Above: Six in Paris (Rohmer, Godard, Douchet, Chabrol, Pollet & Rouch, France, 1965).
One of France’s best-loved illustrators, Jean-Michel Folon (1934-2005) was a prodigious creator. The Folon Foundation in Belgium (his country of birth) lists among its collection “39 watercolours, 3 ink paintings in coloured and Indian ink, 5 oils on wood and collage, 1 oil on canvas and collage, 100 engravings, 50 colour tests, 20 line drawings, 50 original engraved copperplates, 11 screen prints, 15 original objects, 12 sculptures in wood, 25 sculptures in plaster, 2 sculptures in polystyrene, 70 sculptures in patinated bronze, 154 original posters, 18 reproductions of illustrated envelopes, 18 sheets of stamps, 8 Aubusson tapestries, 2 coloured stained-glass windows, 1 automaton in painted resin, 1 mosaic, 1 fountain in pink marble, 4 photos and 8 sundry objects.”
Folon is well known in the Us for his political posters (for Greenpeace and Amnesty International), his book illustrations (Kafka, Ray Bradbury), magazine covers (many for the New Yorker) and his collaboration with Milton Glaser. His style was disarmingly simple and instantly recognizable...
One of France’s best-loved illustrators, Jean-Michel Folon (1934-2005) was a prodigious creator. The Folon Foundation in Belgium (his country of birth) lists among its collection “39 watercolours, 3 ink paintings in coloured and Indian ink, 5 oils on wood and collage, 1 oil on canvas and collage, 100 engravings, 50 colour tests, 20 line drawings, 50 original engraved copperplates, 11 screen prints, 15 original objects, 12 sculptures in wood, 25 sculptures in plaster, 2 sculptures in polystyrene, 70 sculptures in patinated bronze, 154 original posters, 18 reproductions of illustrated envelopes, 18 sheets of stamps, 8 Aubusson tapestries, 2 coloured stained-glass windows, 1 automaton in painted resin, 1 mosaic, 1 fountain in pink marble, 4 photos and 8 sundry objects.”
Folon is well known in the Us for his political posters (for Greenpeace and Amnesty International), his book illustrations (Kafka, Ray Bradbury), magazine covers (many for the New Yorker) and his collaboration with Milton Glaser. His style was disarmingly simple and instantly recognizable...
- 11/15/2014
- by Adrian Curry
- MUBI
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