Mono No Aware continues its hardcore commitment to keeping the practice of expanded cinema alive with their 8th annual edition that will run on December 5-6 in Brooklyn, NY at LightSpace Studios.
This is two nights of creative, live cinematic performances utilizing only analog equipment and materials that will never be repeated again in the universe.
Some of the performances include returning champion Joel Schlemowitz, who will be creating a 3-D experience using overhead projectors; and the wonderful Winnipeg underground film scene is represented by Scott Fitzpatrick, who will be turning the book Victorian Frames, Borders and Cuts into a 16mm triple projection.
For all of Mono No Aware’s amazing performances, they are so unique that we are listing them copied and pasted directly from the festival’s website below. But, for even more information, such as screening venues, please visit their official website.
December 5
Starts 9:00 p.m.
This is two nights of creative, live cinematic performances utilizing only analog equipment and materials that will never be repeated again in the universe.
Some of the performances include returning champion Joel Schlemowitz, who will be creating a 3-D experience using overhead projectors; and the wonderful Winnipeg underground film scene is represented by Scott Fitzpatrick, who will be turning the book Victorian Frames, Borders and Cuts into a 16mm triple projection.
For all of Mono No Aware’s amazing performances, they are so unique that we are listing them copied and pasted directly from the festival’s website below. But, for even more information, such as screening venues, please visit their official website.
December 5
Starts 9:00 p.m.
- 11/26/2014
- by Mike Everleth
- Underground Film Journal
The 2nd annual Haverhill Experimental Film Festival features a powerhouse lineup of fantastic short films and one killer feature. It runs May 29–June 1 above the Tap Brewing Company in Haverhill, Massachusetts.
The fest opens on the 29th with a trio of special program events, including a live Super 8mm film performance by Richard Fedorchak, followed by Jodie Mack‘s autobiographical rock animated documentary Dusty Stacks of Mom and assorted Mack handmade films, then ending with live musical scoring of silent films curated by Bob Beal.
The next night, May 30, is not to be missed with two programs of short films that include two incredible standout, award-winning films. First is Kent Lambert‘s masculine video game and pop culture meditation Reckoning 3; second is Mike Olenick‘s gorgeously creepy supervillain serial killer drama Red Luck.
The one feature film of the festival screens on June 1 and is Last Stop, Flamingo, another entry...
The fest opens on the 29th with a trio of special program events, including a live Super 8mm film performance by Richard Fedorchak, followed by Jodie Mack‘s autobiographical rock animated documentary Dusty Stacks of Mom and assorted Mack handmade films, then ending with live musical scoring of silent films curated by Bob Beal.
The next night, May 30, is not to be missed with two programs of short films that include two incredible standout, award-winning films. First is Kent Lambert‘s masculine video game and pop culture meditation Reckoning 3; second is Mike Olenick‘s gorgeously creepy supervillain serial killer drama Red Luck.
The one feature film of the festival screens on June 1 and is Last Stop, Flamingo, another entry...
- 5/29/2014
- by Mike Everleth
- Underground Film Journal
Today was a busy day for some of the smaller guilds with the Visual Effects Society, the Cinema Audio Society, and the Makeup and Hairstylists Guilds all announcing their nominations for 2013.
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
- 1/15/2014
- by Jeff Beck
- We Got This Covered
The Cinema Audio Society has announced the nominees for the 50th Annual Cas Awards for Outstanding Achievement in Sound Mixing for 2013. Winners will be revealed on February 22nd in the Crystal Ballroom of the Millennium Biltmore Hotel. The Cas Career Achievement Award will be given to Re-recording Mixer Andy Nelson.
Here are the nominations for the 50th Cinema Audio Society Awards:
Motion Picture . Live Action
Captain Phillips
Production Mixer --Chris Munro, Cas
Re-recording Mixer .- Michael Prestwood Smith
Re-recording Mixer -- Chris Burdon
Re-recording Mixer -- Mark Taylor
Scoring Mixer -- Al Clay
Adr Mixer -- Howard London, Cas
Foley Mixer -- Glen Gathard
Gravity
Production Mixer --Chris Munro, Cas
Re-recording Mixer -- Skip Lievsay, Cas
Re-recording Mixer -- Niv Adiri
Re-recording Mixer -- Christopher Benstead
Scoring Mixer -- Gareth Cousins
Adr Mixer -- Thomas J. O'Connell
Foley Mixer . Adam Mendez
Inside Llewyn Davis
Production Mixer -- Peter F. Kurland,...
Here are the nominations for the 50th Cinema Audio Society Awards:
Motion Picture . Live Action
Captain Phillips
Production Mixer --Chris Munro, Cas
Re-recording Mixer .- Michael Prestwood Smith
Re-recording Mixer -- Chris Burdon
Re-recording Mixer -- Mark Taylor
Scoring Mixer -- Al Clay
Adr Mixer -- Howard London, Cas
Foley Mixer -- Glen Gathard
Gravity
Production Mixer --Chris Munro, Cas
Re-recording Mixer -- Skip Lievsay, Cas
Re-recording Mixer -- Niv Adiri
Re-recording Mixer -- Christopher Benstead
Scoring Mixer -- Gareth Cousins
Adr Mixer -- Thomas J. O'Connell
Foley Mixer . Adam Mendez
Inside Llewyn Davis
Production Mixer -- Peter F. Kurland,...
- 1/14/2014
- by Manny
- Manny the Movie Guy
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