Night Will Fall, a feature-length production about the filming of the liberation of the Nazi concentration camps, picked up two awards at last night’s Focal International Awards.
It won in the Best Use of Footage in a History Production and in the Cinema Production categories.
The Imperial War Museum’s work in restoring, preserving and completing the work that Sidney Bernstein started on the German Concentration Camps Factual Survey, which formed the bulk of the archive clips in Night Will Fall, received a surprise Special Award for its contribution to the film.
The Focal awards honour the work of those working in the fields of archive and restoration. Focal’s international jury sifted through 265 submissions from 24 countries to select the winners.
The ceremony was hosted by former chief news reporter for the BBC and presenter of Radio 4’s From Our Own Correspondent Kate Adie, who spoke about the importance of capturing events on film and preserving...
It won in the Best Use of Footage in a History Production and in the Cinema Production categories.
The Imperial War Museum’s work in restoring, preserving and completing the work that Sidney Bernstein started on the German Concentration Camps Factual Survey, which formed the bulk of the archive clips in Night Will Fall, received a surprise Special Award for its contribution to the film.
The Focal awards honour the work of those working in the fields of archive and restoration. Focal’s international jury sifted through 265 submissions from 24 countries to select the winners.
The ceremony was hosted by former chief news reporter for the BBC and presenter of Radio 4’s From Our Own Correspondent Kate Adie, who spoke about the importance of capturing events on film and preserving...
- 5/22/2015
- ScreenDaily
WASHINGTON -- What people can now do with ease using digital cameras, Julien Bryan, Jonas Mekas and Dwight Core did when it was much more difficult and seemed to matter more.
What people might post on YouTube or MySpace today, they did with film as Bryan, Mekas and Core documented ordinary people going about their daily lives in extraordinary circumstances.
Movies shot by the three were added to the National Film Registry on Wednesday, joining such boxoffice giants as Rocky, Halloween and Blazing Saddles on the 450-film roster.
In Siege Bryan filmed the citizens of Warsaw going about their daily lives amid the horrors of war as the Nazis battled to take over the city.
"You just sort of see people going one way and soldiers going the other," said Raye Farr, director of the Steven Spielberg Film and Video Archive at the U.S. Holocaust Museum. It's just mind-boggling.
Bryan's name has largely slipped from the public mind, but he was an influential writer and documentary filmmaker in the 1930s and '40s, one of the first public figures to spotlight the menace of the Third Reich. In excerpts from a book about the movie published in Reader's Digest in 1940, he described the eerie nature of the siege.
"A strange aspect of life was that the siege of Warsaw was a commuter's war. The front lines were at the edge of the city," Bryan wrote. "Soldiers kept coming back from the front each day to share their food with their families, or at least to make sure their families were provided for. Losses among civilians were greater than among soldiers, and often it was not so much a question of a husband returning alive from battle as of a family remaining alive at home."
Raye said it was unclear exactly why Bryan was in Poland at that particular moment, other than having a nose for news.
What people might post on YouTube or MySpace today, they did with film as Bryan, Mekas and Core documented ordinary people going about their daily lives in extraordinary circumstances.
Movies shot by the three were added to the National Film Registry on Wednesday, joining such boxoffice giants as Rocky, Halloween and Blazing Saddles on the 450-film roster.
In Siege Bryan filmed the citizens of Warsaw going about their daily lives amid the horrors of war as the Nazis battled to take over the city.
"You just sort of see people going one way and soldiers going the other," said Raye Farr, director of the Steven Spielberg Film and Video Archive at the U.S. Holocaust Museum. It's just mind-boggling.
Bryan's name has largely slipped from the public mind, but he was an influential writer and documentary filmmaker in the 1930s and '40s, one of the first public figures to spotlight the menace of the Third Reich. In excerpts from a book about the movie published in Reader's Digest in 1940, he described the eerie nature of the siege.
"A strange aspect of life was that the siege of Warsaw was a commuter's war. The front lines were at the edge of the city," Bryan wrote. "Soldiers kept coming back from the front each day to share their food with their families, or at least to make sure their families were provided for. Losses among civilians were greater than among soldiers, and often it was not so much a question of a husband returning alive from battle as of a family remaining alive at home."
Raye said it was unclear exactly why Bryan was in Poland at that particular moment, other than having a nose for news.
- 12/27/2006
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.