Our favorite scores of 2023 are wide-ranging. They include everything from intimate love stories to inventive looks into the past to the biggest and loudest blockbusters. We have animated juggernauts and weirder, wilder genre swings alongside the films that probably will get more awards attention for their scores — along with all their other categories. Some scores have gone viral on TikTok, and some have yet to have the chance; although if anything deserves its own TikTok trend, it is Robbie Robertson’s last, greatest work on “Killers of the Flower Moon.”
Whether as big as the universe or as small-scale as a lapsed relationship, whether orchestral, electronic, or a mix of both, this year’s best film scores go after a variety of different moods and presences inside their films. Constant hums and whirs animate films like “Poor Things” while the musical howl of “The Zone of Interest” only appears a...
Whether as big as the universe or as small-scale as a lapsed relationship, whether orchestral, electronic, or a mix of both, this year’s best film scores go after a variety of different moods and presences inside their films. Constant hums and whirs animate films like “Poor Things” while the musical howl of “The Zone of Interest” only appears a...
- 12/16/2023
- by Sarah Shachat, Jim Hemphill and Proma Khosla
- Indiewire
Deadline’s Sound & Screen Film award-season event last week showcased the music and scores from nine buzzy awards-season movies, with composers and songwriters performing their work with the help of a 60-piece orchestra in front of an live audience at UCLA’s Royce Hall.
Click here to launch Deadline’s Sound & Screen Film streaming site.
The evening also featured panel conversations with composers Alexandre Desplat (Guillermo del Toro’s Pinocchio), Michael Abel (Nope), Benjamin Wallfisch (Thirteen Lives), Emilie Levienaise-Farrouch (Living), Pawel Mykietyn (Eo) and Ludwig Göransson (Black Panther: Wakanda Forever); songwriters Diane Warren (Tell It Like a Woman) and Robin Pecknold (Wildcat); and Ian Eisendrath, executive music producer of Spirited.
Related: Deadline’s Sound & Screen – Full Coverage
The studios that participated in Thursday’s event included Netflix, Universal Pictures, Amazon Studios, Samuel Goldwyn Films, Apple Original Films, Sideshow and Janus Films, Sony Pictures Classics and Walt Disney Studios.
Related: Deadline...
Click here to launch Deadline’s Sound & Screen Film streaming site.
The evening also featured panel conversations with composers Alexandre Desplat (Guillermo del Toro’s Pinocchio), Michael Abel (Nope), Benjamin Wallfisch (Thirteen Lives), Emilie Levienaise-Farrouch (Living), Pawel Mykietyn (Eo) and Ludwig Göransson (Black Panther: Wakanda Forever); songwriters Diane Warren (Tell It Like a Woman) and Robin Pecknold (Wildcat); and Ian Eisendrath, executive music producer of Spirited.
Related: Deadline’s Sound & Screen – Full Coverage
The studios that participated in Thursday’s event included Netflix, Universal Pictures, Amazon Studios, Samuel Goldwyn Films, Apple Original Films, Sideshow and Janus Films, Sony Pictures Classics and Walt Disney Studios.
Related: Deadline...
- 11/14/2022
- by The Deadline Team
- Deadline Film + TV
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