The Hulu series The 1619 Project and the Showtime feature Nothing Lasts Forever scored a leading three nominations apiece today as the Cinema Eye Honors announced its first round of contenders for the prestigious documentary-focused awards.
The 1619 Project, based on Nikole Hannah-Jones’s Pulitzer Prize-winning examination of slavery in North America and its impact up until the present day, earned nominations for Best Anthology Series, broadcast editing and broadcast cinematography. Oprah Winfrey, Oscar winner Roger Ross Williams and Hannah-Jones are among the producers of the six-part series.
‘Nothing Lasts Forever’
Nothing Lasts Forever, director Jason Kohn’s glittering examination of the world of diamonds – the real kind and the emergence of undetectable “synthetic” diamonds – earned nominations for Best Broadcast Film, broadcast editing and broadcast cinematography. Scroll for the full list of nominations announced today.
Other films and series that scored multiple nominations include Hulu’s Pretty Baby: Brooke Shields...
The 1619 Project, based on Nikole Hannah-Jones’s Pulitzer Prize-winning examination of slavery in North America and its impact up until the present day, earned nominations for Best Anthology Series, broadcast editing and broadcast cinematography. Oprah Winfrey, Oscar winner Roger Ross Williams and Hannah-Jones are among the producers of the six-part series.
‘Nothing Lasts Forever’
Nothing Lasts Forever, director Jason Kohn’s glittering examination of the world of diamonds – the real kind and the emergence of undetectable “synthetic” diamonds – earned nominations for Best Broadcast Film, broadcast editing and broadcast cinematography. Scroll for the full list of nominations announced today.
Other films and series that scored multiple nominations include Hulu’s Pretty Baby: Brooke Shields...
- 10/19/2023
- by Matthew Carey
- Deadline Film + TV
Hulu’s “The 1619 Project” and Showtime’s “Nothing Lasts Forever” lead all broadcast documentaries in nominations for the 17th annual Cinema Eye Honors, which were announced on Thursday during the Cinema Eye Fall Lunch at Redbird in downtown Los Angeles.
Each of the programs received three nominations in the five broadcast categories, with “The 1619 Project” nominated in the Anthology Series, cinematography and editing categories and “Nothing Lasts Forever” singled out in Broadcast film, cinematography and editing categories.
Other programs with multiple nominations include the broadcast movie “Pretty Baby: Brooke Shields,” the nonfiction series “Dear Mama” and “Paul T. Goldman” and the anthology series “Edge of the Unknown With Jimmy Chin” and “Our Planet II.”
Hulu led all networks and platforms with eight nominations, followed by Netflix with five and Showtime with four.
Cinema Eye Honors, a New York-based organization devoted to honoring all facets of nonfiction filmmaking, also...
Each of the programs received three nominations in the five broadcast categories, with “The 1619 Project” nominated in the Anthology Series, cinematography and editing categories and “Nothing Lasts Forever” singled out in Broadcast film, cinematography and editing categories.
Other programs with multiple nominations include the broadcast movie “Pretty Baby: Brooke Shields,” the nonfiction series “Dear Mama” and “Paul T. Goldman” and the anthology series “Edge of the Unknown With Jimmy Chin” and “Our Planet II.”
Hulu led all networks and platforms with eight nominations, followed by Netflix with five and Showtime with four.
Cinema Eye Honors, a New York-based organization devoted to honoring all facets of nonfiction filmmaking, also...
- 10/19/2023
- by Steve Pond
- The Wrap
“Atlanta’s Missing and Murdered: The Lost Children” is a five-part series on HBO that dives into the crime spree that terrorized the African American community and saw 29 children murdered or kidnapped between 1979 to 1981. Through previously unseen heart-wrenching interviews with the victim’s families, law enforcement, journalists and footage of Wayne Williams (who was jailed for the crimes but maintains his innocence to this day), the docuseries sheds a new light on the devastating loss of lives, questions who really committed the crimes and examines the failure of the American justice system.
“We couldn’t leave anyone out,” says lead editor E. Donna Shepherd.
Shepherd worked alongside editors R.A. Fedde and Ed Barteski to weave together the emotional story that puts the victims’ faces front and center in the world. Although that is emotional for the families, the production team shared the docuseries with the families and “talked them through in...
“We couldn’t leave anyone out,” says lead editor E. Donna Shepherd.
Shepherd worked alongside editors R.A. Fedde and Ed Barteski to weave together the emotional story that puts the victims’ faces front and center in the world. Although that is emotional for the families, the production team shared the docuseries with the families and “talked them through in...
- 5/5/2020
- by Jazz Tangcay
- Variety Film + TV
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