Robert Aldrich promised no-holds barred rough-tough dramas, and his first two Associates & Aldrich productions certainly hit hard. This play adaptation shows its director’s strength (no-flinching full shock impact) and weakness (theatrical overplaying) in full measure, but the unrestrained performances of Jack Palance and Eddie Albert are unforgettable. The main event can’t have pleased the Pentagon: shooting one’s own officer in combat. Plus, Lee Marvin and Richard Jaeckel get in early innings for their future work in Aldrichs’s The Dirty Dozen.
Attack
Blu-ray
Kl Studio Classics
1956 / B&w / 1:85 widescreen / 107 min. / Street Date December 1, 2020 / available through Kino Lorber / 24.95
Starring: Jack Palance, Eddie Albert, Lee Marvin, William Smithers, Buddy Ebsen, Robert Strauss, Richard Jaeckel, Jon Shepodd, Peter van Eyck, Jimmy Goodwin, Steven Geray, Strother Martin.
Cinematography: Joseph Biroc
Film Editor: Michael Luciano
Original Music: Frank Devol
Written by James Poe from the play Fragile Fox by Norman Brooks...
Attack
Blu-ray
Kl Studio Classics
1956 / B&w / 1:85 widescreen / 107 min. / Street Date December 1, 2020 / available through Kino Lorber / 24.95
Starring: Jack Palance, Eddie Albert, Lee Marvin, William Smithers, Buddy Ebsen, Robert Strauss, Richard Jaeckel, Jon Shepodd, Peter van Eyck, Jimmy Goodwin, Steven Geray, Strother Martin.
Cinematography: Joseph Biroc
Film Editor: Michael Luciano
Original Music: Frank Devol
Written by James Poe from the play Fragile Fox by Norman Brooks...
- 12/15/2020
- by Glenn Erickson
- Trailers from Hell
I’ve always been a war film buff, maybe because I grew up with them at a time when they were a regular part of the cinema landscape. That’s why I read, with particular interest, my Sound on Sight colleague Edgar Chaput’s recent pieces on The Flowers of War (“The Flowers of War Is an Uneven but Interesting Chinese Ww II Film” – posted 2/20/12) and The Front Line (The Front Line Rises to the Occasion to Overcome Its Familiarity” – 2/16/12) with such interest. An even more fun read was the back-and-forth between Edgar and Sos’s Michael Ryan over the latter (“The Sound on Sight Debate on Korea’s The Front Line” – 2/12/12), with Michael unimpressed because the movie had “…nothing new to add to the war genre,” and Edgar coming back with “…‘new’ is not always what a film must strive for. So long as it does well what it set out to do…...
- 2/28/2012
- by Bill Mesce
- SoundOnSight
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