Based on the novel of the same name by Nicholas Searle, director Bill Condon's, "The Good Liar" is a smartly mounted and fabulously meshed tale of con and revenge, where the manipulation is apparent and yet intriguing and not a put-off.
If you have seen the trailer of this film, you'd be convinced that it is about con artists who are out to outshine each other. Instead, we get more: An offbeat tale packed with mystery.
Set in London 2009, the narrative begins with a well-to-do, recently widowed, septuagenarian Estelle, using an online dating service. She sets up a date with a chivalrous gentleman named Brian. They soon meet face to face for the first time at a local caf?.
During the meet, they open up to each other confessing that they have used false names since they were initially suspicious of each other. Brian, to gain Estelle's confidence, is...
If you have seen the trailer of this film, you'd be convinced that it is about con artists who are out to outshine each other. Instead, we get more: An offbeat tale packed with mystery.
Set in London 2009, the narrative begins with a well-to-do, recently widowed, septuagenarian Estelle, using an online dating service. She sets up a date with a chivalrous gentleman named Brian. They soon meet face to face for the first time at a local caf?.
During the meet, they open up to each other confessing that they have used false names since they were initially suspicious of each other. Brian, to gain Estelle's confidence, is...
- 11/29/2019
- GlamSham
Franco Rosso's Babylon star Brinsley Forde with Ed Bahlman and Dennis Bovell at Bam: "Let's be honest, a film like that had never been done before. We had The Harder They Come, the films from Jamaica, but nothing from the UK." Photo: Anne-Katrin Titze
At the Brooklyn Academy of Music before the Us theatrical première of Babylon at BAMcinématek, Brinsley Forde spoke with me about the cast, which includes Trevor Laird, Brian Bovell, Archie Pool, Victor Romero Evans, Stefan Kalipha, Cosmo Laidlaw, Cynthia Powell, T. Bone Wilson, David N. Haynes, Mark Monero, Karl Howman, and Jah Shaka, and the film "presenting a life that the people who were in the movie, extras and all, were totally aware of."
Franco Rosso's powerful feature, with the camerawork of Chris Menges and a score by Dennis Bovell, takes you upfront into a world of survival that remains relevant today. Brinsley brings...
At the Brooklyn Academy of Music before the Us theatrical première of Babylon at BAMcinématek, Brinsley Forde spoke with me about the cast, which includes Trevor Laird, Brian Bovell, Archie Pool, Victor Romero Evans, Stefan Kalipha, Cosmo Laidlaw, Cynthia Powell, T. Bone Wilson, David N. Haynes, Mark Monero, Karl Howman, and Jah Shaka, and the film "presenting a life that the people who were in the movie, extras and all, were totally aware of."
Franco Rosso's powerful feature, with the camerawork of Chris Menges and a score by Dennis Bovell, takes you upfront into a world of survival that remains relevant today. Brinsley brings...
- 3/16/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Music legends Dennis Bovell and Ed Bahlman unite before the preview of Franco Rosso's powerful Babylon with Brinsley Forde at BAMcinématek Photo: Anne-Katrin Titze
When I arrived with Ed Bahlman (99 Records) at the Brooklyn Academy of Music for my conversations with Brinsley Forde and Dennis Bovell, two key figures for Franco Rosso's Babylon, co-written with Martin Stellman, produced by Gavrik Losey, and shot by two-time Oscar winner Chris Menges (for Roland Joffé's The Killing Fields and The Mission), Brinsley, Dennis, and Seventy-Seven founder Gabriele Caroti were standing in the lobby. Ed greeted Dennis and they immediately reconnected by sharing memories of The Slits, Viv Albertine's memoir, Chris Blackwell, Adrian Sherwood, Pop Group, Mark Stewart, Public Image Ltd, Bruce Smith, Neneh Cherry, Linton Kwesi Johnson, the Reggae Lounge, and of course, Ari Up and the making of Cut.
Brinsley Forde shines in Franco Rosso's Babylon Photo: Anne-Katrin Titze...
When I arrived with Ed Bahlman (99 Records) at the Brooklyn Academy of Music for my conversations with Brinsley Forde and Dennis Bovell, two key figures for Franco Rosso's Babylon, co-written with Martin Stellman, produced by Gavrik Losey, and shot by two-time Oscar winner Chris Menges (for Roland Joffé's The Killing Fields and The Mission), Brinsley, Dennis, and Seventy-Seven founder Gabriele Caroti were standing in the lobby. Ed greeted Dennis and they immediately reconnected by sharing memories of The Slits, Viv Albertine's memoir, Chris Blackwell, Adrian Sherwood, Pop Group, Mark Stewart, Public Image Ltd, Bruce Smith, Neneh Cherry, Linton Kwesi Johnson, the Reggae Lounge, and of course, Ari Up and the making of Cut.
Brinsley Forde shines in Franco Rosso's Babylon Photo: Anne-Katrin Titze...
- 3/10/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Has it really been 25 years since we first met Indiana Jones's father?
"Indiana Jones and the Last Crusade," the third film in the globe-trotting series, opened on May 24, 1989, returning our favorite dashing archaeologist to fighting Nazis and searching for Biblical treasures. It was the second-highest grossing film of 1989 with $197 million in the U.S. alone, surpassing 1984's "Temple," which earned just under $180 million.
While we are all as much scholars of these films as Dr. Jones is of collectible relics, we've unearthed some details you might not have known about the making of the film, including its many James Bond connections and why Steven Spielberg was so reluctant to make a movie about the Holy Grail.
1. Although George Lucas and Spielberg had always intended to make the series a trilogy, Spielberg also wanted "to apologize for the second one" by returning to the spirit of the original, hence the welcome...
"Indiana Jones and the Last Crusade," the third film in the globe-trotting series, opened on May 24, 1989, returning our favorite dashing archaeologist to fighting Nazis and searching for Biblical treasures. It was the second-highest grossing film of 1989 with $197 million in the U.S. alone, surpassing 1984's "Temple," which earned just under $180 million.
While we are all as much scholars of these films as Dr. Jones is of collectible relics, we've unearthed some details you might not have known about the making of the film, including its many James Bond connections and why Steven Spielberg was so reluctant to make a movie about the Holy Grail.
1. Although George Lucas and Spielberg had always intended to make the series a trilogy, Spielberg also wanted "to apologize for the second one" by returning to the spirit of the original, hence the welcome...
- 5/24/2014
- by Sharon Knolle
- Moviefone
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