A “Jacob’s Ladder”-ish paranoid thriller arriving just in time to find conspiracy theories plunked right in the middle of post-election American politics, “Wander” only muddies the water further. This latest collaboration between director April Mullen and writer Tim Doiron offers yet another unpredictable shift, but pushes its idiosyncrasies off a cliff before establishing any narrative terra firma.
There is some pleasure to be had in watching an atypically frenetic Aaron Eckhart as a Ptsd-afflicted loner wading deep into possibly-imagined evildoings in the Southwest, with Tommy Lee Jones and Heather Graham also welcome as two allies. Still, the film’s hyperbolic style and convoluted storytelling tend to exhaust patience rather than build intrigue, making for a muddle whose too-many twists and turns ultimately seem meaningless as well as implausible. Saban Films is releasing the Canadian co-production to American audiences via digital, on demand and available theaters Dec. 4.
At the town limits of desert hamlet Wander,...
There is some pleasure to be had in watching an atypically frenetic Aaron Eckhart as a Ptsd-afflicted loner wading deep into possibly-imagined evildoings in the Southwest, with Tommy Lee Jones and Heather Graham also welcome as two allies. Still, the film’s hyperbolic style and convoluted storytelling tend to exhaust patience rather than build intrigue, making for a muddle whose too-many twists and turns ultimately seem meaningless as well as implausible. Saban Films is releasing the Canadian co-production to American audiences via digital, on demand and available theaters Dec. 4.
At the town limits of desert hamlet Wander,...
- 12/4/2020
- by Dennis Harvey
- Variety Film + TV
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