Time can be a hell of a drug, especially when it comes to the projected image. There’s an inherent danger in revisiting a film we have fond memories of; is it as good as we recall? Conversely, can a film improve after an initial viewing, one that perhaps was initially dismissed with a shrug and a wave of the hand? Case in point: actor David Keith’s directorial debut, The Curse (1987), a film that inspired nothing in me beyond guffaws 30 years ago. But that was then; now it inspires a sense of awe, because if you’ve ever wondered what an American-flavored Lucio Fulci film would look like, clear a spot in your collection for the class clown of the Class of ’87.
Producer Ovidio G. Assonitis is no stranger to fans of the genre; if you’ve seen Beyond the Door (1974), Tentacles (1977), or The Visitor (1979), then you know he...
Producer Ovidio G. Assonitis is no stranger to fans of the genre; if you’ve seen Beyond the Door (1974), Tentacles (1977), or The Visitor (1979), then you know he...
- 7/6/2017
- by Scott Drebit
- DailyDead
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