In the vast plethora of exploitation films of the 60s and 70s that fostered a female vigilante as their protagonist, the “Red Peony Gambler” series was one of the most successful, resulting in eight episodes that screened from 1968 to 1972. Toei tried to build up on that success with a new series titled “Red Silk Gambler”, essentially copying the premises of the original work, since the only differences between the two characters is that the latter had a lily tattoo instead of a peony. Poor box office receipts (at a time when audiences in generally were vanishing) meant the film did not launch a new series after all, although neither the commercial failure nor the copying mean that the film is not of quality.
The story is based on a novel by Oniroku Dan, and revolves around a woman nicknamed Tiger Lily, who, as the film begins, visits a rich man’s house,...
The story is based on a novel by Oniroku Dan, and revolves around a woman nicknamed Tiger Lily, who, as the film begins, visits a rich man’s house,...
- 3/23/2021
- by Panos Kotzathanasis
- AsianMoviePulse
Teruo Ishii’s Shogun’S Joy Of Torture (1968) will be available on Blu-ray February 23rd from Arrow Video
From the outrageous imagination of cult director Teruo Ishii comes this infamous omnibus of three shocking tales of crime and punishment based on true-life documented cases set during the reign of the Tokugawa shogunate.
The first tale sees the beautiful Mitsu (Masumi Tachibana) going to horrifying lengths to tend to her older brother Shinz (Teruo Yoshida), a carpenter injured in a work accident, but the law catches up on them and metes out a terrifying retribution after they violate the ultimate taboo. In the second, unfettered passions in a Buddhist nunnery are not allowed to go unpunished after abbess Reih (Yukie Kagawa) and her attendant Rintoku (Naomi Shiraishi) encounter a virile young monk from a neighboring temple. In the closing segment, a sadistic torturer (Fumio Watanabe) attempts to show a tattoo artist (Asao Koike...
From the outrageous imagination of cult director Teruo Ishii comes this infamous omnibus of three shocking tales of crime and punishment based on true-life documented cases set during the reign of the Tokugawa shogunate.
The first tale sees the beautiful Mitsu (Masumi Tachibana) going to horrifying lengths to tend to her older brother Shinz (Teruo Yoshida), a carpenter injured in a work accident, but the law catches up on them and metes out a terrifying retribution after they violate the ultimate taboo. In the second, unfettered passions in a Buddhist nunnery are not allowed to go unpunished after abbess Reih (Yukie Kagawa) and her attendant Rintoku (Naomi Shiraishi) encounter a virile young monk from a neighboring temple. In the closing segment, a sadistic torturer (Fumio Watanabe) attempts to show a tattoo artist (Asao Koike...
- 2/22/2021
- by Tom Stockman
- WeAreMovieGeeks.com
“My mum never made lunch for me.”
“Who would for scum like you?”
By 1972, Kinji Fukasaku could already look back on a long career making movies for Toei studios. Additionally, his contribution to Richard Fleischer’s “Tora! Tora! Tora!” (1970) marked the director’s first international collaboration as he was responsible for the Japanese segment of the film together with his colleague Toshio Masuda. Even though much of his body of work consisted of contract work for the studio, many of his projects also showed signs of the kind of energy and anarchy which would constitute his later work.
On the surface “Street Mobster” sounds like the kind of movies Fukasaku had done previously. As film scholar Jasper Sharp points out, the original title of the film, “Gendai yakuza: Hitokiri yota”, signifies a shift from away from the traditional approach to the gangster genre. However, it was not until Fukasaku’s final entry to the series,...
“Who would for scum like you?”
By 1972, Kinji Fukasaku could already look back on a long career making movies for Toei studios. Additionally, his contribution to Richard Fleischer’s “Tora! Tora! Tora!” (1970) marked the director’s first international collaboration as he was responsible for the Japanese segment of the film together with his colleague Toshio Masuda. Even though much of his body of work consisted of contract work for the studio, many of his projects also showed signs of the kind of energy and anarchy which would constitute his later work.
On the surface “Street Mobster” sounds like the kind of movies Fukasaku had done previously. As film scholar Jasper Sharp points out, the original title of the film, “Gendai yakuza: Hitokiri yota”, signifies a shift from away from the traditional approach to the gangster genre. However, it was not until Fukasaku’s final entry to the series,...
- 11/26/2018
- by Rouven Linnarz
- AsianMoviePulse
Legendary Toei director Teruo Ishii tells three stories of moral sickness set during Japan s prosperous Genroku era in this bloody follow-up to his sexploitation classic Shogun s Joy of Torture, and the fourth entry in Toei s abnormal love film series. Ishii s politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.
Told in anthology style by an impassive physician (Teruo Yoshida), the first story follows Oito (Masumi Tachibana), an innocent young girl deceived by a handsome yakuza and sold into prostitution who finds herself in a doomed love affair with the man who brought her to ruin. The tale of Ochise (Mitsuko Aoi) is about the daughter of a rich merchant whose insatiable appetite for filth and perversion draws her deeper into violence, darkness and betrayal. Finally, the story of Omitsu (Miki Obana) follows a sadistic lord...
Told in anthology style by an impassive physician (Teruo Yoshida), the first story follows Oito (Masumi Tachibana), an innocent young girl deceived by a handsome yakuza and sold into prostitution who finds herself in a doomed love affair with the man who brought her to ruin. The tale of Ochise (Mitsuko Aoi) is about the daughter of a rich merchant whose insatiable appetite for filth and perversion draws her deeper into violence, darkness and betrayal. Finally, the story of Omitsu (Miki Obana) follows a sadistic lord...
- 11/5/2018
- by Tom Stockman
- WeAreMovieGeeks.com
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