debut in the 1969 rock musical, playing the role of Claude for an extended period of time. Keith next appeared with his father in a stage production of "Tobacco Road" (1970) in Florida.
The following year Keith broke into films with a part in the Kirk Douglas/Johnny Cash western A Gunfight (1971). Legendary director Robert Altman was quite taken by Keith's work in the film and gave him a part in his own movie McCabe & Mrs. Miller (1971), which sparked the first of many endeavors together. Keith also made a strong showing on TV, making his mini-movie debut with Man on a String (1972), and appearing with brother David in the TV movie pilot and various episodes of the cult series Kung Fu (1972) as the teenage version (seen in flashbacks) of David's character Kwai Chang Caine.
Keith continued to impress in Altman's films. He played one of three convicts in the critically-acclaimed movie Thieves Like Us (1974), but scored Oscar gold with his next Altman film, Nashville (1975) -- not with his acting but with his songwriting. His composition "I'm Easy" won both the Oscar and Golden Globe for "Best Song". Keith also earned a Grammy nomination in 1976 for his contribution to "Nashville" in the "Best Original Score Written for a Motion Picture or Television Special" category.
Keith first association with Altman's protégé, Alan Rudolph, occurred filming Welcome to L.A. (1976), to which he again contributed his music talent. Keith's rangy handsomeness and low-keyed acting style were on full display as he increased his popularity with appearances in such films as Ridley Scott's The Duellists (1977); Louis Malle's first American film, the visually-striking Pretty Baby (1978), that made a controversial star out of young Brooke Shields; and the comedy/romance An Almost Perfect Affair (1979). One acting trick that worked was pairing all three Carradine brothers in The Long Riders (1980), which recalled the infamous lives of brothers Cole, Jim and Bob Younger, and boasted three other sets of acting brothers (Keach, Quaid and Guest) as various other outlaw siblings.
Keith's acting reviews throughout much of his career would be decidedly mixed -- some would find his unassuming, introspective acting too listless while others found it beautifully realized and understated. Many of his best notices came from the Altman and Rudolph films, appearing in two of Rudolph acclaimed 80s works -- Choose Me (1984) and The Moderns (1988). He also persevered on TV with award-worthy work. His role in the mini-series Chiefs (1983) netted an Emmy nomination, while his recurring role as Wild Bill Hickok in Deadwood (2004) earned a Golden Satellite nomination and his work in the made-for-TV-film Half a Lifetime (1986) scored a CableACE nomination. Regular series work came late in his career, starring in Fast Track (1997), Outreach (1999) and Complete Savages (2004), all of which were short-lived.
Keith's career was revitalized on the 80s and 90s stage. In addition to strong roles in "Another Part of the Forest" (1982) and "Detective Story" (1984), he won the Outer Critics Circle Award for his excellent work in 1982's "Foxfire" opposite Jessica Tandy and Hume Cronyn_ and then roped a Tony and Drama Desk nomination as humorist Will Rogers in the Broadway musical "The Will Rogers Follies" (1991). Most recently (2005) he starred in the American premiere of David Hare's satire "Stuff Happens" as none other than George W. Bush while expounding on the 2003 invasion of Iraq.
Keith continues to write and compose. Hosting The History Channel's Wild West Tech (2003) and appeared on a season of the hit cable series Dexter (2006) and had a recurring role on the hit sitcom Charity, Dr. Finlay (1965). More recently he played the role of President Conrad Dalton in Madam Secretary (2014) starring Téa Leoni's Secretary of State Elizabeth McCord.
Millennium films include Wooly Boys (2001), a top-billed role in Falcons (2002), The Adventures of Ociee Nash (2002), Our Very Own (2005), Bobby Z (2007), Cowboys & Aliens (2011), The Family Tree (2011), After the Fall (2014), Dakota's Summer (2014), Bereave (2015), A Quiet Passion (2016) and The Old Man & the Gun (2018).
Keith has been married twice. Of his two children born from his first union to actress Sandra Ann Will Carradine, who played opposite him in the film Choose Me (1984), son Cade Carradine recently portrayed Lord Oxford in the film Richard III (2007) and daughter Sorel Carradine has been seen on TV. Keith and Sandra eventually divorced and he married actress Hayley DuMond in 2006; they met while appearing in the film The Hunter's Moon (1999). Keith's daughter Martha Plimpton, a highly gifted actress on her own, was a child from his relationship to actress Shelley Plimpton, whom he met when both were cast members in "Hair" back in 1969.- Music Artist
- Actress
- Producer
Barbra Streisand is an American singer, actress, director and producer and one of the most successful personalities in show business. She is the only person ever to receive all of the following: Oscar, Tony, Emmy, Grammy, Golden Globe, Cable Ace, National Endowment for the Arts, and Peabody awards, as well as the Kennedy Center Honor, American Film Institute's Lifetime Achievement honor and the Film Society of Lincoln Center Chaplin Award.
She was born in Brooklyn, New York, in 1942 to Diana Kind (née Ida Rosen), a singer turned school secretary, and Emanuel Streisand, a high school teacher. Her father died when she was 15 months old. She has a brother, Sheldon, and a half-sister, Roslyn Kind, from their mother's remarriage. As a child she attended the Beis Yakov Jewish School in Brooklyn. She was raised in a middle-class family and grew up dreaming of becoming an actress (or even an actress / conductor, as she happily described her teenage years at one of her concerts).
After a period as a nightclub singer and off-Broadway performer in New York City she began to attract interest and a fan base, thanks to her original and powerful vocal talent. She debuted on Broadway in the 1962 musical comedy "I Can Get It For You Wholesale" by Harold Rome, receiving a Tony Award nomination for Best Supporting Actress and a New York Drama Critics Poll award. The following year she reached great commercial success with her first Columbia Records solo releases, "The Barbra Streisand Album" (multiple Grammy winner, including "Best Album of the Year") and "The Second Barbra Streisand Album" (her first RIAA Gold Album); these albums, mostly devoted to composer Harold Arlen, brought her critical praise and, most of all, public acclaim all over the US. In 1964 she had another smash Broadway hit when she portrayed legendary Broadway star Fanny Brice in "Funny Girl" by Jule Styne and Bob Merrill; the show's main song, "People", became her first hit single and she appeared on the cover of Time magazine. After many TV appearances as a guest on various music and variety shows (such as an episode of The Judy Garland Show (1963), for which she was nominated for an Emmy), she signed an exclusive contract with CBS for a series of annual TV specials. My Name Is Barbra (1965) (which won an Emmy) and Color Me Barbra (1966) were extremely successful.
After a brief London stage period and the birth of her son Jason Gould (with then-husband Elliott Gould), in summer 1967 she gave a memorable free concert in New York City, "A Happening in Central Park", that was filmed and later broadcast (in an edited version) as a TV special; then she flew to Hollywood for her first movie, Funny Girl (1968), a filming of her stage success. The picture, directed by William Wyler, opened in 1968 and became a hit in the US and abroad, making her an international "superstar" and multiple award winner, including the Best Actress Oscar. After a series of screen musicals, such as Gene Kelly's Hello, Dolly! (1969) and Vincente Minnelli's On a Clear Day You Can See Forever (1970), she wanted to try comedies, resulting in such films as The Owl and the Pussycat (1970) and What's Up, Doc? (1972). She turned to dramas and turned out Up the Sandbox (1972) and the classic The Way We Were (1973), directed by Sydney Pollack and co-starring Robert Redford. The song "The Way We Were" (written by Marvin Hamlisch and Alan Bergman and Marilyn Bergman) became one of her biggest hits and most memorable and famous songs.
She returned to TV for a new special conceived as a musical journey covering many world musical styles, Barbra Streisand and Other Musical Instruments (1973), then returned (for contractual reasons) to her Fanny Brice role in a sequel to her hit "Funny Girl" film, Funny Lady (1975), and the next year turned out one of her most personal film projects, A Star Is Born (1976), one of the biggest hits of the year for which she won a Golden Globe for Best Actress and her second Oscar, for the song "Evergreen". Always extremely busy on the discography side, averaging one album a year throughout the '70s and '80s, she had a string of successful singles and albums, such as "You Don't Bring Me Flowers" (duet with Neil Diamond), "Enough is Enough" (with Donna Summer), "The Main Event" (from her film The Main Event (1979) with her friend Ryan O'Neal) and the album "Guilty", written for her by The Bee Gees' Barry Gibb, which sold more than 10 million copies worldwide.
She debuted as a director with the musical drama Yentl (1983), in which she also portrayed a Jewish girl who is forced to pass herself off as a man to pursue her dreams. The movie received generally positive reviews and the beautiful score by Michel Legrand and lyricists Marilyn Bergman and Alan Bergman stands up as one of Streisand's finest musical works. The film received several Oscar nominations, winning in two categories, but she was not nominated as Best Director, which disappointed both her and her fans, many of whom consider this the Academy's biggest "snub".
In 1985 her album "The Broadway Album" was an unexpected runaway success, winning a Grammy Award and helping to introduce a new generation to the world of American musical theater. In 1986 she performed in a memorable concert, after 19 years of stage silence, "One Voice". She returned to the screen in Nuts (1987), a drama directed by Martin Ritt, in the role of a prostitute accused of murder who fights to avoid being labeled "insane" at her trial. In 1991 she appeared in The Prince of Tides (1991), which many consider to be the pinnacle of her screen career, playing a psychiatrist who tries to help a man (Nick Nolte) to find the pieces of his past life. The film received seven Oscar nominations (but again NOT for Best Directing), but she did receive a nomination from the DGA (Directors Guild of America) for Best Director. In 1994 she returned to the stage after 27 years for a series of sold-out concerts (for the televised version of one of these, she won another Emmy).
In the 1990s she broke several personal records: with two #1 albums ("Back to Broadway" in 1993 and "Higher Ground" in 1997) and became the only artist to achieve a #1 album on the Billboard charts in the 1960s, 1970s, 1980s and 1990s (she extended this record into the 21st century in 2009 with the jazz album "Love is the Answer"). In 1996 she starred in her third picture as director, The Mirror Has Two Faces (1996), with Jeff Bridges and Lauren Bacall. The film had a "the girl got the guy" ending, and the same happened to her in real life--the next year she married well known TV actor James Brolin.
In 2000 she focused her career again on concerts ("Timeless") and in 2006-07 with a European tour. She made only two more films--a supporting role as a sex therapist mother in the Ben Stiller comedy Meet the Fockers (2004) and its sequel, Little Fockers (2010), alongside Dustin Hoffman and Robert De Niro. She published a book, "Passion for Design", in 2010 and celebrated her friendship with the Bergmans with an entire album of their songs, "What Matters Most" (2011), that debuted in the top 10.
After a long break from filming, she returned in a starring role for the 2012 holiday season with The Guilt Trip (2012), a mother/son picture co-starring Seth Rogen and directed by Anne Fletcher, and is working on putting together a film version of the well-known Jule Styne musical "Gypsy". In almost 50 years of career, Streisand has contributed to the show business industry in a personal and unique way, collecting a multi-generational fan base; she has a powerful and recognize vocal range, and a raucous and often self-deprecating sense of humor, which doesn't prevent her from showing the serious and dramatic sides of her personality. Her strong political belief in social justice infuses her professional career and personal life, and she makes no bones about what she believes; her willingness to put her money where her mouth is has resulted in some truly vicious attacks by many who hold opposite political views, but that hasn't stopped her from acting on her beliefs. She has been honored with the Humanitarian Award from the Human Rights Campaign, an Honorary Doctorate in Arts and Humanities from Brandeis University in 1995, an Honorary Doctorate of Philosophy from the Hebrew University of Jerusalem in 2013 and the bestowing by the government of France the title of Commander of the Order of Arts and Letters. She supports many humanitarian causes through the Streisand Foundation and has been a dedicated environmentalist for many years; she endowed a chair in environmental studies in 1987 and donated her 24-acre estate to the Santa Monica Mountains Conservancy. In addition, she was the lead founder for the Clinton Climate Change Initiative. This effort brought together a consortium of major cities around the world to drive down greenhouse gas emissions. She is a leading spokesperson and fund-raiser for social and political causes close to her heart and has often dedicated proceeds from her live concert performances to benefit programs she supports.- Music Department
- Actor
- Composer
Known for timeless classics such as "We've Only Just Begun," "Rainy Days and Mondays," "Evergreen," "Just an Old Fashioned Love Song," and "Rainbow Connection," Paul Williams is responsible for what will remain part of our popular culture for many years to come. His music has been recorded by some of the biggest names in the entertainment industry.
Three Dog Night's versions of "Just an Old Fashioned Love Song," "Out in the Country," and "Family of Man" have sold millions of copies, worldwide. Karen Carpenter's rich vocals made "We've Only Just Begun," "Rainy Days and Mondays," "Let Me Be the One," and "I Won't Last a Day Without You," a part of our lives. Elvis Presley, Frank Sinatra, Ella Fitzgerald, Barbra Streisand, Willie Nelson, Kermit the Frog and Luther Vandross are among the hundreds of artists who have recorded Paul's songs.
Neal McCoy recently recorded Paul's "Party On," while Diamond Rio recorded and took "You're Gone" to the top of the charts. The video for "You're Gone" became Pick of the Week on Country Music Television. In 1997, Paul went back into the recording studio and recorded his CD, "Back to Love Again," which includes remakes of some of Paul's more classic hits such as "Rainbow Connection" and "I Won't Last a Day Without You," as well as new songs which contain the same quality, passion and depth that was heard and felt in his hits from the past. Richard Carpenter and Graham Nash appear as guest artists on the album, bringing to it a richness and a quality all its own. Critics, fans and the most famous in the music industry have all had positive reactions and reviews to the album.
No one sings a song like the songwriter who wrote it, and the same holds true for Paul's music. No one captures the emotion within the songs the way he can and does time and time again. Paul is one of the most celebrated songwriters of our time having won Academy, Grammy and Golden Globe Awards. His most recent accomplishments include his induction into the American Songwriters Hall of Fame.
Paul's reputation as a motion picture songwriter took hold in 1973, with an Academy Award nomination for "Nice to Be Around" (co-written with John Williams) from Cinderella Liberty (1973). 1975 brought Paul's second nomination for the soundtrack from Brian De Palma's cult classic, Phantom of the Paradise (1974). He not only wrote the words and music and produced the album for the rock cantata, but also held the audience captive with his devious portrayal of the evil Swan.
Paul went on to become the Music Supervisor for A Star Is Born (1976), bringing with it the challenge of working with three different composers to produce its award-winning score. Williams and Kenny Ascher won a Golden Globe Award for "Best Motion Picture Score." "Evergreen," co-written with Barbra Streisand, won the 1976 Oscar for "Best Song of the Year." In 1980, Paul was once again nominated by the Academy for the score from the box office smash hit, The Muppet Movie (1979), for "Best Original Score" as well as the song "Rainbow Connection" being nominated for "Best Song." "The Muppet Movie" soundtrack went on to win two Grammy Awards and became the biggest soundtrack album of the year, exceeding sales of one million units. Paul reunited with Henson Productions for the Disney feature film, The Muppet Christmas Carol (1992). He wrote and produced the songs for the soundtrack which brought with it yet another Grammy Award nomination for "Best Musical Album for Children."
Paul's other film credits include the songs and score for Bugsy Malone (1976), which starred Jodie Foster and Scott Baio. "Bugsy Malone" continues to be a favorite of children's playhouses and theaters, worldwide. He co-wrote the title song for "Flying Dreams" from The Secret of NIMH (1982), which was recently recorded as a duet by Kenny Loggins and Olivia Newton-John, and has written songs for The End (1978), Rocky IV (1985) and Ishtar (1987). Paul collaborated with Jerry Goldsmith on the title song for The Sum of All Fears (2002). The song is featured in the beginning of the movie with a Latin translation and again at the end in English, performed by Electra recording artist, Yolanda Adams. This may very well be the first time in entertainment history where a song has been presented in a film in two different languages. Paul Williams began his career as an actor with his portrayal of a 12-year-old prodigy in The Loved One (1965), playing opposite Jonathan Winters. He is probably best-known for his roles as Little Enos in the "Smokey and the Bandit" movies, as well as the orangutan Virgil in Battle for the Planet of the Apes (1973).
In 1995, Paul received stellar reviews for his starring role as a wheelchair-bound hostage in Headless Body in Topless Bar (1995). Paul is also remembered for his roles in Oliver Stone's The Doors (1991), People Like Us (1990) (the NBC miniseries based on the Dominick Dunne bestseller), as the fun-loving amphibian Gus in Frog (1988) and Frogs! (1993) and Freddie the Bomb in Solar Crisis (1990). He rarely passes up the opportunity to return to his early roots of acting and played an emergency room doctor in Roger Avary's The Rules of Attraction (2002). Paul is no stranger to the small screen. He has appeared on Picket Fences (1992), Dream On (1990), Honey, I Shrunk the Kids: The TV Show (1997), Boston Common (1996), Walker, Texas Ranger (1993) and The Bold and the Beautiful (1987).
Many people are unaware that Paul has provided voice-overs for countless animated series, some of which include his role as the Penguin in Batman: The Animated Series (1992), and his recurring appearances in Phantom 2040 (1994). Having obtained his certification from UCLA as a drug and alcohol counselor, Paul is very active on the speaker's circuit across the country. Speaking from his personal experiences with his own addiction and the knowledge that he gained through his education and his experience as a counselor, Paul continues to touch the lives and hearts of many people whose lives have been affected by drug abuse and/or alcoholism. He is actively involved with the Musician's Assistance Program and is on the Board of Directors for Community High School, a sober high school in Nashville, Tennessee which offers the teens assistance with their recovery as well as the education that they both strive for and deserve.
Paul has appeared on Prime Time Country (1996), The Geraldo Rivera Show (1987) and Primetime (1989), talking about the devastating effects of drugs and alcohol and the increased use of them amongst teens and pre-teens. Paul has been presented with the Global Arts Award from the Friendly House for his efforts on their behalf, the Spirit of Youth Award from the Pacific Boys Lodge for his efforts and contributions and the "Celebration of Hope" award given to him by Hazelden for his overall contribution in the recovery field. Recovery is not simply a field that Paul is active in, it is one that he is passionate about... this is just one way in which Paul gives of himself to others.- Music Department
- Composer
- Director
Joseph Brooks was born on 11 March 1938 in New York City, New York, USA. He was a composer and director, known for You Light Up My Life (1977), If Ever I See You Again (1978) and Happiness (1998). He was married to Susan Paul. He died on 22 May 2011 in Manhattan, New York City, New York, USA.- Actor
- Composer
- Music Department
Paul Jabara was born on 31 January 1948 in Brooklyn, New York, USA. He was an actor and composer, known for Thank God It's Friday (1978), Eraser (1996) and All Good Things (2010). He died on 29 September 1992 in Los Angeles, California, USA.- Music Department
- Composer
- Writer
David Shire was born on 3 July 1937 in Buffalo, New York, USA. He is a composer and writer, known for Zodiac (2007), Short Circuit (1986) and The Taking of Pelham One Two Three (1974). He has been married to Didi Conn since 11 February 1984. They have one child. He was previously married to Talia Shire.- Soundtrack
- Music Department
- Composer
Norman Gimbel was a native New Yorker who put his teaching degree from Columbia University into his safe and went downtown to pursue a career in songwriting instead. His first job in the music world was as an office boy for a music publisher in the famed Brill Building. There he met composer Larry Coleman and lyricist Joe Darion and with them wrote his first hit, "Ricochet Romance." Shortly after that, with composer-pianist Eddie Heywood, he wrote "Canadian Sunset."
His work caught the attention of Frank Loesser, who signed Gimbel as a contract writer. Under Loesser's guidance, he met composer Moose Charlap, with whom he wrote two Broadway musicals, Whoop-Up and The Conquering Hero.
In 1963, publisher Lou Levy introduced Gimbel to a young composer named Antonio Carlos Jobim. Gimbel would go on to write English versions of many of Jobim's songs, most notably the lyrics for "Meditation," "How Insensitive," "Agua de Beber (Water to Drink)," "Song of the Sabia," and "The Girl From Ipanema." Gimbel also wrote English lyrics for "Watch What Happens," and the Academy Award-nominated song "I Will Wait for You," both by Michel Legrand. For Jean "Toots" Thielemans he wrote the lyrics for his jazz waltz, "Bluesette."
In the spring of 1968, Gimbel moved to Hollywood where he became active in film and television. Among the composers he worked with there were Lalo Schifrin, Maurice Jarre, Quincy Jones, Jack Elliot, Bill Conti, Michel Colombier, Henry Mancini, Peter Matz, Pat Williams, Robert Folk, David Shire, Fred Karlin, and his daughter, Nelly Gimbel. His principal collaborator was Charles Fox.
Gimbel had some of his biggest successes with Fox, with whom he wrote TV title songs to "Happy Days," "Laverne and Shirley," "Wonder Woman," "Angie," and "The Paper Chase." Their collaboration also included "I Got A Name" for the 1973 film The Last American Hero. This became a Top 10 hit for Jim Croce. Fox and Gimbel also gave us "Killing Me Softly With His Song," which won the Grammy Award for Song of the Year in 1973 and was ranked No. 11 on BMI's 1999 list of "Top 100 Songs of the Century." Also with Fox he wrote "Richard's Window" for the film The Jill Kinmont story. This received an Academy Award Nomination in 1975. They received another Academy Award nomination in 1978 for "Ready to Take a Chance Again," from the film Foul Play. In collaboration with composer David Shire, for the 1979 film Norma Rae, he wrote "It Goes Like It Goes," the song that won Gimbel an Academy Award for Best Original Song.
Norman Gimbel's songs have appeared in over four hundred motion picture and television shows. Gimbel was inducted into the Songwriters Hall of Fame in 1984.- Music Department
- Composer
- Producer
Michael Gore was born on 5 March 1951 in Brooklyn, New York City, New York, USA. He is a composer and producer, known for Pretty in Pink (1986), Fame (1980) and Footloose (1984).- Music Department
- Composer
- Writer
Dean Pitchford was born on 29 July 1951 in Honolulu, Hawaii, USA. He is a composer and writer, known for Fame (1980), Footloose (1984) and Chances Are (1989).- Music Department
- Composer
- Soundtrack
Carole Bayer Sager was born on 8 March 1944 in New York City, New York, USA. She is a composer, known for The Spy Who Loved Me (1977), Arthur (1981) and Junior (1994). She has been married to Robert A. Daly since 8 June 1996. She was previously married to Burt Bacharach and Andrew Sager.- Music Department
- Composer
- Actor
Singer/songwriter Christopher Cross was born Christopher Charles Geppert on May 3, 1951 in San Antonio, Texas. A self-described Army brat, Christopher's father was a U.S. Army pediatrician who was stationed at Walter Reed Hospital in Washington, D.C. in the mid-1950s. Cross began his career in the music industry as a member of the San Antonio-based cover band Flash. Christopher signed a solo contract with Warner Bros. Records in 1978. His self-titled debut album was released in December, 1979. Besides featuring the hit songs "Sailing," "Ride Like the Wind" (with backing vocals by Michael McDonald), "Never Be the Same," and "Say You'll Be Mine" (the latter has backing vocals by Nicolette Larson), the album garnered five Grammy Awards for Best New Artist, Record of the Year, Album of the Year, Song of the Year, and Best Arrangement Accompanying Vocalist(s).
Cross released his second album "Another Page" in early 1983; this album featured the hit songs "Arthur's Theme (Best That You Can Do)" (as a bonus track on the CD and cassette versions only), "Think of Laura," and "All Right." Christopher's follow-up albums "Every Turn of the World" and "Back of My Mind" alas failed to match the substantial success of his first two albums. Cross released his fifth album "Rendezvous" in 1995. He has released a handful of additional albums since then which include a Best of compilation that came out in 2002 and his most recent album "Secret Ladder," which was issued in September, 2014. Moreover, Cross continues to do live concerts on a regular basis.- Music Department
- Actor
- Soundtrack
Peter Allen was born on 10 February 1944 in Tenterfield, New South Wales, Australia. He was an actor, known for Arthur (1981), Drop Dead Gorgeous (1999) and Muriel's Wedding (1994). He was married to Liza Minnelli. He died on 18 June 1992 in San Diego, California, USA.- Composer
- Music Department
- Actor
Jack Nitzsche was born on 22 April 1937 in Chicago, Illinois, USA. He was a composer and actor, known for An Officer and a Gentleman (1982), The Exorcist (1973) and One Flew Over the Cuckoo's Nest (1975). He was married to Buffy Sainte-Marie and Gracia Ann May. He died on 25 August 2000 in Hollywood, California, USA.- Actress
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Buffy Sainte-Marie was born on 20 February 1941 in Stoneham, Massachusetts, USA. She is an actress and composer, known for An Officer and a Gentleman (1982), Moulin Rouge! (2001) and Hotel Artemis (2018).- Composer
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Will Jennings was born on 27 June 1944 in Kilgore, Texas, USA. He is a composer, known for Titanic (1997), An Officer and a Gentleman (1982) and A Beautiful Mind (2001).- Music Department
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Giorgio Moroder was born on 26 April 1940 in Urtijëi, Trentino-Alto Adige, Italy. He is a composer and actor, known for Top Gun (1986), Flashdance (1983) and Over the Top (1987).- Composer
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Keith Forsey was born on 22 January 1948 in London, England, UK. He is a composer and producer, known for Beverly Hills Cop (1984), Beverly Hills Cop II (1987) and Flashdance (1983).- Music Artist
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Actress, singer, songwriter, and producer Irene Cara was destined for a life of accomplishments that millions strive for but very few actually attain. From being able to play the piano by ear at age five to earning an Oscar, multiple Grammys, a Golden Globe, and a People's Choice Award, Irene's rise to stardom was paved with experiences of a lifetime.
Beginning shortly after realizing their daughter's natural talent, Irene was quickly enrolled in music, acting, and dance classes. Shortly before that, her mother entered her into multiple competitions and at the age of three, Irene was a finalist in the "Little Miss America" pageant.
Her professional career began on Spanish-language television singing and dancing before performing on shows including 'The Original Amateur Hour', 'The Ed Sullivan Show', and 'The Tonight Show' with Johnny Carson. Her talent was also showcased On and Off Broadway in various productions including 'Ain't Misbehavin'', the Obie Award-winning musical 'The Me Nobody Knows', 'Maggie Flynn' starring Shirley Jones and Tony Award-nominated actor Jack Cassidy, and 'Via Galactica' opposite Raul Julia.
Having performed on the stage, the next natural progression seemed to be series television. She would find a home on the daytime drama 'Love of Life' and the educational series 'The Electric Company' where she participated as a member of the group 'The Short Circus', teaching children about grammar through music. 'The Electric Company's' cast was made up of veteran actors Bill Cosby, Rita Moreno, and Morgan Freeman.
Continuing the pursuit of excellence, Irene recorded her first Spanish-language album at the age of eight and released an English-speaking holiday album shortly thereafter. Her career already blossoming, she would receive the honor of becoming the youngest member to perform in an all-star concert tribute for the legendary Duke Ellington. Held at Madison Square Garden, Irene performed along with music greats Stevie Wonder, Sammy Davis, Jr., and Roberta Flack.
With Broadway, television, and recording firmly tucked under her belt, Irene's next stop was the big screen. Before she entered her teenage years, she had won the title role in the film Aaron Loves Angela. Her performance in the movie was so outstanding that she was cast as the lead in the now cult classic musical drama 'Sparkle'. Proving that she was a tremendously versatile actress, Irene received international acclaim for her roles in 'Roots: The Next Generation' starring alongside James Earl Jones and Diahann Carroll among others, and 'The Guyanna Tragedy: The Jim Jones Story' where she would again work with James Earl Jones as well as LeVar Burton. As much as she had already accomplished, nothing could have prepared her for the super-stardom that would come with her next role.
In 1980, Irene would portray the character Coco Hernandez in a movie-musical titled 'Fame', a story about a group of students auditioning for acceptance into New York's High School for the Performing Arts. The film follows the students from their first to final days at the school and served to shine a light on the film's inspiration, LaGuardia High, and its counterpart Julliard. Irene's massive solo vocal talent was showcased through the title song 'Fame' as well as 'Out Here on My Own'. They and Irene would make Academy Awards history as it marked the first time two songs from the same film were nominated in the same category, and both performed by Irene. The title track won the Academy Award for Best Original Song.
The impact of 'Fame' would catapult Irene Cara into a household name and earn her two Grammy nominations for Best New Artist and Best Female Pop Vocal Artist, as well as a Golden Globe nomination for Best Motion Picture Actress in a Musical. Billboard Magazine named her the Top New Single Artist and Cashbox Magazine awarded her with the Most Promising Female Vocalist and Top Female Vocalist honors.
In 1982, Irene was awarded the NAACP Image Award for Best Actress for the NBC movie-of-the-week Maya Angelou's 'Sister, Sister' also starring Diahann Carroll and Rosalind Cash. She would garner another NAACP Image Award nomination for the title role in the PBS film 'For Us the Living: The Medgar Evers Story'. When it seemed her professional life couldn't get any better, Irene set the world on fire again.
Composer Giorgio Moroder approached Irene in 1983 to collaborate on the theme to a film he was attached to titled 'Flashdance'. Irene agreed and actually wrote the lyrics to the title song 'Flashdance...What a Feeling' in a car with producer Keith Forsey while on the way to the studio to record it. Those lyrics would reinforce Irene's already solid place in Hollywood history. The film was nominated for four Academy Awards with Irene taking home the coveted Oscar for Best Original Song. She would also add a Golden Globe to her already impressive collection of honors for Best Original Song in a Motion Picture in addition to two Grammys, a People's Choice Award, and an American Music Award. On a personal level, as a woman of Puerto Rican and Cuban descent, her Academy Award win is even more special as she was the first bi-racial woman to ever win in any category other than acting and only the second to be nominated outside of an acting category.
In 1984/85, Irene was back on the big screen in the film 'City Heat' opposite Clint Eastwood and Burt Reynolds. She co-wrote the theme as well as performed the classic standards 'Embraceable You' and 'Get Happy'. Irene also starred opposite Tatum O'Neal in the film 'Certain Fury', voiced "Snow White" in the animated film 'Happily Ever After', and toured as "Mary Magdalene" in the Andrew Lloyd Webber production 'Jesus Christ Superstar'.
Not having sat on her laurels, in between winning Oscars, Grammys, and touring, she released the albums 'Anyone Can See' and 'What a Feeling' in 1982 and 1983 respectively which spawned the additional hits 'Breakdance', 'The Dream', 'You Were Made for Me', and 'Why Me', and in 1985 collaborated and sang with Placido Domingo. 'Breakdance' and 'Why Me' would both become Top 10 hits. In 1987, the release of the album 'Carasmatic' was shelved in the United States because of legal issues with the label, but it was issued in limited quantities in the United Kingdom, immediately making the album a collector's piece for anyone lucky enough to have gotten a copy.
Still feeling the love of audiences everywhere, the 90s were spent living out of a suitcase on multiple European concert tours. After finally getting a little breathing space, Irene formed the group Hot Caramel in 1999 and returned to performing to the delight of eager audiences clamoring to hear her unmistakable voice.
In 2004, Irene was awarded the Prestige Award for Lifetime Achievement. She was given the Lifetime Achievement Award from the Fort Lauderdale Film Institute in 2005, and in 2006, was awarded the Honorary Lifetime Achievement for outstanding contribution in the African-American community by the Columbus Times of Georgia, the country's oldest black newspaper. In 2007, the Reel Sisters of the Disapora Film Festival presented her with the Trailblazer Award, and the Council of the City of New York honored her for her outstanding contributions as a performer. Perhaps one her most pleasurable moments was the 2011 unveiling of her name on a street sign in the Grand Concourse of the Bronx Walk of Fame. That same year, she released a new album titled Irene Cara Presents Hot Caramel. Now semi-retired from the industry that filled every corner of her life for decades, Irene is now enjoying entertaining audiences via her YouTube podcast 'The Irene Cara Show' where she shares videos and talks about the acting and music industry's backstory.
While the outpouring of love from fans still makes her happy, Irene continues to be touched by the knowledge that she and her roles have inspired others within the acting/music industry as well.
Mariah Carey: "Around the same time, my mother entered me in a talent competition in the city, and I sang one of my favorite songs, 'Out Here on My Own', by Irene Cara. I felt 'Out Here on My Own' described my entire life, and I loved singing that way - singing to reveal a piece of my soul. And I won doing it. At that age. I lived for the movie 'Fame', and Irene Cara was everything to me."
Celine Dion: "Whether it's 'Titanic' and the unsinkable 'My Heart Will Go On', 'Michael's Song' and 'Listen to the Magic Man' (in English and French) for 'The Peanut Butter Solution', or 'Deadpool 2's' unexpected 'Ashes', she presides over movie theme songs as if taking up the baton from Irene Cara herself."
Whitney Houston: "'Sparkle' was especially important to because she'd been trying to get the film made for 15 years, having fallen in love with the 1976 original (starring Irene Cara, who went on to appear in Fame) as a teenager, seeing it every Saturday for three months straight."
The two most memorable lines from the title song 'Fame' are "I'm gonna live forever," and "Baby, remember my name". From "Little Miss America" to Carson, 'The Electric Company', 'Flashdance' and beyond, Irene Cara's legacy is guaranteed. Everyone will remember her name.- Music Artist
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Born Stevland Hardaway Judkins in Saginaw, Michigan, United States, to Calvin Judkins and Lula Mae Hardaway. Due to being born six weeks premature, Stevie Wonder was born with a condition called retinopathy of prematurity, which made him blind. Stevie Wonder, even with this disability, made his landmark to be a pioneer and innovator in the music industry.
Stevie Wonder's mother, Lula Mae Hardaway left her husband and moved herself and her children to Detroit. Due to her leaving Lula Hardaway Judkins changed her name to Lula Hardaway and changed Stevie's surname to Stevland Morris. Stevland Morris growing up played various instruments such as the piano, harmonica, drums, and bass. Stevland Morris never played a lot of outdoor activities due to his protective mother. Stevland Morris due to his musical talent was also strongly apart of the church choir. Stevland Morris was originally discovered by Gerald White who often persuaded his brother, soul singer Ronnie White to visit the talented Stevland Morris. Ronnie White after seeing Stevland Morris brought Stevland and his mother to MoTown Records to visit Berry Gordy. Berry Gordy stated he was not impressed by Stevland's singing,or drumming,bongo skills and then he played the harmonica, which astounded Berry Gordy and Stevland Morris in 1961 at the age of eleven signed onto MoTown Records with the stage name, Little Stevie Wonder. The reason why Stevie Wonder had gotten that stage name was because many people were astounded by his ability to play numerous instruments and his ability to sing doing both at the same time, and people called Stevie "A Little Wonder".
Stevie Wonder released his first album called,The Jazz Soul Of Little Stevie at the age of twelve followed by an additional album, Tribute To Uncle Ray dedicated to Ray Charles.
In 1963, Stevie Wonder released a hit-song called, Fingertips Pt(2). The song reached number one on the Billboard Pop Charts. Stevie Wonder became the first singer to have a number one album and single simultaneously. In the song were several percussion instruments played by Stevie Wonder and this song was added to the album,Recorded Live: The Twelve Year Old Genius. Stevie Wonder was then referred to as the child prodigy. Stevie Wonder in 1964 made in film debut in the movie, Muscle Beach Party as well as the sequel Bikini Beach both directed by William Asher. In this movie Stevie Wonder shows off his musical talent singing the songs, Happy Street and Happy Feeling (Dance And Shout).
Stevie Wonder also dropped "Little" from this stage name as his voice started to change and he could no longer sing songs which Clarence Paul had written for him, as they were all written in a higher pitched note. Stevie Wonder then started focusing more on songwriting and came out with genuine hits like Uptight (Everything's Alright),With A Child's Heart, Blowing In The Wind, and a song which he wrote for Smokey Robinson and The Miracles, Tears Of A Clown. Several other songs which were smashing hits in the 60's and 70's were I Was Made To Love Her, Signed Sealed And Delivered I'm Yours, which Stevie stated was an idea he had gotten from his mother,and For Once In My Life.
In 1970 Stevie Wonder left MoTown and recorded two independent albums by himself. Berry Gordy was shocked to hear this by Stevie Wonder and Berry Gord agreed to Stevie Wonder's demand of more independence and full creative control and rights to all his songs. In 1972 Stevie Wonder returned to MoTown records and signed a thirteen million dollar contract with MoTown Records. This entitled Stevie Wonder to a higher royalty rate and more full creative control and the rights to his own songs, which few artists had gotten at that time period. This contract unleashed Wonder's songs to now talk about controversial issues such as poverty,war,drugs, and politics.Stevie is known for writing and performing political songs such as, You Haven't Done Nothing, which took a political stab at Richard Nixon. The first album he had released with his new agreement with MoTown was, Music Of My Mind in 1972. In late 1972 Stevie Wonder released an album which today is known as a historic piece in music,Talking Book. Which included the number one hit-song, Superstition. This song featured the clavinet which Stevie Wonder was credited pioneer of, he later used the electric amplified keyboard instrument in many of his other albums along with the synthesizer. The song Superstition was seen as a significant contribution to the Funk genre. Talking Book also featured, You Are The Sunshine Of My Life which also peaked at number one. Stevie Wonder also toured with The Rolling Stones in 1972 which contributed to his album's success. Stevie Wonder struck a controversial issue with the album, Innervisions in 1973 with singles such as Living For The City which talked about poverty and was credited to African Americans.The album also included singles such as Golden Lady, and All Love Is Fair.
On August,6, 1973 Stevie Wonder was in a car accident. The twenty-three year old Stevie Wonder was in the passenger seat of a 1948 Dodge Flatbed Truck,he was sleeping and had his headphones on, the driver distracted by something, and failed to notice the truck ahead of them and crashed. This sent Stevie Wonder into a coma for several days. In a biography entitled, The Miraculous Journey Of Lula Mae Hardaway she retells the story, "There was a great, grinding screech as metal hit metal and, then, impossibly, as if in some lavishly produced Hollywood action movie, one of the great logs disencumbered itself of the truck and came crashing through the windshield, spearing Stevie square in the forehead." Wonder was sent to a hospital immediately after the accident, and was placed under intensive care, with what they described a "bruise on the head" Wonder then made a successful recovery and in 1974 released Fullfillingness' First Finale and which song topped number one on the Billboard Pop Charts was the political song, You Haven't Done Nothing. By the age of twenty-five he was a multiple Grammy-Award winner, winning Grammies for albums such as Talking Book, Inner Vision, and Fullfillingness' First Finale and at the age of twenty-five with several talent musicians he was on the verge of making what came to be one of this most admirable masterpieces, an album called, Songs In The Key Of Life.
The double-album, Songs In The Key Of Life was released in 1976 and the album became the first of an American artist to debut straight at number one where it remained for fourteen consecutive weeks. The album contained two tracks which rose to number one on the Billboard Charts,I Wish and Sir Duke. The album also contained an extraordinary sentimental song about his daughter Aisha Morris called,Isn't She Lovely". It also contained the song which focused strongly on poverty called, Village Ghetto Land. Rolling Stones listed the album as the 56th Greatest Album Of All Time out of 500.
In 1979, Wonder released a soundtrack album called Journey Through The Secret Life Of Plants. It was featured in the film The Secret Life Of Plants. Wonder also wrote the song,Let's Get Serious for Jermaine Jackson who left The Jacksons and was starting his own solo career. The song was ranked by Billboard to be the number one rhythm and blues song of 1980.
In 1980, Stevie Wonder released the album called Hotter Than July. On this album was a song called Happy Birthday. That song was dedicated to Martin Luther King Jr, and Stevie Wonder was one of the pioneers to getting Martin Luther King Jr a national holiday. Stevie Wonder in 1985 received an Academy Award for his song, I Just Called To Say I Love in the film, The Woman In Red. In 1986, Stevie Wonder made a guest appearance on the hit-show The Cosby Show. It was during this episode in which people were astounded toward what the synthesizer could really do. In 1987 Stevie Wonder made a duet with Michael Jackson on his Bad album with the single, Just Good Friends. In the same year Michael Jackson did a duet on Stevie Wonder's characters album. In 1991, Stevie Wonder recorded a soundtrack album for Spike Lee in his new movie, Jungle Fever. The album was entitled, Jungle Fever and the hit-song on it was entitled Jungle Fever. Other singles that came from this album were Gotta Have You,Feeding Off The Love Of The Land,and These Three Words. Stevie Wonder continued releasing new material throughout the 90's such as Natural Wonder, and Conversation Piece. In 1996 Stevie Wonder's A Song In The Key Of Life album became a documentary subject, and several of the musicians who contributed to the success of the album had a reunion. In 1997 Stevie Wonder collaborated with Babyface on the single, How Come How Long.
In 2000 Stevie Wonder contributed to two sound track songs for Spike Lee's film Bamboozled. The two soundtrack songs were Misrepresented People and Some Years Ago. In 2006, Stevie Wonder's inspiration of his life, his mother, Lula Mae Hardaway died on May,31,2006. Stevie Wonder then in 2007 announced his tour, A Wonder's Summer Night 13 concert tour- this was his first in over ten years, and he states, he wants to take all the sadness he feels,turn it around and celebrate. Stevie Wonder in 2008 was very involved in the Presidential Campaign, and why he thinks Obama will be a great president for America. Stevie Wonder talked at several press conferences about Obama and why America should vote for him. Stevie Wonder in 2009 was named the United Nations Messenger Of Peace.On February 23,2009 Stevie Wonder received the Gershwin Prize For Pop Music awarded to Stevie Wonder by Barack Obama. On June,25,2009 one of his best friends,Michael Jackson had died. Stevie Wonder attended the memorial and performed the song, Never Dreamed You'd Leave In Summer at the Staple's Center. Stevie Wonder recently in 2011 can be heard playing harmonica on Drake Graham's album Take Care.
Stevie Wonder's songs have been sampled by artists such as Jon Gibson,Red Hot Chilli Peppers,Mary J Blige and several other artists were inspired by Stevie's musical talent. Stevie Wonder will forever be known as a pioneer in music a philanthropist, and a messenger of peace addressing controversies in music which very few artists did at that time. Stevie Wonder has touched the hearts of millions through his music and his philanthropic generosity.- Music Artist
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Lionel Brockman Richie, Jr. is an American singer, songwriter, musician, record producer, and television judge. He rose to fame in the 1970s as a songwriter and the co-lead singer of funk band the Commodores; writing and recording the hit singles "Easy", "Sail On", "Three Times a Lady" and "Still", with the group before his departure. In 1980, he wrote and produced the US Billboard Hot 100 number one single "Lady" for Kenny Rogers. The following year, he wrote and produced the single "Endless Love", which he recorded as a duet with Diana Ross; it remains among the top 20 bestselling singles of all time, and the biggest career hit for both artists. In 1982, he officially launched his solo career with the album Lionel Richie, which sold over four million copies and spawned the singles "You Are", "My Love", and the number one single "Truly".- Composer
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Academy Award winner, Tom Whitlock '76, did not have a typical college experience. Student by day, rock n roll artist by night, Whitlock spread out his college career over several decades, allowing him to build a solo career as a songwriter. Whitlock's music has been featured in movies such as Beverly Hills Cop, Ten Things I Hate About You, and most notably, Top Gun. His love song, "Take My Breath Away," won an Academy Award and a Golden Globe Award for Best Original Song in 1986. Whitlock grew up in Springfield, Missouri, spending his high school days attending class during the day and playing with his rock bands on the weekends throughout the Midwest. He continued this lifestyle throughout college. Between several contracts with Columbia Pictures and other movie production companies, Whitlock managed to complete most of his credits at Drury University to complete a degree in music from 1971 - '81. But his successful music career prevented him from graduating. Though lacking a bachelor's degree, Whitlock found great value in the knowledge gained from his classes at Drury. He credits Dr. Richard Mears and Dr. James Livingston with exposing him to literature that positively influenced his music. In 1999, Drury finally awarded Whitlock a degree- an honorary doctorate in music. When asked which musical accomplishment was most important to him, Whitlock did not have an answer. "The reason for it is always the next song. My mind is always on the next project, the job of the day." Whitlock works with artists across the globe, creating music for movies in America to rock bands in Australia. Among his many accomplishments, including several gold and platinum records, Drury honored Whitlock with a Distinguished Alumni award in 1998.- Composer
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Franke Previte was born on 2 May 1946 in New Brunswick, New Jersey, USA. He is a composer and actor, known for Dirty Dancing (1987), Get Out (2017) and Mystic Pizza (1988).- Composer
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Donald Markowitz is an American producer/composer best known for co-writing the Academy Award winning song, "I've Had the Time of My Life", from the film "Dirty Dancing". Born and raised in New York City, Markowitz began his career playing bass for Speedo and the Cadillacs and many other well known artists from that era. He has performed at the Apollo Theatre, Radio City Music Hall, the Cotton Club and Roseland Ballroom, among other celebrated venues. In theatre, his band "Arms Akimbo"performed and wrote the music for Sam Shepard's "The Tooth of Crime" at The La Mama Theatre. Donald has composed for the WPA theatre, the Old Globe in San Diego, and The Falcon Theatre in Los Angeles. After winning the Oscar, Donald relocated to Los Angeles where he spent many years writing songs and scores for film and television. In 2011, Donald and family moved to the Broadmoor area of New Orleans where they reside today. Donald works out of Esplanade Studios in the famous Treme neighborhood. Donald's work as a producer includes Bobby Rush's 2014 album, which features a duet with Dr. John and Bobby Rush on a song co-written by Markowitz called "Another Murder in New Orleans". The album, titled "Decisions", was nominated for a 2014 Grammy award for Best Blues Album category. He has produced, written, recorded and worked with Van Morrison, Taj Mahal, Dr. John, Bill Medley, Bobby Rush, Art Neville, Ivan Neville, James Andrews, Irvin Mayfield, Lee Sklar, Kate Markowitz, Stephen Bray, Shane Theriot, Doug Belote and may more amazing artists and musicians. James Taylor, Shawn Colvin and Nicollete Larson have sung on his records. He is presently producing a documentary about the drummers of New Orleans entitled Street Beat-Drumming Below Sea Level. Now signed to Kobalt Music he continues to collaborate with many of the great artists from New Orleans and around the world. Donald would like to thank his three mentors- Earl"Speedo"Carroll who taught him how to be a professional musician, multi-Academy Award winning film producer Arthur Cohn who taught him to create timeless work, and to multi-Emmy Award winning producer/writer Steven Bochco who taught him how to write and how to produce. He owes it all to his amazing wife Carol and kids Callie, Spencer, Sam and Sadie.- Actress
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Carly Simon has an unparalleled career that spans five decades of openhearted storytelling both in song and print. Joining the singer-songwriters of the early 1970s, Simon changed the public's conception of pop music to an honest, sensitive and intelligent craftwork. Simon's biggest success came with 1972's No Secrets which included "You're So Vain." The album sold millions of copies and occupied the Billboard charts for 71 weeks, peaking at #1 for three consecutive weeks.
Carly has released over twenty-eight albums of original music, multiple award-winning film scores including two Disney movies based on Winnie the Pooh, treasured children's books, two instant #1 New York Times bestseller memoirs, and composed Romulus Hunt, a family opera. Her hit songs include "That's The Way I've Always Heard It Should Be," "Anticipation," "You're So Vain," "Coming Around Again," and "Let the River Run" which was featured in Mike Nichols' movie Working Girl (1988), earning Simon an Academy Award, Golden Globe and Grammy, making her the first female artist in history to win all three awards for a single song as a performer and composer. She has been inducted into the the Grammy Hall of Fame for "You're So Vain", the Songwriter's Hall of Fame and was presented the prestigious Founders Award by ASCAP.
Carly Simon has had an indelible impact on popular music and continues to create, influence and inspire.- Music Department
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Alan Menken is an American composer, songwriter, music conductor, director and record producer.
Menken is best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1987), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), among others.
He is also known for his work in musical theatre for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include Little Shop of Horrors (1982), A Christmas Carol (1994) and Sister Act (2009).
Menken has collaborated with such lyricists as Lynn Ahrens, Howard Ashman, Jack Feldman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. With eight Academy Award wins, Menken is the second most prolific Oscar winner in the music categories after Alfred Newman, who has 9 Oscars. He has also won 11 Grammy Awards, a Tony Award, Emmy Award, 7 Golden Globe Awards and many other honors.- Music Department
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A native of Baltimore, Maryland, Howard Ashman moved to New York City in 1974 and began writing plays while working as an editor in a publishing house. His work attracted attention and he became WPA Theatre's artist director in 1977. In 1982, Ashman collaborated with composer Alan Menken on the musical "Little Shop of Horrors", one of off-Broadway's highest-grossing musicals. The team of Ashman and Menken shifted their focus to movies, creating some of the songs for The Little Mermaid (1989). One of them, "Under the Sea", won an Oscar in 1989 for best song. Ashman then wrote the lyrics for the songs in the Disney animated musical hit Beauty and the Beast (1991), and he and Menken won another Oscar for the title song. However, two days after he won an Oscar for "Under the Sea" Ashman confided in Menken that he had AIDS. Despite the terminal illness that was making him weaker every day, Ashman never stopped composing songs. He even turned out more songs for a third Disney animated musical, Aladdin (1992), before his death from AIDS on March 14, 1991, at the age of 40.- Music Department
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He did his pre college training at George School, Newtown, Bucks County, Pennsylvania, then was in a class of 50 at Williams College majoring in music as an undergraduate distinguishing himself by writing a book, lyrics and music for two college shows based on the adaption of 'Beggar on Horseback'. He won the Hutchinson prize to study music composition for 2 years. His first professional writing was in 1953 when he co authored the script for the television series'Topper'. A year later he wrote all the music and lyrics for'Saturday night' . In 1955 he started work on 'West Side Story' and also found time to writ scripts for 'The Last Word' for Columbia Broadcasting and the background music for' The Party Girls of Summer' For the film of 'West Side Story' he created new and powerful lyrics for the 'America' sequence, which is the only major alteration from the Broadway production.- Music Department
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A prolific lyricist and librettist, Tim Rice was born in Amersham, Buckinghamshire. He was educated at Aldwickbury School in Hertfordshire, St Albans School and finally Lancing College. He briefly attended Sorbonne Université. He was considering a legal career around the time that he met Andrew Lloyd Webber in 1965. Three years later, the two young men composed a 20-minute pop oratorio that would eventually become "Joseph and the Amazing Technicolor Dreamcoat". The piece was premiered on 1st March 1968 at the Colet Court School in the City of London. During the following months, Rice and Webber lengthened the oratorio to 30 minutes, and a record album of "Joseph" (with Rice singing the role of "Pharaoh") was made at the end of 1968.
Remaining in partnership with Webber, his next project was "Jesus Christ Superstar". Introduced to the public as a concept album in 1970, the opera propelled Rice and Webber to international stardom. Staged versions appeared the following year, and their popularity led to the film Jesus Christ Superstar (1973).
Following "Superstar", Rice and Webber returned to their previous project and expanded it into (more or less) its finalised form. The concept album for "Joseph and the Amazing Technicolor Dreamcoat" was released in 1974.
Inexplicably eclipsed by his collaborator, Rice may never have received the acclaim that he deserved for his contributions to the partnership. The death-throws of the Rice-Webber collaboration produced a third opera, called "Evita". Its concept album was released in 1976.
Rice continued on with a piece called "Blondel", which appeared in 1983. Set to music by Stephen Oliver, "Blondel" was arguably the most comic and witty of Rice's major works. The opera "Chess" followed, with its concept album arriving in 1984. Former ABBA songwriters Björn Ulvaeus and Benny Andersson provided the music for "Chess", and the concept album was an international hit. "Chess" was staged in London in 1986 with great success, but the 1988 Broadway production was radically revised without Rice's knowledge or permission, and it was quickly shut down.
In 1987 Rice was asked by Freddie Mercury and Mike Moran to write lyrics for Freddie's album with Montserrat Caballé "Barcelona", released in 1988, one entitled "The Fallen Priest" and the other "The Golden Boy".
In 1991, he was hired to finish the lyrics for the Walt Disney film Aladdin (1992). Disney subsequently teamed him with Elton John for The Lion King (1994). Rice also composed additional lyrics for the stage version of Disney's film Beauty and the Beast (1991), which opened on Broadway in 1994. A stage version of The Lion King (1994) opened on Broadway in 1997, as he was working with Elton John on two new projects - "Aida", which opened on Broadway in 2000, and the Dreamworks film The Road to El Dorado (2000).
The 1991 to 2000 period also saw a flurry of activity for Tim Rice's earlier works. Major revival productions of "Joseph and the Amazing Technicolor Dreamcoat" and "Jesus Christ Superstar" were staged in many parts of the world. Additionally, there was the film Evita (1996), as well as the video-films Joseph and the Amazing Technicolour Dreamcoat (1991), and Jesus Christ Superstar (2000).
Apart from theatre and film, Rice has written recurring columns for UK newspapers, as well as having shown up regularly on BBC Radio and Television. In 1973, he founded a cricket side - The Heartaches - for which he serves as a manager as well as a player. He also makes regular contributions to various cricket magazines. He continues to have projects in development for the theatre and for film. Most anxiously awaited - especially by audiences in Canada and the United States - is, perhaps, a revival of the authentic 1986 London version of "Chess".- Music Artist
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Bruce Frederick Joseph Springsteen was born September 23, 1949 in Long Branch, New Jersey, USA. His father, Douglas Frederick Springsteen, worked as a bus driver, and was of Irish and Dutch ancestry. His mother, Adele Ann (Zerilli), worked as a legal secretary, and was of Italian descent. He has an older sister, Virginia, and a younger sister Pamela Springsteen. Bruce was raised as a Catholic. He was inspired to take up music when he, at the age of seven, saw Elvis Presley on The Ed Sullivan Show (1948). When he was thirteen he bought his first guitar for 18 dollars. His mother took out a loan when Bruce was 16 and bought him a Kent guitar for 60 dollars.
In 1965, he became the lead guitarist in the band "The Castiles", he would later become lead singer in the band. The Castiles recorded two original songs at a public recording studio in Brick Township, New Jersey. From 1969 to 1971 he performed with Steven Van Zandt, Danny Federici and Vini "Mad Dog" Lopez in a band called "Child", that was renamed later to "Steel Mill" when guitarist Robbin Thompson joined the band.
In 1972, he signed a record deal with Columbia Records and released his debut album, "Greetings from Asbury Park, N.J.", with his New Jersey-based colleagues, who would later be called "The E Street Band", In January, 1973. The album had critical success and so did their second album, "The Wild, the Innocent & the E Street Shuffle", released in September, 1973, but had little commercial success. In 1975, after more than 14 month of recording, their third album was released, "Born to Run", which had both critical and commercial success for Springsteen and the band.
In 1977, he returned to the studio, after a two-year legal battle with former manager Mike Appel, and produced the album, "Darkness on the Edge of Town", released in 1978 and became a turning point musically for his career. In 1980 came the release of "The River", the album sold well and he followed up with the album "Nebraska" which had critical success but had little commercial success. Springsteen came back with a bang with the release of the album "Born in the U.S.A." in 1984, which sold 15 million copies in the U.S. alone and had seven top ten singles. It became one of the best-selling albums of all time.
After the huge success of the "Born in the U.S.A." album he released a more calm and sedate album in 1987, "Tunnel of Love", which included songs about love lost and the challenges of love, after the break-up with first wife, Julianne Phillips. The albums released in 1992, "Lucky Town" and "Human Touch" were also popular, Human Touch being the most popular of the two, hitting the number one spot of the best-selling albums in the UK. In 1994 he won an academy award for the song "Streets of Philadelphia" featured in the film Philadelphia (1993).
In 1995, he released the album "The Ghost of Tom Joad", which was mostly a solo guitar album and was inspired by "Journey to Nowhere: The Saga of the New Underclass," a book by Pulitzer Prize-winning writer Dale Maharidge. After being apart from the E Street Band for several years they reunited with a successful tour which ended in Madison Square Garden in New York in the year 2000. In 2002 he released the first studio album with the full band in over 18 years, "The Rising", and it became a critical and commercial success. In 2005 he released his third folk album (after "Nebraska" and "The Ghost of Tom Joad"), "Devils & Dust" It was followed by "We Shall Overcome: The Seeger Sessions" in 2006 and "Magic" in 2007. His 16th album will be released on January 27, 2009 and is called "Working on a Dream".
He married for the first time at the age of 35 to actress Julianne Phillips. The marriage helped boost her acting career, but his traveling took it's toll on the marriage and the final blow came when she found out his affair with the American singer/songwriter/guitarist Patti Scialfa. Their marriage ended in 1989. He then married Patti Scialfa on June 8th, 1991, They had lived together since the separation between him and his first wife and they had a child before they married. They have three children together: Evan James Springsteen (born July 25, 1990), Jessica Rae (born December 30, 1991) and Sam Ryan Springsteen (born January 5, 1994).- Music Artist
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Sir Elton John is one of pop music's great survivors. Born 25 March, 1947, as Reginald Kenneth Dwight, he started to play the piano at the early age of four. At the age of 11, he won a scholarship to the Royal Academy of Music. His first band was called Bluesology. He later auditioned (unsuccessfully) as lead singer for the progressive rock bands King Crimson and Gentle Giant. Dwight teamed up with lyricist Bernie Taupin and changed his name to Elton John (merging the names of saxophonist Elton Dean and Long John Baldry). The duo wrote songs for Lulu and Roger Cook. In the early 1970s, he recorded the concept album "Tumbleweed Connection." He became the most successful pop artist of the 1970s, and he has survived many different pop fads including punk, the New Romantics and Britpop to remain one of Britain's most internationally acclaimed musicians.
Elton John announced he was a bisexual in 1976, and in 1984, he married Renate Blauel. The marriage lasted four years before he finally came to terms with the fact that he was actually homosexual. In the 1970s and 1980s, he suffered from drug and alcohol addiction and bulimia but came through it. He is well known as a campaigner for AIDS research and he keeps his finger on the pulse of modern music, enjoying artists such as Eminem, Radiohead, Coldplay and Robbie Williams. He was knighted in 1997.- Music Department
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Stephen Schwartz was born on 6 March 1948 in New York City, New York, USA. He is a composer and writer, known for Pocahontas (1995), The Prince of Egypt (1998) and Enchanted (2007). He has been married to Carole Piasecki since 6 July 1969. They have two children.- Composer
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Andrew Lloyd Webber is arguably the most successful composer of our time. He is best known for stage and film adaptations of his musicals Jesus Christ Superstar (1973), Cats (1994), Evita (1996), and The Phantom of the Opera (2004).
He was born on March 22, 1948, in South Kensington in London, England, the first of two sons of William Lloyd Webber, an organist and composer. His mother, Jean Johnstone, was a pianist and violinist. Young Andrew Lloyd Webber learned to play various musical instruments at home and began composing at an early age. He continued his music studies at Westminster School, where his father was an organist. At the age of 9, young Andrew was able to play the organ and assisted his father during performances. In 1964 he went to Oxford University as a Queens Scholar of history.
In 1965 he met lyricist Tim Rice and dropped out of school to compose musicals and pop songs. In 1968 he had his first success with the West End production of 'Joseph and the Amasing Techicolor Dreamcoat'. From the 1960s to 2000s Lloyd Webber has been constantly updating his style as an eclectic blend of musical genres ranging from classical to rock, pop, and jazz, and with inclusion of electro-acoustic music and choral-like numbers in his musicals.
Andrew Lloyd Webber shot to fame in 1971 with the opening of his rock opera 'Jesus Christ Superstar'. His next successful collaboration with Tim Rice was the musical biopic 'Evita', based on the true story of Eva Peron of Argentina. Andrew Lloyd Webber has been constantly updating the genre of musical theatre. In 1981 he delivered 'Cats', based on Old Possum's Book of Practical Cats and other poems by T.S. Eliot. It was produced at New London Theatre, where stage was designed as a giant junkyard with large-scale bottles and cans scattered around a huge tire representing a playground for cats dressed in exotic costumes who would come and go through the aisles. The record-breaking production of 'Cats' was on stage for 21 seasons, from 1981 - 2002, and became one of the most popular musicals of all time. It played the total of 8,949 performances in London and 7,485 in New York.
In 1986 Andrew Lloyd Webber released his most successful musical, 'The Phantom of the Opera', based on the eponymous book by Gaston Leroux with the English lyrics by Charles Hart. 'The Phantom of the Opera' became the highest grossing entertainment event of all time, with total worldwide gross of 3,3 billion dollars and attendance of 80 million. It is also the longest running Broadway musical of all time and the most financially successful Broadway show in history. 'The Phantom of the Opera' was translated into several languages and was produced in more than twenty countries as "clones" of the original production, using similar staging, direction, costumes concept and sets design.
He was knighted Sir Andrew Lloyd Webber in 1992, and was created an honorary life peer in 1997 as Baron Lloyd-Webber, of Syndmonton in the County of Hampshire. He won the 1996 Academy Award for Best Music, Original Song for Evita (1996), and received two more Oscar nominations. Among his other awards are seven Tonys and three Grammys, including his 1986 Grammy Award for Requiem in the category of best classical composition. In 2006 Andrew Lloyd Webber was Awarded Kennedy Center Honors. He owns seven London theatres, which he also restored. Outside of his entertainment career he developed a passion for collecting Pre-Raphaelite paintings and Victorian art. He was married three times and has five children. He is residing in England.
Andrew Lloyd Webber is currently working on his new opera titled 'Master and Margarita' based on the eponymous novel by Mikhail A. Bulgakov.- Music Department
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James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s. After receiving a bachelor's degree in music at USC, he would go on to earn his master's degree at UCLA and teach music theory there. He later completed his Ph.D. in Music Composition and Theory at UCLA. Horner began scoring student films for the American Film Institute in the late 1970s, which paved the way for scoring assignments on a number of small-scale films. His first large, high-profile project was composing music for Star Trek II: The Wrath of Khan (1982), which would lead to numerous other film offers and opportunities to work with world-class performers such as the London Symphony Orchestra. With over 75 projects to his name, and work with people such as George Lucas, Steven Spielberg, James Cameron, Oliver Stone, and Ron Howard, Horner firmly established himself as a strong voice in the world of film scoring. In addition, Horner composed a classical concert piece in the 1980s, called "Spectral Shimmers", which was world premiered by the Indianapolis Symphony Orchestra. Horner passed away in a plane crash on June 22, 2015, two months short of his 62nd birthday.- Music Artist
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Phil Collins was born in Chiswick, London, England, to Winifred (Strange), a theatrical agent, Greville Philip Austin Collins, an insurance agent. He spent most of his early entertainment life as a young actor and model. He played the "Artful Dodger" in the West End production of "Oliver!" alongside the future movie screen "Artful Dodger," Jack Wild. His interest in music and drumming began at school, where he drummed with a stage school band "The Real Thing," subsequently joining "Freehold" and "Flaming Youth." "Flaming Youth" recorded an album to some critical acclaim, although the group disbanded shortly afterward. Collins later successfully auditioned for Genesis, taking over vocals from Peter Gabriel when he left the band in 1975.
After separating from his first wife, Collins recorded his first solo album, "Face Value." The album was well received and Collins started to become a household name after the song "In the Air Tonight" was featured on the US TV show Miami Vice (1984). This instigated a guest appearance on the show playing a game show host. His third LP, "No Jacket Required," produced multiple chart hits and awards.
Collins is an active musician and entertainer, contributing and guesting regularly on many albums, ranging from Gary Brooker and Camel (Peter Barden's old band) to Eric Clapton. Collins also played as the drummer for the jazz fusion group Brand X and later formed his own big band to play swing and jazz music.
Collins was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010. With over 200 million album sales (when his solo career and Genesis career are combined), Collins is one of the most successful musicians of all time, as well as probably the most successful British pop star to have been consistently overlooked for the Brit Award for Outstanding Contribution to British music.
Actress Lily Collins is his daughter (her mother is his second wife, Jill Tavelman).- Music Artist
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Robert Allen Zimmerman was born 24 May 1941 in Duluth, Minnesota; his father Abe worked for the Standard Oil Co. Six years later the family moved to Hibbing, often the coldest place in the US, where he taught himself piano and guitar and formed several high school rock bands. In 1959 he entered the University of Minnesota and began performing as Bob Dylan at clubs in Minneapolis and St. Paul. The following year he went to New York, performed in Greenwich Village folk clubs, and spent much time in the hospital room of his hero Woody Guthrie. Late in 1961 Columbia signed him to a contract and the following year released his first album, containing two original songs. Next year "The Freewheelin' Bob Dylan" appeared, with all original songs including the 1960s anthem "Blowin' in the Wind." After several more important acoustic/folk albums, and tours with Joan Baez, he launched into a new electric/acoustic format with 1965's "Bringing It All Back Home" which, with The Byrds' cover of his "Mr Tambourine Man," launched folk-rock. The documentary Bob Dylan: Dont Look Back (1967) was filmed at this time; he broke off his relationship with Baez and by the end of the year had married Sara Dylan (born Sara Lowndes). Nearly killed in a motorcycle accident 29 July 1966, he withdrew for a time of introspection. After more hard rock performances, his next albums were mostly country. With his career wandering (and critics condemning the fact), Sam Peckinpah asked him to compose the score for, and appear in, his Pat Garrett & Billy the Kid (1973) - more memorable as a soundtrack than a film. In 1974 he and The Band went on tour, releasing his first #1 album, "Planet Waves". It was followed a year later by another first-place album, "Blood on the Tracks". After several Rolling Thunder tours, the unsuccessful film Renaldo and Clara (1978) and a divorce, he stunned the music world again by his release of the fundamentalist Christrian album "Slow Train Coming," a cut from which won him his first Grammy. Many tours and albums later, on the eve of a European tour May 1997, he was stricken with histoplasmosis (a possibly fatal infection of the heart sac); he recovered and appeared in Bologna that September at the request of the Pope. In December he received the Kennedy Center Award for artistic excellence.- Music Artist
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Randy Newman is an American film composer and singer who is well-known for composing The Princess and the Frog, Meet the Parents and various Pixar films including the Toy Story, Monsters, Inc and Cars franchises as well as A Bug's Life. He wrote iconic songs such as "Short People", "You've Got A Friend in Me" and "We Belong Together". He won Best Original Song for Toy Story 3.- Music Artist
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Eminem was born Marshall Bruce Mathers III in St. Joseph, Missouri, to Deborah R. (Nelson) and Marshall Bruce Mathers, Jr., who were in a band together, Daddy Warbucks. He is of English, as well as some German, Scottish, and Swiss-German, ancestry. Marshall spent his early childhood being shoved back and forth from Kansas City and Detroit. He settled on the Eastside of Detroit when he was 12. Switching schools every two to three months made it difficult to make friends, graduate and to stay out of trouble. Marshall attended Lincoln High School in Warren, Michigan, 1986-1989.
Being a rap fan for most of his life, Marshall began rapping at the early age of 4. Rhyming words together, battling schoolmates in the lunchroom brought joy to what was otherwise a painful existence. At the age of 14, he began to get very serious about his rapping but it wasn't until he was 17 that he actually made a name for himself, becoming M&M, which he would later respell as "Eminem". Being rejected by most fellow rappers because of his race, Marshall grew an anger that flows through his music to this day. After failing the 9th grade for three times in a row, he quit school, but has remarked that he does not consider himself stupid and does not advise that people should follow his example. He says that it just wasn't for him. Forcing himself on radio shows, freestyle battles, Marshall threw himself head first into the rap game, where he was swallowed up most of the time. His very first album was titled "Infinite" and, while the album sold less than a thousand copies, it was the gearing up stages for the rapper who became a millionaire. It was then that his daughter, Hailie Jade Scott, was born on December 25th of 1995 with long time girlfriend Kim Scott.
Having nothing to lose at all, flat broke and not knowing where he would be living the next week, Marshall set out to rant about life in general, the set quickly caught the ear of hip-hop's difficult-to-please underground. What came out of this was the Slim Shady EP, the early work for the later Dr. Dre revised Slim Shady LP. Down to nearly his last dime, he went into the 1997 Rap Olympics in Los Angeles, basically hoping to win the $1,500 cash prize which he badly needed. After battling for an hour and throwing back every race diss thrown at him, Marshall made it to second place losing in a slip up. Furious that he had lost, Marshall didn't even notice that he had been spotted. In the crowd were a few producers from Interscope, and they were handed a copy of the "Infinite" tape by way of a demo.
Dr. Dre got to hear it and eventually tracked him down. The two instantly hit it off, recording four songs in their first six hours of working - three which made it to his first LP. After the album was finished, Dr. Dre asked Marshall to come work with him on his new album. He helped produce several tracks and was on the best songs of the album. Now officially making it, Marshall and Dre set to make his second LP. The album became the Marshall Mathers LP and won 3 Grammies and was the first rap album ever to be nominated "Album of the Year", selling more than 8 million records in the United States alone. He also stunned critics when he shot down all homophobic remarks by performing "Stan" with Elton John. Eminem made a movie, 8 Mile (2002). Though 2001 was a rough year for the rapper, being charged with weapon offenses, divorcing his wife, and almost going to prison, Marshall has explained his life in one word: "Claimer".- Music Department
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Luis Resto was born on 22 July 1961 in Michigan, USA. He is a composer and writer, known for 8 Mile (2002), Fast Five (2011) and Venom (2018).- Writer
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Fran Walsh is a New Zealand writer and wife of New Zealand film director Peter Jackson. She co-wrote The Lord of the Rings film trilogy, which is seen by many as Jackson's magnum opus and one of the most significant film series ever made. She also wrote The Hobbit trilogy, a prequel to Jackson's Lord of the Rings trilogy, King Kong, Mortal Engines, The Frighteners, Heavenly Creatures, The Lovely Bones and Meet the Feebles.- Music Department
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Howard Shore is a Canadian composer, born in Toronto. He was born in a Jewish family. He started studying music when 8-years-old, and played as a member of bands by the time he was 13-years-old. He was interested in a professional career in music as a teenager. He studied music at the Berklee College of Music, a college of contemporary music located in Boston.
For a few years in the late 1960s and early 1970s, Shore was a member of Lighthouse, a jazz fusion band. In the 1970s, Shore mainly composed music for theatrical performances and a few television shows. His most notable work was composing the music for the one-man-act show of stage magician Doug Henning. He also served as a musical director in then-new television show "Saturday Night Live" (1975-). He was hired by the show's producer Lorne Michaels, who was a close friend of Shore since their teen years.
In 1978, Shore started his career as a film score composer, with scoring the B-movie " I Miss You, Hugs and Kisses" (1978). His next film score was composed for the horror film "The Brood" (1979). Shore had a good working relationship with the film's director David Cronenberg. Cronenberg would continue to use Shore as the composer of most of his films, with the exception of "The Dead Zone" (1983).
In the 1980s, Shore also composed the film scores of works by other directors, such as "After Hours" (1985) by Martin Scorsese, and "Big" (1988) by Penny Marshall. He received more acclaim for composing the film score for "The Silence of the Lambs" (1991), a major hit of its era. Shore was nominated for a BAFTA award for this film score.
By the 1990s, Shore was an established composer of high repute and worked in an ever increasing number of films. Among his better known works were the film scores for comedy film "Mrs. Doubtfire" (1993) and crime thriller "Seven" (1995). Shore received even more critical acclaim in the 2000s, when he composed the film score for fantasy film "The Lord of the Rings: The Fellowship of the Ring" (2001). He won an Academy Award and a Grammy for the film score, and received nominations for a BAFTA award and a Golden Globe.
Shore continued his career with the film scores of acclaimed films "Gangs of New York" (2002), "The Lord of the Rings: The Two Towers" (2002), and "The Lord of the Rings: The Return of the King" (2003). He received his second Academy Award for the film score of "The Return of the King", and his third Academy Award as the composer of hit song "Into the West". He won several other major awards for these film scores. His film scores for "The Lord of the Rings" trilogy are considered the most famous and successful works of his career.
For the rest of the 2000s, Shore closely collaborated with director Martin Scorsese. Shore won a Golden Globe for the film score of Scorsese's "The Aviator" (2004). In the 2010s, Shore continues to work regularly, mostly known for composing film scores for works by directors David Cronenberg, Martin Scorsese, and Peter Jackson. He was the main composer for "The Hobbit" trilogy by Peter Jackson, and the fantasy film "The Twilight Saga: Eclipse" (2010) by David Slade.- Music Artist
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Annie Lennox was born on 25 December 1954 in Aberdeen, Aberdeenshire, Scotland, UK. She is a music artist and actress, known for The Lord of the Rings: The Return of the King (2003), Scrooged (1988) and Bram Stoker's Dracula (1992). She has been married to Mitch Besser since 15 September 2012. She was previously married to Uri Fruchtmann and Radha Raman.- Composer
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Jorge Drexler was born on 21 September 1964 in Montevideo, Uruguay. He is a composer and actor, known for The Motorcycle Diaries (2004), The Outlaw (2010) and Cándida (2006). He was previously married to Ana Laan.- Music Artist
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Juicy J was born on 5 April 1975 in Memphis, Tennessee, USA. He is a music artist and actor, known for Hustle & Flow (2005), Logan (2017) and Teenage Mutant Ninja Turtles (2014).- Actor
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Cedric Coleman is known for Lip Sync Battle (2015), Dig That, Zeebo Newton (2018) and Take Me to the River (2014).- Actor
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From his early Three 6 Mafia days as a Southern rap pioneer, Paul's skills as a DJ, producer, and rapper helped propel the raucous ensemble to multiple RIAA platinum and gold plaques by way of smash hits such as "Tear The Club Up", "Late Night Tip", "Sippin' On Some Syrup" and "Stay Fly".
Three 6 Mafia's legendary status in Memphis led up-and-coming director Craig Brewer to call on Paul and his cohorts for music to be featured in his 2005 motion picture Hustle & Flow, a gripping story of Hip Hop, poverty and chasing dreams, in which DJ Paul also made a memorable cameo.
"Hard Out Here For A Pimp", Hustle & Flow's lead single co-written by DJ Paul, won the Oscar for Best Original Song at the 78th Academy Awards, instantly catapulting Three 6 Mafia into a higher echelon of entertainment royalty.
The reality television series Three 6 Mafia's Adventures In HollyHood debuted on MTV in 2007, chronicling the group's move to Hollywood, California following their Oscar win. Viewers got a firsthand look at DJ Paul,Three 6 Mafia, in addition to their successful label acts Project Pat and Lil Wyte.
Paul continued his own successful string of music with Three 6 Mafia's Last 2 Walk album in 2008, a solo project, 2009's Scale-A-Ton, to complement highly-regarded street mix tapes and label projects along the way.
Making countless TV appearances throughout the better part of the last decade, 2011 saw a major return to reality television for DJ Paul by way of Vh1's Famous Food. This competition pit seven notable celebrities against each other for a chance at opening and co-owning a Hollywood restaurant with the prestigious Dolce Group.
From the onset, Paul's passion for food and presentation coupled with a keen business sense cast him as an early favorite to win the entire contest. DJ Paul was ultimately crowned the winner and co-owner of Lemon Basket, sharing the honor with Danielle Staub of Bravo's Real Housewives of New Jersey.
Using momentum from his Famous Food success, 2011 also saw DJ Paul launch a signature series of BBQ spice rubs and BBQ sauce to reflect the storied Memphis BBQ tradition. With rapidly-growing sales and nationwide distribution on the horizon, it would appear that Paul's Southern legacy will continue to spread.
In 2012, Paul released his solo album and DVD Person of Interest. Soon after, he announced the development of Da Mafia 6ix, reuniting several original members of Three 6 Mafia to create the 6ix Commandments mix tape project. Paul also produced an exclusive EP with Yelawolf, which was released on Halloween 2013. In early 2014, Da Mafia 6ix set out on a six-week national tour, followed by a Summer tour.
Of course, music is never far from the forefront of Paul's burgeoning empire. It's safe to say that DJ Paul is cooking up nothing short of success. What's next for the man that can do it all? Only time will tell, but a betting man would guess that whatever it is, Paul's Memphis roots will not be far behind.