Vince McMahon, who has been in the news for all the wrong reasons, is currently treated as someone with whom Tko group and WWE do not want to get involved. His face has now been blurred out of the company’s new video game. Publisher 2K confirmed that McMahon has been cut following the allegations of s*xual assault and trafficking against him made earlier this year.
Former WWE boss Vince McMahon
McMahon left the organization following an ex-wwe employee’s lawsuit accusing him of assault. Apart from being the real-life boss of the wrestling promotion, McMahon also played the villainous Mr. McMahon, an authoritarian character that was a centerpiece of WWE programming for the last few decades.
SUGGESTEDVince McMahon Talked About His Divorce With Linda McMahon in One of the Wildest WWE Moments With Stephanie McMahon WWE 2K24 Blurs Vince McMahon’s Face
WWE 2K24 has blurred footage of...
Former WWE boss Vince McMahon
McMahon left the organization following an ex-wwe employee’s lawsuit accusing him of assault. Apart from being the real-life boss of the wrestling promotion, McMahon also played the villainous Mr. McMahon, an authoritarian character that was a centerpiece of WWE programming for the last few decades.
SUGGESTEDVince McMahon Talked About His Divorce With Linda McMahon in One of the Wildest WWE Moments With Stephanie McMahon WWE 2K24 Blurs Vince McMahon’s Face
WWE 2K24 has blurred footage of...
- 3/7/2024
- by Prantik Prabal Roy
- FandomWire
When it comes to predicting the Oscar winner for Best Film Editing, you can’t go wrong by looking for the movie with the most cuts. Past winners “The Bourne Ultimatum” (2008), “Mad Max: Fury Road” (2016) and “Ford v Ferrari” (2020) included high-octane action sequences with frenetic cutting. And a slew of other champs — including “Saving Private Ryan” in 1999, “Black Hawk Down” (2002), “The Hurt Locker” (2010), “Hacksaw Ridge” (2017) and “Dunkirk” (2018) — have been war pictures. (Scroll down for the most up-to-date 2021 Oscar predictions for Best Film Editing.)
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015) and “Bohemian Rhapsody” (2019). Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by deftly blurring the lines between the real and the fantastic.
Historically, a...
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015) and “Bohemian Rhapsody” (2019). Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by deftly blurring the lines between the real and the fantastic.
Historically, a...
- 3/4/2021
- by Paul Sheehan
- Gold Derby
Clemenger Bbdo Melbourne was named agency of the year at the Melbourne Advertising & Design Club Awards tonight.
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
- 10/4/2012
- by Robin Hicks
- Encore Magazine
Dog food brand Pedigree is giving people the option of watching two different ads in cinemas, depending on what sort of 3D glasses they wear.
The two different videos, projected on to the same screen, show the consequences of whether or not the viewer donates to the Pedigree Adoption Drive, a charity to find homes for maltreated dogs in New Zealand.
In one video, a dog is rescued. In the other, the dog is never found.
The agency behind the campaign was Colenso Bbdo. Finch was the production company.
Credits
Agency: Colenso Bbdo
Creative Chairman: Nick Worthington
Creative Director: Levi Slavin
Art Director: Jae Morrison
Copywriter: Levi Slavin
Group Account Director: Scott Coldham
Senior Account Manager: Dave Munn
Agency Producer: Jen Storey
Production Company: Finch
Producer: Phil Liefting
Director: Nic Finlayson
Executive Producer: Rob Galluzzo
Sound Design: Franklin Road
Creative Technology: Emad Tahtouh
Editor: David Coulson
Music: Lullable (Donnelly) courtesy of Mushroom Records,...
The two different videos, projected on to the same screen, show the consequences of whether or not the viewer donates to the Pedigree Adoption Drive, a charity to find homes for maltreated dogs in New Zealand.
In one video, a dog is rescued. In the other, the dog is never found.
The agency behind the campaign was Colenso Bbdo. Finch was the production company.
Credits
Agency: Colenso Bbdo
Creative Chairman: Nick Worthington
Creative Director: Levi Slavin
Art Director: Jae Morrison
Copywriter: Levi Slavin
Group Account Director: Scott Coldham
Senior Account Manager: Dave Munn
Agency Producer: Jen Storey
Production Company: Finch
Producer: Phil Liefting
Director: Nic Finlayson
Executive Producer: Rob Galluzzo
Sound Design: Franklin Road
Creative Technology: Emad Tahtouh
Editor: David Coulson
Music: Lullable (Donnelly) courtesy of Mushroom Records,...
- 5/16/2012
- by Robin Hicks
- Encore Magazine
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