The Australian International Documentary Conference celebrated a record-breaking edition after holding its first expanded in-person event after two previous hybrid and virtual outings.
Held at Melbourne’s Australia Centre for the Moving Image on March 5- 8, the lively four-day conference of industry panels, screenings and networking events was followed by a three-day online international marketplace (March 9 – 11) that drew 820 documentary and factual industry delegates. The numbers were the highest in 20 years and the most attendees since the event relocated to Melbourne in 2016.
The third annual awards were also announced on March 8 with the top prize for best documentary feature going to “Wash My Soul in the River’s Flow,” director Philippa Bateman’s portrait of musician and activists Archie Roach and Ruby Hunter.
The award for best documentary/factual series was won by Blackfella Films’ “The Australian Wars,” a three-part series, commissioned by Sbs, that illuminates and questions Australia’s dark colonial past.
Held at Melbourne’s Australia Centre for the Moving Image on March 5- 8, the lively four-day conference of industry panels, screenings and networking events was followed by a three-day online international marketplace (March 9 – 11) that drew 820 documentary and factual industry delegates. The numbers were the highest in 20 years and the most attendees since the event relocated to Melbourne in 2016.
The third annual awards were also announced on March 8 with the top prize for best documentary feature going to “Wash My Soul in the River’s Flow,” director Philippa Bateman’s portrait of musician and activists Archie Roach and Ruby Hunter.
The award for best documentary/factual series was won by Blackfella Films’ “The Australian Wars,” a three-part series, commissioned by Sbs, that illuminates and questions Australia’s dark colonial past.
- 3/20/2023
- by Katherine Tulich
- Variety Film + TV
With the Greater Sydney lockdown due to extend until at least the end of the month, Sydney Film Festival, intended to run August 18-29, will now move to new dates in early November.
This is the second date change for the festival so far this year; typically, Sff is held in June. It pushed its dates to August to following the shifts of major festivals like Cannes and Berlin.
In 2020, the festival was initially cancelled outright, before organisers pivoted to a smaller, online-only line-up of 33 films.
However, this year, while various models were considered through the Covid outbreak, moving entirely online was not an option, nor was a hybrid festival.
Sff CEO Leigh Small tells If that in rescheduling to November, the most important consideration was that the festival be able to go ahead in person, noting that audiences want to get back into cinemas, and industry is financially reliant on an in-cinema model.
This is the second date change for the festival so far this year; typically, Sff is held in June. It pushed its dates to August to following the shifts of major festivals like Cannes and Berlin.
In 2020, the festival was initially cancelled outright, before organisers pivoted to a smaller, online-only line-up of 33 films.
However, this year, while various models were considered through the Covid outbreak, moving entirely online was not an option, nor was a hybrid festival.
Sff CEO Leigh Small tells If that in rescheduling to November, the most important consideration was that the festival be able to go ahead in person, noting that audiences want to get back into cinemas, and industry is financially reliant on an in-cinema model.
- 8/2/2021
- by Jackie Keast
- IF.com.au
Jen Peedom’s River and Ben Lawrence’s Ithaka add to the already strong contingent of local films bound for August’s Melbourne International Film Festival, which unveiled its full program today.
Miff 2021 will include a hefty 283 titles, including 199 features, 84 shorts and 10 Xr experiences. Among them are 40 world premieres; the most in the festival’s 69 year history.
Some 62 of those films will be available nationally via Miff Play, the festival’s online screening platform, with the festival reimagined this year as a hybrid event.
“This year, Miff continues to evolve — to meet the moment, and to meet audiences where they are,” said artistic director Al Cossar.
“What will not change is the extraordinary lineup of cinematic adventures, from home and afar, waiting for them. These are anticipated festival blockbusters, experimentations, breakthrough discoveries, and a huge lineup of incredible Australian talent. We will again share a world of cinema, reignited, to...
Miff 2021 will include a hefty 283 titles, including 199 features, 84 shorts and 10 Xr experiences. Among them are 40 world premieres; the most in the festival’s 69 year history.
Some 62 of those films will be available nationally via Miff Play, the festival’s online screening platform, with the festival reimagined this year as a hybrid event.
“This year, Miff continues to evolve — to meet the moment, and to meet audiences where they are,” said artistic director Al Cossar.
“What will not change is the extraordinary lineup of cinematic adventures, from home and afar, waiting for them. These are anticipated festival blockbusters, experimentations, breakthrough discoveries, and a huge lineup of incredible Australian talent. We will again share a world of cinema, reignited, to...
- 7/12/2021
- by Jackie Keast
- IF.com.au
This year’s Melbourne International Film Festival (Miff) promises the Australian premieres of highly anticipated local features such as Leah Purcell’s The Drover’s Wife The Legend of Molly Johnson and Justin Kurzel’s Nitram.
Miff unveiled the first slate of projects for its 69th iteration today, which sees it return to cinemas, with the full line-up to be announced July 13.
Purcell’s debut feature, which premiered at SXSW, will form the Opening Night Gala – marking the first time a film from an Indigenous female director has opened the event in its history.
“Leah Purcell’s monumental feature The Drover’s Wife The Legend of Molly Johnson will not just open Miff this year – it will kick the doors in,” said Miff artistic director Al Cossar.
“This is a film made for Miff’s return to cinema – an outback western of grand vision; a resonant, revisionist force of filmmaking that...
Miff unveiled the first slate of projects for its 69th iteration today, which sees it return to cinemas, with the full line-up to be announced July 13.
Purcell’s debut feature, which premiered at SXSW, will form the Opening Night Gala – marking the first time a film from an Indigenous female director has opened the event in its history.
“Leah Purcell’s monumental feature The Drover’s Wife The Legend of Molly Johnson will not just open Miff this year – it will kick the doors in,” said Miff artistic director Al Cossar.
“This is a film made for Miff’s return to cinema – an outback western of grand vision; a resonant, revisionist force of filmmaking that...
- 6/16/2021
- by Jackie Keast
- IF.com.au
Sydney Film Festival has revealed the first 22 titles on its line-up for this year, which will see the festival return to cinemas around the city after 2020’s virtual iteration.
Leading the pack are a contingent of local docos including Philippa Bateman’s Wash My Soul in the River’s Flow; Amanda Blue’s Step into Paradise and Eddie Martin’s The Kids, recently selected for Tribeca.
Sff will also boast the Nsw premiere of Kiwi film The Justice of Bunny King, Gaysorn Thavat’s debut feature led by Essie Davis and Thomasin McKenzie; and Nz-Canadian co-production, NIght Raiders, directed by Danis Goulet and executive produced by Taika Waititi.
Festival director Nashen Moodley is excited to return to an in-person event come August, noting the festival already had a “incredible” response to its summer season in January at the State Theatre, when it screened High Ground, Firestarter, Girls Can’t Surf, Minari and Another Round.
Leading the pack are a contingent of local docos including Philippa Bateman’s Wash My Soul in the River’s Flow; Amanda Blue’s Step into Paradise and Eddie Martin’s The Kids, recently selected for Tribeca.
Sff will also boast the Nsw premiere of Kiwi film The Justice of Bunny King, Gaysorn Thavat’s debut feature led by Essie Davis and Thomasin McKenzie; and Nz-Canadian co-production, NIght Raiders, directed by Danis Goulet and executive produced by Taika Waititi.
Festival director Nashen Moodley is excited to return to an in-person event come August, noting the festival already had a “incredible” response to its summer season in January at the State Theatre, when it screened High Ground, Firestarter, Girls Can’t Surf, Minari and Another Round.
- 6/8/2021
- by Jackie Keast
- IF.com.au
Charlotte Mars, Vera Hong and Philippa Bateman.
Create Nsw, Documentary Australia Foundation and RØDE Microphones today announced Charlotte Mars, Philippa Bateman and Vera Hong as the recipients of this year’s SheDoc funding.
SheDoc is a targeted initiative to support female documentary filmmakers with up to $20,000, to be used as a grant to support their project’s travel, research, development, and/or other related expenses.
“The SheDoc program aims to make a pivotal intervention in a woman’s filmmaking career. By offering funding to facilitate opportunities that are self-directed and of benefit, our intention is to offer opportunities that would be difficult to undertake without our support,” said Documentary Australia Foundation CEO Mitzi Goldman.
“We’re very excited to bring SheDoc back this year. The selection of the final three recipients was a tough decision because there were many fantastic applicants. We encourage women to continuously seek opportunities to develop themselves professionally,...
Create Nsw, Documentary Australia Foundation and RØDE Microphones today announced Charlotte Mars, Philippa Bateman and Vera Hong as the recipients of this year’s SheDoc funding.
SheDoc is a targeted initiative to support female documentary filmmakers with up to $20,000, to be used as a grant to support their project’s travel, research, development, and/or other related expenses.
“The SheDoc program aims to make a pivotal intervention in a woman’s filmmaking career. By offering funding to facilitate opportunities that are self-directed and of benefit, our intention is to offer opportunities that would be difficult to undertake without our support,” said Documentary Australia Foundation CEO Mitzi Goldman.
“We’re very excited to bring SheDoc back this year. The selection of the final three recipients was a tough decision because there were many fantastic applicants. We encourage women to continuously seek opportunities to develop themselves professionally,...
- 5/20/2019
- by jkeast
- IF.com.au
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