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Paramount Global reached “nearly 64 million” streaming subscribers worldwide as of the end of June, up from more than 62 million as of the end of March. The latest period saw the addition of 5.2 million subscribers, partially offset by the removal of 3.9 million subscribers in Russia due to the country’s invasion of Ukraine.
The Hollywood giant revealed the latest figures Thursday as part of its quarterly earnings report, which saw its revenue jump 19 percent to 7.78 billion amid 126 percent growth in the film unit, driven by such recent hit releases as Top Gun: Maverick, and despite a TV media unit advertising revenue drop.
Adjusted operating income before depreciation and amortization (Oibda) for Paramount’s second quarter fell 22 percent to 963 million amid increased streaming investments. Quarterly net earnings from continuing operations dropped from 995 million in the year-ago period to 358 million.
The company detailed in its results...
Paramount Global reached “nearly 64 million” streaming subscribers worldwide as of the end of June, up from more than 62 million as of the end of March. The latest period saw the addition of 5.2 million subscribers, partially offset by the removal of 3.9 million subscribers in Russia due to the country’s invasion of Ukraine.
The Hollywood giant revealed the latest figures Thursday as part of its quarterly earnings report, which saw its revenue jump 19 percent to 7.78 billion amid 126 percent growth in the film unit, driven by such recent hit releases as Top Gun: Maverick, and despite a TV media unit advertising revenue drop.
Adjusted operating income before depreciation and amortization (Oibda) for Paramount’s second quarter fell 22 percent to 963 million amid increased streaming investments. Quarterly net earnings from continuing operations dropped from 995 million in the year-ago period to 358 million.
The company detailed in its results...
- 8/4/2022
- by Georg Szalai
- The Hollywood Reporter - Movie News
Hollywood’s sound pros nominated Birdman and Dawn of the Planet of the Apes for three awards apiece as the Motion Picture Sound Editors unveiled nods for its 62nd Mpse Golden Reel Awards, honoring the best feature film, television, animation and computer entertainment work of the year.
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
- 1/14/2015
- by Jen Yamato
- Deadline
Jeff Favreproduction: A Beautiful View, Son of Semele Theatre; Robots vs. Fake Robots, Powerhouse Theatre; Shipwrecked! An Entertainment, Geffen Playhouse.Playwriting: David Largman Murray, Robots vs. Fake Robots.Direction: Don Boughton, A Beautiful View; John Doyle, Sweeney Todd, the Demon Barber of Fleet Street, Center Theatre Group, Ahmanson Theatre; Tiger Reel, Cartoon, Art/Works Theatre; Elise Robertson, The Women, Circus Theatricals.Music Direction: Sarah Travis, Sweeney Todd, the Demon Barber of Fleet Street. Scenic Design: Simon Higlett, The School of Night, Center Theatre Group, Mark Taper Forum; Christine Jones, Spring Awakening, Center Theatre Group, Ahmanson Theatre; Anthony Ward, My Fair Lady, Center Theatre Group, Ahmanson Theatre.Lighting Design: Russell H. Champa, The School of Night; Richard Jones, Sweeney Todd, the Demon Barber of Fleet Street.Costume Design: Anthony Ward, My Fair Lady.Sound Design: Dan Moses Schreier, Sweeney Todd, the Demon Barber of Fleet Street.Perfomance In A (Primarily) Straight Play:Gregory Itzin,...
- 3/11/2009
- backstage.com
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