When the history books are written to include modern world cinema, one name that is sure to be mentioned as a titan not just of Korean or Asian cinema, but cinema in general, will undoubtedly be that of South Korean maestro Lee Chang-dong. In a career spanning more than 25 years now, starting in the early days of the Korean New Wave all the way till the modern day, Lee has made a mere six feature films, almost all of which are generally considered among the finest. In their 2022 edition, the Jeonju International Film Festival held a retrospective of the celebrated director’s works, which included 4k remastered versions of all of Lee’s feature films, along with the world premieres of his new short “Heartbeat” and “Lee Chang-dong: The Art of Irony”, a new retrospective documentary by French director Alain Mazars.
Much like Lee’s breakthrough sophomore work “Peppermint Candy...
Much like Lee’s breakthrough sophomore work “Peppermint Candy...
- 2/23/2023
- by Rhythm Zaveri
- AsianMoviePulse
Film writer and director Lee Chang-dong, one of Korea’s best-known auteur filmmakers who has contributed to putting Korean cinema firmly on the global stage, is guest of honor at the Lumiere Film Festival in Lyon, where he was welcomed with a standing ovation.
The Cannes veteran – four out of his six feature films have been screened at the festival and its sidebars – engaged with the audience with characteristic humility on questions of identity, human nature, violence and love, which are central themes to all of his films.
“People sometimes ask me why I always tell stories centered on characters who are suffering. Trust me, I am not sadistic,” he smiled. “But it takes us back to the notion of family [which is central to all my films]: I grew up in a poor family, and I’m familiar with suffering,” he said.
Illustrating his point with his 2002 Venice Silver Lion winner, “Oasis”, a compassionate, intimate...
The Cannes veteran – four out of his six feature films have been screened at the festival and its sidebars – engaged with the audience with characteristic humility on questions of identity, human nature, violence and love, which are central themes to all of his films.
“People sometimes ask me why I always tell stories centered on characters who are suffering. Trust me, I am not sadistic,” he smiled. “But it takes us back to the notion of family [which is central to all my films]: I grew up in a poor family, and I’m familiar with suffering,” he said.
Illustrating his point with his 2002 Venice Silver Lion winner, “Oasis”, a compassionate, intimate...
- 10/18/2022
- by Lise Pedersen
- Variety Film + TV
Apart from the classic auteurs in the Special Presentations section, the 39th Festival du nouveau cinéma will be filled to the gills in new works from across the globe. I view the extremely popular film festival as sort of a B-side for film festival circuit items that generally find a spot in a major film fest such as Cannes and afterwards would normally fall through the cracks. Think the Nyff's much wilder, Canadian cousin. Over 295 films - this includes shorts, fiction and documentary, animation, retrospectives, tributes, professional panels, outdoor interactive installations, the festival which takes place between the 13th to the 24th of October, furiously promotes not only world talent, but local French Canadian filmmakers. Among the notable titles, we have Michelangelo Frammartino's Le Quattro volte, Olivier Assayas' Carlos and Alex de la Iglesia's The Last Circus and Wang Bing will be in town for a Master Class for Venice-winning The Ditch.
- 9/28/2010
- IONCINEMA.com
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