When Tony Conrad passed away in April of 2016, I knew of him as an experimental filmmaker. It’s hard to be an art student at the University at Buffalo — despite his teaching in Media Studies rather than Fine Art — and not know his name. But that was all I knew: a name, reputation, and the plaudits of countless friends who knew so much more. Only when obituaries started being released in the likes of the New York Times did I realize how renowned a figure he was beyond local heroic status working alongside Paul Sharits and Hollis Frampton in my hometown. Then Rolling Stone posted. Pitchfork, Stereogum, NME, and other music publications quickly followed suit. Suddenly a whole world was opened by his sprawling legacy.
This is where documentarian Tyler Hubby arrives — with a film twenty years in the making that proves perfectly suited for a Conrad novice like myself.
This is where documentarian Tyler Hubby arrives — with a film twenty years in the making that proves perfectly suited for a Conrad novice like myself.
- 10/9/2016
- by Jared Mobarak
- The Film Stage
On Monday, July 26, famed rock producer, manager, and lyricist Sandy Pearlman died at the age of 72. His Wikipedia page says he "was the recipient of 17 gold and platinum records." He managed that despite not actually producing many bands, or even albums -- but he left a big imprint on every one he worked on.
Born in Rockaway (Queens), NY in 1943, he got a college degree at the State University of New York at Stony Brook on Long Island in 1966.
A year later, still in the Stony Brook area, he recruited a band so he could have a series of science-fiction poems he'd written (the Imaginos saga, about a group secretly controlling world history) set to music and performed. He named the band Soft White Underbelly after Winston Churchill's epithet for Italy, but changed its name to Oaxaca after Soft White Underbelly got a negative review at a big concert.
Born in Rockaway (Queens), NY in 1943, he got a college degree at the State University of New York at Stony Brook on Long Island in 1966.
A year later, still in the Stony Brook area, he recruited a band so he could have a series of science-fiction poems he'd written (the Imaginos saga, about a group secretly controlling world history) set to music and performed. He named the band Soft White Underbelly after Winston Churchill's epithet for Italy, but changed its name to Oaxaca after Soft White Underbelly got a negative review at a big concert.
- 7/28/2016
- by SteveHoltje
- www.culturecatch.com
Tony Conrad, 1983. Photo by Joe Gibbons.Tony Conrad, who passed away on April 9 aged 76, was a vital figure in the fields of both filmmaking and music. His work in each is often characterized by its visceral power, its clear-eyed critique of Western art traditions, its interest in social questions and relations of control, its technical virtuosity and wit.Conrad was an indisputable innovator. His film works, beginning with The Flicker (1966) and continuing through, the Yellow Movies (1973), Film Feedback (1974), the ‘cooked film’ and ‘pickled film’ series, and many others, pushing the medium to its inner and outer limits: exploring the potential of long durations, stroboscopic effects, the physical properties of celluloid, the relation of filmmaker to spectator, the relation of film to other arts and to history. Conrad also created a vast number of video works, reflecting the same incisive energy. Too seldom referred to in contemporary writing about experimental film,...
- 4/19/2016
- by Yusef Sayed
- MUBI
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