Director: Robert Stromberg Writers: Linda Woolverton (screenplay), Charles Perrault (story), Jacob Grimm (story), Wilhelm Grimm (story), Erdman Penner (screenplay Sleeping Beauty 1959), Joe Rinaldi (screenplay Sleeping Beauty 1959), Winston Hibler (screenplay Sleeping Beauty 1959), Bill Peet (screenplay Sleeping Beauty 1959), Ted Sears (screenplay Sleeping Beauty 1959), Ralph Wright (screenplay Sleeping Beauty1959), Milt Banta (screenplay Sleeping Beauty 1959) Starring: Angelina Jolie, Elle Fanning, Sharlto Copley, Imelda Staunton, Lesley Manville, Juno Temple, Sam Riley, Brenton Thwaites Maleficent is not a […]...
- 5/30/2014
- by Matthew McKibben
- SmellsLikeScreenSpirit
Alice in Wonderland
Directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske
Written by Winston Hibler, Ted Sears, Bill Peet, Erdman Penner, Joe Rinaldi, Milt Banta, Bill Cottrell, Dick Kelsey, Joe Grant, Dick Huemer, Del Connell, Tom Oreb, and John Waltridge
Starring Kathryn Beaumont, Ed Wynn, Verna Felton
I should not pride myself in my ability to not be bored stiff by black-and-white movies, or by a supposedly stilted style of acting present in films from before the 1960s. There is a perception in the world, though, that audiences under the age of 30—I’m nearing the precipice of being on the opposite side of that line, but not yet—are, for the most part, unable to deal with older films or engage with them properly. On one hand, I bristle at the stereotype, not just because of my love for film of any age, but because I know from writing for this website,...
Directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske
Written by Winston Hibler, Ted Sears, Bill Peet, Erdman Penner, Joe Rinaldi, Milt Banta, Bill Cottrell, Dick Kelsey, Joe Grant, Dick Huemer, Del Connell, Tom Oreb, and John Waltridge
Starring Kathryn Beaumont, Ed Wynn, Verna Felton
I should not pride myself in my ability to not be bored stiff by black-and-white movies, or by a supposedly stilted style of acting present in films from before the 1960s. There is a perception in the world, though, that audiences under the age of 30—I’m nearing the precipice of being on the opposite side of that line, but not yet—are, for the most part, unable to deal with older films or engage with them properly. On one hand, I bristle at the stereotype, not just because of my love for film of any age, but because I know from writing for this website,...
- 3/9/2013
- by Josh Spiegel
- SoundOnSight
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